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Discussion, Resources, Roundtables, & Reviews

Features & Reviews

GTO: The Early Years, Vol. 13

August 13, 2012 by Sean Gaffney

By Toru Fujisawa. Released in Japan as “Shonan Jun’ai Gumi” by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Vertical.

It always seems as though there’s more dumb comedy in the Early Years manga than comes up in its sequels featuring Onizuka. Now, I’m sure if I went back and checked all of GTO this would not be the case – GTO has some monumentally silly things going on, and I’ve noted just last week how much dumb fun is in 14 Days in Shonan – but here Onizuka has the better excuse of actually being an immature high schooler, meaning that he and his friends lend themselves even well to situations that make one cry with laughter and weep at the stupidity of all involved.

First, though, we get some more epic fighting, as Onizuka still has to resolve his rivalry with Mafuyu, who is determined to take on Eileen, the one that killed his brother. Now, I figured out that Eileen was actually the name of a tropical event right off the bat, meaning it can be grating seeing everyone going around just NOT GETTING that Eileen isn’t a woman. But it leads to some interesting situations, as well as some epic surfing. We also get a very shonen moment where Onizuka is taking on a group of washed-out ex-military Americans, as he notes that saying ‘dreams will die’ and ‘know your limits’ is something that happens to other people. Oh, and showing them the wrath of a true Japanese person, of course. (It almost reads like the U.S. and Japan are rival gangs here, probably deliberately.)

After this, which takes half the volume, the other half is devoted to far shorter and sillier situations. We are reminded that this manga takes place in the late 80s/early 90s with Onizuka’s obsession with bootleg video porn. We see a chapter devoted to Onizuka’s mother, and realize just how horrible it must be trying to deal with a kid like him. There’s an amusing parody of Kindaichi Case Files where Onizuka and friends try to solve the murder of one of their own (spoiler: he’s not really dead). And after his mother finally throws him out, we see Onizuka and Danma moving into a roach-infested rathole of an apartment, which brings its own levels of disgusting humor.

And then there’s the Russian night vision goggles. First off, I really like how Onizuka and Danma are shown here as the leaders of their gang. Even though everything spiraled out of control because of their underlings being stupid and not getting the point, they still don’t back down from a fight, because, well, they’re leaders. Secondly, the idea of a shonen title spending this long discussing night vision goggles being used to masturbate while watching a neighbor strip through a peephole is simply mind-numbing. I’ve noted before that Shonen Magazine seems more ‘mature’ than its rivals Jump and Sunday, and apparently that was the case 20 years ago as well. This leads to an amazing finale, which for once features Danma as the stupider one. He likes to pretend he’s the more mature, especially given he actually has a girlfriend and has gotten lucky, unlike Onizuka, but the peephole situation (which I don’t care spoil) shows he can be even more perverse when it gets right down to it.

I can see why this was such a big success for teenage boys in Japan. Even though I doubt that’s the market for it here, fans of Onizuka should really pick up this prequel, which features less teaching but just as much badassery.

Filed Under: REVIEWS

Manga Bestsellers: 2012, Week Ending 12 August

August 12, 2012 by Matt Blind 1 Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↑17 (18) : Yu-Gi-Oh! GX 9 – Viz Shonen Jump, Aug 2012 [393.9] ::
2. ↓-1 (1) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [392.3] ::
3. ↓-1 (2) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [390.3] ::
4. ↑4 (8) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [373.3] ::
5. ↓-2 (3) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [372.9] ::
6. ↓-2 (4) : Naruto 57 – Viz Shonen Jump, Jul 2012 [345.2] ::
7. ↓-2 (5) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [337.5] ::
8. ↓-1 (7) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [336.8] ::
9. ↓-3 (6) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [327.5] ::
10. ↔0 (10) : Negima! 35 – Kodansha Comics, Jul 2012 [301.2] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 91
Yen Press 88
Viz Shojo Beat 59
Kodansha Comics 51
Viz Shonen Jump Advanced 35
DMP Juné 26
Dark Horse 17
Seven Seas 17
Vertical 13
Viz Signature 11

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,072.8] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [778.6] ::
3. ↑1 (4) : Bleach – Viz Shonen Jump [663.4] ::
4. ↓-1 (3) : Highschool of the Dead – Yen Press [549.8] ::
5. ↑2 (7) : Vampire Knight – Viz Shojo Beat [502.4] ::
6. ↓-1 (5) : Negima! – Del Rey/Kodansha Comics [490.0] ::
7. ↑11 (18) : Yu-Gi-Oh! – Viz Shonen Jump [473.2] ::
8. ↑1 (9) : Ouran High School Host Club – Viz Shojo Beat [451.4] ::
9. ↓-3 (6) : Rosario+Vampire – Viz Shonen Jump Advanced [444.8] ::
10. ↑1 (11) : Black Butler – Yen Press [440.5] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↑17 (18) : Yu-Gi-Oh! GX 9 – Viz Shonen Jump, Aug 2012 [393.9] ::
6. ↓-2 (4) : Naruto 57 – Viz Shonen Jump, Jul 2012 [345.2] ::
7. ↓-2 (5) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [337.5] ::
8. ↓-1 (7) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [336.8] ::
10. ↔0 (10) : Negima! 35 – Kodansha Comics, Jul 2012 [301.2] ::
16. ↑18 (34) : Bleach 44 – Viz Shonen Jump, Aug 2012 [281.1] ::
17. ↓-8 (9) : Rosario+Vampire Season II 9 – Viz Shonen Jump Advanced, Jul 2012 [272.9] ::
22. ↓-2 (20) : Highschool of the Dead 7 – Yen Press, Jul 2012 [246.7] ::
24. ↑25 (49) : Bleach 45 – Viz Shonen Jump, Aug 2012 [232.1] ::
27. ↑2 (29) : Pandora Hearts 11 – Yen Press, Jul 2012 [225.7] ::

[more]

Preorders

13. ↔0 (13) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [286.2] ::
14. ↑2 (16) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [284.8] ::
21. ↓-2 (19) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [254.4] ::
26. ↑2 (28) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [226.3] ::
37. ↑2 (39) : Avatar: The Last Airbender The Promise 3 – Dark Horse, Oct 2012 [188.0] ::
41. ↑14 (55) : Yotsuba&! 11 – Yen Press, Sep 2012 [172.1] ::
66. ↑29 (95) : Naruto 58 – Viz Shonen Jump, Sep 2012 [132.3] ::
69. ↑3 (72) : Negima! 36 – Kodansha Comics, Oct 2012 [126.1] ::
92. ↓-8 (84) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [108.9] ::
103. ↓-11 (92) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [100.1] ::

[more]

Manhwa

476. ↓-43 (433) : Time & Again 3 – Yen Press, Jul 2010 [23.0] ::
500. ↓-72 (428) : Time & Again 6 – Yen Press, Jul 2011 [22.0] ::
632. ↓-143 (489) : Time & Again 1 – Yen Press, Dec 2009 [15.4] ::
642. ↓-53 (589) : Bride of the Water God 10 – Dark Horse, Jan 2012 [14.9] ::
663. ↓-75 (588) : Bride of the Water God 11 – Dark Horse, May 2012 [14.2] ::
727. ↓-149 (578) : Time & Again 2 – Yen Press, Mar 2010 [11.1] ::
800. ↑65 (865) : One Thousand & One Nights 7 – Yen Press, Apr 2009 [8.6] ::
846. ↑166 (1012) : One Thousand & One Nights 11 – Yen Press, Aug 2010 [7.7] ::
945. ↑2 (947) : Let Dai 11 – Netcomics, Feb 2008 [5.5] ::
946. ↓-186 (760) : Time & Again 5 – Yen Press, Mar 2011 [5.4] ::

[more]

BL/Yaoi

8. ↓-1 (7) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [336.8] ::
65. ↓-6 (59) : Samejima-Kun & Sasahara-Kun – DMP Juné, May 2012 [133.2] ::
92. ↓-8 (84) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [108.9] ::
103. ↓-11 (92) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [100.1] ::
110. ↓-25 (85) : In These Words – 801 Media, Jun 2012 [95.5] ::
181. ↓-19 (162) : Awkward Silence 1 – DMP Juné, Aug 2010 [65.7] ::
185. ↑71 (256) : Alcohol, Shirt, & Kiss – DMP Juné, Mar 2007 [64.5] ::
203. ↓-49 (154) : Private Teacher 3 – DMP Juné, May 2012 [60.7] ::
210. ↑35 (245) : Finder Series 5 Truth in the View Finder – DMP Juné, Dec 2011 [59.0] ::
229. ↑12 (241) : Private Teacher 2 – DMP Juné, Jan 2012 [53.5] ::

[more]

Ebooks

6. ↓-2 (4) : Naruto 57 – Viz Shonen Jump, Jul 2012 [345.2] ::
23. ↑2 (25) : Naruto 56 – Viz Shonen Jump, May 2012 [237.1] ::
32. ↑5 (37) : Maximum Ride 5 – Yen Press, Dec 2011 [198.4] ::
36. ↑5 (41) : Naruto 55 – Viz Shonen Jump, Mar 2012 [188.9] ::
48. ↑3 (51) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [157.8] ::
63. ↓-5 (58) : Naruto 54 – Viz Shonen Jump, Mar 2012 [135.3] ::
68. ↔0 (68) : Maximum Ride 3 – Yen Press, Aug 2010 [126.4] ::
80. ↓-7 (73) : Naruto 53 – Viz Shonen Jump, Dec 2011 [118.9] ::
90. ↑9 (99) : Blue Exorcist 6 – Viz Shonen Jump Advanced, Feb 2012 [111.5] ::
109. ↑6 (115) : Maximum Ride 1 – Yen Press, Jan 2009 [95.5] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Manga the Week of 8/15

August 8, 2012 by Sean Gaffney

Sure, wait weeks for manga and then 38 turn up all at once. Midtown finally found all the Viz manga that most of us got this week. See my post on last week for that.

