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Features & Reviews

Assassination Classroom, Vol. 15

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By Yusei Matsui. Released in Japan by Shueisha, serialized in the magazine Weekly Shonen Jump. Released in North America by Viz. Translated by Tetsuichiro Miyaki. Adapted by Bryant Turnage.

(This review talks about *that* spoiler, the one everyone already knows, but I thought I’d warn you anyway.)

Now that we have the North American Weekly shonen Jump magazine, serializing the popular series at the same time they come out in Japan, surprises are very difficult to hold on to. Doubly so here, as the anime has also aired. But at the time when the Kaede Kayano revelation came out, it was quite a surprise, trust me, and everyone went back to look at their previous volumes to see if this was something truly planned fro the beginning or something that the author came up with on the fly. He helpfully tells us that it’s the former, showing us tiny specs of art that hinted that Kayano was Not What She Seemed. And this extends forward as well, as Kayano is in reality the younger sister of the class’ former teacher, who she alleges that Koro-sensei killed. How that happened is apparently part of the next volume. Yusei Matsui really ties this together beautifully, making it one of the best volumes in this already excellent series.

I’ve complained a few times about how, given she’s the closest thing we get to a female lead among the students, Kayano’s character has been somewhat flat. Now it turns out that this was not only deliberate but engineered on her part, trying not to attract too much attention and therefore setting herself up as the cute but plain friend of the real “main character”, Nagisa. The flashbacks not only show the lengths she went to to engineer her attack on Koro-sensei (who, as she reminds us herself, she named in the first place), but also the tremendous pain that hiding her altered state has caused her over the past several months. It’s been the perfect acting job. That said, sometimes you can get too caught up in your role, and Nagisa sees what Kayano isn’t letting herself – that she really has had fun in this class, made true friendships, and most importantly, has seen that Koro-sensei is maybe not the sister-murdering monster she thought.

This leads to the funniest scene of the volume, where Nagisa has to stop a dying Kayano from burning out her brain due to overuse of her tentacled form. He does this by a callback to Irina’s ‘foreign language techniques’, essentially kissing her into submission. Not only is this great ship fodder for fans of this pairing (and no doubt very annoying to Nagisa/Karma fans), but we also see Irina saying that he could have done better, the other students muttering that *they* could have done better, and Karma and Rio getting pictures and video of the whole thing on their cellphones, because they are glorious assholes. The entire scene just calls out how well-written the whole series is.

There are other things going on here, mostly in the first half. We learn about the principal’s past, which shows – surprise! – that he’s a former idealist who had tragedy turn him to the dark side. And the Peach Boy play, which is hysterical and also features a glorious moment where they discuss Kayano acting in a lead role, and she quickly ducks and says she’ll be in charge of props. (Highlights of the play discussion also include Irina suggesting the student’s do a strip show, and Karma suggesting Nagisa act in drag as Sada Abe (which Viz, wisely probably, forces the curious to Google). If you avoided the series before because it looked too silly or the premise was sketchy, you should definitely catch up, as it’s top tier Shonen Jump. And if you already read the weekly chapters and saw the anime, buy this anyway, as the reread factor is high.

My Week in Manga: April 3-April 9, 2017

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My News and Reviews

Last week at Experiments in Manga the winner of the Miss Kobayashi’s Dragon Maid manga giveaway was announced. The post also includes a list of some of the manga available in print in English which feature dragons. Also posted last week was a guest review by my friend Jocilyn. She was inspired to write about Canno’s Kiss & White Lily for My Dearest Girl, Volume 1, the most recent yuri manga to be released by Yen Press. As mentioned previously, I’m currently working on my own in-depth review of the first volume of The Girl from the Other Side: Siúil, A Rún by Nagabe. It looks like I should be on track to post it sometime next week.

Elsewhere online, Seven Seas has completely revamped its website, adding new features like browsing by genre, launching a newsletter, and so on. It looks great and what’s more, there will be a regular survey which provides readers an opportunity to give feedback and submit license requests. As part of the launch of the new website, Seven Seas also announced a few new licenses: Touki Yanagimi and Youhei Yasumura’s Anti-Magic Academy: The 35th Test Platoon, Shin Mashiba’s Yokai Rental Shop (I loved Mashiba’s Nightmare Inspector, so I’m really looking forward this one), and an omnibus of Fumiyo Kouno’s In This Corner of the World (Kouno is the creator of Town of Evening Calm, Country of Cherry Blossoms which is also excellent).

In other publishing news, some of Kodansha Comics digital-only titles were recently called digital-first, so there may yet be hope for print editions of some of the manga. I missed (or maybe forgot about) the initial announcement, but Titan Comics will be releasing Ravina the Witch? by Junko Mizuno in English later this year. (Ravina the Witch? was originally released in French in 2014.) In sadder news, Bruno Gmünder recently announced its bankruptcy (again). I’m not entirely sure what this will mean for the publisher’s past and future comics releases, including the Gay Manga line, but they might not stay in print long. (I’ve featured some of Bruno Gmünder’s releases here before; I’ll be sad to see them go if the publisher folds.)

As for a few of the interesting Kickstarters that I’ve discovered lately: Emily Cheeseman is raising funds to release the print edition of Gawain and the Green Knight, a beautiful webcomic that she’s been working on since 2015. I wasn’t previously familiar with the work of Elise Schuenke, but Living Space looks like it should be another great queer-themed comic. And speaking of queer-themed comics, the initial campaign for the Tabula Idem tarot anthology wasn’t successful but the creative team has revised and relaunched the project. Finally, anyone interested in Weird Al may be curious about Kelly Phillips’ comic memoir Weird Me about her experiences as the webmaster of a Weird Al fan site in her teens. (Weird Al’s music was a major touchstone for me growing up.)

Quick Takes

Dissolving ClassroomDissolving Classroom by Junji Ito. Lately there has been a resurgence in manga by Ito being released in English. In many cases they’ve actually been re-releases, but there have been a few newly-translated manga being published as well, Dissolving Classroom from Vertical Comics being the most recent example. I love Ito’s brand of horror manga and Dissolving Classroom was originally serialized in a josei magazine, so the volume was an obvious candidate for one of my most anticipated releases of the year. As expected, I thoroughly enjoyed the manga, but Dissolving Classroom didn’t end up leaving as strong of an impression on me as some of Ito’s earlier works. The loosely connected stories in Dissolving Classroom follow the demise of the people who meet Yuuma, a young man whose constant apologizing will literally make a person’s brain melt, and his incredibly creepy little sister Chizumi. Neither of the siblings are quite what they initially seem. Yuuma in particular comes across as a troubled but largely benign individual; very few people actually realize what’s going wrong before it’s too late. Dissolving Classroom is bizarre but certainly not the strangest manga that Ito has created. The visuals aren’t as shockingly memorable as some of Ito’s other series either, but they are still successfully disconcerting.

