Features & Reviews

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

This particular omnibus is very illustrative of the perils and pitfalls of being a Ranma fan, both in terms of its ongoing tendency towards “everyone is terrible, comedy trumps everything”, and in terms of the fact that it was written in 1980s Japan, and is, shall we say, a little less than progressive. We’ve already seen Ranma’s treatment of Shampoo fall into the typical Chinese stereotype, complete with broken English. Now in this volume we get two characters introduced as boys who may (or may not) turn out to identify as someone else. I’m not asking a 1980s ‘aquatranssexual’ comedy to be progressive on LGBT issues, but even for that time this is pretty bad. But let’s begin with brighter stuff, and the first of our two gender-confusing newbies.

Ukyou Kuonji is the last of the major Ranma cast members to join us, even if her role decreases as the series goes on. She’s also the last of the major antagonists in the battle to win Ranma’s heart, one that begins the moment that she realizes he never knew she was a girl, and he actively calls her the “cute fiancee” to Akane’s “uncute fiancee”. She’s a lot like Ranma, which makes them very believable as childhood friends, and clearly her chasing of him has less to do with her family honor and more due to the object of her “revenge fantasy” becoming a crush.

She also provided fandom with what seemed, at the time, to be a more “reasonable” choice than the hyperviolent Akane (note how violent Ukyou is in her introduction and the Tsubasa chapters), and thus became very very popular among fanfiction writers, who were frustrated by Akane and Ranma’s denial, and Akane’s tendency to hit Ranma, which was taken very seriously. Not that Ranma really returns any affection – even if he does enjoy teasing and mocking Akane, he does pick up when she’s seriously hurt and works to correct it. This doesn’t really happen with Ukyou, though he at least offers to let her get revenge for the idiocy his father perpetrated. (Also, asking a 6-year-old to choose between a friend they knew for maybe 3 weeks and food – wtf?)

(As for Ryouga and Ukyou, a very popular fan pairing, I will remain mostly silent, except to note that within minutes of meeting Ryouga, Ukyou is screaming at him in frustration.)

This volume also sees a very funny Kuno and Kodachi runaround, which balances Akane and Ranma’s love/hate relationship just right, as well as a beach episode featuring Happosai and Cologne (who ran into each other in their youth – big surprise), which does not get the balance right. Mousse returns, and has a Jusenkyo curse now to boot – one which he immediately tries to give to Ranma (or Akane – he claims he’s just bluffing about cursing her, but I doubt he’s care much if it happened). I’ve talked before about my dislike of Mousse, but I will note with amusement Shampoo’s rejections of him are immediate and incredibly blunt. Mousse is not a man that will take a vague answer. “Shampoo, do you hate me so much?” “Yep. Hate you.”

And then there’s the introduction of Tsubasa Kurenai. I believe we’ve seen the last of Tsubasa in the manga, though I think he becomes a recurring character in the anime like most of Takahashi’s one-shot antagonists. Tsubasa is from Ukyou’s old school, and is chasing after her out of love and to destroy Ranma, the one she is engaged to. Tsubasa’s gender reveal comes right at the end (which leads to some awkward translations – in Japanese, it’s much easier to hide gender pronouns) and for about a chapter and a half they think he’s a girl – and a lesbian. Then we also have the fact that Tsubasa makes a cuter girl than Ranma in her girl form – something that deeply stings his pride. (It’s also explicitly mentioned here, by the way, that the entire school bar Kuno knows Ranma can change.)

So Ranma decides to “date” Tsubasa. The line that is the worst in the volume comes after Akane tells (male) Ranma she assumed he was taking Tsubasa on a “girl-girl” date. He responds that he’s “trying to set her on the correct path”. There really isn’t much that I can add here except “ugh.” Takahashi frequently uses “uh oh, they may be a lesbian” for comedy, and yes, I realize Takahashi uses absolutely everything in the world for comedy, but this doesn’t mean she shouldn’t be called out on stuff like this, particularly when it makes the cast look homophobic. The whole thing isn’t helped by a wacky reveal ending where we see Tsubasa is just a guy who likes to cross dress, and Ukyou tells the others “I thought everyone knew that already”.

So, for me, this omnibus consisted of one excellent to good first half, and a mediocre to bad second half. The danger of omnibuses. Next time we’ll meet another incredibly annoying antagonist, but at least he’s more fun than Happosai. And surprise, he’s another abusive, horrible father! Find out why the Kunos are not just another insane brother and sister duo, but from a family of insanity!

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

The cover to this volume features Levi (surly), Hange (insane grin) and Erwin (pensive) at a bar, looking for all the world like they’re about to tear the reader of the book apart, and honestly it wouldn’t surprise me in the least at this point. In the last volume was all about realizing how corrupt the government is from top to bottom and that it was our heroes against the world, this volumes takes it further by showing that our heroes are also not without horribleness. The griminess that the last volume had only increases here, and I find myself missing Titans a bit.

