Ash Brown

My Week in Manga: October 27-November 2, 2014

November 3, 2014 by Ash Brown

My News and Reviews

October is finally over, and I somehow managed to survive! I’ve been extremely busy at work which bled over into the rest of my life and has interfered with a lot of things that I would otherwise rather be doing. I’m really hoping that my stress levels and schedule settle down a bit in November, but my immediate supervisor is retiring in December and I’ll be taking on some more responsibilities in my unit (at least temporarily), so we’ll see how that goes! Anyway, I was somehow able to keep on top of my posts here at Experiments in Manga. The most recent manga giveaway is currently in progress and there’s still time to enter for a chance to win Sherlock Bones, Volume 1. Since this past Friday was Hallowe’en, I decided it would be appropriate to review Junji Ito’s manga Uzumaki: Spiral into Horror. It’s been deservedly called a masterpiece, and the deluxe omnibus edition is especially nice. And over the weekend, I posted October’s Bookshelf Overload for those of you interested in what made it onto my bookshelves last month. I’m sure there was plenty of interesting reading to be found online, but I’m afraid I’ve been so busy I haven’t been able to pay much attention recently. Let me know if I missed something particularly good!

Quick Takes

Angel Sanctuary, Volumes 1-5 by Kaori Yuki. It’s pretty clear after reading the first few volumes of Angel Sanctuary that this manga is going to be epic, for better or for worse. Angel Sanctuary has a huge cast (most with multiple names and multiple identities) and easily enough material for several completely different and unrelated series. So much is crammed into the early volumes that I’m afraid that Yuki might be trying to do too much at once with the manga. Though he is initially unaware of it, Setsuna is the reincarnation of the angel Alexiel, fated to suffer for her past deeds life after life. This causes significant problems for him–other angels and demons are searching for Alexiel, some to reawaken her soul and some to completely destroy her. But even more problematic is Setsuna’s incestuous love for his younger sister Sara. So far the story is somewhat confusing and difficult to follow, albeit with moments of brilliance. However, I do consistently enjoy Yuki’s gothic artwork, tragic melodrama, and gender play. Many of Yuki’s angels also happen to be sexist assholes, completely capable of murder, deception, and greed, which is certainly an interesting take on the celestial beings.

The Flowers of Evil, Volumes 10-11 by Shuzo Oshimi. Several years have passed since the incident in Kasuga’s hometown and his tumultuous relationship with Nakamura. The time has now come for him to face everything that he has done in his past and to confront how his actions have affected the people in his life–his family, his former classmates, his girlfriend, and most importantly himself. Up until now, he has been unable to move on with his life. His past, though he tries to hide it or run away from it, still defines who he is. The finale of The Flowers of Evil is a very effective exploration of personal identity and responsibility. Oshimi’s artwork, while never awful, has improved tremendously since the beginning of the series. This is particularly important for the last two volumes of The Flowers of Evil since large portions of the manga are completely without dialogue or narration; the art must be strong enough to carry the story entirely on its own, and it succeeds in that. The Flowers of Evil is a surprising series, ending with a very different tone and in a very different place than where it first began. It was quite a journey and it was worth every page.

Free!: Eternal Summer directed by Hiroko Utsumi. I rather enjoyed the first season of Free! and was pleasantly surprised to discover that in addition to its goofiness the anime series actually had some substance to it. And so I was looking forward to watching its second season, Eternal Summer. A lot of the humor and drama in the second season comes from the introduction of several new characters. It was a little strange to have best friends suddenly appear when I’m pretty sure they weren’t even hinted at in the first season, but I ended up really liking the additions to the cast. Although most of the characters see some development, most striking is how much Rin has changed from the first season. His anger and angst is mostly gone and he’s become fairly chill, although he’s still very passionate about swimming. It’s a passion that he shares with the other swimmers in the anime, but each has his own approach and way of expressing it. They really don’t always make the best, wisest, or most mature decisions, though. (Not that I would expect that teenagers would.) Driving the narrative of Eternal Summer is the characters’ struggles and searches for their dreams and futures. The season provided a very satisfying conclusion to Free!.

Bookshelf Overload: October 2014

November 2, 2014 by Ash Brown

I knew October was going to be rough on my wallet since there were a lot of manga that I was planning on picking up. Most of October’s acquisitions were the result of preorders, but there were a few impulse buys as a result of some major sales. There were some out-of-print materials that I was happy to welcome into my home, too. For example, I’ve recently become rather enamored with the Boogiepop franchise, and so I made a point to pick up all of the manga and related music albums that were released in North America to add to my collection. As for the new October manga releases that I was particularly excited to see, Kodansha and Vertical made an especially good showing with Vinland Saga, Omnibus 5 by Makoto Yukimura, No. 6, Volume 9 by Hinoki Kino, and Tsuina Miura and Gamon Sakurai’s Ajin: Demi-Human, Volume 1. (Expect in-depth reviews of all three in the near future.) I’m also very excited to read the All You Need Is Kill manga illustrated by Takeshi Obata and Setona Mizushiro’s Black Rose Alice, Volume 2 from Viz. Technically they won’t be released until November, though; I was simply lucky enough to get my copies a little early. October was a good month for independent comics, too.

Manga!
Ajin: Demi-Human, Volume 1 written by Tsuina Miura, illustrated by Gamon Sakurai
All You Need Is Kill written by Ryosuke Takeuchi, illustrated by Takeshi Obata
Apple and Honey by Hideyoshico
Black Rose Alice, Volume 2 by Setona Mizushiro
Blue Morning, Volume 5 by Shoko Hidaka
Boogiepop Doesn’t Laugh, Volumes 1-2 written by Kouhei Kadono, illlustrated by Kouji Ogata
Boogiepop Dual: Losers’ Circus, Volumes 1-2 written by Kouhei Kadono, illustrated by Masayuki Takano
Castle of Dreams by Masami Tsuda
Dengeki Daisy, Volume 15 by Kyousuke Motomi
Disciplinarian by Inochi Wazuka
The Flowers of Evil, Volume 11 by Shuzo Oshimi
Food Wars!, Volume 2 written by Yuto Tsukuda, illustrated by Shun Saeki
The Judged by Akira Honma
Kamen, Volume 2 by Gunya Mihara
Knights of Sidonia, Volume 11 by Tsutomu Nihei
Last Portrait by Akira Honma
Legal Drug by CLAMP
Lone Wolf and Cub, Omnibus 6 written by Kazuo Koike, illustrated by Goseki Kojima
Heartbroken Angels, Volumes 1-2 by Masahiko Kikuni
Magical Girl Apocalypse, Volume 1 by Kentaro Sato
New Lone Wolf and Cub, Volume 2 written by Kazuo Koike, illustrated by Hideki Mori
A New Season of Young Leaves written by Venio Tachibana, illustrated by Akeno Kitahata
No. 6, Volume 9 by Hinoki Kino
Nyotai-ka!, Volumes 2-3 by Ru-en Rouga
Sunny, Volume 4 by Taiyo Matsumoto
Twittering Birds Never Fly, Volume 1 by Kou Yoneda
Vinland Saga, Omnibus 5 by Makoto Yukimura
Whispered Words, Omnibus 2 by Takashi Ikeda
Witchcraft Works, Volume 1 by Ryu Mizunagi
World Trigger, Volumes 1-2 by Daisuke Ashihara
Ze, Volume 9 by Yuki Shimizu

