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Torture Princess: Fremd Torturchen, Vol. 8

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By Keishi Ayasato and Saki Ukai. Released in Japan as “Isekai Goumon Hime” by MF Bunko J. Released in North America Yen On. Translated by Nathaniel Hiroshi Thrasher.

As you might expect, there’s a lot of serious stuff going on in this volume of Torture Princess. We’re going to war, and one side does not really have a goal that is not “kill everyone in the most appalling way imaginable”. We get to see this world’s equivalent of last resort weapons, only for the enemy to respond with their own. Characters that we have seen since Book 1, who have died before but always seem to come back, finally die. And, of course, the entire book is asking the question: why are we even bothering to save a world like THIS? As a result, you might guess that the humor we’ve seen in previous volumes is pretty much absent, and you’re right – mostly. There is one scene near the end, though, which also begins in death, which ends up being the funniest scene not only in this book but possibly in the entire series. I don’t want to spoil it, but it features Jeanne and Izabella. It’s magical.

The mixed-race people, with Lewis and Alice behind them, are continuing to wage revenge against the humans and beastmen, with the help of some demi-humans. There are a few suggestions to stop the war. One is offered by the enemy, which is to give them Elisabeth, Kaito and Hina. But that would pretty much make the previous seven books pointless, so that’s off the table – at least privately. No, let’s face it, there’s really only one solution left, and it’s to go to war. On one side we have the humans and beastmen, aided by two Torture Princesses and some near gods. On the other side we have Alice, Lewis, and a dead giant sandworm which proves to be far more useful than anyone else might have imagined. Can one side win? What is “winning” in a battle that’s just about revenge? And is this world simply doomed regardless?

Kaito and Hina get a bit more to do in this book, despite spending almost all of it trapped in the big ol’ crystal. Their dreamscape not only shows off what’s happening in the world as a game of brutal chess, but also has a few uninvited guests. That said, for the most part we’re still putting focus squarely on Elisabeth. She’s trying to do her best here, but as everyone is fond of pointing out to her, she’s changed a bit TOO much fro being around Kaito, and actually, y’know, likes and cares about people now. That, plus the fact that she’s trying to save Kaito and the world he himself saved, means she’s less effective in many ways. Thankfully, she has daddy dearest, Vlad, on her side. The battle between Vlad and Lewis is probably the second best scene in the book. Also not without humor, it has a far darker finish.

The afterword notes that the next volume will be the final one in the series. Which is good, as frankly we’re running out of population. Will we go full end-of-world? Can our heroes manage to pull a happy ending out of a hat? Does a happy ending even fit this series? We’ll find out soon. Till then, this was an excellent volume.

Reign of the Seven Spellblades, Vol. 5

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By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

It’s been several books since we’ve had to deal with the revelation that we got at the end of Book One, which is to say it’s been a while since Oliver and his allies have tried to murder a teacher. Good news! We get that here, as the academy’s resident mad scientist is next on the chopping block. More good news is that we also get a lot more explanations and backstory for exactly what is going on. Being Seven Spellblades, of course, it’s complex, and its discussion of Gnostics and Gnostic Hunters is very reminiscent of the battle for the “true face” of Christianity around the time of the Apostle Paul. There’s more suggestions that by the time this series is over Oliver will be dead or evil, but honestly, that’s not really a surprise anymore. Revenge is sometimes more important than… well, everything else. That said, boy, this revenge was costly. If the body count goes up with each dead teacher, the academy may be empty by the final book.

The book opens to a flashback showing us Chloe Two-Blade, the legendary Gnostic Hunter, and her fight against the Lovecraftian wyrms that have devastated her comrades. Hold that thought, because we then move back to the present, as our heroes try to tame griffins the hard way, learn about astronomy (which honestly seems more like history than anything else), and worry about Nanao, who has unfortunately Been Noticed – not only by Chela’s father but also by the headmistress of the academy, and you really don’t want to get noticed by her. Also, Professor Forggieri takes Pete on a tour of his mad scientist lab, with Oliver and Nanao tagging along. Still, there’s a sense of unease and tension throughout the book… which lets out in the second half, which is one big battle to kill said mad scientist.