Everyone's Getting Married, Volume 1Everyone’s Getting Married, Volume 1 by Izumi Miyazono. While josei manga have recently become more common in translation (a trend that I would love to see continue), there still aren’t all that many to be found. I’ve generally enjoyed the josei manga that I’ve read in the past and I like to show my support for new releases, so I made a point to try Everyone’s Getting Married. Asuka is well-admired for her successful career, but what she really wants in life is to get married and become a housewife. When her boyfriend of five years unexpectedly dumps her, she suddenly finds herself looking for a new long-term relationship. That proves to be more difficult than she expected and unfortunately for her most likely candidate is Ryu, a man who has made it very clear that he has no interest in marriage. I’ve growing a little weary of high school romances, so I found Everyone’s Getting Married to be a wonderfully refreshing change of pace; I enjoyed reading about adults and their lives and relationships for once. I also like Asuka a great deal. She’s independent, knows what she wants out of life, and is willing to work hard for what is important to her. I’m looking forward to reading more about her and reading more of Everyone’s Getting Married.

Ghost in the Shell, Volume 1.5: Human-Error ProcessorGhost in the Shell, Volume 1.5: Human-Error Processor by Masamune Shirow. While I had previously read the first and second volumes of Ghost in the Shell, I had never actually read the manga’s third volume, something that I didn’t realize until Kodansha Comics recently re-released the entire series in a deluxe, hardcover edition. Even though it was the third volume of Ghost in the Shell to be collected and released, the events of Human-Error Processor take place between the first and second volumes (thus being numbered 1.5). The episodic chapters focus almost entirely Section 9 and the cases that group is investigating. A few intriguing new characters are introduced, but sadly the Major only makes the occasional guest appearance. Out of the three Ghost in the Shell volumes, Human-Error Processor is the most straightforward and easy to follow. While that’s something that I would generally welcome, the volume was somehow less interesting as a result even if it was more readable. As with the previous volumes in the series, some of the most interesting parts of the world-building in Human-Error Processor are actually only found in the footnotes instead of being directly incorporated into the manga.

NightlightsNightlights by Lorena Alvarez. It was the bold, vibrant colors and gorgeous illustrations of Nightlights that initially caught my attention. Alvarez is a Columbian illustrator; Nightlights is her first comic and my introduction to her work. Nightlights is about a little girl, Sandy, whose imagination takes flight at night. She gathers together small, mysterious, glowing lights and uses them to create anything that she can dream of. Come the day, she spends her time alone drawing what she has seen. It’s an innocent enough premise, but Nightlights can actually be pretty dark and some of the comic’s themes are fairly heavy. Nightlights could be described as an all-ages comic, but some younger readers might find it scary in places. There is also a depth and nuance to the comic and its narrative that only more mature readers will likely pick up on. Although the stories are notably different, Nightlights actually reminded me a little bit of the animated film The Secret of Kells which I likewise greatly enjoyed. Each in their own way the works are fairytale-like, telling stories about imagination, creation, and the unknown. Nightlights was a beautiful comic and I sincerely hope to see more work from Alvarez in the future.

Gone: A Girl, a Violin, a Life UnstrungGone: A Girl, a Violin, a Life Unstrung by Min Kym. In 2010, Kym’s Stradivarius was stolen from her in a London cafe. The violin was an integral part of her identity, not just as a musician but as a person, and its loss was devastating. Her burgeoning career as a soloist came to a sudden halt. The violin was recovered three years later, but circumstances didn’t allow Kym to reclaim the instrument as her own. Ultimately she had to put it up for auction, losing it once again. In part, Kym’s memoir Gone was written in an attempt to process these traumatic events, rediscover who she is, and move forward with her life. Telling her side of the story she recounts growing up as a child prodigy–as the youngest daughter, her family’s devotion to her talent as a violinist was at odds with their South Korean heritage–her development as a musician, and her relationships with the Stradivarius and the people around her. Gone is an incredibly heartfelt and personal memoir but it can be somewhat discursive; Kym’s style of writing is very informal and at times even chaotic. Her voice as an author isn’t as clear as her voice as a violinist, but her passion and pain resonates throughout Gone. Complementing the release of Kym’s memoir is a companion album available from Warner Classics.

Bookshelf Briefs 4/10/17

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Black Clover, Vol. 6 | By Yuki Tabata | Viz Media – Most of this volume is taken up with one big fight, but the single focus is quite welcome, and it helps to give depth to another one of the Black Bulls, as Yami shows up to save our heroes and promptly shows off that his powers are (if you’ll pardon the cliché) on a completely different level from our heroes. He’s utterly cool, and I fully expect he will die tragically somewhere down the line, but that day is not today. Asta also does some leveling up, though, and we see that the Midnight Sun cult is after his grimoire—and is rather ticked off that he has it at all. Black Clover continues to remind me of various series mushed together (Magi stands out this time), but it’s fun and readable. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 17 | By Yuto Tsukuda and Shun Saeki | Viz Media – I expected a more serious arc and I was right. Erina’s father has changed the rules so that all chefs are equal, but that just means that no one is allowed to express themselves in any way. The middle third of this book is like eating a bag of gravel, as smug snake Eizan is such an obvious villain that even one of his fellow Council members (Rindo, who is wonderful and appears to be siding with the enemy just because she’ll be more entertained by what follows) points it out. Meanwhile, the Polaris Dorm is due to be shut down… or at least it would be, but Megumi and company get out their riot gear and stand their ground. Hard to read in places, but excellent. – Sean Gaffney

Haikyu!!, Vol. 10 | By Haruichi Furudate | Viz Media – I tend to like the training parts of sports manga more than the actual matches, and that proves to be the case here, as this is a stellar volume. Everyone is watching the other teams to try to find ways to improve, and despite a fight over staying the course vs. risking failure with something new, Hinata and Kageyama are the same. The exception is Tsukishima, everyone’s favorite jerk, whose apathy is starting to concern everyone. Surprise, it stems from a tragic flashback that crushed his dreams. Can you really strive to improve yourself if you don’t really care all that much? How do you make something you’re good at fun? Haikyu!! is one of Jump‘s best pickups lately, and I am happy it’s a monthly concern. – Sean Gaffney

Honey So Sweet, Vol. 6 | By Amu Meguro | VIZ Media – Honey So Sweet is consistently cute and adorable, and this volume definitely offers up an assortment of heartwarming moments for our lead couple. That said, a fair amount of what happens here feels like something I’ve seen before. Even within this own series, in fact. It begins with Nao running into yet another wounded delinquent. This time it’s a guy named Nishigaki who, it turns out, idolized Onise in junior high and doesn’t think Nao is cool enough to be his girlfriend. When the new school term begins, he and his twin sister, Miyabi—yes, fraternal twin sibling firsties just like in Say I Love You.—begin attending school with the other characters, and Onise is very nice to socially clueless Miyabi, who seems to be developing feelings for him, which of course worries Nao. Still, I’m sure a happy ending awaits. – Michelle Smith

Honey So Sweet, Vol. 6 | By Amu Meguro | Viz Media – This was a stronger volume than the previous one, despite the fact that we’re introducing yet another love rival. Miyabi is a twin, and also very introverted, to the point that it takes her a minute or so to respond to anything someone has said to her. I appreciated that the solution was not “you just need to be more extroverted,” as it is in many other Japanese manga—the idea of telling people she responds slowly was good. That said, now we get to see how Nao deals with jealousy, though given that this is a pretty sweet manga, I think it will be fine. Taiga’s flashbacks were also quite good, showing off what drew him to Nao and the difficulty he has looking like a thug. Cute shoujo—not top-tier but definitely readable. – Sean Gaffney