In titles I didn’t talk about last week, Kodansha has a new Air Gear and Cage of Eden, which both fight a war between entertaining folks with awesome shonen battles and pure blatant fanservice. Most of the time it tends to lean more towards the latter, but then they are Shonen Magazine titles. They also list Fairy Tail 12, but I think that’s part of the giant pile of reprints they’re doing this August – all of Fairy Tail, Ninja Girls, Shugo Chara, Wallflower and Parasyte are getting reprints.

It’s rare I use a Korean title for my featured image (in fact, it may have never happened before), but Lizzie Newton Mysteries has gotten a lot of good word of mouth, and might appeal to those who liked Young Miss Holmes. Meanwhile, the other debut from Seven Seas is I Don’t Like You At All, Big Brother!!, which is being released in a 2-for-1 omnibus. The cover art, and blurb saying it’s for fans of He Is My Master, kind of make me want to pull away from my keyboard in horror, but I have been assured that this title is better than it sounds, so will trust in that. And in the title I’m most excited about from this publisher, A Certain Scientific Railgun 5 continues to throw sisters at Misaki. I’m hoping after the cliffhanger horror of the last volume, she won’t completely lose it.

The BL imprint Sublime has two new debuts. Bond of Dream, Bond of Love seems to continue the trend of huge grumpy guy paired with small happy guy, and also has a character from the Tea For Two BL manga (remember Blu?) that came out several years ago from the same artist. Starting with a Kiss has a much saucier cover, but seems to be about the same type of situation, except this time the happy guy is a hotheaded guy. Also, the Japanese imprint for this series was SUPER BBC, with a lightning bolt in between. That’s totally irrelevant to this North American release, but makes me happy, and also wonder if SubLime will ever license some Blake/Avon slash.

Viz is also putting out some titles this week, despite the majority of Midtown’s list appearing elsewhere 8/8. A new Inu Yasha VIZBIG Edition, covering volumes 34-36. Vol. 6 of Itsuwaribito… no, I’m sorry, that’s a lie, it’s not coming out. No wait, I’m lying again, it totally is! And the penultimate volume of Kekkaishi, which given it’s penultimate had better be resolving everything.

Lastly, we have a giant pile of Yen. Bamboo Blade has reached its final volume, and I will be very sorry to see it go. The Betrayal Knows My Name is up to Volume 4, but still has a long way to go – and is still running in Asuka. Bunny Drop 6 is out for what will I’m sure be a smaller but just as dedicated audience of fans who didn’t drop it cold after Volume 5. The Melancholy of Haruhi Suzumiya has a non-spinoff manga, as Vol. 13 is out (and Midtown finally gets the Nagato Yuki the rest of us got last month). There’s new Nabari no Ou and Omamori Himari. There’s the 2nd volume of Magical Girl deconstruc… wait, it isn’t really. Anyway, new Madoka Magica. And Soul Eater hits Vol. 10, and will hopefully be creepier and more striking than Soul Eater Not was.

Even without the Viz blitz that hit Diamond this week, it’s a big week at Midtown. What’re you getting?

Filed Under: FEATURES, manga the week of

GTO: 14 Days in Shonan, Vol. 4

August 8, 2012 by Sean Gaffney

By Toru Fujisawa. Released in Japan by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Vertical.

It may come as a surprise to those reading GTO 14 Days, and noting its onging bevy of nudity and sexual situations (without any actual sex, of course), that it runs in Weekly Shonen Magazine, a title that supposedly has the same age 10-13 dynamic as its competitors Shonen Jump and Shonen Sunday. But Shonen Magazine skews much older than those two in reality, as readers of Akamatsu’s love comedies and the romantic hijinks of GE Good Ending could tell you. That said, talk to any 10-13 year old boy and I think you’ll find ‘boobies!’ is high on their list of priorities. And it’s not just the nudity: some of the pasts revealed in 14 Days are dark and definitely seem not for kids, but kids their age *do* deal with abuse and abandonment. Best not to sugarcoat it… or at least sugarcoat it with Onizuka’s brand of goofy humor.

It’s all about keeping a balance, and knowing when it’s OK to do action-adventure suspense stuff and when perversion is needed. Onizuka’s own life is balanced this way, as we’ve seen him use toilet humor and lechery as a mask to hide behind when he wants to avoid discussing serious situations. In the case of this volume, however, it’s Ayame and her shattered illusions that provide the humor. She’s gotten a biased sense of Onizuka through Fuyutsuki’s image of him, and was rather taken aback at Shinomi’s violent reaction last time. But here, seeing him ogling her in the bath, running around with his “tackle out”, and seemingly unable to take on assassins in a desperate emergency simply as they’re dressed like strippers, Ayame realizes that Onizuka really is just a horny guy after all.

Which is for the best, as now she can appreciate his better sides even more. It’s not as if knowing the ‘real’ Onizuka stopped Shinomi from falling in love with him, and seeing the brief instance in the hospital when she thinks he’s dead is rather touching, even if it quickly leads back to humor of the “how dare you make me reveal my emotions” variety. And his dogged persistence in helping these kids no matter what, getting them to see that they don’t have to turn out bad, and sheer nigh-invulnerability to physical attacks are also on display here, for those who love it when Onizuka gets badass.

Likewise, the situations these kids are in have to be deepened, or else their lives will be seen by the manga reader as a checklist. “Well, he’s solved Seiya’s problems, so who’s next?” But he hasn’t solved Seiya’s problems. He’s gotten him to think seriously about them, but there’s been pressure Onizuka doesn’t know about (not just twins, but evil twins!) and the end of this volume seems to have come full circle in that we see Seiya ready to confront his stepfather with violence. It’s also a good thing that we not only see a flashback showing the abuse that he suffered at his mom’s boyfriends hands, but also another showing his mother’s abandonment, and how it affected him just as hard. These are complex situations that Onizuka can’t just solve by punching people and giving inspirational speeches. Well, not ENTIRELY by that, at least.

Another cliffhanger for this volume, but I expect that nxt time we’ll move on to the twins Riko and Miko, who look to be even harder to get through to. (The twins are apparently popular in Japan – they got their own spinoff after 14 Days ended.) But for manga about inspirational, never say die teachers who nevertheless cannot resist looking at naked women, there’s no better than GTO.

Filed Under: REVIEWS

It Came From the Sinosphere: The 36th Chamber of Shaolin

August 6, 2012 by Sara K. 3 Comments

The opening title - 'The 36th Chamber of Shaolin'

The 36th Chamber of Shaolin does not have a subtle opening. It wastes no time in telling the audience that this is a kung-fu flick.

Gordon Liu shows off his fists.

The credit showing the screenplay is by 'I Kuang'

Ah, the screenplay is by Ni Kuang. Ni Kuang is an extremely prolific writer of science fiction and wuxia, and a personal friend of Jin Yong. I am sure I will bring him up again in this column, so I’ll postpone giving him a proper introduction.

Gordon Liu punches a curtain of water

All of this has nothing to do with the plot, it’s just assuring the audience that ass will be kicked over the course of the flim.

Gordon Liu strikes a kung-fu post with a red sunset in the background.

Background

Shaw Brothers Studio was the biggest movie company ever based in Hong Kong, and the 36th Chamber of Shaolin is one of their most famous titles. Before their demise in the 1980s, the Shaw Brothers Studio produced over 1000 films. These included titles such as “Hong Kong 73,” “My Name Ain’t Suzie,” “Tropicana Interlude,” “Mr. Funny-Bone Strikes Again” (adapted from a manhua) and “Sexy Girls of Denmark”. However, the Shaw Brothers studio is now best remembered for their martial-arts flicks.

This is the move which launched its lead actor, Gordon Liu, to stardom. In addition to starring in later Chinese-language martial arts flicks, he also performed in the Kill Bill movies as well as in a Bollywood movie.

I admit I am a Shaw Brothers newbie. My explorations are just beginning, and I still don’t completely understand their system of stars and directors. However, I am sure I will review other Shaw Brothers films for this column, so I hopefully will be able to offer deeper insights then.

Story

San Te is a student while the Manchus are oppressing the people. After the Manchu government kills his family, he realizes that book-learning is useless and decides to learn martial arts so he can fight back.

San Te watches his father being assaulted.

So he travels to Shaolin temple to become a monk and learn their martial arts techniques.

San Te arrives at Shaolin Temple in a basket full of vegetables.

Hey, why is there a man in our bok choy? We’re vegetarians.

At the Shaolin temple, he spends a year sweeping leaves before his martial arts training commences. And it is a brutal training regimen. He has to pass through the 35 chambers, each taxing his physical capacities in a new way.

Monks life buckets of water to increase their strength.

This is the 34th “chamber”.

