Features & Reviews

My Week in Manga: Holiday Edition

December 28, 2012 by MJ 4 Comments

I’ve just uploaded episode four of My Week in Manga! It’s a special holiday edition featuring all the manga I found under the Christmas tree this year. Wanna see what I got?

Manga this week:
The Drops of God, Vol. 2 (Vertical, Inc.)
Twin Spica, Vol. 12 (Vertical, Inc.)
Love Song (VIZ Media)
X 3-in-1, Vols. 3-4 (VIZ Media)
Gate 7, Vol. 3 (Dark Horse)
Cardcaptor Sakura Omnibus, Vol. 4 (Dark Horse)
Wandering Son, Vols. 3-4 (Fantagraphics)
Heart of Thomas (Fantagraphics)
We Were There, Vol. 15 (VIZ Media)

Links:
The Shoujo Beauty of X
Why You Should Read Cardcaptor Sakura

Edited by MJ
Music (“Dust” & “Swansong”) by Josh Woodward

If you were gifted some manga over the holidays, or if you’d like to tell me how to spend my new Amazon credit, let me know in comments!

Higurashi: When They Cry, Vol. 20

December 28, 2012 by Sean Gaffney

Story by Ryukishi07; Art by Hinase Momoyama. Released in Japan as “Higurashi no Naku Koro ni: Minagoroshi-hen” by Square Enix, serialized in the magazine GFantasy. Released in North America by Yen Press.

(This review talks briefly about the villain of the series, for the one or two of you who haven’t figured it out or spoiled yourselves.)

I have a lot I want to say about this 2nd Massacre omnibus, so pardon me if I go on for a bit. Let’s start with what we’re fighting against here and what our weapons are. The villain here isn’t the child center, or the village, or the Sonozakis, or even Satoko’s uncle, really – it’s apathy, discouragement, and stubborn pride. When you know something is wrong but look the other way, or go along with everyone else, or simply lie to yourself that it’s the right thing to do – after all, if it was wrong, someone would step in, right? And so Satoko is scapegoated by the entire village, just as her brother was, for their parent’s actions, even though everyone knows deep inside she’s an innocent girl. She is fighting against the unity of the status quo.

Then we have the weapons that can free her. Not Keiichi and Rena, though as semi-outsiders, they are eminently suited to be more appalled at everyone else’s behavior than the others. Not the Sonozaki family, who, once converted, prove to be able to take down any governmental barrier with just a few well-placed lawyers and friends in high places. (Speaking of which, has anyone noticed that the Sonozakis being essentially yakuza isn’t really remarked on as horrible? We see them do yakuza-type things – they have a torture chamber, for chrissakes – but there’s no suggestion, even with the upcoming ‘Good End’ in the next arc, that Mion will do anything other than take up the reins of the family when she is of age and her grandmother dies. It’s quite odd from a Western standpoint.)

No, the weapons everyone uses are courage, resolve, and unity. I like the way that this plays out in regards to the writing. Unity has been killing Satoko – but it’s a terrified village afraid to speak up for fear of getting ostracized just like she is. Keiichi, however, reminds them of what they once were, rebelling against the unfeeling government in the dam project. He points out the force for true greatness that a united village can be – and then Rena shames them by reminding them what that unity is doing to Satoko right now. Then, when confronting Oryou, Mion’s grandmother, Keiichi and the others need to muster their courage and resolve. Oryou is the most prideful of this bunch, and to the end she refuses to publicly back down. But it’s Keiichi’s resolve – along with a death threat, but hey, he’s held back from actually doing anything – that impresses her, and once the public eye is away from her, she too makes the right decision.

This arc seems at times to play out like a series of boss fights in a video game, where you need to face tougher and tougher foes and come up with new and creative weapons. Luckily, the last 6 arcs before this have been tempering our heroes, even if they don’t remember it save for Rika. Again, we see what happens when the answer to everyone’s problems is not ‘goo off on your own’. Even Ooishi, who I noted gave us a cliffhanger last time by looking creepy and threatening, is trying to give Keiichi some good and sensible advice. He just… looks creepy, it’s how it is. By the way, we also meet for the first significant time Akane, Mion and Shion’s mother. She appears to be semi-ostracized from her mother, which is why Mion is next in like as clan leader. She’s also an even better tease than her daughters, both of whom she offers to Keiichi.

Speaking of which, I’ve noted before how this has harem aspects to it, many times playing out like a date sim. This is especially true in the early visual novels, where you don’t see Keiichi’s face – he’s the generic player character. He was initially the harem lead because, well, there weren’t any other options around, really. But as the series has gone on and he’s been overtaken by Rika, he’s really impressed. Both in the Atonement arc and here, he shows why the nickname given to him is ‘master of words’ – he is the heart of this group (Rena, who’s always one step ahead, is the brains) – and there’s no longer any question as to why Rena and Mion fell for him hard.

I wonder if we’ll ever see what motivated Satoko’s parents to be the lone villagers saying the dam should go through. Was there some deep reason behind it, or are they meant to be simply ‘bad guys’ as Satoko’s aunt and uncle were? Speaking of which, I don’t think there’s been any villain character in Higurashi more deserving of his fate than Teppei. He gets some of the more terrifying Higurashi faces here, and his physical, mental and emotional abuse of Satoko is teeth-grindingly appalling. But of course, that’s what makes the scene where she finally asked the child center for help, and then stands up to her uncle, so amazing. This is what the unity of the villagers can lead to – a downtrodden 9-year-old girl finding her own courage and taking a stand against a horrible man. When she brags to her friends about how something like this won’t get her down, it’s impossible not to have a tear come to your eye.

(By the way, the artist for this arc, Hinase Momoyama, is one of the best of the entire series, keeping everything light and moe but avoiding some of the awkward bodies and weird posing from prior arcs. She also does some really over the top ‘Higurashi faces’, which will only get worse as the series goes on.)

Oh, yes, the series goes on. Thought you were done? This is only omnibus 2 of 3, and this is called the Massacre arc but has been rather free of massacres. And Rika is aware of this – Teppei is horrible, but he’s not gutting her on an altar. She still has to stop the killings after the Cotton Drifting. And that leads us to our villain, who I can now, at last, discuss. Not that it hasn’t been somewhat obvious. Some stories try to hide their villains by making them the seemingly nice, friendly person. But Ryukishi07 is perfectly content with making it the paranoid, occult-loving woman who was practically having an orgasm when she was shown the torture weapons of Hinamizawa.

Rika and Bernkastel had gone over the 3 ironclad rules of each world, and it’s here that we see that one of the rules is obviously incorrect – Takano is the villain, so she’s not the corpse found in the oil drum. Not that faking your death in this series seems all that hard. I will admit, the final scene in the manga doesn’t have all the impact it should, in my opinion, mostly as the audience still doesn’t really have all the facts – Takano’s revelations to Tomitake are as confusing to us as they are to her, and a casual reader might very well think, “Wait, it’s her? Where did that come from?” Of course, in Japan this series had few casual readers – the anime was over, the visual novels were done, and everyone knew what was going to happen. As Frederica Bernkastel notes in her poem, the cat in the box is dead. This is not the Good End world.

And so with one omnibus to go, where will Takano lead us? To a massacre? And for god’s sake, what does Rika have to do to stop dying? What is the solution here? How can Takano be stopped? Well, we won’t find that out next time. But we will get to see some VERY over the top, scary Higurashi faces. Stay tuned.

(TL, DR: this volume was fabulous, except maybe towards the end.)

MJ’s Best Manga of 2012, Part 1

December 27, 2012 by MJ 3 Comments

It’s that time of year again, when manga bloggers all over scramble to pick the best manga of the year! Though I’ve already weighed in on this year’s best BL manga and even made a Pick of the Year, over the next few days I’ll share a few Top Five lists, broken down into several categories.

Before I begin, let me remind you that when I say “best,” I mean “favorite,” so do with that as you will.

Top Five New Print Manga

GTO: 14 Days in Shonan | by Tohru Fujisawa | Vertical, Inc. – This surprise favorite snuck up on me out of nowhere, essentially sweeping me off my feet, as did its protagonist. From my review of vols. 1-2: “What I found pretty spectacular about 14 Days in Shonan, is that it features a main character who spends a lot of time telling other people just how much of a badass he is, while actually being a badass. Usually, if a character has to tell me how great he is, that’s a sure sign that I won’t think he’s great at all—but in this case, Eikichi is exactly what he says he is, and I find myself with absolutely no doubt at all that he’ll be able to do absolutely anything he says he can, including winning over all the teens at the White Swan Children’s Home, while also possibly saving the world. And perhaps curing cancer. Can you tell I liked him?” The series is complete in Japan totaling nine volumes. Vertical has released up through volume six this year.

Soulless: The Manga | by Gail Carriger and Rem | Yen Press – As someone who has been generally lukewarm on manga-style adaptations of western novels, this adaptation took me completely by surprise. From my review of volume one: “…when I read Kate’s review of REM’s new adaptation of Gail Carriger’s Soulless, I thought suddenly that it would be a great choice to read alongside Twilight. Both are OEL adaptations of popular novels, and both revolve around a heroine who lives in a world alongside vampires and werewolves. Unlike Twilight, I had very little knowledge of the details of Soulless, and though I expected I might like it more than Twilight, I was not really prepared for how much more.” And like it, I did, and continued to do. “Fast-paced, compelling, and oddly beguiling, Soulless continues to be my favorite of Yen Press’ growing catalogue of adaptations. Highly recommended.”

