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I Saved Too Many Girls and Caused the Apocalypse, Vol. 9

August 19, 2018 by Sean Gaffney

By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Mana Z.

Eventually this series is simply going to have to run out of stereotypical heroines to stack on to Rekka’s pile. We’re down to two – well, one, really, but I have my suspicions about the other – in this book, and the cracks are starting to show – I’m OK with beloved childhood friend, but beloved childhood PET? Yes, turns out the cat was a cat yokai of some sort, and now She Is All Grown Up and everything. Of course, she still acts like a cat. Her story is probably the weakest in the book, actually, as this is essentially a book of four short stories with a wraparound, and so it gets resolved quickly and easily. Possibly realizing that, the author gives us a little more depth to both heroines from the 6th book, who R wasn’t quite sure were heroines or not last time. They may not have crises to resolve, but they do both seem to like Rekka. And then there’s R.

I have been crying out for more character depth and insight into R and her future, and it looks like I’m finally starting to get it. The other “girl” in this volume is an assassin from the future, and the moment we hear she’s named L we know she’s connected to R in some way. As it turns out, she’s the prototype for what R is, and it was originally her mission to save the world… but things took too long, and R had better specs, so she was used instead, and L was sent to live her own life and, well, get corrupted by the forces of evil. As frequently happens in this sort of story. I’m not entirely certain if we’re going to add L to the harem list, but the door is open for her return. That said, I found R more fascinating here. For the most part she remains her dry, emotionless snarky self, but dealing with L finally forces some actual anger and rage out of her, mostly because she can’t be like Rekka.

Much as this series tries to have Rekka be a parody of the clueless harem guy, and he absolutely is, when it comes to saving the girl he’s really, really good at it. R has watched him save the day time and again against all odds, and it’s very frustrating to R that she is ultimately unable to talk any sense into L or save her. Unfortunately, the drawback of my enjoying her plotline is that the rest of the book feels off-balance, as if the other three stories aren’t up to the task of the final one. There’s nothing wrong with them – everyone goes to the pool and tries to flirt with Rekka, to no avail; they hold a “summer camp” at the school in an effort to give Midori a bit more depth, which… works a bit, but she still suffers from not really having had much impact in her debut. So in the end this volume of Little Apocalypse is just OK, but the best part is at the end, so it will leave you happy when you finish it.

Filed Under: i saved too many girls and caused the apocalypse, REVIEWS

Shortcake Cake, Vol. 1

August 18, 2018 by Anna N

Shortcake Cake, Volume 1 by suu Morishita

I’m always up for more shoujo series, and Shortcake Cake starts off with a very promising first volume. The story begins with Ten Serizawa dealing with her daily 2 hour commute to school. She gets up early and naps on the bus. But as she hangs out with her school friends, she begins to realize that her commitment to the commute means that she can’t take part in after school gatherings with her new classmates, as she has to keep checking the time to be sure she’s able to catch the last bus back to her more rural home. Ten’s friend Ageha points out how much easier it would be if Ten moved in to her boardinghouse. Ageha sneaks Ten in one day after school (the residents aren’t supposed to have outside guests), and Ten experiences the hazards of boardinghouse crashing, like avoiding the house mom, tiptoeing past the boys’ floor. In the process she has a brief encounter with the handsome bookworm Chiaki, who dazzles her with his good looks and quotes Turgenev at her.

Ten sees that the boardinghouse is much more spacious and nice than she was imagining and decides to move in. She meets another resident, the overly flirtatious Riku. As Ten gets settled in, she starts getting entwined in the lives of the residents. She sees Riku gently turning a girl down who asks him out and points out to him that if he would stop flirting with everyone, random girls wouldn’t get the wrong idea. Riku’s ingratiating manners are looked on as odd by most of the boardinghouse. Riku starts falling for Ten, and can’t act like his normal self around her anymore. The new friends go out on an outing, and Ten learns more about Chiaki’s bookish ways and his reactions to his looks-driven popularity. Finally, a third boy is introduced, Rei, who wears traditional clothing and is drawn to resemble a blond L from Death Note. He’s given to odd insulting outbursts.