In/Spectre, Vol. 3 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – This volume has a large hurdle to get over, in that it’s almost entirely exposition, as our trio discuss what Nanase really is and how to deal with her, along with a heavy dose of Japanese urban legends. Luckily, Kotoko’s amazing pettiness and jealousy still livens things up, and despite her discussion of losing her virginity in the first book you sense she and Kuro haven’t gotten very far at all. We also get a discussion of how Kuro wins his fights—he can alter probabilities, to an extent. Of course, this tends to involve seeing a lot of bad futures. And he can’t be everywhere, as the cliffhanger shows another murder gumming things up. I still find this quirky mystery refreshing. – Sean Gaffney

Yona of the Dawn, Vol. 5 | By Mizuho Kusanagi | VIZ Media – It was a foregone conclusion that Yona would persuade the Blue Dragon—ostracized for his abilities—to join her, but despite the predictability, her acceptance of him is still touching. She names him Sinha, and with his awkward kindness, he instantly becomes my favorite character. Unfortunately, he’s promptly sidelined during the second half of the volume, as the gang ventures into a port town in search of the Green Dragon, a pirate named Jaeha who plans to fight to escape his fate. And then he sees Yona at the end of the volume. I hereby predict that he will be won over eventually, too. A little formulaic? Sure, but it’s still good fun, and I’m always a bit sad to see a volume end. – Michelle Smith

My Big Sister Lives in a Fantasy World: Humanity’s Extinction Happens During Summer Vacation?!

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By Tsuyoshi Fujitaka and An2A. Released in Japan as “Neechan wa Chuunibyou” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Elizabeth Ellis.

After three volumes, I’m still not quite sure how seriously I should be taking this series. Based on the premise and what actually happens in the books, you’d think the answer would be ‘not seriously at all’. And that’s probably the right answer, given the sheer amount of ridiculous things going on here. This is a parody of a certain melancholic series, and as a result is going to be over the top. At the same time, this is also the “this was a success, please expand on the plot and backstory a bit” volume, so we start to try to understand why Mutsuko is the way she is, and why Yuichi woke up one day seeing ‘roles’ over people’s heads. It’s a worthy goal, I suppose, but does mean you get a lot of wordy exposition at the start of the book, and if you think about it too hard it doesn’t really explain much at all.

The story picks up where we left off, with the club (and younger sister, who is there just because) heading off to a remote island, where Mutsuko has planned survival training. The remote island is a bit blatant, to the point where the characters spend several pages discussing the Haruhi equivalent without actually naming it. Once they get there, after conveniently jettisoning the minor characters, they find themselves drawn into a cult conspiracy to sacrifice virgins in order to resurrect an alien who is being worshipped as a god by the local anthropomorphic villagers. Yuichi, along with Natsuki, his serial killer-turned-love interest, is sidelined from the sacrificing for the most part, which is likely a relief, as when he does arrive to confront the God, he ends up one-shot killing it. In between these events, we get Aiko worrying about her vampiric heritage, Yoriko vacillating about how incestuous she really is, and Mutsuko being both obnoxious and disturbing at the same time.

When the book is being as light and frothy as this synopsis makes it sound, it’s excellent. Yuichi’s deadpan “well, whatever” reaction to events is shared by others in the cast now, and makes the whole thing less ridiculous and overpowered than it would sound if it was written in a more grandiose manner. Much as the series is riffing on Haruhi (to the point where much of the exposition discusses the idea that certain people can influence the world so that it obeys their whims, with the implication that Mutsuko is one such person), Mutsuko and Yuichi are only superficially similar to Haruhi and Kyon. Where the book falters a bit for me is when it does try to take itself too seriously. Kanako’s discussion about why she likes isekai stories hints at a much darker take on her character than I’d expected, and given how little she matters in the books to date it feels like pure setup and nothing else. Also, if you’re going to mock the “the sacrifices have to be virgins” cliche, don’t follow through with the “the non-virgins were raped and killed” part of that. You can’t mock your cliche and eat it too. That left a bad taste in my mouth.

In the end, this is an enjoyable series of books, but I find I’m enjoying the metatext a bit more than the text. the series walks a fine line between deconstructing this sort of light novel schtick and just going along with it. So far it holds up, but it needs to realize that dropping more serious content into the middle of it may be harder than initially thought. We’ll see what happens next – judging by its subtitle, the fourth book looks to double down on the Haruhi comparisons.

Species Domain, Vol. 1

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By Shunsuke Noro. Released in Japan by Akita Shoten, serialization ongoing in the magazine Bessatsu Shonen Champion. Released in North America by Seven Seas. Translated by Krista Shipley, Adapted by Karie Shipley.

Monster Girl titles are here to stay, and have tended to come in two varieties. Thankfully, this is the second variety, and so fanservice and borderline content is not on the menu. Instead, this is something that should appeal to fans of series like My Monster Secret or Interviews with Monster Girls, as it has much the same flavor. It can be a bit odd and off kilter, though not so much that it reaches the out there weirdness of A Centaur’s Life. Its strongest qualities is its dialogue, of which there is a lot – this is a series with a group of classmates who talk and talk and talk, and it’s a relief we find the talk funny. And there are the usual manga cliches present within – the elf girl is a misunderstood tsundere, the angel girl is overenthusiastic and puppydog-ish, the dwarf girl is low key and stoic, etc. It’s solid and unassuming.

This is not a “I must hide my secret from the world” sort of book – there are several fantasy types at the school, and it’s accepted as simply being part of how the world works. That said, Kazamori, the elf girl on the cover, is battling the fact that everyone assumes she’s an elf who can use cool wind magic and has powers – except she’s been raised by humans, so has nothing of the sort. What’s worse, she feels the need to act haughty and proud as an elf should, even though the turmoil of emotions that stir within her is a more accurate read of her character. It also leads to most of the humor in the book, particularly when she collides with Ohki, a normal boy who denies that magic exists – everything can be explained with science. Which is fine, except all of the ‘science’ he demonstrates is ludicrously impossible to anyone but him.

This is the start, but refreshingly we also do focus on the other characters. It’s hard not to look at Unli the dwarf and not think of Terry Pratchett’s Cheery, as she’s essentially a cute small schoolgirl with a full beard and a penchant for meat. I was very amused at the relationship between her and her human classmate Tanaka, which everyone interprets as romantic and then when they find out it’s really not all hell breaks loose in terms of their suppositions. The title really seems to enjoy making fun of audience expectations – there’s an omake chapter that has Kazamori dream of what would happen if she was the cool girl with elf powers she wants to be, and Ohki was the fired up “I will prove it is science” shonen lead, and it’s hilariously boring.

Like many recent licenses these days, this will not win any awards for originality or surprises, but it’s fun and likeable, the sort of manga that you read with a smile on your face, even if it sometimes turns into a bit of a smirk. The translation and adaptation are excellent as well, which is key for a series that depends so much on its conversations. A good debut, recommended for fans of the ‘monster girl’ genre or comedic school manga in general.

Kiss & White Lily for My Dearest Girl, Vol. 1

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It’s been some time since Experiments in Manga has hosted a guest post, but my friend Jocilyn was once again inspired and is back to review one of the more recently released yuri manga, the first volume of Canno’s Kiss & White Lily for My Dearest Girl. (Also if you’re interested, you can find some of Jocilyn’s non-manga writings over at her delectable tea blog Parting Gifts!)

