Features & Reviews

Gangsta, Vol. 3

September 9, 2014 by Anna N

Gangsta Volume 3 by Kohske

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I continue to thoroughly enjoy this seinen title set in a world where two men with a brotherly bond make money doing odd jobs for the mafia, in a world where genetically enhanced humans are both fearsome soldiers and a disrespected underclass. I thought after reading volume 2 and getting a peak at the cover for this volume that the reader would be getting a bit more backstory on how Nic and Worick first met, and I wasn’t disappointed.

We get a glimpse of Worick’s life before he became a handyman at large and sometime gigolo. He was brought up by a wealthy family with an abusive father who never hesitated to remind him of his illegitimacy. He’s all alone until he gets assigned an unconventional bodyguard Nic, who is working through his own problems as a deaf Twilighter with few communication skills. The two young men gradually grow closer together, with Worick acting as a bit of a tutor. They pour over a sign language book together. This isn’t an idyll by any means, as Worick is beaten by his father, and Nic is abused by the mercenary troop that just wants to take advantage of his skills and dump him when he’s useless.

In the present day Alex finds herself more drawn in to the daily lives of the two handymen and their friends at the nearby medical clinic. There are some mafia conspiracies going on that I’m sure will be drawing in everybody into a violent confrontation. More Twilighters are popping up, and I think things are going to get even more bloody in the volumes ahead The violence in this manga contrasts with some of the slice of life pacing and the strong relationships that develop as the characters intersect. The art manages to be both stylish and dynamic, and the action scenes are effective in showing the enhances powers of the Twilights, and the aftereffects of their actions. Kohske is building an interesting world. If you enjoy seinen with an edge, you can’t go wrong with this manga.

One Piece, Vol. 72

September 9, 2014 by Sean Gaffney

By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

When I reviewed the last volume, I said that there was a bit too much going on for me to get a handle on all of it, and that goes double for this volume, which rarely stays on one character for longer than a few pages. As such, I think it’s time to bring out the bullet point review style, which I haven’t done in some time.

— So we get to see Sanji’s reputation as a loser who is easily manipulated by women, but this is undercut a great deal by having him actually be right about her needing help, of course. Sigh. One day I’d like to see a pretty girl who isn’t swayed by Sanji’s annoying chivalry. (Well, one can argue Nami and Robin perform this function…)
— I like the reveal that Donflamingo had the press send a retraction on this quitting the Warlords 12 hours later, right after all his enemies would have taken the bait. It’s quite clever. I also like that Law, given an easy chance, still respects Luffy enough to not take it, and proclaims that they are equal allies.
— Naturally, Usopp playing the hero is getting him into all sorts of trouble, as now he has to lead a Tontatta army to rescue their missing princess (who is apparently a horrible person, but is one of them, so must be rescued). Meanwhile, Robin is resting after using up her one big surprised face last volume, so she’s mostly stoic here.
— Nami, Chopper, and Brook get very little to do, but I have to admit that Oda still knows how to use fruit powers to his advantage. The Picasso fruit allows him to try styles for the characters that are both horrifying and hilarious.
— As I suspected last volume, the big reveal about the toys is that they were once people – and, tragically, they remember this, but the people who they were connected to (wives, children) do not. This is incredibly sad if you think about it, especially as it’s been going on for years. I wonder how this will fall out once the Straw Hat Pirates save the day?
— Much of Luffy’s fight in the ring is taken up by a bunch of seemingly awesome fighters who get taken out by a slew of other even more awesome fighters, as in most tournament arcs. I did like the Ideon ref. The one to note here is Chin Jao, who, as per One Piece tradition, has a backstory both extraordinarily sad and extraordinarily stupid at the same time. (Seriously, without his head being pointy, nothing can happen? He’s that much of a can opener?) That said, in the end it’s Luffy punching the grudge out of him.
–And then there’s Rebecca, who has an even more tragic backstory, which resembles Nami and Robin’s a bit too much for my liking. She’s going out their to kick ass, but I have a sinking feeling that she’s going to need saving. There was much discussion when she appeared that she might join the crew, but her tragic past flashback is only a few pages, so chances aren’t good. We shall see.

Oda is still doing what he does best, and tehre are some very clever twists in this volume. One Piece fans should be quite satisfied.

Bookshelf Briefs 9/8/14

September 8, 2014 by Sean Gaffney and Michelle Smith Leave a Comment

Sean and Michelle look at recent releases from Viz Media and Vertical, Inc.

Cage of Eden, Vol. 15 | By Yoshinobu Yamada | Kodansha Comics – Romance is not really one of the main reasons to read Cage of Eden, but it’s been clear from the beginning that Akira and Rion love each other, and the start of this volume reinforces that, with both admitting they’re being strong for the other (though not admitting that out loud, of course). Elsewhere, it’s becoming apparent that the cast have not ended up in the past, mostly due to finding modern machinery that suggests that everything on this island was created by man. Yes, it’s a vast international conspiracy. Not that this matters to Ohmori, who ends up being crucified and set on fire to serve as a cliffhanger. Cage of Eden is still fun, pulpy trash, and I still like it a lot. – Sean Gaffney

Chi’s Sweet Home, Vol. 11 | By Konami Kanata | Vertical, Inc. – One thing I generally do not expect to be whilst reading Chi’s Sweet Home is stressed. Chi’s adorable kitten antics typically have the opposite effect! In this volume, however, we see her future with the Yamada family genuinely in peril. Throughout the series, Chi has had flickers of memory of her mother and siblings, and in the last panel of this volume, she finally comes face to face with the former, who has never stopped looking for her. On top of this, there’s a “lost” poster bearing Chi’s face, and Mr. Yamada has a job prospect that would require the family to move to France. Will Chi be able to stay with Yohei, or will she return to her original home? I am more upset about this cliffhanger than I care to admit. – Michelle Smith

Library Wars: Love & War, Vol. 12 | By Hiro Arikawa and Kiiro Yumi | Viz Media – After last volume’s exhausting action-filled heroics, I was expecting a step back, and I’m mostly right, though there is some action here as they try to protect an author who may be kidnapped by the government to stop him writing. Instead, we get romantic progression, mildly on the Dojo and Iku front (they’re cute together, but forward motion is as slow as you’d expect), but quite a lot on the Tezuka and Shibasaki front, as she starts to take a more active role and tries to stop Tezuka’s brother from more emotional damage. And if stopping this involves kissing him, well, SO BE IT. This is still one of my favorite shoujo series from Viz, and has really come into its own. – Sean Gaffney

Phantom Thief Jeanne, Vol. 4 | By Arina Tanemura | Viz Media – After the big reveal at the end of volume three, which I shan’t spoil, volume four opens with a bit of backstory and explanation that nicely turns the whole magical girl concept of this series on its end. Happily, or perhaps not, Jeanne’s saintly status is restored when a thoroughly random trip back in time culminates with the original Jeanne d’Arc transferring her powers directly to Maron, who returns to the present reinvigorated. It’s really feeling like we’re heading into a final arc, even though there haven’t been many hints as to what shape that will take. But first, there are romantic confessions to agonize over and to gently reject, and then another big reveal at the end. Occasionally far too silly for me, Phantom Thief Jeanne is nonetheless a good read and probably the best Tanemua series in existance. – Michelle Smith

