Ash Brown

My Week in Manga: November 11-November 17, 2013

November 18, 2013 by Ash Brown

My News and Reviews

Last week was apparently “Blade of the Immortal Week” here at Experiments in Manga. I finally got around to reading and reviewing Blade of the Immortal: Legend of the Sword Demon, a novel written by Junichi Ohsako with illustrations by Hiroaki Samura, which is a re-imagining of the early part of the manga series. Honestly, I was disappointed with it and would only recommend the novel to fellow Blade of the Immortal completists. I also reviewed Blade of the Immortal, Volume 27: Mist on the Spider’s Web. With that review, I have now caught up with the English released of the Blade of the Immortal manga series. And so, I wrote some random musings on Wrapping Up the Blade of the Immortal Monthly Review Project.

And now for a few interesting things found online last week. SciFi Japan has a great interview with Zack Davisson, the translator for the recently released Showa: A History of Japan by Shigeru Mizuki. The School Library Journal’s Good Comics for Kids has an interesting roundtable on Gene Luen Yang’s Boxers & Saints. Takako Shimura’s Wandering Son, Volume 4 is one of the nominees for the 2014 Rainbow Book List. (As is Julie Maroh’s Blue Is the Warmest Color, for that matter.) And finally, Kodansha Comicss participated in Reddit’s Ask Me Anything. I haven’t had the chance to read through all of the comments yet, but what I’ve read so far has been interesting.

Quick Takes

Battling Boy by Paul Pope. I have enjoyed Paul Pope’s work in the past and so I was very excited for the release of Battling Boy, his most recent graphic novel. What I didn’t realize was that it was the first volume in what will be at least a two-volume series, not including the recently announced prequel The Rise of Aurora West. It was a little frustrating to reach the end of Battling Boy just when things were really starting to pull together only to discover that it stops without any sort of conclusion and not even much of a cliffhanger. Still, Battling Boy is a tremendous amount of fun and I did enjoy it. I appreciate Pope’s offbeat humor and slightly surreal and absurd storytelling. The artwork’s pretty great, too. Following the eponymous demigod Battling Boy as he struggles to complete his coming-of-age ceremony and become a hero, the graphic novel is Pope’s original take on the superhero origin story. While he brings his own touch to the genre, there are plenty of influences from other comics (such as Batman and Thor to name two) that can be seen in the work.

Endless Rain by Yuuya. I’ve not had particularly good luck with the boys’ love that I’ve been reading recently and Endless Rain hasn’t changed that. I can’t say that I enjoyed this one-shot much at all. Despite having a happy ending (which I am not at all convinced would happen) the manga isn’t particularly pleasant and includes what basically amounts to forced prostitution. The plotting is sloppy, the narrative is difficult to follow and at times doesn’t make any sense, and the characterization is inconsistent. With Hyougami’s vendetta against the Kasuga family and the bad blood between Akira Kasuga and his father Endless Rain had some potential, but Yuuya doesn’t quite pull it off. Maybe if the manga was a little longer it wouldn’t have been such a mess. As it is, Yuuya tries to cram in too much and it ends up rushed. The only part of Endless Rain that I really liked was Iwao–a scarred and severe-looking yakuza who dotes on Akira’s younger brother. Contrary to his appearance, he’s actually a very sweet guy. Unfortunately, he only briefly shows up as a side character.

Missions of Love, Volume 5 by Ema Toyama. Although I am familiar with the basic premise of Missions of Love, I haven’t actually read any of the series until this volume. When I heard the manga described it seemed so trope-filled that I just couldn’t muster up any interest in it despite the rather provocative covers. But now I’m kind of sorry that I missed out on the earlier volumes. Yes, there are quite a few tropes being used, but the twisted romantic relationships are mesmerizing even if they aren’t particularly healthy. None of the characters are really very nice people and their interactions are a mess of lies and manipulation. Missions of Love is very suggestive and scandalous even though all that really happens in this volume (well, except for the emotional exploitation) is a bit of ear nibbling. I can see why others call Missions of Love addicting; I know that I want to read more. The only thing that really annoyed me about Missions of Love is how Yukina’s glasses are drawn (or rather how the aren’t drawn)–the lines used are so minimal that they barely seem to exist at all.

Silver Spoon directed by Tomohiko Ito. Based on the award-winning manga series Silver Spoon by Hiromu Arakawa (which was in part inspired by her experiences growing up on dairy farm), the Silver Spoon anime adaptation is quite well done. The series is very forthright and honest about where food comes from, including the raising and slaughtering of animals for meat. I know that particular subject will distrub some viewers, but I think it is something that is important for people to understand and the anime does handle it very well. Many of its characters are also conflicted over it. One of the major story lines of Silver Spoon has to do with Hachiken, the protagonist, trying to come to terms with what it is he eats. However, life and the taking of it is treated with immense respect in the series. I myself grew up in a farming community among the cows, corn, and soybeans (my neighbors actually happened to be dairy farmers), and so I could appreciate Silver Spoon‘s realistic portrayal of the challenges faced by those who make their living caring for animals and crops.

Pick of the Week: Mostly Sunny

November 18, 2013 by MJ, Michelle Smith, Anna N, Ash Brown and Sean Gaffney Leave a Comment

MJ: Once again, there’s quite a bit on this week’s shipping list, including a new volume of the much beloved Yotsuba&!, but one title stands out clearly from the crowd for me. That would be volume two of Taiyo Matsumoto’s Sunny, due out this week from Viz. From my review of the first volume: “The book’s structure and pacing seem so in tune with a child’s sense of time—that feeling of impatience on top of the endless landscape of imagination. These kids have more reasons than most to escape into their fantasy worlds, but they spend just as much time being shuffled along the familiar routines of childhood. Meals, school, sleep, play—their daily lives are similar to most young kids, but with an edge of anxiety most of us were privileged to do without. And it’s these points of anxiety that make Sunnyfeel moving and real, and not a nostalgia piece in the slightest.” Yes, I will be buying this. I really can’t wait.

MICHELLE: I’m with MJ on this. I reviewed volume two for this week’s Bookshelf Briefs and it was every bit as masterful and moving as volume one. Perhaps more so. Really, I find words inadequate to describe its greatness, so just go read it already.

