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Strike the Blood, Vol. 10

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By Gakuto Mikumo and Manyako. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jeremiah Bourque.

I debated copying and pasting the start of my review of the 9th volume of Strike the Blood into this one, because the verses and chorus are the same. We get a new girl in peril, this time a Latin American girl (or the Strike the Blood equivalent) who is the titular Bride of the Dark God, and who gets mailed to Kojou in a suitcase to keep safe. She’s abusive and rude to Koujo, but gradually warms up to him after he keeps trying to save her life. Meanwhile, we get a new girl added to the “help Kojou summon a new Beast Vassal and regenerate to 100% health” rack, as Kanon (and Astarte, for added erotic appeal) allows him to drink her blood. And he and Yukina spend the entire book avowing that they aren’t boyfriend and girlfriend, while acting exactly like a couple would. There are no surprises, there is no ambition. It’s a predictable story, well told.

The cast is starting to get a little large and unwieldy, and so we winnow it down a bit for this book. Kojou and Nagisa’s dad takes Nagisa off for a shrine visit for the duration of the book, and Sayaka doesn’t even get mentioned, much less make an appearance. As for Asagi, who can’t actually leave the island, she ends up being locked in the computer room for her own safety, much to her annoyance. This allows Kanon and Astarte, who had not really done much at all lately, to make more of an impact. And then there’s Vattler, who sparks the plot here but doesn’t really show up till almost 2/3 of the way through the book. You get the sense he’s trying to be a trickster mentor to Kojou, putting him in life-or-death situations so that he can finally come into his own as the Fourth Primogenitor.

There’s also Celesta, the new girl I mentioned above. Her fury towards Kojou has a bit of the “Latin Spitfire” cliche to it, but she’s also the weak point of the book, as she’s a normal girl, so mostly exists to get into peril. Unlike a lot of the other heroines we’ve met in previous books, I’m not sure if we’ll actually end up seeing her again. Her peril does lead to some well-choreographed fights, though, and I expect that when this was animated it turned out quite well, given (as I’ve also said before) this reads like an anime novelization. She also resonates with Yukina in the “call Kojou a pervert” running gags, which are as tiresome as ever – I wouldn’t even mind the standard shonen jealous girl stuff if it were done well, but it’s tedious. The author is much better at drama than comedy, as most authors are.

So, in the end, Strike the Blood 10 doesn’t bring much new to the table. It’s a book to read if you’ve read the previous nine. But if you’ve read the previous nine, you won’t be too disappointed.

After the Rain, Vol. 1

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By Jun Mayuzuki. Released in Japan as “Koi wa Ameagari no You ni” in two separate volumes by Shogakukan, serialized in the magazine Big Comic Spirits. Released in North America by Vertical Comics. Translated by Jocelyne Allen.

In general, when reviewing manga that involves a relationship between a young girl and a much older guy, I have been pretty wary. This is because for the most part it’s either had the older guy be a replacement father who ends up with his adopted daughter, a trope I can’t stand, or the guy exists in a position of power over her, such as the classic student/teacher romances that litter shoujo manga. But After the Rain’s restaurant manager and waitress is not all that big of a power imbalance. In addition, the discomfort involved in such a relationship seems to be the point with this series – Masami is well aware that Akira is still only 17 years old, and that he is 45. What’s more, the audience sees that Akira is desperately searching for a purpose in life after an injury forced her to quit sports. Is this romance just a passing thing?

I’d mentioned that Akira’s face on the cover reminded me a lot of School Rumble’s Yakumo. It gets even worse when I read the series itself, as Masami is a very close match to Captain Goto from Patlabor. It feels a but like I’m reading someone’s AU crossover fanfic. That said, behind the character designs is some very pretty art and deft panel work, and you can see why this title won awards when it was coming out in Japan. Akira starts off dealing with her crush and trying to hide it, but resolves herself to confessing fairly quickly – especially for a series like this. That leaves the latter half of this omnibus for us to see how Masami (entirely referred to as “Boss” throughout by Akira, in case you wanted the power imbalance shoved in your face) deals with it – as he is very well aware what the world would think. That said, he’s not exactly unattracted to Akura either.

