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Manga the Week of 2/11

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SEAN: It’s Velentine’s Day week at Manga the Week of, and I wonder how romantic these titles are?

Ze from 801 Media has hit double digits, and is still the most popular manga among titles with two letters in them. (Sorry, ES).

MICHELLE: Tezuka’s MW: *kicks a rock*.

SEAN: I feel ashamed for forgetting about MW. All right, sorry, Ze. I have no jokes to make about you at all. Hang your head.

ASH: I was actually just thinking about Eternal Sabbath the other day…

SEAN: Dark Horse gives us more manly manga with a 4th Samurai Executioner omnibus.

A 6th volume of Say “I Love You” from Kodansha gives us more shoujo angst.

MICHELLE: Woot!

ANNA: Yay!

SEAN: And there’s a 3rd Tsubasa Reservoir Chronicle omnibus as well.

MJ: I think there’s a general feeling of “ho hum” regarding this omnibus release, but I’m really happy to see it. I read this series by way of library copies and volumes borrowed from friends, and I’ve been eyeing it as a way to finally collect it for myself. So, yay!

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SEAN: Alice in the Country of Joker: Circus & Liar’s Game has been my favorite Alice spinoff, and I am sad to see it come to an end with this 7th volume.

ASH: I recently finished reading Alice in the Country of Hearts and really enjoyed it; this might actually be the spinoff I tackle next.

ANNA: I liked the main series but have never been able to get more than a couple volumes into a spinoff.

MICHELLE: Same here.

SEAN: Dragonar Academy has a 5th volume.

And we get the final volume of I Am Alice: Bodyswap in Wonderland, making this a double-Alice week.

Vertical has the 3rd volume of Ajin, which has demi-humans (are there panhumans?).

ASH: Demi-humans, pan-humans, omni-humans, in-humans, etc., etc.

SEAN: And another gritty title from Vertical, the 2nd volume of Prophecy, which continues to not feature a giant mutated bear. I suppose that’s not technically a flaw.

ASH: No, no bears, but still one of the best manga series that I’ve read lately.

SEAN: Viz has a quartet of titles, beginning with the 7th volume of Deadman Wonderland.

I reviewed Hayate the Combat Butler 25 here. Can it follow up from its recent dramatic turn?

And Magi has Vol. 10 arrive, which I anticipate will be awesome. Just a guess.

MICHELLE: And woot again!

SEAN: Lastly, there’s a 6th volume of the Tiger & Bunny manga, which likely has far more BL fans than actual BL titles like Ze.

ASH: And you didn’t think you had any jokes about Ze to make!

MJ: Ha!

SEAN: That’s actually not that much romance. What looks good to you?

Assassination Classroom, Vol. 2

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By Yusei Matsui. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

In this second volume, there’s a bit less focus on the actual assassination attempts as Matsui starts to try to expand the cast and show us more of the horrible world they live in. We meet the principal of the school, who exudes pure cynicism and hatred from every pore, and it’s quite apparent that he will not allow Class 3-E to succeed. Scapegoats who learn to better themselves have no value to him, and so he changes the rules to ensure that they are hated and despised. What it’s doing to the kids themselves doesn’t seem to matter to him – I think if they all killed themselves the day after graduation he wouldn’t spare it a second thought – but in my mind, it’s the values he’s placing in the A-D classes that’s far more chilling.

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Of course, this is meant to contrast with Koro-sensei, who may be an alien out to kill us all but is also determined to give these kids self-confidence to be the best they can be, and takes it personally when all his hard work goes wasted during the midterms. This is nicely contrasted with all the moments where Koro-sensei is simply an eccentric idiot – the reasn that we don’t get to bored or irritated with him is that he has so many flaws and bad habits in among his invulnerability – flaws that are dutifully being written down by our narrative voice Nagisa (calling him the protagonist of this series seems oddly wrong), and flaws that are abused, seemingly, by the new teacher and assassin introduced here, Irina Jelavich.

A brief aside. For those who hoped that with the forced addition of ‘Koro-sensei’ we’d see honorifics in this series, sorry, Jump editorial practice will only allow it if it leads to an untranslatable pun. Thus ‘Bitch-neesan’ becoming ‘Bitch-sensei’ is not going to happen, and instead we see ‘Ms. Bitch’ becoming ‘Ms. Vitch’, which also neatly allows Viz to soften things up a bit. Bitch or Vitch, though, Irina certainly makes a horrible first impression, on both the cast and the readers. She’s an omniglot and talented assassin, but it’s clear that she only knows how to assassinate through seduction, and when it comes to actually keeping her cover as a teacher she’s useless. That said, she does seem to be easing up a bit, particularly when she sees how Class 3-E are treated by the rest of the school. I could have done without the tentacle rape joke, though given what Koro-sensei looks like I suppose it was inevitable.

We see the students here as well, but so far they seem to be more of a cast herd rather than having deeply drawn personalities. Nagisa is the strongest, being the keen observer (though he’s weak for busty women, like most teens – and indeed like Koro-sensei). Kaede hasn’t really said much at all (though I did love the ‘my brain is up here’ sign she held up, a wonderful translation choice, as I think the original just had her complaining about Irina’s large breasts). And Karma may be the smartest in the class, but he made far less of an impression here. The end of the volume promises that may change soon, though, and I’m hoping that this is the sort f series where everyone gets some attention paid to them. Though ‘a lot of them are only bit players so I try not to make them too unique’ doesn’t bode well.

Overall, this is still an addictive series, even if I feel it has some issues with character. Irina is an amusing addition to the cast, and I hope we will eventually get jokes about her that don’t involve her being a femme fatale who’s really just a ditz. More to the point, the stakes are raised with the introduction of the principal, as now we really see what Koro-sensei and the class are up against. Go get this.

JoJo’s Bizarre Adventure: Part 1 Phantom Blood Vol 1

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JoJo’s Bizarre Adventure: Part 1 Phantom Blood, Volume 1 by Hirohiko Araki

I read this volume without much background in this series other than knowing that it was a huge and long-running series in Japan, has a bit of a cult following in Japan, and the books that Viz had been releasing under the shonen jump line started midway through the series. This volume goes back to the earliest story arc in the series, kicking things off with the English nobility, bloodthirsty Aztec masks, and people beating the crap out of each other.

The story kicks off in old school shonen fashion, where a scantily clad woman is sacrificed to the wearer of a mysterious stone mask who proclaims that his accessory drinks the blood of the living. Bones from the mask pierce his skull, but he’s still alive and taking on even more blood sacrifices, not worried about staining his stylish leopard skin pelt cape because he has found the secret to eternal life!