Manhwa!
Aron’s Absurd Armada, Omnibus 3 by MiSun Kim

Comics!
My Japanese Husband Thinks I’m Crazy by Grace Buchele Mineta
Oh Joy, Sex Toy, Volume 1 by Erika Moen
RAV by Mickey Zacchilli
Smut Peddler 2014 by Various
Snackies by Nick Sumida
Tomboy: A Graphic Memoir by Liz Prince
YU+ME: Dream, Omnibuses 1-2 by Megan Rose Gedris

Artbooks!
The Art of Angel Sanctuary, Volumes 1-2 by Kaori Yuki

Film!
Edge of Tomorrow directed by Doug Liman

Music!
Boogiepop: Music Album Inspired by Boogiepop and Others by Yuki Kajiura
Boogiepop Phantom Original Soundtrack by Various

Uzumaki: Spiral into Horror

October 31, 2014 by Ash Brown

Creator: Junji Ito
U.S. publisher: Viz Media
ISBN: 9781421561325
Released: October 2013
Original run: 1998-1999

Junji Ito’s Uzumaki, originally released in Japan between 1998 and 1999, is one of the most well-known horror manga series to have been translated into English. Viz Media has actually published three different English-language editions of Uzumaki, not counting its initial serialization in the monthly manga magazine Pulp. The first edition, published as three individual volumes, was released between 2001 and 2002. These volumes were reissued in a second edition between 2007 and 2008. And then, in 2013, Uzumaki was released by Viz in a deluxe, single-volume hardcover omnibus complete with color pages and gorgeous production values and design. (Though I had previously read and enjoyed the series, it was the spectacular omnibus edition that finally convinced me that Uzumaki was a manga that I needed to own.) An emphasis should be placed on the “gore” of gorgeous–Uzumaki, while it has deservedly been called a masterpiece of horror, is most definitely not a work intended for the faint of heart or weak of stomach.

Kurouzu-cho is a small, quiet seaside village under a curse. It’s manifestation starts with the Saito family. First, Mr. Saito begins acting strangely, developing an unhealthy obsession with spirals. This leads to his demise and in turn his wife understandably becomes terrified of spirals as well, her complex becoming just as severe as her husband’s. In the end, their son Shuichi is the only one left in the family and his girlfriend Kirie Goshima is his only ally. Already uncomfortable with Kurouzu-cho, the fate of his parents convinces Shuichi that the town is contaminated with spirals, though most people believe this to be his own form of insanity. But stranger and stranger things begin to happen in Kurouzu-cho. Kirie becomes witness to so many bizarre occurrences and horrifying deaths that she can’t deny that something is very, very wrong with the town. Tragedy after tragedy befalls Kurouzu-cho, its inhabitants, and anyone unfortunate enough to enter the immediate area as events both figuratively and literally spiral out of control.

At first, Uzumaki seems as though it’s a series that is mostly episodic. Each chapter is largely told and seen from Kirie’s perspective and explores an individual incident involving spirals in some way. But as the manga continues, the stories become more and more closely tied to one another, eventually forming a single, coherent narrative. As previously mentioned, Uzumaki is very graphic, the images that Ito creates, while mesmerizing, can be extraordinarily disturbing and gruesome. But there is more going on in the manga than gore and body horror; there is also a very strong, and very dark, psychological element to Uzumaki which makes the entire series especially effective in its terror. Uzumaki is bizarre and surreal but at the same time is completely convincing in its unnatural horror. It’s hard to believe that something so benign as a simple shape–a spiral–could be so terrifying, but Ito accomplishes the seemingly impossible with Uzumaki. It’s an exceptionally disconcerting work.

Although the imagery in Uzumaki is frequently disturbing, grotesque, and even nauseating, almost as frightening are the characters’ reactions–or, in many cases, their non-reactions–to the terrible events surrounding them. Shuichi is one of the very few people who seem to be completely aware of what is happening in Kurouzu-cho, but he is barely able to maintain his own sanity and becomes increasingly haunted and withdrawn. Surprisingly, hidden within the nightmare that is Uzumaki, there is actually a love story of sorts, granted a tragic one considering the nature of the manga. Despite everything, Kirie is always there to support and look out for Shuichi and his well-being. And even when Shuichi is nearly catatonic and barely able to function within society, he repeatedly risks his life to save hers. But in the end, Uzumaki is ultimately an incredible work of horror. There are things that I’ve seen in the manga that I will never be able to unsee. And I will never be able to look at spirals in quite the same way again.

Manga the Week of 11/5

October 30, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 6 Comments

SEAN: November does not have quite as many books as October, but that’s only due to Thanksgiving week providing a minor break. The other three weeks try harder to drown us in books.

Dark Horse finishes off its Trigun re-release with the 5th Trigun Maximum omnibus, depriving me of additional attempts to mock Nightow’s art style, at least until the next Blood Blockade Battlefront comes along.

Attack on Titan 14 focuses more on Levi and Hange, for fans of those two (no, it doesn’t have any shipping fuel).

ASH: I found the thirteenth volume of Attack on Titan to be particularly good, so I’m looking forward to reading the fourteenth.

SEAN: The third and final volume of Alice in the Country of Clover: Knight’s Knowledge will no doubt see if Alice and Ace can resolve their respective psychoses and find peaceful happiness. God, I hope not. They’re far less interesting that way.

Seven Seas has been hyping their print release of Lucifer and the Biscuit Hammer, and with good reason: it’s an excellent series, with a nice take on ‘what if the superheroes who had to save the world wanted to destroy it instead?’ It’s come out digitally twice, but get it in print, it’s worth it.

ASH: I plan on checking this series out!

ANNA: Huh, this wasn’t on my radar before, but this sounds interesting!

MJ: What Anna said!

SEAN: The Sacred Blacksmith lost me with Vol. 5, so I have no further jokes to spend on Vol. 6.

And the penultimate volume of Zero’s Familiar Chevalier, which will hopefully be able to wrap things up nicely by the final volume, as the author has passed away, making more series unlikely.

Vertical has the 5th volume of seinen foodie manga What Did You Eat Yesterday?.

MICHELLE: Yay!

ASH: Yay, indeed!

ANNA: Triple yay!

MJ: There cannot possibly be enough YAY!

SEAN: The rest is all Viz. Black Rose Alice was pretty dark in its first volume. Will this second one lighten things up a bit, or continue on its gothic pace?

MICHELLE: I found this quite a unique take on vampire mythology, so I’m looking forward to volume two.

ASH: Although I was sad to see the story leave Vienna so soon, I loved the first volume of Black Rose Alice and am very curious to see how it continues to develop.

ANNA: I enjoyed the first volume too. It has an interesting take on vampires, which is quite tricky to pull off. Also the thematic tone of this series sets it apart from other supernatural manga.

MJ: I’m so happy to be reading this series, and I can’t wait to dig into the second volume!

SEAN: Bleach hits Vol. 62, and I think a person is fighting with another person somewhere in it. At points they brag about how they can’t be defeated, I’m guessing.

MICHELLE: Ha!

SEAN: Blue Exorcist looks like it was getting ready to head into a darker arc last time, and I think that’s what we’ll get here. Can’t wait, this is always good.