After passing through all 35 chambers, San Te requests permission to create the 36h chamber—a chamber where he can teach laypeople martial arts so they can resist the oppressive Manchus.

The Fighting

The fighting in this moving is essentially dancing. It’s choreographed, it shows off the performers’ physical capacities, it is intended to be visually impressive, and it communicates a message. And it is good dancing.

A shot from a fight scene

It was actually really hard to get decent screenshots of the fight scenes. It’s all about how the actors move, and the screenshots do not show that.

A screenshot from the bamboo stake fight.

For example, there is a really cool fight with bamboo stakes, but it is impossible to convey the coolness in screenshots. What makes it cool is that it doesn’t just show off the actors’ dance stage fight skills, it’s also imaginative. It’s not a generic weapon fight. The bamboo stakes are used in unexpected ways. It builds on the training at the Shaolin temple—letting the audience recognize how elements from different fights fit together is pretty sweet.

Another imaginative fight – San Te fights a bunch of goons with lanterns:

San Te wields lanterns

San Te burns the goons with the lanterns.

On the second viewing, I noticed how much the movie makes use of water. Water is used in many other dance films too.

Splashing Water

If you find the prospect of free tickets to the ballet more exciting than free tickets to a pop concert (me), watched MGM musicals for the dance sequences (me again), or have ever attended a dance film festival (that’s also me), you should try some of these kung-fu flicks.

Gordon Liu’s Performance

The thing which most impressed me about Gordon Liu’s performance was how he portrayed San Te’s development. It is difficult to show the passing of years in a film that is less than 2 hours long, but the way Gordon Liu showed how San Te changed made me feel that years had passed.

This is Gordon Liu as a student:

San Te as a student

I realize you can’t tell from the screenshot, but in the beginning of the film, San Te doesn’t seem like somebody who can kick ass.

This is San Te after he has graduated from the Shaolin training regimen.

San Te the monk talks to somebody after a fight.

Again, you can’t tell from the screenshot, but San Te moves with such stillness (oxymoron, I know) and stands with such poise that I really felt that he had matured a great deal.

The Chambers

This, of course, is the highlight of the movie. The various chambers are even more imaginative than the fights. As a viewer, I learned to look forward to each chamber, wondering what bizarre new training technique I would see next.

San Te stands between two incense sticks.

This is my favorite chamber. San Te has to learn how to move his eyes without moving his head.

The monk moves a candlestick back and forth.

San Te has to keep his eyes on the candles.

San Te's head between two incense sticks.

If San Te moves his head, he will get burned by one of those incense sticks.

Commentary on Contemporary Buddhism

One of the points made in the film is that it’s wrong for the Shaolin temple to hoard its martial arts techniques while the common people suffer outside under the cruel Manchu dynasty. I am no expert on Buddhism, but I know there have been various calls in the past century that Buddhism became too disconnected from the problems real people suffer, and people have tried to reform it to increase the involvement of laypeople and make more concrete efforts to improve the human condition.

The example of this I am most familiar with is the Tzu Chi Buddhist Foundation in Taiwan. It was founded by a Buddhist nun, Cheng Yen, after she saw a poor woman die in childbirth. It is the largest charitable organization in Taiwan, and in addition to providing quality medical care in areas of Taiwan where medical care is otherwise difficult to get, they run recycling centers, provide relief for disasters, and run at least one organic tea plantation which is open to the public (I’ve visited that tea plantation—the views are beautiful).

I don’t know if the filmmakers were consciously putting this message into the film, but I can’t help but think that it is a reflection of modern attitudes towards the religion.

Something Else I Want to Mention

Dropping a lot of flour upon horse riders is cool.

The flour starts to fall from the gate onto the horse riders.

The flour hits the horse riders.

The horse riders are completely covered with flour.

That is all.

Availability in English

It is really easy to get a DVD with English subtitles. This movie is probably better known in the English-speaking world than anything else I have discussed in this column so far. And that observation leads me to my conclusion.

Conclusion

Chinese-language martial arts movies are far more available in English than the novels, TV shows, or manhua. For most people in the English-speaking world, almost all of what they know about Chinese-language martial arts fiction comes from these movies (this, by the way, also applied to me before I started studying Chinese).

Basing one’s knowledge of Chinese martial arts fiction solely on these movies would be like basing one’s knowledge of English-language science fiction solely on blockbuster Hollywood sci-fi movies. Sure, movies such as The Matrix, The Terminator, Forbidden Planet, and so forth certainly represent some of English-language science fiction. But individual 2-hour movies cannot support long, complex plots, nor can they employ the literary devices available to novelists. Even the Star Trek movies don’t demonstrate what makes the Star Trek TV series so outstanding. And blockbuster Hollywood sci-fi movies certainly don’t give viewers a sense of what novels like 1984, The Dispossessed, Dawn, or Diaspora or the short stories of James Tiptree Jr. offer.

This, of course, is not the movies’ fault. But in this column, I certainly hope to poke a hole through the language barrier so English-speakers can peek at just how broad Chinese-language martial arts fiction is.

As for this movie, I actually liked it even more after I saw it for the second time. This is a very good sign. Recommended.

Next time: The Celestial Zone (manhua)


Sara K. thinks it’s a pity that there is no kung-fu musical staring Gene Kelly and Gordon Liu. At least the dream sequence in The Pirate offers viewers a clue what a Gene Kelly kung-fu movie would be like.

Filed Under: It Came From the Sinosphere Tagged With: 36th chamber of shaolin, gordon liu, kung fu, ni kuang, shaw brothers

My Week in Manga: July 30-August 5, 2012

August 6, 2012 by Ash Brown

My News and Reviews

I had three posts for you all last week here at Experiments in Manga. First was the announcement of the Love Hina Giveaway Winner which also includes a brief list of some of the harem and reverse harem manga that have been licensed in English. I also posted July’s Bookshelf Overload. I managed to restrain my impulse buys over the last month (for the most part). And finally, I reviewed Frederik L. Schodt’s The Astro Boy Essays. I actually haven’t read or watched much Astro Boy, but Schodt’s book is a fantastic introduction to Astro Boy and Osamu Tezuka.

Many boys’ love fans celebrated “Yaoi Day” on August 1st, or 8/01. (With a little Japanese wordplay, 801 can be pronounced as “yaoi.”) I saw a lot of love for est em last week, and for a good reason–she’s a fantastic creator. Jocelyne Allen translated and posted a portion of her interview with est em from 2010 at her site Brain Vs. Book. Over at Otaku Champloo, Khursten Santos had a special spotlight on est em. And, while not part of the yaoi day celebrations, Jason Thompson’s House of 1000 Manga featured est em a few weeks back.

Also! The call for participation for August’s Manga Moveable Feast has been posted! Later this month the manga blogging community will be taking a closer look at Eiji Ōtsuka and Housui Yamazaki’s The Kurosagi Corpse Delivery Service.

Quick Takes

Fist of the North Star: Master Edition, Volumes 7-9 written by Buronson and illustrated by Tetsuo Hara. Gutsoon Entertainment was only able to publish nine volumes of Fist of the North Star before going defunct. I would absolutely love to see more of the series available in English. When I first started reading Fist of the North Star, it seemed like the series was heading towards a bad-guy-of-the-week sort of story. This isn’t necessarily a bad thing, but I was very happy to see it evolve an engaging overarching plot. Plus, I love the gloriously over-the-top martial arts. These last few English volumes further develop Kenshiro and his brothers’ backstories and introduces one of the primary antagonists of the series.

My Cute Crossdresser by Mitohi Matsumoto. A part of Digital Manga’s new hentai imprint Project-H, My Cute Crossdresser falls into the genre known as otokonoko. Generally written for a male audience, otokonoko features cross-dressing guys, often in somewhat compromising situations (it is ecchi, after all). I quite enjoyed My Cute Crossdresser. For the most part, the sexual content is actually fairly mild. The first and longest story, “Raising Decoy,” in which a guy dresses as a girl to catch gropers on the train in order to bring them to justice, ends up being rather sweet. “Spilled Milk” and “Leo and the Night Sky of Summer” are partially excuses for suggestive crossplay. The collection also includes “An Angel’s Flight” and “Actress.” The volume is fun and even a bit fluffy.

Sexy Voice and Robo by Iou Kuroda. It’s difficult for me to adequately capture my response to reading Sexy Voice and Robo, or to even describe what this manga actually is about. It’s a strange and rather unusual story, but I found it be appealing and immensely enjoyable. Nico, aka “Sexy Voice,” is a bright fourteen-year-old girl who wants to be spy when she grows up, or maybe a fortuneteller. She finds other people intensely fascinating and can’t help but meddle in their affairs, often putting herself in some very dangerous situations as a result. The endearing and hapless “Robo,” who is frequently caught up in her escapades, is one of many men she met while working for a tele-club dating scam.

Tactics, Volumes 1-2 by Sakura Kinoshita and Kazuko Higashiyama. First published by ADV Manga, then Tokyopop, and now available through JManga, Tactics is one of the few manga that I’ve read that takes place during Japan’s Taishō era. Kantarou is a young folklorist who is occasionally called upon to exorcise yokai that are causing problems for people. The plot moves a little too quickly at times and is nearly as hyperactive as its protagonist. The stories tend to be fairly benign even when they include slightly more menacing elements. Personally, I prefer my yokai tales to have a little more bite to them, but there were parts of Tactics that were genuinely fun. I was particularly amused by the tengu Haruka’s extreme attachment to his rice bowl.

