Ash Brown

Pick of the Week: Keaton vs. Fourteen

December 15, 2014 by MJ, Sean Gaffney, Michelle Smith, Ash Brown and Anna N 4 Comments

SEAN: There are a bevy of choices this week. I’m tempted by an English edition of Master Keaton at last, or the new yuri title Citrus. But I will go with Love at Fourteen as my pick of the week. It’s the story of two childhood friends, both mature for their age, who are dealing with love and everything that comes from it. The magazine it runs in, Rakuen Le Paradis, is one of Hakusensha’s best new titles, technically being shoujo/josei but really more ‘sui generis’. I cannot wait to read this.

MJ: I am decidedly with Sean this week. Though there are a number of titles on my radar, the one that intrigues me most by far is Love at Fourteen. Everything about this title sounds like exactly what I like best in a manga, and I am a bit ashamed that I didn’t even realize it was on the way until this week. Now I can’t wait to read it!

MICHELLE: I’m in the opposite camp! I did know Love at Fourteen was coming, so the one I wasn’t aware of until recently was Master Keaton. I really love Naoki Urasawa, so I am super excited to read this one!

ASH: I’m with Michelle this week. While I’m interested in Love at Fourteen, my pick absolutely goes to Master Keaton. Urasawa is one of the reasons I developed such a healthy obsession with manga, so I’m very happy to see more of his work being released in English.

ANNA: I’m also with Ash and Michelle! A newly translated Urasawa series takes precedence over everything in my mind!

What looks good to you this week?

My Week in Manga: December 8-December 14, 2014

December 15, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week. The first was of Frederik L. Schodt’s classic survey of manga originally written in 1983 but slightly revised in 1986 and with a new introduction added in 1997, Manga! Manga!: The World of Japanese Comics. It may be a few decades old, but it’s still a fantastic work that is well worth reading. Last week I also reviewed Hikaru Suruga’s Attack on Titan: No Regrets, Volume 2, the final volume of Attack on Titan‘s short, shoujo spinoff which focuses on Levi and Erwin’s backstories. I wasn’t quite as fond of the second volume as I was of the first, but I did enjoy the series. It’s definitely a must-read for fans of Erwin and/or Levi and I appreciated how it expanded the setting of Attack on Titan.

Elsewhere online, Kodansha Comics announced the license of Naoshi Arakawa’s Your Lie in April. An Indiegogo campaign was launched to create a stop-motion film adaptation of Moyoco Anno’s The Diary of Ochibi manga. Vertical linked to an older article about Prophecy and how French Manga Fans Inspire the Work of Tsutsui Tetsuya. (The first volume of Prophecy was recently released in English and it’s fantastic.) And last but not least, Muse Hack posted an interview with Mikhail Koulikov of the Anime and Manga Studies Blog. I’ve been following Koulikov’s Anime and Manga Studies ever since I’ve discovered it. The blog is a great resource for anyone interested in the academic pursuit and scholarly study of Japanese pop culture.

Quick Takes

Fairy Tail, Volume 43 by Hiro Mashima. There was very little Gray in the forty-third volume of Fairly Tail which made me a little sad, especially after the buildup in his character and story over the last few volumes. But with a series like Fairy Tail, which has a fairly large cast of characters who regularly play an important role in its plot, time needs to be spent with those other characters as well. Fairy Tail always seems to have one or two moments of fanservice that, at least for me, detract from the story being told. The clothing and armor choices for the female characters in particular tend towards stereotypical fantasy design–showing more flesh than would be appropriate for battle–but at least the women in Fairy Tail generally have well-developed personalities and are very capable characters in their own right. Often, they’re even stronger than the men. And to be fair, there’s male nudity as well as female nudity in Fairy Tail, though as might be expected from a shounen manga, generally not to the same extent. Fairy Tail is now well into the beginning of the Tartaros arc of the series in which the members of the Fairy Tail guild must face off with a dark guild of demons which is trying to eliminate the entire Magic Council.

Kiss All the Boys, Volumes 1-3 by Shiuko Kano. For the most part I enjoyed Kiss All the Boys more than Kano’s earlier series Yakuza in Love, but ultimately I felt a bit cheated by its conclusion. While in some ways I’m glad that most everything ends happily for the characters, I’m not convinced that that’s really how things would have played out and some of the eventual pairings are troubling. But while Kiss All the Boys may not be the most believable series, at least the convoluted relationships are for the most part interesting even when they are appalling. The series hinges on Tetsuo, a straight thirty-something hentai artist with a fifteen-year-old son born from his youthful indiscretions. At least he’s supposed to be straight. Conveniently for the manga, he soon finds himself entangled in relationships with several other men–his next door neighbor, his best friend and editor, and even the boy his gay son has a crush on. Tetsuo is an asshole, but at least he knows he’s an asshole. He does make some effort to rise above his nature but unfortunately never quite manages to succeed. For the most part Kiss All the Boys is intended to be a comedy and shouldn’t be taken too seriously, but I couldn’t help but worry for the youngsters left with terrible adult role models.

Yukarism, Volume 1 by Chika Shiomi. I haven’t previously read any of Shiomi’s manga, but I was looking forward to Yukarism because of its promise of interesting gender dynamics, reincarnation, and historical romance. Although Yukari Kobayakawa is only seventeen, he has already made a name for himself as an author of novels set in the Edo period. He never has to do any research though since he subconsciously draws inspiration from his past life as a courtesan in the era’s pleasure district. Except for that particular twist, at this point Yukari actually isn’t a very interesting character. He’s very reserved, self-absorbed, impassive, and completely unfazed when he begins to slip back and forth between his past life and his current one. Many of the people surrounding Yukari in present-day Japan are reincarnations of people he knew in the pleasure district although they don’t all seem to be aware of that fact. There’s definitely some potential for romance in Yukarism, but after only one volume that doesn’t appear to be the series’ main concern yet. Instead, the mystery surrounding the deaths of Yukari and the others in the past seems to take precedence, although the connections between all of the characters in all of their incarnations is an important element as well. I’ll be curious to see how the series continues to develop.

DevilPartTimer The Devil Is a Part-Timer! directed by Naoto Hosoda. I’ve been meaning to watch The Devil Is a Part-Timer! for quite some time now, but I was recently reminded of that intention when Yen Press licensed both the light novel series by Satoshi Wagahara on which the anime is based as well as at least one of its manga adaptations. While the anime is entertaining, the ridiculous premise is more hilarious in theory than in execution–The Devil Is a Part-Timer! is actually played fairly straight. But it’s still a fun and consistently amusing series. I particularly got a kick out of Satan diligently working in the fast food industry as a way to take over the world (he takes his job very seriously) and the portrayal of Lucifer as a hikikomori with an online-shopping addiction. For the most part, The Devil Is a Part-Timer! nicely balances its comedy with its drama. Although it has a conclusion, the ending of the series lacks finality and some of the characters introduced were never really put to good use, as though additional seasons were initially planned for but never manifested. (At least I haven’t heard anything about a second season.) Overall, The Devil Is a Part-Timer! is funny series and a nice change of pace from all of the anime centered around high school or middle school students. I might just give the original novels a try when they’re released in English.

