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Culinary Chronicles of the Court Flower, Vol. 5

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By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by afm.

The words “game changer” can be overused when referring to an ongoing piece of media, but I can’t think of a better way to describe this volume. Honestly, it feels like a penultimate volume, with things getting resolved next time. But I know that there’s six more to go after this. Building on everything that we’ve seen before, it shows us Rimi finding her inner strength and standing up not only for herself but for the Emperor. She’s come a long way from … well, even from the 4th book, really. This despite the fact that she also spends this volume under constant threat of death, but this time it’s from assassination rather than execution. And she’s not alone, as Hakurei also makes great strides in kicking back against manipulation, Shohi manages to do the right thing by simply restraining himself and not exploding in rage, and as for Shusei… well, that’s where it all falls apart, really. Look, I love a good romance as much as the next person. But he’s making the WRONG choice here.

Now that Rimi has accepted the Emperor’s proposal, there’s still a looooooong way to go before they’re home free. Most importantly, the anti-Shohi faction of the palace has said that they won’t stand for it because she’s Japanese… erm, sorry, Wakokuan. The way this is solved is blatant sophistry but also works; have Rimi leave the palace and vanish, and then have the identical Setsu Rimi, whose bona fides show that she’s from Konkoku, show up in the palace and become Empress. Of course, this assumes she’s not murdered in between those two things. And even then, Shusei has to train her to pass the rigorous Empress Question Time, where she gets hammered with seemingly ritual questions where she can memorize the answers… till some of those questions change.

Apart from the cliffhanger ending, the best scene in the book is Rimi answering question from the officials. She’s can’t solve everything with food here, and is especially in danger when Shusei is suddenly forced to leave her side so he can stop feeding her the answers. That said, insulting the emperor so publicly awakens something furious in her, and the response is amazing. Also, apologies to Jotetsu, who I haven’t mentioned yet, as it’s basically his book along with Rimi’s, and we get his backstory along with what drives him and why he wants to help Shusei. Unfortunately, there’s also the simmering “we have a secret child who can become Emperor” backstory that has been simmering for a couple of volumes, and it comes to a boil here. I somehow get the feeling that we’re going to be seeing a lot of military battles in the future of this series. That said, we do at least get to see Rimi save a life with the power of delicious food, so the series gets to stay on brand for those who picked it up as a foodie title.

What’s next? Chaos. Till then, please enjoy the best volume yet.

Forget Being the Villainess, I Want to Be an Adventurer!, Vol. 2

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By Hiro Oda and Tobi. Released in Japan as “Tensei Reijou wa Boukensha wo Kokorozasu” by Kadokawa Books. Released in North America digitally by J-Novel Heart. Translated by Kim Louise Davis.

Well. That escalated quickly. After all the setup from the first book, I was expecting more adventuring, more knight training, and most importantly more school. Sadly, that went off the rails pretty quickly the moment General Avenger says “hey, I’ve found this guy who can give you a good fight!”. Accurate, BUT… now the rest of the book is anything but that. I did enjoy everything that was going on, it was just a bit of a surprise direction. That said, the other thing that happened in this book also surprised me, and that’s on me, I was being dumb. Because most of these villainess stories are, at their core, romance novels. Yes, our heroine may say that she has no desire to get married after being betrayed in the game, etc., but there’s still a guy who is going to be “the one”. After meeting him last time, I assumed it would simmer in the background for several books till Serephione grew up. Then this book covered several years of her life…

As noted, we do start off the same as last time. Serephione is attending the Knight School while also doing adventuring work on the side, including such things as protecting a royal as she travels to the magic academy. You know, the one that Serephione has been avoiding with great avoid. Then Prince Schneider arrives, and he now knows all about Serephione… and tries to kill her. This turns out to be for slightly better reasons than “I am evil just because”, but only slightly – both have their agendas that they can’t let go of. Now Sere is far from home, and she doesn’t even have Leo for company. She does have Miyu, the cute little snake girl she met last volume, and together they slowly make their way to a country where she can hide from her enemies… mainly =because she accidentally helped along this country’s revolution.