There’s also a 5th D.Gray-Man 3-in-1, speaking of shonen series with a high female readership. In fact, in North America I’d argue D.Gray-Man has an almost exclusively female readership…

Dengeki Daisy is almost over! Waaaah! Here’s the 15th, penultimate volume.

MICHELLE: I haven’t always loved this one, but I’ll miss it when it’s gone.

ASH: I’ll miss it, too.

ANNA: I love this series. This is one of those manga that’s going to have a permanent place on my bookshelves.

SEAN: High School Debut has its 4th 3-in-1 as well.

MICHELLE: Getting closer to the one with new material!

ANNA: There’s a volume coming out with new material? I am excited!

MJ: Wait, what? New material? Ooh.

MICHELLE: Yep! The fifth omnibus will contain volumes 14 and 15, which I believe will contain short stories published after the series officially ended.

SEAN: Kiss of the Rose Princess is this month’s new series, from Shojo Beat. It’s an Asuka series, so I expect it’s most likely fantasy, and also probably reverse harem. Am I right?

MICHELLE: I don’t know yet, but I’ll check it out.

ANNA: Surprising no one, so will I.

MJ: Surprising… also no one. Me too.

SEAN: And for non-reversed harems, here’s the 6th volume of romantic comedy Nisekoi.

Did you not pick up One Piece? Shame on you. Here’s a 2nd giant Box Set so you can catch up all at once. Now. I’ll wait here all night if necessary.

The 5th and final volume of Phantom Thief Jeanne should wrap everything up, though I’m not sure if it will be happy or bittersweet.

ANNA: The ending of Phantom Thief Jeanne is bonkers in the best possible way.

SEAN: The 5th Ranma 1/2 omnibus introduces Ukyou Kuonji, who is another character who invites controversy. Well, they all do, really. It’s that kind of fandom.

Have you had enough 3-in-1 omnibuses yet? No? Good, here’s Skip Beat! with its 9th.

Spell of Desire’s first volume was solid but didn’t wow me. I’m hoping for more wow in this second one.

MICHELLE: And more kittens!

ANNA: I’ve read this already and I continue to enjoy this series.

MJ: I talked about this a bit in Monday’s Off the Shelf. I’m not exactly *wowed*, but optimistic about this series.

SEAN: Tegami Bachi, you’ve hit Volume 17. As ever, I have no idea what to say about you. You seem to have caught up with Japan now.

Ultimo hits double digits even as it’s been announced it’s ending soon.

Lastly, if the One Piece box set wasn’t enough for you, here’s one for Vampire Knight.

If you were expecting the manga deluge to end, more fool you. What suits you from this tsunami of manga?

Manga Giveaway: Sherlock Bones Giveaway

October 29, 2014 by Ash Brown

The end of October is fast approaching, which means it’s time for another manga giveaway at Experiments in Manga! I’m not entirely sure why, but my review of the first volume of Yuma Ando and Yuki Sato’s manga series Sherlock Bones is by far one of the most frequently visited posts at Experiments in Manga. It’s been more than a year since Kodansha Comics published the volume in English, but the review still gets plenty of page hits. And so, for this month’s giveaway, I decided that I would give people the chance to read the actual manga. As always, the giveaway is open worldwide!

I was honestly surprised by how much I enjoyed Sherlock Bones. The premise is inherently silly–Sherlock Holmes reincarnated as a puppy–but perhaps in part because of that, the series can be a lot of fun. Sherdog is tremendously smart, despite occasionally being distracted by his more canine tendencies, and he’s cute, too. But probably most important for a detective and mystery series like Sherlock Bones, the crimes and how they are solved are consistently interesting. Additionally, readers who want to have a more interactive reading experience can actually search for and find the clues needed to solve the crimes within the pages of the manga.

So, you may be wondering, how can you win a copy of Sherlock Bones, Volume 1?

1) In the comments below, tell me a little about your favorite or the most unusual detective/crime-solver that you’ve encountered reading manga. (If you don’t have one, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There it is! Each person can earn up to two entries and has one week to submit comments for this giveaway. If preferred, entries can also be sent via e-mail to phoenixterran(at)gmail(dot)com. Your comments will then be posted in your name. The giveaway winner will be randomly selected and announced on November 5, 2014. Best of luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Sherlock Bones Giveaway Winner

Pick of the Week: Old & New

October 27, 2014 by Ash Brown, Michelle Smith, Anna N, Sean Gaffney and MJ 1 Comment

ASH: So many great manga are being released this week that it’s difficult to choose just one. There are debuting series, like Barakamon, that I’m intensely curious about. There are continuing series, like A Bride’s Story, that I will definitely be picking up. But if I have to choose just one manga this week, I must go with the penultimate volume of Blade of the Immortal. The series has been one heck of a ride, and there’s no way I’m going to miss finishing it.

MICHELLE: Although I had fun reading the latest volume of Bloody Brat, it kind of feels too insubstantial to be a pick of the week. Instead, I’ll go for Barakamon. I don’t know much about it, but it seems like it has potential to be my sort of thing.

ANNA: I’m a bit torn between A Bride’s Story and Barakamon, and I think I’ll have to go with Barakamon because new series are always exciting! The idea of a manga focusing on a fish out of water calligrapher sounds interesting to me.

SEAN: I’m getting far too much this week, but as for the pick, let’s make it one of my old favorites, Umineko When They Cry. These omnibuses are good value for money, and the story is getting clearer even as it also gets much darker. Always an excellent read, provided you don’t mind the omnipresent bullying and child abuse the title is throwing a light on.

MJ: I’m pretty much equal parts excited about Barakamon and the latest A Bride’s Story, but to satisfy my love of all things Makoto Shinkai, I’ll go for the manga adaptation of The Garden of Words, out this week from Vertical. I’ve enjoyed the manga adaptations of both Voices of a Distant Star and (especially) 5 Centimeters Per Second, so this release is a no-brainer for me. There is something about Shinkai’s inner world that always, always draws me in, and so far, I’ve had the same experience with manga adaptations of his work. Let’s hope my luck holds this time around!

What looks good to you this week?

My Week in Manga: October 20-October 26, 2014

October 27, 2014 by Ash Brown

My News and Reviews

I posted two reviews at Experiments in Manga last week. First up was my review of Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, Volume 4. It’s the penultimate volume in one of my favorite manga series. It was also a particularly intense volume. The fifth and final book should be available sometime next year; I’m really looking forward to it. My second review last week was of Boogiepop Returns: VS Imaginator, Part 1, the second volume in Kouhei Kadono’s Boogiepop light novel series. I didn’t find it to be quite as dark as the first novel, but it still had an interesting mix of science fiction, horror, mystery, and even a bit of romance. I discovered Boogiepop late (the four novels and the four volumes of manga that were translated into English are now out of print) but I’m really enjoying the franchise so far. At this point I definitely plan on checking out the rest of the Boogiepop novels, manga, music, anime series, and live-action film.