ANNA: I’ll have to join in on the love for Sunny, this is clearly the standout title for the week.

ASH: It’s Matsumoto’s Sunny for me this week, too. I had the pleasure of being at TCAF for the series’ English debut, and I’ve been looking forward to the second volume’s release ever since.

SEAN: I’m picking Yotsuba&!, because I dislike unanimity, and also it’s hella fun.

What looks good to you this week?

Random Musings: Wrapping Up the Blade of the Immortal Monthly Review Project

November 16, 2013 by Ash Brown

Hiroaki Samura’s Blade of the Immortal was one of the first manga that I ever read and it was the first series that I made a point of collecting. Even before I started writing at Experiments in Manga, I was reading and reviewing Blade of the Immortal. However, I wasn’t very consistent or timely with those reviews. And so, early in 2012, I began a monthly review project in which, beginning with the seventh volume, I would read and review one volume of Blade of the Immortal every month.

Nearly two years later, I have reached the twenty-seventh volume and my reviews have finally caught up with the English release of the series. I also plan on reviewing the new volumes of Blade of the Immortal as they are published. Assuming Dark Horse continues releasing Blade of the Immortal as it has been, there should be a total of thirty-one volumes in the English-language edition and we’ll see the end of the series in 2015.

Deliberately focusing on a single series month after month was an interesting experience and one that I enjoyed. I believe that it allowed me to see overarching plots and themes more clearly; it forced me to really look at what was going on and I noticed details that I might not have otherwise. Overall, I found it to be a valuable exercise in reviewing. So much so that I’ll soon be taking up a new monthly review project. I’m putting it up to a vote, too, so be on the lookout!

The links to all of my Blade of the Immortal reviews have been conveniently collected below, including the links to my reviews of Samura’s Blade of the Immortal artbook and the novel based on the manga written by Junichi Ohsako. (Some of the older reviews were written before I had read much manga and before I really knew what I was doing; I find them rather embarrassing, so please be forgiving.)

The Art of Blade of the Immortal
Blade of the Immortal: Legend of the Sword Demon

Manga the Week of 11/20

November 15, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 4 Comments

SEAN: Another one of those weeks that brings something for everyone.

It has been a year and two months since the last volume of Berserk from Dark Horse. (This is the fault of the Japanese author, let’s note, whose reputation for breaks is limitless.) Now, at last, we have the next volume.

ASH: YES! Berserk is one of my favorites. Well, early Berserk is one of my favorites. But I’m always happy to see a new volume of the series released.

MJ: I have never read Berserk, but I’ll admit that Dark Horse’s announcement about the new volume made it all sound very exciting.

SEAN: Oh My Goddess 45 contains one of the most amazing, ballsiest retcons I have seen in ages. It set fandom alight, and I look forward to reading it in this new volume, also from Dark Horse.

Fairy Tail’s speedup is nearing the end, but not quite there yet, so here’s Vol. 32, which is still at the start of the Grand Magic Games arc.

Sherlock Bones also has its 2nd volume, which will feature more from the sort-of love interest of the boy (the dog does not, as far as I know, have a love interest).

ASH: Well, there is Takeru’s sister who reminds Sherdog an awful lot of Irene Adler…

SEAN: Picturebox is having a busy month. This week we get the second in their Ten Cent Manga series, featuring a well-known name – Osamu Tezuka, with The Mysterious Underground Men, one of his very first works.

ASH: I’ll admit, I’m a little burned out on Tezuka, but the Ten Cent Manga series is pretty great.

MJ: I’m with Ash here, but I’ll still probably read it.

SEAN: The longest Alice in the Etc. series to date comes to an end with the 7th and final volume of Cheshire Cat Waltz. Will Alice and Boris live happily ever after? Is happily ever after really a desirable result here? We shall see.

ANNA: I have to say, I don’t care very much about this series, but I just started Alice in the Country of Joker. That’s one thing to be said for all the many Alice in series, something for everyone.

Sickness Unto Death wraps up with its second volume. I reviewed it here.

Hey, remember Dogs? It’s at the ever popular yearly release schedule (not due to sales – Japan has a yearly schedule as well), and is sure to be stylish.

Sunny was a nicely introspective manga when the first volume landed in the spring, so I am quite looking forward to Vol. 2.

ASH: As am I! It’s a beautiful, deluxe release, too.

MICHELLE: Me, too! I’m reviewing it for the next Bookshelf Briefs, in fact!

ANNA: I very much enjoyed the first volume of this series and the deluxe format makes a nice holiday gift!

MJ: I really can’t wait to read this. Michelle & I adored Volume 1.

SEAN: I have run out of things to say about Yen’s BTOOOOM!, so I will note that since this is Volume 4 I added an extra O to the title.

MICHELLE: *snerk* I gave up after the craptacular second volume.

SEAN: A quick detour to the manwha side, as Vol. 8 of Jack Frost is out. I lost track of this back at the start. Is the girl still getting decapitated constantly?

MJ: Probably.

SEAN: Soul Eater 17 contains one of the most popular sequences in the entire series. I won’t say anything more, other than: Rule 63.

Lastly, speaking of yearly releases, it’s Yotsuba&! time. Featuring Halloween, camping, and Asagi’s friend (and that’s all she is, despite yuri fans everywhere wishing it were otherwise) Torako. Ever volume of this series puts a smile on my face.

ASH: I can’t believe how far behind I am with Yotsuba&!. I should address this issue immediately.

MICHELLE: Yay, Yotsuba&!.

ANNA: I am terribly behind as well.

MJ: New Yotsuba&! is always a welcome sight!

SEAN: What appeals to you most?