This book is mostly fairly light and adventurey, but when it gets serious it gets pretty damn serious. The fight between Sere and Schneider felt like it belonged to a different book, and this happens a couple of other times in the book. There’s no blending of genres, just a straight tonal shift, and it can be jarring. The other interesting thing is how this world appears to be a port authority for dead Japanese people. We already know about Serephione and her nemesis, the heroine Maribelle (who doesn’t technically appear in this book, but you can tell she’ll be the final confrontation). Now we hear that Schneider is also a reincarnate, and that he hated the Wild Rose novel. So he’s a bit bitter that he’s now in it. We’ve seen this sort of thing in other villainess stories, but usually it’s between people who actually knew each other in Japan. This book just sucks up anyone and everyone.

Despite some hiccups, this was still a fun read, and I’m happy there’s at least one more volume of it. Let’s hope it has more of the badass grandma, who barely appeared in this volume.

Pick of the Week: Spies, Assassins and Skip Beat!

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MICHELLE: There is soooo much good stuff coming out this week and there’s really only one thing that beats Yona of the Dawn with such ease, and that is the latest installment of Skip Beat!. I sometimes feel like I should pick something else for the sake of not repeating myself, but this truly vaults to the top of my to-read stack every single time.

SEAN: Man. New Kaguya-sama, Queen’s Quality, Skip Beat!, Snow White with the Red Hair, Spy x Family, AND Yona of the Dawn. I am tempted to simply make my pick “Viz”. But in honor of the start of the anime this week, I will pick Spy x Family.

KATE: As a certifiable Middle-Aged Person, I am 100% rooting for the protagonist of Sakamoto Days, even if he’s “legendary hitman.”

ASH: It really is a Viz sort of week, isn’t it? As the debut, I’ll join Kate in picking Sakamoto Days, but I’m actively reading just about everything that Sean mentioned, too.

ANNA: I’m with Michelle this week, my heart belongs to Skip Beat!!

Bookshelf Briefs 4/4/22

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Falling Drowning, Vol. 1 | By Yuko Inari | Kodansha Comics (digital only) – On the surface, Falling Drowning looks like cookie-cutter shoujo. Our protagonist, a high school student named Honatsu, is part of a love triangle with her protective childhood friend Toma and the surly new transfer student, Shun. There’s even a scene where Honatsu and Shun get stuck in a storeroom! However, there’s an element of mystery to this title that’s quite appealing. Six years ago, Honatsu lost her father in an accident (or was it an accident?) along with eleven years of memories. Now, she’s trying to learn as much as possible and become independent. She feels at ease around Toma, and it’s clear he likes her, but what he offers is the promise of safety. Shun, on the other hand, instinctively understands her desire to challenge herself. I enjoyed this first volume quite a bit and look forward to seeing how it develops from here. – Michelle Smith

Haganai: I Don’t Have Many Friends, Vol. 19 | By Yomi Hirasaka and Itachi | Seven Seas – At last, we get the answer to the question that every Haganai fan who despised the light novel ending has been asking: will the manga be different? Well, I’m not sure the actual ending will differ (he’s still avoiding all romance), but it’s definitely different on the Yukimura end, as he shoots her down here. Indeed, she’s not the only one he shoots down, as he admits to Yozora, who finally confesses, that he sees her only as a friend. I can’t wait to see how this ends when it comes out in… erm, what? I forgot to read this volume? The final volume is already out? Whoopsie! Well, in any case, even if it ends with him picking no one, it avoided the biggest hate sink of the novels, so that’s a plus. – Sean Gaffney

Love at Fourteen, Vol. 11 | By Fuka Mizutani | Yen Press – Remember when I said I liked the sad lesbian helping out her sad high-school equivalent? Well, the author did, and they then pulled the rug right out from under us. That said, it feels a lot like “I am pretending to be a terrible person for your own good” than “I was secretly evil all along,” so it would fit right in with the rest of this somewhat cursed manga, which is all about not acting on relationships that might be considered taboo in one way or another. As for Kanata and Kazuki, well, the ending is a sort of “lady or the tiger” cliffhanger, where we’re given an indirect answer to the question of “did these two finally go all the way.” Likely will be another six months till we get it confirmed. Sketchy soap opera. – Sean Gaffney

My Hero Academia, Vol. 30 | By Kohei Horikoshi | Viz Media – Whoops, it’s not just Haganai. I forgot this came out a month ago as well. Still, at least we’ve finally reached the end of the Paranormal Liberation War arc…. what’s that? We haven’t? It’s still going on? Well then. We do get some setup for villain-saving for both Shigaraki and Toga, though both seem to be of the “but we won’t actually be saved” variety. And we finally get all of Dabi’s tragic backstory, which might be a bit more tragic if it did not also feature liberal applications of “I am laughing like a madman.” In the end, I agree with Uraraka: if you want a chance at redemption, perhaps do a bit less murder when asking for it. It should end next time? Right? – Sean Gaffney