Skip Beat!, Vol. 33 | By Yoshiki Nakamura | Viz Media – I know some people are getting tired of seeing Cain and Setsuka, but those people are not me, particularly when it leads to scenes as sexy as the one we get at the start of this volume. Indeed, the tension between Rena and Kyoko, their burgeoning feelings for each other – which for Kyoko is an issue, since love for her is also a trigger for emotional trauma – and the desire to bury themselves in their roles to escape themselves are all present here. There’s also comedy, mostly in Kyoko’s OTT reactions in her head to what Setsuka is doing, but also having to deal with a Cain fangirl, and facing up to jealousy. The fact that Kyoko admitting she’s in love may be a tragic event is part of what makes Skip Beat! still so interesting. – Sean Gaffney

The Wallflower, Vol. 33 | By Tomoko Hayakawa | Kodansha Comics – You would think, given how often the series has dealt with them, that yet another chapter about Noi and Takenaga having a fight would just tread the same water as before. But this is more about how friends in a peer group interact with other friends, as the outgoing Noi finds more fun at the amusement park with Ranmaru and Kyohei, and Takenaga has to deal with jealousy as well as needing to ‘look cool’ despite his introverted qualities. The rest of the volume isn’t so hot, though I was amused at the chapter featuring a Tim Burton lookalike coming to Japan and trying to utilize Kyohei and Sunako in his new film (spoiler: it’s a disaster). This series desperately needs to end, but I still enjoy its zombie progression. – Sean Gaffney

My Week in Manga: September 1-September 7, 2014

September 8, 2014 by Ash Brown

My News and Reviews

There were three posts of note at Experiments in Manga last week in addition to the usual My Week in Manga feature. First of all, the winner of the Nana manga giveaway has been announced. The post also includes a short list of manga that people gave a second chance only to discover that they enjoyed them better than they did the first time they read them. I also posted August’s Bookshelf Overload, revealing how out of hand things can get when it comes to the number of manga I obtain over the course of a month. The first in-depth manga review of the month was also posted, the honor going to Hinoki Kino’s No. 6, Volume 8, the series penultimate volume. As a bonus, the first print run of the volume also includes sixteen color pages!

A few things of note from elsewhere online: The Beautiful World, which hosted the Kaori Yuki Manga Moveable Feast a while back, has issued a call for participation for a blog carnival to feature female goth mangaka in January. Sean has a nice roundup of some of the recent license announcements at A Case Suitable for Treatment. And Anna at Manga Report checks out Sparkler Monthly, which is currently running a membership drive for its second year. Please consider subscribing if you can; Sparkler Monthly has some great content and I hope for its continued success.

Quick Takes

Alive by Hajime Taguchi. Gen Manga publishes independent manga, mostly focusing on the seinen demographic. Often, Gen’s releases are the first time the creator’s doujinshi have received any sort of “official” publication. Alive is a collection of over a dozen short manga of varying lengths by Hajime Taguchi. There’s not really a central theme to the volume, and the stories aren’t related to each other, but they all tend to be fairly melancholy. A few of the tales have some fantastical or surreal elements to them–a pair of glasses that obscures everything the wearer dislikes, a bizarre frog-like creature that talks, and so on–but most of the manga in the collection tend to be realistic, slice-of-life stories. Alive primarily explores the emotional lives of the stories’ characters. Love, heartbreak, self-confidence, guilt, personal growth, and loss are all present within the manga. Generally Alive focuses on the darker aspects of the human psyche and experience, but there are glimpses happiness as well. As with any collection, some stories are stronger than others, but as a whole Alive is a satisfying and somewhat unusual read.

The Heroic Legend of Arslan, Volume 1 by Hiromu Arakawa. Based on a series of fantasy novels by Yoshiki Tanaka, Arakawa’s The Heroic Legend of Arslan is one of several adaptations that have been made. Although the animated film had previously been released in English, Arakawa’s manga was actually my introduction to The Heroic Legend of Arslan. The first volume feels a bit like a prologue, introducing the characters and setting the stage for the story which will be the series’ real focus. Arslan is the young prince of Pars, mostly ignored by his parents but hoping to be seen as worthy by them. His chance to prove himself comes when the kingdom of Lusitania invades Pars, bringing war and destruction with it. In the first volume alone there have already been several battles and betrayals. Blood and death will not be strangers to Arslan, though it seems he would much prefer to find peaceful solutions to the fighting. So far, I’m enjoying The Heroic Legend of Arslan. It’s shaping up to be a solid fantasy series and the setting, which is influenced by historical Persia, is particularly interesting. I certainly look forward to reading more of the series to see how it develops.

Kokoro Connect, Volume 1 written by Anda Sadanatsu, illustrated by CUTEG. I tend to enjoy series that involve body-swapping of some sort (it often provides clever opportunities for the exploration of personal identity), so I was curious about the Kokoro Connect manga, especially after hearing good things about the anime. In most of the body-swapping series that I’ve been exposed to generally only two people are involved, usually of the opposite gender. Kokoro Connect, however, involves five high school students–two boys and three girls–who one day begin to spontaneously switch places in all sorts of different combinations. This means that there are plenty of comedic possibilities for the series, but for the most part Kokoro Connect seems to be taking a more serious approach, addressing some of the more sobering implications of involuntarily swapping places with another person. The group does seem to be handling the whole situation remarkably well so far, though. There is a half-hearted attempt to begin to explain the whole swapping phenomenon, but it’s not especially compelling at this point.

Rabbit Man, Tiger Man, Volume 2 by Akira Honma. It might not be the most believable boys’ love series out there, but I was amused by and rather enjoyed the first volume of Rabbit Man, Tiger Man. While there is still plenty of humor in the second volume of the series, the manga has really started to take a turn for the serious. The yakuza plotline has become more prominent, introducing a significant amount of danger to the story. However, the delightful awkwardness between the series’ two leads still remains. Nonami and Uzuki are complete opposites in personality and demeanor. (They would be the titular tiger and rabbit.) It’s actually rather funny and sweet to see how hard the rough, tough yakuza boss has fallen for the meek, diminutive surgeon. I do think that I probably enjoyed the first volume of Rabbit Man, Tiger Man slightly more than the second, but I definitely want to read the third and final volume. Sadly, there’s no indication that it has or will be licensed. This is particularly frustrating since the second volume ends on one heck of a cliffhanger.

Otome Game Review: Love Letter from Thief X

September 7, 2014 by Anna N

Love Letter from Thief x is availabe on Android and iPhone.

I played a few Otome games a year ago, and I’m playing a couple again. Perhaps there is something about fall that makes me want to play Otome games. Before I move on to the games I am currently playing (spoiler alert! there might be sushi and ninjas involved), I thought I would go back and write about my favorite game to date, Love Letter from Thief X.

