Ash Brown

Manga the Week of 9/16

September 10, 2015 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 3 Comments

SEAN: If you like tiny weeks where you can take a break from reading all the manga in the world, this is the week for you.

ASH: No, no, Sean. It’s not a week for taking a break, it’s a week for catching up!

MJ: In fact, from the looks of things, that’s my task for the week as well!

SEAN: Dark Horse is re-releasing the Astro Boy volumes in giant 700-page omnibuses, not only larger in size and page count (this is 700 pages), but with added extras and gewgaws. The first is out next week (if you get it from Diamond).

MICHELLE: The original volume three (possibly included in this omnibus) has the story that inspired Naoki Urasawa’s Pluto. It’s really good!

SEAN: Seven Seas has a 2nd volume of quiet country life gag manga Non Non Biyori.

And a 3rd volume of action/thriller/comedy vampire manga Servamp.

Viz has a 4th volume of Master Keaton, which I am very fond of despite some problematic areas.

MICHELLE: And speaking of Urasawa! I am determined to get caught up on this title.

MJ: Hey, I should buy this so that I no longer have any excuse not to return the little volume Michelle loaned me! :D

ASH: I’ve been collecting since I’m an Urasawa completist, but I need to get caught up, too!

ANNA: Me too! I have the third volume stashed somewhere.

SEAN: And an 8th volume of Terra Formars, where there is far less fondness.

Anything here catch your eye?

The Decagon House Murders

September 9, 2015 by Ash Brown

Author: Yukito Ayatsuji
Translator: Ho-Ling Wong
U.S. publisher: Locked Room International
ISBN: 9781508503736
Released: June 2015
Original release: 1987

Originally published in 1987, Yukito Ayatsuji’s debut novel The Decagon House Murders is credited with sparking a renaissance in Japanese honkaku mystery fiction, a subgenre of classic detective fiction emphasizing logic and fair play. The novel was translated into English by Ho-Ling Wong (the text based off of the Japanese edition from 2007) and released in 2015 thanks to the efforts of Locked Room International, a group which works to publish translations of novels featuring locked room mysteries and impossible crimes. The English edition of The Decagon House Murders also includes an introduction written by Japanese mystery author Soji Shimada, which places the novel within the historical context of Japanese and world mystery fiction, as well as a brief essay by the translator. It was only after reading The Decagon House Murders that I realized why Ayatsuji’s name seemed so familiar to me—he wrote the horror mystery novel Another which was also recently translated and which received both a manga and an anime adaptation. Ayatsuji also happens to be the husband of Fuyumi Ono, the creator of The Twelve Kingdoms which I greatly enjoy.

Located on the currently uninhabited island of Tsunojima is the Decagon House, a peculiar building designed by the eccentric architect Seiji Nakamura, a man believed to have committed a series of murders on the island before taking his own life. The house, the island, and their history provides the perfect setting for some of the more accomplished members of a university mystery club to relax and find some inspiration for their writing during the break before classes resume. But what most of the group doesn’t realize is that Seiji Nakamura was the father of Chiori Nakamura, another club member who recently died as the result of one of their drinking parties. Chiori had a preexisting health condition, but at least one person feels that the club is responsible for her death. On the mainland members are receiving ominous and threatening letters signed with the name Seiji Nakamura and on the island one person after another dies under strange circumstances, and no one but the murderer knows killer’s identity.

The focus of The Decagon House Murders is definitely on its mystery. Character development in the novel is limited, enough to distinguish the individual players and to establish some of their back stories, but not so much that the reader really gets to know them as people. The murderer, whose motivations and meticulous schemes are eventually revealed, is the person who has the most depth as a character. Although there are twists to the story, Ayatsuji’s writing style is likewise straightforward and clean, lacking in heavy description or embellishments. Distraction is kept to a minimum as the facts of the case are laid out one after another, allowing readers the chance to pick up on clues and develop their own theories before everything is explained. At the same time, the members of the group trapped together on the island are themselves struggling to come up with their own solutions before they all end up dead. Ultimately, The Decagon House Murders is primarily about the murderous plot and it its execution.