So a romance being set up where many people slowly fall in love with a relatively ordinary girl is familiar shoujo manga territory, but the situation in Shortcake Cake doesn’t feel artificial or unearned, because Ten is objectively pretty adorable with her Sailor Moon style pigtails and her quirky hobby of following along with radio exercise programs. Morishita does a great job with character development in this volume, leaving just enough mystery for the reader to become invested in finding out why Chiaki is so withdrawn and wonder why Riku is overcompensating by acting superficially pleasant to most of the girls he meets. The volume ends on a cliffhanger which shows Ten forcing a confrontation about something that most shoujo heroines would leave unsaid for 5-6 volumes, which instantly got me onboard for the rest of the series!

Morishita’s art features a liberal amount of screen tone, and her characters quickly switch back and forth between regular and exaggerated facial expressions. Ten frequently shifts into cat face mode whenever she’s being mischievous or startled. The production for Shortcake Cake sets it apart from other Shojo Beat volumes, with matte covers and a cute strawberry on the spine. There are some additional black and white illustrations for chapter covers included as a bonus in the back of the book. I can see why this shoujo series was so highly anticipated, and I’m looking forward to reading more.

Filed Under: Manga Reviews, REVIEWS Tagged With: shojo beat, shortcake cake, shoujo, viz media

Accomplishments of the Duke’s Daughter, Vol. 1

August 18, 2018 by Sean Gaffney

By Suki Umemiya and Reia. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Seven Seas. Translated by Angela Liu. Adapted by Tracy Barnett.

There has been a bit of a backlash online about the constant flow of “isekai” stories into North America in the past few years. Of course, that’s because they’re incredibly popular in Japan. Indeed, they seem to be so popular in Japan that we’re starting to see authors who have an idea of a story that need not involve an isekai try to shoehorn it in anyway to get readers. This is a good example of it. Now, I may be wrong – it’s taken from a light novel that is itself taken from a webnovel, and future volumes may take more advantage of the fact that its heroine has been killed and reincarnated in another world. But honestly, if you removed the isekai aspect from this manga series, very little would change at all. Fortunately, the story is strong – which is probably why I’m complaining that an isekai wasn’t needed. I’m perfectly happy to watch Iris save the world.

As I mentioned earlier, it begins, as many series like this do, with a death by car accident. A young woman who works overtime at some company or other and spends her spare time playing otome games is killed, and suddenly finds herself in the climactic scene of the game she just cleared. Sadly… she’s the rival who’s just being taken to the cleaners. She knows what happens next – her character leaves the school and gets exiled to a nunnery for the rest of her life. Yeah, that’s not happening. Oh, she’ll leave the school, but she decides instead to confront her father with all the political machinations that have been going on in the game, pointing out that he had plans and backup plans. He’s impressed enough by this that he decides instead of exiling her to a nunnery to exile her to one of his fiefdoms, and basically tells her she’s in charge. So, with the help of a seeming army of orphans she’s picked up over the years, she sets out to make her country a better place.

I enjoyed this, but there are, let’s face it, a few moments that made me raise an eyebrow in disbelief. For a “villain” character who is seemingly an expert at verbal abuse in the game itself, Iris actually turns out to be a sweet girl who constantly wants to save everyone. Iris claims it’s “first love sickness”, and I guess we’ll go with that, but I’d have liked better use of the actual gimmick. Likewise, Iris immediately having a large force of bodyguards, maids, accountants and such that she can immediately marshal to the cause is a bit… easy? That said, honestly, if it’s going to lead to “let’s see how we’ve neglected the poor people and try to make it so they have a better life”, I’m fine with it. And the supporting cast seem fun, even though, as I noted, none of them seem to regard Iris as the villain type. Honestly, given this runs in a seinen magazine, the best audience for it may be those who enjoy the light novel How a Realist Hero Rebuilt the Kingdom. It has a similar vibe. In any case, I look forward to future volumes of this flawed but fun book, even if it did not have to be an isekai.