Attack on Titan: No Regrets, Vol. 2

December 12, 2014 by Ash Brown

Creator: Hikaru Suruga
Original story: Gun Snark
U.S. publisher: Kodansha
ISBN: 9781612629438
Released: October 2014
Original release: 2014

Attack on Titan: No Regrets, Volume 2 is the final volume of Hikaru Suruga’s manga adaptation of the A Choice with No Regrets visual novel written by Gun Snark. No Regrets is one of the many spinoffs and adaptations of Hajime Isayama’s immensely popular Attack on Titan manga series. It focuses on the backstory of one of Attack on Titan‘s most beloved characters, Levi, and how he became an exceptionally skilled and valued member of the Survey Corps. The second volume of the No Regrets manga was originally released in Japan in 2014, as was Kodansha Comics’ English-language edition. The volume also includes two short, largely comedic, No Regrets side stories as well as a special interview between Isayama and Suruga discussing the story and characters of the Attack on Titan franchise. I rather enjoyed the first volume of No Regrets and so was looking forward to reading the conclusion of the series.

At one point they were considered to be some of the most notorious criminals in the Underground, but now Levi, Isabel, and Furlan have been coerced into joining the Survey Corps, which may very well be a death sentence. Initially they weren’t well-liked by their fellow soldiers, and the three of them weren’t particularly happy with their situation, either. But during their first expedition outside of the walls, Levi and his crew leave quite an impression by handily dispatching an abnormal Titan with seeming ease. Levi and the others still don’t fit in with the rest of the Survey Corps members, but at least their remarkable skills, especially Levi’s, are recognized and admired. The extra attention they receive after defeating the Titan isn’t exactly welcome, though–Furlan is trying to coordinate a covert mission that will either lead to the three criminals’ ultimate freedom or to their deaths. They have been hired by a high-ranking political figure to steal back incriminating documents from Erwin, one of the Survey Corps’ most promising young leaders, and to end his life in the process.

What I particularly liked about the first volume of No Regrets was that it expanded the setting of Attack on Titan in addition to providing valuable background information about Levi, Erwin, and their relationship to each other. Sadly, the second volume doesn’t add much more that is new; I felt like I had already seen many of the scenes play out before and it was very clear how some of the events were going to end. The second volume of No Regrets spends a fair amount of time explaining the long-distance scouting formation, for example. While it’s noteworthy that No Regrets shows the first time that the maneuver is ever attempted, anyone familiar with Attack on Titan should already be quite aware of how the formation functions and its importance. Likewise, as is to be expected, encounters with Titans never tend to go well. Because in many ways No Regrets serves as a prequel to Attack on Titan, the deaths of major characters in the series are not at all surprising and lose some of their impact as a result.

More than anyone else’s, No Regrets is Levi’s story, but Erwin plays a pivotal role in it as well. Both of the men are exceptionally charismatic leaders, although Erwin is the only one of the two who actually seeks that role. Levi doesn’t want to be responsible for the lives of others while Erwin is willing to shoulder the weight of the sacrifices made in the fight against the Titans. He is extremely intelligent and talented and able to make tough decision. Even at the cost of individual lives, Erwin voluntarily employs dubious methods if he believes that the results will increase the odds of humanity’s survival. His almost fanatical drive and obsession contrasts sharply with Levi’s more reserved and internally focused nature. As is known will happen, eventually Erwin wins Levi over to his cause and gives him a firm direction and purpose, but this foregone conclusion does seem to occur rather abruptly. Still, the exploration of Levi and Erwin’s respective personalities and motivations in No Regrets is probably what the series does best and is what the manga brings to Attack on Titan as a whole.

Manga the Week of 12/17

December 11, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 1 Comment

SEAN: Merry Christmas! Have some manga. Since the publishers usually go quiet around Christmas and New Year’s, almost everything is frontloaded to next week. So be prepared to be completely buried.

The Shinji Ikari Raising Project has now officially passed its parent in volume count. It’s coming to an end soon, though. In the meantime, Dark Horse brings us Vol. 15.

Manga Dogs 2 will help us to ask the question, “can the three male leads get any stupider?”. I’m betting on yes.

ASH: I’m sure that’s probably the case, though they’re pretty stupid to begin with.

SEAN: Kodansha also has its 4th xxxHOLIC omnibus. The series was at its high point here, in my opinion.

MJ: Even if I don’t think it had a *low* point, exactly, I agree that this was a great period in the series.

SEAN: Seven Seas debuts a new yuri series with Citrus, which is from Comic Yuri Hime – nice to see a title from that magazine over here again. Expect melodramatic schoolgirls.

ASH: I’m always interested in more yuri in English, so I’ll be checking this one out.

SEAN: There’s the third volume of D-Frag!, one of the funnier series I’ve read this past year.

You thought Dance in the Vampire Bund was over? You thought all we had left was spinoffs starring David Rasche? You were wrong! Here’s Dance in the Vampire Bund II: Vamp Harder… erm, Scarlet Order.

Girls Und Panzer isn’t over, but there’s always room for one more spinoff series. Little Army follows Miho, the “hardened battle commander” of the original series, as she does tank battles in elementary school.

And Haganai has a second collection of side story comedy for those who feel the main series has too much plot, this one called Club Minutes.

Lastly (from Seven Seas – we’re a long way from the end), there’s a new Witch Buster omnibus, with Vols. 13 and 14.

Vertical has a new Mobile Suit Gundam the Origin, and I think Vol. 8 means we’re 2/3 of the way through. Is the cast still alive? (I’m so far behind on this.)

ASH: As far as we know the cast is still alive; the last few volumes have been an extended flashback, so who knows what will happen from here?

ANNA: I’m behind too, but I keep buying it!

SEAN: Vertical is also debuting two old favorites digitally, as next week sees Vol. 1 and 2 of Black Jack, as well as Apollo’s Song. Mmmmm, digital Tezuka…

ASH: Since so many of Vertical’s Tezuka title have gone or are going out of print, I’m very happy that the publisher found a way to give them some new life.

ANNA: I have much fondness for Black Jack.

MJ: I do, too. I’m so happy to see this coming out digitally.

SEAN: Viz has a 10th volume of Afterschool Charisma, one of the SigIkki survivors.

ANNA: Another one of those series I read three volumes of and mean to get caught up on one day.

SEAN: It’s December, so it’s time for the annual release of Dogs: Bullets and Carnage, with Vol. 9 dropping.

The other SigIkki survivor also has a new volume, as Dorohedoro reached its 14th. Ikki in Japan may be no more, but Dorohedoro will be moving to its replacement, so don’t expect it to end right away.

MICHELLE: Someday I really will read these last three.

ASH: Dorohedoro! Such a delightfully charmingly bizarre series.

SEAN: It’s been a while since we’ve been able to get excited about an Urasawa release. Now we see an omnibus edition of Master Keaton, which will feature incredibly dramatic insurance investigations. No, really, it’s excellent. Check this out even if you’re not a fan of insurance.

MICHELLE: I am so excited about this!!

ASH: I’m definitely interested in seeing more from Urasawa.

ANNA: I’m curious about this title for sure.

MJ: I’m in!