Our main cast are probably safe, at least until the second to last book where one of them will tragically sacrifice themselves (my money’s on Chela), but the book is here to remind you that anyone else can die, as we’re introduced to more students who seem fun, powerful, and who are in the end sacrifices to help Oliver get his revenge. Even aside from Oliver, Guy and Katie meet a student who cheerfully says he’ll die soon due to experimentation, and try not to be like him. this is a super dangerous place, and even after graduation there’s no guarantee you won’t die fighting monsters from beyond our ken… or end up being brutally tortured and murdered by your allies. I really enjoy the religious subtext at the back of this series, and how it’s trying to show you that kindness is not a virtue here – something that may prove Oliver’s undoing, as little hints here and there suggest that we’re building up to a final battle between him and Nanao.

Fans of this series should be quite happy, as long as they don’t get too attached to anyone, and are familiar with 2nd-century religious persecution.

Rascal Does Not Dream of His First Love

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Hatsukoi Shoujo no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

One of the things I like best about this series, which sets it apart from many of its contemporaries, is its use of short, quick sentences. The book reads fast, with dense paragraphs kept to a bare minimum and most of its page count being dialogue or inner monologue of some sort. However, this does not mean that it sacrifices any emotional impact – in fact, in many ways it’s heightened. The start of this book was always going to be a killer, and the prose makes it even more so. The sheer despair that Sakuta is feeling, the grief and rage that Mai’s mother and Nodoka have as they blame him for her death and cry out as to why it happened, it’s absolutely visceral and raw. Even knowing that this is not going to be permanent, that Mai will not remain dead (a series does not kill off its main draw), this is still a painful read. It gets better. But at some cost.

When we last left our heroes, Mai had just been hit by a truck. Sadly, she is not reincarnated in a fantasy world, but is simply dead. This shatters Sakuta, and things are not helped by the fact that a superstar actress died in order to save the life of her ordinary boyfriend – most of Japanese media is out to get him. refusing to accept Mai’s death, he returns once more to the beachfront we’ve seen in most other books in this series, and finds the older Shouko there once more. She reminds him of what almost everyone has experienced so far – Adolescence Syndrome – and that this might actually be a future we don’t want to see, rather than the present. But can Sakuta return to his “present” even though he’s already there? Will anyone notice him? And even if he can stop Mai from getting killed, who’s to stop HIM from dying?

I do wonder if there’s a fanfic out there showing what happened in that bad future if Sakuta couldn’t fix it, because the implication is there is no way the media would allow him to survive. Sakuta’s grief infuses over half of this volume, making it by far the least funny of the books to date, but that’s fine, you don’t want laughs here. When they come later, they’re as much a relief for Sakuta as they are for the reader. It’s also nice to see Mai reminding us that she is quite a sweet and loving partner, to the point where Sakuta has to actually find ways to upset her in order to have her be cool and menacing towards him (his professed fetish). And then there’s Shouko, whose life and death also rides on this book. The ending may be a bit sappy and unrealistic, but given the nature of the series, realism is not what I want. That said, it’s VERY abrupt – you’re waiting for another epilogue.

It’ll be interesting to see where we go from here, with the main backstory plotlines pretty much resolved. The next volume promises a return to Kaede’s attempts to go to school. Till then, please enjoy this cry of grief from the heart, and be thankful it all ended well.

Pick of the Week: Lovers, Gamers, and More Villainesses

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SEAN: As always, I’m a sucker for Villainess novels, so my pick this week is Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash. It will be nice to read about a villainess using capitalism rather than magic to achieve her goals, as well as a rare villainess story that takes place in Japan.

KATE: I’m torn between two titles this week: the final volume of Apple Children of Aeon, which is quiet, lovely, and haunting, and the first volume Cat + Gamer, which is heartwarming and adorable, if a little predictable: who knew cats were mischievous? (My cats are both staring at me, so I had to tone down my word choice, lest I upset my Overlords.) If I had to pick one, though, my vote would go to Apple Children, as there is a positive glut of cat manga at the moment.