The story then skips over to England, where an evil red-haired young man offers his dying father some medicine. Dio’s father tells him a story about how he accidentally saved the life of a nobleman named Joestar when he came across the wreckage of carriage he was intending to scavenge. Brando tells Dio to go to the Joestars when he becomes orphaned, and Dio does, thus starting the torture of poor young Jonathan Joestar. Dio is immediately adopted as a second son by the Joestar family, but since he is basically the spawn of Satan and Jonathan Joestar is like a friendly naive puppy, things do not go well with the new brothers.

Dio is basically a human form of a cancer, undermining the heir to the Joestar family whenever he gets a chance. It has been a long time since I’ve read a shonen manga this manly! There are speed lines and yelling on almost every page. Jonathan and Dio engage in fistfights and boxing matches, where one blow will end up knocking a half dozen teeth into the air. Towards the end of the book the legacy of the blood drinking Aztec mask is further explored, and Jonathan finally begins to get proof of Dio’s nefarious deeds. The art is really dynamic although the proportions are often a bit off. Often one of the muscular bodies of the main characters will look like it is supporting a shrunken head. If Rob Liebefeld and Tetsuo Hara of Fist of the North Star mashed up their styles you might end up with something like JoJo’s Bizarre Adventure, except Araki can actually draw feet. I’m sure the art gets much better in subsequent volumes, and even though it wasn’t always to my taste I couldn’t deny the effectiveness of the energy of the many battle scenes in the manga.

As a main character, Jonathan Joestar lets himself be taken advantage of for far too long, but he does manage to battle back as shonen heroes always do. The hardcover edition is really nicely designed, with color pages shifting to further tonal pages where the black and white art is enlivened by shades of orange. This volume ends on a cliffhanger, and I do want to know what happens next, as I assume it will involve more stone mask blood drinking and face punching. I can certainly see why this is such a long-running and popular series in Japan. Recommended for those who want a major dose of testosterone in their manly manga.

Umineko: When They Cry, Vol. 9

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Story by Ryukishi07; Art by Soichiro. Released in Japan in two separate volumes as “Umineko no Naku Koro ni: Alliance of the Golden Witch” by Square Enix, serialized in the magazine Gangan Online. Released in North America by Yen Press.

With this volume we are halfway through Umineko proper, at least in terms of arcs. Most of the major issues involved have become fairly clear to the reader. Battler’s incompetence as a detective is not because he’s stupid per se, but because he can’t see past the who and how to figure out the why. I think he finally manages to grasp this by the end of the book, but by then it’s a bit too late for Beatrice, who is a character whose ‘who’ and ‘why’ define her, to the extent that her dying wish to Battler is to uncover who she is. As for Ange, she figures out what’s going on, and learns how magic works, but her lack of empathy for Beatrice means that she fails here as well, and gets a highly grotesque death. The only real winners in this arc are Bern and Lambda.

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There’s also the small matter of what’s happening on the “game board”, of course, in which the rest of the cast bar Battler are quickly polished off in an almost perfunctory way. You know things are ridiculous where Krauss fights a goat butler and wins. Actually, I’d argue that the manga didn’t go far enough here – the VN framed this as a long scene, showing off the goat butler’s ‘motivation’ and framing it as a video game with cliches piling up one on top of another. It was highly amusing, yes, but more to the point it shows off how overegged this pudding is. When first Jessica and then Kyrie take pains to tell Battler “you must believe in the witch god we were so wrong being all logical and stuff”, you’re meant to raise an eyebrow. Of course, with all the special effects death, magic is hard to deny. Assuming you can trust what you see.

The most important scene in the volume, which I also think the manga gives some short shrift to, is game-Beatrice asking game-Battler to remember his sin, and her complete devastation when he doesn’t. For Battler, 6 years ago is when he walked out on Rudolf, and all his theorizing about why that was wrong has to do with his place in the Ushiromiya family. Beatrice is clearly looking for something very different and more personal, and the fact that it meant so little to Battler that he’s forgotten it is what breaks Beatrice, both in the game and in meta. It’s telling that, since the whole Ushiromiya family thing is what he remembered, she takes that away from him by removing that identity. (This is where Battler truly is stupid – he knows his dad is a philandering ass, he should never have been taken in by her word games.)

So where are we now, with half the series gone? Beatrice is seemingly killed off. Battler can’t really escape the game. Everyone on the island is still dead. And even Ange is stated to have “died in 1998”, which is quite interesting given that the last we saw of her she was having the Seven Stakes of Purgatory brutally slaughter Kasumi and her yakuza goons. (Speaking of Ange, she starts to understand Eva a little better, though I worry she goes a bit too far. It’s a very hard line to walk between explaining and excusing child abuse, and I think Umineko sometimes walks across that line a bit too much.) And to no one’s surprise, Lambda and Bern turn out to be working together, or at least having mutually useful goals.

So Battler is an awful detective. Ange tried her best, but was too caught up in revenge and suicidal tendencies. Is there not a Great Detective who could possibly tell us what happened in Rokkenjima? Is there someone for whom this level of reasoning is possible? And can they actually be unbiased? Well, now I may be asking too much. In any case, May will bring us ‘End of the Golden Witch’, in which Beatrice’s tragedy reaches its inevitable conclusion. (No, it’s not the last arc.)

Black Rose Alice Vol 3

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Black Rose Alice Volume 3 by Setona Mizushiro

I’m glad that Viz is bringing out this series now, because I never collected beyond the first couple volumes of After School Nightmare, which I really regret now. So I’m happy to be able to read another Setona Mizushiro series, and so far my expectations for a manga that is both captivating and weird have easily been met.

In the third volume of the series Alice and her vampire suitors have established a daily life revolving around tasty desserts, with occasional vampire feedings and some light jealous bickering here and there. The stakes for who will procreate with Alice are much higher though, as Leo’s afterlife is about to run out. Leo and Alice always have had a bit more of a natural friendship compared to the other vampires in the house, and now Leo’s courtship of Alice is kicked into high gear by the knowledge of his impending death. Alice likes Leo very much, but she isn’t sure if he’s the one vampire she wants to choose.