SEAN: Think we’re done? HAH! It’s Yen time. We’ll start with the Yen On line. We get the debut of a new series whose title screams “I am a light novel franchise”. It’s called Is It Wrong to Try to Pick Up Girls in a Dungeon? I’m going to guess the answer overall will prove to be “no”, this sounds pretty harem-ey.

ASH: I don’t know much about the series, but the title amuses me, so I might actually give this one a try.

MJ: Heh. Agreed.

SEAN: Spice & Wolf’s novels have been running since long before Yen On began, and as such, we get lucky Vol. 13 here. That’s the light novel, not the manga, which also ships next week, but is Vol. 10.

And Sword Art Online’s novels start everyone’s favorite arc, Fairy Dance. This is a 2-parter, FYI, the second ships in April. This is the novel, not the manga, which already began the Fairy Dance arc in August, but had Vol. 2 ship last month, which is not Vol. 2 of the light novels, though it adapts part of it.

MJ: I don’t hate Fairy Dance, so I’m happy to see this.

SEAN: On the manga front, we have the 2nd of the adaptation of Accel World, having had the 2nd light novel one month ago, which this manga volume does not adapt, as it’s still adapting the first one. Clear? Wait till next spring, when it will get REALLY confusing. Also, hooray for new math.

Alice is really hard to get a lead on, as Are You Alice? has hit Vol. 7 and still doesn’t know.

MJ: Heh.

SEAN: Barakamon seems like a countrified Yotsuba&!, which suits me just fine. The 2nd volume is out next week.

MICHELLE: I still need to check this one out.

MJ: I’m happy to see more of this!

SEAN: Bloody Cross has its 5th volume ship. I admit I finally moved on from this, but if you like supernatural action, it certainly fills that need.

Yen has 3 debuts this month! The first is a familiar author to many, Kaori Yuki. She’d been with Hakusensha for years, but recently moved to Kodansha and their eccentric Aria magazine. This was her debut there, Demon From Afar. That said, if you like the sort of thing she usually writes, this is more of that. But in hardcover!

MICHELLE: Huh. Interesting.

MJ: I’m definitely looking forward to this!

SEAN: The second debut is another author familiar to us, but that’s because of a recent release from Viz. Aya Shouoto had Kiss of the Rose Princess come out via Shojo Beat, and now we see Yen releasing He’s My Only Vampire, which, yes, runs in Aria as well. This combines vampires AND childhood friends.

MICHELLE: Huh. Well, more shoujo is a good thing!

ANNA: I agree!

MJ: I’ll give it a try, for sure.

SEAN: There’s a spinoff of harem manga High School DxD, focusing on two of the lead females: Asia and Koneko’s Secret Contract. My guess is this is similar to Haganai’s Club Minutes, aka plotless comedy.

Kingdom Hearts II Vol. 3 is really not helping Yen escape my mocking of their volume numbers.

The last debut is the one I’m most excited about: Love at Fourteen. The plot sounds familiar, with two childhood friends finding love in school. But it runs in Hakusensha’s Rakuen Le Paradis, a magazine I’d kill to see more licenses from, and is apparently very well written.

MICHELLE: I’m really excited about this one, too!

ANNA: This was totally not on my radar before, but it sounds interesting.

MJ: My response is *both* of Michelle & Anna’s responses put together.

SEAN: Spice & Wolf has its 10th volume ship this week! That’s the manga, not the light novel. The light novel ships Vol. 13 this week, as I said earlier. Be aware that in 2015, Yen will begin calculating Manga and Light Novel volume numbers in Base 8, as they worry readers may get confused. (I am old enough to know what Base 8 is, yes.)

ASH: Ha!

SEAN: Lastly (at LONG last!), we get the 6th volume of Tena on S-String, a mere 4 years after the 5th. The series is out digitally if you want to jog your memory.

Is this enough Christmas manga? Do you want more? Clap your hands if you want more!

MJ: *clap*? No?

Manga! Manga!: The World of Japanese Comics

December 10, 2014 by Ash Brown

Author: Frederik L. Schodt
Publisher: Kodansha
ISBN: 9781568364766
Released: January 2013
Original release: 1983
Awards: Japan Cartoonists Association Award

Initially released in 1983 and then again in 1986 in a slightly updated and revised edition, Frederik L. Schodt’s groundbreaking Manga! Manga!: The World of Japanese Comics was one of the first, and remains one of the best, surveys of the history of manga and the manga industry available in English. Written and published at a time when manga was virtually unknown to the average comics reader in the West and when only a very few examples of manga had been translated, Schodt was hoping to provide an introduction to the art form, garner interest in manga, and share his love and excitement for the medium. Manga! Manga! was received very well both in Japan where it earned special recognition from the Japan Cartoonists Association as well as in markets focused on English-reading audiences. Although Schodt would follow up Manga! Manga! with his work Dreamland Japan: Writings on Modern Manga in 1996, his initial foray is considered a classic in its subject area and is still well worth reading.

Manga! Manga! opens with a forward by Osamu Tezuka, who Schodt personally knew and worked with. From there Schodt takes over with the first chapter “A Thousand Million Manga,” providing an overview of manga and its readership in Japan. “A Thousand Years of Manga” addresses the history of manga, tracing its origins and development from 12th-century narrative art traditions through its more contemporary influences. “The Spirit of Japan” looks at the portrayal of the bushidō ethic in manga, ranging from historical fiction to the yakuza and sports genres, while “Flowers and Dreams” reveals the significance of comics created for and by girls and women. Other genres, such as salaryman, specialty career-oriented manga, and mahjong manga are explored in the chapter “The Economic Animal at Work and at Play.” Subjects like censorship, violence, and eroticism are the focus of “Regulations versus Fantasy.” Schodt closes his research with a chapters specifically devoted “The Comic Industry” and “The Future.” (Granted, that future is now in many cases the past, but the chapter is still illuminating.)

The editions of Manga! Manga! printed after 1997 also have a short introduction by Schodt but otherwise are nearly identical content-wise to those that were published earlier. In addition to Schodt’s main text, Manga! Manga! also includes an index divided by general subject, creators, and title as well as a bibliography of both English-language and Japanese-language resources. As is appropriate for a work about manga, Schodt incorporates artwork and photographs throughout the volume–rare is the page which isn’t accompanied by some sort of visual component. Particularly noteworthy is the inclusion of translated excerpts selected from four manga: Osamu Tezuka’s Phoenix, Reiji Matsumoto’s Ghost Warrior, Riyoko Ikeda’s The Rose of Versailles, and Keiji Nakazawa’s Barefoot Gen. These examples are among some of the earliest manga in translation readily available to a general English-language audience. Brief biographies of the four mangaka are provided as well.

Manga! Manga! is a fantastic work. Even decades after it was first published it remains an informative and valuable study. And, as I have come to expect, Schodt’s writing is very approachable and easy to read. Manga! Manga! explores the history of manga within the context of Japanese culture and history, ultimately showing that the two cannot be completely separated. Manga and its development reflect, is influenced by, and emphasizes the changing state of Japanese culture, politics, and social mores. It is an art form and a source of entertainment, but it can also be used for educational and informational purposes and even as propaganda. Schodt outlines the importance of manga in Manga! Manga!, both culturally and historically, and what it has to offer to Japan and to the world at large. Manga! Manga! is very highly recommended to anyone interested in learning more about manga, its history, its creators, or the manga industry as a whole.

