ideal sponger life

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

Gonna be honest, I have not warmed to Lucretia yet. Frankly, I’d be happier with Bona as a 2nd concubine, as the two of them could nerd out together. That said, after getting Lucretia’s backstory here, we certainly see why she’s so desperate to seduce Zenjiro and get into his good graces. Unfortunately, we know our hero better than she does, so she keeps striking out over and over here. It takes Freya spelling it out for Lucretia to get her to change her approach: any attempts to make Zenjiro fall in love with anyone but Aura are doomed to fail. Accept this is a purely political negotiation. She’s in a much stronger position there, especially when her family offers Freya something that, as she herself narrates, she would kill for. But in terms of audience appeal… I think I’m not alone in not really warming to her, and so she’s going to have to work harder in the next few books. But at least now she’ll BE in the next few books, even if she’s still on the outside looking in.

After their error in the last volume, the King and heir to the throne of the Twin Kingdoms are trying to get back into Zenjirou’s good graces, which is unfortunate because he’s still really pissed off. That said, he knows when he can afford to be emotionally furious and when he cannot. Getting a healer is easier, as he negotiates with the Pope there, and it goes very well. A bit too well, in fact. He’s then asked by Freya, who is slowly drying up in the Southern climate, if she can go with him to the Kingdoms to negotiate on behalf of her own nation. This proves to be OK with the Twin Kingdoms as well, who are absolutely delighted to be negotiating with Uppasala. Unnervingly so. What is really going on here?

What’s going on is that the series is now popular enough that things can be planned out for a long-runner, which means we’re setting up plots here for a payoff several books down the road. Honestly, I’m amazed Freya was able to keep her cool as much as she did given the tool they gave her is basically exactly what a nation sailing on a long dangerous voyage would most desperately desire. And then there’s Francesco, still essentially this world’s equivalent of a mad scientist, and trying to invent something that would lead to complete upheaval of the world as everyone knows it. This makes everyone unhappy, but as Zenjirou notes it also may be something that can’t be avoided, so it might be best to control the metaphorical explosion when it happens than to be caught up in it. It might lead to war. The Twin Kingdoms certainly think so.

But yes, Lucretia may be on the cover, and Aura may still be the one Zenjirou loves, but frankly Freya is still the most interesting heroine in these books. I loves her joy when Aura offered her a dress as a gift (which implies she accepts her as Zenjirou’s concubine), which very rightly also got interior art. Given that the next arc will involve Freya’s return home, the author may agree with me.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

For the most part, one of the big reasons that Zenjirou has been so successful in the political nightmare that is his new world is that he doesn’t have the ingrained reactions that anyone brought up there would. He tends to react like a Japanese person from Earth would. (I’d say “normal”, but honestly, Zenjirou’s not all that normal even to begin with.) This serves him well for a lot of this book, as attempting to negotiate with him is like hitting a brick wall much of the time because his body language and verbal questioning are so far off the range from everyone else. Unfortunately this can also be a negative, as Aura quickly points out at the end of the book,. Threatening Zenjirou’s son, even mildly as a political feint, earns his enmity, and a canny person will realize that this is a very valuable button to press. Fortunately, there’s more good than bad here, as Zenjirou accidentally on purpose gets involved in a throne war in the Twin Kingdoms.

Zenjirou is in the Twin Kingdoms to try to negotiate for a healer to be present during the birth of his second child. Unfortunately for him, while greeting him, King Bruno drops the bomb that he’s planning to abdicate in favor of his successor. The obvious choice is the eldest son, who is 49 years old but has basically trained for this. The dark horse is his youngest son, who is in his thirties and seems to be very upset about the abdication. But is that really what’s going on? And how on Earth does this tie in with Prince Francesco, who just wants to sit around and dabble in magic tools his entire life but who ends up being seen as the second coming by some groups? And, perhaps most important of all, how can Zenjirou get the latest in his succession of love interests off the cover art?

As always, the title and premise are a lie. There’s no harem seeking, and certainly no sponging here. Indeed, Lucretia strikes out with Zenjirou over and over until the middle of the book, when it becomes clear he’s not looking for a lover but a political helpmate – something that, frankly, she’s much better at doing. As for the Twin Kingdoms themselves, the plotline we get here is well thought out and handled, although I thought that Zenjirou hearing about a certain monster and immediately making a logical leap to a breathtaking new magical tool was perhaps one OP move too many, in a series when all the OP moves are intellect-based rather than fighting-based. Oh well, I should probably consider myself lucky he doesn’t sample any of the young hot single women who all essentially proposition him in this book, though they all have their own agendas.