The audience is helped by Akira’s other romantic options, which range from pathetic (her hopeless male classmate) to loathsome (the playboy chef, who blackmails her into going on a date with him, smugly creeps on her throughout fully knowing she dislikes it, and straight up says that he feels that her love for the manager is not going to work out. The fact that he’s likely right about the last one is particularly galling, and nicely sets up the audience to root for the couple despite the age difference – we want them to prove this smug ass wrong. Unfortunately, I really don’t think Akira is in a position where romance is good for her right now. A scene where she sees her track friends running and having fun, and flees in raw shame and self-hatred when they try to resume their friendship – shows she’s in a very delicate place now. I think Masami knows this – so what does he plan to do about it?

We’ve got four more omnibuses to go, so I think the drama will play out for a while to come. What’s more, this apparently was made into an anime at some point, so I think most readers are well ahead of me in knowing what happens. Still, this was good solid seinen drama, deftly handling an uncomfortable subject. I want to see what happens next.

Sword Art Online Alternative: Gun Gale Online: Second Squad Jam: Start

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

If you read the first volume of this series and thought “I’m here to read deep characterization and cool gun battles, and I’m all out of deep characterization”, then I’ve got some good news for you. Now, there is some attempt at character, which I’ll get into later on, but for the most part you are not here to see what makes Pitohui tick or reading about Llenn’s desire to save her. You are here to read about guns, and fights, and gunfights. And in this regard, the Second Squad Jam offers just what the first did, and does a very good job of it. There may be a few too many long descriptions of makes and models for my taste, but the concept and strategy of what’s going on here is top notch. You can tell this is the main thing Sigsawa wants to write – in fact, he wrote so much of it that this is a two-parter, with the second half due out early next year.

On the cover we see Llenn with a new partner, Fukaziroh, who is Karen’s real-life best friend Miyu. Miyu is not meant, so far, to have much depth. She is in this book to be FUN, and she succeeds admirably. She’s bubbly, extroverted, acts before thinking, and is also hellaciously strong in game, so is a good contrast to Llenn’s speed and agility. Llenn’s former partner, M, can’t pair up with her as he is pairing up with Pitohui, and this Squad Jam is – stop me if you’re surprised in a SAO title – a matter of life or death for the both of them. Why that is has a lot to do with Pitohui’s twisted personality, and also a lot to do with the original Sword Art Online, which Pitohui was not involved with – in fact, that’s the problem. This is handled pretty well, though if I hear yet another thing tying into Laughing Coffin again I may scream. M has a plan to fix things, though we don’t hear the specifics, for the sake of suspense.

These are not the only returning characters, of course. The squad of huge muscular women who turned out to be cute Japanese schoolgirls is back, and anxious to have a rematch with Llenn. That may have to wait, though, as Llenn is on a direct course to confront Pitohui, who we finally see in action, and it is both amazing and terrifying. She’s sort of broken, but the fact that this really IS just a game means that her cruelty and callousness comes off merely as cool rather than as any form of sociopathy. We also see the paramilitary unit, as well as the machine gun idiots. Now that we’ve gotten the plot out of the way, I expect the back half of this two-parter to be incredibly cool fights from beginning to end. As this is the first volume, there’s a lot of necessary setup that gets in the way.

Still, this is frothy fun. It’s never going to win awards for depth or emotion, but if you need a light novel equivalent of Pixy Stix, then by all means this SAO spinoff is absolutely the title for you.

Dr. Stone, Vol. 1

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Dr. Stone Volume 1 by Riichiro Inagaki and Boichi

Dr. Stone is a shonen series that is entertaining due to the combination of post-apocalyptic setting and mad scientist hero. The first chapter opens with overly enthusiastic high schooler Taiju vowing to confess his love to the girl he’s had a crush on for the past five years. His cynical scientist friend Senku wishes him well in a backhanded fashion. Just as Taiju is about to launch into his confession a mysterious light appears in the sky and all the people in the world get turned into stone, frozen in place for several thousand years.

When Taiju wakes up again, he comes to in an overgrown area littered with stone fragments of people. He wanders around and sees one of his most powerful classmates, Tsukasa, also frozen in place. Senku pops up and tells Taiju that he overslept terribly, because he’s been awake and on his own for the past year and a half. Senku is determined to restart civilization, but he needs additional help, and Taiju is going to serve as the muscle in his scientific endeavors. Senku has a habit of making grand pronouncements about the rate of his ability to reconstruct stone-age scientific discoveries by yelling “Get Excited!”