Pick of the Week: Massive & More

December 8, 2014 by Ash Brown, Michelle Smith, Anna N, Sean Gaffney and MJ Leave a Comment

ASH: It’s a somewhat smaller batch of manga shipping this week, but there’s still a nice variety from which to choose. But I’ll admit, the release I’m most excited about is the Massive anthology of gay manga from Fantagraphics which technically came out last week. Featuring interviews, essays, and the work of nine of some of the most well-know creators of gay manga, it’s a groundbreaking collection that shouldn’t be missed for anyone interested in this underrepresented genre in English.

MICHELLE: I’m all for the publication of Massive, but if I’m honest with myself, the release I’m most looking forward to is volume 9 of Shinobu Ohtaka’s Magi. This has quickly become one of my favorite shounen manga being released currently, and I’ve been quite impressed by it so far.

ANNA: There isn’t really anything shipping this week that appeals to me, so just I’m going to go with my latest purchases from Viz Media’s digital manga store. One Punch Man volumes 4 and 5! This series is so hilarious, I am perplexed as to why it is available only in digital format.

SEAN: Massive is the worthy title, but I’m picking Magi as well. We’re starting a new arc, which generally means an increase in comedy. Can’t wait.

MJ: I’ll bring things full circle here by going back to Massive. I’ve been really pleased with Fantagraphics’ commitment to bringing us types of manga that are underrepresented in the English-language market, and Massive falls decidedly into that category. It isn’t the first volume of gay manga we’ve seen over here, but it’s the first volume (to my knowledge) dedicated to bringing us work from a variety of creators, which is something I’m certainly looking forward to. I’m sure that I’m not alone in this. It’s definitely my pick this week.

What looks good to you this week?

My Week in Manga: December 1-December 7, 2014

December 8, 2014 by Ash Brown

My News and Reviews

There were a few different things posted at Experiments in Manga last week. First up was the announcement of the Seven Seas Sampler manga giveaway winner. The post also includes a list of some favorite titles published or soon to be published by Seven Seas. The honor of the first in-depth manga review for December goes to Mobile Suit Gundam: The Origin, Volume 7 by Yoshikazu Yasuhiko. Even if you’re not particularly interested in Gundam (I’ll readily admit to not being a devotee of the franchise, myself), I’d still highly recommend the series to readers looking for some great science fiction manga. The Origin is consistently great, and Vertical’s edition remains one of the best-looking manga releases in English. Also, over the weekend, I posted November’s Bookshelf Overload for those of you interested in what made it onto my shelves last month. (Granted, it doesn’t all actually fit on my shelves at the moment, thus the “overload.” There are a few strategically placed piles and boxes in my room, too…)

Elsewhere online, Digital Manga has a survey soliciting Tezuka Kickstarter Feedback. According to a recent e-mail newsletter, Digital Manga is expecting to launch a Kickstarter project sometime in 2015 to reprint Unico, Swallowing the Earth, and Barbara, all of which have previously been Kickstarted. Philip of Eeeper’s Choice expresses some of the concerns over these recent developments. Also interesting, a Publishers Weekly article about Digital Manga’s recent Kickstarter efforts notes that Digital Manga is apparently not planning on actually distributing the Tezuka manga outside of direct sales and the library market. This means that individuals who want the manga will either have to back a successful Kickstarter project, or purchase them directly from the publisher. I’ve been extremely busy at work lately (my immediate supervisor retired on Friday, which more or less leaves me in charge of my unit for the time being), so I wasn’t able to follow much more than the Digital Manga drama, but I did see that Viz made a new license announcement: Junji Ito’s Fragments of Horror! And speaking of licenses, Reverse Thieves has compiled a list of all of the manga, light novels, and anime licenses that were announced in 2014.

Quick Takes

Angel Sanctuary, Volumes 11-15 by Kaori Yuki. It took more than half of the series, but Angel Sanctuary has finally grabbed a hold of me. I’ve enjoyed Yuki’s artwork since the beginning, I’ve always liked the series’ exploration of overarching themes of love, destiny, and personal responsibility, and I can certainly appreciate the tremendous amount of research Yuki has put into creating her mythology, but the story itself has been somewhat of an unfocused mess up until this point. Now things are starting to pull together in a very satisfying way though. I’m actually looking forward to reading the conclusion of Angel Sanctuary instead of just feeling obligated to finish the manga. It’s getting really good and the drama is epic. Yuki still has the tendency to be a little haphazard in her narrative structure, but the series has become much easier to follow. It probably helps that her editors wouldn’t allow her to introduce any more new characters. The cast of Angel Sanctuary is huge, and so it’s understandably challenging to present all of their backstories while maintaining the series’ forward momentum. Fortunately, as it approaches its turbulent end, Angel Sanctuary seems to have found its center and drive.

Manga Dogs, Volume 1 by Ema Toyama. Up until now, the only other manga that I’ve read by Toyama is her ongoing series Missions of Love, so I wasn’t quite sure what to expect from Manga Dogs. Turns out it’s a very different series, probably best described as gag manga about making manga and the manga industry. While for me it was never laugh-out-loud hilarious, I was generally amused and consistently entertained by the first volume of Manga Dogs. It’s silly fun. Even though she’s only fifteen, Kanna Tezuka recently made her manga debut. Granted, her series isn’t doing so well and is in danger of cancellation. Her high school has a new major specializing in manga, though it’s incredibly poorly run, which is where three pretty boys attach themselves to her. Fumio Akatsuka, Fujio Fuji, and Shota Ishinomori are more interested in the fame and fortune they associate with successful mangaka rather than the sweat and stress it takes to get there, though. As can be seen with the characters’ names, Manga Dogs has plenty of nods and references to established mangaka, but most of the humor comes from the three young men’s misguided efforts to become famous artists without actually putting in any effort.

Prophecy, Volume 1 by Tetsuya Tsutsui. Before reading the first volume of Prophecy I actually didn’t know much about the manga except that Vertical was approached to publish it directly by the author. Prophecy is a mature, chilling, and realistic series dealing with cyber crime, social media, how quickly people can turn on one another, and the terrible things that can be done under the guise of anonymity. A small group of vigilantes are taking matters into their own hands, viciously striking out against those who have trespassed against others online. While their methods are extreme, their motivation is easy to understand and even empathize with; the world can be a cruel, cruel place. It’s an entirely different sort of case than the members Anti Cyber Crimes Division of the Metropolitan Police are usually involved in. Specializing in internet crime, they more commonly deal with copyright and intellectual property infringement. But in this particular war of information, people’s lives are at stake, not just their livelihoods. The first volume of Prophecy was exceptional. In my opinion, it’s one of the strongest series to debut this year. I’ll definitely be picking up the rest of the manga.