We’re New at This, Vol. 10 | By Ren Kawahara | Kodansha Comics (digital only) – In this volume of sweetness and light, the closest we get to conflict is Sumika having to face up to the fact that Ikuma can be attracted to other women who aren’t her (he doesn’t remotely act on it; it’s a TV show host), Ikuma’s mom dealing with the melancholy of her family having finally all moved out… and the despair when all three daughters end up moving back, and a fake tropical vacation (in their living room) that leads to oily massages and oily sex. The author really has done a good job of making this a series where the leads have a very active love life, that we see, but also making them a wonderful couple whose lives other than sex we also want to see. Sweat and Soap fans might try this one. – Sean Gaffney

When Pink Rain Falls | By Youyi | Star Fruit Books – In the opening pages of When Pink Rain Falls, twenty-something Hanao flees the church where his best friend (and longtime crush) is getting married. As luck would have it, Hanao bumps into Touma, a sensitive but hunky florist who just so happens to need an apprentice. But do they share more than just a passion for flower arrangement, or is their budding relationship strictly professional? This delightful one-shot is only 37 pages, but Star Fruit Books has given it the deluxe treatment with oversize trim (7” x 10”), glossy covers, and high-quality paper—a smart decision, I think, since it allows the reader to appreciate how much of the story is told through glances, gestures, and artfully designed bouquets. Though the plot hits familiar beats, the sincerity and simplicity with which Touma and Hanao’s romance unfolds more than compensates for a few cliché moments. – Katherine Dacey

WITCH WATCH, Vol. 1 | By Kenta Shinohara| Viz Media (digital only) – The author of this new Shonen Jump series is best known in North America for Astra: Lost in Space, but reading the first volume of WITCH WATCH tells you this is more like a return to his breakout hit (never licensed here), Sket Dance. Morihito is a sullen young man with fighting skills far too powerful for his own good. He’s somewhat horrified by the return of his ditzy childhood friend Nico, a witch-in-training who needs a bodyguard. Fortunately, Morihito (aka Moi) is an ogre, which is why he’s so strong. That said… this is a wonderful manga, but the plot is pointless. It’s an excuse for comedy, and the author does some very good comedy. Read this if you love laughs in your Weekly Jump. – Sean Gaffney

Young, Alive, In Love, Vol. 1 | By Daisuke Nishijima | Star Fruit Books – This minimalist comic focuses on two teenagers: Makoto, a teen who owns a Geiger counter, and Mana, a teen who sees spirits. After a meet-cute that’s anything but cute—Mana pukes on Makoto—the two become inseparable as they try to solve the mystery of the enormous power plant that looms over their town. My summary sounds relatively straightforward, but the story unfolds in a circular, sometimes cryptic manner that raises more questions than it answers. Contributing to the aura of mystery is the artwork, which borders on the abstract; the characters and their environment have a kind of studied naïveté that makes them look more like stick figures than people, an impression compounded by the elliptical dialogue. I can’t say that that this was My Thing, but I have a feeling that someone will find the unique rhythms of this story right up their alley. – Katherine Dacey

Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound, Vol. 1

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By Ryuuou and Ririnra. Released in Japan as “Isekai Teni Shitara Aiken ga Saikyou ni Narimashita – Silver Fenrir to Ore ga Isekai Kurashi wo Hajimetara” by GC Novels. Released in North America by Cross Infinite World. Translated by Mittt Liu.

When I got to the afterword of this first volume and the author revealed that the original idea for the book did not have the dog, I wanted to slap my forehead a bit, given that the dog is the only reason anyone would read this in the first place. Now, don’t get me wrong, it’s not bad. The characters are pleasant, the story is pleasant, the dog is pleasant, and it is a perfectly nice slow life book. It just… verges on boring, that’s all. And by verges I mean that we’ve pulled off the road into the Town of Boring and are booking three nights at the local motel. The second half, where you start to get a vague idea where the series may go, is slightly better. But this book suffers, as so many others do, with the curse of “slow life” books: in order to portray that accurately, you have to have nothing happen.