MICHELLE: I’m most intrigued by Mizuno and Chayama, though I admit I’m not exactly excited about “corporations versus the government.” Also, why did the cover of This Vampire Won’t Give Up! have to be kind of cute? I know it’ll be smutty fluff but now it looks potentially like fun smutty fluff.

ASH: Mizuno and Chayama is the debut that I’m most curious about this week, though Cat + Gamer is a series I’m interested in, too. I’ll admit, I’m actually not sure which one I’ll end up getting around to reading first!

ANNA: Are there vampires around? I’m sure the manga that my fellow reviewers are picking are much better than This Vampire Won’t Give Up!, but I’m going to pick it anyway perhaps because of the exclamation point in the title.

The Executioner and Her Way of Life: Crimson Nightmare

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

For the most part this fourth volume of The Executioner and Her Way of Life is a bit of a breather volume. There’s pretty much zero gore, which is nice. Akari and Momo prove to be highly amusing together as they pettily snipe at each other, and both are more interesting away from Menou. And the running gag of various enemy agents being forced to admit they’re sex pests to avoid giving away their cover runs long enough to be funny and just that long. Plus we get the addition of several old villains, and they’re almost pleasant. All this and hot springs. The whole thing would be lovely if it were not for the fact that Akari is still a ticky ticky timebomb… or is she? As Menou slowly figures out… or is straight up told… various parts of the plot, she rapidly realizes that killing Akari to save the world might not be what’s actually going on. Unfortunately for her, her Master has come to take over.

Akari and Momo, reluctant allies – very reluctant – take a train to a nearby hot spring town in the mountains. Neither one wants to be around the other, but they both have one thing in common, which is that they want to save Menou’s life. Unfortunately for them, Menou managed to go after them much faster than expected due to the obvious solution of “ask Ashuna for money and a ride”. Good news for Ashuna (and the reader), this involves Menou dressing in a butler uniform. And, as it turns out, EVERYONE is arriving at this little mountain town, including Pandaemonium, who lacks power but is still dangerous, Manon, who is resurrected with a new body, and one other surprise guest. Things do not build to a furious climax, alas, but peter out, as Akari ends up spirited away by the one person whose presence has suffused this whole series.

The best parts of this book were the parts with Akari and Momo. Their constant insults and angry bitching is funny, yes, but as the book goes on we get to see how both of them are generally a lot kinder than they’d like to let on, and Akari in particular feels less upset by Momo’s attitude after she realizes that Menou is pretty much all Momo has. We also get a lot of stuff explained to us here, such as the nature of Conjurations, why Akari has to be killed, and what really happened in the past. This even ties in with Japoan, not only because the hot springs mountain town is the closest we’ve seen to Japanese culture in this world, but also because there may be a way to get Akari back after all. If she wants to go. And if she can put up with mass murder. And of course Flare, near the end of the book, shows us, unsurprisingly, that she’s not going to arrive to save the day.

This series has a cast that are interesting and fun to read about but are all, except maybe for Menou, various shades of unpleasant. It makes for an intriguing read.

Ishura: The New Demon King War

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By Keiso and Kureta. Released in Japan by Dengeki no Shin Bungei. Released in North America by Yen On. Translated by David Musto.

I almost didn’t get this. It ticked off quite a few boxes in terms of “things I’m not interested in”, was very long, and looked like it would consist of one big fight. Most of those things are true, but I will admit that the book definitely picks up as it goes along, especially in the second half. It suffers from having a sprawling cast, each of which have to get their own introductory chapter to show off why they’re here and why they’re really pretty strong. Unfortunately, this means that it feels like we’re reading 16 prologues at times. In the back half things get much better, the fights are indeed very cool, and there are some surprisingly touching moments. I enjoyed reading it, in the end. That said, I’m pretty sure that this will be the only volume I read because, no matter how well it tries to hide it, this series is going to come down to two genres that I really cannot stand. It’s both a tournament arc AND a survival game.

This world we’re introduced to seems to have everything. There’s wyverns AND dragons. There’s various kinds of magic. There’s walking skeletons and walking mandrakes, both super powerful. And there’s isekai’d Japanese folks, though for once they’re just part of the cast pile – we learn nothing about who they were or why they ended up here. The first half of the book sets up for a war between the main city Aureatia, which is run pretty much by humans – called “mitia” here – and Lithia, a city that has split off, with its ruler declaring herself the new Demon Lord. That title is a bit taboo these days, especially after the appearance of the True Demon Lord. In the second half of the book, the war begins and we see who lives, who dies, and who gets tragic backstory and THEN dies.