So yes, no sex in this book, but as noted before, in this book the politics IS sex. And we still haven’t left the twin kingdoms, as there’s the other half to negotiate with. We’ll see that next time.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

The Ideal Sponger Life is doing a pretty good job of trying to strike a balance between fantasy (after all, this is a series with magic and dragons and the like) and realistic political outcomes. And one of the realistic political outcomes that comes up in this volume is Aura having to give up some of her power. This comes in two different ways – the first is appointing her general/rival as military leader, an unfortunate necessity now that she is pregnant with her second child. The second is finally giving in and admitting (and Zenjirou also has to admit this) that Freya has won the battle, and that she is now definitively going to be his first concubine. Ironically, this means that competition for additional concubines is heating up even MORE, as it means that he has a type other than “tall, strong, buxom amazon”, meaning there’s a larger pool of potential nobles stepping up to the plate. Starting with one who is probably going to be on the next few covers.

Freya is on her fourth straight cover, however this is effectively the end of her arc, as she and her crew have now finished repairs, and have to get back home to not-Sweden before the winter arrives there. She’s quite happy with Zenjirou himself, especially the way that he treats her as an equal, which I think she not only finds affirming but also arousing. That said, the heat is something that she’s going to have to get used to, and we see her and Skaji suffering through a typical “blazing season” here. Meanwhile, Nilda has arrived in the capital and needs training in how to be a noble, so ends up being hired as a palace maid – meaning, once again, that the three comedy maids are forced to step up their game and be more mature. As for Zenjirou, he finally masters teleportation – which means another mission to another country.

I must be honest, even if it weren’t for her name making me wonder if she was going to assassinate someone, I don’t think I’d be looking forward to the arrival of Lucrezia Broglie all that much. She’s far younger than his other love interests, and is deliberately being deceptive by pretending to be clumsy and naïve – something that, I suspect, is going to bite her in the ass when she gets to know the real him. Honestly, I’d be far happier with Bona as his next choice, but that does not appear to be happening, possibly as Aura thinks that she and Zenjirou are a bit TOO compatible. I do also wonder if we’re setting up for a throne war in the future – Aura is correct in that she’s going to have to start giving up some of her power, but in a heavily patriarchal society like this one, that’s power she’s likely never going to be able to get back. I worry about them.

All this plus, worst of all, no sex, as Aura is confirmed to be with child. Still, anyone reading this series for sex long since stopped, as I’ve said before. The politics is still first rate.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

This is a series that began with the premise that our hero was being isekai’d solely for his ability to breed the queen, hence the now ludicrously inaccurate title. There has been the occasional bout of really good sex over the past six books, though usually we cut away before it happens. That said, as I’ve mentioned before, if you’re reading this book for the sex, find some other series. Or is that true? Let’s face it, The Ideal Sponger Life has pretty much made its reputation on its political wrangling, as Zenjirou has to learn the ins and outs of a world where everyone is trying to get a leg up on everyone else, and one misspoken phrase can lead to disaster. This book is ALL about that sort of situation, and let me tell you, the way Zenjirou resolves it? Is just as good as sex. There is, however, one snag. Aura’s barely in the book, left behind to rule the country and possibly be diagnosed with Baby #2. Hope you like Princess Freya!

Zenjirou is going to be attending a wedding, and since Aura can’t go he’s taking Princess Freya, despite the fact that this helps her case for being his first concubine tremendously. Once there, though, his hospitality is taken care of by the father of the bride’s second daughter, Nilda. Which is all very well and good, but Zenjirou was not told that there was a second daughter… and the records they have back at the palace did not mention it. Nilda is illegitimate, but that’s not the concern, the concern is that the records don’t match up. Fortunately, the wedding itself goes fine. Unfortunately, Nilda, Freya and Skaji spot a knight from a rival nation coming out of a corridor he should not have been in… and the knight denies that he did this. Now Zenjirou is going to have to play detective in order to avoid an international incident.

This is, as many light novels these days are, based on a webnovel. That said, I was startled when I read that the webnovel does not feature Freya at all – she’s not in it. The only other webnovel I know where a major character was created out of whole cloth for the official version is The Saga of Tanya the Evil… which makes it appropriate that the queen’s maid refers to her and Zenjirou’s son as “Carlo Zen”. Pretty sure that’s intentional. As for this book, Zenjirou was pretty damn awesome in it, despite having to talk over and over about how weak and feeble he is as a fighter. I think he realizes by now he’s screwed in regards to Freya, because if nothing else she’s fallen 100% in love with him. Treating a woman as an equal is ALSO as good as sex. And in this case Freya is trying to turn it INTO sex. So far he’s holding out.