Filed Under: accomplishments of the duke's daughter, REVIEWS

Arifureta: From Commonplace to World’s Strongest, Vol. 7

August 17, 2018 by Sean Gaffney

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve talked before about Hajime as Christ figure, and Hajime as simply another example of the overpowered hero going after the kids that bullied the author in middle school, but in this book it’s also worth taking a look at something that has remained a core part of Hajime’s character despite every possible attempt to extract it: Hajime the nerd. (Yes, yes, I know, chuuni. I never saw that anime, so feel uncomfortable using the expression.) Hajime’s inner monologue has had the occasional taste of otaku culture throughout the series, but this volume really sees it in full flower. When he’s in the bar gathering information, and has to impress the bartender, you can almost hear him squeeing. And while the core purpose of his “arranging a distraction” was to humiliate and get a bit of revenge on Shizuku for laughing at him, the fact that he dresses them all as a sentai team also shows this off. Hajime is badass, but still a nerd.

We seem to have run out of cover girls, as we’re back to Yue. (Technically it should be Liliana, but honestly ignoring her in favor of Yue is perfectly in character.) That said, in terms of content, Shea should really be the one on the cover, as she and her rabbit tribe own this book. Considering that turning the rabbits into savage killers was a passing joke in the 2nd book, it’s become quite a large thing, and the best running gag of the volume was everyone giving Hajime the stink-eye as they realize how much he brainwashed everyone into being Rambo. (They also inherited his nerd tendencies, coming up with hilariously bad “names” for themselves.) Since the Empire is doubling down on Beastmen being enslaved, the rabbits take matters into their own hands – with a little help from Hajime, admittedly, but mostly entirely on their own – to convince the Emperor to change his mind. Again, those who like over the top battles will be very happy.

The demons also get their asses handed to them by the rabbits, but they have a much stronger response, coming up with 400 or so of the Angels that Hajime had a little trouble with in Book 6. I suspect the eighth volume will deal with the fallout from that. One last thing that impressed me, though, was the final extra story. Usually in light novels these extra stories are pure fanservice, but this one not only advances the plot but makes a nice refreshing change from the “all religion is evil” trope we’ve seen in Arifureta and other light novels. A new pope is appointed to fill the void caused by the events of Book 6, and he proves to be an excellent choice, coming across both Yuka (the girl Hajime saved in Book 1) and Aiko and helping them get over their dithering and try to move forward. It comes across as a confessional, and this is exactly the sort of thing that confessions should be about. I really liked it.

A very strong Arifureta book. Except for Tio. God, I hate Tio. More accurately, I hate the way the author writes Tio.

Filed Under: arifureta, REVIEWS

Manga the Week of 8/22/18

August 16, 2018 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: Let’s face it, even without Yen Press this would be a really heavy week. With Yen it’s absolutely terrifying.

But first, the non-Yen offerings. Dark Horse gives us the first Gantz omnibus, in case you want to catch up on your lycra.

Haikasoru has the 7th volume of Legend of Galactic Heroes. If it’s the one I think it is, oh dear.

MICHELLE: Someday, I really will read these. My intentions are good!

ANNA: I have good intentions about reading this as well.

ASH: I’m a few volumes behind, but I’ve been enjoying them!

J-Novel Club announced a bunch of stuff at Anime Expo, and this is what I was most excited about. I loved the Kokoro Connect manga when it came out years ago, and wished we could read the light novels. Now we can! The first one is out next week.

J-Novel Club also has the 3rd Infinite Stratos novel.