There’s certainly a lot of yelling, naked men wearing leaves, and hazardous attacks from both animals and other survivors in Dr. Stone, but I enjoyed the emphasis on adventures driven by ancient science. The dynamic between the two protagonists, with one of them being super smart and the one mainly having enthusiasm on his side also set up plenty of amusing side scenes in between all the fighting and scrabbling for survival. I tend to not always be that enthusiastic about non-sports shonen manga, but I was definitely intrigued by the first volume of this series.

Dr Stone

Manga the Week of 10/10/18

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SEAN: The pile of October continues. Join us!

Dark Horse gives us the 2nd volume of Gantz G.

And Ghost Ship has a 3rd World’s End Harem, which I imagine continues to have our hero resolutely not having tons of sex.

J-Novel Club has 3 ongoing series, with Clockwork Planet 4, How NOT to Summon a Demon Lord 5, and Lazy Dungeon Master 2.

Kodansha announced its new October digital releases literally an hour after I posted last week’s titles, making me grit my teeth. So already out is Are You Lost? (Sounan desuka?), a title about teens stranded on an island, though at least it’s not a survival game story.

Next week’s debut is Kira-kun Today (Kyou no Kira-kun), a shoujo manga from the creator of Kiss Me at the Stroke of Midnight and Love’s Reach. It ran in Betsufure.

Also out digitally next week are Boarding School Juliet 5, Drowning Love 11, I’m Standing on a Million Lives 3, and Tokyo Alice 4.

MICHELLE: I had every intention of reading Drowning Love and Tokyo Alice, but keep falling further behind.

ANNA: I never even tried. Too much manga!

SEAN: No print debuts, but we do see To Your Eternity 7 and Tokyo Tarareba Girls 3.

ASH: Definitely picking both of these up!

SEAN: Seven Seas has what I suspect will be Manga Bookshelf’s Pick of Next Week with the debut of Satoko and Nada. The story of a Japanese woman and a Saudi woman sharing a room at an American college, it sounds fantastic. It runs on an online site, Twi 4.

MICHELLE: It does look fantastic!

ANNA: That sounds great. Going to see if we can purchase that at my library.

ASH: I’m really looking forward to giving this series a read.

MJ: This was entirely off my radar! I will definitely be picking this up!

SEAN: There’s also Himouto Umaru-chan! 3, How to Treat Magical Beasts 2, Made in Abyss 4, and Spirit Circle 5.

ASH: The first volume of How to Treat Magical Beasts was enjoyable, but my (shattering) heart lies with Spirit Circle.

Vertical debuts APOSIMZ, the newest title from the creator of BLAME! and Knights of Sidonia. It looks pretty hard SF, as usual.

MICHELLE: It does, which is not normally my thing, but I do like Nihei’s art a lot, so will probably check it out at some point.

ANNA: Is there a talking bear? This is what I need to know.

SEAN: They also have a 12th Ajin.

Viz’s debut is a short story collection based on the world of NieR:Automata, entitled Long Story Short. Anyone else have Spandau Ballet in their head?

MICHELLE: Alas, I only know their big hit.

ASH: NieR: Automata was a huge hit among my circle of friends–hopefully the short story collection will be, too!

MJ: I’m there with you and Spandau Ballet

SEAN: Lastly, Viz has new volumes for Case Closed (68), Magi (32), and Sleepy Princess in the Demon Castle (3). I’ll be getting those last two.

ANNA: Yay for more Sleepy Princess!

ASH: The series is such a delight.

SEAN: It’s a lot, but keep saving up, there’s even more out in the coming weeks. What are you getting?

Last and First Idol

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By Gengen Kusano. Released in Japan by Hayakawa Publishing. Released in North America digitally by J-Novel Club. Translated by Andrew Cunningham.