Sakuran: Blossoms Wild | by Moyoco Anno | Vertical, Inc. – One comment I made during our discussion of Sakuran for Off the Shelf, was that it was something I appreciated as a critic, though it lacked personal resonance for me as a reader. Over time, however, I’ve had to reconsider that statement, as Sakuran remains one of those rare books that has remained strongly in my mind ever since its first read. It’s this kind of deeper, delayed appreciate that has earned it a place in my list of favorites for the year. Also from my review, regarding the author’s artwork: “I was really impressed by Anno’s ability to visually portray both Kiyoha’s spite and her vulnerability, which is not a combination that always translates well to the page … One thing Anno has accomplished, perhaps specifically by writing Sakuran as a collection of story snapshots rather than a long narrative, is that the moments she’s chosen to highlight are genuinely memorable, and that goes for individual images as well.” Given my experience, perhaps “memorable” was an understatement.

A Devil and Her Love Song | by Miyoshi Tomori | VIZ Media – Even my favorite modern shoujo series can tend to blend together over the course of a year, but this year’s batch had one real standout, A Devil and Her Love Song. From my review of volume two: It’s refreshing to read a modern shoujo manga in which everyone is truly, deeply flawed, and no amount of “doing their best” can fix it. Even better, mangaka Miyoshi Tomori manages to do this while deftly avoiding both the syrup and cynicism that alternately pervade stories about high school “mean girls.” Happily, too, Tomori’s supporting characters continue to be just as interesting as her lead, including passive classmate Tomoyo, whose emerging backbone offers the promise of some awesome female friendship—one of my very favorite elements in shoujo manga. Definitely recommended.” That recommendation stands strong, even after six volumes, and we can look forward to seven more.

Blood Lad | by Yuuki Kodama | Yen Press – Perhaps no new favorite of the year could have been as unexpected as Blood Lad. With its boobalicious artwork and vampire-based premise, it seemed an unlikely candidate, but proved to be delightful in numerous ways. From my video review: “… it’s really funny, it had me laughing out loud within the first few pages and it continued to make me laugh as it went on… and it has a lot of real tension, too. I’m always happy when a series is able to surprise me, and this one did. So it was a great find for me this week.” As Ed Chavez described it on Twitter, “It’s like if Peepo Choo and Blue Exorcist hung out.” Yes, that. This is one of those series that could easily fall into nearly every trap of its genre (and even the medium as a whole), but actually manages to avoid them all. It’s unexpectedly fresh, funny, and it has me thoroughly intrigued.

Top Five New Digital-Only Manga

Pride | by Yukari Ichijo | JManga/Shueisha – This josei series about two aspiring young opera singers is exactly the kind of thing I wish we could see in print over here and probably never will. So THANK YOU, JMANGA. Female rivalries in manga are often unbearably catty and rife with misogyny, but Yukari Ichijo manages to write one that is both bitter and real. From my review: “What works particularly well about all this is that Ichijo manages to make both characters pretty much equal parts sympathetic and maddening. And while Shio ends up tipping the scale in likability, it’s impossible not to sympathize with Moe’s deep need to escape from her truly icky origins. By the end of volume two, I found myself rooting for both of them, despite their genuinely ugly rivalry.” Honestly, though, it’s the areas where the two leads overlap, rather than where they conflict, that really makes the story work. It’s both awesome and addictive.

Dousei Ai | by Setona Mizushiro | JManga/Libre Publishing – There’s a reason why I named JManga as my Pick of the Year, and no small part of that is Dousei Ai. Like Pride, this epic BL series from the author of After School Nightmare is both exactly what I want from its genre and exactly what’s missing from most of what we see in print. From my review: “This is no casual one-shot or simplistic BL romance. Setona Mizushiro has carefully crafted a complex emotional drama with some of the best-written characterization I’ve ever seen in this genre and a long game that is pretty obviously going to offer up significant payoff for the reader. I mean, going into this it’s clear that we’re in for a killer of a ride, along the lines of something like Sooyeon Won’s manhwa epic Let Dai, only better—much, much better.”

Hyakusho Kizoku | by Hiromu Arakawa | JManga/Shinshokan – This autobiographical manga from Fullmetal Alchemist author Hiromu Arakawa about growing up on her family’s dairy farm may not sound like much, but this understated single volume is one of the most delightful manga I read this year. From my review: “Though, on the surface, Hyakusho Kizoku may seem to share little in common with a fantasy epic like Fullmetal Alchemist, fans of FMA will quickly recognize Arakawa’s easy sense of humor, as well as her ability to create compelling, recognizable characters with just a few deft strokes … And though her humor is a highlight, it’s not the only way in which Arakawa shows off her strengths. One particularly haunting lesson about the fate of a sick, newborn calf had me tearing up as I read—a feat achieved mainly through just a few poignant strokes of Arakawa’s pen, as she drew her own mournful, childish face and that of the unsuspecting calf.”

You & Tonight | by Keiko Kinoshita | Digital Manga Guild – Though only the first volume of this quiet series has been published in English so far, it still stands out in my mind not only as one of my favorite BL manga of the year, but one of my favorite manga, period. From my review: “I’ve developed a bit of a love affair with Keiko Kinoshita’s work as of late, and this series has only deepened my feelings. Written in the same vein as her earlier two-volume series Kiss Blue, You and Tonight is a thoughtful, quiet manga about the delicate balance between love and friendship, and how two lifelong friends deal with the complications that arise when that balance is disturbed. Also like Kiss Blue, You and Tonight lets its characters process this sloooowly, which is one of the things that makes Kinoshita’s romance work so well. She isn’t afraid to let her characters wallow in uncertainty, and she certainly takes her time, but there’s never a sense that the story is dragging. On the contrary, there is tension in each moment, even the quietest ones.”

Sweet Blue Flowers | by Takako Shimura | JManga/Ohta Publishing – Apparently I’ve developed a love affair with Takako Shimura as well, as this is just the first of her series that will appear on this year’s list. I first heard of this title by way of Katherine Hanson‘s yuri panel at an obscure college convention here in western Massachusetts, and I’ve been dying to read it ever since. Thanks, JManga, for making it possible! From my review: “Like Shimura’s earlier series, Wandering Son, Sweet Blue Flowers is a quiet, emotionally complex story that addresses its characters’ sexuality, burgeoning sense of self, and considerable teen angst with thoughtfulness and real gravity, while also carefully providing them with a support system that keeps their sense of fear and isolation from overtaking the narrative. Manga fans who long for teen-oriented series’ depicting fantastic female friendships will find everything they’re looking for in this series, along with so much more.”

Continue to Part 2 for MJ’s “Top Five Continuing Series” and “Top Five Concluding Series”!

Do you have favorites to share?

Manga the Week of 1/2

December 27, 2012 by Sean Gaffney, MJ, Michelle Smith and Anna N 5 Comments

SEAN: Back from the holidays, and back to a somewhat normal schedule for manga fans. This week sees lots of DMP, Vertical, and Viz, though I suspect that one other title will be getting some Pick of the Week notice…

First off, some new BL from DMP. Caramel looks to be about as sweet as its title judging from that cover, and is about an eldest son of four, used to taking care of everyone, becoming a live-in housekeeper… and presumably more.

MJ: Hm, that does sound kind of sweet, if generally unoriginal, but what else is new? I’ll probably try it out.

SEAN: I’ve Seen It All reaches Volume 2. The description of the series so repulsive to me that I can only hope that the series crosses the line so often it becomes comedic. The cover is not really helping me judge one way or the other. In the meantime, um… MJ? Michelle?

MJ: I’m afraid I can’t help you here. I’m just as appalled by the premise as you are, and apparently I missed volume one. Wow.

MICHELLE: I had missed this one, too, and I’m awfully grateful about that. Also, I guess these’ll be the last DMP books to see print for a while, owing to the company’s recent announcement.

SEAN: Love Makes Everything Right. Office romance, sexual harassment, smug jerk on the cover… neeeeext?

MJ: Zzzzzzzzzzz

MICHELLE: Ha! I was totally going to type “yawn” here. Clearly, we are on the same wavelength.

SEAN: Ninth Love Life is about a man who really loved his late cat (no, not like that) and when his cat gets reincarnated as a young man is happy that he can really LOVE his cat (yes, like that). Is it me, or are DMP’s titles getting weirder?

MJ: This one’s just weird enough to make me want to read it, so I guess there’s that.

MICHELLE: Ew, no. Also, this gives me flashbacks to The 9 Lives.

SEAN: As with all Fantagraphics manga choices, we’ve been waiting a long time for this one, mostly as the release date was moved about eight times. But it promises to be worth the wait. Heart of Thomas is a legendary proto-BL manga by Moto Hagio, set at an all-boys boarding school in Germany. It’s a complete in one hardcover, and is pretty much THE required purchase this week, even if you aren’t into BL.

MJ: I am so anxious for this to arrive! Michelle and I will be featuring this title in January’s BL Bookrack and I’m dying to see this in all its hardcover glory! It can’t ship quickly enough for me!

MICHELLE: What she said! And everyone should buy it so we can get The Song of Wind and Trees next!

ANNA: I am looking forward to this as well, more Moto Hagio is always a good thing.

SEAN: On to Vertical, who have a softcover edition of Tezuka’s Book of Human Insects, for those who may have missed the hardcover or just want multiple editions of one of Tezuka’s creepier anti-heroines.