Blade of the Immortal, Vol. 27: Mist on the Spider’s Web

November 15, 2013 by Ash Brown

Creator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781616552152
Released: September 2013
Original release: 2010
Awards: Eisner Award, Japan Media Arts Award

Mist on the Spider’s Web is the twenty-seventh volume in the English-language edition of Hiroaki Samura’s Blade of the Immortal manga series. Released by Dark Horse in 2013, Mist on the Spider’s Web is more or less equivalent to the twenty-sixth volume of Blade of the Immortal published in Japan in 2010. Blade of the Immortal is an award-winning series. Over the course of its long publication history the manga has earned Samura a Japan Media Arts Award and an Eisner Award among other honors. Blade of the Immortal is also a series of which I am particularly fond, so I am glad to see Dark Horse sticking with the manga through to its end. Mist on the Spider’s Web takes place during the fifth and final major story arc of Blade of the Immortal. The previous volume, Blizzard, was particularly good and so I was very interested to see where Samura would take things next with Mist on the Spider’s Web.

While Rin, Manji, and the others are recovering from their final confrontation with Shira, the hunt for the remaining Ittō-ryū swordsmen continues. The main group is well on its way to Hitachi under the guidance of senior members Abayama Sosuke and Kashin Koji. Before making their escape they hope to reunite with their leader Anotsu Kagehisa who has been delayed after his attack on Edō Castle. The three other Ittō-ryū fighters who also took part in the strike are either dead, missing, or severely wounded. Habaki Kagimura is in pursuit, chasing down the Ittō-ryū and its allies. He and his Rokki-dan warriors–death row convicts with little choice but to aid Habaki in his quest–are charged with annihilating the rogue sword school. The pressure on the Ittō-ryū continues to mount as more and more of Anotsu’s enemies draw ever closer.

If it wasn’t already apparent, Mist on the Spider’s Web makes it very clear how far the Ittō-ryū has fallen since its glory days. The most talented swordsmen are slowly being killed off, the new members are few and inexperienced, and the group has had to abandon some of its core ideals and principles just for the chance of survival. It is becoming increasingly likely that the Ittō-ryū may simply cease to exist in its entirety. The sword school is a mere shadow of what it once was. The Ittō-ryū, which destroyed so many other martial groups and caused so much chaos, is now faced with its own demise. However, its members are prepared to fight to the very end and by any means necessary. Despite the questionable methods that the Ittō-ryū has employed to reach its goals, Anotsu wasn’t entirely wrong in his ambitions. It is a little disheartening to see the Ittō-ryū’s idealism fading away.

Mist on the Spider’s Web has some fantastic action sequences, but there’s also quite a bit of standing around and talking, too. It can be somewhat tedious at times, but it does make sense within the context of what is going on. In general the focus of Blade of the Immortal on the Ittō-ryū has been directed towards its fighters, but the group also has members that rely more on their mental capacities rather than on their martial capabilities. Anotsu has always been shown to be a particularly impressive strategist in addition to being a skilled swordsman, but in Mist on the Spider’s Web it is old man Kashin who demonstrates his worth through his devious intelligence. He doesn’t need physical strength to overcome his enemies, only careful thought, thorough planning, and little bit of time. Of course, time is one of the things that the Ittō-ryū has less and less of these days.

Blade of the Immortal: Legend of the Sword Demon

November 13, 2013 by Ash Brown

Author: Junichi Ohsako
Illustrator: Hiroaki Samura
U.S. publisher: Dark Horse
ISBN: 9781595823380
Released: January 2010
Original release: 2008

Hiroaki Samura’s Blade of the Immortal was one of the first manga series that I began reading and it remains one of my personal favorites. When I learned that a novel based on the manga had been written I immediately picked it up. However, it did take me quite some time to actually get around to reading it. Blade of the Immortal: Legend of the Sword Demon, written by Junichi Ohsako with illustrations by Samura, was originally published in Japan in July 2008–the same month the anime adaptation of Blade of the Immortal began airing. I don’t know much about the author (Legend of the Sword Demon is the only novel by Ohsako to have been released in English), but I do know that Ohsako is a fellow fan of Blade of the Immortal. The English-language edition of Legend of the Sword Demon was translated by Camellia Nieh and released in 2010 by Dark Horse. Unsurprisingly, Dark Horse is also the publisher responsible for releasing the Blade of the Immortal manga and artbook in English.

Rin was the only daughter of Asano Takayoshi, the head of the respected Mutenichi-ryū sword school. A few years past he was brutally murdered before her very eyes, her mother was raped and abducted, and Rin was abandoned and left alone to fend for herself. Her family was destroyed at the hands of a group of renegade swordsmen known as the Ittō-ryū and their leader Anotsu Kagehisa. Now Rin is seeking her revenge, hiring an outlaw known only as Manji as her bodyguard. Rumored to be immortal, Manji has vowed to kill one thousand evil men to atone for hist past misdeeds. But is the Ittō-ryū truly evil? Whether it is or isn’t, Manji and Rin aren’t the only ones seeking the group’s demise. This complicates matters a great deal and it becomes difficult for Rin and Manji to determine who are friends and who are foes. Any alliances made in the fight against the Ittō-ryū can only be assumed to be temporary.

Legend of the Sword Demon is a very quick read. The story is a re-imagining of the early part of the Blade of the Immortal manga series. While the novel has some unique content of its own, including a dangerous enemy not found anywhere else, many of the scenes will be familiar to those who have read the original. All of the most popular characters make an appearance in the novel as well. (This was actually one of the conditions set by the publisher when the novel was initially commissioned.) Legend of the Sword Demon mostly focuses on the action of the story. Very little descriptive detail is given and the characters aren’t particularly fleshed out, either. It is interesting to see a slightly different take on Blade of the Immortal, but Legend of the Sword Demon almost requires that readers have a fairly firm grounding in the original series to really appreciate what Ohsako is doing with the story and characters. There might be enough in the novel to entice new readers to pick up the manga, but I am not at all confident of that.

In the end, I was actually rather disappointed with Legend of the Sword Demon. I can’t really recommend the novel to anyone but those who are Blade of the Immortal completists (a group of people to which I admittedly belong). Ultimately, Legend of the Sword Demon is a very insubstantial work and somewhat shallow, lacking the depth present in the manga series. It feels as though the novel is nothing more than tie-in promotional material. Ohsako may be a devoted fan of Blade of the Immortal but Legend of the Sword Demon isn’t long enough nor complex enough to really establish itself as noteworthy. It’s fun in places, but Legend of the Sword Demon is largely forgettable. The real highlight of the volume is Samura’s cover art and the handful of full-page illustrations that he created specifically for the novel. Otherwise, Legend of the Sword Demon is something that most people probably won’t regret passing over.