It needs to be said right up front, this is not remotely a light novel. In fact, it’s not even a novel, but rather, a collection of three large-ish short stories. The first one, which gives the book its title, won the Japanese Seiun Award, their equivalent of the Hugos, and the other two are essentially variations on a theme. This is not to say that they aren’t related to anime and manga – each of the three short stories revolves around a different otaku obsession, and indeed the first story is a repurposed NicoMaki fanfic (as explicitly stated in the afterword). But this is at its core science fiction. Even more importantly it’s of the genre known as hard science fiction. The majority of all three stories is made up of long, detailed, and mostly fascinating discussion of science concepts and themes, sometimes related to our own sciences, and sometimes off on a different tangent (such as the aether in the final story). To enjoy this book, you REALLY need to love science.

It’s not quite accurate to call the three stories in here “variations on a theme”, but they are definitely of a piece. In Last and First Idol, a young girl obsessed with idols finds reality impossible to accept, but her friend is there to ensure that she fulfills her dreams, even after death. In Evolution Girls, a young woman obsessed with Gatcha games is killed and reincarnated in a gatcha-themed world, where she has to fight to survive. And in Dark Seiyuu, we follow a murderous sociopath and her ditzy partner as they kill seiyuu, travel through space, and try to discover the meaning of life. All three stories, to a greater or lesser degree, feature “yuri” sort of relationships, though, appropriately given the inspiration for these stories are shows like Love Live and Madoka Magica, they don’t really progress beyond akogare all that much. All three stories also feature a grotesque amount of violence, laid out in loving and bloody description.

I was impressed with the premise and development of the stories. The characters may not have been all that likeable some of the time, but they were easy to follow as protagonists, and a couple of the stories even had stabs at a happy ending. I was expecting a bit more satire – honestly, despite the concept of things like “immortal idol girls”, “gatcha games that consume your soul”, and “seiyuu piloting spaceships with their evolved uvulas”, there’s not really much commentary on said industries, as the author is more interested in exploring science using the otaku-esque premises as a springboard. The science, it has to be said, can be deadly. I never really did get into hard science fiction as a genre, and my academic career is strictly humanities, so my eyes were glazing over a lot. Also, it has to be said, a great deal of this book involves cute girls killing other cute girls in very detailed ways. There’s a reason I don’t read the Magical Girl Kill ‘Em All books, you know?

So in the end, this is a book that is easy for me to admire and be impressed by, but I can’t really say I enjoyed it. That said, if you are the sort who likes hard SF and Madoka Magica knockoffs, this is absolutely something for you to pick up.

Pop Team Epic

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By Bkub Okawa. Released in Japan by Takeshobo, serialized in the magazine Manga Life Win. Released in North America by Vertical Comics. Translated by Yota Okutani.

Many who read my reviews are familiar with me saying “This was made into a popular anime, which I haven’t actually seen.” That’s not the case here, as I am very, very familiar with the Pop Team Epic anime. In fact, this manga may be operating at a slight disadvantage in that I think almost every single person who buys it will be someone who has seen the anime that came out at the start of 2018. So, the question here is not so much “is this book funny?” (it is, in a PTE sort of way) or “is this book worth my money?” (yes it is, if only for the cover not having mosaics like the CR anime OP did) but more “what does this book have that the anime didn’t?”. There are several comics that weren’t adapted into anime gags, of course, and I will admit that for the most part you can easily see why they chose what they did. But the gags are still fun and worth reading, and it’s interesting to see hwow one gets translated into the other.

In case you are that rare person who bought this sight unseen (and given that cover, I can imagine it), Pop Team Epic is a 4-koma gag strip about two girls, Popuko (the short one) and Pipimi (the tall one). They’re dressed in school uniforms, but we never see them attending any classes. Instead, the strip is an excuse for various pop culture gags, fourth wall breaking exercises, and whatever random humor Bkub thinks of to throw at us. A good comparison might be Nichijou or CITY, though I worry comparing Pop Team Epic to anything just invites criticism. For anyone who’s seen the anime, all the most famous gags are present and correct: “Are you upset?”, “Beef or Chicken”, “Doesn’t get it at all”, etc. In fact, some of the gags look odd for an anime watcher, as Bob Epic Team used them for their own distorted art, and seeing things like the scorpion or zoo scenes as normal quick gag strips is actually a bit unnerving.