Kodansha has some print manga for all of you. Attack on Titan: Before the Fall 14, Battle Angel Alita Deluxe Edition 5, Love and Lies 7, and That Time I Got Reincarnated as a Slime 7.

ASH: Oh, print manga! The deluxe edition Battle Angel Alita is really nice, and I’ve been enjoying That Time I Got Reincarnated as a Slime more than I expected.

SEAN: There’s five debuts in their digital lineup though, all one-volume BL titles. They seem to be from their Honey Milk magazine, and are: Intertwining Lives, Keeping His Whims in Check, Key Ring Lock, Stray Bullet Baby, and Trap in a Skirt. Looking askance at that last one, but kudos to Kodansha for reaching out to a new audience.

MICHELLE: Very much the same re: askance looks, but otherwise I’m fairly intrigued.

ANNA: Glad the BL fans are getting some content!

MJ: I’m looking askance, mostly at some of these titles. Trap in a Skirt?

SEAN: They also have many ongoing digital titles, with DAYS 9, Giant Killing 13, Kakafukaka 2, Karate Heat 2, and Perfect World 5.

MICHELLE: All of which I intend to read at some point, probably starting with the soccer titles.

ANNA: I wish there was more print sports manga in general, my kids love it.

SEAN: Seven Seas has no debuts this week, but they do have a 4th Akashic Records of Bastard Magical Instructor, a 13th Arpeggio of Blue Steel, and a 3rd Saint Seiya: Saintia Sho.

Vertical gives us an 11th Devils’ Line.

Oh boy, more titles I have nothing to say about. Viz has Mobile Suit Gundam Thunderbolt 8, the 2nd RWBY Anthology (which focuses on Weiss), and Tokyo Ghoul: re 6.

ASH: I haven’t gotten into Tokyo Ghoul to the same extent that a lot of people seem to have, but I’m glad to see it doing well enough to bring in the other related series.

SEAN: And Yen. So much Yen, particularly if you read their light novels. A debut and a one-shot this month. The debut is Defeating the Demon Lord’s a Cinch (If You’ve Got a Ringer). A hero is summoned to another world, and he and his party need to defeat the demon lord. Sadly, the hero and his party are useless, so it’s up to the priest trailing behind to save them from their own awfulness. Expect comedy here.

ASH: That does sound rather amusing.

SEAN: The one-shot is another novelization of a popular movie, this one called Fireworks: Should We See It from the Side or the Bottom?. I’m thinking it’s your name-y.

But there’s more. So much more. The Asterisk War 7, Baccano! 8, A Certain Magical Index 16, The Devil Is a Part-Timer! 11, KonoSuba 6, I’ve Been Killing Slimes for 300 Years 2, Rokka: Braves of the Six Flowers 5, Sword Art Online 14, and That Time I Got Reincarnated As a Slime 3. That’s a lot of Yen On’s best-sellers. And also Index.

Believe it or not, Yen has some manga as well. Quite a bit, in fact. Debuts? Sure. Chio’s School Road is a Comic Flapper title showing our heroine walking to school every day and getting in the most amazing predicaments.

And deep breath, let’s pound through the ongoing titles out next week. ACCA 4, Angels of Death 4, Aoharu x Machinegun 12, Black Butler 26, BTOOOM! 22, The Case Study of Vanitas 4, Dimension W 11, Forbidden Scrollery 4, Hatsu*Haru 2, Re: Zero Arc 3 Volume 4, the 8th and final volume of Scum’s Wish (though there’s a sequel, as yet unlicensed), Silver Spoon 4, Tales of Wedding Rings 3, Today’s Cerberus 10, Trinity Seven 14, and Yowamushi Pedal 9. (breathes) In that list, Silver Spoon and Yowapeda are what excite me most.

MICHELLE: I share your enthusiasm for those particular titles, though I also want to get caught up on Hatsu*Haru and ACCA.

ASH: That is a lot! ACCA, Silver Spoon, and Yowamushi Pedal are mostly where I’m at.