I’m not precisely sure if Takumi, our hero, dies from overwork or not – he just passes out and wakes up in the fantasy world. But he certainly fits the type, as we get the “I am an overworked corporate slave” intro before this happens. His only good thing in life is his pet Maltese. Now he’s in the middle of a forest, next to a monstrous Silver Fenrir… who apparently IS his Maltese, only she’s now the size of a car. Not sure where he is, he and his dog wander around till they hear a cry for help and end up killing an orc that was about to murder a young woman. Orcs! Is this a fantasy world, like all those novels talk about? Returning to civilization with the young woman, Takumi quickly finds himself out of his depth and having to get used to magic, monsters, and mayhem. Fortunately, he has a pupper. A big pupper.

I think I can sum up my feelings towards this book when Takumi and Claire (the young woman) arrive at her palatial estate, the smaller of her two estates, and meet up with her butler, who is named… Sebastian. Of course. This by now 50-year-old in-joke shows that everything in this book is going to be exactly on the nose, with surprises not on the menu. I did briefly hope that Takumi, who definitely fits the nickname “potato-kun” given to bland isekai protagonists, would be completely powerless and have to rely entirely on his dog, but no, he’s overrpowered too, in the “magical herbs” sort of way that we’ve seen in other slow life isekai series of this nature. Even the romance between him and Claire is predictable. She likes him. He likes her. They’re both shy. Will anything happen? Not in this book.

There are hints that we’ll get more plot development in the next book. And again, this book’s only fault is that it’s dull. The prose is fine, the translation reads great, it’s got dogs. But for me it’s another GC Novel to throw on my pile of GC Novels book I’ve tried and failed to enjoy.

Invaders of the Rokujouma!?, Vol. 39

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

The Rokujouma landscape post-Volume 29 has thrown a lot more obstacles in the way of our heroes, but it is not frankly in a huge rush to deal with them. This has become a series that has no real plans to stop, so things will get resolved when they get resolved. This also applies to the romance, where we see that Koutarou is still uncomfortable with the idea that all the other girls have already come to accept, which is to say that he’s going to be in a polycule. Physical affection is also a work in progress, as we see in this volume when he’s forced to share a giant robot cockpit with Kiriha. But at least we’ve resolved all the potential love interests and aren’t adding anyone new, right? …right? Well, OK there’s been an asterisk next to that since Vol. 29, but for the most part we’ve ignored it as Nalfa has barely been in these recent volumes. That changes here, and you get the feeling she will be added to said polycule. If she survives.

After the big battle last volume, most of the enemy have fled, likely to regroup around Forthorthe. But the Grey Knight has hung around, trying to figure out why Koutarou’s magical sword is “incomplete”. In the meantime, it’s the start of a new school semester, and there’s going to be a huge influx of alien students. Nalfa has to give the welcoming speech, and it’s making her a bit panicky. That said, everyone else is on edge, suspecting that the Grey Knight is going to be attacking the ceremony. Fortunately, it goes off without a hitch. Unfortunately, the Grey Knight finally clues in and realizes what it is that he is looking for: Nalfa. She’s got some power he needs to draw out. He tries attempting to kill her – this doesn’t work. Then he tries attempting to kill Koutarou – that works. Can our heroes save her with the power of Sanae x 3?

Sanae, Sanae and Sanae fighting against the grey Knight is easily the action highlight of the book, and also gets in a few good one-liners (is it the power of friendship when you’re all the same person?). As for the Grey Knight, well, he may be from a different timeline but he’s still hella powerful and dangerous, and it’s going to take a lot more than Sanaes to get rid of him. As for the romance side of things, if nothing else I think we see here that Nalfa may be the only other addition to the polycule. She’s very blunt about her love for Koutarou, just like the other girls – and not like Kotori, who holds Koutarou on a pedestal compared to her “cheating” brother, but doesn’t see him as a love interest. That said, this is somewhat irrelevant, as any further romantic progress, if it happens at all, will be at the very end of the series.

We’re back to Forthorthe for the foreseeable future in the next book, with a few additions – Kenji, Kotori and Nalfa need to come along so that they’re not used as hostages. (This will kill Kenji’s love life, but he’s comic relief anyway.) Vol. 40 just came out in Japan two days ago, though, so it may be another few months for us.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 3

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahliya wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Nikolas Stirling.