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Kiss & White Lily for My Dearest Girl, Volume 1Seeing Canno’s name on the cover of a book in English feels like quite the sea change. Not only is she somewhat obscure with only one full manga series and a couple of one-offs and anthology contributions to her name, her writing style also leans heavily toward the heart-throbbingly romantic yuri (which English publishers have traditionally avoided as being too risky/niche). Also, although not an uncommon setting for yuri manga, Canno’s Kiss & White Lily for My Dearest Girl is the first genre title in English in a decade (i.e. Hakamada Mera’s Last Uniform and Hayashiya Shizuru’s Hayate X Blade, neither of which are exactly realistic), to give us a long look at dorm-life in a prestigious all-girls’ school. Finally, in case those weren’t enticing enough reasons, “Ano Kiss” has been translated by the matchless Jocelyne Allen, easily the most talented and enjoyable manga translator in the industry (and kind of my personal heroine). Hands down, Kiss & White Lily was my most anticipated manga of the year, and it has not disappointed.

To briefly summarize the plot, Ayaka Shiramine was told as a child that a 95/100 was an unacceptably low grade and ever since has never settled for anything less than no.1 in her class. Enter Yurine Kurosawa, a genius transfer student who can work academic and PE miracles with seemingly zero effort, who’s constantly seen sleeping in class. Indignant of the presumptuous upstart, Shiramine tries even harder than usual but still only manages second place on their midterms. In a fit of pique, Shiramine rips up her 98/100 test in front of Kurosawa declaring “It’s no good unless it’s perfect. If only you weren’t here, I would still be no.1” Kurosawa who had initially been impressed and quite smitten with Shiramine, amps up the rivalry and lords her superiority over Shiramine as a means to get closer to her. Before long Kurosawa has stolen Shiramine’s first kiss and being somewhat tsundere, Shiramine goes into total denial mode before being caught in a compromising position by her roommate cousin. Naturally, being a yuri manga, the cousin represents a B-story involving the boyish star of the track team and a hotly akogared sempai. Yada Yada Yada.

Kiss & White Lily for My Dearest Girl, Volume 1, Chapter 2I won’t belabor the obvious parallel to Kare Kano in overall plot. Kurosawa’s utter genius and complete ambivalence to nearly everything that doesn’t involve Shiramine is oddly cute and compelling. One scene that paints Kurosawa as particularly superhuman had me in stitches for a while the first time I read it, but I won’t spoil it for you here. Although Shiramine might be outwardly cool and dissembling toward Kurosawa, when they’re alone together she manages to unwittingly send all the right signals. As with its inspiration, the honor students’ relationship is all blushes and awkward but swoon-worthy and adorable.

Kiss & White Lily variously waxes exciting shoujo romance and lighthearted school girl fun in an enticing mixture. Although Canno does tend to use a lot of screen tones to the point of necromancing Kare Kano, her art style is very cute and emotive, moreso reminiscent of Shimura Takako. I very much enjoyed the gorgeous full-color introductory pages Yen was good enough to reproduce. Naturally Kiss & White Lily’s translation is nigh seamless perfection. I honestly cannot produce a single gripe this time. A thoroughly fabulous read!

Manga the Week of 4/12

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SEAN: Unlike Viz and Yen, Kodansha doesn’t usually pile it all on in one week. That said, hope you like Kodansha this week.

But first, J-Novel Club has a 2nd volume of Playing to Win in a VRMMO, the bulk of which is apparently a flashback to the time gap in the first book.

Kodansha continues to pump out digital-only series, both new and old Del Rey castoffs. For the former, we have the 2nd Ace of the Diamond, another Museum, and the second Tokyo Tarareba Girls. For the latter, new volumes of Gakuen Price, School Rumble, Yagyu Ninja Scrolls and the omnipresent Pumpkin Scissors.

MICHELLE: I kind of fell behind on keeping up with these, alas.

ANNA: I bought the first volume of Tokyo Tarareba Girls but haven’t read it yet, so far behind already.

ASH: I don’t know how much it really means, and I’m trying not to get my hopes up lest they be dashed, but Kodansha actually called some of these titles digital-first recently. I’d love to see more print editions!

SEAN: And there’s lots of print as well. Attack on Titan is so popular it’s not getting a Choose Your Own Adven… (cough) sorry, Choose Your Own Path Adventure, a totally not-litigious title, called Year 850: Last Stand at Wall Rose.

ASH: I’m really curious about this one; I loved gamebooks growing up. (And I have to admit, I still do.)

SEAN: Fairy Tail is up to Vol. 59, but I believe that this may be the final arc.

The Prince in His Dark Days is at Vol. 4. Are the days still dark?

MICHELLE: I believe this is the final volume, too.

SEAN: Princess Jellyfish’s 4th volume is probably the release I’m most excited about in this bunch.

MICHELLE: Me too.

ANNA: Indeed.

ASH: Still incredibly happy this series is being released!

MJ: Ack! I’m behind!

SEAN: But there’s also the debut of a new Kosuke Fujishima series. Toppu GP is the somewhat awkward title, and after combining fast bikes/cars with policewomen, goddesses and college kids, Kodansha is finally letting him actually do a racing manga. Should be fun.

MICHELLE: Huh. I suppose I should check it out.

SEAN: Seven Seas has a 5th volume of Not Lives, which I have Not Read in some time.

And a 7th volume of my “favorite” guilty pleasure (and by favorite I mean it makes me cringe so much but I read it anyway) Pandora in the Crimson Shell: Ghost Urn.

SuBLime has a 6th volume of The World’s Greatest First Love. (Spoil me, is it really that great?)

MICHELLE: No clue.

ASH: I find the series’ supposed romance much less compelling than its behind-the-scenes portrayal of the shoujo manga publishing industry.

SEAN: And Vertical gives us a 6th volume of Devil’s Line.

Lastly, there’s some more Viz. We have a 62nd volume of Case Closed. Catch up before you’re 63 volumes behind!

And a 20th Itsuwaribito, which I think may be nearing its end soon.

Magi reaches Vol. 23, and always makes me happy.

ANNA: So, so far behind on this title as well.

SEAN: And a 7th volume of Monster Hunter: Flash Hunter.

Lastly, the Revolutionary Girl Utena box set which got delayed at the last minute is now out in stores (unless Diamond shipped it to you early, like they did me). It’s the shoujo manga version of Utena, and I will leave it at that.

ASH: I actually haven’t read the series, but I have read the standalone manga The Adolescence of Utena which I loved and which is also included in this absolutely gorgeous box set.

SEAN: There’s a lot of variety this week. What appeals to you?

Flying Witch, Vol. 1

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By Chihiro Ishizuka. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Vertical Comics. Translated by Melissa Tanaka.

Relaxed and easygoing titles have always been a thing in Japanese manga to some extent, but over the last ten years or so it really seems to look like they’re coming into their own, or at least coming to North America more often. Whether it’s school life, village life, or workplace life, there is a growing need for watching a cast of mild to strong eccentrics go about life at their own pace, usually with at last one “straight man” to boggle at their antics. And as you may have gathered, Flying Witch continues in this genre, showing us a young witch who moves out into the sticks in order to train, and her laidback adventures with a group of (mostly) normal villagers.