On to other things online! Digital Manga has launched its most recent Tezuka Kickstarter project and it is…ambitious. At Manga Comics Manga, Deb Aoki has a nice roundup of some the concerns and criticisms fans have been expressing about the project. Justin has been busy posting more New York Comic Con content at Organization Anti-Social Geniuses, including interviews with Viz Media’s Andy Nakatani (editor-in-chief of Weekly Shonen Jump) and Leyla Aker (Vice President of Publishing). Also, in case you missed it (like I did), Brigid Alverson posted her NYCC interview of Takeshi Obata at Comic Book Resources a couple Fridays back. Ryan Holmberg’s most recent What Was Alternative Manga? column focuses on the proto-gekiga work of Masahiko Matsumoto. The post has great (and probably deliberate) timing–Matsumoto’s The Man Next Door is now available to order from Breakdown Press. Over at Manga Connection, Manjiorin is embarking on a new review project focusing on Crunchyroll’s digital manga. And speaking of manga reviews, Manga Blog’s inagural Bookmarked! feature was posted. I’m very happy to see Manga Blog so active again. Be sure to check it out for its link-blogging, too!

Quick Takes

The Dawn of Love by Kazuho Hirokawa. Masahiro is infatuated with his fellow law student Takane and so is very happy to discover that Takane, like him, is also gay. Takane has multiple partners which doesn’t bother Masahiro at first, but eventually he decides that he wants Takane to exclusively date him. My biggest issue with The Dawn of Love is that Masahiro uses sex to manipulate Takane, basically forcing Takane to choose monogamy regardless of his own feelings about the matter; it’s really not a good basis for a healthy, long-lasting relationship. I think Hirokawa was trying to going for a sort of “true love conquers all” take with the manga, but The Dawn of Love isn’t successful in achieving that, mostly because I was never convinced that Masahiro and Takane were actually in love to begin with. Even Masahiro doesn’t bother to ask himself why he loves Takane until well into the story, and he never really answers that question. It’s obvious that the two of them enjoy having sex with each other (and there’s a lot of sex in The Dawn of Love), but sexual desire isn’t the same thing as romantic love. The Dawn of Love had great potential and was even rather funny in places, but overall I didn’t end up enjoying it much at all.

Magical Girl Apocalypse, Volume 1 by Kentaro Sato. I can’t tell for certain yet, but by the end of the first volume of Magical Girl Apocalypse it seems as though the series might actually be a parody. If that’s true, it makes the manga a little more interesting to me. If not, Sato is going to need to do something else to keep my attention. I’m more frightened that Yoruka will have a horrifying back injury due to her ridiculously large breasts than I am of the series’ “zombies.” Despite the inclusion of the creepy-cute magical girls instead of more traditional zombie-like monsters, the manga doesn’t really set itself apart yet. At this point, it somehow feels like a pretty generic zombie story. There’s plenty of disturbing scenes and well-drawn gore, and I appreciate that Sato isn’t afraid to kill off characters who in other series would actually manage to live for more than one chapter, but otherwise I found Magical Girl Apocalypse to be a fairly typical zombie survival manga. The series should be an entertaining read for those fond of the subgenre, and there’s nothing wrong with that, but personally I find myself a little zombied-out these days and prefer my horror to have a little more substance.

Say I Love You, Volume 3 by Kanae Hazuki. One of the things that really impresses me about Say I Love You is Hazuki’s forthright portrayal of teenage sexuality. The characters exhibit both maturity and immaturity in their relationships; they can be surprisingly levelheaded, but they can also let their feelings get the best of them. There’s conflict and selfishness in addition to the beginnings of new love and developing respect for others. The characters and their relationships are believable and have depth to them. The more I read of Say I Love You the more and more like Mei. She, like so many of the other characters, has been hurt in the past, but despite her nervousness and anxiety she’s at a point in her life that she’s able to stand up for herself and for others. (Bullying and dealing with bullies is a recurring theme in Say I Love You.) Though Mei tends not to take crap from other people, she is still vulnerable and she still experiences pain, especially now that she is beginning to open herself up to others again. She’s learning to trust, but it doesn’t always come easily for her. It’s this sort of realistic and layered characterization that Say I Love You does particularly well.

YU+ME: Dream, Omnibuses 1-2 by Megan Rose Gedris. I only recently discovered YU+ME, a webcomic that was originally released online between 2004 and 2010. The comic is still freely available to read online, but the series has also now been collected into two omnibuses which include additional content. The first part of YU+ME comes across as a fairly standard girl-meets-girl high school love story. It’s certainly enjoyable, but not an exceptional story on its own. (Although it is noteworthy that the series may have been one of the earliest queer-focused webcomics.) What really makes the YU+ME outstanding is its second part, which places the first half within an entirely new context. Gedris wanted to turn the “but it was all a dream” trope on its head and she does so magnificently. Both the artwork and the storytelling are a bit rough in the beginning, but Gedris steadily improves and by the end the series has turned into something truly spectacular. The first part of YU+ME primarily uses a single art style while the second half explodes into a brilliant variety of design, color, and texture. YU+ME is an epic and surreal lesbian love story with a grand mythos to go along with it and a plot that is much more complex than it first appears.

Boogiepop Returns: VS Imaginator, Vol. 1

October 24, 2014 by Ash Brown

Author: Kouhei Kadono
Illustrator: Kouji Ogata
Translator: Andrew Cunningham
U.S. publisher: Seven Seas
ISBN: 9781933164205
Released: June 2006
Original release: 1998

After reading Boogiepop and Others, I knew that I needed to read the rest of Kouhei Kadono’s Boogiepop light novel series, or at least all of the volumes that had been released in English. Sadly, out of the more than a dozen volumes, only four of the novels were ever translated and it is unlikely that any others will be. Boogiepop Returns: VS Imaginator, Part 1 is the second Boogiepop novel and the first volume in a two-part story arc. The novel was originally published in Japan in 1998, the same year that the award-winning Boogiepop and Others was released. The English translation of the first part of Boogiepop Returns by Andrew Cunningham was published by Seven Seas in 2006. Seven Seas was also the publisher that released the other three Boogiepop novels available in English as well as some of the Boogiepop manga adaptations (which I have yet to read). Technically, all of those Boogiepop books have gone out of print, but fortunately most of the volumes are still fairly easy to find.

When she was only seventeen, Minahoshi Suiko plummeted from the rooftop of Shinyo Academy. Initially it was believed to have been a suicide, but rumors start circulating among the students that it may have been murder or perhaps something even more sinister, something that is compelling others to follow in Minahoshi’s footsteps. It wouldn’t be the only time that Shinyo Academy has faced inhuman and supernatural influences resulting in tragedy and death. Asukai Jin is a counselor at a local cram school which is attended by several Shinyo Academy students. He seems to be able to look into the hearts of those seeking his aid, offering advice that is uncannily appropriate for each student and their specific situations. The odd ability which allows Asukai to see the flaws of others while being blind to his own has drawn the attention of the same forces a work at Shinyo Academy. The only thing that stands in the way of those forces is the fabled spirit of death Boogiepop, but there are those who are hunting Boogiepop down in order to prevent any sort of interference.

One of the things that I particularly enjoyed about Boogiepop and Others was its narrative structure, and so I was happy to see the first part of Boogiepop Returns use a similar one. Specifically, the story continues to be seen from the perspective of multiple characters, although in this volume the chronology is slightly less disjointed overall. The events in Boogiepop Returns take place both before and after those in Boogiepop and Others. (A handy timeline included in the back of the volume helps to make this all clear.) Although the plots of each novel aren’t directly related, the events of the first are alluded to in the second and both volumes do share some of the same characters. However, the importance of the characters’ individual roles has shifted somewhat. Taniguchi Masaki, for example, was a side character in the first Boogiepop novel; he wasn’t much more than a stepbrother to another important character. But in Boogiepop Returns he is one of the leads in the volume’s ill-fated love story.