Pick of the Week: PictureBox & Other Stories

November 11, 2013 by Ash Brown, Sean Gaffney, Michelle Smith, Anna N and MJ Leave a Comment

ASH: Though there aren’t quite as many titles coming out this week as there were in the past couple of weeks, there are still plenty of manga to choose from. Personally, I’m torn between two releases: the first omnibus in Shigeru Mizuki’s Showa: A History of Japan from Drawn & Quarterly and the first volume in PictureBox’s new series Masters of Alternative Manga, Gold Pollen and Other Stories by Seiichi Hayashi. In the end, I think I’m leaning slightly more towards the beautiful hardcover edition of Gold Pollen. Alternative and underground manga aren’t often released in English; I’m happy to show PictureBox my support because I’d love to see more of it.

SEAN: I was going to pick Showa anyway, so no worries about it not appearing here. I’ve loved the Mizuki manga we’ve gotten so far from D&Q, and seeing a history of one of the most volatile periods of modern Japan, interspersed with more awesome yokai folklore, is simply too good to pass up. A must buy.

MICHELLE: I’m awfully glad we’ve got things like Gold Pollen and Showa coming out, but I can’t lie—my heart belongs to Blue Morning, volume three. Definitely my pick for best BL of the year.

ANNA: I’m glad we have those things coming out too, but to be honest, I’m probably going to read the latest volume of 07-Ghost before I read other things that are being released this week. So that is my pick!

MJ: It’s so tempting to fall back on an enduring standby this week, with the sixth 3-in-1 edition of Fullmetal Alchemist making its way to the shelves. There are few shounen manga that have occupied such a prominent place in my heart, and my admiration for its brilliant creator, Hiromu Arakawa, is steadfast and true. But comfort of old favorites is, this week, overshadowed by my excitement over PictureBox’s new collection of Seiichi Hayashi manga, Gold Pollen and Other Stories, so I must echo Ash’s pick. Not only does this release offer me a prolonged glimpse at an era of manga from which I’ve read very little, but it’s also a gorgeous, high-end release—large trim, hardcover, full-color. I can’t wait to take a close look at it. I’m thrilled, too, that this is just the first in PictureBox’s alternative manga series.

What looks good to you this week?

My Week in Manga: November 4-November 10, 2013

November 11, 2013 by Ash Brown

My News and Reviews

Last week I announced the winner of the Sankarea manga giveaway. The post also includes a list of zombie manga that has been licensed in English, for those who might be interested. Considering the recent popularity of zombies, I was actually a little surprised to discover there weren’t more. I also posted two reviews last week. The first was for Makoto Kobayashi’s What’s Michael, Book Two, a fantastic cat manga sent to me by a Manga Bookshelf reader for review. My second review from last week was for Coffinman: The Journal of a Buddhist Mortician by Shinmon Aoki, which was the inspiration for Yōjirō Takita’s award-winning film Departures.

And now for a few things that I’ve come across online over the last couple of weeks. Crunchyroll Manga is now up and running. Deb Aoki wrote a good article about it for Publishers Weekly–Kodansha, Crunchyroll Talk Global ‘Simulpub’ Manga . At A Case Suitable for Treatment, Sean took a quick look at the manga series currently being offered through the platform–Kodansha and Crunchyroll Partnership: What Are We Getting?. Mostly unrelated, Kodansha posted on its Tumblr account a great summary of why some manga may never be licensed in North America, even if it’s really good. Rob Vollmar’s essay for World Literature Today “Dark Side of the Manga: Tezuka Osamu’s Dark Period” is actually from last year, but was recently brought to my attention again. And finally, the Comic Book Legal Defense Fund focused on Gene Luen Yang’s Boxers & Saints (which I think is one of the best comics to be released this year) as part of its Using Graphic Novels in Education column.

Quick Takes

Animal Land, Volumes 5-8 by Makoto Raiku. It took a few volumes for Animal Land to really grow on me, but now that it has I find that I quite like the series. The occasional focus on scatological humor feels a bit out-of-place to me, though it seems to have become less common as the series progresses. The artwork in Animal Land is a little strange–a combination of realism and anthropomorphism–but generally engaging. The characters, particularly Taroza, are very likeable. I have enjoyed watching him grow up. A newborn at the beginning of the series, by the end of the eighth volume he has become a young man who has had to face the hard truths about his idealism. Taroza wants to put an end to the cycle of killing and eating, but to do so will require him to throw all of Animal Land into turmoil. He is not the only one who has an interest in shifting the power dynamics of the world–four other humans have made themselves known and have their own ideas about how things should be. I was a little surprised to see a bit of science fiction and time travel work its way into Animal Land, but I am very curious to see how things continue to develop.

Battle Vixens, Volume 1 by Yuji Shiozaki. Supposedly, Battle Vixens (aka Ikki Tousen) is somehow based on, or at least inspired by the classic Chinese historical novel Romance of the Three Kingdoms. Had I not known this going into the series, I’m not sure I really would have picked it up from reading the first volume. As far as I can tell, the references are barely there. (Which reminds me, I really do need to get around to finishing Romance of the Three Kingdoms.) What is readily apparent from the first page of the manga is that the English title, Battle Vixens was aptly chosen. The series is all about the fights and the fan service. There might be some sort of plot, too, but after only one volume I am still incredibly confused as to what is actually supposed to be going on. Basically there’s this girl, Hakufu Sonsaku, with a sizable chest and the penchant for getting into brawls. Towards what end? I am unsure. She simply seems predisposed to violence and having her clothes ripped off of her in the process. For a series based on fights the action unfortunately tends to be somewhat difficult to follow, but some of the panels have great composition.