Ayatsuji’s decision to make a large part of the cast of The Decagon House Murders members of a mystery club is a brilliant one. They are all well-versed in how similar crimes play out in fiction, but now they are faced with an increasingly deadly reality where those rules and expectations don’t necessarily apply; even though they know the possibilities, they can’t anticipate what will actually happen. I, too, am fairly familiar with many of the tropes and tricks used in mysteries about seemingly impossible crimes, however The Decagon House Murders still managed to surprise and satisfy me with its clever twists. I also particularly liked the narrative structure of the novel. At first the chapters alternate between the developing situation on the island and a related investigation occurring on the mainland, but eventually the two connected storylines merge together for the novel’s big reveal. The Decagon House Murders is apparently the first volume in a series of mysteries involving buildings designed by Seiji Nakamura. I have no idea if there are any plans to translate the others, but I would certainly be interested in reading them.

Pick of the Week: Rose King & Butler

September 7, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: There’s some interesting stuff going on this week, which I’m sure the rest of the team will talk about, so my pick is a title only I care about: the 26th Hayate the Combat Butler. It’s been pretty serious and plot-oriented the last three volumes or so – expect that to change back to its usual goofy fourth-wall breaking humor.

MICHELLE: It’s kind of odd that a VIZ shoujo title is coming out the second week of the month rather than the first, but I don’t mind, since that makes volume two of the versatile Aya Kanno’s Requiem of the Rose King an easy choice!

ASH: I’m with Michelle, Requiem of the Rose King is absolutely my pick this week. Although the first volume was a bit chaotic in places, I loved its drama and theatrics. The stage has been set, and I can’t wait to see what’s to come.

MJ: I’m also going to give my vote to Requiem of the Rose King. I haven’t caught up with the first volume yet, but this is easily the most enticing title on the list for me this week. I have a feeling I may even be happy in the end that I can read this two at a time!

ANNA: I’m also going to pick Requiem of the Rose King too. I loved the combination of history, anguish, and surreal visions in the first volume, and I’m excited to see where the story goes.

SEAN: Requiem of the Rose King is awesome, I will admit. But totally sticking with Hayate. Someone has to.

What looks good to you this week?

My Week in Manga: August 31-September 6, 2015

September 7, 2015 by Ash Brown

My News and Reviews

A few different things posted at Experiments in Manga last week. First up was the announcement of the Yumi Tamura Giveaway Winner which also includes a list of mangaka whose work the giveaway participants consistently enjoy and follow. For the second post last week, which also happens to be the first in-depth review of September, I took a look at Takeshi Matsu’s second English collection of erotic gay manga Dr. Makumakuran and Other Stories which I quite enjoyed. Overall, I think it may even be stronger than his first collection, More and More of You and Other Stories, which I also liked. Finally, over the weekend, I posted August’s Bookshelf Overload for those of you interested in what sorts of things I’ve picked up recently.

A little over a month ago I posted my responses to a game of manga tag. Well, that game is still making the rounds! Most recently, I discovered that Daiyamanga’s Krystallina took the opportunity to talk about her collection. Elsewhere online, Shojo Beat posted a brief interview with Kimi ni Todoke‘s creator Karuho Shiina. And in licensing news, Seven Seas has picked up three more manga: Nanatsuki Takafumi and Risumai’s I Was Abducted by an Elite All-Girls School as a Sample Commoner, Amemiya Yuki and Ichihara Yukino’s Battle Rabbits, and Takeoka Hazuki and Tiv’s Masamune-kun’s Revenge.