The Boogiepop series has a fascinating mix of genres–science fiction, horror, mystery, and even a bit of romance all make an appearance in the novels. There are strong psychological elements and strange and bizarre occurrences, too. I didn’t find the second Boogiepop novel to be quite as dark as the first, but it could still be thoroughly disconcerting and it was consistently engaging. Because Boogiepop Returns is a two-part arc, most of the first volume is spent setting the stage and introducing the major players. At this point the significance of some of the events is still unclear and far more questions have been raised than have been answered. It’s difficult to say just exactly what is going on and perhaps even more challenging to anticipate what will happen next. This will probably either frustrate readers immensely or intrigue them. (As for me, I was intensely intrigued.) Much like Boogiepop and Others, the first part of Boogiepop Returns is peculiar and unsettling. I’m very curious to see how the story will continue to develop in the second volume.

Manga the Week of 10/29

October 24, 2014 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 2 Comments

SEAN: I think Yen Press has set a record for most volumes released in a single week. (At least for that publisher… I suspect Viz has it beat overall there.) Let’s start with what isn’t Yen, though.

Blade of the Immortal is perilously close to finishing, and it also hits its 30th volume this week from Dark Horse. Wasn’t it the last series still published in 32-page floppies to give in and go volume-only?

ASH: I’m not certain, but I think that’s true. Either way, I’m very happy that Dark Horse continued to release the series. Nearly two decades later, this is the penultimate volume in English!

ANNA: That’s pretty epic! I loved the artwork in the first few volumes of this series, but I didn’t really stick with it for the long haul. No question that this is a big achievement.

SEAN: Attack on Titan: No Regrets has its 2nd and final volume, in which Levi’s two childhood friends survive and go set up a nice house somewhere, no doubt. Wait, no, this is Attack on Titan.

ASH: I rather enjoyed the first volume of this spinoff, so I’ll be picking up the second volume, too.

SEAN: I’ve gotten too far behind on Fairy Tail to make jokes about its plot, so hey! Fairy Tail 43!

There’s a double dose of Alice this week, from two different publishers. Seven Seas gives us the 6th volume of my favorite spinoff of the series, Alice in the Country of Joker: Circus and Liar’s Game.

Vertical has The Garden of Words, one of the more optimistic works by Makoto Shinkai. That’s not saying much, of course. I reviewed it here.

MJ: As a Shinkai fan, I’m a pretty interested in this. I’ve enjoyed manga adaptations of his films in the past, including 5 Centimeters Per Second. So, yeah. I’m on board.

ASH: Me, too! (Though, I’ll admit I haven’t actually gotten around to watching the anime, yet…)

SEAN: In case you missed the digital release of Another, the horror novel Yen put out last year, we now have an omnibus print edition under the Yen On label.

MJ: This looks interesting to me as well!

SEAN: Alice in the Country of Diamonds ~Wonderful Wonder World~ is part artbook, part guide to the PSP game, and part fan thing, with interviews, manga, etc. If you like Alice, it’s all here.

Barakamon is an anticipated new series from Yen, about a calligrapher who is sent to a remote island after losing his temper; the plot is basically “fish out of water”, but it’s apparently quite well done.

MJ: Again, I’m interested. This actually is turning out to be a pretty intriguing week!

MICHELLE: I was just reading the description for this on Yen’s site the other day. It definitely looks appealing!

ASH: This is one of the series from Yen that I’ve been most looking forward to reading.

ANNA: This does sound really intriguing.

SEAN: Black Butler hits its 18th volume, and I’ll bet you two to one that Ciel and Sebastian are investigating something-or-other.

Bloody Brat gives us a 2nd volume of wacky antics with the cast of Blood Lad, to contrast with the wacky antics already present in the main series.

MJ: Always up for more wacky antics in this universe.

MICHELLE: Me, too. It just suits my humor. I actually found that the main series is funnier than the spinoff, at least in the first volume, but I’ll actually be reading volume two this evening for… reasons.

SEAN: A Bride’s Story is now an annual release, but that’s more ‘caught up with Japan’ than anything else. It’s still a terrific title everyone should read.

MJ: It’s been a while, indeed. This can’t come too soon.

ASH: Anything by Kaoru Mori is always a must for me. (Also, Yen is bringing back Emma!)

ANNA: I need to get caught up on this series. I agree that anything by Kaoru Mori is a must have.

SEAN: Doujinshi Anthologies (non-porn) are a staple of popular Japanese franchises, but we rarely see them over here. Yen has made a few exceptions, and after seeing The Misfortune of Kyon and Koizumi a while back, we now have The Celebration of Haruhi Suzumiya, which binds together three similar volumes into one big omnibus.

Inu x Boku SS had quite a plot twist last time, one that leaves the series seemingly with no one left to carry on. Where it goes from here will be the big reason to read this 5th volume.

Given the author drew the Time-Killing Arc, one of my favorite Higurashi arcs, I wish I liked Judge better than I do. Survival Game is just not my favorite genre. Here’s the penultimate volume.

Kingdom Hearts 358/2 Days has its fourth volume, and yeah, I got nothing.

I’ve said it before and I’ll say it again – the gag manga The Melancholy of Suzumiya Haruhi-chan, whose 8th volume ships this week, is a better adaptation of the source than the main manga. Not more accurate. But better.

No Matter How I Look At It, It’s You Guys’ Fault I’m Not Popular! has its 5th volume ship, and the only thing that makes me more uncomfortable than reading it is having to type out its full title. Still good, just cringe inducing.

ASH: Yeah, it can be a bit hard to read, but it is a good series.

SEAN: Hey, remember Oninagi? Had 3 volumes out about 5 years ago from Yen? Not very good? Ever wonder where that final fourth volume ever got to? Well, wonder no more. Here ‘tis.

ASH: Oh, wow, I’m not familiar with this series at all! It’s still great to see it being completed in English, though.

ANNA: I’m going to sit in the corner and whimper for all the unfinished series I’d like to see completed in English.

SEAN: Another Madoka Magica tie-in also wraps up, this being A Different Story.

I was surprised to see the dark fantasy series Ubel Blatt licensed, but unsurprised to hear it will be coming out in omnibus form, given its length. This first one collects Vol. 0 (a special prologue) and 1, but is labeled 0 to confuse everyone.

MJ: I’m cautiously interested. “Dark fantasy” can go either way for me.

MICHELLE: Same here. I must say, too, I’m kind of relieved that series I don’t follow about are wrapping up; I always feel guilty when I’ve nothing to say about them.

SEAN: Lastly (at long last), there the 2nd omnibus of Umineko When They Cry: Alliance of the Golden Witch. We’re getting closer than ever to defining what magic is, which in turn will help us to understand Beatrice. And by we, I mean the reader. Not Battler, he’s still useless.

Despite all these titles, is there nothing here that can satisfy you? And if so, why? Look at them all.