No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 1 by Nico Tanigawa. Okay, I’m just going to refer to this series by its Japanese abbreviation WataMote because I can never seem to remember the title in its entirety. (Plus, it’s really long.) WataMote is simultaneously one of the most funny and depressing manga that I’ve read recently. The story follows Tomoko Kuroki, an extraordinarily awkward and socially inept young woman who has just started high school. Most of her “life experience” has come from reading manga and playing video games, which may explain why she has difficulty interacting with her classmates. They mostly just ignore her or at least tolerate her existence. Occasionally she tries to be more than the weirdo in the corner, but it doesn’t often turn out well for her. I care about Tomoko and find her to be a sympathetic character which is why her trials and errors, though humorous, can also be a bit painful to watch. WataMote isn’t exactly mean-spirited, but it’s not particularly pleasant either. Her interactions with her younger brother are fantastically awkward (granted, all of Tomoko’s relationships are awkward), but there are some glimpses of familial love, too.

Flowers of Evil directed by Hiroshi Nagahama. Based on the manga series by Shuzo Oshimi, the Flowers of Evil anime series is a phenomenal adaptation. It’s one of the rare cases where I might actually prefer the anime over the original manga. That being said, the anime is definitely not a series that everyone will be able to enjoy. First of all, the pacing is excruciatingly slow. It worked for me and I think it creates marvelous tension, but someone who needs a bit more action and forward movement from their anime will be very frustrated. Not much actually happens from episode to episode; the focus is more on the inner turmoil and crises of the characters. The animation also relies heavily on rotoscoping techniques, resulting in a style that doesn’t personally bother me, but I know plenty of people who can’t stand it. I think it was suitable for Flowers of Evil, creating a slightly disconcerting and surreal mood that fits the unsettling atmosphere and darker nature of the series. The use of music and silence in the series is also quite remarkable. The twisted triangle of a relationship between Kasuga, Nakamura, and Saeki is intense. The Flowers of Evil anime captures it perfectly using art film-like sensibilities.

Coffinman: The Journal of a Buddhist Mortician

November 10, 2013 by Ash Brown

Author: Shinmon Aoki
Translator: Wayne Yokoyama
U.S. publisher: Buddhist Education Center
Released: January 2002
Original release: 1993

Shinmon Aoki’s Coffinman: The Journal of a Buddhist Mortician was originally brought to my attention when I learned that Yōjirō Takita’s 2008 film Departures (which I love) was loosely based on the work. I came across the title again when I was looking into embalming practices in Japan. Embalmers are a rarity in a country where cremation soon after death is almost exclusively practiced. Instead, bodies are generally prepared for funeral by a nokanfu, or “coffinman.” Aoki’s autobiographical Coffinman was initially published in Japan in 1993. The Buddhist Education Center released the book in English in 2002 with a translation by Wayne Yokoyama. Also included in the volume is a foreword by Taitetsu Unno, the author of River of Fire, River of Water, a major work and introduction to Pure Land Buddhism in English.

Nearly thirty years before writing Coffinman, Shinmon Aoki pursued the unusual career more out of necessity than by choice when he and his family were facing bankruptcy. The profession, as well as others that deal with the dead, is looked down upon and even reviled by some, the taboo and impurity associated with death extending to those who make their living from it. After becoming a coffinman, Aoki lost friends and was shunned by family members. When his wife discovered what his new job entailed even she was incredibly upset by it. But Aoki provided an important and needed service to those left behind to grieve the loss of their loved ones as well as for the dead who had no one to mourn for them. Working so closely with corpses day after day put Aoki in a position to understand what death and life really means in both physical and spiritual contexts. It’s not happy work, but death is also not something to fear.

Coffinman is divided into three chapters but can also be seen as consisting of two parts. The first two chapters, “The Season of Sleet” and “What Dying Means” make up the first part of Coffinman. In them Aoki relates personal anecdotes and stories about his career as a coffinman–how he came to be employed, people’s reactions to him and the job, how working in an environment surrounded by death changed him and his way of thinking, and so on. He frequently uses poets and poetry as a way to express his thoughts to the reader. The third and longest chapter, “The Light and Life,” makes up the second half of the book. Although Aoki’s personal recollections can still be found in this section, the focus turns to the role of death in Shin Buddhism (the largest sect of Japanese Buddhism) from a layperson’s perspective.

Particularly when reading the second half of Coffinman it does help to have some basic understanding of Buddhism. However, it is not absolutely necessary as plenty of end notes are provided for guidance. Additionally, Aoki’s style of writing is very personable and approachable even for those who might not have a familiarity with Buddhism. Many of Aoki’s philosophical musings, such as those dealing with the relationship between religion and science or how society as a whole has come to view life and death, are not only applicable to Buddhist ways of thought. Although there is a strong sense of spirituality throughout the book, it is only the second half that focuses on the more religious aspects of the subject matter. As interesting as I found Aoki’s reflections on Buddhism, what appealed to me most about Coffinman were the more autobiographical elements of the work–the impact that becoming a coffinman had on his life and how that career fits into the culture of Japan.

What’s Michael?, Vol. 2

November 8, 2013 by Ash Brown

Creator: Makoto Kobayashi
U.S. publisher: Studio Proteus
ISBN: 9781560600787
Released: February 1991
Original release: 1985
Awards: Kodansha Manga Award

Before there was Konami Kanata’s Chi’s Sweet Home there was Makoto Kobayashi’s What’s Michael?, proving that the international appeal of cats and cat manga is nothing new. What’s Michael? began serialization in Comic Morning in 1984 and ran for five years and nine volumes, winning a Kodansha Manga Award in the process. In addition to English, at least part of the series has been translated into French, German, and even Polish. What’s Michael?, Book Two is the second of two volumes to be released in English by Studio Proteus. The volume, published in 1991, collects material that was originally released in Japan in 1985. Although only two volumes of What’s Michael were released by Studio Proteus, Dark Horse later released the series almost in its entirety. (Some strips were left out due to potentially objectionable content.) Unfortunately, both the Studio Proteus and Dark Horse editions of What’s Michael? are long out of print.

Michael is an orange tabby tomcat, an American Shorthair with plenty of personality and representative of all cats and their quirks. What’s Michael? follows him and his interactions with other cats and humans, who are often just as peculiar as the felines they love. There’s the man who seems to be a living cat-magnet, the couple who didn’t completely think through the combination of claws and their new wicker furniture, the man who put far too much thought into living with a cat, a girl who delights in pestering Michael, the yakuza who despite their hardened demeanor have a soft spot in their hearts when it comes to four-legged fuzzballs, and all of the other people who can’t get enough of or who have had way too much of cats. Michael’s fellow felines, along with all their foibles and charms, also make frequent appearances. The result is an entertaining and highly amusing collection of short cat manga.