Everyone but Aura fans should be happy with this (and given she’s not getting another cover picture till Book 14, they may want to give up). Its title and premise may put readers off, but it’s moved way beyond that.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

The idea of “You have to take a concubine for political reasons” has been around since the start of the series, but Zenjirou and Aura have been deftly avoiding it by essentially being in the “honeymoon” stage of their relationship. Now, however, she’s had a son and they’re trying for another child (trying an awful lot in this book, though as always there’s nothing explicit) and the murmurs are getting louder. Lots of factions are arranging to have their daughters be what is essentially Wife #2. That said, it is still something of a surprise when Princess Freya does the equivalent of a public proposal to him at her introductory event. Indeed, it’s a surprise to Freya’s group as well, particularly her bodyguard Skaji. They’d have been less surprised if they looked at future cover art for this series: The Ideal Sponger Life has 14 volumes out in Japan so far, and Freya features on more covers than Aura. She’s absolutely here to stay. That said, politics…

Negotiating Zenjirou’s emotional state is also an important part of this volume. We’ve seen how he is mostly a very kind, accepting person (indeed, the main reason Freya moves so quickly is that she realizes that if she becomes his concubine she’ll still have some power, as he’s not a sexist like most of this society) but that doesn’t mean that he’s happy with everything that’s happening. Taking another woman into his bed seriously bothers him (it doesn’t happen here, and it’s implied won’t for several books – negotiations, etc.) but he sees why it’s very politically advantageous for their nation. It’s a matter of sucking it up and dealing with it, unfortunately. Which is possibly why Aura basically decides the best way to pacify him for the moment is “lots of sex”. Still, at least he now has his goats, which means he can make CHEESE! And chocolate, more importantly.

The maids are also here at the end of the book, of course. Indeed, their presence is slowly starting to intersect with the main plot, as one of the older maids is married off to the middle management noble we saw in the previous book, and her two fellow maids are also called back home by their families to marry, meaning there’s a need for new trainees. Naturally, our three “wacky” maids are not being called home to marry just yet (and we are forcibly reminded that they are from noble families, something fairly easy to forget), but they do now have to act as teachers to the new girls – and it can be especially difficult given that Zenjirou is nothing like other guys that might need maids. There’s less comedy schtick here than usual, and it’s implied that the three maids are – slowly – growing up. I wonder how long they’ll be in the cast.

So with Freya added to the mix, I assume that we need to head back to fantasy Scandinavia soon, but Zenjirou has to learn more magic to do that without it taking years. And what of Bona, the other really obvious concubinal candidate? If nothing else, you know the next volume will have lots of extended discussion about it.

Also, the cover art is hilarious to me. “Sure, Aura’s got big tits, but check out THIS!” (twerks)

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

As promised at the end of my last review, this volume does NOT have Aura on the cover, choosing instead to focus on the newest arrival to the cast. A boat shows up containing a Northern princess-cum-captain and her crew/bodyguards. They need help getting their ship repaired… a ship whose technological advances are far beyond Capua’s own. As a result, Aura is very happy to have their shipwrights help to repair the ship, and also learn valuable things along the way. Unfortunately, she can’t go to the coast to greet them, so Zenjirou is sent – supposedly as a figurehead, but once again the book is taking its title and crumpling it into a little ball. That said, he’s got this in hand, and is getting along with the foreign princess. Everything would be great were it not for the pesky raptors from the previous volume, who have gotten away from the soldiers sent to kill them and are now laying waste to the coastal town. Can Zenjirou find a politically adept solution?

I’ve said before that this series is for those who love political wrangling, but it leaves a bit to be desired for folks of the other potential things that it promised. The romance between Zenjirou and Aura is still fine, but we don’t see any of their bedroom antics here, mostly as Aura is back at the capital most of the book. Likewise, the fights with the raptors are pretty good, but it’s clear the author doesn’t really excel in battle – some of the best parts of the battle are showing off Zenjirou’s plan to disguise their scent in order to throw the raptors off their trail. The best parts of the fight scenes come from Princess Freya’s bodyguard Skaji, who can kick a spear hard enough to pierce the head of a sea dragon, and therefore is completely badass. As for Freya, she’s more of the tactician of the group, seeing faster than the others that Zenjirou is both smarter than he looks and also more in charge than it would appear.