In the meantime, Leo strikes up an acquaintance with a novelist who has a terminal disease, and offers her some vampire aid in order to help her finish her last novel. There are obvious parallels between their situations, as the novelist wants to finish one last work, and Leo has to procreate with Alice or he’ll disappear forever. Maximilian and the twins are concerned about Leo, but he forbids them to tell Alice of his impending death, because he doesn’t want to influence her decision.

Maximilian is devastated when Leo calmly faces his own death, but Leo says that he wouldn’t do anything differently and forbids Maximilian from telling Alice the truth. The tonal shifts of this series are really interesting. Each volume seems to be expressing a different main emotion, and the third is a shift away from the kooky slice of life vampire reverse harem scenario that was unfolding in the second volume. There’s sadness and regret in this volume, along with an increasing urgency on the part of the vampires to proceed with their campaign to get Alice to choose them. All along, Mizushiro’s clear and delicate artwork mixes with the elements of body horror that unfold in the manga to create a general feeling of unease and surreality as the story continues. This has got to be one of the oddest shoujo series currently coming out, and it is rapidly becoming my favorite!

Bookshelf Briefs 2/2/15

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This week, Sean, MJ, & Anna look at recent releases from Viz Media, Digital Manga Publishing, and Yen Press.

happymarriage10Happy Marriage?! Vol. 10 | By Maki Enjoji | Viz Media – My favorite moments in this series always occurred when mismatched couple Hokuto and Chiwa had an “us against the world” attitude towards their various trials and tribulations, so I was happy to see that there were some great moments where they supported each other in the final volume of this series. Hokuto deals with the inexplicable violent attacks and family plots by temporarily divorcing Chiwa, saying that he wants to start over with a new marriage once his family situation gets sorted out. Chiwa marches in to confront the Mamiya clan, and Hokuto makes his family confront some unpleasant truths. The volume ends as happily as one would expect from a couple who makes a habit of fighting and making up all the time. I thought some of the later volumes in this series were a bit thin, but everything is now nicely wrapped up. Overall, I enjoyed this series and would be interested in checking out some of Enjoji’s other works. – Anna N.

hentaiprinceThe Hentai Prince and the Stony Cat, Vol. 3 | By Okomeken, Sou Sagara and Kantoku | Digital Manga Publishing – The resolution of the Tsukushi plotline is the weakest part of this volume – the buildup was great, showing Tsukushi trying to push her sister away despite her clearly loving her. We even get the classic ‘hero gets so angry at character he punched them’, only what with Yoto being who he is, that goes very badly indeed. It’s just the denouement that’s the problem, where Tsukushi reveals she wants to go to America so that she can legally marry her sister – seemingly unaware that lesbian incest would still be illegal. It’s played entirely for laughs, and didn’t work for me at all. Oh well, at least the relationship between Yoto and Tsukiko is cute and heartwarming. – Sean Gaffney

inuxboku6Inu x Boku SS, Vol. 6 | By Cocoa Fujiwara | Yen Press – Reincarnation can be a pain in the ass to deal with, whether you remember your past life or not. Watanuki already had issues with being weak and not wanting to be protected before, but now that Carta, his crush, is 5 years older than him, as well as much taller and more mature, he simply can’t deal with it. Meanwhile, Carta thinks that he’s pushing her away as he hates her. Then there’s Ririchiyo, who DOESN’T remember her past yet, and everyone comments on how much pain this is causing Soushi. Honestly, Soushi is so good at hiding who he really is that this is debatable, but that’s partly the point. Ririchiyo can’t figure him out and neither can we. She does get her memory back, so we’ll see how things go next time. – Sean Gaffney

haruhi-chan9The Melancholy of Suzumiya Haruhi-chan, Vol. 9 | By Puyo, Nagaru Tanigawa and Noizi Ito | Yen Press – This being a gag manga, it’s difficult to move the story along as such, because there really isn’t one. But the plot does advance along with the original Haruhi LNs, and so Yasumi is now in the SOS Brigade, even if no attempt is made to show off the real aspect of her identity. It allows for another character to bounce off of, and Yasumi is fun. The more interesting development, though, may be Kyon finally seeing chibi-Asakura, and the two of them being strangely accepting of each other – indeed, only Kyon seems to understand her desire to be a shopkeeper. As that last sentence might suggests, Haruhi-chan’s strength remains its gags. Get it for those. – Sean Gaffney

pandorahearts22Pandora Hearts, Vol. 22 | By Jun Mochizuki | Yen Press – In a series as tense and tumultuous as Pandora Hearts, it can probably be assumed that the series’ penultimate volume would be particularly so. And, in fact, this is the case. Still, I’m not sure I was fully prepared for just how anxiety-inducing this volume would actually be for me, and those who know me well can probably guess that the source of this angst can be boiled down to two simple words: Xerxes Break. The volume opens with the most gloriously Break-y chapter a fan could wish for, and continues largely in this vein to the end (though there’s plenty of Ada, Vincent, and Echo awesomeness to be enjoyed as well). It’s an extra-long volume, which I dearly hope will be the case for the series’ finale, which has not yet been completed. Oh, Pandora Hearts, sweet Pandora Hearts, your promises are many. I desperately hope you’ll keep them. Eagerly awaiting this story’s conclusion. – MJ

spellofdesire3Spell of Desire, Vol. 3 | By Tomu Ohmi | Viz Media – It’s surprising, perhaps, that I’m still following Spell of Desire, after openly admitting how weary I’ve become of its timeworn premise and tropes. And this volume stays true to form. There’s some plot here, regarding heroine Kauruko’s official entry into the coven of black witches and the consequences of such for both her and her standard supernatural love interest, Kaname. But the truth is, this volume is mostly sex. Caught up in a desperate ritual, Kauruko loses her virginity to Kaname early in the volume, followed by much more of the same, accompanied by the familiar pattern of repeated declarations of devotion/ownership alternating with worry/guilt. It’s all in the spirit of trashy josei fun, of course, but there’s not quite enough plot in this volume to be engaging beyond basic smut value. Maybe next time? – MJ

voiceover9Voice Over! Seiyu Academy, Vol. 9 | By Maki Minami | Viz Media – You can tell we’re getting near to the end of this series. The romance is starting to return to the fore, both in Senri’s utter inability to see what Shiro is to him, his discovering Shiro is also a voice actor, and Mizuki stepping up his game to get Hime to see how he feels about her, even if that may mean sabotaging what she has with Senri as “Shiro”. I’ll be honest, we’ve been following Shiro’s adventures for so long that even I was startled to see Hime in her normal hair-down state. I suspect the next volume will be a giant pile of disasters, and though I’m sure it will all end well I do wonder if a scandal may intrude. That said, Minami’s strengths are shown here – her flair for comedy and her overly happy lead. – Sean Gaffney

My Week in Manga: January 26-February 1, 2015

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My News and Reviews

The Female Goth Mangaka Carnival wrapped up last week. In addition to my recent Spotlight on Mitsukazu Mihara, I also contributed two other related posts. The first was Experiments in Manga’s latest giveaway. There’s still time to enter for a chance to win Junko Mizuno’s Cinderalla. I also posted a review of Asumiko Nakamura’s manga Utsubora: The Story of a Novelist. It’s a dark and twisting tale, and one that I come to love a little more each time I read it. Completely unrelated to the Carnival, last week I also reviewed Yasunari Kawabata’s The Sound of the Mountain, a classic novel about growing older and family relationships.