I’ve been reading the new chapters as they’re released on Crunchyroll, and have been somewhat dreading this review, as this volume seems to feature all the things I like least about the series. I will start with the stuff that was very good. Isayama’s art is still questionable, but the battle sequence between Levi and… well, everyone else in the last two chapters is quite well done, and should be really fun to animate assuming a series ever gets that far. Erwin laying out his plan for a bloodless revolution, as well as his own tragic past, is well-handled, and explains a lot about the lengths he’s decided to go to. Kenny Ackerman is dangerously psychotic and over the top, and brings a fresh terror to the villains’ side. Jean, Connie and Sasha are fantastic for being the remaining moral core of the Survey Corps, even if I worry it’s because they’re meant to be “the softest”.

OK, let’s talk about the torture scenes. I hate them. I hate that our heroes are forced to resort to this, I have VERY MUCH that it actually WORKS. This is the wrong message to send to anyone, particularly young Japanese readers of a shonen magazine, and no, Hange kicking a table in anger at herself does not really help to gloss over the problem. I do not want to see “torture is bad, but it gets results” in any manga, ever. Particularly when it’s our heroes doing it. Case closed.

Secondly, there’s the scene with Levi emotionally and physically abusing Historia till she gives in to their demands, which I think I hate even more than the aforementioned torture. There’s a theme in this volume of “we have to get our hands dirty if we want to win and bring about peace”, and it’s not a message I want Attack on Titan to have. Historia, after the loss of Ymir and the revelation of her true identity, is clearly suffering from shellshock of a sort, and doing this is just mean. And, as others have mentioned, having someone say afterwards “I know he seems harsh, but he’s really sweet underneath” makes things worse, if that’s possible.

I have avoided mentioning the fact in these reviews, mostly as it wasn’t really relevant when it was just the Corps trying to figure out how to defeat 30-foot monsters and not get eaten, but now that we’re into political intrigue and justifying the means, it needs to be said: Isayama has been reported to be a war crimes apologist, and many in Korea have called for readers to boycott the series because of this. And now here we have Levi and Hange committing war crimes for “the greater good”. It makes me dislike them, which is a shame as I loved Hange a lot. It also makes me dislike this volume, and I’m wondering how much rope I’m going to give the series before it hangs itself. You’re on notice, Attack on Titan.

By Etorouji Shiono. Released in Japan in two separate volumes by Square Enix, serialization ongoing in the magazine Young Gangan. Released in North America by Yen Press.

After finishing this first omnibus, you can absolutely see why Übel Blatt was licensed, and why I think it will do very well over here. The plot is straightforward and is the sort of thing that lends itself to a long, drawn-out story. The hero is mostly likeable (more on that later) and you understand his burning need for revenge; the action, though incredibly bloody and violent, is well-drawn and not at all confusing. You find yourself drawn into the story and wanting to find out what happens next. It’s very well-written. It also has a rape so mind-bogglingly appalling in the first few pages that my jaw dropped, as well as two “semi-consensual” sex scenes that also push the limits. So there’s that.

Let’s back up a bit and talk about that plot. It may seem very familiar to fans of The Seven Deadly Sins, and that’s because it’s the exact same plot. Of course, Übel Blatt started in 2004, a good 8 years before Kodansha’s shonen series, so any inspiration most likely runs the other way. In any case, we have a typical manga fantasy world, where everyone is living in castles or huts but we also have flying zeppelins. The young man on the cover is Köinzell, who flashbacks show was once a cute young kid but now appears to be older, far more angry and bitter, and not quite human anymore. He’s on a mission to wipe out the legacy he and his companions left behind, one that has him and three other (seemingly dead) friends branded as traitors. Along the way, he meets a young girl trying to save her brother, an even younger girl just trying to get to the next country, and a seemingly endless number of evil monks.

This is a fun series. Köinzell is mostly serious, even in his lovemaking, but this isn’t really a manga that needs comedy relief. Even the token little girl who gets taken along for the ride doesn’t really get too many wacky antics here. The first half came out as a “Volume 0” in Japan, but unlike most other Volume 0s appears to have actually debuted at the same time as Vol. 1, so I will assume it’s not ‘go back and rewrite the backstory to make it fit what I have now’. There are some men and women in the background I’d like to see more of.

It’s just very hard to recommend a manga where you have to admit that it begins with one of the mook villains explicitly raping a woman, then when he tosses her aside to rant for a bit, his HORSE decides he’s going to get some as well. I understand the need to show that this is a desperate and horrible world which our heroes will need to save, but there are better ways to do it than this. What’s more, Köinzell (who is, to be fair, not the usual sexless hero, something that surprised me) is not much better, recognizing a young woman’s crush on him and having her stripped and his hand down her pants within ten seconds.

Thus my recommendation of this series is tempered by “if you can get past the rape, assault, and non-consensualness with many of the female characters”. I hate saying that. As with Japan, I suspect Übel Blatt’s main audience are young college-aged men who like fantasy series with a lot of sex and violence, and this is probably better than a few others coming along, though I’d try Berserk (which has similar issues all around) first.