The highlight of the book is seeing him try to get out of the political disaster that Aura accidentally set upon him. After sending a message to her that seemingly described the situation without requesting help, she sent help anyway, meaning that he has to thread a needle as to who gets to be in charge of the battle and who gets the glory without pissing off too many factions. His solution is adept, but also unfortunately makes it so that he himself also gets a lot of the attention, something they’re also trying to avoid. Aura is quick to praise his solution… if it weren’t for the fact that it put him in danger, so she makes him promise never to do it again. (Spoiler: he’ll probably do it again.)

The raptors seem to finally be taken care of, leading to the start of a new arc in the next book. We do seem to have an excess of foreign nobility in Capua, though, so it’s not clear who will get the focus… oh wait, the cover to Vol. 6 has Freya on it, showing off her booty to the reader. No doubt we will continue to focus on her. In any event, this is still a good read if you like political wrangling.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

One of the reasons I really enjoy this series despite its unrecommendable premise is that it really seems to want to dig into the nitty gritty of everything. The genetics of magic are in full force here, and we see how that can also be political for various reasons, and also how it’s likely to affect Aura and Zenjirou’s marriage down the road. The stuff Zenjirou brought from Japan is also proving to be both very good and also very dangerous, as he gets to impress a princess (who’s really a science nerd deep down), but also manages to upend the power balance by explaining concave and convex lenses to her, something that is a huge thing but also so obscure he has to explain to his wife why he screwed up. All this and their newborn son has come down with fantasy world measles. The baby has a 90% chance of surviving… which means a 10% chance of dying, something that makes no one happy. Do they have to use another rare healing stone?

Despite the occasional break in the storyline to fight raptors (who are far more numerous than expected), the bulk of this book is taken up with the arrival of Prince Francesco (who is basically Tamaki from Ouran Host Club) and Princess Bona (no close relation, she’s his minder and the aforementioned science nerd). Dealing with Francesco is somewhat exhausting, especially as they’re trying to figure out why he’s not in the line of succession… and also how much of his airhead act is just an act. Princess Bona is high-strung, but much easier to deal with… possibly a bit TOO easy, as Aura notices immediately that she and Zenjirou seem to naturally bond. That said, it’s their child’s illness that brings them all the answers they want, as Francesco reveals his background and magic abilities… something that also is going to make it even HARDER for Zenjirou not to take a concubine.

You know it’s a good Sponger Life when even the maid side-stories, usually the low point of the book, are interesting. The three goofy maids are busy playing video golf, which is the funny part, but the narration also points out that by learning about birdies, par and bogies, and the value of each, they’re being taught zero and negative numbers, something well outside what they would normally learn. That said, they’re all airheads, so I’m not sure if it will actually crop up later on. I also enjoyed seeing Aura fight (mostly successfully) against her jealousy. She points out that she worries constantly about making Zenjirou angry, as unlike everyone else in her kingdom, he doesn’t really WANT anything, so can’t be bribed to get back on his good side. Fortunately, despite his good relationship with Bona, she’s highly unlikely to be a concubine (the book seems to be pairing her and Francesco, though it’s subtle).

By now I imagine every reader who was hanging around waiting for more sexytimes has abandoned ship, leaving those who love the series’ political intrigue. This is a very good volume for that, and makes me interested in the next book, which… does NOT have Aura on the cover! Gasp!

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

Ideal Sponger Life continues to do what it does best: spend most of its time making that title a lie. Indeed, Zenjirou straight up admits it here. While he wanted to have a lazy, indolent life to recover from his Japanese work burnout, after a few months the mental turmoil is fixed and… he wants to do things! Fortunately, there are things to do. He can install air conditioners, he can help to better the water wheel, and he can continue to fend off attempts to try to bride, seduce, or flat out trick him into bad ideas. That said, one thing he can’t do is talk to his son – the way languages and magic intertwine in this world, we want to make sure the baby grows up knowing the native tongue, not a mishmash of that and Japanese. This is, believe it or not, more interesting than it sounds. (It would have to be.) And for those of you who are still bored, I have good news: RAPTOR ATTACKS.

As you can see, much like Strike the Blood, the cover art is here to remind you who the heroine is and to ensure there are no other contenders. That said, for once the concubine thing is not a focus, as they have bigger things to worry about. They’re not getting salt from their major supplier, and a battalion is sent to figure out why. They quickly find it’s raptors. A ridiculous amount, with apparently a larger, more intelligent leader at the helm. Meanwhile, Aura is getting back into the swing of things after her pregnancy, seeing about getting her blacksmiths to make glass, her engineers to build the aforementioned water wheels, and lots of political dealings, including deciding who should lead the battalion to investigate the missing salt. And then there’s the neighboring country’s royal family coming to visit… something that is almost unheard of.