What’s Michael? works so well because Kobayashi is exceptionally attuned to cats and their behavior as well has how humans react when confronted by that behavior. Everything in What’s Michael? I have seen before with the cats, family members, and friends that I have known, which is what makes it so delightfully funny. One of the things that impressed me the most about What’s Michel?, Book Two was how little of the comedy relied on dialogue, which makes sense considering that cats don’t really communicate through words. Instead, Kobayashi relies on the actions, reactions, and overreactions of the cats and other characters to drive the humor of the series. And he succeeds magnificently–What’s Michael? is hilarious. It really is a shame that the series is currently out of print and somewhat difficult to find in English; it’s definitely worth tracking down.

Although there are recurring characters and running jokes, and even a few continuing storylines, What’s Michael? is largely episodic in nature. Before reading What’s Michael?, Book Two, I had only seen a few random chapters from the series; my unfamiliarity did not at all detract from my enjoyment of the volume. Each strip is only six pages long and range from the completely realistic to the utterly fantastic, but they are all authentic representations of the nature of cats and their owners. What’s Michael? is a genuinely funny and slightly surreal manga. Cat lovers will especially appreciate the series, but even those without a particular affinity for felines should at least occasionally find What’s Michael to be amusing. I know that I enjoyed What’s Michael?, Book Two immensely and would love to read more of the series, but then I live with cats and am quite familiar with their antics. Kobayashi captures them perfectly in What’s Michael?.

Manga the Week of 11/13

November 7, 2013 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 2 Comments

SEAN: This week isn’t quite as bad as the previous two, but there’s still a chunky bit of stuff coming onto the shops.

Dark Horse has the 3rd of their Lone Wolf & Cub omnibuses. That’s a chunky item hitting the shops all by itself, and very good value for money it is too.

ASH: I’m happy to see Lone Wolf & Cub being re-released. The larger format means I have a better chance of actually being able to read the text, too.

MJ: I’ve been so happy to have a fresh opportunity to fall in love with this series. And fall in love, I have!

ANNA: Nice! I need to check this out again, I think I only read the first five or so volumes of the original series but I did enjoy it.

SEAN: We have a trio of releases from DMP. Lies Are A Gentleman’s Manners certainly wins the title of the week award, but I know nothing else about it. The description seems to involve LSD and blackmail.

ASH: I don’t know much about this one, either. But, megane alert!

MJ: Thanks to David Welsh, I’m thrilled to see anything from Opera, so count me in!

Moon and Blood 4 is still doing its mini-manga thing.

And Triton of the Sea finishes up with its 2nd omnibus. Are we getting near the end of print Tezuka releases, headed for a digital-only future?

ASH: I think we’re getting close. There are only two forthcoming Tezuka print releases that I’m currently aware of: The Mysterious Undergound Men and The Crater.

SEAN: Drawn & Quarterly has been putting out a lot of Shigueru Mizuki lately, and this is one of his big magnum opus projects. Showa 1926-1939: A History of Japan seems to actually be half history book and half yokai (come on, can we really expect no yokai in a Mizuki book?), as we switch between his childhood and the events that shaped Japan. I can’t wait for this one. There’s a sequel, covering World War II, out in the spring.

MICHELLE: Oh, that *does* sound interesting.

ASH: I’m very much looking forward to this series. If the first two omnibuses do well, we should see two more.

MJ: Ditto!

ANNA: This looks cool.

SEAN: Kodansha has Cage of Eden 12, with more extinct animals, action sequences, and naked teenage girls bathing in rivers.

Another intriguing debut is Black Bard, which One Peace Books is putting out as a done-in-one omnibus. From Media Factory’s oddball shoujo magazine Comic Gene, and the plot sort of sounds like Shoulder-A-Coffin Kuro, only less depressing.

ASH: I’m definitely checking this one out. I just can’t pass up the music and magic combo.

MJ: Again, what Ash said!

ANNA: I am reserving judgement until the first reviews get posted, but it does sound interesting.

SEAN: One Peace also has the 4th of the reissue volumes of Crayon Shin-chan, which has been their main manga product to date, though with Black Bard they’re starting to expand. Shin-chan is pure kiddie fun, though be aware it’s a kid’s idea of fun, not a parent’s.

Picturebox has been known for having some old-school seinen, and this week is no different with the release of Gold Pollen and Other Stories. Actually, instead of seinen, it’s more pure alternative, and sounds quite interesting in an “indie comix” way.

ASH: I’ve already got my copy of this one! Picturebox has been doing some really interesting manga releases this year and the production quality has been top-notch. Gold Pollen is the first volume in its Masters of Alternative Manga series; I’m very curious to see what else will be picked up.

MJ: I’m pretty anxious to see this!

SEAN: SubLime has the 3rd volume of Blue Morning, which I understand has garnered some praise from other corners of the Manga Bookshelf. Anyone want to chime in?

MICHELLE: I described it as “more like a genuine period drama than BL romance with some token period frills.” The characters are well developed and complex, too, and I really couldn’t recommend it more highly.

MJ: I’m really enjoying this series, and Michelle’s recent review has made me anxious to dig into this volume!

SEAN: “I am hot.” “I am also hot.” “And naked.” “I too am naked.” “We fight crime.” “In an erotic way.” “We are… Spiritual Police.” “From SubLime Manga, November 6.” “Revel in our hot bods.” “And sultry gazes.”

MICHELLE: Bwa-ha-ha!

MJ: <3

SEAN: Vertical dips into the world of post-apocalyptic sci-fi with From the New World Vol. 1. I really didn’t like the first volume, but others may disagree with me.

ASH: I’ve been told the manga follows the novels more closely than the anime adaptation, but I’m really not sure what to think about this series yet.

SEAN: 07-Ghost Vol. 7 comes as close as it ever will to being symmetrical.

MICHELLE: Sigh. Somehow I am now really, really far behind on this.