Bookshelf Overload: November 2014

December 7, 2014 by Ash Brown

Once again, November mostly brought preorders and a few review copies to my doorstep, but I also made a point of picking up some first volumes of older series that I’ve been meaning to try, like Pandora Hearts, Bakuman, and Oresama Teacher. As for the preorders I was particularly happy to see arrive, there was the penultimate volume of Blade of the Immortal by Hiroaki Samura, Kaoru Mori’s A Bride’s Story, Volume 6, and Takehiko Inoue’s Real, Volume 13. I also picked up a couple of alt-manga releases: Akino Kondoh’s Nothing Whatsoever All Out in the Open and Masahiko Matsumoto’s The Man Next Door. It was a good month for fans of Fumi Yoshinaga, too; both Ōoku: The Inner Chambers, Volume 10 and What Did You Eat Yesterday?, Volume 5 are now available. But the release that I was probably most excited about in November wasn’t actually even manga. The Early Cases of Akechi Kogoro by Edogawa Rampo, a collection of four stories featuring one of Rampo’s most famous characters, has been published by Kurodahan Press!

Manga!
Ani-Imo, Volume 1 by Haruko Kurumatani
Assassination Classroom, Volume 1 by Yusei Matsui
Attack on Titan: No Regrets, Volume 2 by Hikaru Suruga
Barakamon, Volume 1 by Satsuki Yoshino
Bakuman, Volumes 1-2 written by Tsugumi Ohba, illustrated by Takeshi Obata
Blade of the Immortal, Volume 30: Vigilance by Hiroaki Samura
A Bride’s Story, Volume 6 by Kaoru Mori
Clamp School Detectives, Volumes 1-3 by CLAMP
Devils and Realist, Volume 3 written by Madoka Takadono, illustrated by Utako Yukihiro
Food Wars!: Shokugeki no Soma, Volume 3 written by Yuto Tsukuda, illustrated by Shun Saeki
Gangsta, Volume 4 by Kohske
The Garden of Words written by Makoto Shinkai, illustrated by Midori Motohashi
Genshiken: Second Season, Volume 5 by Shimoku Kio
Love in Hell, Volume 1 by Reiji Suzumaru
Lucifer and the Biscuit Hammer, Omnibus 1 by Satoshi Mizukami
The Man Next Door by Masahiko Matsumoto
Manga Dogs, Volume 1 by Ema Toyama
Missions of Love, Volumes 8-9 by Ema Toyama
No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 5 by Nico Tanigawa
Nothing Whatsoever All Out in the Open by Akino Kondoh
Ōoku: The Inner Chambers, Volume 10 by Fumi Yoshinaga
Oresama Teacher, Volume 1 by Izumi Tsubaki
Pandora Hearts, Volume 1 by Jun Mochizuki
Prophecy, Part 1 by Tetsuya Tsutsui
President Momoi-Kun by Higashi Nishida
Real, Volume 13 by Takehiko Inoue
Sense and Sexuality by You Higashino
Showa: A History of Japan, 1944-1953 by Shigeru Mizuki
Tale of the Waning Moon, Volume 1 by Hyouta Fujiyama
Terra Formars, Volume 3 written by Yu Sasuga, illustrated by Ken-ichi Tachibana
Ubel Blatt, Omnibus 0 by Etorouji Shiono
Yukarism, Volume 1 by Chika Shiomi
What Did You Eat Yesterday?, Volume 5 by Fumi Yoshinaga

Manhwa!
Milkyway Hitchhiking, Omnibus 1 by Sirial

Comics!
Hotblood!: A Centaur in the Old West, Volume 2 by Toril Orlesky
Oglaf, Book Two by Doug Bayne and Trudy Cooper
Open Spaces and Closed Places, Parts 1-6 by saicoink
Outwards by Elephant Wendigo
The Tribute Album: An Authorized Less Than Epic Adventures of TJ & Amal Fan Artbook

Collections!
The Early Cases of Akechi Kogoro by Edogawa Rampo
Season of Infidelity: BDSM Tales from the Classic Master by Oniroku Dan

Mobile Suit Gundam: The Origin, Vol. 7: Battle of Loum

December 5, 2014 by Ash Brown

Creator: Yoshikazu Yasuhiko
Original story: Yoshiyuki Tomino and Hajime Yatate
U.S. publisher: Vertical
ISBN: 9781939130679
Released: September 2014
Original release: 2011

Battle of Loum is the seventh volume in Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin, a reimagining of the original 1979 anime series Mobile Suit Gundam which launched the massive Gundam franchise. The Origin provides an excellent entry point into the rather daunting Gundam universe for those who don’t know where to start with it. I’d even recommend the manga to readers who don’t have a particular interest in Gundam but who are looking for a great military science fiction series or space opera. Generally, I would consider myself a part of that latter group, though after reading The Origin I find that I am more curious about Gundam as a whole than I previously was. I have thoroughly been enjoying Vertical’s deluxe release of the The Origin which is based on the Japanese collectors’ edition. The seventh volume, originally published in Japan in 2011, was released in English in 2014 and includes additional commentary from Mamoru Nagano as well as the extra chapter “On the Eve” as bonus content.

After the Republic of Munzo declared itself the independent Principality of Zeon, political tensions continued to mount between it and the Earth Federation until an all-out war between the two groups ignited. Some of the other space colonies rally under Zeon’s flag, demanding their autonomy and freedom from the Federation’s rule. Others support the Federation and its efforts to keep humanity united. Neither side of the conflict is entirely in the wrong, but as the war continues so do the crimes against innocent civilians and colonists, many of which are manufactured by members of Zeon’s ruling House Zabi who would use the war for their own designs. There are warmongers to be found among the Federation’s ranks as well, though. But then Zeon does something unconscionable. Supposedly in an effort to end the war quickly and decisively, an entire space colony is crashed into the planet and the effects are devastating.

Battle of Loum recounts two of the most pivotal events of the war between the Federation and Zeon. The first chapter or so is devoted to the colony drop of Side 2 and the massacre of the colonists that precede its ultimate destruction. It is an appalling tragedy and the number of casualties is enormous, both of Side 2’s residents and the worldwide population of Earth. Yasuhiko’s stunning portrayal of the colony drop is extraordinarily effective. In addition to the showing astonishing damage inflicted, he explores the motivations behind it, the controversy and doubt surrounding the act, and how individuals respond and react to the plan and its execution. The colony drop is nothing short of an atrocity. It’s chilling to see the propaganda touting the glory of war contrasted with the very grim reality and horror of it all. The images of the colony breaking apart and smashing into Earth and the resulting devastation and loss of life are haunting.

As can be assumed by the title of the seventh volume, the Battle of Loum is the other major incident of the war upon which Yasuhiko turns his attention. Although the Federation has the advantage of numbers and resources, it is outmatched strategically and technologically as Zeon proves just how powerful and versatile the newly developed mobile suits can be. The Battle of Loum is a turning point in the war. Neither side comes out of it unscathed, but the Federation suffers a major defeat. The seventh volume of The Origin is very dramatic, with intense space battles and devious political machinations. There are those who honestly desire peace, but there are also those on both sides of the conflict who seek war. The inclusion of “On the Eve” brings the narrative full circle to the events that begin the series. The Origin is a magnificent piece of science fiction. It’s scope is epic, but Yasuhiko never forgets the very personal human drama that underlies it all.