I mentioned this in my review of the second volume, but it bears repeating: These two are a wonderful couple who absolutely should not get together at this point. Even the rest of the cast agrees with me. No one dares bring it up with Dahlia, who is still being treated with kid gloves, frankly (then again, it has only been a month since she was dumped by her fiance the day before her wedding), but everyone is planning for her business to be SO successful that she gets made a baroness, which would solve most of the issues with her marrying Volf. Not that she really has clued in to her own feelings yet. Volf has clued in to his own feelings, but his solution to the problem of class differences is terrible, as is fortunately pointed out to him by his older brother. Really, for the moment, they’re best as they are seen here: inventing new things, creating hilariously bad and terrifying magical swords, and eating and drinking a lot. A whole lot.

Much of this volume is spent with Dahlia trying to find a way to make the portable stove even smaller, so that it can be easily carried by knights when they go on their missions. We get into the nitty gritty of materials needed, cost, and how much to change – this book does not skimp on the business insights. That said, Dahlia is still showing off some painful naivete in this book. She’s trying to deal with the gossip about her and Volf, but it’s not something that you can just smile and hope it goes away. More concerning is the fact that she has so little self-worth that she gives away valuable creations at the drop of a hat, not realizing that she needs to convey a better idea of what she is as a proprietor rather than as a friend. As for Volf, well, his biggest concern is a monster that creates an illusion of a loved one – something Volf has never really had to deal with until now.

We already pretty much knew that Dahlia was having trouble dealing with the death of her father, and here we see that she’s also still having trouble dealing with her previous life in Japan, where she had a still living mother when she overworked herself to death. Honestly, she may have a similar fate here unless events conspire to get her and Volf together, as we see her lose track of the entire day working on another invention. She also says she plans to never get married, which is fine right now given that she and Volf are already acting like – and are mistaken for – a married couple. You can absolutely see where the rumors come from. The scene where they buy the matching glasses and amphora in order to have even better alcohol is really great, and shows that when they do manage to get past their own personal demons, they will be an amazing power couple.

But that’s for future Dahlia volumes. For now there is outside barbecue, a strong cider, and Dahlia’s vague feeling that she wants Volf to be by her side forever. Huh. Wonder what that’s about?

Manga the Week of 4/6/22

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SEAN: April, the most important month of the year! What manga could be coming out?

MICHELLE: In which two particular manga reviewers just happened to be born!

SEAN: Airship, in print, has I Am Blue, in Pain, and Fragile, which we discussed last week, as well as Mushoku Tensei: Jobless Reincarnation 16.

ASH: I much more likely to read I Am Blue, in Pain, and Fragile now that it’ll be in print. (That was a pretty quick turnaround!)

SEAN: For early digital editions, they have Berserk of Gluttony 6 and Classroom of the Elite 11.

From Ghost Ship we have a new debut. DARLING in the FRANXX ran in Shonen Jump + and is coming out here in two-volume omnibuses. Post-apocalypse children pilot giant robots. It has an anime. And it’s by the artist of To-Love-Ru.

ASH: I’ll admit I wasn’t paying very close attention, but don’t think I realized this was a Ghost Ship title until now.

SEAN: We also get Into the Deepest, Most Unknowable Dungeon 2 and Who Wants to Marry a Billionaire? 2.

Some digital stuff from J-Novel Club. We see Black Summoner 8, the 7th manga volume of Campfire Cooking in Another World with My Absurd Skill, The Emperor’s Lady-in-Waiting Is Wanted as a Bride 4 (the final volume), Infinite Dendrogram 17, Min-Maxing My TRPG Build in Another World 3, Perry Rhodan NEO 7, The Reincarnated Princess Spends Another Day Skipping Story Routes 3, Slayers 13, A Wild Last Boss Appeared! 8, and The World’s Least Interesting Master Swordsman 8.

Lotsa print volumes for Kodansha. We see In/Spectre 15, Lovesick Ellie 3, Orient 8, Peach Boy Riverside 6, Penguin & House 2, Shaman King Omnibus 8, Shikimori’s Not Just a Cutie 9, Those Not-So-Sweet Boys 6, and Vampire Dormitory 4.

MICHELLE: Jeez, how did Those Not-So-Sweet Boys get up to volume 6 already!

ASH: Gotta love it when the print runs converge!