There’s something about the premise that really appeals to me, even more than games involving pirates and ninjas, as hard as it may seem. In this game, the heroine works in a museum and finds herself caught up in a ring of Robin Hood-like thieves. It is vaguely like that great Audrey Hepburn and Peter O’Toole move “How to Steal a Million”, except there’s no Givenchy costumes and instead of Peter O’Toole, you get six Japanese dudes.

The heroine of this game works in a museum. Her great-grandfather was the Japanese equivalent of Leonardo da Vinci. One day when she’s at work after hours, she runs into two thieves. She bumps into a display case as she chases after them, almost toppling a statute on top of her. One of the thieves saves her from being brained by the bronze. They notice that she’s wearing an heirloom ring from her great-grandfather, then quickly run away as the police approach. There are rumors floating around about a ring of thieves known as the Black Foxes, and the heroine wonders if the strange men she encountered are part of the group.

The next day the heroine finds herself meeting two other strange men who are also part of the secret band of thieves. She finds herself at a bar where they all hang out, told that she’s the key to unlocking the secret of her great-grandfather’s legacy, and has to pick a thief to accompany her at all times in her new role as a member of the Black Foxes.

There’s Riki, the arrogant leader:

Takuto, a socially inept computer genius.

Takuto and the heroine often get into fights over who ate the last serving of pork noodles.

Hiro, an androgynous art student and master of disguise:

and Kenshi, the boy next door:

You can also play storylines with Atsumu, the oddly superstitious older boss of the gang, and Tatsuro, an old childhood friend of the heroine’s who happens to be a police detective tracking down the Black Foxes.

Depending on the route you pick, you get a different scenario for the mystery the Black Foxes need the heroine to solve. Sometimes they are chasing paintings, an advanced scientific invention, an Indiana Jones style lost city, or a precious artifact. I played through all the routes on this game, although I haven’t invested the time and money to play the many sequels, epilogues, and special stories.

There are a lot of similarities in the personalities of the characters to Pirates in Love. In particular, Riki and Eduardo and Atsumu and Morgan were a bit similar. This was the first Otome game where I’ve been interested in playing every route, and it was interesting to see the variations on the story with each character. Riki’s story is good if you enjoy the whole clumsy maiden with a chaebol dynamic that pops up so often in k-dramas, and there’s even a bit of second lead syndrome as Riki and Takuto struggle a bit over the heroine’s affections. Takuto’s story was probably the most emotionally intense. Kenshi’s storyline was simple but sweet. Atsumu’s storyline delves into issues that unfold when you have a leading man who is superficial on the service because he’s dealing with a tragic past. I was happy to play through all the stories, but Hiro and Tatsuro were a bit less entertaining for me.

There’s plenty of humor throughout. I know that many otome game aficionados aren’t necessarily the biggest fans of Voltage Games, but if you aren’t able to play games in Japanese, at least the translation quality is good, you do get plenty of chapters for the $4.99 per game route you’re playing, and the storylines are generally entertaining. This has been my favorite otome game so far, and I would rank Pirates in Love second. I always meant for these reviews to turn into a regular feature! We’ll see what I can manage with the few games I just started playing recently. If you have suggestions for games for me to check out, please let me know. I know that Alice in the Country of Hearts was just released in English, but the translation quality seems so bad, I’m not sure if I can stomach paying for any chapters.

Noragami: Stray God, Vol. 1

September 7, 2014 by Sean Gaffney

By Adachitoka. Released in Japan by Kodansha, serialization ongoing in the magazine Monthly Shonen Magazine. Released in North America by Kodansha Comics.

It’s rare to see the word ‘Monthly’ next to Shonen Magazine in North American licenses. Between the licenses from the regular Weekly publication (Fairy Tail, UQ Holder, etc.) and the ‘cool’ alternative of Bessatsu (Attack on Titan, Sankarea, Flowers of Evil), Monthly doesn’t really get much of a look. It tends towards longer series, which may be a primary reason, and there’s also a lot of sports titles, including long-runner Dear Boys. Del Rey tried out Pumpkin Scissors, but it fell victim to The Great Del Rey Cull of 2010 (as seen in all good history books). But now we have Noragami: Stray God, a fantasy featuring a god who’s somewhat full of himself and a young girl who struggles to deal with her new-found brush with death.

As I read Noragami, I was struck by its similarity to another title I follow, Rin-Ne. Another spiritual odd jobs man who helps out people in need, even if they may turn out to not really deserve the help they get, and does so despite being on the edge of poverty. Takahashui’s series, though, has fairly mild characters in the lead roles. That’s not the cast with Noragami. I was struck after finishing the first chapter how hard it was to latch onto anything, which makes it a relief that it was a sort of prologue. A victim of class bullying, Mutsumi comes across as somewhat passive and shallow, and even though I am not fond of ‘it’s the victim’s fault for not standing up for herself’ plotlines, you can see Yato’s point.

As for Yato, he’s a very quirky sort of hero, coming across as a bit of a jerk, to the extent that his old Shinki, the only one in the first chapter who seemed like a decent person, abandons him. Of course, this is not the end. Yato is a decent person at heart, it’s just he keeps up a shell of over-the-top dramatics and uncaring dialogue. Things perk up when we meet Hiyori, who does end up taking the role of the audience identification character. She’s a little weird herself (her obsession with pro wrestling is her character introduction), but comes across as nice and sympathetic, and attempts to figure out what to do after an impulsive attempt to save Yato from a care crash leaves her in the realm between life and death (complete with tail for added service).

At the end of the series we meet Yato’s supposed new ShinkiYukine… who seems very ungrateful to be in this position, and whose discussion of Yato’s faults reminds me a lot of the original Shinki we met. Will he stick around long enough to see Volume 3? More to the point, will I? This is an intriguing new series, but it’s hard to really bond with anyone in it, and its plot is being done elsewhere as well. Those who enjoy fantasy comedies should like Noragami, but it can be as hard to take as its hero most of the time.

Checking out Sparkler Monthly

September 6, 2014 by Anna N

Sparkler Monthly has a membership drive currently happening, and I was given access as a reviewer to poke around and check out what this unique magazine has to offer. I browsed around the site a bit, and while I realize the flagship title is Jen Lee Quick’s Off*Beat, my attention was first captured by the currently running series Dire Hearts and the selection of short stories.

Dire Hearts

Dire Hearts is by Christy Lijewski, and currently has 2 chapters available. Rose attends a special school for Casters, girls with magical abilities who are paired up with Knights. Rose has a severe case of amnesia, a slightly obnoxious roommate, and angsty problems because Sir Shur has chosen her as his caster, even though her abilities aren’t up to speed. Rose is an entertaining, somewhat caustic heroine, who is struggling to regain her memories and not fitting in well to the overly mannered society at her school. Something about all the school uniforms and undercurrents of psychological trauma reminded me a tiny bit of Revolutionary Girl Utena. The standout aspect of this title is Lijewski’s art, which combines the pretty and the grotesque in stylized lines and good panel composition. This was my favorite of the titles that I sampled, but unfortunately this series is now on hiatus.