Manga the Week of 12/10

December 5, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith Leave a Comment

SEAN: The second week in December brings us a wide variety of manga for perusing, but is already dominated by something that Fantagraphics released THIS week and I am therefore behind on.

Massive is an anthology of gay manga that, from what I hear, can be judged very well by its cover: if the idea of large, muscley men having sex with each other intrigues you, then this is an absolute must buy. It’s always great to see this sort of manga over here.

ASH: The release date kept moving around for this one, so don’t feel too bad. I’m thrilled that it’s finally here, though! Massive is one of my most anticipated releases for 2015. It includes manga, interviews, essays, and more. I can’t wait to get my hands on a copy!

MJ: Same here.

ANNA: I probably won’t be reading this, but I think it is very cool that it is being published.

SEAN: Kodansha has a third volume of Attack on Titan: Before the Fall. This is the manga, not the novel, for those who may be confused.

There’s also a fifth Battle Angel Alita: Last Order omnibus.

Seven Seas hopes you still like Wonderland (not to be confused with the Country of Hearts) with the 2nd volume of I Am Alice: Bodyswap in Wonderland.

Vertical gives us two types of supernatural action manga. The 2nd volume of Ajin possibly has less romantic comedy than I expect Witch Craft Works 2 will have, though I’ve been wrong about that sort of thing before.

ASH: I think you’re probably right this time.

SEAN: Arata the Legend has reached 20 volumes, which means if it weren’t licensed already, it would be totally unlicensable by now. But it is! Rejoice, Arata fans.

MICHELLE: I do like Arata, but I kind of can’t believe it’s gone on longer than Fushigi Yuugi. I guess that’s what happens when it’s shounen.

ANNA: I do have a deep and unwavering affection for Fushigi Yuugi. Sorry Arata!

SEAN: Deadman Wonderland has its sixth volume next week as well.

ASH: Tokyopop only made it to five volumes; Viz is starting to get into new material, now.

MICHELLE: Yep! I always think of this series in the same thought as the other final straggly releases TOKYOPOP managed to get out, including a volume of The Stellar Six of Gingacho. Probably no one will ever rescue that one, so I has a sad.

MJ: I’ve been kinda iffy on this series, but I am pretty happy that TP series’ are getting picked back up, so I consider it a win.

ANNA: I will pause to evoke the late, lamented series Demon Sacred and Sky Blue Shore

And there’s a 13th Itsuwaribito, and I begin to despair about this long string of worthy Viz shonen I don’t really follow.

And I am rewarded with a 9th volume of Magi, which I do follow, and which is excellent.

MICHELLE: It is. We need to start a campaign to get MJto read it.

MJ: Heh.

ANNA: I am hoarding stray volumes of this and do mean to read it one day.

SEAN: Are you getting a massive amount of manga next week? Or just Massive?

Manga Giveaway: Seven Seas Sampler Winner

December 3, 2014 by Ash Brown

Dictatorial Grimoire, Volume 1: Cinderella

And the winner of the Seven Seas Sampler manga giveaway is…Karen Swartz!

As the winner, Karen will be receiving A Centaur’s Life, Volume 1 by Kei Murayama; Dictatorial Grimoire, Volume 1: Cinderella by Ayumi Kanou; Gakuen Polizi, Volume 1 by Milk Morinaga; and Kashimashi: Girl Meets Girl, Omnibus 1 written by Satoru Akahori and illustrated by Yukimaru Katsura. Over the last couple of years, Seven Seas has really taken off, adding more licenses than ever before and diversifying its catalog. So, for this giveaway, I asked people tell me a little about some of their favorite manga released by Seven Seas. I’ve compiled a list below (those with an asterisk were mentioned by more than one person), but be sure to check out the Seven Seas Sampler comments for more details.

Some favorite Seven Seas titles:
Afro Samurai by Takashi Okazaki
Alice in the Country of created by Quin Rose
Amazing Agent Luna written by Nunzio DeFillippis, Christina Weir, illustrated by Shiei
Blood Alone by Masayuki Takano
Boogiepop created by Kouhei Kadono
A Centaur’s Life by Kei Murayama
A Certain Scientific Railgun written by Kazuma Kamachi, illustrated by Motoi Fuyukawa
Citrus by Saburouta
*D-Frag! by Tomoya Haruno
Dance in the Vampire Bund by Nozomu Tamaki
*Devils and Realist written by Utako Yukihiro, illustrated by Madoka Takadono
Dragonar Academy written by Ran, illustrated by Shiki Mizuchi
Freezing by Kwang-Huyn Kim
Gakuen Polizi by Milk Morinaga
*Girl Friends by Milk Morinaga
*Gunslinger Girl by Yu Aida
*Haganai: I Don’t Have Many Friends written by Yomi Hirasaka, illustrated by Itachi
Haven’t You Heard? I’m Sakamoto by Nami Sano
Hayate X Blade by Shizuru Hayashiya
Inukami! written by Mamizu Arisawa, illustrated by Mari Matsuzawa
Kisses, Sighs, and Cherry Blossom Pink by Milk Morinaga
Kokoro Connect written by Sadanatsu Anda, illustrated by CUTEG
*Lizzie Newton: Victorian Mysteries written by Hey-jin Jeon, illustrated by Ki-ha Lee
Love in Hell by Reiji Suzumaru
*Lucifer and the Biscuit Hammer by Satoshi Mizukami
Magical Girl Apocalypse by Kentaro Sato
Strawberry Panic written by Sakurako Kimino, illustrated by Takuminamuchi
*Toradora! written by Yuyuko Takemiya, illustrated by Zekkyou
Witch Buster by Jung-man Cho
*Young Miss Holmes by Kaoru Shintani
Zero’s Familiar written by Noboru Yamaguchi, illustrated by Nana Mochizuki

Thank you to everyone who participated in the giveaway and shared some of your favorites; I hope to see you all again for the next one!

Pick of the Week: Torn Between Two Manga

December 1, 2014 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

Feeling like a fool.

SEAN: There’s a really obvious pick for me this week, as I already mentioned in my Manga the Week of. I’m a sucker for stories where groups of delinquents and misfits are given reasons to fight back and find worth in themselves, and if it’s an alien smiley-face teacher who’s also a bit of a pervert, so much the better. Assassination Classroom is a long awaited addition to the Jump line, and I can’t wait to dig into it.

MICHELLE: I was all set to pick Yukarism here, and I really do look forward to that one, but Sean, you really got me with the description of delinquents/misfits finding worth in themselves. I love stories where kids like that find somewhere they belong, or a passion that they can excel in. It’s a huge reason that I love Slam Dunk so much. And so, I guess I’m picking Assassination Classroom, too!

ASH: Assasination Classroom is one of the manga I’m most curious about this week, too, but since it already has such strong support, I’m going to go ahead and pick the debut of Yukarism. I haven’t read any of the mangaka’s previous works, but the art looks beautiful and I’m intrigued by the story’s premise.

ANNA: I join with Ash in also being intrigued by Assasination Classroom, but as someone who has read all of Chika Shiomi’s other works, I have to pick Yukarism as the manga I am most looking forward to this week.