As you’d expect with a book like this, some character arcs work better than others. My favorite was Kia, a young, seemingly blase elf girl with the power to control absolutely anything with her words. At first she almost comes across as a bargain-basement tsundere, but as the book goes on and she learns about how the world works – and what her powers can do – she suddenly gains morals and ethics, much to the horror of her teacher, an assassin named Elea who is trying to murder anyone who discovers Kia’s secret. I also enjoyed the touching relationship between Regnejee, a battle-hardened wyvern who is a little battle-hungry, and Curte, a blind woman who lives in a tower and marvels at everything Regnejee says… or at least that’s how it looks at first.

I could go on, I’m sure. There’s something for everyone here, and I liked the use of names and titles, which reminded me quite a bit of Katanagatari. As a fantasy series with a high body count, it’s a real winner. It’s just not my thing.

Sword Art Online, Vol. 24: Unital Ring III

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Given that this series has now been running for twenty-four volumes, it’s no surprise that the current arc is seeing a lot more discussion of what has come before. This is especially true now that Kawahara has caught up with himself and no longer has to quietly edit the crappy things he wrote when he was 20 years younger. There’s a lot of interesting stuff that never really got developed in the past that can now be looked into at more leisure. This is the concept behind the Progressive series – which these books pretty much make clear have sort of usurped the original first volume as being canonical – as well as the movie, which also gets referenced here. The line between canon versions of Sword Art Online is blurring. And given that, it’s no surprise that, despite the current death game-esque plot of Unital Ring, complete with a Death Collar of sorts for Kirito, we’re still heading back to the Underworld, which may be 200 or so years into the future but still manages to ask the important question: is *he* REALLY dead?

(Man, covers always spoil, huh? So much for my trying to be ambiguous…)

Kirito is having a bit of a rough time at the moment, though honestly compared to “I am in a coma” it’s going pretty well. In Unital Ring everyone seems to be trying to kill his party. Someone has apparently dived into the Underworld without authorization, which means there needs to be an investigation. And, most importantly, it’s Asuna’s birthday and he has to get just the right present. Frankly, he’s pretty much a dumbass about that, and it’s a good thing that Argo is back in his life to give him enough hints that he can do the right thing. Argo and Alice get to spend time with Kirito in Unital Ring this volume, as Argo has finally given in and ported her character in. Good thing too, as it turns out that it’s not just SAO, or ALO, or GGO, it’s lots of other virtual reality games. Meaning we also get GIANT INSECT BATTLES!

I suspect there may be some fans who are a bit grumpy about the supposed reveal towards the end of this book. That said, “Nobody dies in Bleach” is the phrase, not “nobody dies in SAO”. There have been important characters killed off. So I think we’re allowed to give the author a bit of rope here, especially as there’s no confirmation that it *is* who Kirito thinks it is. That said, I cannot help but be reminded of the separation of Alice Zuberg and Alice Synthesis Thirty and go “Hrrrm”. Aside from that, I continue to be amused, given his reputation as the all-powerful light novel hero, how much of this book shows Kirito being mocked or screwing up. I mean, yes, he does some cool things, but that’s mostly because his human strategy guide is back. Of course, he fares better than Asuna, who has an incredibly cool battle… recapped for us as it’s offscreen. Bleah.

This arc is settling in to be another long one, but at least it has the entire cast this time, so fans should be a bit more happy than Underworld. Till next time: d’awwww. sugar maple tree.

When Supernatural Battles Became Commonplace, Vol. 2

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By Kota Nozomi and 029. Released in Japan as “Inou Battle wa Nichijoukei no Nakade” by GA Bunko. Released in North America by J-Novel Club. Translated by Tristan K. Hill.