Filed Under: My Week in Manga Tagged With: Buronson, Fist of the North Star, Iou Kuroda, Kazuko Higashiyama, manga, Mitoh Matsumoto, Sakura Kinoshita, Sexy Voice and Robo, tactics, Tetsuo Hara

Book Girl and the Wayfarer’s Lamentation

August 6, 2012 by Sean Gaffney

By Mizuki Nomura. Released in Japan by Enterbrain. Released in North America by Yen Press.

This volume of Book Girl does not introduce a new situation of tragic consequences that resonate with our hero’s own past and causes him to grow and change a little more. We’re done with that. Instead, we tie the previous four books together and bring things full circle, as Konoha must confront his past head on, deal with the return of his objectified girl, and realize that despite all the growth he’s made in this last year, he still has quite a ways to go.

These books are all told from Konoha’s point of view, and thus sometimes things can happen around him that he is unaware of. This is especially true of this volume, but Nomura-san is very skilled at letting the reader in on things that Konoha either doesn’t know or is deliberately deluding himself about. Those who have been frustrated by Konoha’s attitude in the past are not going to find this book any easier to delve into. Indeed, as a reader I found myself identifying more with Akutagawa, who is clearly sympathetic to Konoha, but also can’t stand what he’s doing to Kotobuki (and himself). There’s a wonderful scene where Akutagawa lays everything out for Konoha to see, with an expression on his face that says “you aren’t going to believe this or care but I am doing it anyway, dammit.” When his frustration boils over into violence, it’s very cathartic.

Speaking of Kotobuki, I think I’m finally coming to like her. It’s taken a while – she was very stereotypical to start with – but as she’s opened up we’ve seen more of her inner turmoil, and here we see her risking everything in order to protect Konoha. It’s inspiring, but also rather sad, as I think by the end of the book, despite what he may say, he’s no closer to Kotobuki than he was when the book began.

And then there’s Takeda. I’d mentioned in my review of the third volume that it was rather refreshing seeing how in this series, people’s issues aren’t magically fixed by page 235. And indeed, we see that sometimes they aren’t fixed at all. Takeda still puts on a mask of happiness to hide her confusion and sorrow, and now has even taken to self-harm. It’s quite interesting how she actually takes up with Ryuto, a boy who seems to delight in girls with issues, so to speak. Even by the end of the book, after another cathartic moment, we’re not sure if she’ll be OK.

And then there’s Miu. I was predisposed to liking her because of my nature (I find myself drawn to and supporting unlikeable characters), and felt that I was correct when I read the scene with a young Miu meeting Konoha, and telling him a story. Konoha’s narration of it is beautiful, and you believe that it shows you the real Asakura beneath all the anger, hatred and manipulation we’ve seen. And then, later on, that beautiful scene is thrown back at us, as we get it from Miu’s point of view and see the horrible pedestal Konoha has placed her on, leading to writer’s block and her desperate cribbing of stories from other sources. I’m not sure it makes up for everything she’s done, but at least I look forward to seeing if she can finally move on and begin to heal.

I haven’t talked all that much about the book as a book, but that’s mostly as I’m so drawn into the character’s lives. It’s a good book. Frustrating at times, but that’s the frustration of a reader towards the characters doing dumb things, not the author. I do wish we’d had more of Maki – she’s the only supporting character whose story didn’t tie into the others, and her presence at the end seems to be nothing more than ‘I need the whole cast here’ – but she apparently features heavily in Book 6, so I’ll let it go. I also haven’t mentioned Tohko, the titular Book Girl, but that’s because Tohko’s story is still so diffuse. Yes, she’s studying to get into university – barely – but she’s the one who helps others, the detective who puts everything together. We haven’t had her own story yet – clearly that will be Books 7 and 8, the finale. For now, all we get are suggestions and small tastes.

Filed Under: REVIEWS

Manga Bestsellers: 2012, Week Ending 05 August

August 5, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↑2 (3) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [402.7] ::
2. ↔0 (2) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [401.0] ::
3. ↑1 (4) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [385.7] ::
4. ↑1 (5) : Naruto 57 – Viz Shonen Jump, Jul 2012 [381.9] ::
5. ↑1 (6) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [348.8] ::
6. ↑2 (8) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [330.5] ::
7. ↑6 (13) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [326.8] ::
8. ↓-7 (1) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [324.0] ::
9. ↓-2 (7) : Rosario+Vampire Season II 9 – Viz Shonen Jump Advanced, Jul 2012 [316.8] ::
10. ↓-1 (9) : Negima! 35 – Kodansha Comics, Jul 2012 [314.8] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Viz Shonen Jump 93
Yen Press 92
Viz Shojo Beat 62
Kodansha Comics 48
Viz Shonen Jump Advanced 38
DMP Juné 26
Dark Horse 17
Seven Seas 17
Vertical 13
Viz Signature 12

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,096.9] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [820.4] ::
3. ↑1 (4) : Highschool of the Dead – Yen Press [566.0] ::
4. ↓-1 (3) : Bleach – Viz Shonen Jump [559.2] ::
5. ↑1 (6) : Negima! – Del Rey/Kodansha Comics [523.2] ::
6. ↓-1 (5) : Rosario+Vampire – Viz Shonen Jump Advanced [505.5] ::
7. ↑1 (8) : Vampire Knight – Viz Shojo Beat [505.0] ::
8. ↓-1 (7) : Alice in the Country of Clover – Seven Seas [484.7] ::
9. ↑2 (11) : Ouran High School Host Club – Viz Shojo Beat [463.9] ::
10. ↔0 (10) : Fairy Tail – Del Rey/Kodansha Comics [449.2] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

4. ↑1 (5) : Naruto 57 – Viz Shonen Jump, Jul 2012 [381.9] ::
5. ↑1 (6) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [348.8] ::
7. ↑6 (13) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [326.8] ::
9. ↓-2 (7) : Rosario+Vampire Season II 9 – Viz Shonen Jump Advanced, Jul 2012 [316.8] ::
10. ↓-1 (9) : Negima! 35 – Kodansha Comics, Jul 2012 [314.8] ::
14. ↓-4 (10) : Fairy Tail 20 – Kodansha Comics, Jul 2012 [284.1] ::
18. ↑148 (166) : Yu-Gi-Oh! GX 9 – Viz Shonen Jump, Aug 2012 [266.8] ::
20. ↑1 (21) : Highschool of the Dead 7 – Yen Press, Jul 2012 [262.9] ::
26. ↓-9 (17) : Alice in the Country of Clover Cheshire Cat Waltz 1 – Seven Seas, Jul 2012 [236.0] ::
27. ↑2 (29) : D. Gray-Man 22 – Viz Shonen Jump Advanced, Jul 2012 [234.6] ::

[more]

Preorders

13. ↓-1 (12) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [289.0] ::
16. ↔0 (16) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [279.0] ::
19. ↑4 (23) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [263.3] ::
28. ↑6 (34) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [234.0] ::
39. ↑4 (43) : Avatar: The Last Airbender The Promise 3 – Dark Horse, Oct 2012 [187.0] ::
55. ↑4 (59) : Yotsuba&! 11 – Yen Press, Sep 2012 [145.1] ::
72. ↑1 (73) : Negima! 36 – Kodansha Comics, Oct 2012 [122.4] ::
84. ↓-1 (83) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [110.5] ::
89. ↑15 (104) : Nausicaa of the Valley of the Wind 2 vol hardcover box set [complete] – Viz Ghibli Library, Nov 2012 [105.3] ::
92. ↓-7 (85) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [103.6] ::

[more]

Manhwa

428. ↑74 (502) : Time & Again 6 – Yen Press, Jul 2011 [26.2] ::
433. ↑74 (507) : Time & Again 3 – Yen Press, Jul 2010 [26.0] ::
489. ↑189 (678) : Time & Again 1 – Yen Press, Dec 2009 [22.0] ::
578. ↓-17 (561) : Time & Again 2 – Yen Press, Mar 2010 [17.5] ::
588. ↓-179 (409) : Bride of the Water God 11 – Dark Horse, May 2012 [17.0] ::
589. ↓-95 (494) : Bride of the Water God 10 – Dark Horse, Jan 2012 [17.0] ::
760. ↓-60 (700) : Time & Again 5 – Yen Press, Mar 2011 [9.9] ::
865. ↑119 (984) : One Thousand & One Nights 7 – Yen Press, Apr 2009 [6.9] ::
947. ↓-42 (905) : Let Dai 11 – Netcomics, Feb 2008 [5.5] ::
1012. ↑207 (1219) : One Thousand & One Nights 11 – Yen Press, Aug 2010 [4.3] ::

[more]

BL/Yaoi

7. ↑6 (13) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [326.8] ::
59. ↓-4 (55) : Samejima-Kun & Sasahara-Kun – DMP Juné, May 2012 [141.6] ::
84. ↓-1 (83) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [110.5] ::
85. ↓-17 (68) : In These Words – 801 Media, Jun 2012 [110.2] ::
92. ↓-7 (85) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [103.6] ::
154. ↓-53 (101) : Private Teacher 3 – DMP Juné, May 2012 [74.8] ::
162. ↑30 (192) : Awkward Silence 1 – DMP Juné, Aug 2010 [70.0] ::
180. ↓-89 (91) : The Tyrant Falls in Love 6 – DMP Juné, May 2012 [65.8] ::
203. ↑32 (235) : Hybrid Child – DMP Juné, Aug 2006 [59.5] ::
212. ↑32 (244) : His Arrogance – 801 Media, Dec 2008 [57.3] ::