MJ: Oh dear, oh dear. Well. Though I am feeling the same torment as everyone else here, I will also side with Yukarism in the end. My love for Rasetsu coupled with the rather adorable nature of the title compels me. Yes, indeed it does. Yukarism FTW!

What looks good to you this week?

My Week in Manga: November 24-November 30, 2014

December 1, 2014 by Ash Brown

My News and Reviews

Last week was a busy week for me as I was traveling and such for the Thanksgiving holiday, but Experiments in Manga had quite a few things going on, too. The most recent manga giveaway was posted and there’s still time to enter for a chance to win a Seven Seas Sampler–four first volumes of some of Seven Seas’ manga series. I also posted two reviews last week. First up was Yu Godai’s novel Quantum Devil Saga: Avatar Tuner, Volume 1 which I loved. It’s based on the same story as Digital Devil Saga, a spinoff of the Shin Megami Tensei video game series. I also reviewed Ryosuke Takeuchi and Takeshi Obata’s All You Need Is Kill manga adaptation of Hiroshi Sakurazaka’s original All You Need Is Kill novel. I think the novel is the stronger of the two, but I enjoyed the manga as well. Last week I also joined in with the other Manga Bookshelf bloggers for a roundtable on food manga over at MangaBlog.

I should also probably mention that the votes have been tallied for my next monthly manga review project. After School Nightmare took an early lead, but it ended up being a very close contest between it and Dorohedoro and Mushishi. And in the end, After School Nightmare and Mushishi actually tied with each other! So, I’ve decided to review both manga. There are a few different ways to approach this, but beginning with After School Nightmare, each month I’ll alternate between the two series. If everything goes according to schedule, it should take me a year and a half to complete the review project. Thank you to everyone who participated in the poll! I was very glad to see interest expressed in all of the series to which I had narrowed down the vote. I’ll be sure to keep in mind the other series that were strongly supported and try to feature them as best as I can, too. I wish that I had more time to read and write!

Elsewhere online, Organization Anti-Social Geniuses had a couple of posts that I found particularly interesting last week–an interview with Abigail Blackman, one of Yen Press’ editors and letterers, and a discussion of some of the fears of buying manga from U.S. publishers. Digital Manga has launched yet another Osamu Tezuka manga Kickstarter, though one that seems much more reasonable than the last failed project. This time, Digital Manga is trying to raise funding for the publication of Tezuka’s Ludwig B, an unfinished manga series about Beethoven. (In part because of my background in music, I’m actually really interested in Ludwig B.) I’d also like to bring a little attention to an effort started by Becca Hillburn–a group for Western Shoujo Comic Artists. More about it and the endeavor to create a network of support for manga-influenced artists can be read at Hillburn’s website Nattosoup: Solidarity and the American Shoujo/Josei Comic Scene.

Quick Takes

Alice in the Country of Hearts, Omnibus 1 (equivalent to Volumes 1-2) by Soumei Hoshino. Based on an otome game by Quin Rose, Hoshino’s Alice in the Country of Hearts is one of many manga adaptations and spinoffs. Originally the series was partially released in English by Tokyopop, but the license was later rescued by Yen Press. Despite hearing good things about Alice in the Country of Hears, one of the reasons it took me so long to give the manga a try was the sheer number of volumes associated with the franchise. I’m glad that I finally got around to reading the first omnibus, though, because I loved it. At first, Alice in the Country of Hearts seems like a fairly straightforward re-imagining of Lewis Carroll’s Alice’s Adventures in Wonderland. (Granted, many of the characters are now bishōnen of various types.) But it soon becomes clear that something very ominous and disconcerting is brewing under the story’s surface. Alice has been transported to Wonderland and if she ever wants to return home she will have to get to know its residents better. Although they are participating in some sort of game to win her affections, those who live in Wonderland are prone to violence and have a very different sense of what is normal.

Milkyway Hitchhiking, Omnibus 1 (equivalent to Volumes 1-2) by Sirial. Although occasionally the same characters make an appearance in multiple stories, Milkyway Hitchhiking is generally an episodic manhwa. The only thing that really ties the volume together is the presence of Milkyway, a beautiful cat who can apparently travel through space and time. She may or may not actually play an active role in the stories being told. Sometimes she’s just an observer and sometimes she’s a participant. Sometimes she’s a focal point of a tale and sometimes she simply happens to be present while events unfold around her. The most striking thing about Milkyway Hitchhiking is its beautiful, full-color artwork. Some of the individual illustrations are simply stunningly gorgeous. A variety of color palettes are used to lovely effect. While I particularly appreciate Milkyway Hitchhiking for Sirial’s art, I also enjoyed the individual episodes, too. The stories range from the fantastical to those grounded in reality. Some feel very much like something out of a fairy tale while others are contemporary slice-of-life or historical in nature. At times heartwarming and at times heartbreaking, I very much enjoyed Milkyway Hitchhiking and look forward to reading more of the series.

Tale of the Waning Moon, Volume 1 by Hyouta Fujiyama. I have a tendency to forget that Yen Press releases boys’ love series. Tale of the Waning Moon is one of those manga. Fujiyama has had quite a few of her works released in English, but I haven’t read any until now. Tale of the Waning Moon is pretty ridiculous. Ryuka is a young man whose girlfriend recently left him for another man. While drowning his sorrows Ryuka accidentally calls upon Ixto, the spirit of the last quarter moon, to grant him true love. The twist is that all of the eligible candidates that Ixto comes up with are men, which doesn’t particularly appeal to Ryuka. The real problem is that when Ryuka rejects those options, he comes under Ixto’s spell and is therefore compelled to leave his village on a quest to reunite with the spirit. From there, Ryuka sets of on his journey, unintentionally amassing an adventuring party of sorts in the process. Tale of the Waning Moon has sex (not all of it consensual) and silliness, magic and mayhem. Inspired and heavily influenced by fantasy RPGs, the manga is definitely more of a comedy than it is a romance. Tale of the Waning Moon is a short series–only four volumes–and the first installment entertained me well enough, so I’ll probably get around to picking up the rest at some point.

Übel Blatt, Omnibus 0 (equivalent to Volumes 0-1) by Etorouji Shiono. Übel Blatt, which translates as “evil blade,” has a lot going for it that generally appeals to me–a dark fantasy setting, a tale of revenge, epic battles, and so on–but for some reason, the first omnibus (the zeroth omnibus?) didn’t quite grab me as much as I expected it to. I’m not really sure why, since it seems like a series that should interest me. In fact, overall I actually did like the story. I even like many of the characters, especially its lead. But there were a few little (and big) things here and there that just didn’t work for me. For one, the sexual content and rape in the volume seems entirely unnecessary. It comes across as a superfluous attempt to add more edginess as opposed to being important to the story. Most of the female characters don’t fare particularly well, either. Occasionally there’s a little bit of hope that they’ll overcome their scantily clad fantasy tropes, but it never quite seems to happen. At this point, many of the antagonists in Übel Blatt seem fairly one-dimensional, too, though I suspect that this will change as the series progresses. All that being said, Übel Blatt does feature some excellent fight sequences and scenes of destruction. And while I’m not desperate to read the next volume, the series does show potential.