So this was a nice improvement on the first volume, though I will continue to say that I hate it whenever this book has a real plot that it wants is to care about. It’s at its best when it’s just shooting the shit and riffing on Japanese media cliches. Unfortunately, when we run into Chuuni and the Chuutones towards the end, I groaned and wished that Hatoko would simply vanish and reappear back at school. Fortunately, this is precisely what happened. I suppose I’ll have to deal with them more later, but I seriously do not care, whereas I do care about the main cast. Even Andou – I can’t tell if he was far less annoying in this book or if I just got used to his antics, but he worked far better in this book, especially when we get to the relationship between him and Hatoko. Because yes, THIS is the book with “that scene”, and it’s pretty damn epic. Worth the read, definitely, especially given the stress buildup we see all book.

Stop me if you’ve heard this one before, but this is a book of two halves. In the front half we feature once again Kudou, the student council president and vague antagonist from the previous book, who has taken a letter of challenge as a love letter thanks to Andou’s over the top verbiage. Needless to say, she’s the sort to immediately go over the top herself, and Andou has to struggle to find a way to break things to her gently before he breaks her. That said, the confession comes as a shock to the rest of the club, especially two girls who we know have feelings for him. Given her presence on the cover, and the fact that most of the chapters begin with her narration before switching to Andou’s, you can assume Hatoko is especially confused by all this. But, whatever. She wouldn’t understand it anyway.

The book threatens to be drowned out by Hatoko’s rant, which is beautiful, but it also highlights the gulf between them. That said, we see in the flashbacks that this is not for want of trying from Andou – he was attempting for years to get her to understand his way of thinking. But sometimes people just don’t vibe the same way, and the best part of the book is when both of them are told that, in fact, they don’t HAVE to understand each other deeply – they can just be friends because they are friends. The other highlight of the book is the short story competition, which is absolutely hilarious – Hatoko’s grimdark romance, Chifuyu’s incoherent foreign mess, Andou’s summary and character descriptions with no actual text, and Sayumi simply dragging Andou out behind the shed and shooting him in the head. Glorious.

Again, there’s a plot here somewhere, but I plan to ignore it, just as I ignore Andou’s friend Sagami, who is the absolute worst in a way that is clearly deliberate but also I don’t care that it is. Recommended if you use the word “weeb” as a term of honor.

The Manga Review, 5/6/22

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When it comes to manga commentary, I freely admit that I’m more of a reader than a listener. Mangasplaining, however, is helping change my mind about manga podcasts. Every week, Deb Aoki, David Brothers, Christopher Butcher, and Chip Zdarsky analyze manga old and new, from classic titles such as AKIRA to fan favorites such as Wotakoi: Love Is Hard for Otaku. The Mangasplainers are frequently joined by industry professionals for interesting conversations about translating, publishing, and creating manga; among their most recent guests were Jamila Rowser, founder of Black Josei Press, and Ken Niimura, a Spanish-Japanese artist best known for his work on I Kill Giants. Complementing the podcast is MSX: Mangasplaining Extra, a weekly newsletter written by Deb, Christopher, and Andrew Woodrow-Butcher that focuses on their newest venture: translating and publishing manga for North American readers.

NEWS AND FEATURES

Deb Aoki offers an in-depth look at the North American manga market. Though global supply issues have made it more difficult to bring readers their favorite series in print, manga sales reached a record high in 2021. As VIZ Media’s Kevin Hamric observes, “Manga is no longer a niche category. It is now a mainstream/mass category.” [Publisher’s Weekly]

Free Comic Book Day is tomorrow! Several manga publishers will have kid- and teen-friendly titles, from VIZ’s Pokémon Journeys to Tokyopop’s Guardian of Fukushima, a graphic novel about Naoto Matsumura, a farmer who defied government orders by returning to Fukushima to save his animals. [Free Comic Book Day]

Cat lovers take note: Daisuke Igarashi just launched a new series called Kamakura Bakeneko Kurabu, which translates roughly to Kamakura Monster Cat Club. [Anime News Network]

On Wednesday, Seven Seas unveiled four new manga licenses: Gap Papa: Daddy at Work and at Home, The Knight Blooms Behind Castle Walls, My Sister The Cat, and No Longer Human… In Another World, “a dark comedy starring a famous historical writer who would honestly rather die than live out an isekai fantasy.” [Seven Seas]