[more]

Ebooks

4. ↑1 (5) : Naruto 57 – Viz Shonen Jump, Jul 2012 [381.9] ::
25. ↔0 (25) : Naruto 56 – Viz Shonen Jump, May 2012 [243.0] ::
37. ↑2 (39) : Maximum Ride 5 – Yen Press, Dec 2011 [196.7] ::
41. ↑1 (42) : Naruto 55 – Viz Shonen Jump, Mar 2012 [186.3] ::
51. ↑6 (57) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [156.1] ::
58. ↓-5 (53) : Naruto 54 – Viz Shonen Jump, Mar 2012 [142.9] ::
68. ↓-4 (64) : Maximum Ride 3 – Yen Press, Aug 2010 [125.3] ::
73. ↓-3 (70) : Naruto 53 – Viz Shonen Jump, Dec 2011 [119.9] ::
90. ↑58 (148) : Blue Exorcist 2 – Viz Shonen Jump Advanced, Jun 2011 [104.5] ::
99. ↑19 (118) : Blue Exorcist 6 – Viz Shonen Jump Advanced, Feb 2012 [99.7] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Manga Bestsellers: 2012, Week Ending 29 July

August 4, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↑1 (2) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [420.5] ::
2. ↓-1 (1) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [415.5] ::
3. ↔0 (3) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [414.3] ::
4. ↔0 (4) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [408.8] ::
5. ↔0 (5) : Naruto 57 – Viz Shonen Jump, Jul 2012 [390.0] ::
6. ↔0 (6) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [357.5] ::
7. ↔0 (7) : Rosario+Vampire Season II 9 – Viz Shonen Jump Advanced, Jul 2012 [335.8] ::
8. ↔0 (8) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [327.5] ::
9. ↔0 (9) : Negima! 35 – Kodansha Comics, Jul 2012 [300.3] ::
10. ↑2 (12) : Fairy Tail 20 – Kodansha Comics, Jul 2012 [294.8] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 91
Viz Shonen Jump 88
Viz Shojo Beat 58
Kodansha Comics 47
Viz Shonen Jump Advanced 36
DMP Juné 32
Dark Horse 20
Seven Seas 14
Vertical 13
Vizkids 11

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,139.3] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [824.3] ::
3. ↔0 (3) : Bleach – Viz Shonen Jump [649.1] ::
4. ↑2 (6) : Highschool of the Dead – Yen Press [555.2] ::
5. ↔0 (5) : Rosario+Vampire – Viz Shonen Jump Advanced [540.4] ::
6. ↓-2 (4) : Negima! – Del Rey/Kodansha Comics [525.0] ::
7. ↔0 (7) : Alice in the Country of Clover – Seven Seas [508.3] ::
8. ↔0 (8) : Vampire Knight – Viz Shojo Beat [499.1] ::
9. ↑1 (10) : Pandora Hearts – Yen Press [485.8] ::
10. ↑1 (11) : Fairy Tail – Del Rey/Kodansha Comics [481.5] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

5. ↔0 (5) : Naruto 57 – Viz Shonen Jump, Jul 2012 [390.0] ::
6. ↔0 (6) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [357.5] ::
7. ↔0 (7) : Rosario+Vampire Season II 9 – Viz Shonen Jump Advanced, Jul 2012 [335.8] ::
8. ↔0 (8) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [327.5] ::
9. ↔0 (9) : Negima! 35 – Kodansha Comics, Jul 2012 [300.3] ::
10. ↑2 (12) : Fairy Tail 20 – Kodansha Comics, Jul 2012 [294.8] ::
13. ↑16 (29) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [287.9] ::
14. ↓-4 (10) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [280.4] ::
17. ↓-2 (15) : Alice in the Country of Clover Cheshire Cat Waltz 1 – Seven Seas, Jul 2012 [275.1] ::
20. ↓-6 (14) : Bleach 42 – Viz Shonen Jump, Jul 2012 [261.4] ::

[more]

Preorders

12. ↑1 (13) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [292.3] ::
16. ↑2 (18) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [275.9] ::
23. ↓-3 (20) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [259.8] ::
34. ↔0 (34) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [228.5] ::
43. ↑4 (47) : Avatar: The Last Airbender The Promise 3 – Dark Horse, Oct 2012 [189.0] ::
59. ↑13 (72) : Yotsuba&! 11 – Yen Press, Sep 2012 [136.9] ::
73. ↑3 (76) : Negima! 36 – Kodansha Comics, Oct 2012 [120.3] ::
83. ↑3 (86) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [107.4] ::
85. ↑9 (94) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [104.0] ::
98. ↑19 (117) : Love Hina Omnibus 4 – Kodansha Comics, Aug 2012 [95.6] ::

[more]

Manhwa

409. ↓-19 (390) : Bride of the Water God 11 – Dark Horse, May 2012 [27.2] ::
494. ↓-5 (489) : Bride of the Water God 10 – Dark Horse, Jan 2012 [21.6] ::
502. ↓-11 (491) : Time & Again 6 – Yen Press, Jul 2011 [21.4] ::
507. ↑100 (607) : Time & Again 3 – Yen Press, Jul 2010 [21.1] ::
561. ↑158 (719) : Time & Again 2 – Yen Press, Mar 2010 [18.3] ::
678. ↓-13 (665) : Time & Again 1 – Yen Press, Dec 2009 [13.0] ::
700. ↓-31 (669) : Time & Again 5 – Yen Press, Mar 2011 [12.1] ::
905. ↓-9 (896) : Let Dai 11 – Netcomics, Feb 2008 [6.2] ::
965. ↓-121 (844) : Totally Captivated 4 – Netcomics, Sep 2008 [5.1] ::
981. ↓-22 (959) : One Thousand & One Nights 10 – Yen Press, Apr 2010 [4.7] ::

[more]

BL/Yaoi

13. ↑16 (29) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [287.9] ::
55. ↑2 (57) : Samejima-Kun & Sasahara-Kun – DMP Juné, May 2012 [143.3] ::
68. ↓-3 (65) : In These Words – 801 Media, Jun 2012 [126.7] ::
83. ↑3 (86) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [107.4] ::
85. ↑9 (94) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [104.0] ::
91. ↓-12 (79) : The Tyrant Falls in Love 6 – DMP Juné, May 2012 [100.9] ::
101. ↓-12 (89) : Private Teacher 3 – DMP Juné, May 2012 [93.0] ::
149. ↓-18 (131) : The Tyrant Falls in Love 5 – DMP Juné, Jan 2012 [75.2] ::
153. ↓-70 (83) : Same Difference – DMP Juné, Jun 2012 [74.4] ::
157. ↓-28 (129) : Private Teacher 2 – DMP Juné, Jan 2012 [72.0] ::

[more]

Ebooks

5. ↔0 (5) : Naruto 57 – Viz Shonen Jump, Jul 2012 [390.0] ::
25. ↓-6 (19) : Naruto 56 – Viz Shonen Jump, May 2012 [250.3] ::
39. ↓-2 (37) : Maximum Ride 5 – Yen Press, Dec 2011 [202.3] ::
42. ↓-3 (39) : Naruto 55 – Viz Shonen Jump, Mar 2012 [197.9] ::
53. ↔0 (53) : Naruto 54 – Viz Shonen Jump, Mar 2012 [146.8] ::
57. ↑3 (60) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [139.8] ::
64. ↑3 (67) : Maximum Ride 3 – Yen Press, Aug 2010 [129.7] ::
70. ↓-8 (62) : Naruto 53 – Viz Shonen Jump, Dec 2011 [123.5] ::
99. ↓-1 (98) : Naruto 52 – Viz Shonen Jump, Jul 2011 [93.5] ::
105. ↓-5 (100) : Maximum Ride 1 – Yen Press, Jan 2009 [91.7] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Manga, and the Olympic Inspiration

August 3, 2012 by Justin Stroman 4 Comments

I’m always kind of waiting for the good news. I’m tired of hearing about athletes getting in trouble and seeing scandals that ultimately question the actual humanity inside of a person. In the case of athletes, there’s always someone at fault and it usually involves the athlete themselves, and I can’t stand it since those who do get in trouble are pretty fortunate: they have a far more secure standing than most, and have made tons of money that they earned due to their talent and day and night training so they can make their living. Now, when the Olympics roll around every four years, I don’t pay attention to all of the sporting events; I especially don’t pay attention to it when NBC decides to tape delay it. However, I’m always up for hearing some great stories involving a participant in the games, and usually, while the Olympics does hold some controversy, there are moments that take place that can make a person and a community smile, just a little bit. And with Kouhei Uchimura’s story, this is one that manages to involve the manga community in its own little way.

While growing up, you’re most likely to have read a work that tells you to shoot for your dreams, and you’re most likely to have watched a cartoon or show with the theme inspiring you to never give up. Then you become an adult, and suddenly realize it’s not feasible to accomplish what you wanted to do as a child. Only a few out of the billions of people on Earth grow up to eventually accomplish what they want to do; Kouhei is part of that few, or more specifically, one of that few to have read a work and let that guide him throughout the 2012 Olympics. Kouhei began taking Gymnastics at his parents’ sports club in Nagasaki Prefecture at the age of 3. In 1994, Shogakukan launched Ganba! Fly High, a manga illustrated by Hiroyuki Kikuta and written by Shinji Morisue in Weekly Shounen Sunday. Ganba! Fly High tells the story of high school gymnast Shun Fujimaki who wants to compete in the 2000 Olympic Games. He eventually is able to rise through the competition and win a gold medal.