MJ: I really liked this title–recommended!

SEAN: Speaking of Tezuka, there’s the 2nd and final omnibus volume of Message to Adolf, which is about 600 pages long and features a drooling Hitler on the cover. Perfect reading for public transport!

MJ: Heh, yes.

MICHELLE: I really liked Adolf, which is the title the series had when I read the old VIZ. I recall the ending wasn’t quite as good as the beginning, but there’s still some great ironic commentary on the futility of war. Definitely recommended.

SEAN: And there is the 2nd volume of Stan Lee’s Heroman, which I think appeals more to Stan Lee fans than manga fans, but is a good read for those who want to support Vertical but also need a book to buy a younger kid.

MJ: I wish I liked this at all. I really do.

MICHELLE: Me, too.

SEAN: And what would the first week of the month be without a giant pile of Viz? Bleach seems to have stopped double dealing every month, as we just get Volume 54, which features Rukia on the cover! I remember Rukia…

MJ: I haven’t read a volume of Bleach in a while…

MICHELLE: I’m not sure what to make of this latest arc, but at least the Hueco Mundo thing is finally over!

SEAN: Dengeki Daisy has mostly caught up with Japan, so this is the first volume in 6 months. As such, I’m really looking forward to it. The power imbalance between the main couple is handled very realistically and maturely, while still being quite romantic.

MJ: So, I missed a whole slew of this title’s middle volumes… is it worth trying to catch up? Your description here sounds like it might be.

SEAN: I think so, yes. Though there is a bit of episodic stuff, this has far more of a running plot, and as I said it has a fascinating relationship between the leads and their tragic pasts.

MICHELLE: I’m a couple volumes behind on Dengeki Daisy myself, but it’s pretty fun.

ANNA: Dengeki Daisy is one of my favorite ongoing shojo series, and I think it gets more emotionally complex as the series progresses. I think it is worth getting caught up on.

SEAN: Seeing a new volume of Hunter x Hunter (Vol. 29) so soon after the previous one is rather bizarre, and almost made me doubt the existence of reality. Luckily, the series is back on hiatus in Japan, so all is well once more.

Jiu Jiu Vol. 2 was somewhat better than a weak Vol. 1, and I hope the series continues its mild upward curve with Vol. 3.

MJ: Admittedly, I gave up after volume one. Perhaps I should try again?

SEAN: I’d hold off till we see what happens, to be honest.

MICHELLE: I liked volume two more, but that might’ve been the result of having low expectations going in. A vampire pig has joined the cast, if that’s any incentive.

MJ: Predictably, it is.

SEAN: I love Oresama Teacher, even if I think it’s wearing out its welcome among the many bloggers I follow. It helps that I don’t really mind the occasional suggestion of Mafuyu/Takaomi, and also that this series is not getting a romance anytime soon. Vol. 12 will no doubt continue to throw mid-level bosses at her like the previous few volumes.

MJ: This is another series where I missed some earlier volumes and am unsure whether I should purchase what I need to catch up. Thoughts?

SEAN: It depends. It’s really comedic – far more than most other shoujo out there – a lot of Osaka-style comedy yelling and running about, with many dense as lead students. Also, what very little romantic tension there is happens to be between Mafuyu and her childhood friend/tormentor Takaomi… who is now her teacher, and does not get nearly as many ‘pet the dog’ moments as, say, Kurosaki does in Dengeki Daisy. This has squicked some people who don’t want to invest in a long manga series in case it endgames that way. (Honestly, the series has so little romantic emphasis that I doubt that will be a problem.)

MICHELLE: I don’t know whether I’d advocate doing so or not. It’s episodic (and probably being made up as it goes along), so the quality is inconsistent. Sometimes I think it’s pretty dumb, but sometimes I think it’s a lot of fun and I’m quite fond of quirky Hayasaka.

ANNA: I’ve read all of Oresama Teacher and it is fairly episodic in terms of plot. You could probably pick up the last 2 or 3 volumes and get by with skipping a little bit. While it does meander quite a bit, I know I can always depend on this series for a regular dose of deranged comedy.

SEAN: Otomen 14 shows the series is still running (see? Told you!), though it will be ending in Japan soon. Given I basically got everything I wanted from Ryo and Asuka last volume, I suspect she’ll barely be in this one.

MJ: I loved this title so much when it debuted… then the episodic comedy format really went sour for me (as it usually does).

ANNA: I did too, and for some reason I have no problem with episodic comedy in Oresama Teacher, but don’t enjoy it as much in Otomen.

SEAN: Yeah, no one reads Otomen for plot resolution.

MICHELLE: Yeah. That’s why I’m not sure catching up on Oresama would be worthwhile for you. I’m quite behind on Otomen, but at least my local library carries this one so I can catch up without too much effort.

SEAN: Psyren 8 takes us back to the Psyren World, but… wait, wait, don’t page down! There’s actual interesting plot stuff happening among the dull boss fights this time. Honest!

MICHELLE: Here’s another one I’m behind on, but I do quite like Psyren!

SEAN: I mildly enjoyed Strobe Edge 1, and have good feelings about 2. That said, it’s not a series I got obsessed with after only one volume, like… well, like Dengeki Daisy, Oresama Teacher and Otomen.

MJ: Despite having spent most of volume one bored out of my skull, by the end I was really dying to know what would happen next. So I’ll be gobbling this up, I’m sure.

MICHELLE: I liked Strobe Edge more than you did, methinks, so I’m very keen to read volume two.

ANNA: I’m looking forward to reading this as well.

SEAN: And there’s a double shot of Stan Lee manga this week, as we get Vol. 8 of Ultimo. I’m sure Ultimo does cool stuff in it, because, y’know, Stan Lee.

MJ: More Stan Lee… why must there always be more Stan Lee?

MICHELLE: I have no idea. Are they trying to make Western comics fans like manga, or are they trying to make manga fans like Western comics? Either way, it feels like someone’s plan rather than a purely organic collaboration.

SEAN: Stan Lee and Moto Hagio’s collaboration next year will absolutely blow your mind! Kidding, kidding… ow, don’t hit…

MJ: *dead*

SEAN: Any manga you desire after your New Year’s hangover? Or are you only getting a Pony comic?

Blood Lad, Vol. 1

December 26, 2012 by Sean Gaffney

By Yuuki Kodama. Released in Japan by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Yen Press.

I wasn’t quite sure what to expect with this series aside from ‘vampires’. And that ends up being pretty fitting, as I think the series itself is not quite sure where it’s going to go until we get about halfway through this omnibus, at which point it finds its feet surprisingly quickly. There’s some interesting characters, attempts at world building, and some surprisingly vicious backstory, along with a healthy dollop of humor and fanservice. Honestly, I’m not really sure why this is in the seinen magazine Young Ace rather than its Shonen equivalent, unless it gets far more violent later on. It could simply be Young Ace had the free slot for a new series.

Admittedly, after the first few pages I was expecting something far worse than what this turned out to be. The idea of a slacker vampire who’s a secret otaku made me groan, and thankfully this aspect of Staz’s personality is given shot shrift as the series goes on. More to the point, we see that Staz’s seeming apathy towards life stems from his own family relationships, and that he’s surprisingly tough and powerful – and even clever, when he bothers to be. I was amused at one or two points in the volume where he analyzed the situation and immediately gave up fighting, knowing that he would lose and it’s best to conserve his powers. I was also pleased to see that his obsession with Fuyumi lasted only till she died – after which, he really wants to resurrect her but is clearly not enamored of her. Blood Lad is driven by its action and fantasy, not its harem aspects (though those do linger, mainly via Bell).

As for Fuyumi, she’s probably the aspect of this story I enjoyed the least. She should be there to be the audience identification figure, the lone normal Japanese girl among a town full of freaks. Unfortunately, you don’t get very far in to this volume before you see her role is to have large breasts and get captured a lot. There is a bit of existential angst when she and Staz return to Japan, and he uses mind control to make everyone think she’s still there – this horrifies her till he points out the alternative. Mostly, though, Fuyumi seems to be there to draw in readers who want a passive female in their action fantasy manga.

As I noted earlier, Staz does not have a very nice backstory, and no doubt we will meet his brother in the second volume. The idea of how Staz’s magic is suppressed is quite scary, and certainly explains why he’s so reluctant to take any actions. We also meet his sister Liz, who quickly proceeds to torture him, though I have a nagging suspicion that there may be a bit of a brother complex behind all this – possibly as I’ve read too many moe manga in a row recently.

Blood Lad isn’t terrific – Soul Eater handles almost everything this manga tries to do better – but it’s a solid title, and better than I’d expected. If it can do something with Fuyumi next time, that’s be appreciated. But either way, I look forward to seeing Staz break out and kick some more asses in Volume 2.

It Came from the Sinosphere: Angel Hair

December 25, 2012 by Sara K. Leave a Comment

So it me a while to figure out which Lai An (aka Ryan) manhua I wanted to talk about this week, but as soon as I re-read Angel Hair, I realized that this was the one.

The Story

A couple of travellers visit the grave of an angel somewhere in Italy. The travellers exchange the stories they have heard about the angel’s death. Then a stranger comes and tells them his version of the story.

The travellers find the tomb.