For those who had been wondering about how they would translate possibly the most memed of the PTE memes, “You Are Mother Fucker?” is left as is, which might be seen as cheating but is probably the safest option. The translation is, appropriately for a series like this, a bit of a mish-mash. Translation notes are minimal, with the occasional explanation of things like the Slit-Mouthed Woman. For the most part the pop culture gags are left alone, relying on the reader being as big a nerd as the author. There is the occasional adaptation that I noticed – in particular, I’m pretty sure the M*A*S*H reference wasn’t in the original comic – but for the most part the translation is fairly straightforward. Popuko swears quite a bit, though again, not as much as I think the “fan” reading the manga would like.

If you enjoyed the Pop Team Epic anime and want to read how it began, this is an excellent manga to buy. If you didn’t watch the PTE anime and are just curious, I’d make sure you like gag comics with a liberal definition of what “humor” is first. And if you’re a yuri fan, yes, “I wuv you lots” is in here, though don’t expect any hegemony.

The Magic in This Other World Is Too Far Behind!, Vol. 6

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By Gamei Hitsuji and himesuz. Released in Japan by Overlap. Released in North America digitally by J-Novel Club. Translated by Hikoki.

Last time I said that it wasn’t all that surprising that another hero came from Japan, and now after this volume we find that there’s actually a close connection between this fantasy world and Suimei’s own. Given the sheer amount of backstory we’ve gotten on Suimei and his own magic studies, this isn’t too surprising. It’s not good news for anyone who isn’t as powerful as Suimei, though, and there’s some genuine concern at the end of the volume over his splitting with Hatsumi and heading off to once again research a way to return to his own world. Fortunately, through the magic power of trauma, Hatsumi has finally regained her old memories, and so now she recalls enough awesome sword experience… to know that she can run away if need be. Not win. These new enemies are tough. The old enemies are pretty tough too, actually, and the book itself is essentially devoted to three huge fights and an epilogue.

The most interesting of the three fights, though not necessarily the most enjoyable, is the one on Reiji’s side. Reiji is a fairly dull hero, but he’s also pretty pure and noble and cliched as a hero as well. This is why the bad guys seem to think that he, rather than Hatsumi, is going to be the one they make their “main hero” to save the world – he’ll inspire the little people more. Of course, that assumes he’s actually doing heroic things, rather than yelling at Mizuki. Mizuki has been a flat character for a while now, and I wanted her to develop and be able to do more. But not like this. Weaponizing her chuuni tendencies makes her just as annoying as it sounds, and I fear we may have to deal with this version of her for some time. (Combining this with Lefille becoming a little girl again, it’s like the author was asking what things I dislike the most in Too Far Behind and then leaving heavily on them.)

Suimei does get a bit more complicated in this volume, not always for the better. Seeing him terrified of fighting the dragonewt because of past trauma involving his father was interesting, but in the end it didn’t really seem to hamper his battle abilities. More interesting was the discussion at the end with whatever entity is possessing Mizuki and making her fantasies reality. We get a glimpse of a Suimei who did something very nasty, and I’m fairly certain that it’s going to come out in the next book or two and have horrible consequences. Mostly, through this book, Suimei has been a pretty nice guy despite pretending that he isn’t. But he’s not perfect, and he’s a teenager. That said, it’s sort of hard to square this backstory with him and Mizuki and the “dur hur, I don’t know why all these girls are mad at me” harem idiot except “convenience of the plot”.

Overall, this is a good volume of Too Far Behind! if you like fights, and there’s some good plot-related stuff as well. It just had a couple of issues that kept niggling at me through the book. It also had no interstitial illustrations, the second volume to be missing them. Someone should have a chat with the illustrator.

Bookshelf Briefs 10/1/18

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CITY, Vol. 3 | By Keiichi Arawi | Vertical Comics – I apparently never reviewed the second volume of this, which is fun if you like Arawi but it’s getting really difficult to see why it’s not simply more Nichijou. The three main characters are very hard not to think of as Mio, Yukko and Nano, and they get into similar wacky situations. The manga works best, unsurprisingly, when they’re all playing off each other, such as when they argue over the treasure map, or just be funny. Unfortunately, when the manga is away from the main cast, it simply doesn’t hold the reader’s attention enough to have it pull off the weirdness. Nichijou had a similar issue, to be honest, but faked it better. This is still a good read if you want more Nichijou (which it technically isn’t). – Sean Gaffney