What is the correlation you ask? Shinji Morisue happened to be a participant in the Olympic Games—in fact, in the 1984 Summer Olympics, he left Los Angeles with three medals: a bronze in team combined exercises, a silver in vault, and a gold medal in horizontal bar. Uchimura will leave London with the gold in all-around competition. When I saw the original ANN link to the news, I was pretty touched, as it seemed to be right down my alley: an athlete saying how a manga he either read as a child or as a teen was one of his inspirations in making it to the Olympics, and it just so happened the author of the said manga he had read was the last to have won the gold in the same sport’s all-around event. As it turns out (clarified in the news link), Morisue did not win all around gold in 1984—that was a different Japanese gymnast, Koji Gushiken—but it doesn’t really diminish the real story.

The real story involves a manga created and based on what Morisue knew about Gymnastics, and how it managed to inspire an athlete to shoot for gold. Yes it’s kind of cheesy and Uchimura didn’t have to mention it, but he did. In case we might have forgotten inspiration can come from entertainment or literature, this can serve as a reminder. It’s still probably a rare occurrence, but it is certainly possible. The Olympic Games can mean a lot of things, but if there’s one thing people can take from it is that it’s an athlete-driven event that not only has highly paid superstars representing their respective countries, but also high school and college students who love to play their sport and get salaries comparable to a regular day job. It means the stories these athletes have are actually genuine, and worthy of great admiration.

Kouhei Uchimura has won events before, securing wins at numerous competitions prior to the London Olympics, so he has received good money for his accomplishments. I still find it cool to see that there was a manga that inspired him to keep on pushing, as attempting to be an athlete means pushing through all the good times and the bad times. As for Ganba! Fly High, to know of a work that did inspire someone to make a mention of it reminds me of how we always hear manga artists tell us who inspired them to create their works. It also makes me want to see more athletes share their stories in manga form, whether it’s a success story, one that doesn’t end as it should, or another athlete inspired by a manga. We all get inspiration from something, though, so it’s not exclusive to sports. So do you guys have something that inspired you, or have a story that you thought was pretty cool? Do you know of other manga works that athletes have written and shared aside from Ganba! Fly High? And what do you think of Uchimura’s story?

You may check out more of Justin’s work at Organization Anti-Social Geniuses.

Filed Under: FEATURES Tagged With: ganba! fly high, inspiration, manga, olympics

Manga Bestsellers: 2012, Week Ending 22 July

August 3, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

##

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 4 – Kodansha Comics, Mar 2012 [416.0] ::
2. ↑1 (3) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [413.7] ::
3. ↓-1 (2) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [410.8] ::
4. ↔0 (4) : Sailor Moon 2 – Kodansha Comics, Nov 2011 [405.0] ::
5. ↑1 (6) : Naruto 57 – Viz Shonen Jump, Jul 2012 [382.5] ::
6. ↓-1 (5) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [365.3] ::
7. ↑2 (9) : Rosario+Vampire Season II 9 – Viz Shonen Jump Advanced, Jul 2012 [328.5] ::
8. ↑2 (10) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [325.0] ::
9. ↓-2 (7) : Negima! 35 – Kodansha Comics, Jul 2012 [315.8] ::
10. ↓-2 (8) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [300.8] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 91
Viz Shonen Jump 83
Viz Shojo Beat 59
Kodansha Comics 48
Viz Shonen Jump Advanced 37
DMP Juné 34
Dark Horse 20
Seven Seas 17
Vertical 13
Vizkids 12

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,130.0] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [826.7] ::
3. ↔0 (3) : Bleach – Viz Shonen Jump [674.8] ::
4. ↔0 (4) : Negima! – Del Rey/Kodansha Comics [543.1] ::
5. ↔0 (5) : Rosario+Vampire – Viz Shonen Jump Advanced [535.7] ::
6. ↑3 (9) : Highschool of the Dead – Yen Press [524.8] ::
7. ↑1 (8) : Alice in the Country of Clover – Seven Seas [520.3] ::
8. ↓-1 (7) : Vampire Knight – Viz Shojo Beat [510.5] ::
9. ↓-3 (6) : Ouran High School Host Club – Viz Shojo Beat [499.1] ::
10. ↑7 (17) : Pandora Hearts – Yen Press [477.8] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

5. ↑1 (6) : Naruto 57 – Viz Shonen Jump, Jul 2012 [382.5] ::
6. ↓-1 (5) : Vampire Knight 14 – Viz Shojo Beat, Jul 2012 [365.3] ::
7. ↑2 (9) : Rosario+Vampire Season II 9 – Viz Shonen Jump Advanced, Jul 2012 [328.5] ::
8. ↑2 (10) : Sailor Moon 6 – Kodansha Comics, Jun 2012 [325.0] ::
9. ↓-2 (7) : Negima! 35 – Kodansha Comics, Jul 2012 [315.8] ::
10. ↓-2 (8) : Ouran High School Host Club 18 – Viz Shojo Beat, Jun 2012 [300.8] ::
12. ↑17 (29) : Fairy Tail 20 – Kodansha Comics, Jul 2012 [289.7] ::
14. ↓-2 (12) : Bleach 42 – Viz Shonen Jump, Jul 2012 [282.5] ::
15. ↓-1 (14) : Alice in the Country of Clover Cheshire Cat Waltz 1 – Seven Seas, Jul 2012 [280.6] ::
21. ↑2 (23) : Bleach 43 – Viz Shonen Jump, Jul 2012 [257.9] ::

[more]

Preorders

13. ↑6 (19) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [284.8] ::
18. ↑3 (21) : Sailor Moon 7 – Kodansha Comics, Sep 2012 [269.5] ::
20. ↑2 (22) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [258.6] ::
34. ↑6 (40) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [219.8] ::
47. ↓-5 (42) : Avatar: The Last Airbender The Promise 3 – Dark Horse, Oct 2012 [188.5] ::
72. ↑33 (105) : Yotsuba&! 11 – Yen Press, Sep 2012 [119.9] ::
76. ↑6 (82) : Negima! 36 – Kodansha Comics, Oct 2012 [114.5] ::
86. ↓-1 (85) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [105.9] ::
94. ↑2 (96) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [99.1] ::
117. ↑16 (133) : Love Hina Omnibus 4 – Kodansha Comics, Aug 2012 [87.8] ::

[more]

Manhwa

390. ↓-3 (387) : Bride of the Water God 11 – Dark Horse, May 2012 [28.9] ::
489. ↓-12 (477) : Bride of the Water God 10 – Dark Horse, Jan 2012 [21.6] ::
491. ↓-50 (441) : Time & Again 6 – Yen Press, Jul 2011 [21.6] ::
607. ↓-77 (530) : Time & Again 3 – Yen Press, Jul 2010 [16.0] ::
665. ↑13 (678) : Time & Again 1 – Yen Press, Dec 2009 [13.3] ::
669. ↓-36 (633) : Time & Again 5 – Yen Press, Mar 2011 [13.1] ::
719. ↓-42 (677) : Time & Again 2 – Yen Press, Mar 2010 [11.3] ::
844. ↓-98 (746) : Totally Captivated 4 – Netcomics, Sep 2008 [7.4] ::
845. ↑234 (1079) : Toxic (anthology) 1 – Udon, Jul 2012 [7.4] ::
896. ↓-23 (873) : Let Dai 11 – Netcomics, Feb 2008 [6.3] ::

[more]

BL/Yaoi

29. ↑1 (30) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [242.4] ::
57. ↑8 (65) : Samejima-Kun & Sasahara-Kun – DMP Juné, May 2012 [140.8] ::
65. ↑10 (75) : In These Words – 801 Media, Jun 2012 [127.5] ::
79. ↑85 (164) : The Tyrant Falls in Love 6 – DMP Juné, May 2012 [111.5] ::
83. ↑90 (173) : Same Difference – DMP Juné, Jun 2012 [107.5] ::
86. ↓-1 (85) : Only the Ring Finger Knows (novel) 5 – DMP Juné, Sep 2012 [105.9] ::
89. ↑56 (145) : Private Teacher 3 – DMP Juné, May 2012 [102.6] ::
94. ↑2 (96) : Ai no Kusabi (novel) 7 – DMP Juné, Sep 2012 [99.1] ::
129. ↑151 (280) : Private Teacher 2 – DMP Juné, Jan 2012 [84.3] ::
131. ↑103 (234) : The Tyrant Falls in Love 5 – DMP Juné, Jan 2012 [82.5] ::

[more]