Elsewhere online, Viz announced that it will be bringing Shotaro Ishinomori’s The Legend of Zelda: A Link to the Past back into print, which I’m looking forward to a great deal. Media scholar Henry Jenkins is posting lengthy, in-depth interview with Patrick W. Galbraith, “In Defense of Moe,” talking about manga, anime, and otaku studies (Part 1|Part 2|Part 3|Part 4|Part 5|Part 6). Digital Manga has launched its next Tezuka Kickstarter to publish Osamu Tezuka’s two-volume Alabaster with a stretch goal to reprint Swallowing the Earth (again). A recent update for Digital Manga’s Finder Kickstarter includes a link to a list of boys’ love titles that are currently in stock. Perhaps most importantly, it indicates which manga are available in limited quantities.

Quick Takes

The Heroic Legend of Arslan, Volume 2The Heroic Legend of Arslan, Volume 2 by Hiromu Arakawa. The particular weakness of the second volume of The Heroic Legend of Arslan is that while the battles and sieges are proceeding at a good pace–and Arakawa’s fight and action sequences are excellent–there is a relative lack of character development. Unsurprisingly, considering that the manga takes place during a time of war, there are important, dramatic deaths, but emotionally they aren’t especially effective since readers hadn’t had the opportunity to really get to know those involved before their demise. At this point, many of the antagonists and even a fair number of the series’ protagonists are missing complexity and nuance. Thankfully Arslan himself does show a little growth by the end of the volume, but attention is mostly given to the war being fought and some of the political intrigue behind it all. Granted, those are very important aspects of the series since they are what Arslan must overcome. However, I am hoping that future volumes will spend more time examining the characters as people. Intense, bloody battles are all well and good, but I want to more completely understand the motivation and drive behind them.

My Neighbor Seki, Volume 1My Neighbor Seki, Volume 1 by Takuma Morishige. I was originally only vaguely curious about My Neighbor Seki, but after watching the absolutely delightful anime adaptation last year, I knew it was a series that I couldn’t miss. The premise is deceptively simple: Yokoi sits in the last row of seats in her classroom right next to Seki, a boy who is always goofing around at his desk. Yokoi finds this incredibly distracting, especially since the ways in which Seki amuses himself can be spectacularly elaborate. Often she’s astounded by Seki’s audacity, but on occasion she can’t help but to join in or interfere with what he’s doing. Of course this means she’s often the one in danger of getting into trouble with the teachers for not paying attention in class. The individual chapters in My Neighbor Seki may be short, but the sheer creativity displayed by Morishige, and in turn by Seki, is quite impressive. The original My Neighbor Seki manga is just as wonderful as the anime was; I’ll definitely be following the manga to its end. (In Japan the series is currently ongoing with six volumes having so far been released.) My Neighbor Seki is funny and charming and a marvelously entertaining read.

Secrecy of the Shivering NightSecrecy of the Shivering Night by Muku Ogura. After reading the first volume of the short boys’ love series Castle Mango, I decided to seek out more of the artist’s work. Currently the only other manga of her’s available in print in English is Secrecy of the Shivering Night. Unlike Castle Mango, Ogura wrote the stories collected in Secrecy of the Shivering Night in addition to illustrating them. The volume includes four short boys’ love manga which, other than tending towards the more sweet or romantic and having slightly peculiar lead characters, are all unrelated. The setup for the titular story is perhaps the most curious and seemingly far-fetched–a young man who is afraid of bright lights and another young man who is afraid of the dark end up as dorm roommates–but the resulting relationship dynamic is surprisingly satisfying. Their opposite phobias, but even more so their opposite personalities, make them an adorable couple. Secrecy of the Shivering Night isn’t an especially outstanding collection, but the stories are generally cute and a little bit quirky, which are characteristics I happen to particularly enjoy, and Ogura’s artwork has a pleasant softness to it.

Terra Formars, Volume 2Terra Formars, Volumes 2-4 written by Yu Sasuga and illustrated by Ken-ichi Tachibana. If the first volume of Terra Formars largely felt like a stand-alone prequel, that’s because it was. The second volume begins twenty years later. An exceptionally fatal disease is becoming more prevalent on Earth which requires a new mission to Mars in order to research a cure. Shokichi Komachi, one of the two survivors from the previous Mars mission, leads a crew of one hundred men and women genetically modified to survive the conditions and lifeforms found on the planet. Terra Formars continues to be extraordinarily violent with an incredibly high body count, though considering the first volume I was actually surprised by how many people are left alive by the end of the fourth. It seems as though there might be an actual plot to Terra Formars, but it’s mostly just an excuse to show epic, over-the-top hand-to-hand combat between opponents with astounding, superhuman abilities. I still dislike the visual design of the humanoid cockroaches immensely, but at least there’s an attempt in these volumes to better explain their appearance. The portrayal of women in the manga has slightly improved, as well.

Princess TutuPrincess Tutu directed by Junichi Sato. I picked up Princess Tutu more on a whim than anything else when I saw it on super sale. Although I vaguely remembered hearing good things about the anime, I honestly didn’t know much about the series. I’m very glad that I own it because Princess Tutu is marvelous. I do find it somewhat difficult to describe in a way that does the justice, though. The story follows a girl called Duck who really is a duck. She’s under an enchantment that allows her to not only take human form but to also become the magical Princess Tutu. Through the power of her dance she restores the shattered heart of a prince who had sacrificed himself to save others. That all might sound a little strange, and parts of the anime are admittedly weird, but the series is also very good. Stories are just as real as reality in Princess Tutu, and just as potent if not more so. Bits and pieces of classic ballets, operas, and plays can be found throughout the series all mixed together to form a unique work. I absolutely loved the anime’s use of orchestral works not just as background music but as meaningful additions to the story, emphasizing the significance of the characters and of their actions and, for those who are familiar with the pieces, even revealing some of the plot.