Makoto is the witch, and she’s a bit of an airhead, although not to the extremes that some of these series try to go. She wants to do her best to be a better witch, but is easily distracted, has a Ryouga Hibiki-like sense of direction, and also has absolutely no idea how to hide her identity as a witch, which is supposed to be a secret, from anyone at all. She’s moved in with her cousins, and on the very first day she’s trying out a new broom in front of the youngest one, not particularly noticing that she isn’t supposed to be floating in the air. The cousin, Chinatsu, is probably my favorite character in the book; at first shy and a little reluctant to like this new girl, she gradually warms up once she realizes Makoto is a witch, and is a nicely realistic young girl.

Less successful is Kei, the main male lead, who unfortunately is not straight-laced enough to be the main “tsukkomi” that this series needs. (That falls to his classmate Nao, who holds up her end of the bargain admirably, and is the recipient of the manga’s funniest and also possibly creepiest moment.) Kei is simply too laid back and relaxed, and as a result has a tendency to have no personality. He seems to be a ‘minder’ sort, like Yotsuba’s dad, but these girls are too old to really need to take charge of, so mostly he exists so that the series isn’t made up entirely of girls. I was pleased to see that the witch aspect was not forgotten – this felt like one of those series that would settle into slice-of-life and forget its roots, but each chapter does have a small element of the supernatural in it, from the terrifying mandrake root to the Harbinger of Spring (whose matter-of-fact introduction reminded me of some of the better Zetsubou-sensei chapters) to Makoto’s older and more accomplished sister, who arrives, makes chaos, and then leaves.

There’s not much to grab a hold of here, and I doubt a “real” plot will form. But who wants a real plot to form anyway? Flying Witch is filled with cute, nice, slightly weird girls living their everyday life and doing witchcraft. If you enjoy slice-of-life eccentricity, it’s right in your strike zone.

Altair: A Record of Battles, Vol. 1

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Altair: A Record of Battles seems tailor-made for fanfic: it’s got a cast of achingly pretty men, a labyrinthine plot, and an exotic setting that freely mixes elements of Turkish, Austrian, and Bedouin cultures. Like other series that inspire such fan-ish activity — Hetalia: Axis Powers comes to mind — Altair is more interesting to talk about than to read, thanks to an exposition-heavy script and an abundance of second- and third-string characters; you’ll need a flowchart to keep track of who’s who.

The first volume begins promisingly enough. While visiting the Türkiye capitol, a diplomat from the neighboring Balt-Rhein Empire is assassinated in the streets, an arrow lodged in his back. Though the murder weapon suggests that someone in the Balt-Rhein military engineered the hit, Emperor Goldbalt’s mustache-twirling subordinate Louis Virgilio points the finger at Türkiye, insisting they produce the killer or face the ultimate consequence: war. Mahmut, the youngest member of the Türkiye generals’ council, impulsively decides to visit Goldblat’s court in an effort to prevent bloodshed and reveal the true culprit in Minister Franz’s death.

No matter how intensely the characters ball their fists or glower at each other, however, their drawn-out arguments over troop mobilization, international diplomacy, and rules of order are only moderately more entertaining than an afternoon of watching C-SPAN. Author Kotono Kato further burdens the script with text boxes indicating characters’ rank and title, and diagrams showing the distribution of power under the Türkiye “stratocracy,” details that add little to the reader’s understanding of why Balt-Rhein and Türkiye are teetering on the brink of war. Only a nighttime ambush stands out for its dynamic execution; it’s one of the few scenes in which Kato allows the pictures to speak for themselves, effectively conveying the ruthlessness of Mahmut’s enemies without the intrusion of voice-overs or pointed dialogue.

The characters are just as flat as the storytelling. Kato’s flair for costume design is symptomatic of this problem: she’s confused surface detail — sumptuous fabrics, towering hats, sparkling jewels — with character development. With the exception of Mahmut, whose passionate intensity and youthful arrogance are evident from the very first scene, the other characters are walking, talking plot devices whose personalities can be summed up in a word or two: “brash,” “devious,” “enthusiastic,” “mean.” (Also “hot” and “well dressed,” for anyone who’s keeping score.) The shallowness of the characterizations robs the Türkiye/Balt-Rhein conflict of urgency, a problem compounded by Kato’s tendency to wrap things up with epilogues that are as baldly worded as a textbook study guide. At least you’ll be prepared for the quiz.

The bottom line: History buffs will enjoy drawing parallels between the Türkiye and Balt-Rhein Empires and their real-life inspirations, but most readers will find Altair too labored to be compelling — unless, of course, they’re looking for fresh opportunities to ‘ship some handsome characters.

ALTAIR: A RECORD OF BATTLES, VOL. 1 • BY KOTONO KATO • KODANSHA COMICS • RATED T, FOR TEENS • DIGITAL ONLY

Bookshelf Briefs 4/3/17

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Cells at Work!, Vol. 3 | By Akane Shimizu | Kodansha Comics – Much to my surprise, Red Blood Cell takes a back seat in this volume, though she gets the entire first story to herself, in an amusing but predictable variation on “I protect her journey without her ever seeing me.” White Blood Cell is front and center, though, dealing with pranking cold germs, and a community of hair that has been beset by acne. There’s also Memory Cell, whose memory proves to be less amusing than his tendency to panic and overthink things, and Killer and Helper T Cell, who are vitriolic best buds who were once in Killer T boot camp together. The plots are the opposite of original, but the fun in Cells at Work! is seeing how the author meshes the cliches with genuine information. Great fun. – Sean Gaffney

Danganronpa: The Animation, Vol. 4 | By Spike Chunsoft and Takashi Tsukimi | Dark Horse – I’ve had issues with the rushed pacing during this entire adaptation, and it reaches a climax in this final volume, which is SO rushed it becomes almost a liability. And of course it’s compressing an anime that was already compressing a visual novel. That said, there are some striking visuals as you’d expect, particularly the revelation of the real villain and their final fate. Dark Horse hints at the end of the volume they may license more, and I’m vaguely interested, but honestly, this manga works better as an ad to get you to buy the game rather than as a story in itself. And as a vehicle for some truly wretched bear puns. – Sean Gaffney

Food Wars: Shokugeki no Soma, Vol. 17 | By Yuto Tsukuda and Shun Saeki | VIZ Media – This is not your usual volume of Food Wars!. In fact, most of it is fairly frustrating, as the restrictive regime of Erina’s father must be established before Yukihira presumably succeeds in triumphing over it. Azami Nakiri swiftly disbands all research societies and essentially outlaws creativity, mandating that all students be allowed to cook only approved recipes decided on by an elite group. Of course Yukihira rails against this, but when Polaris dormitory is threatened, he decides to challenge corrupt Eizan from the Council of Ten, even knowing that the judges are in his pocket. Alas, the reveal of Yukihira’s cooking waits until next time. The best part of the volume is runaway Erina being welcomed by the Polaris crew, but otherwise volume seventeen provides setup for a satisfying installment without really being one itself. – Michelle Smith