Windrose

Windrose is by Studio Konsen, it has a more conventional pretty shoujo art style, and I found myself intrigued by the first two chapters, which launch heroine Daniela into an adventure filled with pirates, as she searches for the truth about her father. She falls in with with brother and sister mercenaries Angeline and Leon. Angeline is predatory and sneaky and Leon seems to be silently sympathetic but without much personality yet, so it will be interesting to see if this somewhat random group is able to fulfill Daniela’s quest. I enjoyed the art and the story for this comic, but it is a bit tricky to judge a comic based on only two chapters.

Gatesmith

Gatesmith is by Jen Lee Quick, who is I suppose the flagship creator for Chromatic Press, since her title Off*Beat is available in all three volumes, including the first two previously published by Tokyopop, and the final third volume published by Chromatic Press. This series is a western with supernatural and horror elements. The first chapter shows a wagon journey gone awry, as the travelers are robbed and killed, and the only surviving robber ends up dying in the desert, only to have his corpse be reanimated by a skinwalker. The following chapter shows a mysterious stranger sharing a meal with some ranchers, only to head out alone to track down a supernatural manifestation. I think I’ll be able to get a better feel for the series after reading a couple more chapters, but so far this title does seem very intriguing. Quick’s art is expressive, clear, and easy to follow.

There are short stories available too. Of the three short story series available, Ring of Saturn was the standout for me. I enjoyed the story about a struggling pianist. The historical setting and aspects of the art reminded me a bit of the manga Emma. Before You Go was a meet cute story about two girls who strike up a relationship after sharing the same commute for several weeks.

Sparkler Monthly has put together an impressive amount of content for such a new venture. I was just checking out the comics and didn’t even start reading the prose or audio dramas. I wish that there had been a few more chapters available for the non-Off*Beat series, but I appreciate that it takes a lot of work to issue a chapter of a comic, and many of these comics have just been recently launched.

If you’re interested in Sparkler Monthly, you can download a Sampler Issue and contribute to their membership drive!

No. 6, Vol. 8

September 5, 2014 by Ash Brown

Creator: Hinoki Kino
Original story: Atsuko Asano
U.S. publisher: Kodansha
ISBN: 9781612625782
Released: August 2014
Original release: 2013

Hinoki Kino’s manga series No. 6 is an adaptation of Atsuko Asano’s No. 6 science fiction novels. I’ve wanted to read the original series ever since I watched the No. 6 anime adaptation, but I am quite aware of how unlikely it is that the novels will be licensed any time soon, if ever. Still, I was very pleased when Kodansha Comics announced that Kino’s manga adaptation would be officially translated into English. No. 6, Volume 8 was originally released in 2013 while Kodansha’s edition was published in 2014. The English-language edition is actually based on the Japanese special edition of the volume, which means that it contains a bonus story as well as some additional material. Of particular note is a sixteen-page color illustration gallery which will most likely be limited to the first printing of No. 6, Volume 8 (at least in color). This is the first time that color pages have been included in the English-language version of No. 6; it’s Kodansha’s way of thanking readers for the strong support that they have shown the series.

Rat and Shion have been able to successfully infiltrate No. 6’s Correctional Facility, but it hasn’t been easy. The two young men have faced off with the building’s security forces and survived, but not without injury and not without taking the lives of some of those who would do them harm. It’s been a traumatizing experience for both Shion and Rat, but they are determined to complete their mission at whatever cost. Shion’s goal is to rescue his close friend Safu, who has been arrested and is being held within the Correctional Facility; Rat aspires to completely destroy No. 6 and anything and anyone associated with it. Sadly, Shion’s reunion with Safu isn’t all that he hoped for and now that Rat and Shion have reached the most secure and heavily guarded areas of the Correctional Facility they must find a way to escape–something that will prove to be even more dangerous than their initial assault on the building. With time quickly running out, it will be all that they can do just to survive.

Even though I am already familiar with the story of No. 6 it is still astounding and incredibly heart-wrenching to see just how much Shion has changed over the course of the series. And it’s not change without cause. He has seen and been put through terrible, horrifying things. Some harsh truths and decisions have been forced upon him while other choices have been entirely his own, either consciously or subconsciously. Glimmers of who Shion once was can still be seen–even when in utter despair he can somehow find beauty in life and in other people–but it’s likely only a matter of time before reality completely breaks him. Over the last few volumes he has been slipping further and further away; by this point in the series Shion’s mental state is extremely precarious. He is desperately trying, and failing, to process and make sense of everything that has happened. Tragically, Shion is no longer even capable of saving himself. It’s only when Rat’s life is in mortal danger that Shion is temporarily torn away from his inner turmoil and crisis.

No. 6, Volume 8 focuses almost entirely on the escape from the Correctional Facility. Kino’s action sequences have improved immensely since the beginning of the series, which is especially important for a volume which relies so heavily on them. Kino has started using some very interesting and effective angles of perspective, which adds to the dynamic nature of Rat and Shion’s flight. While there isn’t much plot advancement in the eighth volume of No. 6, there are still some crucial and defining character moments for both Rat and Shion. The changes that Shion has been going through have had a tremendous impact on Rat and as a result he is struggling, too. Although there is excitement and drama to be found within the story itself, it’s ultimately the characters and their evolution as the series steadily progresses that make No. 6 so gripping. With only one more volume to go there is still plenty that could happen, but no matter which direction No. 6 takes Rat and Shion will never be the same.

Wandering Son, Vol. 7

September 5, 2014 by Sean Gaffney

By Shimura Takako. Released in Japan by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Fantagraphics.

Childhood and growing up is all about making big mistakes and then trying to deal with them, or make up for them, or (most often) realize that you can’t really make up for some things. This volume of Wandering Son definitely feels like that’s what’s happening with Takatsuki, who lets a secret blurt out in an impetuous moment and then has to deal with the fallout. Meanwhile, Nitori seems to have moved on from Takatsuki himself, as he’s started to date – and no big surprise who it is. This may be a heartwarming cutting edge coming of age manga, but if a girl says she hates a guy in Book 4, she’s going to be dating him in Book 7.

We’ve focused mainly on Nitori and his desires, but Takatsuki is the other half of this story, and her gender issues have not gone away. It’s harder for her to accomplish what she wants, though. There are little victories, such as leaving her ribbon off at school or binding her chest to hide her growing breasts. But there’s also Chiba, who proclaims her dislike of Takatsuki but can’t stop dealing with her. Takatsuki is not helping things either. Her revelation that Nitori is dating Anna is pure spite, and she knows how Chiba feels, so should not be surprised at the devastation that follows. It ends up forcing the two of them to deal with each other more directly, though. I wonder if Takatsuki will follow Chiba’s suggestion towards the end of the volume.

Meanwhile, as noted, Nitori and Anna have started going out. They’re very cute together, though Nitori’s gender issues have not yet really come between them, and it’s critical to note that he goes out with her and confesses to her as a male. He’s really come a long way, though, and I feel happy for him. All is not sunshine and rainbows, of course; puberty brings its own problems, in this case acne, and the fact that some cleansers simply work differently for different types of faces. And there’s Seya, forced together with Nitori on a skiing trip, who’s still having issues with how cute Nitori is and dealing with the reaction to that.