Spell of Desire Vol 3

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Spell of Desire Volume 3 by Tomu Ohmi

Well, there have been plenty of suggestive scenes in the first couple volumes of Spell of Desire, but finally in the third volume accidental witch Kaoruko and her mother’s favored protector Kaname get it on, due to witchy aphrodisiacs, necessary spell casting, and their growing yet not fully acknowledged feelings for each other! What more would a reader want in a josei paranormal romance?

Kaoruko has been delivered to the coven, and they decide it is necessary for her to fully become a black witch in order for her to gain some control over her powers. Black witches can’t be virgins, so they’ve decided to set Kaoruko up with an incubus in order for her to start down the path towards black magic. Kaoruko is drugged into compliance, but she’s still not cool with the idea of being with anyone but Kaname, and fortunately her knight protector decides to intervene in the ritual deflowering, breaking several rules in the process.

Kaname and Kaoruko end up seeking refuge in a house in the woods owned by an impressive looking white wolf (this is a crossover appearance with a character from a series that hasn’t been translated into English yet), and Kaoruko learns a bit more about Kaname’s background and why he’s so devoted to her mother. As always in this series, Kaname’s commitment to the Witch Queen causes Kaoruko to have doubts about their future. When the couple return to the coven, Kaoruko meets more of her mother’s knights, and Kaname is punished horribly. Kaoruko is determined to learn more about witchcraft so she can protect him.

A bunch of new characters get introduced in this volume, and the plot grows more complex as Kaoruko starts to learn more about the differences between white and black magic. It’ll be interesting to see what she can accomplish once she’s fully in command of her powers. I continue to enjoy Ohmi’s art, and I enjoy the way Kaoruko’s power still manifests as vine-like tendrils that curve around the panels of the manga. This series is only 5 volumes long, and this volume served as an effective middle volume, showing Kaoruko about to start gathering more knowledge and power. I recommend this series for any fans of paranormal romance manga!

The Ring of Saturn

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IMG_0947The Ring of Saturn | by Kaiju | Chromatic Press – “Sometimes it is not about forcing something to work… it is about simply learning to absorb what is beautiful.” These words come from the mouth of English composer Gustav Holst—not the actual historical man, perhaps, but a compelling portrait indeed as envisioned by cartoonist Kate Rhodes and animator Jennifer Xu, credited here collectively as “Kaiju.”

Set during Holst’s tenure as director of music at West London’s St. Paul’s Girls’ School during the First World War, Kaiju’s short comic “The Ring of Saturn” tells the story of Miriam Frayne, a promising young pianist studying with Holst at St. Paul’s. After performing a solo piano arrangement of Holst’s “Saturn: The Bringer of Old Age” (part of his famous orchestral suite, The Planets, which Holst is in the process of orchestrating over the course of the comic), Miriam is approached by a young astronomer, Rasim Rahal, who expresses his appreciation of her performance. Visibly distraught, Miriam forces a polite response and flees as quickly as possible.

Unhappy with her own playing, and doubtful of her ability to do justice to “Saturn,” Miriam begs Holst to be allowed to play something more “appropriate,” and it soon becomes clear what that means to her. Young and filled with the verve of nationalist pride, Miriam is vastly more comfortable with the decidedly uplifting character of Holst’s “Jupiter” (“The Bringer of Jollity”) than she is with the haunting ambiguity of “Saturn.” It is only when wartime tragedy hits close to home that Miriam finds herself beginning to understand what is beautiful and even necessary about “Saturn’s” relentless uncertainty.

It is admittedly difficult to discuss a short comic like The Ring of Saturn without giving away its entire plot, but rest assured that any developments revealed here are not remotely the point. Yes, you may assume that Miriam’s wartime tragedy involves the death of someone close to her (and you’ll know who that is likely to be within the comic’s first twenty pages), but these specifics are important only on the surface. Even Rahal, who seems perfectly poised to be Miriam’s love interest, is ultimately significant only for the ways in which his greater life experience helps to shatter Miriam’s patriotic innocence.

Kaiju’s visual storytelling is stunning—expressive and visceral, particularly towards the end of the comic, where the crux of Miriam’s emotional journey plays out over the course of eleven dialogue-free pages. This sequence, enhanced only by a few crucial sound-effects, is as beautifully envisioned as the best classic shoujo manga, and similarly well-executed. If these were the only eleven pages in the entire comic, they could stand alone as an eloquent expression of one young musician’s moment of truth. That’s how powerful they are.

Enamoring artwork aside, it would be remiss to minimize this comic’s most brilliant element, which is its grounding in the real-life history of Gustav Holst and his music. Though some historical details may be altered for the sake of the story (Holst’s original arrangements were for two pianos, not one, for instance), Holst’s essence remains intact. That he valued himself more as a teacher than as a composer is felt keenly here, and to my mind, deepens the reading of his musical output as much as it does the story at hand. Like many children of musical households in the 20th century, I was brought up on The Planets, and though I rather thoughtlessly abandoned them in later years in favor of the more overtly complex works of composers like Prokofiev and Stravinsky, my appreciation of them in context of Holst’s commitment to teaching and the beginning of World War I has been decidedly enhanced by this comic. Holst notably approached each planet not from an astronomical viewpoint, but an astrological one—specifically in terms of its emotional and psychological associations rather than its mythological namesake—an approach that works exceptionally well as the premise for a character-driven comic.

But perhaps most significantly, what Kaiju has proven here is that it really is possible to craft a wholly satisfying, emotionally resonant comic in under 100 pages—and to do it without resorting to wordy exposition, over-crowded panels, or excessive dialogue. The Ring of Saturn is an elegantly crafted comic that should draw attention not only to its talented, artistically mature creative team, but also to Sparkler Monthly and Chromatic Press’ output as a whole. This is exactly the kind of comic we need more of.