He’s My Only Vampire, Vol. 10 | By Aya Shouoto | Yen Press – With this volume, He’s My Only Vampire comes to an end. The details of Kana’s true origins are not belabored, but we do get some background on the origin of the stigmas and why Eriya is the way he is. As I expected (having previously read Shouoto’s Kiss of the Rose Princess, with its somewhat baffling finale), it doesn’t entirely make sense, but it makes enough sense for a reader like me, who doesn’t care enough anymore to quibble. The final confrontation is a bit rushed, but there’s a five-years-after epilogue that caps things off decently. In the end, this was an okay series—better than Kiss of the Rose Princess but not as good as The Demon Prince of Momochi House—but not one that I am likely to reread. – Michelle Smith

The Honor Student at Magic High School, Vol. 6 | By Tsutomu Sato and Yu Mori | Yen Press – Honoka’s status as girl with a crush who frets a lot is so ingrained that I was actually very surprised at seeing her crush her competition in her event that starts the fourth volume. It’s always nice to see characters like her succeed after all their hard work. The same cannot be said for Subaru and Nanami, two minor characters whose job is to show off how good the other school’s candidates are. And Honoka may be in trouble in future events, as she seems to have given away a secret to a new friend/spy. There’s also some amusing side stories, including showing that the two girls who kidnapped Honoka and Shizuku at the start of the series are in fact dating each other. Good stuff for Mahouka fans. – Sean Gaffney

UQ Holder, Vol. 10 | By Ken Akamatsu | Kodansha Comics – Last time we saw lots of unexplained Negima references, and this time we’re going back even further, as the start of this volume is nothing more than an extended riff on Love Hina—unsurprising given they’re all running an inn with an onsen at this point, but still, you can’t help but laugh. Kirie gets more focus and depth, and reminds me that Akamatsu loved to use Chisame more than the others as well. As for Kuromaru, she’s pretty much come down on the ‘she’ end of the equation with her growing chest, but her feelings for Tota are still causing her great difficulty. Oh well, it wouldn’t be Akamatsu without harem romance not going anywhere. Coming out slower, but still for for those who like Akamatsu. – Sean Gaffney

My Week in Manga: March 27-April 2, 2017

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My News and Reviews

As regular readers of Experiments in Manga know, on the last Wednesday of every month I host a giveaway of some sort (usually manga-related) for which participants have a week to submit their entries. This time around the monthly giveaway is for the first volume of Coolkyousinnjya’s surprisingly delightful Miss Kobayashi’s Dragon Maid. The winner will be announced this coming Wednesday, so you can still enter for a chance to win if you haven’t already. Also later this week, look for another guest review by my friend and fellow yuri manga fan Jocilyn. Elsewhere in the Manga Bookshelf sphere of blogs, The Manga Critic has started a monthly manga review index. There have been similar features in the past, perhaps most notably at MangaBlog, and I’ve always found them incredibly useful and valuable, so I’m glad to see Kate Dacey taking it on. Also in general, I highly recommend the content at The Manga Critic–Kate’s actually one of my major inspirations when it comes to manga blogging.

As for other interesting things I’ve come across recently: Chic Pixel’s Anne Lee has posted a really fantastic list of bibliographic resources for those curious about the academic study of boys’ love. (I’ve read quite a few books and articles myself, and even reviewed Jeffery Angles’ Writing the Love of Boys: Origins of Bishōnen Culture in Modernist Japanese Literature at Experiments in Manga a few years ago.) And if that’s not enough of BL studies for you, J. R. Brown has posted the slides from her Anime Boston panel “Boys’ Love, Otome Culture, and Gender” which covers everything from the origin of shoujo manga to gay comics and more. On their own the slides are fairly informative, but I’m looking forward to seeing the annotated version, too.

Also at Anime Boston, Viz Media made quite a few licensing announcements. Some were digital-only while others were digital-first or print-only. Here’s a quick list of the books that will eventually make their way into print: Kenta Shinohara’s Astra Lost in Space, Abi Umeda’s Children of Whales (I’m particularly curious about this series), an omnibus edition of Tsugumi Ohba and Takeshi Obata’s Death Note collecting the entire series and a bonus epilogue in a single volume, Nisioisin’s Hikaru Nakamura’s novel Juni Taisen: Zodiac Warriors (I’m not familiar with the novel, but the creators involved have certainly caught my attention), Kenji Taira’s Naruto: Chibi Sasuke’s Sharingan Legend, Kaiu Shirai and Posuka Demizu’s The Promised Neverland (which is supposed to be fantastic), a collection of nine Junji Ito stories and accompanying material selected by Ito himself called Shiver (always glad to see more Ito being released in English), Maki Enjoji’s SP Baby, and Sui Ishida’s artbook Tokyo Ghoul Illustrations.

A couple of Kickstarter projects recently launched which may be of interest as well: All the Anime/Anime Limited is joining forces with Studio 4°C to create a home video release of Masaaki Yuasa’s directorial debut Mind Game. Digital Manga has entered the fray again with a campaign to release more of Osamu Tezuka’s manga in print: Ambassador Magma, Dust 8, The Euphrates Tree, Metamorphose, Say Hello to Bookila, The Thief Inoue Akikazu, Wonder 3, and Yakeppachi’s Maria. It looks as though the print runs will be very limited and Kickstarter may be the only way to get a hold of some of the titles. (I have to admit, I certainly have my qualms about Digital Manga’s business practices in general and over-reliance on crowdfunding specifically. The quality of Digital Manga’s releases has really gone downhill over the last few years, too. Honestly, I’ve lost most of my confidence in the company as a publisher, but it’s managed not to completely go under yet.)

Quick Takes

Dawn of the Arcana, Volume 1Dawn of the Arcana, Volumes 1-6 by Rei Toma. I generally enjoy epic fantasy of the shoujo variety, so I’m not entirely sure why it’s taken me so long to finally get around to reading Dawn of the Arcana. So far, I’m enjoying the manga tremendously. Nakaba is a princess who has been married off to a prince of the neighboring kingdom despite her questionable ancestry in a half-hearted attempt to secure peace between the two countries. But instead, gifted with the ability to see both into the past and into the future, Nakaba may find herself in the unlikely position of leading a revolution. Dawn of the Arcana does come across as a rather typical example of high fantasy–all the way down to the heroine’s fiery red hair–but even though it hasn’t really made itself stand out yet, the manga is a solid series. I greatly enjoyed the manga’s mix of court and political intrigue, action, and complicated interpersonal relationships. Much like the story, the artwork tends to be somewhat standard although attractive. Toma’s backgrounds are generally fairly sparse, but the details put into things like the characters’ clothing is lovely. I definitely look forward to reading more of Dawn of the Arcana in the very near future.

Hana & Hina After School, Volume 1Hana & Hina After School, Volume 1 by Milk Morinaga. I believe that Morinaga is currently the most well-represented yuri manga creator available in English. So far, five of Morinaga’s manga have been translated, the most recent being Hana & Hina After School. Interestingly, in Japan the manga was serialized in a magazine aimed at a general audience rather than one specifically catering to yuri fans. The titular Hana and Hina are two young women working part time at a store specializing in cute character goods even though their high school forbids its students from holding jobs. The story follows their relationship as they become friends and slowly realize that their feelings may evolve into something else. Like most of Morinaga’s other manga that I’ve read, Hana & Hina After School tends to be rather cute and sweet. The series is enjoyable and pleasant even if it is at times a little silly and somewhat unbelievable. However, the end of the first volume does introduce some sobering concerns when Hina is confronted by a few of her classmates homophobia, an unfortunate reality that many yuri manga tend to gloss over or ignore entirely in favor of pure fantasy. (Granted, that fantasy is important to have, too.)