All You Need Is Kill

November 30, 2014 by Ash Brown

Author: Ryosuke Takeuchi
Illustrator: Takeshi Obata
Original story: Hiroshi Sakurazaka
U.S. publisher: Viz Media
ISBN: 9781421576015
Released: November 2014
Original release: 2014

It’s been a few years since I’ve read Hiroshi Sakurazaka’s novel All You Need Is Kill but I distinctly remember enjoying it, perhaps even more than I initially thought that I would. And so, I was very excited to learn that Takeshi Obata would be working on the manga adaptation not only because I like the original All You Need Is Kill but because I also enjoy Obata’s illustrations. (Hikaru no Go, which he worked on, actually happens to be one of my favorite manga series.) I was even more excited when Viz Media licensed the All You Need Is Kill manga for an English-language release. In Japan, the series was published in 2014 in two volumes. Viz’s digital release was also two volumes, but its 2014 print edition was released as a single-volume omnibus under the Shonen Jump Advanced imprint complete with color pages and a larger trim size. While Obata provided the artwork for the manga adaptation of All You Need Is Kill, it was Ryosuke Takeuchi who outlined the script and storyboards.

Humankind has been at war with the Mimics for years, but it seems like it may be a losing battle. The Mimics, alien creatures that continue to evolve with each confrontation, have begun to close in on Japan, the only country remaining that has the ability to produce the high-tech battle jackets used in the war. If Japan is lost, the rest of the world will soon follow. Keiji Kiriya is a young jacket jockey about to face his first battle. He, like so many others, is killed in action, except that he then revives in his bunk, thirty hours before his death. At first Keji thinks he’s dreaming, but then it happens again. And then again. Time after time, Keiji lives and dies fighting against the Mimics. Doing all that he can to survive just a little bit longer each round, Keiji focuses part of his attention on Rita Vrataski, considered to be the best jacket solider in the world. Following her example, Keiji might actually have a chance to escape the time loop alive.

Because I haven’t recently read Sakurazaka’s original All You Need Is Kill it is difficult for me to make a detailed comparison between it and the manga adaptation. Generally though, I feel that the novel is the stronger work of the two, but the manga has quite a bit going for it as well. Most of the resigned humor and social commentary found in the novel and even Keiji’s internal development have been downplayed in the manga in favor of the story’s external spectacle, action, and battles. As manga is a visual medium it makes sense to have this slight change of focus, but as a result All You Need Is Kill does lose some of its emotional impact. As for the artwork itself, Obata does an excellent job conveying the drama of the plot. The jackets and heavy action sequences look great, too. The Mimics’ design does leave something to be desired though–they aren’t as terrifying as they should be–and some readers may find the occasional fanservice more distracting than anything else.

Although it may not have the same substantive weight of the original, All You Need Is Kill makes for an entertaining and exciting, action-packed manga that reads quickly. Though not without flaws, it succeeds well as an adaptation and as its own work. Particularly effective is how Obata emphasizes the time loop by utilizing very similar panels but with slightly different page layouts with each rewind, keeping the manga from becoming too repetitive. The way Obata draws Keiji changes as well. The young soldier becomes stronger and harder with each loop, but also more haunted and battle-weary. An explanation for the time abnormality is eventually given that at least makes sense superficially and sets up a nice plot twist, but it starts to fall apart if given too much critical thought. Still, the All You Need Is Kill is a great read for anyone interested in military science fiction and action. For the most part I was pleased with the adaptation; I’d still recommend that readers give the original novel a try, too, though.

Quantum Devil Saga: Avatar Tuner, Vol. 1

November 28, 2014 by Ash Brown

Author: Yu Godai
Translator: Kevin Frane
U.S. publisher: Bento Books
ISBN: 9781939326003
Released: July 2014
Original release: 2011

Quantum Devil Saga: Avatar Tuner, Volume 1, a novel written by Yu Godai, was originally published in Japan in 2011. The English-language edition of the volume, translated by Kevin Frane, was released in 2014 by Bento Books. It is the first book in a five-volume series which is further divided into three parts. (The first volume consists of the first half of the first part.) Those familiar with the video game series Digital Devil Saga: Avatar Tuner, a spinoff of the Shin Megami Tensei games, will find Quantum Devil Saga to be familiar as well. The series isn’t a novelization of the video games, but it is based on the same original story created by Godai which became the underlying framework for Digital Devil Saga. Although I was aware of Shin Megami Tensei, which has quite a following, and Digital Devil Saga specifically, I’ve never actually played any of the games myself. Even so, I was still very interested in reading Quantum Devil Saga, Godai’s first written work to appear in English.

The denizens of the Junkyard exist to die in battle only to be born again in a never-ending struggle to reach the promised paradise of Nirvana. The Junkyard is divided into seven territories, one held by the Church of the Arbiters of Karma while the other six are the domain of rival tribes of skilled fighters. Only when one group is able to obtain complete control of the entire Junkyard will the gates to Nirvana be opened. Serph is the leader of the Embryon, a small tribe that has quickly gained strength, numbers, and territory. During the Embryon’s confrontation with the Vanguards tribe, an unidentifiable device appears on the battlefield which dramatically changes the balance of power in the Junkyard, unleashing the combatants’ darker selves and transforming them into demons. Suddenly, the very laws that governed the world in which they live have changed. Established systems have begun to fracture, the cycle of reincarnation is interrupted, and the quest for Nirvana has become deadlier than ever.

Quantum Devil Saga isn’t a video game novelization, nor does it read like one. However, it is quite easy to see how the story and scenario could be suited for or smoothly adapted as a game. The narrative is fairly linear, generally following Serph’s point of view as he and his comrades strive to understand everything that has happened. The way that the transformations are handled and how skills and knowledge are gained in the novel could sometimes be reminiscent of game play or mechanics. The characters fight in a series of battles with increasingly high stakes and difficulty levels, ultimately ending with what cold be considered a boss battle. It’s clearly not the final boss, though, seeing as the first volume concludes with something of a cliffhanger. But none of these similarities are actually bad things and despite them Quantum Devil Saga doesn’t feel overly game-like. It is entirely its own work and exceptionally engaging one at that. The action is exciting and clear, the characters’ philosophical and psychological development is fascinating, and the translation is great, too. Once I started reading Quantum Devil Saga, I didn’t want to put it down.

What made Quantum Devil Saga particularly interesting and intriguing for me was its setting and atmosphere. The world-building of the series is heavily informed by Hindu and Buddhist cosmology and symbolism. (There is also at least one example of Mayan influence, but I found its inclusion to be rather strange given the context of the rest of the novel.) At first it seems as though these concepts are mostly used as a source of aesthetic inspiration, but they actually run fairly deep. However, readers don’t necessarily need to be acquainted with Hinduism or Buddhism to enjoy the story, although those who are will probably get even more out of an already great novel. The overall tone of Quantum Devil Saga is fairly dark. The demonic transformations that the characters are subject to have horrific and unsettling implications. Some of them wholeheartedly embrace their new powers and forms while others are desperate to hold on to the shreds of their humanity. They are forced to face their true selves and struggle with what they see. I enjoyed the first volume of Quantum Devil Saga immensely and can’t wait for the second volume to be released.