MJ: I’m mesmerized by the near-symmetry.

ANNA: I need to get caught up! I enjoy this series.

SEAN: Fullmetal Alchemist 3-in-1 Vol. 6 introduces Olivier Armstrong, which is the best possible reason to buy it, as she is amazing.

MJ: Yes. Yes she is.

Speaking of omnibuses, Inu Yasha’s VizBIG Edition is up to Vol. 17, which I’m sure is also an exciting and thrilling part of the story, probably.

MICHELLE: I have actually never finished InuYasha. I have the last ten volumes hanging around, ready for me to read them, but I have been delaying it for years now. Kind of like how I never watched that one episode of TNG and thus it is not actually finished for me.

SEAN: Lastly, Rin-Ne ambles slowly along with lucky Vol. 13. Perhaps Sakura will show an emotion this time around… nah, never gonna happen. Still, it’s enjoyable spirit comedy.

MICHELLE: I have a warm spot in my heart for RIN-NE despite its lack of forward momentum of any kind.

SEAN: Any favorites?

Manga Giveaway: Sankarea Giveaway Winner

November 6, 2013 by Ash Brown

And the winner of the Sankarea manga giveaway is…inter4ever!

As the winner, inter4ever will be receiving the first volume of Mitsuru Hattori’s Sankarea: Undying Love as published by Kodansha Comics. Since Hallowe’en falls at the end of October, I thought it was thematically appropriate to offer a zombie manga. I asked that entrants tell me about the zombies that they’ve encountered while reading manga. Also, more for fun than for anything else, I asked whether they prefer slow-moving or fast-moving zombies. (Slow-moving zombies were overwhelmingly preferred, but fast-moving zombies made a showing, too.) For all the gory details, make sure to check out the Sankarea Giveaway comments!

Some Zombie Manga in English:
Biomega by Tsutomu Nihei
Black Sun, Silver Moon by Tomo Maeda
Cinderalla by Junko Mizuno
Dark Edge by Yu Aikawa
Fort of Apocalypse written by Yuu Kuraishi, illustrated by Kazu Inabe
Grand Guignol Orchestra by Kaori Yuki
Hell Baby by Hideshi Hino
Highschool of the Dead written by Daisuke Satō, illustrated by Shoji Sato
Is This a Zombie? written by Shinichi Kimura, illustrated by Sacchi
Princess Resurrection by Yasunori Mitsunaga
The Kurosagi Corpse Delivery Service written by Eiji Otsuka, illustrated by Housui Yamazaki.
Reiko the Zombie Shop by Rei Mikamoto
Sankarea: Undying Love by Mitsuru Hattori
Tokyo Zombie by Yusaku Hanakuma.
Velveteen & Mandala by Jiro Matsumoto
Zombie Fairy by Daisuke Torii
Zombie-Loan by Peach-Pit

Thank you to everyone who participated in the giveaway. I hope to see you all again for the next one!

My Week in Manga: October 28-November 3, 2013

November 4, 2013 by Ash Brown

My News and Reviews

I have been so incredibly busy recently (which is why I don’t have any fun online discoveries to share with you all this week) but I was still somehow able to post a few things here at Experiments in Manga. The most recent manga giveaway is underway and there is still time to enter for a chance to win Sankarea: Undying Love, Volume 1 by Mitsuru Hattori. For those of you interested in the absurd amount of manga that make its way onto my bookshelves, October’s Bookshelf Overload was also posted. And finally, I reviewed the second edition of Hedi Varian’s The Way of Taiko. I myself am a taiko player, and there are very few books in English devoted to taiko, so I am very happy to see the volume back in print in a new edition.

Quick Takes

His Arrogance by Takashi Kanzaki. Despite being part of Digital Manga’s 801 Media imprint, His Arrogance isn’t exceptionally explicit. It’s also not very interesting and I found myself bored with both the story and the characters. Even the artwork, while fairly solid, wasn’t particularly outstanding or noteworthy. Although, occasionally Kanzaki would capture a look of utter adoration that was delightful to see. Ryou’s father established a modeling agency specifically to aid Ryou’s older brother Tomohito in his career. In addition to helping out with the company, Ryou also lives in the dorms with the models. Kazuto is one of those models, one of Ryou’s classmates, and the self-proclaimed rival of Tomohito. I think I would have enjoyed His Arrogance more if Kanzaki would have kept the manga’s focus on Ryou and Kazuto’s relationship. Instead, Ryou’s rather bizarre and vaguely incestuous bond with his brother severely encroaches upon the story. Perhaps it was supposed to be played as comedy, but it just ends up being kind of weird and awkward.

Real, Volume 12 by Takehiko Inoue. Many people assume that Inoue’s masterpiece Vagabond would be my favorite of his manga, but that honor probably goes to his series Real. I absolutely love Real, and I’m not even a huge fan of basketball. Although the sport is certainly an incredibly important part of the series, to me Real is much more about the characters themselves, their internal and external struggles, and their development as people. While the previous volume had a particular focus on Nomiya and his tryout for the Tokyo Lightnings, the twelfth volume turns its attention to Togawa and his efforts to become a better team player–something that is extremely difficult for him. Despite of or maybe because of his natural skill as an athlete, Togawa has always been very critical, harsh, and demanding of his fellow players. If there is a theme to Real, Volume 12, I would say that it is change, and specifically the need, desire, and willingness for change. Several of the manga’s characters must make important decisions about who they are and who they want to be in this volume.

Sankarea: Undying Love, Volume 3 by Mitsuru Hattori. The best thing about the third volume of Sankarea? Rea’s father isn’t in it. (That guy is an utter creep.) Hattori also introduces an important new character–Darin Arciento Kurumiya, who is very interested in zombies and therefore very interested in Rea. She also brings along with her a marvelously ridiculous zombie owl. In addition to Kurumiya’s introduction, this particular volume also focuses on Rea and her attempt to return to school after her zombification. There are some challenges, to say the least. Her body continues to decay and fall apart and since she doesn’t really feel pain anymore she has a tendency to overtax herself physically. I was a little surprised to see how toned-down the extraneous fanservice was in this volume. It’s still there, but it’s not nearly as prominent or distracting as it once was. I am honestly enjoying Sankarea much more than I ever expected that I would. It’s a very odd series with very odd characters and I can appreciate its quirkiness. Rea and Chihiro are both weirdos, but they make a cute not-quite-couple.