Scum's Wish, Volume 1Scum’s Wish, Volumes 1-2 by Mengo Yokoyari. I wasn’t initially planning to pick up Scum’s Wish, but after reading a few positive reviews of the series I decided to give it a try after all. The cover art of the first volume is deliberately provocative, but the manga isn’t nearly as salacious as it might imply. In fact, the series can actually be surprisingly contemplative. Scum’s Wish is a manga about unrequited love. Almost every character in the series is pining for someone with whom an involved romance would seem to be impossible or at least inadvisable, resulting in a complex web of personal relationships fraught with loneliness and anguish. (There is one heck of a love polygon going on in Scum’s Wish and nearly everyone who is introduced is connected to it somehow.) Hanabi is in love with Narumi, her childhood friend who now also happens to be her homeroom teacher. Mugi is in love with Akane, a music instructor who used to be his tutor. Recognizing that they are suffering under very similar circumstances and hoping to ease some of the pain, Hanabi and Mugi agree to find comfort in a relationship together. Neither one of them is in love with the other, but they are both aware of and take advantage of that fact.

Deep RedDeep Red by Hisashi Nozawa. Although perhaps best known as a screenwriter, Nozawa was also recognized as an accomplished novelist. Deep Red, which earned Nozawa an Eiji Yoshikawa Prize in 2001, is his first novel to be released in English. Kanako is the only survivor of the mass murder of her family, simply because she happened to be away on a school trip when her parents and two younger brothers were killed. Understandably, their deaths have left a great wound, but Kanako isn’t the only one left troubled and hurt–the life of Miho, the daughter of the murderer, has also been irrevocably changed. At times, Deep Red is uncomfortably voyeuristic and there’s a peculiar fixation on Kanako’s body and sex life with her boyfriend. I was never entirely convinced by Kanako as a character, either. However, Deep Red does provide an interesting psychological exploration of hate, anger, and misplaced revenge. The novel is instantly engaging. However, the middle portion of the narrative is repetitive and does drag a fair bit; I admittedly started to lose my interest and patience with the story. But once Kanako becomes obsessed with and decides to pursue Miho, Deep Red picks up speed again and the novel’s ending is very satisfying.

Blood Lad, Vol. 8

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By Yuuki Kodama. Released in Japan by Kadokawa Shoten, serialized in the magazine Young Ace. Released in North America by Yen Press. Translated by Melissa Tanaka.

It’s been over a year since we last looked at the world of Blood Lad. Such is life when you’ve caught up to a series’ Japanese releases, even more so when Yen puts this out as an omnibus. But the manga has now finished in Japan, so we shouldn’t have quite as long to wait for the final volume. In the meantime, we get this new omnibus, which does exactly what I suspected it would, which is get taken up by a huge fight between the villain and everyone else, showing off all the minor and secondary characters to a decent degree, but putting the emphasis squarely where it’s been (more or less) since Day One: on the odd relationship between vampire leader Staz and busty newly dead ghost Fuyumi. It even gives Fuyumi something to do!… though that’s somewhat problematic as well.

If you look at my past reviews of Blood Lad, you’ll see that Fuyumi’s lack of character development has been a bit of a bugaboo for me. She’s improved, but still tends to be reactive rather than proactive. That doesn’t change here, much as I’d like it to. The solution to how to defeat the bad guy involves Staz fusing with Fuyumi’s body, effectively making her the action heroine, but since it’s really Staz in the driver’s seat, the effect is lost, no matter how often we hear ‘Super Fuyumi Kick!’. Her best moment in this volume may come in a ‘dreamscape’, as she yells at him for being tactless and not understanding her feelings while literally dressed up as a giant 50-foot bride. Fuyumi is ‘the love interest’, and sadly Blood Lad’s biggest lost opportunity.

Thankfully, we’ve got something that makes up for that: humor. A good deal of this volume is hilarious, especially towards the end. Much as I disliked the Staz/Fuyumi fusion as character development, as an homage to giant robots it’s wonderful, especially as more and more people end up getting added and Staz’s Fuyumi Gundam rapidly turns into a Fuyumi Yamato. And, let’s be honest, the sight of Fuyumi with Staz’s teeth and attitude is also highly amusing. It helps to distract a bit from the brutality of the villain, who I think we abandon all hope of ever turning back to the other villain he used to be here. He’s a good villain, but also a bit one-note. Still, he provides tension.

Blood Lad in the end works best if you view it as one of those summer action blockbusters you see in the theater. While you’re watching it you’re captivated by the cool fight scenes and great quips, but it tends to fall apart when you go home and think about the plot afterwards. So don’t think about it too hard. Just sit back and enjoy a manga written by an artist who is clearly enjoying the hell out of himself, and grin along with Staz as you pilot a giant robot version of the girl you like in order to defeat a madman.

Yona of the Dawn Vol. 5

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Yona of the Dawn Volume 5 by Mizuho Kusanagi

Yona of the Dawn continues to be an absolutely delightful manga. Every time I finish a volume I feel extremely satisfied as a reader, having gotten just the right amount of plot, character development, humor, and action. The fourth volume was much more somber in tone as the intrepid adventurers led by Yona find the Blue Dragon in his mountain village. Entirely isolated due to his special abilities from a young age, the Blue Dragon seems a bit intrigued by the visitors, but still lost and on his own. A cave-in prompts some dramatic action, and when Yona invites him to join her again, he agrees. The first chapter ends on a wistful note as the Blue Dragon’s internal thoughts turn to the previous Dragon who trained him, reflecting that he doesn’t remember the face of the man who used to be his only family.

Yona of the Dawn doesn’t stay moody for long, as Gija attempts to sense the location of the next dragon, only to collapse. This gives Hak an excuse to intone “Rest in Peace”, but Gija is temporarily indisposed. The group heads to a seaside village next, where the Green Dragon is a sardonic pirate, determined to maintain his independence despite his destiny. Hak and the Green Dragon keep running into each other randomly as they save villagers from being oppressed.

This volume had some of my favorite character-driven moments so far, as Yona permits all of her entourage to call her by her fist name except for Hak. He’s horrified that she’s allowing herself to be addressed so casually, and when they are talking together separately, she asks him to always be sure to call her “your highness”, because she can’t forget where she came from, to preserve the memory of her former family. The scene shows Hak’s unwavering devotion, the closeness between Hak and Yona, and at the same time the distance that rank puts between them. Yona has come a long way from the frightened princess n the first volume, and she’s still determined to keep improving herself. I’m enjoying the pace of this manga as well. With three of the dragon guardians identified, I’m looking forward to seeing the fourth one tracked down and then seeing how the story unfolds once Yona has her mini army all gathered together.

Twinkle Stars, Vol. 2

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By Natsuki Takaya. Released in Japan as two separate volumes by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Yen Press. Translated by Sheldon Drzka.