MJ: Silver Spooooooooooon! I’ve fallen behind on The Case Study of Vanitas after being disappointed with its start, but I’ll always give Jun Mochizuki a chance, so I should get back to that.

SEAN: So, you reading anything? Or just giving up?

ANNA: I’m giving up! My to read manga pile got so big it toppled over the other day!

Filed Under: FEATURES, manga the week of

Yona of the Dawn, Vol. 13

August 16, 2018 by Sean Gaffney

By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

As we watch Yona and her bunch wandering through the nations doing good and saving people, it would be all too easy to cut back to the usurpers back at the palace and make them simple, cookie-cutter antagonists. But one reason that Yona of the Dawn is so strong is that Su-Won is not a cookie-cutter antagonist. In fact, the reader might occasionally be thinking to themselves, “You know, Su-Won being king may actually be a very good thing?” Yona is dealing with the world at the lowest level, going from small village to small village for the most part, while Su-Won takes on major threats to his kingdom and also tries to get the leaders of the various tribes to think better and learn more. It’s micro vs. macro, and neither choice is bad. And it also means that when Su-Won and Yona see each other towards the start of this volume, the tension involved is absolute dynamite – and it can only last a few seconds before being taken away.

If you do want a more typical evil antagonist, there’s always General Su-Jin, who cannot conceive of a situation where he loses to this upstart new king. But lose he does, as right from the very start we see horses dressed up as tigers (some nice historical research from Kusanagi-san there) and it just goes downhill from there. Su-Jin is the classic example of the obsessive who cannot let something go, and I felt sad that he did not have a moment where he threw up his hands and screamed “THIS CANNOT BEEEEE!”. The best part of his attack on Su-Won was actually when Yona confronted him, as her concern is not only t stop the violence but also to tell him how far Tae-Jun has come. Sadly, it’s all for nought, but it does lead to that beautiful shot of her and Su-Won seeing each other (there is some absolutely gorgeous art in general in this volume. I may not mention it all the time, but Yona of the Dawn is extremely pretty).

There’s also a bit of reverse harem here, but honestly, every single time that one of the other guys (usually Jaeha) shows that they’re in love with Yona, it’s there to underscore how obvious Yona/Hak is as the OTP. Here we see Yona getting a bit jealous when Hak uses his natural charm to get customers at a bazaar, and also tamping it down because she knows one day he’s going to leave her and go with someone else. That will never, ever happen, but hey, this is why you don’t hook up the main couple in the first book. Hak and Yona are perfect for each other. That said, the other guys all have their charms, and I am certainly content for things to simmer a bit as they are now. This is a bit of a transitional book, as we see that Tae-Jun, much as being a nurse is something he’s awesome at, having to return to the Fire Tribe to be temporary leader while his brother studies. As for Yona and friends, I’m sure we’ll be starting a new arc next time. I can’t wait.

Filed Under: REVIEWS, yona of the dawn

Me, a Genius? I Was Reborn into Another World and I Think They’ve Got the Wrong Idea!, Vol. 3

August 15, 2018 by Sean Gaffney

By Nyun and Sakana. Released in Japan as “Isekai ni Tensei Shitandakedo Ore, Tensai tte Kanchigai Saretenai?” by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Shaun Cook.

Of all the places for Me, a Genius? to go in its third volume, I was not expecting it to go here. Note that I’m not talking about it suddenly becoming a tense techno-thriller a la Tom Clancy – given the fact that we spent much of the second volume in a cod-fantasy world, I barely raised an eyebrow to see that we’re suddenly back in Kouki’s home world and taking on Russians and international terrorist organizations. No, the main thing I wasn’t expecting was that Me, a Genius has gotten rid of the humor. You might argue that it’s trying to be funny and the jokes just aren’t landing, but I’m not sure that’s quite it. We do see one or two “lol!” situations in the book that aren’t funny (Baldy is a lolicon! Hilarity ensues!), but for the most part this seriously looks like it still has its bonkers premise, but is trying to deal with it realistically. Which is… weird.