This manhua is mainly a collection of three stories about an angel called Nathaniel and how he died. The three stories all feature characters with the same names, and has some common element (for example, each story features hair turning from black to blond or from blond to black, and all three stories are set during the Italian Renaissance), and of course, each story ends with the death of the angel Nathaniel, but otherwise they are different stories.

Background

Sometimes her name is written in English as ‘Lai An’ and sometimes as ‘Ryan’.

Though there are other magazines which have published Taiwanese manhua aimed at a female audience, Star Girls is, as far as I know, the only magazine to have ever focused on Taiwanese manhua aimed at a female audience. When Star Girls debuted in the 1990s, when Taiwan was transitioning to democracy and aspiring manhua artists suddenly had a lot more freedom (technically, the Taiwanese manhua revival started in the late 1980s, but whatever) this magazine served as a venue for many brand new artists inspired by Japanese shojo manga. Based of what I’ve seen of the 90s material, much of it was dreck. However, it was in the 1990s that Yi Huan (who I’ve discussed before), Nicky Lee (who I’ve also discussed before), and Lai An got their start in Star Girls, and became Star Girls’ three most popular artists. All three of them are still producing shojo-inspired manhua.

Now, Star Girls has a much smaller group of artists than the 1990s, and it’s much harder for new talent to break in since the magazine editors apparently favor talent which has already proven successful. However, my impression (granted, this might be skewed by the samples I’ve encountered) is that the overall quality of the magazine is higher now than in the 1990s.

Anyway, as far as I know, Yi Huan, Nicky Lee, and Lai An are the only Star Girls’ artists who have ever published their own artbooks (please correct me if this information is wrong).

This manhua is a collection of three stories published in Star Girls magazine in the late 90s.

About Lai An’s Art

Since Star Girls is modelled after Japanese shojo magazines, all of its manhua are heavily influenced by Japanese shojo manga … but some are only heavily influenced, for example the work of Yi Huan, and some are so heavily influenced that I can’t stop myself from comparing it to extremely similar Japanese material, for example the work of Nicky Lee. Lai An also falls into the latter category. Her art style in the 1990s is basically just like the dominant shojo art styles of the 90s, and her current art is much like current shojo art.

The thing is, I love 90s shojo art. I dislike current shojo art, which is one reason I don’t read much current shojo (and what I do read of the current stuff, such as 7Seeds, tends to have a retro art style).

As it so happens, I love Lai An’s early art, but I don’t love her current art. I think it is partially because she is following contemporary Japanese styles. Yet I don’t think that completely explains it.

Here are some pages from an early Lai An manhua, The Royal:

First of all, I love the 90s style, in fact, it even seems to hark back to glorious 70s shojo (I can tell that many Star Girls artists love 70s shojo). There is an abundance of wavy lines, a jewel-like beauty, as well as the daring emotionally charged panel compositions which I love to see in shojo manga.

These are some pages from Lai An’s currently running manhua, Close to You:

Okay, the art’s not bad. Actually, it’s good. It’s even more anatomically accurate. It looks the work of a more mature artist. But, to me, it lacks the creative energy of her early artwork. It doesn’t make me pause so I can let the art penetrate my eyes. And I don’t think this can simply be attributed to a change in vogue.

Anyway, maybe I should start talking about…

The Art in Angel Hair

Flowers! Feathers! Swirly lines! Expressive use of panels! Super-long legs! Wheee!!!

About the only thing it would need to become even more like 70s shojo manga art is the sparkles, but that’s okay, I think the flowers and the expressive use of panels are better than sparkles.

And of course, girly art which does not constantly burst into flowers can also be wonderful too, but hey, I heartily approve of girly comic books which burst out into flowers.

It should be apparent by now that Angel Hair is a work from Lai An’s early period, in other words, from when her art was actually beautiful instead of merely being good.

However, it’s not just the 70s-shojo-esque (and authentically 90s) Asian-style girly comic book art.

In order for complex panel compositions to work, there need to be simple compositions to balance them out, and in fact, these simpler compositions will often have the greatest impact because they can be understood the most immediately. Lai An includes a sufficient number of single-panel or otherwise simple pages as well. Of course, when the panel composition is simple, there needs to be a compelling subject. Lai An takes care of this too.

And of course, her characters can be very expressive, and not just in a melodramatic way.

However, I think my favorite thing about the artwork is the use of contrast. Most of this manhua is very light, colorwise – lots of white space between the lines, not too much screentone, etc.

That means when black space is used, it really stands out. These are some of my favorite images, but partially because they contrast with the overall light-levels of the manhua as a whole – in isolation, they would not be so striking.

And it supports the stories. All of the stories include as a plot element blond hair vs. black hair. In all of the stories, blond hair represents goodness, purity, and beauty … as well hypocrisy and deceit, whereas black hair represents evil, pollution, and ugliness … as well as truth and integrity. By keeping most of the art looking light, the dark parts truly feel heavy, serious, and like a stain on the appearance.

This is an opportunity to talk about…

The Stories, Again

All three stories are fairy-tale like, of course. And we all know what a fairy-tale should feel like. And that’s why the first two stories feel wrong.

In the first story, for example, (spoiler warning) the princess kills the angel to get his hair so her hair would be blond forever and she could win the love of the prince. The innocent angel dies and the princess marries the prince and lives happily ever after.

Lai An said she got a lot of complaints about this story when it first ran in Star Girls magazine. It flies in the face of the ‘just world hypothesis’ (which, strangely, I have discussed before) and fairy tales just don’t work like that.

The second story also feels unsatisfying, though I don’t want to spoil that one.

However, the point is that these first two stories are supposed to feel false. Lai An says that she didn’t know whether to be pleased or disappointed by the magazine readers’ reactions. That is so that, when the third story is told, the reader will feel that the third story is the true story of how the angel died (and I am definitely don’t want to spoil that one).

The mere fact that the first two stories are, essentially, false, demonstrates that one shouldn’t trust everything one hears.

I think I hinted at the moral of the three stories while I was talking about the art. Basically, the message is “don’t judge people based on their appearances.” Or perhaps more broadly, “do what you feel is just, not what other people say you should do.”

All in all, I think the stories, collectively, work quite well.

Availability in English

There is no legal way to read this manhua in English. That’s too bad. It’s only one volume long, so I can’t imagine that it would be too much of a financial risk to license and publish this (digitally, or even on paper) in English.

Conclusion

To be honest, I am not a Lai An fan. But this specific manhua is an exception. It was among the first manhua I ever read, and it left an impression on me. It uses the story structure expertly to make its point. And I am most definitely a sucker for the artwork.

Next Time: Full Count (idol drama)

Last week, Sara K. attended the “Global Sinophonia” conference at Academia Sinica. Though she was just an observer, she had never been to an academic conference before, and in some ways she thought getting a peek at that world was more interesting than the presentations themselves. Of course, some of the presentations were very interesting, and will no doubt have their influence on this column. It was also the first time she ever identified herself as a blogger in the offline world (hey, what was she supposed to say when people asked her “what university are you affiliated with” or “what do you research”?) Sara K. is very grateful to Yen Yen Woo and Colin Goh of Dim Sum Warriors for inviting her. Speaking of that, you can now admire the technological marvel of a 3-year old reading a bilingual comic on an iPad.

Kaoru Mori: Anything and Something

December 24, 2012 by Sean Gaffney

By Kaoru Mori. Released in Japan by Enterbrain, serialized in various magazines. Released in North America by Yen Press.

Well this is a bit of an odd duck, isn’t it? Half story collection, half sketchbook, it’s no surprise that this is being released in more expensive hardcover, as I doubt it would recoup any costs whatsoever otherwise. But then that’s also true of A Bride’s Story as well (and note Emma and Shirley were “blogger favorites” with crappy sales). Kaoru Mori is not the author of a Bleach or Naruto, and has a very enthusiastic but minimal audience. As such, this may almost be review proof – anyone buying this is getting it because it’s something new by the author, and the content is mostly irrelevant. That said, there is a lot to like here, even as there’s also a lot that left me scratching my head or feeling vaguely unsatisfied. Which is about what you’d expect from a collection like this.

One thing that pleased me greatly was the sense of humor of many of these stories. Indeed, they’re not simply funny but eccentric – always one of my favorites. The first story in the collection shows a butler and maid desperate for a master so that they can continue to live as they are accustomed – and it’s clear who’s going to be in charge. Then there’s the very early story involving a perverted loon of an inventor and his implacable battle maid. It was impossible for me not to think of the inventor as being played by Michael Bentine (google it). And the cute yet slight story of a girl who takes forever to grow into her school uniform just brings a smile to the face. Some girls are born to attract attention no matter how they look.

There’s also quite a bit of cheesecake here, as if the cover art didn’t clue you in. A Bride’s Story and Emma don’t exactly give a lot of opportunities to draw the female form (except covered in gorgeous clothing). Also, Mori writes mainly for Fellows!, an Enterbrain seinen magazine whose content is geared towards older men who like to see something sexy. This explains the almost static chapters with the Host Club bunny and the wife trying on her swimsuit, which are almost there for art alone. Indeed, one very short story about a girl who is bird-watching essentially stars her posterior.

There were one or two stories that reminded me of my frustration with Mori’s implacable females, particularly one involving a young master wanting to no longer be treated like a child and his maid who smiles politely no matter what. I admit it’s what she does best, but I was hoping for a bit more wackiness. Ironically, the longest story of the collection (and one of my favorites) wasn’t written by Mori, but by fellow Fellows! writer Satoshi Fukushima (who writes Kidou Ryodan Hachifukujin, which would be an awesome if unsellable license). This also features a seemingly implacable girl, but mostly focuses on the ‘normal’ girl who becomes her friend. There were a lot of subtleties here regarding art and life, and I worried that the story was going to end far more tragically, so was pleased at its more ambiguous climax.