The Delinquent Housewife!, Vol. 1 | By Nemu Yoko | Vertical Comics – Usually when I review volume ones as a brief, it’s not a good sign, but I quite liked this first volume, I just don’t have much analysis of it. It has a strong premise—a young woman is brought into a household that is not all that warm to her, the husband then leaves for Singapore on business, and it turns out that she’s an ex-yanki and also can’t cook, clean, or anything else. With a premise like that, the gags write themselves, but fortunately Komugi has a few allies in the groom’s younger brother and his not-as-senile-as-he-seems grandfather. Komugi the yanki is a lot more interesting than Komugi the housewife, but seeing how long she can keep this up is what will make this manga fun. I’ll read more. – Sean Gaffney

Dementia 21 | By Shintaro Kago | Fantagraphics – A few of Shintaro Kago’s works have previously been released in English by Hollow Press, a small Italian publisher, but Dementia 21 is only the second collection of Kago’s manga to be released in North America, the first being Super Dimensional Love Gun. Much of Kago’s work falls within the tradition of ero guro and can be pretty intense, but overall Dementia 21 is relatively tame when compared to some of Kago’s other work. The stories are not nearly as eroticized or as visually gruesome as, say, those collected in Super Dimensional Love Gun, but they are still incredibly bizarre, strange, and surreal with a wickedly dark sense of humor. The short manga in Dementia 21 all follow Yukie Sakai, a young woman who works as a home health aide caring for elderly patients. The astonishing and frequently horrifying situations she finds herself in are entertainingly absurd, the volume rife with satirical readings. – Ash Brown

The Girl from the Other Side: Siúil, a Rún, Vol. 5 | By Nagabe| Seven Seas – This series is so many things simultaneously. The relationship between Teacher and Shiva is incredibly charming—especially near the end of this volume where they’re trying to evade a persistent soldier and she’s attempting to cheer up Teacher with optimism and silly faces—but that makes their plight especially worrisome. For the first time, I really appreciated the distinction between original Outsiders and beings of Teacher’s ilk, especially since Auntie was one of the latter and quickly succumbed to a sad fate that seems to be Teacher’s eventual path, as well, particularly given the dream Shiva has about one day being left all alone. I desperately want things to be okay for these two, but I just really don’t see how that’s going to be possible. What a great series to evoke so many feels! – Michelle Smith

Haikyu!!, Vol. 27 | By Haruichi Furudate | Viz Media – I missed a Haikyu!! brief somehow. I blame the format of sports manga in general, where games can stretch out for six to seven volumes at times. We don’t really see anything here we haven’t seen in the last few volumes, but that’s the point —all the extra work everyone did in the last few volumes is showing here, and we’re marveling at how much our heroes have grown since the early days. I especially liked the little things—how fast Kageyama adjusts to the far larger stadium he’s playing in, the fact that Hinata has learned to read the flow of the game, the fact that the opposing team finds Tsukishima as annoying as the reader always has. This is a great sports manga, for better and worse. – Sean Gaffney

Skip Beat!, Vol. 41 | By Yoshiki Nakamura | Viz Media – There’s so much going on in this volume, and all of it is about Kyoko and how far she’s grown as an actress. She may still be unable to love, which is the main reasons she’s in the Talento group, but her method acting, ability to learn fast and well, and sheer physical ability are jaw-dropping. I’d suggest buying two copies of the manga just to lend it to a friend for the fight scenes, and I love how much it’s emphasized that these are fake stage fights, meant to look cool, not be dangerous—in fact, it can be hard NOT to be dangerous. So Kyoko may have won a role, but will she get to act with Kanae at last? And what about Ren, who’s back in Japan and ready to meet up with a strangely reticent Kyoko? – Sean Gaffney

Toradora!, Vol. 8 | By Yuyuko Takemiya and Zekkyo | Seven Seas – Now that Seven Seas has licensed the Toradora! light novels, I can put the manga in the briefs. That said, it’s been about 36 months since the last volume dropped, so I would not blame those who have completely forgotten what’s going on. The cover art is an enraged Taiga, and the fight between her and Kanou is easily the highlight of the volume. The rest of it is the lead-up to Christmastime, but the main issue is that something’s wrong with Minorin, who’s been avoiding everyone. She says it’s due to softball humiliation, and to be fair knocking over the tree really was a shocker, but there’s something else happening, and I suspect we’ll find out next time. Unless the light novels catch up first. – Sean Gaffney