Yes, that’s Alice on the cover again, despite appearing in the book even less than she does in the 2nd volume. This is especially frustrating given how much of the reason for all this is supposed to be The Alice Project and her illegal genetic creation. But given that’s just an excuse to have cool action and espionage sequences, I shouldn’t really be surprised. Honestly, everyone in this series aside from Kouki and his mother are superfluous to requirements. We do get a very interesting development, though, in that the head of the terrorist organization (who is basically an evil version of Kouki’s mother) has been researching reincarnation, and Kouki is forced to admit that yes, he was reincarnated with his memories. This being Me, a Genius, everyone misunderstands the nature of the reincarnation and things he’s trapped in a Higurashi loop, but I was still surprised, and it gave a brief shade of depth to people (which went away about a page later).

The book should be filled with taut action sequences, this being a pastiche of a techno-thriller, but they’re actually pretty absent – we just see people talking around them or the immediate aftermath. The book also ends with a lot unfinished, which is a shame as there’s no sign of a fourth book coming anytime soon – apparently the writer has hit a block, and so this is all we’re going to get. And to be fair, there may be only so far that you can take this premise. Trying to do a serious version of Me, a Genius? was intriguing for one volume, but let’s face it, if I’m going to be reading a serious light novel about someone reincarnated into another world who’s caught in a worldwide power game and has people constantly misunderstand what they’re thinking, I’m going to be reading The Saga of Tanya the Evil, not this. This is an interesting third volume, but it wasn’t all that funny, and I’m starting to ask how many tricks this pony has.

Filed Under: me a genius?, REVIEWS

Bookshelf Briefs 8/14/18

August 14, 2018 by Michelle Smith, Sean Gaffney and Ash Brown Leave a Comment

Black Clover, Vol. 12 | By Yuki Tabata | Viz Media – Boy, that wrapped up fast, didn’t it? This is very much a breather volume of Black Clover, and some of the conflict resolution is laughable–the Queen of Witches basically just walks away, and there’s even time to cure Kahono and Kiato (which is good, as Kahono works 100% better as a teasing (and talking)) girl who ships Asta/Noelle. More importantly, the Black Bulls are now the second-most-powerful guild. This… displeases some of the other guilds, and leads to a hot spring on top of a mountain of lava–something that only those with magic can climb. Sucks to be Asta, but guess what? He finds a way anyway. Black Clover is highly enjoyable given its negative originality, and I’m glad I still read it. – Sean Gaffney

Bloom Into You, Vol. 5 | By Nakatani Nio | Seven Seas – I love it when series get better with each volume, as Bloom Into You is doing. The cover image shows the adorable aquarium date that Yuu and Touko go on towards the start of the book, and it’s pure cute and adorable. But Yuu’s also trying to change the ending of the play so that Touko stops seeing herself in it, and Touko doesn’t like that. What’s worse, she’s lost her biggest ally in Sayaka, who agrees with Yuu (and is not petty enough to stop it merely to torpedo Yuu’s relationship with Touko). This all culminates in a big confrontation on the roof, when Yuu says that she doesn’t want Touko to kiss her “to prove she exists.” The cliffhanger is the debut of the play–how will it go? I absolutely can’t wait. – Sean Gaffney

Food Wars!: Shokugeki no Soma, Vol. 25 | By Yuto Tsukuda and Shun Saeki | Viz Media – There’s two matches that take up the entirety of this volume, and they’re both excellent. The soba battle between Soma and Nene is something where you learn the difference between doing what you’re taught and thinking on the fly, as they’re in a fairly cold stadium and need to take ambient temperature into account. Meanwhile, Isshiki’s opponent is an arrogant Italian specialist (sort of an evil Takumi) who makes the mistake of insulting not just Isshiki (he doesn’t care about that) but the rest of the Polaris dorm. And so Isshiki absolutely destroys him, using things the rest of the dorm residents were experimenting with. This reads better in volumes than as weekly chapters. Good stuff. – Sean Gaffney