The Sound of the Mountain

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The Sound of the MountainAuthor: Yasunari Kawabata
Translator: Edward G. Seidensticker
U.S. publisher: Alfred A. Knopf
ISBN: 9780679762645
Released: May 1996
Original release: 1954
Awards: National Book Award

Prior to reading The Sound of the Mountain I had only read one other novel by the distinguished Japanese author Yasunari Kawabata–Thousand Cranes, one of the three works to have been cited when Kawabata became the first Japanese recipient of the Nobel Prize for Literature. I enjoyed Thousand Cranes and have been meaning to read more of Kawabata’s work for quite some time now. Although it probably isn’t his best known work to have been translated, The Sound of the Mountain does have the distinction of being one of Kawabata’s longest novels. The volume was completed in Japan in 1954 after having been serialized for five years. Also in 1954, the novel was adapted as a live-action film directed by Mikio Naruse. The Sound of the Mountain was first translated into English by Edward G. Seidensticker in 1970 for which he won the National Book Award for Translation.

Shingo Ogata is an aging businessman in postwar Japan. His memory has started to fail him, his hair turns whiter as each day passes, many of his friends and acquaintances have already died, and he begins to be plagued by peculiar dreams. There is nothing he can do to halt the steady decline of his mind and health, but what concerns him most is the decline of his family and the unraveling of his children’s marriages. The philandering ways of Shingo’s son Shuichi are an open secret but his son’s wife Kikuko remains devoted to him, although perhaps even more so to Shingo. Shingo’s daughter, too, is having marital problems. The situation may or may not be temporary, but she has left her husband and is currently living in her parent’s home along with her young children. The house is full, the family’s relationships are strained, and Shingo is conflicted over what he should be doing about it all and over his developing feelings for Kikuko.

The Sound of the Mountain is a relatively quiet novel. Shingo has his personal struggles and internal strife, and there is plenty of family drama, but the work largely consists of snippets of the everyday lives of the Ogata household. None of the characters in The Sound of the Mountain are particularly exceptional in any sort of way. Their lives and their troubles, while certainly having a great impact on those around them, are mundane. Kawabata’s characterization of the individual family members is often very subtle and nuanced, as is his portrayal of the intricacies of their interpersonal relationships. As much as The Sound of the Mountain is about Shingo growing older, it’s just as much about the transformation of his family. All things must inevitably come to an end. Shingo knows this, and knows that his life, too, will eventually end, but he still feels guilty about and responsible for the direction his family and his children are heading.

It’s been a few years since I’ve read it, but overall I think I probably prefer Thousand Cranes over The Sound of the Mountain. However, the two novels do share some similarities: a focus on people and how they interact, a sparse writing style laden with symbolism, and so on. In the case of Thousand Cranes it was the Japanese tea ceremony that provided an underlying framework for the narrative while in The Sound of the Mountain it’s Shingo’s dreams and the change of the seasons–the steady progression of time. The Sound of the Mountain has a resigned, melancholic air to it. The novel isn’t particularly uplifting, but in some ways it can be comforting to see a realistic depiction of a family trying to come to terms with the changes both in their lives as individuals and in their relationships to one another. The Sound of the Mountain captures those fleeting moments of joy and of unrest, revealing that in any stage of life people are at least partially defined by those closest to them.

Utsubora: The Story of a Novelist

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Utsubora: The Story of a NovelistCreator: Asumiko Nakamura
U.S. publisher: Vertical
ISBN: 9781935654766
Released: June 2013
Original release: 2010-2012

Although several of Asumiko Nakamura’s manga have been licensed for digital release, Utsubora: The Story of a Novelist is currently her only work that has been translated into English and made available in print. I truly hope it isn’t the last to be seen from her; although I was already familiar with Nakamura’s distinctive art style, Utsubora was my introduction to her manga and I loved it, and with each rereading love it even more. With the arrival of the Female Goth Mangaka Carnival, I was inspired to take another, deeper look at the manga. In Japan, Utsubora was a short, two-volume series published between 2010 and 2012. The English-language edition of the manga was released in 2014 by Vertical and collects the entire series in a single volume. Due to its mature themes and its erotic content, Utsubora is one of Vertical’s relatively few manga specifically intended for an audience of adults who are at least eighteen years of age.

Although Shun Mizorogi is still considered to be a successful and respected author, it has been quite some time since he has written anything of note. As a result, he has become withdrawn and is tormented by his lack of ability. Finally, his most recent work Utsubora shows great promise. A return to his roots as an author, Mizorogi has given his fans and critics what they have been waiting for. But when a young woman plummets from the top of a building to her death, the apparent suicide somehow connect to Mizorogi, the authorship of Utsubora begins to be called into question. Both Mizorogi’s close friend and fellow author Yatabe and his newly appointed editor Tsuji suspect something. Even Mizorogi’s niece Koyomi, who lives with and adores him, is able to recognize that her uncle has been behaving out of the ordinary. Utsubora and a young woman named Sakura Miki are the only remaining connections Mizorogi has to the death of Aki Fujino, and they are consuming him.

Utsubora is a dark and twisting tale. Nakamura’s distinctive artwork is exceptionally effective in adding to the manga’s moody, erotically charged, and slightly disconcerting atmosphere. The lines of her illustrations are very thin, creating at the same time a sense of sharpness and focus as well as a feeling of softness as they cut and curve across the page. Nakamura’s art in Utsubora is undeniably sensual and arresting. The eyes of her characters are particularly expressive and draw attention to themselves. The artwork of Utsubora, much like the manga’s story, can simultaneously be vaguely ominous and oddly beautiful. It’s really quite stunning and Nakamura is incredibly skilled. Through her artwork and through the body language of her characters, she is able to convey their uncertainties and their desires, their inner turmoil as well as their outward actions. Overall, Utsubora is an intense and even compelling work.

The plot of Utsubora is complex, the relationships and connections between the characters forming a tangled knot that is drawn tighter and tighter. The manga can be confusing and there is quite a bit of ambiguity that is never completely resolved. The only person who really understands everything that is going on is Sakura, and she is deliberately manipulating the situation, mixing together both truths and lies in order to influence those around her. She can’t control everything, though, and some matters in Utsubora are only tangentially related to what she is trying to accomplish. Although sometimes obscured by layers formed by the other characters’ personal struggles and pasts, the core of Utsubora is the despair surrounding Aki, Sakura, and Mizorogi. Granted, most of the characters are reaching their breaking points and are in danger of losing themselves completely; Aki’s death was simply the catalyst that triggered a dramatic sequence of events from which very few will emerge unscathed.

Manga the Week of 2/4

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SEAN: Did you enjoy your quiet month? Good, cause February is back to business as usual, and every week has some chunky bites of manga. Let’s look at next week. FYI, Diamond Comics has every Viz title coming out 1-2 weeks earlier than usual, for some reason – I’m ignoring that. And JoJo’s was delayed.