The royal family (however remote their succession is) will have to wait till next time, but that still gives us a lot to do. Aura’s chief general is still really hungry for power, and therefore the excuse of fighting off a bunch of raptors is welcome (though THAT may also have to wait till next time… this is not a book to read if you love action sequences, brief raptor attacks aside). No, it’s just deal making and world building, as far as the eye can see. Even those who were reading for the horny parts will be disappointed (again): Aura has given birth and recovered, but Zenjirou didn’t bring condoms with him from Japan, and she doesn’t want to get pregnant immediately after her first, so lovemaking is off the menu for now. Oh yes, and as with the previous book, there is an extended epilogue featuring Zenjirou’s wacky maid trio, and unfortunately, as with previous volumes, the author thinks it’s a lot funner than it really is.

So sponging is off the menu, but we do have lots of other things going on, and the next book should introduce some new supporting cast. In the meantime, this is a good read if you enjoy titles like Accomplishments of the Duke’s Daughter or other series that promise you a gimmick and then give you sensible good writing instead.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

I get the sense that the author is well aware that his core audience may not yet be here for the politics. Sure, in a volume or two the readers will be into that, but here in the second volume there’s still a lot of horny guys taken in by the premise and the title. What’s worse, Aura is pregnant throughout most of this book, so we can’t even write in her and Zenjirou making love. As a result, there are, frankly, a heck of a lot of descriptions of Aura’s large breasts, to the point where it gets to be vaguely annoying. Indeed, it’s almost a plot point – to the typical reader of this series, Aura’s tall, red-haired muscular and stacked body is exactly what they like, but in her own country, she’s not considered attractive compared to the more willowy and mild women that Zenjirou gets introduced to here. Even her own trusted aide is amazed how much Zenjirou is attracted to her. It’s hard being the Queen.

Still, while the audience may not be here for the politics, that is what they are going to get. Aura’s position is still very precarious. Zenjirou begins to emerge into actual public appearances, and the moment he does various factions try to manipulate him so they can gain power and influence. Usually this involves offering him women to be his concubine, something which is not only common here but actually expected, which leads to friction in many ways. Zenjirou is not comfortable with taking on another lover, Aura knows it’s necessary but isn’t happy with it, and then there’s the fact that he likely has the blood of two different kingdoms in him, which means their child might also have two different kinds of magic powers – a big deal in this world. Get ready for negotiation madness!

Zenjirou is far more adept and clever at this than he likes to admit to himself, but he does find it exhausting, and I don’t blame him. He’s offered a military bow, which naturally he can’t use, and is able to finagle himself out of it but comes off looking weak. Then there’s all the concubine business, which is off the table for now due to the multiple magics problem, which is ALSO solved by making him look weak and pitiful. Aura is unhappy with this, as she has rapidly come to fall in love with Zenjirou for real, but sadly, politics. that’s almost the motto for this volume, honestly. Fortunately, Zenjirou does have a few aces up his sleeve. Glass marbles, which he brought from Earth, are considered immensely valuable here (though learning how to make glass proves a bit more difficult), and his abilities at contract negotiation help when the Queen has to negotiate with another country regarding the life of their child and how they will be brought up going forward.

Fortunately, at the end of the book the child is born, healthy and hearty. I’m not sure where we go from here, but I will continue to read the light novel series with the biggest dissonance between its title and what actually happens.

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

I had reviewed the first volume of the manga here two years ago, and we’ve had several volumes since then. Reading the light novel shows that the manga compressed quite a bit, probably sensibly. Anyone who is reading this book for the hot woman on the cover and hoping to get some nookie is going to be wildly disappointed by the 20-page discussion of hydroelectric generators, as well as the fact that the book pretty much cuts away whenever there is going to be some loving. That said, when this series first came out as a webnovel, it was SUPER popular, and there’s a hint of why that is here, as there’s some very nice political intrigue and worldbuilding, especially once we realize that our overworked salaryman hero, despite his stated intentions, is going to be proving that title wrong fairly quickly. Indeed, he does so almost immediately, as many of the things he has brought over from Earth are unknown here, ranging from glassworks to Microsoft Excel.