Tezuka Productions recently launched an English-language Twitter feed. [Twitter]

Megan Thee Stallion has impeccable taste in anime. [Black Girl Nerds]

If you plan to be in Tokyo next March, why not check out the Spy x Family musical, which will have its premier at the Imperial Theater? [Otaku USA]

Wondering what’s new at your local comic book store? Bill Curtis just posted a complete list of May’s manga and light novel releases. [Yatta-Tachi]

In the latest episode of Shojo & Tell, Ashley and guest Olive St. Sauver discuss the first six volumes of Suu Morishita’s Shortcake Cake. [Shojo & Tell]

Good news for yuri manga fans: Erica Friedman’s By Your Side: The First 100 Years of Yuri Anime and Manga is now available for pre-order. Her book is the first of its kind in English, offering a thoughtful, wide-ranging exploration of “the key creators, tropes, concepts, symbols and titles of the first 100 years of the Yuri genre.” [Okazu]

Sam Sattin chats with Masha Zhdanova about his latest project: a reboot of Osamu Tezuka’s Unico. “Unico in particular I found to be a fascinating character who is often misunderstood,” Sattin observes. “Unico was created for children, but like many of Tezuka’s child-oriented fables, the character’s story is complex, emotional, and chock full of meaning… In it, I see an amazing story that could simultaneously serve a new generation of readers and honor Osamu Tezuka’s work.” [Women Write About Comics]

Jeff Trexler, the Interim Director of CBLDF, sounds a cautionary note about Free Comic Book Day, noting that retailers need to be vigilant about which books they give away, and to whom. “The new comic’s code is an algorithm,” Trexler observes. “What people are trying to do is not simply the fact that they’re trying to get retailers arrested or school teachers arrested or librarians arrested. They recognize in the age of Twitter, you don’t have to do that. All you have to do is get them shamed or banned. You can mass swarm a retailer and report them to Facebook or Twitter for selling pornography.” [ICv2]

REVIEWS

Congratulations to Megan D., who celebrates the tenth anniversary of The Manga Test Drive this week! You can help her mark this milestone by checking out her recent reviews of Dick Fight Island (NSFW, as you might imagine), Hinadori Girl, Wanted, and Peepo Choo. Over at Book Dragon, Terry Hong posts a review of Gengoroh Tagame’s Our Colors, “another poignant, empowering, gay-centered narrative… translated by queer manga expert Anne Ishii.”

Manga the Week of 5/11/22

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SEAN: The week of Mother’s Day, and what manga will moms be reading?

Yen On has a 5th volume of Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense.

The Yen Press debut is Mizuno and Chayama, a Comic Beam title that is done in one 2-volume omnibus. It’s Romeo and Juliet, only they’re both teenage girls, and the setting is corporations vs. the government.

MICHELLE: Hm. Potentially interesting!

ANNA: This does sound interesting.

ASH: I agree!

MJ: What everyone else said!

SEAN: Also being released: Is It Wrong to Try to Pick Up Girls in a Dungeon? II 2, The Saga of Tanya the Evil 16, Solo Leveling 4, and Star Wars Leia, Princess of Alderaan 2.

Viz Media has Death Note Short Stories, which is exactly what it says.

ASH: It’s been quite a while since I’ve thought about Death Note; the series is among the earliest manga I read.

MJ: Wow, what could this possibly be? I’m actually a little curious.

SEAN: We also see Dragon Quest: The Adventure of Dai 2, Fly Me to the Moon 11, Mao 5, Pokémon Adventures: X•Y 2, and Requiem of the Rose King 15.

MICHELLE: I’m quite far behind on Requiem of the Rose King now!

ANNA: Alas, me too.

ASH: I’ve been saving up volumes to read all at once.

MJ: I am also behind, but omg!

SEAN: Tentai Books sees a print release for From Toxic Classmate to Girlfriend Goals 1, I Kissed my Girlfriend’s Little Sister?! 1, and There’s No Way a Side Character Like Me Could Be Popular Right? 3.

SEAN: Three new titles from SuBLime: Change World 2 (the final volume), Finder Deluxe Edition 11, and His Favorite 12.