After that, there’s the 2nd half of the book. I have far less to say about it – it’s a sketchbook, basically – and if you like Emma or A Bride’s Story, or simply reading about things like fireplaces, then you should find it satisfying. I do wish it had been interspersed with the short stories – having it all come in the 2nd half ends up making the whole book feel like a bit of a curate’s egg (google that too). There’s some good stuff here, but as a collection it’s more ‘odd’ than ‘satisfying’. Which is appropriate, as that’s how I’ve come to view Mori’s work as a whole.

Bookshelf Briefs 12/24/12

December 24, 2012 by Sean Gaffney, MJ and Michelle Smith 1 Comment

This week, Sean, MJ, and Michelle look at recent releases from Kodansha Comics, Seven Seas, VIZ Media, and JManga.

Attack on Titan, Vol. 3 | By Hajime Isayama | Kodansha Comics – There are many depressing series that never quite let you forget that hope for the best is behind it all. Attack on Titan, on the other hand, never lets you forget how fast hope can be lost and turn into total despair. Despite the arrival of a timely (and high-ranked) ally, most of this volume has our three leads existing at a knife-edge away from being killed. For once, the fact that I can barely tell anyone apart except for our heroes works quite well – the mob mentality and need to get rid of anything terrifying is at work here, and that tends to trump things like strategy and common sense. That said, there’s not a lot of common sense in what Eren can now do, and the ‘hey, now we have a titan on our side’ plan doesn’t go nearly as well as they thought. Luckily, there’s a cooking battle arc next time (OK, not really.) -Sean Gaffney

A Certain Scientific Railgun, Vol. 6 | By Kazuma Kamachi and Motoi Fuyukawa | Seven Seas – This is adapting the third ‘Magical Index’ main novel, in case readers were wondering why the big battle with Accelerator consists of Misaka standing around watching things. Still, given that you can’t exactly write Touma out, the Railgun adaptation handles things quite well, putting the focus squarely on Misaka and her own suffering. And it is indeed suffering – Misaka cannot stop blaming her own past actions as a child for the mass slaughter of innocents, to the point where the reaches a horrible decision (that, luckily, Touma is there to talk her out of, or at least calm her down a bit). I will admit that Uiharu and Saten, briefly glimpsed at the start, are missed, but this is a big character-building exercise for Misaka, so it’s OK for once to let the spotlight drift elsewhere. -Sean Gaffney

The Earl and the Fairy, Vol. 4 | By Mizue Tani and Ayuko | VIZ Media – The ending to this final volume of Earl & Fairy is strangely open – or not so strangely, as the light novel series extends many, many volumes beyond this point. It’s not a bad ending to the manga, but I get a feeling that it’s simply reinforcing the lessons that Lydia learned at the end of Volume 2, simply filtered through a different scenario. Everyone gets to show off what they do best – Lydia is compassionate yet foolhardy, Edgar is intelligent yet nihilistic, and Raven gets to beat people up and be deadpan. I did like the repair of Rosalie and Doris’ relationship, mostly as Rosalie did not magically turn nice – she’s still as annoying as she was since we met her. This was a decent fantasy series, but I fear that it doesn’t really linger in the memories that long – which may be why the manga ended with this volume. -Sean Gaffney

My Darling Kitten Hair, Vol. 2 | By Haruko Kumota | JManga/Libre Publishing – As is usually the case, MJwas absolutely right about My Darling Kitten Hair—it’s thoroughly charming. The time for confessions of love has long past, and now “Kei-chan” and “Mii-kun” are getting used to actually being together as a couple after six years in a long-distance relationship. The characterization in this series is so strong that the reader is actually truly happy for them when they achieve a breakthrough, and crushed when things don’t go quite right. I especially love that Mii-kun, the languid slacker type (as opposed to Kei’s tidy salaryman), is actually the more vulnerable one in a lot of ways. But on the whole, I love both guys so much that I really can’t wait for the next volume. Plus? Cute cats! I don’t know how I could possibly recommend this more highly.– Michelle Smith

Natsume’s Book of Friends, Vol. 13 | By Yuki Midorikawa | VIZ Media – For me the best part of this volume was seeing attention paid to ‘Those Two Guys’, i.e. Natsume’s school classmates who aren’t Tanuma and Taki. It’s rare you see such characters get development beyond being a line or two within the hero’s larger story, so giving Nishimura and Kitamoto backstories and reasons for enjoying Natsume’s company (without making them connected to the supernatural the way Tanuma and Taki are) is heartwarming to see. Once again, the emphasis is on expanding Natsume’s world. The earlier chapters, a more action-oriented story featuring Natsume infiltrating a meeting of exorcists, didn’t do as much for me, but then I’ve always enjoyed the smaller, quieter chapters of this series over the main plot-based ones. Still a must read. -Sean Gaffney

Pride, Vols. 3-4 | By Yukari Ichijo | JManga/SHUEISHA Inc. – I’d nearly forgotten just how much I loved this series until I delved back into it this week, and wow do I love this series. Tension ramps up dramatically in these two volumes, as Shio, Moe, and Ranmaru form an unexpected musical trio that ultimately lives or dies on each of their personal career choices—all the while Shio struggles to keep secret her business-only engagement to record executive Jinno (who becomes both more sympathetic and more suspect over the course of these volumes). As melodramatic as the story’s plotting may seem, it’s rooted in exactly enough emotional truth to satisfy a cranky old lady like me. It’s an exciting, exquisitely-crafted, gorgeously dramatic ride that has left me absolutely pining for more. Highly recommended.

Manga Bestsellers: 2012, Week Ending 23 December

December 24, 2012 by Matt Blind Leave a Comment

Comparative Rankings Based on Consolidated Online Sales

last week’s charts
about the charts

Manga Bestsellers

1. ↔0 (1) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [408.3] ::
2. ↑2 (4) : Maximum Ride 6 – Yen Press, Sep 2012 [390.8] ::
3. ↑3 (6) : Sailor Moon vols 1-6 box set – Kodansha Comics, Nov 2012 [388.5] ::
4. ↓-2 (2) : Death Note vols 1-13 box set – Viz Shonen Jump Advanced, Oct 2008 [375.3] ::
5. ↓-2 (3) : Naruto 59 – Viz Shonen Jump, Nov 2012 [368.8] ::
6. ↓-1 (5) : Vampire Knight 15 – Viz Shojo Beat, Nov 2012 [342.6] ::
7. ↔0 (7) : Sailor Moon 1 – Kodansha Comics, Sep 2011 [313.9] ::
8. ↑5 (13) : Maximum Ride 1 – Yen Press, Jan 2009 [301.2] ::
9. ↑3 (12) : Black Butler 1 – Yen Press, Jan 2010 [286.7] ::
10. ↔0 (10) : Sailor Moon 3 – Kodansha Comics, Jan 2012 [281.6] ::

[more]

Top Imprints
Number of volumes ranking in the Top 500:

Yen Press 99
Viz Shonen Jump 95
Kodansha Comics 52
Viz Shojo Beat 51
Viz Shonen Jump Advanced 35
Seven Seas 22
Dark Horse 21
Viz 20
Viz Signature 13
Del Rey 10

[more]

Series/Property

1. ↔0 (1) : Sailor Moon – Kodansha Comics [1,052.3] ::
2. ↔0 (2) : Naruto – Viz Shonen Jump [775.8] ::
3. ↔0 (3) : Maximum Ride – Yen Press [766.9] ::
4. ↔0 (4) : Black Butler – Yen Press [679.2] ::
5. ↔0 (5) : Vampire Knight – Viz Shojo Beat [571.8] ::
6. ↔0 (6) : Bleach – Viz Shonen Jump [533.0] ::
7. ↑1 (8) : Death Note – Viz Shonen Jump Advanced [512.4] ::
8. ↑1 (9) : Soul Eater – Yen Press [492.4] ::
9. ↑1 (10) : Alice in the Country of Clover – Seven Seas [394.0] ::
10. ↓-3 (7) : Fairy Tail – Del Rey/Kodansha Comics [393.2] ::

[more]

New Releases
(Titles releasing/released This Month & Last)

1. ↔0 (1) : Sailor Moon 8 – Kodansha Comics, Nov 2012 [408.3] ::
3. ↑3 (6) : Sailor Moon vols 1-6 box set – Kodansha Comics, Nov 2012 [388.5] ::
5. ↓-2 (3) : Naruto 59 – Viz Shonen Jump, Nov 2012 [368.8] ::
6. ↓-1 (5) : Vampire Knight 15 – Viz Shojo Beat, Nov 2012 [342.6] ::
12. ↓-4 (8) : Black Bird 15 – Viz Shojo Beat, Dec 2012 [263.8] ::
16. ↑19 (35) : Nausicaa of the Valley of the Wind 2 vol hardcover box set [complete] – Viz Ghibli Library, Nov 2012 [241.9] ::
17. ↓-1 (16) : Yu-Gi-Oh! Zexal 2 – Viz Shonen Jump, Dec 2012 [240.1] ::
23. ↑7 (30) : D. Gray-Man 23 – Viz Shonen Jump Advanced, Dec 2012 [227.5] ::
27. ↓-8 (19) : Bleach 52 – Viz Shonen Jump, Dec 2012 [213.1] ::
28. ↓-11 (17) : Alice in the Country of Clover Cheshire Cat Waltz 3 – Seven Seas, Nov 2012 [208.8] ::