Our hero is Zenjirou, a young man in his mid-20s who works at a very busy Japanese company. On his off day, as he’s biking back home with food, he finds himself in a palace in another world – transported there by the beautiful young Queen, Aura. She’s looking for a husband and father to her children. As it turns out, due to various political reasons, she doesn’t want to marry any of the candidates in her own world. Plus Zenjirou does have royal blood in him, as it turns out his ancestors came from this world in the first place. After some questions and negotiations, he agrees to marry her, and the wedding comes off relatively well. That said, he may not be able to be a layabout for long. His own overly polite and deferential manners are greatly at odds with what people think a royal should act like. And those other marriage candidates aren’t going to stop trying to gain power just because the Queen married someone else.

This first volume is mostly setup, and it does drag a bit in places. There’s a point where Zenjirou returns to Japan for 30 days to settle his affairs (after this, he won’t be able to return for 30 years due to the way magic works), and we see why he would be so willing to cut ties with things, but I would happily have cut most of that to a 3-page montage. The main reason to get this is the worldbuilding and politics, both of which are quite good. Zenjirou manages to bring over a generator and several appliances with him, and so we see this medieval fantasy world getting used to fluorescent lighting and air conditioning. Aura picked an outsider as she wants to actually reign as Queen, and knows that in this patriarchal society anyone who marries her would immediately force her out of power. That said, she and Zenjirou fall in love fairly quickly, and even if he is sharper than she might have liked, I think she’s quite happy.

Zenjirou stays mostly cooped up with the Queen and servants this volume, but that can’t last. I suspect we’ll be seeing lots of ‘lets see how he handles this situation!’ plotlines in the second volume. Till then, this is a decent isekai title, less salacious than the cover and premise might suggest, and definitely worth a read.

By Tsunehiko Watanabe and Neko Hinotsuki. Released in Japan as “Risou no Himo Seikatsu” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace. Released in North America by Seven Seas. Translated by Wesley Bridges. Adapted by Jessica Cluess.

Well, here we are again with another isekai. They tend to be male power fantasies, but this one’s even more blatant about what it is than most. Based on an (as yet unlicensed) light novel, our hero is a Japanese salaryman working for a shady company and not enjoying his life, until he’s transported to another world! (Not hit by a truck, which is honestly what I was expecting.) There he meets the beautiful and busty Queen, ho explains why he’s there. Due to plot reasons, he has royal blood from the other world in him, so he needs to marry the queen and get her producing an heir. That’s all he has to do. Despite this world being pretty patriarchal, he’s not required to rule the land a la Realist Hero or anything. He’s savvy enough to realize that’s the catch (she wants to rule herself, not pass a baton), but decides to go for it anyway. Of course, this being an isekai, he immediately is an influence regardless.

It has to be said, even for a male power fantasy this one’s pretty nice to the hero. He’s briefly threatened by guards when he approaches the queen, but that’s about it. She happily explains everything to him, and even allows him to return to Earth for a month so he can settle his affairs and say goodbye to his family, which is more than 90% of isekai heroes get. He also thinks ahead, taking a portable generator and tons of books/CDs/DVDs/a fridge with him when he goes, as he knows this is standard fantasy world. I’m assuming there will be the typical adventure things later on in the series, but for the moment he is there to marry and knock up the queen. Which he does, or at least presumably. He also needs to learn the language, as it turns out that while he can hear everyone in Japanese, they aren’t really speaking it – it’s a magic ability he has. This means learning to read and write, and also teaching Excel Spreadsheets to the kingdom, which I suspect may win him enemies.

Given that we see it on Page 1 (in a sort of premonition), it should not be a surprise that there IS sex in this, which isn’t 100% explicit but gets as close as it can to that line. I’ll be honest, I was expecting more plot to interfere in the actual consummation, since I’ve seen this type of thing before, but no, this time both hero and heroine are actual adults, and the whole point is to produce an heir, and so coitus ensues. This also allows us a brief look at the queen, Aura, when she isn’t wearing the queenly mask, as we see her on the wedding night trying to act smooth and seductive, but once she’s alone in the bedroom she shows off a blush that suggests she’s just as innocent as he is. Nor is he a majestic lover, either – while they both seem to have happy sex, the line “I guess this means you’ve finished” seems to imply it was better for him than for her.

I’ve heard this series described as “come for the boobs, stay for the political intrigue”, and that seems accurate. Certainly the latter is what motivates me to try another volume. There’s some good setup here, assuming you can get past the sex scenes and objectification of the queen that’s also in these pages.