And I keep coming back to Chiba. She actually stays home for a considerable period after the Anna revelation, and is considering dropping out entirely. All of Nitori and Takatsuki’s friends seem to grate on her these days, and I am reminded what a difficult thing it is to get everyone in a young peer group to get along, or even communicate with each other properly. Things are looking up as she goes with the class on the ski trip, but even there she can’t really stop trying to influence people to change the way she wants them to change, something I think she has regretted before and will regret again. She’s a giant mess, and still my favorite character in the series.

Wandering Son is a nostalgic look back at what it was like to go through childhood, and if that sounds painful and discomfiting, it’s probably meant to be. But there’s a lot of warmth and affection here as well, and we long to see the cast struggle, make more mistakes, and continue to move forward. Highly recommended.

Manga the Week of 9/10

September 4, 2014 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ 3 Comments

SEAN: School is back in session, and we have some manga to help keep you occupied and away from your homework.

First off, apologies to Viz for leaving off one of their titles last week – Dawn of the Arcana 13, the final volume, should have been there. I know it’s quite popular with the MB writers, or at least is always on the ‘I should catch up with that’ list.

MICHELLE: Indeed, it is quite good!

ANNA: This is one series I read as it was coming out, and I enjoyed it a bunch.

SEAN: Dark Horse is putting out another CLAMP omnibus, this one containing Legal Drug, which deals with two young men at a drugstore who get involved in the supernatural. This should have all the initial manga – Dark Horse has also licensed the sequel, starting in 2015.

ASH: I think I still have my old Tokyopop volumes of Legal Drug kicking around somewhere, but I’m definitely interested in the sequel series.

MICHELLE: Me too, on both counts! The sequel, Drug & Drop, is also seinen, which is an intriguing demographic change.

ANNA: I’m really interested in the sequel series. Now if only X/1999 had an actual ending….

MJ: I am pretty excited about this. It’s got a new translation, so that’s something alluring for those of us who still have our old Tokyopop editions, but yeah… the real draw is the series’ continuation, which I’ve been longing to see for myself.

SEAN: DMP brings you Wolf Magic, which I don’t think has much to do with wolves, but…

ASH: …but there is a florist!

SEAN: Kodansha has the 19th volume of Battle Angel Alita. Has it escaped the tournament yet?

ASH: I’m really not sure that it has.

SEAN: There’s also the 4th Seven Deadly Sins manga, which is starting to really flesh out its cast of Sins, though I wish it would give Elizabeth a bit more to do.

The final Sherlock Bones manga is out, meaning there are no Holmes pastiches coming out in the manga world at all. This must be remedied soon.

ASH: Sherlock Bones was a surprisingly entertaining series.

SEAN: From SubLime comes another volume of His Favorite, which I still haven’t read but whose covers make it look like it’s a ton of fun. More BL comedy mangas are needed.

MJ: I kind of fell away from this series, but the covers do always make me want to jump back in!

SEAN: The penultimate volume of From the New World ships from Vertical. Surely it’s an old world by now. It’s been 6 volumes.

07-GHOST has a dozen volumes now, meaning my chances of catching up now are slimmer than ever. Anna has kept up though, right?

MICHELLE: I keep saying “one day,” but I really mean it.

ANNA: You know what? I just bought Volume 5, which was the one gap in my stack of 07-Ghost Volumes. I am saying it now, SEPTEMBER WILL BE THE MONTH I CATCH UP ON THIS SERIES!!!!!! Look for frequent and often 07-Ghost updates from me!!!!! 07-GHOST ALL THE TIME!

MICHELLE: READ ALL THE 07-GHOSTS!

SEAN: And Arata the Legend is up to Vol. 19! Sorry, Fushigi what?

MICHELLE: Arata is pretty fun, but won’t take the place of either Fushigi in my heart.

ANNA: I do love me some Fushigi.

SEAN: Lastly, I will have a LOT to say about it in my inevitable review, but suffice it to say if you get ANY two volumes of Hayate the Combat Butler, get Vol. 24, out next week, and the one before it. The series’ high point.

What manga are you tuning your hickory sticks to?

Getting Used To The Renting Manga Service Renta!

September 2, 2014 by Justin Stroman 8 Comments

Way back in February this year, I wrote about all the legal manga sites people don’t seem to either know or want to talk about, for a multitude of reasons. Renta! was one of them. The description I gave it then was not very kind of the service.

Then, in my rant about the state of manga some months ago, I did notice that Renta! had undergone a…change:

Old site.

New site!

And I admitted it looked way, way better and actually accessible than before.

Flash forward to now, and I ended up getting contacted about a potential follow up article to the service now that it’s been changed. Not surprisingly, I joined in! I ended up speaking to Jay Hoare, who is the English checker for Renta!, among other things he does for the site. He was hired in April along with another person on the English Renta! site, and they’ve been working with 6 other non-native speakers since. (Just for comparison, the JP Renta site has 50+ people working on it.) He shares a lot of what he knows at this time:

Justin: What would you say Renta! is all about?

Jay Hoare: In a nutshell, we’re a site where you can rent and read manga online. We offer a rental service so people can try out the manga, and give them the option to upgrade to “unlimited” if they want to keep reading it whenever they like. To make the reading experience as smooth as possible, we’ve put a lot of effort into our manga viewer, so people can read everything online without having to download anything. Also, in order to differentiate ourselves from other manga sites, we’re trying as much as possible to provide people with manga that can only be read on our site.

What has been the biggest challenge in marketing Renta!, including the notion that we rent manga instead of purchasing them?

Oh man, where to start!? I guess there’ve been three main challenges:

a) Increasing the awareness of manga.

It still amazes me that despite the abundance of great titles available, and the infiltration of Japanese culture in the West, a lot of people still don’t know what manga is. (When I told my parents that I’d found a job with a manga website, instead of getting the “Congratulations! You’re the best son in the entire world that’s ever existed ever ever” that I was expecting, they simply said, “What’s manga?”) There’s a small but loyal community who are really into manga, which is wonderful, but, in terms of marketing, it’s important to reach as many people as possible, which has been really difficult. We’ve had no choice but to charge forward as best we can in the quest to attract new manga lovers.

b) Getting users to pay for manga.

At present, pirate sites rule the manga seas: they have a lot of content available, including the bigger titles that have been made into anime. As such, a lot of manga readers head that way. To try and differentiate ourselves from those sites, first and foremost we’re trying to provide high-quality content. I’ve been working alongside another native-English speaker to proofread the manga we put on our site; recently, we employed a new team of frankly wonderful, dedicated and talented translators who I work close with. We also offer content that’s exclusive to our site, a cheap rental service, and a customer support service that can’t be found on pirate sites.

c) Getting people used to the idea of renting manga.

A lot of users are used to paying for and downloading content. When you say “ebooks”, people often think “Kindle”. As our site is a rental-based system, the content comes with a rental period (unless people choose to rent unlimited of course), which I think puts some people off. However, the benefit of renting on our site means that people can view their manga on any device, be it PC/laptop, tablet or smartphone, and it’s cheaper than buying manga. However, even though our user base continues to expand, convincing people that there are benefits to renting instead of purchasing continues to be tricky.