[more]

Preorders

20. ↔0 (20) : Sailor Moon 9 – Kodansha Comics, Jan 2013 [230.8] ::
44. ↓-2 (42) : Sailor Moon 10 – Kodansha Comics, Mar 2013 [169.7] ::
92. ↓-2 (90) : Negima! 37 – Kodansha Comics, Jan 2013 [112.2] ::
98. ↔0 (98) : Alice in the Country of Joker Circus & Liar’s Game 1 – Seven Seas, Feb 2013 [102.7] ::
103. ↓-2 (101) : Battle Angel Alita Last Order 17 – Kodansha Comics, Feb 2013 [96.0] ::
104. ↑5 (109) : Alice in the Country of Joker Circus & Liar’s Game 2 – Seven Seas, May 2013 [96.0] ::
109. ↑4 (113) : Negima! 38 – Kodansha Comics, Apr 2013 [91.4] ::
111. ↑6 (117) : Wallflower 30 – Kodansha Comics, Feb 2013 [91.2] ::
113. ↓-37 (76) : Sailor Moon 11 – Kodansha Comics, May 2013 [90.6] ::
118. ↓-32 (86) : Sailor Moon 12 – Kodansha Comics, Jul 2013 [88.4] ::

[more]

Manhwa

341. ↑ (last ranked 11 Nov 12) : Legend 3 – Yen Press, Aug 2008 [30.8] ::
388. ↑ (last ranked 5 Feb 12) : Legend 6 – Yen Press, Oct 2009 [24.8] ::
458. ↓-67 (391) : March Story 4 – Viz Signature, Oct 2012 [19.9] ::
488. ↑ (last ranked 18 Nov 12) : Legend 1 – Yen Press, Nov 2006 [18.3] ::
501. ↑ (last ranked 2 Dec 12) : Legend 2 – Yen Press, May 2008 [17.4] ::
511. ↑239 (750) : Chocolat 8 – Yen Press, Dec 2012 [17.1] ::
526. ↓-115 (411) : Bride of the Water God 12 – Dark Horse, Nov 2012 [16.3] ::
583. ↑ (last ranked 9 Dec 12) : Legend 4 – Yen Press, Dec 2008 [13.7] ::
638. (new) : Raiders 9 – Yen Press, Dec 2012 [11.4] ::
687. ↑755 (1442) : Kill Me Kiss Me 3 – Tokyopop, Aug 2004 [10.1] ::

[more]

BL/Yaoi

125. ↑1 (126) : Alice the 101st 3 – DMP DokiDoki, Jan 2013 [85.1] ::
137. ↑2 (139) : A Century of Temptation – DMP Juné, Apr 2013 [79.1] ::
162. ↓-5 (157) : Ze 7 – 801 Media, Jan 2013 [68.7] ::
167. ↑112 (279) : Loveless 9 – Viz, Sep 2012 [64.8] ::
185. ↓-25 (160) : Finder Series 6 Passion within the View Finder – DMP Juné, Jul 2012 [60.3] ::
186. ↑5 (191) : Otodama: Voice from the Dead 2 – DMP DokiDoki, Oct 2013 [60.3] ::
231. ↑35 (266) : Honey*Smile – DMP Juné, Oct 2012 [49.0] ::
363. ↑108 (471) : Awkward Silence 1 – SuBLime, Jul 2012 [26.4] ::
379. ↓-80 (299) : Awkward Silence 2 – SuBLime, Oct 2012 [25.3] ::
460. ↑305 (765) : Mr. Tiger & Mr. Wolf 1 – DMP Juné, Sep 2011 [19.9] ::

[more]

Ebooks

8. ↑5 (13) : Maximum Ride 1 – Yen Press, Jan 2009 [301.2] ::
29. ↑3 (32) : Maximum Ride 5 – Yen Press, Dec 2011 [208.1] ::
30. ↑22 (52) : Maximum Ride 2 – Yen Press, Oct 2009 [202.6] ::
37. ↑11 (48) : Maximum Ride 3 – Yen Press, Aug 2010 [182.5] ::
53. ↓-2 (51) : Naruto 57 – Viz Shonen Jump, Jul 2012 [159.7] ::
58. ↑12 (70) : Maximum Ride 4 – Yen Press, Apr 2011 [156.7] ::
86. ↓-1 (85) : Naruto 56 – Viz Shonen Jump, May 2012 [117.9] ::
88. ↑11 (99) : Naruto 1 – Viz Shonen Jump, Jul 2003 [114.8] ::
106. ↓-3 (103) : Blue Exorcist 1 – Viz Shonen Jump Advanced, Apr 2011 [94.8] ::
133. ↑10 (143) : Blue Exorcist 2 – Viz Shonen Jump Advanced, Jun 2011 [81.3] ::

[more]

Off the Shelf: Shorts Weather

December 22, 2012 by MJ and Michelle Smith Leave a Comment

MICHELLE: So, I have these two boy kitties who have had a personality/territory conflict for going on two years now. And now, suddenly, they are sleeping peacefully next to each other on an ottoman. I can only conclude that this is a Christmas miracle.

MJ: Hallelujah!

MICHELLE: Maybe it’s a body-heat issue, but I would be so happy if they actually became friends.

Anyway, what better way to celebrate surviving the longest night of the year (not to mention the Mayan apocalypse) than devoting our final column of the year to two recently released short-story collections? I’m speaking of The Devil Is So Cute by Takako Shimura (JManga) and Kaoru Mori: Anything and Something (Yen Press). It just seemed natural to me to pair these together, since Shimura and Mori are women artists writing primarily for the seinen demographic.

MJ: What better way indeed? Now, I’ll admit that the collection of short manga tends to be one of my least favorite formats (it beats out 4-koma, but only by a hair), so I went into this with a sort of grudging sense of duty, but both collections offered up some interesting insight into their creators, so it was definitely worthwhile.

MICHELLE: Yeah, I don’t have a lot of enthusiasm for the medium itself, but it was at least neat to see how these different artists approached short stories. (With varying results, I suspect, due to the nature of the magazines in which the stories ran.)

Would you care to introduce one of the collections?

MJ: Sure! I’ll start with Shimura’s, which, of the two, is the most typical of the format. Pulling from one-shots originally published in magazines like Comic High! and Jump SQ between 2004 and 2009 (along with one extra chapter added specifically for the collection), The Devil Is So Cute covers a range of subjects from the existence of witches to childhood crushes, though when you get right down to it, they’re really all about relationships—particularly those between family members and close friends.

The book’s title story, for instance, about a young boy, Megumu, who meets a woman claiming to be a witch, is really telling the story of the boy’s strained relationship with his very strict father. The witch, Nozomi, who has the ability to be accepted as anyone she wants, in any role she wants—she appears as Megumu’s sister, teacher, pediatrician, you name it—is there to bring them closer together, but she could easily be read as a figment of Megumu’s imagination, as it’s Megumu and his father, ultimately who do all the work. It’s a whimsical story with a serious purpose, which makes it a pretty terrific read.

One theme that comes up more than once in the collection is that of first love—not the sweet, mushy, teen romance kind that tends to be the stuff of shoujo manga, but the unrequited childhood crushes that I think are pretty relatable for most of us—viewed both during and after the fact. “My Summer Vacation,” for instance, tells the story of a young girl whose crush on the man who works at her local public bath leads her to pretend she’s doing a research report on bathing so that she can justify talking to him, over and over. It’s a pretty adorable, light-hearted story, unlike the somewhat darker “Unworthy Son,” which chronicles one young man’s horror as his father remarries to a teacher whom he had crushed on so heavily as a student that she’d inspired him to draw a manga about her.

Some of the stories are more whimsical than others, and some are definitely stronger than others, but there’s a lot of range in this collection, which helps to keep it interesting.

MICHELLE: Y’know, it hadn’t actually occurred to me that Nozomi might be imaginary! That’s an interesting spin on things. But yes, I really appreciated that the story is actually about the father-son relationship—with their inability to communicate depicted with distressing accuracy—instead of witches and magic.

Another theme of the collection, sometimes operating hand-in-hand with “first love,” is that of the struggling manga artist so busy working as an assistant for others that he/she has no time to devote to their own work. But is that truly the case, or are they just using that as an excuse for not pursuing their own dreams? In “One Day,” a would-be mangaka runs into her former crush when she goes out drinking after meeting a deadline. In the past, she had declared her intentions to create manga on a whim, but has failed to find the dedication necessary to make that happen. Similarly on a whim, she confesses her feelings to him in the present and now suddenly wants to resume drawing. In “Unworthy Son,” the protagonist is in a similar situation, never having success with any of the portfolios he submits. He’s on the verge of calling it quits when he too is compelled to carry on by the weight of others’ expectations.

This ties in with yet another theme, which is jealousy of a friend’s talent. This idea is present in “Unworthy Son” but also in “Transformation,” in which a woman dreams that her successful novelist friend has died in an accident and comes out of the experience not exactly transformed, but at least a little more willing to be honest about her feelings, if not completely at peace with them.