Wake Up, Sleeping Beauty, Vol. 6 | By Megumi Morino | Kodansha Comics – Ah, what a satisfying ending! The spirits who have been borrowing Shizu’s body know that soon they will have to go. The more Shizu becomes herself, the less time they’re able to spend in control of her. I couldn’t have predicted who’d be the first to go, though, and it was bittersweet, even though Shizu gained a new friend in the process. I loved that after they’re gone, the story doesn’t just end. Shizu is really distraught without them, and of course it’s Tetsu who helps her pull through, and we get the suggestion that just because she can no longer interact with them doesn’t mean that they’re not still hanging around, watching over the new couple. The we’ll-get-through-it-together vibe is strong between the two leads, especially regarding Tetsu’s mother, who is still unconscious. But man, that final panel is a doozy. Highly, highly recommended. – Michelle Smith

Wake Up, Sleeping Beauty, Vol. 6 | By Megumi Morino | Kodansha Comics – The conclusion to this series gives almost everything a reader could ask for. Another of the ghosts manages to find peace and come to terms with the manner of their death, and as an added bonus Shizu gets a new friend. The ghosts hang around enough to help Shizu, who has simply not had the life experience to be able to see the signs, realize what she’s feeling for Tetsu. The finale is heartwarming, and while the resolution of Tetsu’s mom’s fate is left as a cliffhanger rather than being explicitly laid out, I think that works just as well. In the end, this was a sweet little winner of a shoujo manga, just the right amount of volumes. A greater starter for those wondering about the genre. – Sean Gaffney

Ao Haru Ride, Volume 1

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I remember when Io Sakisaka’s series Strobe Edge was announced initially there was plenty of excitement, but also many many people wondering, “What about Ao Haru Ride?” So I was excited when I heard that this series was being added to the Shojo Beat lineup, even though I wasn’t terribly familiar with it. The story opens with a bit of a prequel as Futaba spends her time in the junior high hallways attempting to escape any attention from boys, because she thinks they are loud and obnoxious. The only exception to her “No Boys Allowed” rule is Kou Tanaka, who is short, quiet, and gentle. After a couple random close encounters they agree to go on a date, but Tanaka overhears Futaba proclaiming her hatred of all men when she gets teased. Futaba waits alone for her date, and then Tanaka moves over the summer, so she’s never able to find out what has happened to him.

Fast forward into the present time and Futaba still wonders about Tanaka as she attends high school, where’s she’s determined to reinvent herself after being ostracized in junior high. She tries to play down her good looks and attractiveness, because she doesn’t want her new “friends” to think that she’s attempting to look cute for boys. There’s a classmate named Mabuchi who dimly reminds Futuba of Tanaka, but she tells herself that he’s too tall to be her long-lost friend. While Futaba continues to go through her tomboyish charade to fit in with the mean girls, she takes notice of a couple different girls in her class who are all alone, who actually seems interesting. While Futaba tells herself that she’s better off with her girl group, I think she’s unconsciously drawn to people who would be much better friends, given the chance.

Tanaka/Mabuchi is very intriguing in this first volume. He smirks at Futuba a bit, and when she starts to realize who he might be, reveals himself to her by leading her back to a shrine where they waited out a rainstorm when they were younger. He seems like a snarkier, more cynical version of his younger self, even though it seems like he can’t help himself from occasionally being kind. His kind actions are immediately balanced out by his habit of bluntly commenting on Futaba’s life, for example by telling her that she has “fake friends”. Sakikasa has a winning way with facial expressions, but one of the things I loved in this first volume was the sense of place, seeing Futuba and Tanaka having charged encounters in the shrine many years apart evoked the themes of both future and nostalgia that Ao Haru Ride is touching upon.

Unusually for a shoujo manga, this first volume covers the first year of high school, but it shows Futuba making some important decisions about who she wants to be as a person, helped along by Tanaka’s blunt prodding. Ao Haru Ride reminded me most of series like We Were There and the Sand Chronicles, just in terms of having the potential to develop into a very sensitive and emotional love story as the characters work through various complex issues. I feel like it has been some time since we’ve seen a series with such a strong emotional core story, and Ao Haru Ride seems like it has exactly that type of potential.