I noticed you guys brought over Sakigake Otokojuku, a Shueisha property (and an older title) to your service. Can you explain your relationship with manga publishers and how they are helping you with providing content?

We deal directly with the Japanese publishers. Basically, we tell them which manga we’d like to put on our site and they contact the author. Once we get the OK from them, we go from there.

Will Renta! serve as that service that provides older manga like Otokojuku or is this more exception than the norm?

One of the things we’re really trying to do is get as much content as we can that’s exclusive to Renta!. As well as old classics, we also try to get newer stuff, too. So, summarily speaking, if we think our users will like the content, it doesn’t matter when it’s published.

You were brought over to Renta! in order to smooth out the English, among other things. There has been a trend where JP companies start up a site but have poor English (Manga Anime Guardians as a recent example). Do you know why this seems to be the case, especially if they’re trying to appeal to the English market?

A lot of the more famous Japanese companies set up a company in the region they want to sell to; as such, they’re able to employ people directly from that region. Before internetland existed, it was a given that any company wanting to do business abroad would set up a branch over there. However, with the introduction of the internet, companies have been able to reach the rest of the world from the comfort of their own office space. This means that it’s overall a lot cheaper to conduct business, which is great news for Japan, as a lot of its companies don’t have a lot of spare cash. Unfortunately, this lack of cash means that they tend to use their Japanese staff to do a lot of their English translation to reduce costs. As a result, you get some really weird and difficult-to-understand sites. (As you know, Renta! has been guilty of the same thing in the past, but we’ve finally started to get on top of that now!)

I had included in my write up of Renta! a pic which showed the type of content Renta! seemed to be providing. It doesn’t look like that’s changed. Would you say the site caters more to those 18+ and over, or is this just a case where publishers allow you to publish this type of content?

If you look at our home page, we’re making an effort to include more manga besides just pure adult stuff. We’re adding more to our Romance, Seinen, Shounen and Shoujo manga sections every week. Because there was a lot of adult content on the site to begin with, it’s going to take a while to balance everything out, but we’ve gotten the ball rolling in a positive direction, so over the next few months you’ll start to see the change more.

Will Renta! be looking to publish Josei manga, or at least if it’s there, have the genre listed in the near future?

Genre-naming has proven to be a tricky thing. On the one hand you’ve got avid manga readers who understand what “shounen”, “shojo”, etc. mean; on the other hand, you’ve got people who think “Dragon Ball” is a medical condition and don’t know what manga is. As a result we’re still in the process of figuring out what to call certain genres.

Regarding Josei manga, we have romance, yaoi and love manga, so there’s a lot on the site for people wanting that sort of content. They’ve all proven popular, which is why we’ve expanded them into separate genres.

As a side note, we’re aware that to a Japanese person “comics for males” and “comics for females” is inherently implied by words like “shounen” (“boys”), “seinen” (“men”), “shoujo” (“girls”), etc.. However, we’re trying to avoid explicitly labelling content on our site as “for boys” or “for girls”. We did in the past, but dropped the idea, simply because we feel it unnecessarily limits the choice of our users.

Can you recommend some manga people should consider reading on Renta!’s service?

You ready? Deep breath! Eleven Soul has a lot of depth to it as well as skillfully-drawn action sequences. Jeanne D’Arc is a really well-told and beautifully illustrated manga. If you like gritty stories, Mad Bull is engrossing, and often surprisingly funny. Of course, if you want a laugh though, I have to recommend Sakigake Otokojuku. If you like motion comics, there’s Karasuma Kyoko no Jikenbo, which has been slicky presented. For romance fans, we have the crazily popular His Wedding Ring of Revenge, The Italian Prince’s Proposal and The Billionaire’s Bride of Convenience. For shojo-lovers, there’s the emotional A Second Love Is Full of Tears. If you’re a yaoi fan, I’d say give Peach-Colored Taxi — 801 Yen to Ride a read; it’s proving to be a hit with our users.

What shall we be expecting from Renta in the next few months or so?

More manga! Also, we’re working our asses off to try and make the site more user-friendly, as well as investing in making it display more quickly. On top of all that, we’re trying to improve our tablet and smartphone versions of the site too. We’re a small team, but we’re all putting a lot of effort in (and a lot of late nights!), so I personally am looking forward to seeing the fruits of our labor in the coming months. We’re by no means a perfect site, but we’re trying our best to improve, so, if anyone has any suggestions, we’d love to hear them! Yoroshiku!

Justin is the founder of Organization Anti-Social Geniuses. He’s desperately attempting to defeat his laziness every day. You can follow him on Twitter (@Kami_nomi)

Bookshelf Briefs 9/2/14

September 2, 2014 by Michelle Smith, MJ and Anna N Leave a Comment

This week, Michelle, MJ, & Anna look at recent releases from Viz Media & Yen Press.

Black Butler, Vol. 17 | By Yana Toboso | Yen Press – Ciel remains undercover at Weston, the Eton-inspired school where he has enrolled to look into student disappearances at the queen’s behest. In order to secure a meeting with the elusive headmaster, he must lead his house to victory on the ~~Quidditch~~ cricket pitch, which he does via ungentlemanly tactics. It’s a good thing I’m a sports manga fan, because otherwise this might’ve gone on too long, but I kind of liked the outrageousness of it. Unfortunately, it leads to a big reveal that made me feel absolutely nothing. And maybe that’s my main issue with Black Butler—it’s acceptably entertaining, but I just can’t really care. Was there someone, somewhere, who was thoroughly shocked by the final page? It’s hard to imagine that being the case. Anyway, I’ll probably keep reading out of idle curiosity. – Michelle Smith

Blood Lad, Vol. 5 | By Yuuki Kodama | Yen Press – Happy as I am to have this omnibus appear quicker than I thought it would, I am nonetheless kind of bummed that a promising new character doesn’t stick around for long. Instead, an old enemy becomes a super-powerful new enemy, and though it’s kind of cool to see the demon world united against a common foe, and to see our core group of protagonists looking for options to defeat him, it does still feel like we’ve been here before. Maybe I’m just grumpy ‘cos this volume wasn’t as funny as some others have been. Still, Blood Lad remains as compulsively readable as ever, even if I’m not entirely convinced that the overall trajectory of the series makes sense. As long as it remains enjoyable on an per-volume basis, I’ll keep reading. – Michelle Smith

The Infernal Devices, Vol. 3: Clockwork Princess | By Cassandra Clare & Hyekyung Baek | Yen Press – Adapting full-length prose into graphic novels is always a tricky business, and when dealing with multi-volume series, it is inevitably trickier with time. Condensing a single prose novel such that it may squeeze itself into the much sparser skin of a single graphic novel may read as “efficient” or “fast-paced,” but three volumes in, the cumulative effect of this process is much more likely to resemble “rushed” or even “nonsensical.” Sadly, both of these things may be said of The Infernal Devices. After holding up relatively well over the course of its first two volumes, the weight of the third is finally too much for this format to bear. Fans of the prose series are likely to be frustrated by what’s missing, while the rest of us are left simply confused, and Baek’s pretty pictures are not quite enough to compensate. Not recommended. – MJ