SEAN: There are two digital debuts. The Abandoned Reincarnation Sage (Suterareta Tensei Kenja – Mamono no Mori de Saikyou no Daima Teikoku o Tsukuriageru) is a sensibly shortened title, and also a manga that runs in Magazine Pocket. Powerful sage reincarnates… and is promptly abandoned, as a baby. Fortunately, he’s found by a nearby tribe… of goblins!

The Angel, the Devil, and Me (Otonari wa Tenshi to Akuma) is a single volume shoujo title from The Dessert. Girl meets her new neighbors… and of crap, they’re hot! Should she make a move on them… or should she SHIP them? This is from the creator of Boss Wife.

ANNA: Ok, this sounds amusing.

SEAN: Also digital: Chihayafuru 31, The Decagon House Murders 4, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 5, Kounodori: Dr. Stork 22, My Darling, the Company President 5, and My Idol Sits the Next Desk Over! 4.

MICHELLE: I need to have a Chihayafuru marathon.

ANNA: Me too. I regard it as an indication that I’m a failure as a person.

SEAN: One Peace has the 9th volume of The New Gate.

Debuting from Seven Seas is The Most Heretical Last Boss Queen: From Villainess to Savior (Higeki no Genkyou to naru Saikyou Gedou Rasubosu Joou wa Min no tame ni Tsukushimasu), the manga version of the light novel which Seven Seas also puts out. It runs in Comic Zero-Sum.

Seven Seas also has Failed Princesses 5, Berserk of Gluttony 5, Even Though We’re Adults 4, Haganai: I Don’t Have Many Friends 20 (the final volume), Machimaho: I Messed Up and Made the Wrong Person Into a Magical Girl! 9, and Rozi in the Labyrinth 3 (also the final volume).

ASH: I really need to read more of Even Though We’re Adults.

SEAN: Viz has a debut next week, coming from Shonen Jump. It’s Sakamoto Days, the story of a legendary assassin who fell in love, got married, got older, and put on weight. But does he still have the old skills? Signs point to yes.

ANNA: I will usually read at least one volume of an assassination manga.

ASH: Same, really.

SEAN: Also from Viz: Chainsaw Man 10, Demon Slayer: Kimetsu no Yaiba: The Official Coloring Book, Jujutsu Kaisen 15, Kaguya-sama: Love Is War 22, Kaiju No. 8 2, Moriarty the Patriot 7, My Hero Academia: Vigilantes 12, My Love Mix-Up! 3, Queen’s Quality 14, Skip Beat! 46, Snow White with the Red Hair 18, Spy x Family 7, and Yona of the Dawn 35. Wow. I am getting a LOT of that.

MICHELLE: Holy cow, that’s a ton of great stuff. My heart, as ever, belongs to Skip Beat!, though.

ANNA: Me too! A new volume of Skip Beat! is always cause for celebration.

ASH: A very good Viz week!

SEAN: Plenty of light novels from Yen On. We see Date a Live 5, Death March to the Parallel World Rhapsody 16, The Detective Is Already Dead 3, I Kept Pressing the 100-Million-Year Button and Came Out on Top 2, The Otherworlder, Exploring the Dungeon 2, Solo Leveling 4, and That Time I Got Reincarnated as a Slime 13. Strangely, given my usual reading, I am getting none of these.

ASH: I’ve been meaning to give one version or another of Solo Leveling a try, but I simply haven’t got around to it yet.

SEAN: As for Yen Press, the debut is Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside (Shin no Nakama Janai to Yuusha no Party o Oidasareta node, Henkyou de Slow Life Suru Koto ni Shimashita). We’ve had the light novel, we’ve had the anime, now let’s have the manga. It runs in Comic Walker.

And we also get the 4th and final volume of Little Miss P.

Come on, come on. Decide! Pick a favorite!

ANNA: SKIP BEAT!

Tearmoon Empire, Vol. 7

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

The narrative voice is one of the most well-known parts of this series, but we do occasionally see inside Mia’s own thoughts as well, and when we do we can sort of get what the narrator is talking about. There are several points in this book where Mia is essentially being a petty, selfish and gluttonous princess – we see how she thinks. In those cases, yes, the fact that everyone misinterprets her can be ridiculous. That said, we also see many times in this volume Mia’s sharp instincts to avoid the guillotine, and those are top-tier. When Mia doesn’t think but simply reacts, be it to a death flag or when she sees one of her friends is unhappy, she shines. And heck, even her selfish pettiness doesn’t last long – her desire to see a money-grubbing merchant suffer is thrown out the window when she sees him legitimately suffering the aftereffects of a heart attack. In this book we really do see that if she does become Empress, she might just do OK.