One of Takaya’s stronger points is her ability to depict a character hiding their own emotional pain and despair, usually because they don’t want to make others worry or because it’s simply not the done thing to admit your feelings. We see more of that in this new omnibus, as we get more details on Sakuya’s depression and what led to her living away from her family with Kanade. Now to be fair, we’ve covered a lot of these sorts of situations in Fruits Basket – I mean, if you guessed emotional abuse from a parental figure, give yourself a nickel – but it can be argued that this sort of thing needs to be brought into the open as much as Takaya does. Sakuya’s repressed feelings – which she isn’t suite sure about, possibly as her new stepmother is pushing at her to hate her – are one of the highlights of the volume.

Of course, what makes Sakuya such a strong character is that it really isn’t entirely a mask to hide her emotional pain. Sakuya’s joy at being with her friends and seeing the stars is very real too, and so are her budding feelings for Chihiro, even if she finds them a bit terrifying. Chihiro is slightly less interesting in this second volume, mostly as he’s far less mercurial – he seems to have accepted Sakuya as a new friend, and therefore there’s not as much pushing back, though I suspect we’ll get that from a different angle in future volumes. Yuuri and Hijiri get the cover art, and Yuuri also gets a bit more backstory, which develops the reasons he’s fallen for Sakuya while also showing that he absolutely is not going to be the winner.

And then there’s Hijiri, who is perfect. I would like to say it’s rare I fall for a character so fast, but that’s not true, this happens all the time. But it’s always a pleasure when it does. Hijiri has a sharp tongue, but is looking out for her friends, and I am pleased to see that the very first page of this omnibus shows that she and Yuuri will not be set up into a ‘pair the spares’ romance. Of course, this also seems to be because she has a crush on her teacher, which makes me wary. Better is the amusing relationship she has with her masochistic manservant Saki, who is 100% devoted to her and has no trouble showing this in front of others, much to her dismay. Takaya’s comedy can be forced at times, but when she’s on a roll you will laugh your head off.

The preview for the next omnibus seems to show that we’ll be getting Chihiro’s backstory next – I keep thinking things are movign a bit fast, but then I recall that this series was less than half the number of volumes that fruits Basket had. That doesn’t make it any less good, though, and I look forward to intense emotional pain as only Takaya can give to readers next time around.

Manga the Week of 4/5/17

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SEAN: We’re near April Fools’ Day, and while I normally tend to shun it, I will make one overture to the holiday by doing next week’s manga list in reverse order.

So let’s start with Viz Media and Yu-Gi-Oh!. The seemingly endless franchise is starting a new series, this one called Arc V.

Yona of the Dawn gets a 5th volume, and is always near the top of my must-read list.

MICHELLE: And mine, as well.

ASH: I’ll be reading it soon, too!

ANNA: It is so consistently good.

SEAN: World Trigger has a 15th volume for Shonen Jump fans.

The big debut this week is The Water Dragon’s Bride, which is by Rei Toma, author of Dawn of the Arcana, and runs in Shogakukan’s shoujo/josei crossover magazine Cheese!. Expect fantasy and spunky female leads.

MICHELLE: Having enjoyed Dawn of the Arcana quite a lot, I’m really looking forward to this one!

ASH: I actually just started reading Dawn of the Arcana for the first time. I’m really enjoying the series, so I may need to make a point to pick up The Water Dragon’s Bride, too.

ANNA: It is great, but the first volume is actually much darker than most shoujo manga I’ve read recently, so it is an interesting change of pace.

MJ: I’m actually even more interested after Anna’s “much darker” comment. So count me in!

SEAN: There’s an 8th Twin Star Exorcists.

So Cute It Hurts!! has hit 12 volumes, which frankly surprises me. And there are more to come.

MICHELLE: Ugh.

ANNA: I need to get caught up on this.

SEAN: The Rurouni Kenshin series gets a 2nd 3-in-1 volume.

ASH: Glad to see Viz keeping this series in print. (The VizBig editions were nicer, though.)

ANNA: It is one of those series that should be in print!

SEAN: And Naruto gets its 18th 3-in-1, which means it can now legally vote.

Kuroko’s Basketball has another omnibus, covering Volumes 9 and 10. Spoiler: basketball is played.

Honey So Sweet has a sweet 6th volume.

ANNA: It is so super-cute and adorable.

MJ: I haven’t been reading this, and maybe I should be.

MICHELLE: I think you’d like it!

SEAN: And Haikyu!! has hit double-digits. (Technically, so has Kuroko.)

ASH: Haikyu!!!! I’m still loving the series, by the way.

ANNA: It is a favorite series in my house, my kids devour each volume.

SEAN: Food Wars! gives us a 17th volume, and promises to make life difficult for our favorite haughty blonde heroine.

ASH: I really need to catch up with Food Wars! one of these days.

SEAN: The Demon Prince of Momochi House has defeated the other Aya Shouoto manga titles to become the Last One Standing, and here is its 8th volume.

MICHELLE: All of the last five titles are on my list, though it’s Haikyu!! and Food Wars! that I love the most. Well, Honey So Sweet is right up there, too.

ASH: The Demon Prince of Momochi House is my favorite of Shouoto’s manga currently in English, so I’m glad we’ll be getting more.

ANNA: I like it too!

SEAN: Viz debuts its Naruto spinoff Boruto, which is about the next generation of ninja children, and perfect for the three or four people who weren’t upset with the ending pairings.

MJ: Heh.

SEAN: Black Clover has a 6th volume, and we will see how much it apes other series and how much it tries to do its own thing.

As for Assassination Classroom 15: if you wondered if Kaede Kayano would ever do anything other than make flan and have a crush on the hero, this is the volume for you.

Lastly (for Viz), we have a 4th volume of 7th Garden, shipping on the 5th, just to keep things confusing.

Vertical has a Ghost in the Shell story collection out next week, imaginatively called Ghost in the Shell: 5 New Short Stories.

ASH: I’m actually really looking forward to this collection if for no other reason than the volume has a story by Toh EnJoe in it.

SEAN: There’s also a 9th Ajin.

Kodansha gives us a 13th volume of Yamada-kun and the Seven Witches, well into its second round of witch shenanigans.

For fans of old Del Rey titles being restarted digitally, there’s new volumes of Alive, Princess Resurrection and Pumpkin Scissors out next week.

Back to print, with the 3rd volume of Fire Force, combining firefighters and the supernatural deftly.

And there’s a second volume of All-Rounder Meguru for more digital fun.

MICHELLE: Woot. Not that I’ve managed to keep up sufficiently to have read the first one yet.

SEAN: J-Novel Club has a third volume of ridiculous but fun series My Big Sister Lives In A Fantasy World, which may be the beach episode readers have dreamed of.

Dark Horse is reminding us they do manga by having a pile at once. We get a 3rd I Am A Hero omnibus, for all your zombie apocalypse needs.

Hatsune Miku: Rin-chan Now! is another in the endless Vocaloid franchise.

Blade of the Immortal has a 2nd omnibus, for those who missed its previous re-releases.

Lastly, there’s a 7th Astro Boy omnibus, for those who missed ITS previous re-releases.

Perceptive readers might think I did this backwards just to get the images to fit properly. LIES. It was totally due to April Fools. So what are you getting?