The Summit of the Gods, Vol. 4

October 22, 2014 by Ash Brown

Author: Baku Yumemakura
Illustrator: Jiro Taniguchi
U.S. publisher: Fanfare/Ponent Mon
ISBN: 9788492444632
Released: October 2013
Original release: 2003
Awards: Angoulême Prize, Japan Media Arts Award

One of my favorite manga series is The Summit of the Gods. The manga, a five-volume series written by Baku Yumemakura and illustrated by Jiro Taniguchi, is an adaptation of Yumemakura’s award-winning novel The Summit of the Gods. The manga adaptation itself is also an award-winning work, taking home an Angoulême Prize and a Japan Media Arts Award in addition to winning and being nominated for numerous other awards. The Summit of the Gods, Volume 4 was originally published in Japan in 2003 while the English-language edition was released by Fanfare/Ponent Mon in 2013. It may have taken ten years for the volume to have appeared in translation, but it was definitely worth the wait. The Summit of the Gods is a phenomenal series with fantastic artwork, and engaging story, and marvelously flawed, realistic characters. Even considering some of their incredible talents and abilities, not to mention their enormous personalities, the manga’s characters remain believable and sympathetic.

For the past several years the legendary Japanese mountain climber Jouji Habu has been illegally living and climbing in Nepal. He has been preparing for more than a decade to attempt something believed by most to be impossible–climbing Mount Everest’s summit via its southwest face solo, in the winter, and without oxygen. Even teams of climbers have failed to reach the summit and return alive using a southwest route under much less stringent conditions than those proposed by Habu for his ascent. His attempt will be so dangerous that he hasn’t even tried to obtain a climbing permit, knowing that it will be denied. As a result, very few people are aware of exactly what it is Habu is about to do. One of those people is Makoto Fukamachi, a photographer and mountain climber whose interest in Habu was originally sparked by a camera that he found which may have belonged to George Mallory. But now Habu is determined to reach the summit of Mount Everest and Fukamachi is determined to record his astonishing feat, following him as far as he possibly can.

The one thing that I found slightly unsatisfying about the previous volume of The Summit of the Gods was the story’s temporary shift of focus off of the actual mountain climbing in the series. In retrospect, it makes sense to have that small break as the fourth volume more than makes up for it–almost the entire manga is devoted to Habu and Fukamachi’s preparations for and the first part of their respective climbs of Mount Everest. And it is awesome, in the traditional sense of the word. Taniguchi’s artwork in The Summit of the Gods can be breathtaking with its stunning landscapes and massive mountain vistas. The scale alone feels intimidating and awe-inspiring. Taniguchi has not only beautifully and realistically captured the snow, ice, and rock of Mount Everest, he has also devoted an impressive amount of attention to the details of mountain climbing and the equipment needed to survive. The Summit of the Gods is a manga series fortunate to have superb artwork as well equally strong writing.

The Summit of the Gods, Volume 4 brings to the forefront not only the physical struggles of the characters but their psychological battles as well. The series is intense. Over the course of the last few volumes it has been made very clear how perilous mountain climbing can be. Even under better conditions than Fukamachi and Habu are now facing it has been shown that the smallest mistake can easily end in injury or death. There is a very real and strong possibility that neither one of the men will survive the climb and the sense of danger is constant. Habu and Fukamachi are each facing the mountain head on and in the process must confront alone their own pasts, failings, and limitations. The loneliness of their climb, the isolation they experience on the mountain as well as in their lives, the sacrifices and risks made to achieve what they have and come as far as they have, all of this and more is exceedingly important to the series. The Summit of the Gods remains a tremendously compelling manga; I look forward to reading the final volume a great deal.

Pick of the Week: Partly Sunny

October 20, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: I suspect that most of Manga Bookshelf will be of a Sunny disposition this week. So I’ll pick out the Alice in the Country of Diamonds light novel, Bet on My Heart. Alice has always done very well for Seven Seas, so you’d think that this would be a gimme for them to pick up. But the company is known for being highly reluctant to get any novels after their past struggles, so I’m hoping this one is really something special. Plus we can look at Alice’s trauma in prose form now!

MICHELLE: When you put it like that, I feel bad that I likely won’t be checking it out. I’m just kinda overdosed on the whole Alice thing. But yes, I am definitely keen on this week’s release of a new volume of Sunny, which I am nowhere near tired of.

ASH: Sunny is definitely a must buy, but I’m actually going to take this opportunity to pick the final volume of No. 6. The series has gotten better and better with each installment and so I’m hoping that the conclusion will be a satisfying one. After being disappointed with the rushed ending of the No. 6 anime, I’m particularly interested in seeing how the manga will handle it.

MJ: I’m certainly buying Sunny—of that there’s no doubt. But since that’s already been chosen, I’m actually going to reach off the list this week to take a chance on the first volume of NETCOMICS’ Give to the Heart. It was officially released in stores last week, but NETCOMICS has been so far off our radar for the past couple of years, that it nearly skipped my notice completely. As I mentioned in last week’s 3 Things Thursday, I’ve had mixed feelings about the author’s prior series, but I’m feeling up for a bit of a risk when it comes to new women’s manhwa. I’m fairly heartened by the series’ first user review on the NETCOMICS website, which reads, simply, “This book gave me a reason to live longer.” I’ll take it!

ANNA: I’m going to go with Vagabond for my pick. Takehiko Inoue’s exploration of the life of Miyamoto Musashi is a modern day manga masterwork, and every new volume deserves to be celebrated.

What looks good to you this week?

My Week in Manga: October 13-October 19, 2014

October 20, 2014 by Ash Brown

My News and Reviews

Only somewhat unintentionally, last week ended up being a yuri-filled week here at Experiments in Manga. My friend Jocilyn was inspired to write a guest review of Takako Shimura’s Sweet Blue Flowers, Volume 1 by Takako Shimura, which is currently only available digitally. (I’m hoping that one day the series will be available in print, but as Jocilyn points out, a few fixes may be needed for that to happen.) As for the manga review that I posted last week, I took a look at Chiho Saito’s Revolutionary Girl Utena: The Adolescence of Utena for my Year of Yuri monthly review project. Revolutionary Girl Utena is one of my absolute favorite anime series and I was quite pleased with Saito’s The Adolescence of Utena, finding it to be an incredibly compelling work in its own right. And speaking of my Year of Yuri project, I only have one more review to go! I haven’t quite decided which manga (or comic) my final review will tackle, so if you have any requests or would like to see something in particular, let me know! I also posted one other (non-yuri) review last week: Monkey Business: New Writing from Japan, Volume 4. Monkey Business is a literary journal featuring a mix of fiction, nonfiction, poetry, and even a bit of manga. The stories tend to be a little strange, but that also tends to be something that I enjoy.

Elsewhere online, New York Comic Con articles are still being posted. At Publishers Weekly, Deb Aoki has a general roundup of the manga industry’s presence at NYCC. Justin of Organization Anti-Social Geniuses has a few interesting things from his time at NYCC, including why publishers and fans think it’s worth it to buy manga and an interview with Gen Manga’s Robert McGuire. Vertical also posted a bit more information about the Vertical Comics imprint. Unrelated to NYCC but still interesting reading, at Contemporary Japanese Literature Kathryn Hemmann has an excellent critique of Helen McCarthy’s A Brief History of Manga, specifically addressing the male-centric focus of the work. (I’ve had the volume on my “to be read” pile since its release; I should really get around to actually reading it one of these days) Also, Frederick L. Schodt wrote a bit about the history of his groundbreaking work Manga! Manga!. (Exceptionally good timing, as I am just about to start reading it.) And last but not least, Digital Manga has licensed ninth and final volume of Hinako Takanaga’s The Tyrant Falls in Love! (I mistakenly thought the eighth volume was the series’ end, so I’m doubly happy for this license.)