The first fifth of the book wraps up the third “arc” we’ve been reading, with Mia returning home for the weeklong festival to celebrate her birthday, as we are reminded that her father is, not to put too fine a point on it, a freak. That said, it’s the colors Mia wears to her party that make the impression. After this we move into a new arc which features Mia, having set up an excellent program to combat famine, trying hard to keep it from collapsing. Chaos Serpents are still trying to sow discord, but we also have to deal with those who realize that a famine can be a great way to make a pile of cash if you’re the one delivering the food. Now Mia and Ludwig have to face off against an antagonist who Mia remembers from her past life… when things ended in disaster. Can she turn things around with the help of a commoner studying medicine and the power of wheat?

This is usually the point of every review where I get annoyed at the narrator for harping on Mia being chubby, and yeah, it’s here as well. That said, we also see Mia chiding herself for a different kind of flab. A couple of times in this book she makes the mistake of being complacent, and that’s when disaster pricks at her intuition. Given that there is a secret society whose goal is to destroy her and her kingdom, Mia simply can’t stop and just relax. I think, in time, this will become second nature to her – she just needs to have her thoughts map to her instincts more. She also has help. Ludwig is hilarious here, taking on the brunt of “misunderstand Mia in a positive way” and realizing that if you truly want to change everything about the Empire, might as well also let people like him be Chancellor. As for Shalloak, the “evil” merchant, his story actually ends up being heartwarming and tragic at the same time – the benefits of people dreaming of their past lives in another world.

Add to this one of the best side stories in the entire series, where a search for cake will make you cry, and you have a fantastic volume. Each one of these is a treasure.

Strike the Blood, Vol. 20

by

By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

I’d like to welcome you all and thank you for coming to another one of my attempts to review the latest volume of Strike the Blood. If you’re reading this, I assume that either you are a hardcore fan of the series (and have therefore, no doubt, seen the anime that has already adapted this volume) or you just enjoy reading about me trying and failing to get 500 words out of a series whose main plot is “cool action sequences for 279 pages”. It’s always felt like a novelization more than a novel, but here in English, where we’re reading the novels after the equivalent anime, it’s even more apparent. This is, essentially, the final arc, Part 2 of 4. It will therefore not surprise you that it ends with a bit of a downer, though honestly not as much as previous books. That said, fans will feel relieved to hear that Kojou says “my fight” and Yukina corrects him with “No, senpai, this is OUR fight”, so all is present and correct.

As noted, for the most part this is the second part of what we saw last time, so there’s still a lot of Itogami Island being divided into factions that are fighting for supremacy. We do, however, get the reason that this is happening: Avrora is alive again, and that means Kojou does NOT have all 12 beast vassals… meaning he’s essentially about to spiral out of control. There’s two main ways to solve this: kill everyone on the island by removing their memories and reason (bad), or kill Avrora (kind of what they’ve been trying not to do for the last several books). This therefore sets up most of the book, which is a lot of plotting, counterplotting, and friends turning against each other for the greater good and then feeling like absolute crap about it afterwards. That said, Kojou’s actual solution SEEMED like a good idea at the time, but…

The end of the book, i.e. Kojou’s fate, is honestly something I thought we’d have gotten about a dozen novels before now, so I’m relieved to see it here right before everyone gathers for the big finale. It’s still a powerful moment, mostly because it’s so quiet, just him and Yukina sitting watching the horizon after completely failing to stop the end of the world. Also a surprising scene, and showing that the author is perhaps getting a handle on light-hearted stuff at last, is Kojou in the shower, struggling against his vampiric instincts, and then Kanon, Shizuri AND Yukina all offering him their bodies. Separately. Which means it briefly turns into a British farce. That’s not the surprising thing, the surprising thing is that Kojou doesn’t get beaten up for it. Perhaps we have graduated from the Rumiko Takahashi school of slapstick.

Presumably next time we will be headed to the big island in the sky to have yet more exciting battles that are very hard to review. Till then, please enjoy another Strike the Blood. It is what it is.