Loveless, Vol. 12 | By Yun Kouga | Viz Media – It’s been over a year since the last volume of Loveless came out. My strongest memory of it was the scene in which Soubi obeys Seimei’s command to become his fighter once more, leaving Ritsuka behind, and I wanted volume twelve to explore this. Perhaps some scenes from Soubi’s perspective, showing remorse? That would do nicely. But instead, we get some backstory on Seimei’s other fighter/obedient minion, Nisei. And just when that’s starting to become legitimately intriguing and I start to sympathize with a really quite unsympathetic character, Kouga suddenly tosses in a whimsical chapter about one of Ritsuka’s dreams. I don’t mean to complain, because there were still many good moments in this volume, but it was overall a bit disjointed and didn’t pack the emotional wallop I was hoping for. – Michelle Smith

Seraph of the End, Vol. 2 | by Takaya Kagami and Yamato Yamamoto | Viz Media – This shonen series continues to put together a team for brash hero Yuichiro. As he trains to become a member of the Japanese Imperial Demon Army, he finds yet another classmate to antagonize in Shiho Kimizuki, a tall, glasses-wearing boy who easily academically outshines Yuichiro. The new recruits are eager to get their demon weapons and the unconventional Lieutenant Colonel Ichinose decides to simply throw his most promising students into a pit of demons and see who survives. In the meantime, we get a bit of background into what has been happening to Yuichiro’s former best friend and adoptive brother Mikaela among the vampires. There are flashes of cynical humor in this shonen title that I quite enjoy, and so far I’m enjoying this series. With the youthful team powered up and ready to take on some vampires, I’m looking forward to more action in the next volume. – Anna N

Skip Beat!, Vol. 33 | By Yoshiki Nakamura | Viz Media – Hooray for new Skip Beat! Unfortunately, because of the time lag between releases, it feels like we have been on this “Ren and Kyoko impersonate the Heel siblings” arc for ages. What’s significant here, though, is that Kyoko finally admits to herself that she is reacting to steamy moments not purely in character, but as herself, and that she’s committed the gravely stupid move of unlocking her heart. What I love is that she is desperate for Ren not to find out, lest he be disappointed in her, and how the actions of a smitten costar serve to remind her of how completely she lost herself in devotion to Sho. It took 33 volumes for her to realize she loves him… how many more until he’s actually aware of it? I’d happily sign up for 33 more, but please… let’s move along from this arc soon, okay? – Michelle Smith

Sword Art Online, Vol. 2

September 2, 2014 by Sean Gaffney

By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

The author of this novel admits in his afterword that the first book was an excellent stand alone, but did not really make for much of an ongoing series. So, in order to fix that, he’s going back and adding a few elements that might a) expand the cast and draw in a few more fans of those ‘types’, b) expand the world of Aincrad a bit more before everyone is free of it, and c) give a bit more depth to Kirito’s mental and emotional issues while continuing to show off how amazing he is (really, if Kirito bothers you as a super awesome guy, you should probably find some other series to read. I’ve no real issues with it.)

This novel consists of four short stories, and while they all achieve something, I’d have to see it’s the last two that hold more emotional weight and are better written. In the first story we meet Silica, a young girl who has a rare beast and has let it go to her head, with potentially tragic circumstances. Kirito straight up admits (though later he reveals that part of this was a ploy) that he’s helping her as she reminds him of his younger sister. Having read Fairy Dance’s manga, I don’t really see it, but again, ploy. We see a bit of how criminal activity works in the world of SAO, and also how a young girl on her own would have to deal with creepers – Silica is well-known, popular, and underage, a dangerous combination even in a MMORPG.

Next we meet Lisbeth, a blacksmith who is friends with Asuna and indeed shares many of her qualities. Kirito comes to her looking for a second sword, and so they have to go on a quest for the mystery metal that can make it. I found this the weakest story in a few ways, but it does manage to highlight what it must be like for an outsider on coming across the relationship between Kirito and Asuna. The author may be adding more cute girls to fall for Kirito (we get three in this book alone), but never lets us forget that Kirito and Asuna are THE couple, and Lisbeth, much as it hurts, can’t bring herself to try to come between them. (She also gets first person narration, the first we’ve seen that isn’t Kirito’s.)

The third story was my favorite, and not coincidentally focused on Kirito and Asuna right after they get married, when they come across a young girl in the forest. The manga adapted this, but I hadn’t realized how much it was compressed – here we meet several more cast, and it’s revealed that most of the young kids in the game are not leveling up like Silica, but just wanting to survive. Sasha corralling them is a definite good thing. It’s also nice seeing a romantic couple that isn’t the main one – Yuriel attempts to frame Thinker as her commanding officer, but it becomes clear early on she’s deeply in love with him. Mostly, though, this is the heartbreaking story of an AI who overcomes mental blocks to help her parents, and a coulpe that experience the exquisite pain of losing their child.

The last short story is the shortest, and is the only story in first-person Kirito narration. It expands on the story he’d told us in the first book about the guild he joined that was wiped out – in particular Sachi, the young woman he reassures but can’t quite save. This is Kirito at his darkest and most driven, and it’s stated several times that he’s in a suicidal state. It’s stark and emotional, though the actual guild and their fate is more of a catalyst than anything else – this is not about them, it’s about how Kirito can get over his grief and start to recover.

As you’d expect, this was a lot more uneven than the first book, but I enjoy its leads, and I like the expanded worldbuilding. Now that we’ve done that, hopefully Book 3 will show us Kirito and Asuna happily reuniting in the real world. Well, unless something goes horribly wrong…

My Week in Manga: August 25-August 31, 2014

September 1, 2014 by Ash Brown

My News and Reviews

The most recent manga giveaway at Experiments in Manga is currently underway, and there is still time to enter for an opportunity to win Nana, Volume 1 by Ai Yazawa. All you have to do is tell me whether or not you’ve ever given a manga a second chance and what your experience was. I also posted two reviews last week. The first was for the third and final volume of Off*Beat by Jen Lee Quick, which I was very happy with. Nearly ten years after the series first began, fans finally have a chance to read its conclusion thanks to the efforts of Chromatic Press. The second review last week was for Keigo Higashino’s most recently translated mystery novel, Malice. I enjoy Higashino’s work tremendously and was not at all disappointed with Malice. The novel will be released in October and is recommended for readers who enjoy smart, clever mysteries. Although it was from a couple of weeks ago, my Spotlight on Masaichi Mukaide has been making the rounds and gaining some attention. I worked pretty hard on it, so I’m extremely pleased that people are finding the post interesting.

Elsewhere online, Organization of Anti-Social Geniuses has an interview with Vertical’s Ed Chavez, discussing the success of Knights of Sidonia. And speaking of Vertical, the Fall 2014’s reader survey and license request form has been launched. Comics Alliance has an interesting interview with Felipe Smith (whose series Peepo Choo was published by Vertical). Yen Press announced some new light novel and manga licenses. And for your enjoyment, one of Kate Beaton’s recent Hark! A Vagrant comics focuses on Natsume Sōseki’s classic novel Kokoro. (I actually really like Kokoro and reviewed it a few years ago.)