Ebooks

5. ↑1 (6) : Naruto 57 – Viz Shonen Jump, Jul 2012 [382.5] ::
19. ↓-4 (15) : Naruto 56 – Viz Shonen Jump, May 2012 [262.1] ::
37. ↓-2 (35) : Maximum Ride 5 – Yen Press, Dec 2011 [209.6] ::
39. ↓-6 (33) : Naruto 55 – Viz Shonen Jump, Mar 2012 [208.0] ::
53. ↓-5 (48) : Naruto 54 – Viz Shonen Jump, Mar 2012 [157.1] ::
60. ↓-1 (59) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [138.0] ::
62. ↓-5 (57) : Naruto 53 – Viz Shonen Jump, Dec 2011 [131.7] ::
67. ↑2 (69) : Maximum Ride 3 – Yen Press, Aug 2010 [127.1] ::
98. ↓-1 (97) : Naruto 52 – Viz Shonen Jump, Jul 2011 [96.9] ::
100. ↑1 (101) : Maximum Ride 1 – Yen Press, Jan 2009 [96.6] ::

[more]

Filed Under: Manga Bestsellers Tagged With: Manga Bestsellers

Bringing the Drama: Big

August 3, 2012 by Anna N, Emily Snodgrass, Eva Volin and Nancy Thistlethwaite 6 Comments

Big: Not as charming as one would assume from this promotional image

ANNA: For this episode of Bringing the Drama, we are going to talk about Big, which is notable because it is the new show from fan favorite creators the Hong sisters and it also features the return to television of Gong Yoo, who was previously so excellent in Coffee Prince. The series is available on Dramafever and Hulu. Big‘s title and plot is a reference to the classic Tom Hanks movie of the 1980s but in execution the show might provoke more flashbacks to Freaky Friday. Gil Da Ran is studying to be a teacher, and her life seems to be going fairly well because she is engaged to be married to a doctor, Seo Yoon Jae. Yoon Jae doesn’t always seem to be able to find the time to spend with Da Ran, and a shady female colleague wants to break the couple up. Da Ran has an encounter with an overly precocious and slightly obnoxious teenager named Kang Kyung Joon. Kyung Joon and Yoon Jae get into a car accident with each other, and when Kyung Joon wakes up, he’s in the older doctor Yoon Jae’s body! Kyung Joon’s teenage body is stuck at the hospital in a lingering coma. What is Da Ran going to do, with a teenage boy in the body of her attractive and reserved fiance?

What were your reactions to the first few episodes?

EVA: I’m getting more and more used to Korean comedies starting off in tragic ways. Unrequited love! Orphaned children! Accidental drowning! What fun. But this one actually is. I completely bought Gong Yoo as both the doctor and the teenager (in fact, it took me until about halfway through episode three before I gasped and shouted at the computer, “It’s that guy from Coffee Prince!”) and Lee Min Jung’s reactions to both versions of Gong Yoo’s character is convincing. I’m impressed at how well the two actors are pulling this off.

EMILY: The first thing I noticed about Big is that it has a different feel than the other Hong sisters dramas I’ve seen. They usually go for the screwball comedy right from the get-go (just look at the beginning of You’re Beautiful) but this time they went with a more serious first episode. There were hints of humor, but in general, episode 1 plays things straight and sets up the premise of the story. Things start to get funnier in episode 2, but even then, it feels a bit toned down.

I like Gong Yoo in pretty much everything I’ve seen him in. Really, he could just sit there and read the phone book, and I’d probably tune in. In this drama, he faces the challenge of playing two characters- the adult doctor, Yoon Jae, and the teenager-trapped-in-an-adult-body, Kyung Joon. We don’t really get to see him in his role of Yoon Jae for very long, so it’s difficult to get a handle on the character. When he starts acting as Kyung Joon, he really lights up. I think he does fall into that trap, at first, of acting TOO childish, when trying to act like a teen, but he gets over it quickly and settles into the role.

I’m somewhat disappointed in the heroine, Gil Da Ran. She seems like such a cliched naive Kdrama heroine. I like how she acts around her younger brother- feisty and in charge- but everywhere else, she seems to have some doormat tendencies. While she isn’t quite as blindingly naive as Minam was in You’re Beautiful, she still scores high on the unbelievably-innocent scale. I have no problem with the actress playing her; it’s the character that feels a bit weak.

I love Da Ran’s family. They have a wonderful dynamic, one that almost mirrors the situation Da Ran will eventually face. Da Ran’s father is about 12 years older at least than her mom. In fact, they were teacher-student. Yet in spite of the age difference, and lots of parental drama they hint at, they have a successful and loving marriage. Something for Da Ran to keep in mind, perhaps, as she will no doubt become confused by the presence of Kyung Joon’s soul in her fiance’s body.

Thank you, Hong sisters, for all those bare-chested-post-army-body-fanservice scenes of Gong Yoo :)

One of the better things about Big: Gong Yoo and his abs

NANCY: I’m about eight episodes into the drama now, and I still don’t know what to make of it. It is not “Big,” for those who care about those kind of things. I would call it…a half-assed Secret Garden. Harsh, but…true.

I agree with Emily that Gong Yoo acts too childish for a 17-year-old (18 in Korea), and to top it off, his acting in no way resembles how Shin Won-Ho (the “real” Kyung Joon) interpreted the character. Kyung Joon is treated as such a child by Gil Da Ran that it’s impossible to view him as a romantic interest for her. So then is Yoon Jae her romantic interest? But he’s never around, so we have no idea what he’s like. It’s great that the viewer is unsure about Yoon Jae’s true feelings just as Gil Da Ran is—that is what makes the plot interesting—but it doesn’t work beyond that.

This is a romantic comedy without the romantic comedy. There is no couple to root for. I have no idea where this drama is going, and I feel like the drama itself doesn’t know where it’s going either.

EVA: See, here’s where it shows that I’m the noob here: I have no idea what Secret Garden is. But, yeah, this is nothing like Big and kinda-sorta like Freaky Friday.

It’s also clear that I’m (at least with this show) willing to cut the actors more slack than Emily and Nancy are. Yeah, Gong Yoo isn’t portraying the Kyung Joon character the same way Shin Won Ho did. But I was having so much fun with the character the way he decided to play it that I didn’t care. Heh.

ANNA: Actually having no idea where the show will go is mainly what appeals to me for this drama. Being unsure of which couple to root for actually seems somewhat refreshing. I’m sure that there will be a happy ending, but right now I’m not sure what to expect. I honestly am not sure if Gil Da Ran would be better off with Kyung Joon in in Yoon Jae’s body or the real Yoon Jae. She seems to have built much more of a solid friendship and companionship with Kyung Joon, even though she does treat him like a little kid. She really didn’t know Yoon Jae very well, despite being engaged to him. I agree that Gong Yoo’s frenetic little kid act settles down a bit a few episodes in. I’m afraid I’m too much of a fangirl to be all that critical of Gong Yoo’s performance or interpretation of the character, because he’s just so appealing as a lead character.

I feel like I have to give a shout out to Jang Ma-Ri, Kyung Joon’s ex-girlfriend who shows up and quickly suspects that something is wrong. She’s basically like The Terminator with ridiculous hair fashion accessories, and she injects a comedic element into the series that is definitely needed.

Ma Ri: Making Hair bows Menacing!

NANCY: I agree that Suzy as Ma-Ri is a great addition to the series! At first her interpretation of what is basically a sasaeng (crazy stalkers of kpop idols) scared the hell out of me. But once she stops acting like a freak, we see a loyal person who is trying to right a past wrong. She’s charming, and I also feel for Da-Ran’s brother.

Basically I’d like this series a lot more if Yoon Jae would just wake up to fix the plodding pace of this drama. :p

EVA: Ma-Ri is awesome. Once we got past the crazy stalker stage she became, fittingly, the most American of the characters — no noble idiot here. If she wants something she goes for it and damn the consequences. She may be incredibly annoying to the rest of the characters, but to me she’s a breath of fresh air.

I’m still only seven episodes in, so hearing that the show turns plodding is not good news. Emily, is there hope for a turn-around?

EMILY:
I finished the series this week, and was extremely disappointed with it. I still love Gong Yoo, and think he did a fantastic job with what he was given, but the writers really dropped the ball here. They just went in circles for so many episodes. There were so many pointless scenes. Heck, all of episode 15 is a waste of time. Even Ma-ri becaume a useless plot contrivance in the last episode- I can’t believe she got away with what she did, good grief. I also can’t believe this is a Hong Sisters Drama. I really enjoyed so many of their other shows (You’re Beautiful, Greatest Love, My Girlfriend is a Gumiho, etc) that I can’t understand what they were thinking when they came up with this series. I am usually very easy to please, but in this case, I was just left scratching my head and wondering what the hell I just watched. *sigh*

Still, this has been a good year for dramas over all. I LOVED Queen In-Hyun’s Man, I’m still enjoying A Gentleman’s Dignity (in spite of 1 episode of stupidity, the rest of it has been pretty solid), and there are a bunch of new shows coming that look like they will be fun. That’s the nice thing about the Korean and Japanese TV systems- if you don’t like a show, just wait 3 months, and a whole new crop of shows will start :D

ANNA: Oh, I was hoping it would get better by the end! I was stalled out at episode 10, but I was thinking that the Hong Sisters would somehow be able to pull off the show. My tastes in drama generally tend to synch up with yours, do you think the show is worth finishing, or should I switch over to A Gentleman’s Dignity for more satisfying drama watching?

EMILY: Personally, I would switch. Apparently, the Big ending was a let down to a LOT of people, judging from the flurry of blog posts I am seeing today. Granted, it’s not the worst ending I have ever seen in a drama (that honor goes to the K-drama “Let’s Go To School, Sang-Doo” and the J-drama “Cheap Love”) but it is extremely weak and leaves lots of questions. And important events happen off screen. So annoying.