Quick Takes

Attack on Titan, Volume 13 by Hajime Isayama. Although I have largely been enjoying Attack on Titan since the beginning of the series, the thirteenth volume is a particularly good installment of the manga. As the series has progressed, mystery on top of mystery and twist on top of twist has been added, which is something that can only be sustained for so long. But with the thirteenth volume it feels as though some progress has actually been made with the plot and some answers are finally being given–or at least some convincing and appropriately disconcerting theories are being offered. The thirteenth volume begins with the aftermath of the Survey Corps’ rescue of Eren. The number of deaths and casualties incurred by the group is severe. Eren must come to terms with just how much ensuring his safety costs and just how much depends on him in the battles to come. The focus of Attack on Titan has shifted from confronting the Titans themselves to confronting the corruption within the government while trying to discover who or what is even behind the existence of the Titans. It’s a particularly effective development–the prospect of fighting Titans has a significantly different psychological impact than that of fighting, and even killing, humans.

A Love Song for the Miserable by Yukimura. Many of the boys’ love manga released in English are about high school or middle school students, so it’s always a refreshing to encounter a story about adults. A Love Song for the Miserable is one of those stories. Asada is hoping to work in events planning while Nao is studying to become a patissier. After a chance meeting, the two of them become friends and Asada ends up acting as Nao’s taste tester, developing feelings for the other man in the process. Sadly, Asada would much rather completely ruin any chance of a relationship with Nao than risk the possibility of being rejected after opening up. Their friendship ends badly which puts them both in an awkward position three years later when Asada meets Nao again while on the job. A Love Song for the Miserable captures Asada’s personality and insecurities extremely well and the complexities of his feelings are very realistic. It’s understandable that Asada’s lack of confidence in himself and his jealousy over Nao’s success when his own career is going nowhere would interfere with him developing a stable relationship. Asada has very good reasons for being miserable, and Nao has very good reasons for being upset with him, but they might just be able to make something work.

World Trigger, Volumes 1-2 by Daisuke Ashihara. In an interesting move, Viz decided to simultaneously release two volumes of World Trigger. It certainly caught my attention, so I guess the gambit was a successful one. There were several things that I liked about World Trigger. For example, I particularly appreciate that strategy and tactics come into play in the fights and that the battles aren’t all about who happens to have the greatest brute strength or power. I also liked Yuma–since he is a Neighbor his perspective is very different from that of the other characters and it shows–although I can easily see how he might get on some readers’ nerves. Other aspects of the manga didn’t work quite as well for me. Right off the bat Border is described as a mysterious organization; the general population seems oddly accepting of its presence and seems to require no further explanation as long as Border continues to fight against the Neighbors, which I found a little difficult to believe. I assume this is probably something the series will explore in the future, but as it is the lack of information is frustrating, especially when other things are over-explained. For the most part I did enjoy the first volume, but the second didn’t do much to retain my attention. Though it has its good points, World Trigger hasn’t quite managed to set itself apart from other series yet and seems a little generic so far.

Monkey Business: New Writing from Japan, Vol. 4

October 18, 2014 by Ash Brown

Editors: Motoyuki Shibata and Ted Goossen
Publisher: A Public Space
ISSN: 2159-7138
ISBN: 9780615962757
Released: March 2014

The original Monkey Business was a Japanese literary journal was published between 2008 and 2011. 2011 also saw the launch of Monkey Business: New Writing from Japan, the English-language, international edition of the journal. Edited by Motoyuki Shibata, who was also heavily involved with the original Monkey Business, and Ted Goossen, the English-language Monkey Business is released annually and collects a variety of fiction, poetry, nonfiction, essays, and manga. The selections found in the fourth volume of the journal, published in 2014, come from a range of sources, including but not limited to the original Monkey Business and its followup journal Monkey (launched in 2013). In addition to works that had previously been published, some of the contributions selected were specifically commissioned for the fourth issue. I’ve been reading and enjoying the international edition of Monkey Business since its beginning and always look forward to the newest volume.

The fourth issue of the international edition of Monkey Business collects twenty-three works, mostly short stories, contributed by creators from Japan, the United Kingdom, and the United States. The earliest work was originally published in 1845 while the most recent contributions were released for the first time in this particular volume. Quite a few of the artists and authors are returning to Monkey Business, including some of my personal favorites. I’m always glad to see more of Toh Enjoe’s work translated and I was not at all disappointed with his bizarre short story “A Record of My Grandmother.” I’ve also become rather fond of Keita Jin’s short stories and very much enjoyed “The Girl Behind the Register Blows Bubbles.” Some selections like Hiromi Kawakai’s “People from My Neighborhood” and Sachiko Kishimoto’s “The Forbidden Diary” are continuations from previous volumes of Monkey Business. I particularly look forward to reading those authors from one issue to the next. I also really enjoyed Masatsuga Ono’s short story, “The Man Who Turned Into a Buoy.” This actually surprised me a bit as I usually struggle with Ono’s work. Another favorite was Gen’ichirō Takahashi very strange story “Demon Beasts.”

Other returnees to Monkey Business include Stuart Dybek with the short story “Naked,” Hideo Furukawa with “The Bears of Mount Nametoko,” Yoko Hayasuke with “Eri’s Physics,” Mina Ishikawa with “The Lighthouse on the Desk” (which is a collection of tanka poems), Mieko Kawakami with the story “The Little Girl Blows Up Her Pee Anxiety, My Heart Races,” Taki Monma with “White Socks,” and Richard Powers with “The Global Distributed Self-Mirroring Subterranean Soul-Sharing Picture Show,” a fascinating essay about Haruki Murakami’s fiction and brain science. The two manga contributions included in the fourth volume of Monkey Business are also from artists who have been a part of the journal in the past. Brother and Sister Nishioka adapt Bruno Schulz’ story “Tailors’ Dummies” (it’s nice to see them branch out from works by Franz Kafka) and Fumiko Takano illustrates a highly abstract adaptation of “The Little Match-Girl” by Hans Christian Anderson. A translation of Anderson’s original story is also included, which is particularly helpful for those readers who are not familiar with it when trying to make narrative sense of Takano’s rendition.

While it’s wonderful to see so many returning creators to Monkey Business, I also greatly appreciate that the journal always includes someone or something new. “Everybody’s Got Something to Hide Except Me and My Monkey”, the fourth volume’s opening work by Craft Ebbing & Co., is probably the most unusual–a series of photographs of an art piece with accompanying narration. Of all the newcomers to this issue of Monkey Business, I particularly enjoyed Brian Evenson’s short story “The Punish” and the tangentially related “A Message to My Japanese Readers,” a collection of short essays by Evenson and three other authors (Laird Hunt, Denis Johnson, and Salvador Plascencia). Other short stories from authors new to the journal include Doppo Kunikida’s “Unforgettable People,” Kenji Miyazawa’s “The Restaurant of Many Orders” (previously I had only read examples of his poetry), David Peace’s “After Ryūnosuke, Before Ryūnosuke” and Hyakken Uchida’s “The Sarasate Disk.” Overall, I don’t feel that the fourth volume was quite as diverse as previous issues of Monkey Business. However, it’s still a solid collection. Many of the stories tend toward the slightly strange, bizarre, and absurd, but that’s a sort of fiction that I happen to enjoy.