Quick Takes

Noragami: Stray God, Volume 1 by Adachitoka. Yato is a god of war that everyone has forgotten, or maybe never even knew about to being with. He has no temples or shrines, no followers or worshipers, but he’s determined to change all of that. Unfortunately, his personality leaves a bit to be desired and even his servants don’t like him; he’s had to resort to doing odd jobs and spreading his name (and number) by graffitiing the walls of bathroom stalls and alleyways. The beginning of Noragami: Stray God is somewhat uneven in tone, but by the end of the first volume it seems to have found a nice balance between the manga’s humor and the more serious aspects of the story. The introduction of the series’ other lead character–Hiyori, a human girl who has a little trouble with her spirit leaving her body after a near-death experience–helps to achieve this balance. She also happens to be a fan of professional wrestling, which actually comes into play in the story instead of just being a character quirk. I quite enjoyed the first volume of Noragami, finding it to be amusing and even a bit charming, and look forward to reading more of the series.

Shattered: The Asian American Comics Anthology edited by Jeff Yang, Parry Shen, Keith Chow, and Jerry Ma. The followup anthology to Secret Identities, Shattered collects forty-three short comics and pin-ups from seventy-five contributors. Whereas Secret Identities focused on superhero stories, Shattered also includes other genres of comics–fantasy, science fiction, martial arts, historical, contemporary fiction, and so on. The volume is intended to address and subvert five stereotypical representations of Asians and Asian-Americans in media: The Brute, The Temptress, The Brain, The Alien, and The Manipulator. Although there are some absolute gems in the collection–personal favorites include Tak Toyoshima’s “Occupy Ethnic Foods” and the precursor to Gene Luen Yang and Sonny Liew’s graphic novel The Shadow Hero–for me Shattered works better in concept than in execution. Many of the comics are either incomplete or feel as though they are pitches for a longer series instead of being finished works in their own right, making for a rather unsatisfying reading experience. However, I did appreciate the wide variety of comics and creators included in the volume.

Shinobu Kokoro: Hidden Heart by Temari Matsumoto. Way back when, Shinobu Kokoro: Hidden Heart was one of the first boys’ love manga that I ever read. Had it been my only exposure to the genre, I might have given up on boys’ love because I didn’t enjoy Shinobu Kokoro much at all. And honestly I still don’t, despite there being a few elements that I like. Actually, it might be some of those elements that hinder my enjoyment of the manga. Two of the three couples in Shinobu Kokoro are ninja. When handled well, I generally like ninja. Sadly, they’re not handled particularly well in Shinobu Kokoro, or at least not believably. Subaru is so incredibly naive, I’m not sure how he’s managed to survive. Also because of this, the unbalanced power dynamics in his relationship with the head ninja come across as disconcerting rather than romantic. And it’s surprising that the ninja clan has continued to exist at all since Hiiragi and Asagi find it appropriate to take time to have sex while in the middle of an escape from a difficult mission. The third set of stories is about snow spirits, but I’ve since read better snow spirit stories, too. There is some nice artwork here and there, but overall I wasn’t especially impressed by Shinobu Kokoro.

Malice

August 31, 2014 by Ash Brown

Author: Keigo Higashino
Translator: Alexander O. Smith and Elye Alexander
U.S. publisher: St. Martin’s Press
ISBN: 9781250035608
Released: October 2014
Original release: 1996

Ever since reading The Devotion of Suspect X I have steadily been devouring Keigo Higashino’s other novels available in English. I really enjoy his style of clever and unusual mysteries. I was thrilled to learn that Malice would be the next of his works to be translated. Technically, Malice is the fourth novel in Higashino’s series of books featuring Detective Kyoichiro Kaga. However, in English, it is the first volume of that particular series to be released. (Before Malice only select Detective Galileo novels and Himitsu, published in English as Naoko, had been translated.) But, as with many mystery series, it is not necessary to have read every volume in order to make sense of each installment; Malice holds up very well as its own work. Malice was originally published in Japan in 1996 while the English translation by Alexander O. Smith and Elye Alexander was released by the Minotaur Books imprint of St. Martin’s Press In 2014. When offered an early copy of the novel for review, I leapt at the chance to read it.

Kunihiko Hidaka is a best-selling, award-winning novelist who, soon before he moves from Japan to Canada, is murdered in his home. His body is found in his office behind a door locked from the inside. The house, too, is locked. Only three people are known to have seen Hidaka before his death: Rie Hidaka, his second wife; Osamu Nonoguchi, his friend and fellow author; and Miyako Fujio, the sister of a man who was vilified in one of Hidaka’s novels. All three have alibis and their motives, if they even exist, are unclear at best. Kyoichiro Kaga is one of the police detectives assigned to the investigation of Hidaka’s murder. It just so happens that he knows Nonoguchi. The two men used to be teachers at the same middle school before Kaga left to join the police force and Nonoguchi left to write full-time. Kaga’s intuition and his previous acquaintance with Nonoguchi correctly leads him to believe that something isn’t quite right with the other man’s story. Digging deeper he discovers that Nonoguchi and Hidaka’s relationship was much more complicated than it first appeared.

Higashino takes a different approach in each work, but much like the two Detective Galileo novels in English–The Devotion of Suspect X and Salvation of a Saint—who the murderer is in Malice becomes quite clear early on in the work. It doesn’t take very long at all for Nonoguchi to confess. The real mystery is the reason behind Hidaka’s murder and Nonoguchi’s motives. The confession is really all that the police department needs to close the case, but human curiosity demands to know the reasons why. To some extent, Nonoguchi is counting on this; he needs Kaga to investigate. Nonoguchi leads and misleads the detectives in order to create the narrative that he wants the world to believe about Hidaka and his murder. Malice is extraordinarily clever. Nonoguchi’s novelist mindset enables him to manipulate others in ways that are unexpected and yet completely reasonable. As an author he is quite skilled in creating fictions that people are willing to believe and knows how to play into their expectations.

As a whole, Malice is an extremely engaging mystery, but one of the most interesting and intriguing things about the novel is its structure. I’ve never come across something quite like it before. Some of the chapters are told by Nonoguchi, essentially forming a novel within a novel, while other chapters are devoted to Kaga’s notes on his investigation as well as the interviews he conducts as a part of it. Nonoguchi is an inherently unreliable narrator, freely mixing select facts into the fiction of his written account. Kaga’s task is to tease the truth out of Nonoguchi’s writing. Kaga is working with the same material that is presented to the readers of Malice; it is fascinating to see his thought processes and theories develop in response to the information that Nonoguchi is deliberately providing him. I’ve come to expect smart and clever writing from Higashino and I was not at all disappointed with Malice. I hope to see even more of his work translated, and perhaps even more stories featuring Kyoichiro Kaga, in the future.

Thank you to St. Martin’s Press for providing a copy of Malice for review.