MJ: Yes, I thought all the stories about mangaka—and particularly about mangaka who weren’t making a living drawing their own stories—were really interesting and insightful. And while I don’t want to presume that Shimura is writing from her own experience (certainly she is a successful mangaka), I think it would be fair to say that she’s writing something she knows, either from observing others, or from her own, hidden insecurities which of course we all have. In any case, it reads as thoughtful and authentic. It’s one of the strengths of the collection.

So, on to Kaoru Mori, then? Would you care to do the introductory honors?

MICHELLE: Sure!

So, as opposed to Shimura, who is writing about things she knows, Kaoru Mori seems to be writing about things she likes (or that her audience likes). And since she is known for liking maids a lot, it’s no surprise that there are a few of them here, though there are also some teens and some alluring older ladies as well.

So, you’ve got your kooky maids/servants—the staff in “Welcome to the Mansion, Master!” wants a new master so they can continue to enjoy the creature comforts of their swanky surroundings while the titular maid in “Miss Claire’s Ordinary Daily Life” is the only one to stand by her witless master, going so far as to beat up a robber whilst clad in her nightgown—as well as your fussily affectionate ones (“Maudlin Baker”). The alluring older ladies are found in a pair of stories—”The Swimsuit Bought Long Ago” and “Burrow Gentlemen’s Club”—that share the same storytelling trick, where the main character replies (in square boxes instead of dialogue bubbles) to a man speaking off-panel. I actually thought “Burrow” was the most intriguing story of the whole collection, but because it’s so short, it’s more of a tease than an actual mystery.

Speaking of teases and alluring ladies, it must be said that while there are maids, ladies in swimsuits, and ladies in Playboy-esque bunny attire in this volume, somehow it doesn’t feel super fanservicey to me. I think it’s because Mori keeps the proportions of these characters (even “Cover Story,” which is essentially the four-page sequence of a girl with a bedonkadonk straddling a tree branch to look at a bird) realistic, so it’s more like a celebration of their overall sexiness than an exaggeration of certain anatomical attributes.

MJ: I agree completely! Obviously many of these were drawn as alluring shorts and single-page illustrations for men to enjoy, but her style when she’s drawing women in bunny outfits or swimsuits reminds me of nothing more than old-fashioned bathing beauties from the first half of the 20th century, back when realistic bodies were still considered beautiful. While it’s possible I’d find them scandalous if I lived back in that time, as a woman in 2012, I actually just find it… refreshing.

Anything and Something strikes me as much less a standard collection of shorts than is The Devil Is So Cute, though this isn’t necessarily a good or bad thing. On one hand, it’s a much less polished collection. Not all of the shorts are completed stories—and even a few of those that are feel a little half-baked. “Sumire’s Flowers,” for instance (for which Mori only provided the illustrations), begins as an intriguing look at rival student artists, but then devolves into a weird morality tale about adultery. On the other hand, many of Mori’s little scraps of ideas are more inspired than entire volumes of some long-running manga. “Burrow Gentleman’s Club” is a great example of that. I’d love to read a more complete version of that story, but even the snippet we’re given here is well worth the page space! The book’s overall tone is casual enough to encompass a lot of tiny experiments and bursts of whimsy without the slightest strain, so these bits and pieces fit together nicely.

Is it wrong that my favorite bits in this book are Mori’s little autobiographical strips, afterwards, and thank-yous, tacked on between chapters? Honestly, I’d have picked up the book for those alone.

MICHELLE: Those are lots of fun, and the extensive illustration gallery (with notes) in the back is simply gorgeous. So yes, even if this is less polished (I was baffled by bits of “Sumire’s Flowers,” too) or complete (I want more “Burrow”!) than Shimura’s collection, it’s still definitely worth checking out!

License This! Kinou Nani Tabeta? by Yoshinaga Fumi

December 22, 2012 by Travis Anderson 16 Comments

Hello again and welcome to another installment of This Is Why I Can’t Be Trusted To Write a Weekly Column…I mean License This! Because, yeah, wow, a month passed! That snuck up on me quickly.

So although I really want to be writing about some older series (and will eventually, I promise!), this time I will once again go with something current that doesn’t require me to do a lot of rereading to remember why I liked it so much. ^_^;;

Kinou Nani Tabeta? (What Did You Eat Yesterday?) by Yoshinaga Fumi is the story of Kakei Shiro, a forty-something gay lawyer who loves to cook, especially for Kenji, his live-in boyfriend. It’s a slice-of-life manga, with about half of each chapter given to preparing and eating a meal. And as you might expect from a known foodie like Yoshinaga, the cooking segments are really detailed. I mean really, really detailed. She is essentially writing a recipe book here in manga form, as Kakei thinks about each step of the meal during preparation (and actual recipes are generally included at the end of each chapter as well). But it’s not just about cooking. The meals are always well-integrated into the story, and with each chapter we learn more about Shiro and Kenji, as well as their friends, relatives, neighbors, and co-workers.

This is one I’m actually surprised is not licensed yet. Not only is Yoshinaga very popular with English-speaking audiences, but even her random book about eating food in Tokyo was published in English, so publishers are clearly willing to publish anything she writes. And yet this series is already at seven volumes in Japan (at a rate of about one per year, like most seinen manga) and no one’s picked it up? That kind of makes it seem hopeless, and yet I do hope that eventually it will be picked up, because it’s awesome.

With such a long gap between volumes, I often forget just how much I like it, but then a new one comes out and I’m utterly charmed once again. Maybe it’s the lack of clear genres that is stopping this from getting published. It’s a foodie manga (complete with the above-mentioned lovingly-rendered step-by-step instructions for everything Shiro cooks), but the protagonist is a gay man living with his boyfriend. And it runs in a seinen magazine, so while the protagonist and many supporting characters are gay, it’s not a romance and doesn’t feature the sort of BL tropes that so many love.

That’s a feature for me, though, not a bug! When I was younger and desperate for any stories about queer people, I read a whole lot of BL. Much of it I even enjoyed, simply because there was nothing else out there. But those tropes do bother me, and I am always thrilled to find manga with queer characters that isn’t BL (or the rare BL story that isn’t quite so tropey). And omg this really delivers. I enjoyed Antique Bakery quite a lot for similar reasons, but this is far and away the better manga, IMO, at least in that regard.

One of my favorite plotlines so far, which I think is a good example of just how dedicated Yoshinaga is to giving us a realistic view of what it’s like to be gay in Japan, is when a gay couple who are friends with Shiro and Kenji come to Shiro for legal advice.

I’ve taken the liberty of translating the page where Tetsu brings up why they’ve come to dinner:

Not only do I love the way Yoshinaga tackles the topic (something I doubt would ever come up in a typical BL manga), but I love the expression on the guy’s face in the second-to-last panel. He doesn’t say why he wouldn’t want any money going to his parents, but he doesn’t have to. It’s clear to everyone present (as well as the readers) that they must have rejected him.

There’s just so much stuff like that. It’s not heavy-handed and it’s not like all the plots are About Being Gay. It’s just that these things are part of their lives and are incorporated as such. And I love it so much, but at the same time it makes me sad and angry that one reason I love it so much is because there is literally nothing else like it, and that sucks. I really hope that some publisher gives it a chance in English.

Adventures in the Key of Shoujo: A Kiss on Tearful Cheeks, Vol.1

December 22, 2012 by Phillip Anthony 3 Comments

A Kiss on Tearful Cheeks | By Tsumugi (Story), Yukie Sasaki (Art) | Published by JManga.com | Rated: Teen Plus

Don’t Let The Sun Catch You Crying might be the perfect anthem for the heroine of A Kiss on Tearful Cheeks, Iori Narazaki. She is constantly upset by the little things, not the big things. She’s never been in love because her feelings never lasted. Mam and Dad are abroad so big sister Shiori takes care of her. Shiori works in a publishing company and Iori, 17, goes to school. One day she is crying after being dropped off at school when a young man named Yusuke Izumi asks her if she’s alright. After revealing that he works in the same company as Shiori, and also knows her, Yusuke gives her his card and says if she’s ever crying again to call him. Iori toys with the idea of contacting him but doesn’t, and after being set up on a date by her best friend, Megu, seems to like the guy Megu set her up with. Unfortunately, the date turns out to be a lesser example of the male sex and when things look bad for Iori, Yusuke suddenly turns up and rescues her. So, Iori begins to think that this feeling she has when she thinks of Yusuke might not be so bad.

The best thing about this title for me upon starting it is that it is a million miles away from my usual fare for the column. It’s entirely contemporary and set in the here and now. Iori is a bit of a crybaby but she isn’t helpless. She has a bad case of poor self-esteem, that’s all. She really wishes that people wouldn’t have to worry about her. She always wonders why she isn’t like her sister, for example. But when Yusuke comes into her life, it really does transform things around her. He wants her only because of her not because he grew up with her, or is best friends with her or is related to her. And Yusuke, aside from one or two odd bits of behaviour, doesn’t want to pressure her into doing something she doesn’t want to. Simply put, he is enchanted with her and she’s smitten with him.