Manga the Week of 10/22

October 16, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: Another week, another pile. Here we go.

I may not really enjoy Gantz, but it certainly sells in comic shops, and is popular enough that the author’s new title was just announced at NYCC. We’re still a few volumes from the end over here.

Animal Land, an underrated Kodansha title, has reached Vol. 10. I always mean to go back and check this out, but never do.

MICHELLE: I honestly had no idea this was still going.

SEAN: If you still haven’t gotten the first four Attack on Titan volumes, Kodansha has a nice box set of them for you.

No. 6 has hit Vol. 9, and there are many Manga Bookshelf peeps excited about that.

ASH: I’m looking forward to it! (I just hope the manga’s ending is handled better than the anime adaptation’s was.)

SEAN: Sankarea has also hit Volume 9, and has pretty much ceased to be a fanservice-filled romantic comedy entirely. At this point you wonder who will remain alive at the end.

In case manga was not enough Alice for you, Seven Seas has the light novel Alice in the Country of Diamonds: Bet on My Heart. Blood is the love interest du jour, I believe.

ANNA: I wonder if this series will ever run out of card suits and have to incorporate an additional organizational system drawn from other games like Jenga or Yatzee.

Arpeggio of Blue Steel impressed me more than I expected, and I am eager to see if the second volume can keep it up.

Thought you’d read all of Dance in the Vampire Bund, had you? Never! There are still the… Secret Chronicles. (makes scary woooo gestures with fingers)

Haganai 9 won’t get you many friends, but it should still provide a lot of laughs and some heart as well.

Seven Seas debuts the manga version of No Game, No Life. With the light novel out next year, this series is getting a lot of push. It looks pretty fanservice-heavy, but hey.

Vertical also has a new debut with Vol. 1 of Witchcraft Works. I reviewed it over here.

ASH: I’m rather curious about Witchcraft Works.

SEAN: Viz is releasing an 18-volume Black Bird Box Set, which… why? I thought we were done! (weeps)

MJ: NO… no… nooooooo…

MICHELLE: I know what I’m getting MJfor Christmas!

MJ: *stare of death*

MICHELLE: Dude. That’s harsh.

MJ: It was the mildest response I could come up with.

ANNA: Not a fan of Black Bird but hey, at least we have a series to point people to if they really enjoy wound licking.

SEAN: And Monster gets a 2nd omnibus Perfect Edition.

MICHELLE: I have fond memories of Monster

ANNA: I might buy these omnibus editions for myself as a holiday present!

SEAN: For Hayao Miyazaki fans, Princess Mononoke: The First Story is a must buy, being the original early 80s idea he had for the eventual movie to come.

And for alt-manga fans, you can’t go wrong with a new volume of Sunny.

ASH: That’s true!

MJ: Finally, something for me to get excited about this week!

MICHELLE: Same here! I was beginning to despair.

ANNA: Alt-manga isn’t my favorite thing, but Sunny is great.

SEAN: Lastly, there’s a new Vagabond, still trundling along even after 3 dozen books.

ASH: I’ve really been meaning to catch up with Vagabond; Inoue does some fantastic work.

ANNA: I love the 3 in 1 Vagabond editions.

SEAN: Is there a book here that’s right for you?

MICHELLE: Just one, apparently!

Revolutionary Girl Utena: The Adolescence of Utena

October 15, 2014 by Ash Brown

Creator: Chiho Saito
U.S. publisher: Viz Media
ISBN: 9781591165002
Released: November 2004
Original release: 1999

Revolutionary Girl Utena is one of my absolute favorite anime series. Despite that fact, I’ve never read any of the Revolutionary Girl Utena manga until now. I have no idea why that is. I love manga, and I love Revolutionary Girl Utena, so it would seem obvious that I should want read the Revolutionary Girl Utena manga. Maybe I was simply afraid that I would be disappointed by it. Turns out–at least with Revolutionary Girl Utena: The Adolescence of Utena–I probably shouldn’t have worried. The Adolescence of Utena manga by Chiho Saito is an alternate version of the animated film Adolescence of Utena which in turn is a retelling of sorts of the Revolutionary Girl Utena anime series. Saito’s The Adolescence of Utena was originally released in Japan in 1999, the same year as the film. In English it was first serialized in Animerica Extra, a shoujo-leaning monthly manga magazine published by Viz Media between 1998 and 2004, before the manga was collected and released as a single volume in 2004.

Utena Tenjou is a new student at the prestigious Ohtori Academy, known for its elegance, traditions, and ceremony. What she didn’t realize was that her ex-boyfriend Touga Kiryuu is also enrolled at the school and is president of the student council, no less. Two years ago he left her and, in response, Utena decided to take control of her life and become her own prince instead of waiting around for Touga or some other man to fill that role. But upon her arrival at Ohtori, Utena is quickly swept up in a mysterious series of duels between the members of the student council that will determine the fates of those who fight as well as the fate of a young woman named Anthy Himemiya, the Rose Bride. The winner of the duels earns the right to do whatever he or she desires with the Rose Bride, gaining the power to change and remake the world however is seen fit. All of those involved, even Utena herself, have tragic pasts and dark secrets, but Utena is the only one who is able to look beyond all of those and see Anthy as more than an object to be won.

I have always found it difficult to summarize Revolutionary Girl Utena or to adequately explain just how meaningful the series is to me. Revolutionary Girl Utena has a strange but powerful narrative with many, many layers to it. The same is true of The Adolescence of Utena manga; it just seems impossible for me to truly do the work justice. Although certainly more direct and straightforward than its film counterpart, the manga is still incredibly surreal and rife with symbolism. Almost nothing is exactly what it initially seems and almost everything is open to multiple interpretations and analyses. The imagery itself is very dreamlike–architecture that defies the laws of physics, floating castles, flurries of rose petals, gardens that shouldn’t be able to exist, and so on–but Saito captures it all beautifully. There is an ethereal quality to her artwork that suits The Adolescence of Utena remarkably well, whether the manga is meant to be a dream, purgatory, a metaphor, or something else entirely. Both the story and the art of The Adolescence of Utena are intensely psychological, deeply emotional, and highly sexually charged.

The Adolescence of Utena is in many ways a distillation of Revolutionary Girl Utena, crystallizing many of the original series’ themes into a single volume. I was actually rather impressed by how much Saito was able to retain and how complex the tale remained even in a condensed form. The manga will probably be appreciated most by those who are at least familiar with Revolutionary Girl Utena, but it also carries some significance and effectiveness as a separate work in its own right. The relationship between Utena and Anthy is absolutely key to the story as the manga explores love of different types–romantic, illicit, familial, sexual, and many others–as well the multitude of intersections between those types of love, both good and bad. And just as important as love is to The Adolescence of Utena, so are the feelings and emotions of despair and desperation as each of the characters, all of whom are broken or damaged, struggle in their own way to try to reclaim their lives and who they are. Much like the original Revolutionary Girl Utena, I found The Adolescence of Utena to be an exceptionally compelling work.