Kaze Hikaru, Vol. 26 | By Taeko Watanabe | VIZ Media – The majority of this latest installment of Kaze Hikaru revolves around Kondo’s proud new mistress, Miyuki, and the schemes she employs to avoid sleeping with him after her freedom has been bought. She’s actually got a rather interesting backstory, and her arrangement with Kondo comes to an end in a bittersweet way, so it made for diverting, light reading. I can’t say nobody died in this volume, but nobody we cared about, at least. Also, Sei didn’t do anything stupid, and Okita came a little closer to admitting that he thinks she’s cute. I suppose if they were all this slice-of-lifey, the annual releases would get old fast, but in terms of a pleasant visit with some likeable characters, this was a good one. See ya next year, Shinsengumi! – Michelle Smith

Kuroko’s Basketball, Vol. 25-26 | By Tadatoshi Fujimaki | Viz Media – The flashback ends, and it’s as depressing as you’d expect. The “miracle generation” are so good that it’s actually damaging them–and what’s more, Akashi levels up so hard that it turns him into a completely different person. Kuroko can’t play in the final game, loses his friend because of the rest of his team, and even brushes off Momoi. That said, I enjoyed seeing that the rest of the team brushed this off and reminded Kuroko of what he has now. That said, Kuroko winning the last game may actually have done some damage, as Akashi points out–he’s no longer standing in the shadows. Can he still play his kind of basketball if he gets noticed? We’ve got two more omnibuses to find out. – Sean Gaffney

The Promised Neverland, Vol. 5 | By Kaiu Shirai and Posuka Demizu | VIZ Media – The Promised Neverland never ceases to surprise me. That said, if you want to be surprised, skip ahead now because there will be some spoilers. I won’t go into specifics, but the escape happens and it’s as riveting as you’d expect. I did not expect my heart to be broken by a brave four-year-old or for Mom’s backstory to render her, if not sympathetic exactly, then at least more nuanced. My favorite aspect going forward is how much emphasis there is on how this would’ve been impossible without Emma. She actually feels a bit like a shoujo heroine, in the Sarasa or Yona vein, and the terrain the kids now find themselves in makes me think of 7SEEDS. It was exciting before and now it’s even more so. What a great series. – Michelle Smith

Vinland Saga, Vol. 10 | By Makoto Yukimura | Kodansha Comics – With its engrossing story, compelling characters, and superb artwork, Vinland Saga somehow impresses me more and more with every passing volume. The manga is easily one of my favorite series currently being released in English. Thorfinn wants nothing more than to leave his violent past behind–not to forget it, but to atone for it–which is proving to be increasingly difficult. Numerous people want him dead or to enter into battle for a variety of reasons, some thinking nothing at all of using hostages to try to force Thorfinn’s hand. Yukimura continues to up the ante in this volume by introducing new characters, in particular Garm, an exceptionally skilled spearman who is determined to fight Thorfinn. Vinland Saga can be an incredibly violent series, but Yukimura skillfully balances that intensity with humor. The seriousness of the story isn’t diminished, but the comedic moments help keep the manga from becoming overwhelmingly oppressive. – Ash Brown

Filed Under: Bookshelf Briefs

Laid-Back Camp, Vol. 1

August 14, 2018 by Katherine Dacey

Laid-Back Camp may be the most quintessentially Japanese thing I’ve read this year: it features cute girls doing cute things while imparting information about camping gear. There’s no real plot to speak of, just a meet-cute in the first chapter that introduces seasoned camper Rin to enthusiastic newbie Nadeshiko. Through one of those only-in-manga coincidences, Rin and Nadeshiko attend the same school, where two other girls — Aoi and Chiaki — are struggling to recruit members for their Outdoor Exploration Club. You can guess what happens next: Nadeshiko joins the club and, by dint of her Golden Retriever personality, brings the skeptical Rin into the fold.