ASH: Oh, no! JoJoooooo!

ANNA: I do not approve of this.

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SEAN: Dark Horse has the 7th Blood Blockade Battlefront, which I understand has an anime coming out soon.

Seven Seas gives us a 5th volume of oddball slice-of-A Centaur’s Life.

And the 10th volume of Haganai, whose cast still doesn’t have many friends.

The rest is all Viz. We have a new Assassination Classroom, filled with attempted death and heartwarming lessons.

ANNA: Bring it on!

SEAN: We have a 3rd volume of Black Rose Alice, and I’d like to remind the Manga Bookshelf team that they can’t pick it two weeks in a row. :)

MICHELLE: I won’t, but I am still super happy to see it!

ASH: I’m happy to see it, too!

ANNA: I might pick it again! You can’t stop me!

MJ: Heh. I didn’t pick it last time, so it’s up for grabs!

SEAN: Bleach 63 features, I’m guessing, fights.

Food Wars 4 also features fights, but of a culinary kind. Save the Megumi!

MICHELLE: I have developed a serious fondness for Food Wars.

ANNA: I do not yet have a serious fondness, but I like it much more than I expected to.

SEAN: The 10th and final volume of Happy Marriage?! wraps up next week. It’s been a very up and down series, but overall I’ve enjoyed it.

MICHELLE: It’s not something I can picture myself rereading, but it has been entertaining.

ANNA: Me too. I’m glad to have read it, but I don’t think I’ll be rereading it.

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SEAN: High School Debut has its 5th and final omnibus. The big news is that it has lots of material that never came out in print before – I believe Vols. 14 and 15 are unique to this volume! It’s also print-only, so go get it.

MICHELLE: !!!!!!!!!!!!1 (Heh, I swear that typing that 1 was legitimately an accident, but I’m leavin’ it!)

ANNA: Woah! I’ve got to pick this up!

MJ: Ooooooooooh.

SEAN: If you thought Honey Blood was over last time, well… it was. But Tale Zero is an epilogue, or prologue, or pilot. Or something? In any case, this is the last Honey Blood-related product.

MICHELLE: I have a vague memory of one of the author’s note sections during the series proper mentioning that this would contain the original oneshot. Not sure about that, though.

ANNA: I’d like to see more from this author eventually.

SEAN: We have the 25th and final volume of Nura: Rise of the Yokai Clan. I enjoyed this a lot more than I’d expected, and probably more than it really deserved, but way to go, mid-range Shonen Jump title. You were licensed when many other 20-30 volume Jump series were not.

One Piece has its 11th omnibus. It’s in Water Seven now, one of its best arcs.

Spell of Desire hits Vol. 3, and I hope manages to resolve the rather icky cliffhanger Vol. 2 left us with.

Voice Over has its 9th volume, and seems to be slowly, very slowly, meandering towards its climax.

MICHELLE: Here’s another title I’ve grown to love unexpectedly.

MJ: I need to check back in with this series.

SEAN: World Trigger has Vol. 4, and is another on the list of ‘series I should know more about’.

Did you miss Yu-Gi-Oh! the first time around? Here’s an omnibus to catch up on.

And Yu-Go-Oh Zexal 6 gives you more Yu-Gi-Oh than human nature can possibly stand.

There’s a lot of ‘meat and potatoes’ shonen and shoujo here. What suits your fancy?

Hayate the Combat Butler, Vol. 25

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

I had said last time that after the emotional catharsis and darkness of the Athena arc that we’d fall back towards comedy here, and that’s somewhat true, but the fallout from that arc still lingers. Athena describes to Hayate how she was rescued from the castle at the end of the world, and it turns out to have been none other than Hayate’s brother who achieved it. We’d seen him in silhouette before, but here we finally get to see his face, mostly so that he can have a distinguishing scar that lets Hayate reassure Athena he’s not dead or trapped. (Even though we haven’t seen him in years… he’d better have a damn good reason for leavin g Hayate to the mercies of his parents).

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Athena’s parting is also bittersweet, though there’s a tease that implies that she isn’t giving up entirely. But she sees Hayate talking about how much of his life he owes to Nagi, and realizes that she can’t take that away from him now. So she confesses to him, again, but in the past tense, implying that she’s moved on. I try to remain unbiased in my reviews, but I fully admit to being an Athena fan, so this saddened me. Don’t get me wrong, I love Nagi and Hayate’s relationship, but if they’re going to end up together I do think that a) she needs to mature a bit, and b) he needs to show at least a smidgen of attraction to her. We’re slowly seeing the first but not the second, and with Athena is was very nice to see two people who really did desire each other.

After this, it would be hard for the rest of the volume not to feel like an anticlimax, and it does struggle to keep the same level. Hina being cursed with donkey ears is amusing but goes nowhere, and Hayate trying to figure out what’s haunting an old mansion (turns out to be cats) is a bit pointless. Possibly the most interesting part of the volume is a flashforward showing Nagi rushing to the top of a tall building to scream in pain and frustration about someone named Ruka, followed by a title page featuring a new character (spoiler: it is Ruka). We wonder if we’ve done some sort of time skip, but no, it’s just a tease, and we’re soon back to the aftermath of Greece, with Nagi having to leave the mansion.

Nagi’s idea to be a landlord and rent out a building is actually quite clever, and of course will lead to many comedic situations – don’t be surprised to see the building fill with many of our cast. But it’s also a symptom of her biggest flaw, which is her dedication to inactivity – this is a way to make money by sitting around and doing nothing. Nagi can’t apply herself to any hard work that doesn’t pay off instantly, and it will come back to burn her in future volumes. For now, though, Athena is gone, and Hayate the Combat Butler prepares to enter a newer, less dramatic story arc. That said, don’t expect the drama to simply disappear. It just won’t be 24/7 like it was in the last two volumes.

Manga Giveaway: Cinderalla Giveaway

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It’s the end of the month which means it’s time for another manga giveaway! Because the Female Goth Mangaka Carnival is currently underway (featuring the work of Kaoru Fujiwara, Maki Kusumoto, Mitsukazu Mihara, Junko Mizuno, Asumiko Nakamura) I decided to do a tie-in giveaway. This month you all have a chance to win a copy of Junko Mizuno’s Cinderalla as published by Viz Media. And as always, the giveaway is open worldwide! (However, you must be at least eighteen years old to enter.)