KajiUltimateSurvivor Kaiji: Ultimate Survivor directed by Yūzō Satō. After watching and enjoying Akagi, watching Kaji seemed to be a natural choice. It’s another anime series based on a manga Nobuyuki Fukumoto featuring some exceptionally intense and legitimately life-threatening gambles. But whereas Akagi is calm, cool, and collected, Kaiji is hot-blooded and frenetic. (The actor who voiced Akagi also voiced Kaiji; I was quite impressed by his range and how differently he was able to play the two characters.) Kaiji also has extremely bad luck. His troubles really begin when a friend defaults on a loan that Kaiji agreed to co-sign. A man comes to collect but Kaiji, himself in debt, has no way to repay the loan. But he is given an extraordinary opportunity to clear the debt by participating in a series of absurd and increasingly dangerous gambles. Kaiji is incredibly intense and occasionally disturbing with a huge focus on the psychological aspects of the story and the mental torment and despair of its characters. Even a seemingly simple game of rock-paper-scissors can be a traumatic experience.

Pick of the Week: Addictive Shoujo

November 4, 2013 by Michelle Smith, MJ, Anna N, Ash Brown and Sean Gaffney 3 Comments

MICHELLE: I’m caught between two equally compelling options. On the one hand, there’s Skip Beat!‘s sixth 3-in-1 omnibus, but I’ve literally been telling people to read this for years, so even though it’s terrific, perhaps I should instead go for option number two, Strobe Edge. It’s more of an unknown quantity for me, but I’ve personally been enjoying it a lot. So… my official pick is… Strobe Edge (but also Skip Beat!).

MJ: As I’m having trouble choosing something this week, I’ll also go with Strobe Edge! I was unimpressed by this series at first, but it had me hooked by the end of the first volume, and that has only intensified over time. It’s become a book I gobble up immediately upon the arrival of each new volume. Nothing quite beats addictive shoujo.

ANNA: I also adore both Strobe Edge and Skip Beat, but I’ll go ahead and make Skip Beat my pick, simply because I’m a big fan of omnibus editions for these long-running series. Skip Beat is the rare long series that manages to keep everything compelling and fresh.

ASH: I haven’t read any of Strobe Edge yet, but I have read and adored Skip Beat!. Great comedy, great characters, and a the omnibuses are a great way of getting into the series. So, despite some of the other intriguing titles being released this week, my vote goes to Skip Beat!, too.

SEAN: And instead of breaking the tie I will choose Oresama Teacher, which not only is that rare series about teenage delinquents that’s licensed in North America, and not only has an entire *cast* that can rival Special A for being dense and not understanding any nuance, and not only manages to have a reverse harem love quadrangle without making me actually take any sides about who will win, but is simply funny as hell. Will always love this.

What looks good to you this week?

The Way of Taiko

November 3, 2013 by Ash Brown

Author: Heidi Varian
Publisher: Stone Bridge
ISBN: 9781611720129
Released: September 2013
Original release: 2005

There are very few books available in English that are devoted to taiko–Japanese drums and drumming. In fact, there are only two that I know of: Heidi Varian’s The Way of Taiko and Shawn Bender’s Taiko Boom: Japanese Drumming in Place and Motion. Out of these two works, it was The Way of Taiko that first addressed the subject in depth. Originally published in 2005, by the time that I seriously started studying taiko a few years ago The Way of Taiko was already out of print and my dojo’s copy of the book was literally falling apart. And so, I was extremely pleased to learn that Stone Bridge Press was releasing a second edition of The Way of Taiko in 2013. In addition to Varian’s main text, the volume also includes an extensive glossary by David Leong and a foreword by Seiichi Tanaka–credited for introducing modern taiko to the United States.

After the prefatory material and introduction, The Way of Taiko is divided into three major sections which are then followed by the glossary and other resources for reference. The first part, “A Brief History of Taiko” is just that–a concise survey of the history of taiko drums and music from their mythological beginnings to their modern styles of performance. Notably, Varian addresses the place taiko holds in America as well as in Japan. The second section of The Way of Taiko, “Understanding Sounds and Movements,” takes a closer look at the drums themselves as well as other instruments and vocalizations used in taiko performance. Also explained in this section are some of the more visual elements of taiko, such as the players’ attire and movements. The main text of The Way of Taiko closes with “Training in the Way,” focusing on four major aspects of learning taiko: kokoro (spirit), waza (action), karada (body), and rei (etiquette).

For the most part, although updated and revised, the content of the second edition of The Way of Taiko is nearly identical to that of the first. What really makes the second edition stand out from the original printing is the increased values of production quality. The binding is much better and the colors are much sharper and more vibrant. Since the entire volume is in full-color, this really adds to the overall presentation of The Way of Taiko. The improved color is particularly welcomed for the dozens of photographs that are included in the volume exhibiting the power, dynamism, intensity, and beauty of taiko. Seiichi Tanaka’s San Francisco Taiko Dojo is predominantly represented in the photographs (Varian was associated with that dojo and it is the oldest taiko dojo in the United States), but other groups and soloists from both America and Japan are also featured. It is wonderful to be able to see the joy and spirit that the performers put into their art.

The Way of Taiko is a small but informative volume and very approachable, suited for those with a general interest in taiko as well as for those who are more actively involved in the art form. As a taiko player myself, I enjoyed learning more about its history, meaning, and form from a performance perspective. My dojo has a slightly different style and lineage than most of the groups discussed in The Way of Taiko, but I still found the book to be a very valuable resource. What will probably vary the most from school to school is the level of formality and the etiquette followed, but Varian describes the most proper forms so following her guidelines will aid in avoiding offense in most situations. What I probably appreciated most about The Way of Taiko was how many different aspects of taiko Varian addresses: its history and its future, its art and its science, and taiko’s total incorporation of mind, body, and spirit. The Way of Taiko is an excellent resource and I am very happy to see it back in print again.