ANNA: How quickly my excitement over a new Hong Sisters’ drama has turned into crushing despair! If we aren’t going to recommend that people watch this one, what should people watch instead? Coffee Prince, to experience the glory of Gong Yoo in a series with much better writing? Secret Garden, if people are looking for a series about body switching that is less maddening?

EMILY: Watch Coffee Prince for Gong Yoo, Secret Garden for awesome body-swapping, and You’re Beautiful/Greatest Love/Girlfriend is a Gumiho for better Hong Sisters efforts. ^_^

At least we can all cherish our memories of Coffee Prince!

Filed Under: Bringing the Drama Tagged With: Bringing the Drama

Young King Ours, A Slightly Eccentric Manga Magazine

August 2, 2012 by Erica Friedman 5 Comments

Young King Ours has the tagline (in English) “The Most Eccentric Manga Magazine,” however, as the art is not crazy nor are the stories particularly wacky, the claim is a bit of an overreach. I’d give Manga Erotics F or Comic Beam the wins for eccentricity, but Young King Ours would probably be one of the leaders of the following pack.

Young King Ours is published by Shonen Gahosha Publishing, one of the lesser known publishing companies, and yet many of the titles that ran in the Pages of YKO are well known to western readers. Rikudo Koshi’s Excel Saga called YKO home until it finished its 15-year run at the end of 2011. Kouta Hirano’s Hellsing is another well-known title, as is Yasuhiro Nightow’s Trigun Maximum.

YKO began life in 1993 as a supplement, but became a monthly magazine in it’s own right in 1997. It sells for 550 yen/issue ($7.00 at time of writing) for just around 550 pages. Japanese Magazine Publishers’ data puts YKO monthly circulation at a modest 53, 000 in 2010, down significantly from 2008’s 68,000.  The website is the very opposite of eccentric, as there is little on display other than the titles running that month and a message or two, lumped together as it is with the other Shonen Gahosha publications. No contests or giveaways here.

The stories that run in this magazine are not immune from the power of fanservice, but surprisingly, the characters drive the story far more than sexualized images. The magazine is more likely to appeal to a slightly less…dare I say it…creepy?…audience that does indeed like large breasts but doesn’t seem to need the constant reassurance that the female characters wear underwear that fills the pages of other seinen magazines. Maybe for that reason, it is an eccentric manga magazine after all.

Young King Ours by Gahosha Publishing: http://www.shonengahosha.jp/ours/index.php

 

 

Filed Under: Magazine no Mori

Comic Conversion: Cirque Du Freak

August 2, 2012 by Angela Eastman 2 Comments

Cirque Du Freak | Novel: Darren Shan / Little, Brown and Company | Manga: Takahiro Arai / Yen Press

When Darren Shan and his best friend Steve find a flyer for Cirque Du Freak (a circus of freaks) they just have to go. A wolf-man, a snake-boy—what boy wouldn’t love it? But when Mr. Crepsley and his spider, Madame Octa, come on stage, both boys are overcome with desire—Darren, to own the spider, and Steve, to become a vampire! Darren manages to get his hands on the spider, but his control slips and the deadly bug bites his friend. Mr. Crepsley is the only one with an antidote, and he will only hand it over on one condition: Darren must become his assistant.

According to his website, Cirque Du Freak‘s author (confusingly also named Darren Shan) was inspired to write his vampire novels by the combined inspiration of Goosebumps, with its easy-to-read format, and the dark horror of Stephen King novels. Later, manga artist Takahiro Arai was awarded the opportunity to recreate Shan’s story in manga form after winning a contest. Even though the manga adaptation was originally published in Shonen Sunday, thanks to Yen Press’s ties with Little, Brown and Company (the original novels’ publisher) they were able to print the manga in English.

I love creepy stories. I ate up the Goosebumps series as a kid, cringing and wincing at every page and then scrambling for the next book. I’d been eying the Cirque Du Freak novels precisely because of the promise for creepiness, but unfortunately I found myself disappointed. Despite the generally excited tone of the narrator, the descriptions often read with too little emotion to invoke fear or horror, even when a woman’s hand is bitten clean off by a wolf-man. Shan also manages to ruin his tension simply by reminding us of it too much. In the prologue, his narrator reiterates the point that this is a “true story” where bad things can happen—a common enough tactic that beefs up the tension. But then, Shan keeps doing it: “Little did I know that Alan’s mysterious piece of paper was to change my life forever. For the worse!” “If only I hadn’t been so scared of looking like a coward! I could have left and everything would have been fine.” It quickly becomes repetitive, and makes it feel like Shan is trying to force anxiety on the readers.

Despite my dissatisfaction with the creepy tone, the story is still pretty compelling. A boy becomes a vampire not because he wants to or is forced to, but because that’s the price he pays to save a friend from the mistake he made. There are quite a few times where the novel drags. Shan apparently feels compelled to describe all of Darren’s actions—even unimportant ones like the chores he did while waiting to go to the circus—and the chapters set aside to describe all of the freaks take ages. The plot itself is engrossing enough to still qualify the book as a page turner, but it’s tough to ignore all the awkward bits.

Takahiro Arai’s manga adaptation is definitely creepier. This is thanks in large part to the art; particularly with the freaks, the character designs at times take on a surreal, over-exaggerated feel, and his backgrounds of oversized crescent moons and propped up coffins look like scenes out of Soul Eater. Sometimes Arai takes it a little too far with Steve. His wide eyes and sharp-toothed grins are too quick to give away that there’s something messed up about this kid, but even so he feels like more of a threat than he did in the novel. Darren does look much younger than I imagined him (though to be fair, the book never specifies his age), and unfortunately the designs for the side characters are either weak or generic-looking, like the “cute girl” assistants in the freak show.

The manga takes a couple of liberties with the story in both minor and major ways. In the manga, Darren and his friends play soccer for money rather than fun (as they do in the novel), but this streamlines their path between getting cash and buying the tickets. Arai also changes some of Mr. Crepsley’s actions. First, he gives the flyer directly to Darren (rather than someone handing a flyer to a friend’s brother), again streamlining the plot while also making it seem more deliberate than coincidental that Darren was there that night. Then Mr. Crepsley shows up immediately to take back Madam Octa after Steve is bitten—meaning that Darren’s little sister sees him. Having not read the rest of the series, I don’t know if Darren’s family ever makes it back into the narrative, so this could either be foreshadowing that Annie will eventually figure out what happened…or an unfulfilled expectation for the reader.

The sometimes emotionless writing of the book really kills the creepiness that Shan obviously wants to build, and while the pacing is quick there’s a good deal of unnecessary action that still manages to gunk the story up. Arai’s adaptation fixes a lot of these problems, rooting out unnecessary tidbits and making the story just a little scarier. But I think what I like the most about the manga version is that if I had had no awareness of the original book, I probably wouldn’t have been able to pick this out as an adaptation. The manga flows well on its own, and the straight-from-the-text narration is kept at an astonishingly low level. And even though the novel has the strange feeling of being more of a “part one” than its own stand-alone story, the full volume of set up works well in the manga format. The Cirque Du Freak manga has its own issues, but it’s still the better choice.

Filed Under: Comic Conversion, FEATURES, FEATURES & REVIEWS Tagged With: Cirque Du Freak, Darren Shan, Little Brown and Company, manga, Takahiro Arai, Teen Lit, yen press

Manga the Week of 8/8

August 1, 2012 by Sean Gaffney

Midtown and Diamond are conspiring against me. Their list is wrong. It’s missing Viz. Perhaps they will add it later. In the meantime, I’m adding it to mine, as it makes up 3/4 of the list.

Gen manga has a collection of their manga Wolf, which seems to be a boxing manga? Intriguing, though I admit to knowing nothing about it.

Kodansha has the first volume of their new Phoenix wright spinoff manga, this one starring prosecutor Miles Edgeworth. They’ve also got a new Deltora Quest, as well as the 5th Negima omnibus. For those buying for updated translations, they apparently end with Vol. 4, so if you were just double dipping, I think you can safely stop.

Vertical has a power trio of manga finally hitting Diamond’s shops. Volume 2 of creepy high school mind game manga Flowers of Evil; and a 1-2 punch of Onizuka, as he struggles with high school in GTO Early Years 13 and then proves his badass qualities as a teacher in GTO 14 Days in Shonan 4. Be warned, though. There may be a dick joke. Or two.

Given Kaze Hikaru is on Viz’s once-per-year schedule now, I think its release deserves an image. Other shoujo and josei manga coming out includes Ai Ore!, Dawn of the Arcana, A Devil and Her Love Song, the final volume of Haruka Beyond the Stream of Time (sorry about not getting the image, Haruka, but hey), Kamisama Kiss, and La Corda D’oro.

On the shonen side, there’s also plenty to choose from. Two more volumes of Bleach, a new Nura, some Slam Dunk and Tegami Bachi. Toriko hopefully moves past that endless fight and back into food. Ultimo gives you your Stan Lee, manga-style. And Yu-Gi-Oh GX is… still about a card game, right?

Now, it’s possible Diamond won’t ship any of these, in which case I apologize. My shop is at least getting Kamisama Kiss and Nura, though, so maybe some will appear. In any case, I’m just tired of saying ‘another small week’. So, big week! What’re you getting?

Filed Under: FEATURES, manga the week of

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