Cinderalla

Way back in 2010, I had the opportunity to attend the Best Manga You’re Not Reading panel at the American Library Association’s annual conference. It was there that I was introduced to the work of Junko Mizuno, and specifically to her manga Cinderalla—a psychedelic retelling of the classic tale of Cinderella with zombies, yakitori, and pop idols added in for good measure. I had never seen anything like it before and I loved it. Mizuno’s brightly colored artwork in Cinderalla shows her mastery of a very distinctive and even beautifully stunning creepy-cute aesthetic. Quite a few of Mizuno’s manga have been released in English—and I’ve enjoyed many of them—but I will always remember Cinderalla as being my first.

So, you may be wondering, how can you win a copy of Cinderalla?

1) Have you ever read anything by Kaoru Fujiwara, Maki Kusumoto, Mitsukazu Mihara, Junko Mizuno, or Asumiko Nakamura? If so, tell me what you thought in the comments below. (And if you haven’t, you can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And there you have it. For this giveaway, each person can earn up to two entries and has one week to submit them. If needed or preferred, comments can also be sent directly to me via e-mail at phoenixterran(at)gmail(dot)com. I will then post them here in your name. The giveaway winner will be randomly selected and announced on February 4, 2015. Meanwhile, I hope you enjoy the Carnival!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced—Manga Giveaway: Cinderalla Giveaway Winner

Bookshelf Briefs 1/26/15

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This week, Sean and Michelle look at recent releases from Seven Seas, Viz Media, and Kodansha Comics.

lizardaideAlice in the Country of Clover: The Lizard Aide | By QuinRose and Job | Seven Seas – It’s never a good sign when the main story of an Alice volume ends two-thirds of the way into the book, and it’s doubly bad when they have to pad it out with Crimson Empire. But the main problem with this is that it stars Gray Ringmarc, who is one of the characters we’ve met and cared about the least in these volumes. He’s introduced in Clover, and without the games as a base, there’s not as much impetus to care about him compared to major players like Blood or Ace, or even Boris, who got seven volumes to get fleshed out. Add to that that Alice is less damaged here (making her less interesting), and the art being subpar, and you have a thoroughly unessential volume. – Sean Gaffney

arpeggio3Arpeggio of Blue Steel, Vol. 3 | By Ark Performance | Seven Seas – Much of this volume involves the battle between the heroes and the bad guys’ and it’s well-told, making things tense and fleshing out the villains a bit more while still keeping them mysterious. Unsurprisingly, the villain that survives is the stoic one on the cover. More intriguing is the brief look at what makes Gunzou tick; Maruri clearly is carrying a torch for him, but says that she can’t be around him as he’s too perfect, which is also his greatest weakness. This scene was needed as Gunzou’s implacability was indeed becoming a weakness for the series, but now that we see there may be something behind it, it bears further study. A cut above the ‘girls and war machines’ subgenre. – Sean Gaffney

panzer3Girls Und Panzer, Vol. 3 | By Girls Und Panzer Project and Ryohichi Saitaniya | Seven Seas – Speaking of the ‘girls and war machines’ subgenre, as well as titles created by a committee, our band of tankery girls has another battle this time round, with the stakes raised considerably. Indeed, perhaps raised a bit too much: seeing Miho be told that if they lose, she’ll be disinherited is bad enough, but adding to that that the entire school will be shut down if they lose seems a bit over the top. That said, seeing this particular battle take place in snowy conditions adds a bit of spice to the tank battle, and while the outcome is not yet in doubt (it will be once we hit the finals), it’s close enough to keep us interested. This wraps up next volume, and should have a good ending. – Sean Gaffney

jacoJaco the Galactic Patrolman | By Akira Toriyama | Viz Media – Though I failed to love Dr. Slump and have yet to try Dragon Ball, I typically enjoy Akira Toriyama’s one-volume manga, and Jaco is no exception. Silly, charming, and absolutely suitable for all ages, this is the story of a diminutive, posturing (yet occasionally genuinely kind of badass) galactic patrolman who crash lands on earth and into the solitary life of widower scientist Omori. At first he’s ready to eliminate earthlings on account of all the crappy ones he meets, but he eventually encounters some good ones, too, and bravely saves a lot of lives without hesitation. Okay, yes, there are a couple of jokes about burps, boogers, and pee, but catering to the target demographic is certainly understandable and the end result wasn’t offputting to this totally middle-aged lady. I think it’s time I faced the fact that I clearly must try Dragon Ball – Michelle Smith

kiss2Kiss of the Rose Princess Vol. 2 | By Aya Shouoto | Viz Media -This series is nine volumes in total, which surprises me, as this reads more like the middle volume of a three-part series. We’re introduced to a childhood friend of Anise’s, and he not only turns out to be a missing knight, but also an evil knight, and also a love rival, and oh yes, an Osaka hothead. Plus we get a rather startling revelation about Seiran, which I won’t spoil here, but does shake things up quite a bit. Add to that the return of Anise’s emotionally abusive father, who needless to say is unhappy, and you have something that should be reaching a dramatic climax next time. Except it isn’t. Oh well. The title continues to hold my attention as good meat-and-potatoes shoujo. – Sean Gaffney

missions10Missions of Love, Vol. 10 | By Ema Toyama | Kodansha Comics – We continue to deal with the worst people ever, as Yukina finally gets a confession, but still has trouble dealing with the aftermath of her first love. She orders Shigure to make her forget, but that’s easier said than done, particularly with Akira still trying to sabotage things. This culminates in her going on romantic dates with both of them, which lets the reader know how she feels (Akira is the ‘like a brother’ sort of love), but she remains in the dark. Meanwhile, Mami seems to be trying to get over Shigure, and seems to like Akira, even if she doesn’t know it. And who’s this new guy? He has a sneer, must be evil. If all this sounds exciting to you, you’ll love it. If you think “they all sound like terrible people”… you may love it as well. – Sean Gaffney

mylovestory3My Love Story!!, Vol. 3 | By Kazune Kawahara and Aruko | Viz Media – Much of the first half of this third volume consists of Yamato trying to push their relationship forward a little – we’re talking kisses on the cheek here, but Takeo can’t even comprehend that, being the innocent sort who’s never really had to think about that aspect of love before. This suits Yamato just fine mostly, as I think she wants to take things slowly as well (just a little faster than he does), and she also likes his outgoing-do-good self the best and worries that he might try to change it to suit her – which indeed he does try (and fails) here. After all that romance, we then get a final chapter that’s filled with hilarity. This continues to be the sweetest shoujo around. – Sean Gaffney