ASH: Oh, somehow I didn’t realize His Favorite was still ongoing!

Square Enix manga has the 5th volume of My Dress-Up Darling.

ASH: Another series that I’m behind on, but I really enjoyed the early volumes.

MJ: I’ve heard good things about this, and I feel like I need to get into it!

SEAN: From Seven Seas we get The Ancient Magus’ Bride: Wizard’s Blue 4, the 14th and final volume of Magical Girl Spec-Ops Asuka, Mushoku Tensei: Roxy Gets Serious 7, and Wonder Cat Kyuu-chan 5.

ASH: I’ve mainly focused on the main series, so far; I need to catch up on the spinoffs of The Ancient Magus’ Bride.

SEAN: Kodansha has a print debut, coming from the ever popular Shuzo Oshimi. Devil Ecstasy is an early Young Magazine title about a brothel filled with women who may be killing men with their sexy skills. It’s also a two-volume omnibus.

ASH: Oshimi’s work is frequently disconcerting, but generally worth taking a look.

MJ: I’ll let Ash be the one to take a look, haha.

SEAN: Also in print: Battle Angel Alita 6, Ciguatera 2, My Boy 9 (the final volume), The Seven Deadly Sins: Four Knights of the Apocalypse 3, and The Seven Deadly Sins Omnibus 4.

Digitally our debut is This Vampire Won’t Give Up! (Vampire-sama ga Akiramenai!), another josei title from Comic Tint. Our heroine has to work with a handsome but rude man, but then finds out he’s also the author of her favorite childhood book about vampires. What’s his secret? (Take a guess.)

MICHELLE: Snerk.

ANNA: I don’t know what the secret is, I might have to read it and find out.

ASH: Ha!

MJ: The title is kind of hilarious, right? It’s the exclamation point…

SEAN: There’s also Ace of the Diamond 37, Apple Children of Aeon 3 (the final volume), The Fable 2, A Kiss with a Cat 3, Our Bodies, Entwining, Entwined 3, Police in a Pod 12, and Ya Boy Kongming! 7.

ASH: Ya Boy Kongming! is now more fully on my radar since I’ve been hearing good things about the anime.

SEAN: From J-Novel Club we see The Apothecary Diaries 5, Black Summoner’s 6th manga volume, Campfire Cooking in Another World with My Absurd Skill 11, My Daughter Left the Nest and Returned an S-Rank Adventurer 4, and Sorcerous Stabber Orphen: The Wayward Journey 17.

Ghost Ship debuts It’s Just Not My Night! – Tale of a Fallen Vampire Queen (Yo ga Yorunara!), a Magazine Pocket series, shows us a hard-luck vampire queen forced to find part-time work – some of which is very sketchy!

They’ve also got SUPER HXEROS 7.

Already out from Denpa, who just put it on their website, is Black Tights: WIDE, an artbook featuring, well, girls in tights. It features “some of the best artists in Japan” and also a lot of good-looking gams.

Dark Horse Comics debuts Cat + Gamer (Neko Gurashi Gamer-san), from Shonen Sunday S. the gamer is Riko, an office lady who doesn’t have time for socializing when there’s games to be played. Then she picks up a stray cat. Can games help her figure out how to deal with a pet?

ASH: This is supposed to be pretty good.

MJ: I mean, it has a cat, so it automatically wins.

SEAN: Dark Horse also has Gantz’s 9th omnibus.

Lastly, Airship has, in print, Classroom of the Elite 11 and How a Realist Hero Rebuilt the Kingdom 14.

The digital-first debut is Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash (Gendai Shakai de Otome Game no Akuyaku Reijou wo Suru no wa Chotto Taihen), whose gimmick is that our reincarnated villainess is not in a world of nobles and princes, but in Japan at the height of the economic boom! Can she use her future knowledge to avoid her fate and avoid the upcoming bursting of the bubble economy?

ASH: Too soon?

SEAN: And also in early digital: Classroom of the Elite 11.5 and The Haunted Bookstore – Gateway to a Parallel Universe 4.

What are you getting mom? Devil Ecstasy? Tales of a Fallen Vampire Queen? Or perhaps something more wholesome?