Each chapter is built around a skill, a piece of equipment, or a location. In “Mount Fuji and Cup Ramen,” for example, Rin explains how to build the perfect campfire, calling dried pine cones “nature’s premier fire starter,” while in “You Can Only Go Camping If You Have the Gear,” the Outdoor Exploration Club pores over catalogs, debating the merits of down and synthetic sleeping bags. These passages are deftly woven into the fabric of each story, playing a natural part of the girls’ conversations as they plan camping trips. Dashes of humor and breath-taking scenery add welcome nuance to the storytelling, preventing it from tipping into edu-manga dullness or yon-koma hijinks. Best of all, Rin is a genuinely interesting character, a small, self-sufficient kid who likes solo camping trips. Though volume one doesn’t explain how she caught the camping bug, author Afro has done such a good job of fleshing out Rin it doesn’t matter; we can see how someone so introspective and independent would welcome the opportunity to be alone in nature. Recommended, even for those who prefer the Great Indoors.

Laid-Back Camp, Vol. 1
Story and Art by Afro
Translation by Amber Tamosaitis
Yen Press, 178 pp.
Rated T, for Teen

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Afro, Comedy, Laid-Back Camp, Seinen, yen press

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 1

August 14, 2018 by Sean Gaffney

By Takuto Kashiki. Released in Japan by Enterbrain, serialization ongoing in the magazine Harta. Released in North America by Yen Press Translated by Taylor Engel.

This was really cute and fun. I mean, I knew going in that it was going to be – that’s the premise. It’s one of those slice-of-life series starring two girls, only in this case the life is fantasy life and they’re four inches tall. But all of the things I was expecting the series to do were done well, and I enjoyed all the characters. The premise is that Hakumei (the extroverted redhead) and Mikochi (the introverted black-haired one) live together in a tree in the middle of the forest, and we follow then as they do things like go shopping, do their jobs, hang out at a bar, and hitch rides on giant birds who also happen to be old forgotten childhood pets. This isn’t aa laugh riot, and not much of anything happens. And despite the fact that the two of them live together, there’s no real yuri subtext either. It just puts a smile on your face.

I think one of the big reasons I liked this so much is that it feels like a slice-of-life with grownups, as opposed to impulsive teenage girls. Hakumei and Mikochi are like Ritsu and Mio when they both grow up, sort of. Hakumei is impulsive and loud, but not obnoxiously so, and she’s likeable and endearing. Mikochi can be fretting and stressing as well, but it too never gets to the point where it’s too much. Despite being tiny creatures, they’re both functional adults. Hakumei works for a weasel as a repair person, and we see she takes her job quite seriously, which is not somethng you’d expect given her stereotype. Mikochi makes preserves and household stuff, and she ends up having more issues with the local tsundere songstress than with Hakumei. The cast is minimal – besides said tsundere songstress and Hakumei’s boss, the only other fellow we meet is a mad scientist sort who means well, but comes off as… well, a mad scientist.

You’re never quite sure if you’re going to be getting fantasy or regular old slice-of-life. Scenes like Hakumei and Mokochi on the sunset kite (which is the first chapter, and has some gorgeous art to show off) or dealing with the lake’s skeletal denizens are definitely fantasy, but other plotlines like Mikochi losing their wallet while out shopping or hanging out at a pub playing games in a blizzard barely need fantasy context at all. And throughout the entire volume there’s a warm feeling of peace while reading it. It’s like a nice hot soup. We do meet our two heroines when they’re already in their house, and I’d like to see how they met, but that’s why this series is six-plus volumes. There are lots of places you can go from here. I’m definitely content to follow the author, as long as I keep seeing these two tiny women going about their tiny lives with aplomb.

Filed Under: hakumei & mikochi, REVIEWS

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