Now, as I said, there are one or two quirks of behaviour on Yusuke’s part that I don’t get as they seem slightly at odds with the rest of his makeup. One, he gets intensely jealous whenever other boys Iori knows pay attention to her. He’s only known the girl a wet week and already he’s jealous? Second, after he and Iori decide to get together, he keeps leaving love bites on her body. And refers to them as his mark. Hmm, I don’t understand that. Now, if he didn’t have positive attributes like not wanting to push her into having sex with him (every bloke worth his salt should come with this way of thinking as a standard part) or explaining himself when he does get jealous, this would be a different kind of story. One thing about the way Iori is written that doesn’t sit very well with me is she, twice in a row, gets into a situation where really creepy lads try to maul her (thats’s the best way I can put it) and twice Yusuke rescues her. Does she really need him to rescue her? So little of her psychological makeup is described in this first volume, I worry that it will become an “Oh, no! I’m being attacked! Save me, Yusuke!” trope of the story. The authors are not helping matters by using Iori in this way, because they have a person she barely knows attack her and then has a person she has known all her life attack her. What does that say about girls in Japan? No matter what they say, you can have your way with them? I really worry about that kind of message.

Maybe I’m projecting too many of my own insecurities about messages like that in this review. If I am, consciously or unconsciously, I apologise as the series has a lot of potential. The best bits in this are the moments when Iori and Yusuke are with each other and we hear Iori’s innermost thoughts. These are the thoughts of a person who doesn’t know where she and he are going but after living a life of uncast doubts, she wants this feeling she gets around Yusuke. Wants it more than anything. Come hell or high water. Come laughter, scares and yes, even the tears. I think some of us can relate to this feeling. Hell, I know I’ve been in throes of such a feeling and having and wanting no way out. It could all turn to cat poop in five minutes. Iori doesn’t seem to care. Much like the lyrics of the above mentioned song, Iori doesn’t mind crying now because now she’s not crying about nothing, she’s crying about a feeling she’s got and that’s not a bad thing.

Yukie Sasaki’s art is somewhat refined but the joy here is the long delicate features of her characters, their huge expressive eyes, and the unfinished look to things. It makes for a uneven mess, but it’s a lovely mess for my money. Tsumugi, the author, really needs to decide where her main characters mental tics should settle. Plus the mixed messages thing about Iori being a target for every guy that’s not Yusuke needs to end, full stop. Other than that, I’m happy to keep going.

This is my first review for Manga BookShelf using the JManga platform, though I would humbly ask that you check out the rest of the writers on Manga Bookshelf for a better view of the service as a whole. I like JManga, not enough to say it’s a perfect system because it’s not. There are parts of it I would change. They are starting to address the pricing problems of the original setup of the website. And yes, universal access to all titles, regardless of geography, is an absolute must. But for titles like A Kiss… there is simply no way it would ever be released by a print publisher. Sadly, the market just won’t support it. So, I am looking forward to buying more of A Kiss… but I would ask the people at JManga to bring over the rest of the series as there are only three volumes of nine available. Incomplete series make no money no matter how loyal their readers are.

Question time: Given how much fun I had with JManga, would you like me to take a break from Sailor Moon more often and do stuff like A Kiss…? I know that a few of you had said initially that doing Sailor Moon alone was not the end all and be all of shoujo and I do see that. Seeing as I can’t spend all that much on manga these days (Google: Irish economic problems. Not being sarcastic here.), what would you like more of? Stuff like A Kiss… and Skip Beat or more fantasy stuff like Sakura Hime or Sailor Moon? With it ending in 7 or so more volumes and I’m having so much fun on the column that I don’t want to dry up when I finish on SM. Comments and emails are welcome in this endeavour.

Pride Vol. 3 and 4

December 21, 2012 by Anna N

Pride Volume 3 by Yukari Ichijo
Available on Jmanga.com

Pride is rapidly becoming one of my favorite series on Jmanga. This story of two rival opera singers always manages to put an interesting twist on showbiz manga with some unexpected plot twists. The rivalry between classy yet suddenly broke Shio and crawling up from the gutter Moe was firmly established in the first two volumes, and they are thrown together when they both get work at the same nightclub. Something unexpected occurs when they sing together though, their different voices end up blending in a delightful way. Ran thinks that the two women combined are his perfect diva and he is inspired to write even more of his own music for them. They join together in an unlikely trio called SRM, with both singers challenging each other to grow while Ran feels free to explore his avant-garde impulses. After seeing the antagonistic relationship between Shio and Moe, it was interesting to see how their commitment to music made them want to work together.

One of the things that I enjoy about this series is the way that Shio and Moe are so forthright with each other about their mutual dislike. Moe basically states that she hates Shio, and Shio points out that Moe’s low character is also something that she despises. Moe announces that when they sing together she intends to use Shio as her foil to showcase her own voice, and Shio points out that if she intends to do that, Moe has to drastically elevate her technique. The fledgling trio actually starts to achieve a small amount of success when they get a chance to go on a variety show that has a singing and songwriting competition, but their chances of winning are derailed when a musical prodigy named Eiko also appears on the program as a surprise guest.

Pride Volume 4 by Yukari Ichijo
Available on Jmanga.com

It turns out the Eiko is the illegitimate half-sister of Shio’s wealthy fiance Mr. Jinno. Shio gets a glimpse of Jinno’s family life when she’s introduced to his parents, and she sees that Eiko has to sneak around in order to see her father. Jinno’s character begins to be revealed a bit more, and he is slightly more sympathetic, but still with the potential to do something scary if Shio crosses him. Just as Shio’s future life as a music company begins to take shape, Ran suddenly seems to be looking at her in a new way. Shio’s been able to take care of herself on her own for a bit, and the new levels of maturity and self-assurance begin to attract Ran. Shio keeps her engagement a secret because she doesn’t want to distract from SRM’s potential.

As a character, Shio is still interesting after 4 volumes, because she just seems to sail through some difficult situations due to her strong sense of self. This is contradicted by her cold decision to become engaged to Jinno, but she’s also very pragmatic. When Shio sees the truth about Moe’s mother, she handles the situation with aplomb, and doesn’t use it as an excuse to strike back at her rival. Moe begins to recognize that her singing has been improved by being exposed to Ran’s music and Shio’s technique, but she still goes through life with raw emotional reactions. The contrast between the personalities and life situations of two protagonists in Pride really drives the series forward in a compelling way. The fourth volume ends in a bit of a cliffhanger, and I can’t wait for volume five.

Electronic access provided by the publisher

JManga the Week of 12/27

December 21, 2012 by Sean Gaffney, MJ and Michelle Smith 1 Comment

SEAN: The final week of 2012 gives us some interesting stuff from JManga: 2 recurring volumes, and three new ones I know almost nothing about!

tactics Vol. 11 was postponed from a few weeks back, and is filled with supernatural shenanigans. Nice to see JManga rescue this from Tokyopop.

MJ: I’m definitely thinking about giving this series another chance. I read its early volumes so long ago, I can’t even remember what I didn’t like about them anymore. Time to check in on it again!

SEAN: Morita-san Wa Mukuchi is one of those underrated titles that I always forget to read but when I do, never fails to bring a smile to my face. Even if I’m the polar opposite of its quiet heroine.

Drops is the first new manga here, and appears to be done in one volume. It’s an Ohta Shuppan Manga Erotics F title, always a good sign. The author, Yuiji Aniya, seems to mostly be known for her BL – DMP licensed her Men of Tattoos manga, and Digital Manga Guild picked up Mister Convenience. I don’t think this is BL, but I have no other info.

MICHELLE: I really, really loved Men of Tattoos. In fact, I named it one of my favorite BL reads of 2012! The cover of Drops suggests something more comedic, but I’m still quite excited about it!

MJ: It’s definitely Michelle’s enthusiasm about Men of Tattoos that has me anticipating something good here. I look forward to finding out!

SEAN: Don’t Disturb Me and Him, Please will either be fantastic or horrible, and I’m not sure which. The artist is well known here, having done Blood+ (Dark Horse)and Le Portrait de Petit Cossette (Tokyopop), and this is also Manga Erotics F (and also complete in one volume). The premise, though, is described as being about a girl who is horribly attracted to horrible perverts, and ends up caring for a lolicon. It’s described as comedic. Well, I certainly *hope* so. I’m hoping it’s wildly over the top – the cover seems to indicate it will be.

MICHELLE: Hm. I’ll wait and see on this one.

MJ: Er. Um. Hm. I’m not a big fan of Blood+, but I guess we’ll see? It definitely sounds interesting…

SEAN: Lastly, Rensuke Oshikiri gives us Pico Pico Boy, which seems to be slice-of-life seinen. It’s also Ohta Shuppan, but ran in a couple of their far tinier magazines, so I have even less info! The artist specializes in horror, but this… isn’t that, as far as I can tell.

MICHELLE: Yeah, we haven’t much to go on with this one. But it’s definitely part of JManga’s charm that they bring out these unknown titles. I mean, at least some of them have to be hidden gems, right?!

MJ: Right!

SEAN: Indeed. Lots of surprises coming up next week.

My Week in Manga, Episode 3

December 21, 2012 by MJ 7 Comments

Welcome back to our new video feature, My Week in Manga! In this week’s episode, I talk about what I’ve read this week and what I’ll be reading before the week is out, including a short review of Ryo Hanada’s Good-Bye Geist, from GEN Manga.

Click here for information on the upcoming holiday book club!

Come join me!

Manga this week:
Kaoru Mori: Anything and Something (Yen Press)
Good-Bye Geist (GEN Manga)
Pride, Vols. 3-4 (JManga)
The Devil Is So Cute (JManga)
The Betrayal Knows My Name (Yen Press)

Edited by MJ
Music (“20/20,” “Stars Collide,” & “Swansong”) by Josh Woodward