My News and Reviews

An Even More Beautiful Lie by Kei Kanai. It was the lovely, ethereal, and sensuous cover of An Even More Beautiful Lie that initially caught my eye and first brought the boys’ love one-shot to my attention. And, except for the creepy way that Kanai draws some of the characters’ eyes, I really liked the interior artwork as well with its strong inking and solid blacks. I enjoyed the basic premise and setup of the story, too, but ultimately I felt a little betrayed by the manga. Kurosu is a university student studying art. He’s particularly fond of the paintings by Yukari, a fellow student, genius artist, and something of a recluse. Yukari’s life is devoted to painting. Sometimes while in the grip of inspiration he’s so focused on creating that forgets to eat or even sleep. Which is why it’s fortunate that he left his umbrella on the train—returning it gives Kurosu the excuse he needed to talk to Yukari and the two grow close; Yukari now has someone who not only cares about his paintings, but cares about his well-being, too. I wish An Even More Beautiful Lie would have continued in that vein, but instead there’s an abrupt shift in the story’s tone that’s and a horrible, unnecessary rape scene. But at least it’s not between the two leads and their relationship remains intact.

Fairy Tail, Volume 49 by Hiro Mashima. The forty-ninth volume of Fairy Tail brings to an end the Tartaros story arc while beginning new one. Since Igneel dominates the cover, I was hoping for an epic showdown between dragons. There is a pretty good fight, but sadly it’s over fairly quickly. In fact, the whole Tartaros arc seemed to be wrapped up sooner than anticipated. And indeed, Mashima mentions in the afterword that it was cut short. Even so, it ends in a suitably dramatic fashion and the next arc promises to be very interesting. Of course, Mashima does have to retcon a few things to really pull it off well. That’s one of the things about Fairy Tail that I’m consistently frustrated by—although Mashima claims to have thought out the story well in advance, due to the lack of adequate foreshadowing and what seems like constant rewriting, I’m not convinced. And as the series continues to grow in length (I don’t see Fairy Tail ending any time soon), keeping internal consistency is going to become more and more of a challenge. Even though magic is obviously a major part of Fairy Tail, I think it’s been used one to many times to backtrack the narrative when Mashima has written himself into a corner; major plot and character developments lose their impact if they can so easily be waved away later on.

Prison School, Omnibus 1 by Akira Hiramoto. Some people, like me, may be familiar with Hiramoto as the creator of the acclaimed manga series Me and the Devil Blues, a supernaturally-tinged historical drama about a blues musician. Prison School is a completely different manga that, except for Hiramoto’s tremendous skill as an artist, has very little in common that earlier series. Prison School is an absurdly dramatic and over-the-top comedy. Even though the manga can hardly be taken seriously it will still likely be incredibly offensive and obscene to a large number of readers since the most powerful characters—the young women of Hachimitsu Private Academy’s shadow student council—are also the most sexualized and fetishized. The men in the series are all varying degrees of despicable, and they unapologetically revel in it. And yet, if one can stand the stunningly less-than-flattering portrayal of just about every character in the series, Prison School can be immensely entertaining and engaging. Considering all of the perversion, sadomasochism, nudity, and violence in Prison School, it’s certainly not a series that I would recommend to everyone, though. I expect that Prison School will be a divisive series, but I’m still intensely curious to see how the manga plays out.

Bookshelf Overload: August 2015

September 6, 2015 by Ash Brown

Along with August comes 801 Day, and along with 801 Day comes boys’ love sales, so in addition to usual slew of preorders last month, I replenished my supply of BL manga and novels. I even managed to snag a few that I believe are technically out of print. As for newly-released manga with queer themes, Takeshi Matsu’s second collection of erotic gay manga in English is now available: Dr. Makumakuran and Other Stories. (I reviewed the volume a couple of days ago; it’s pretty great.) There were plenty of other preorders that I was happy to see released in August, too, including but certainly not limited to the next installments in the lovely hardcover editions of Kaoru Mori’s Emma and Hirohiko Araki’s Phantom Blood. And as I feared and expected, my artbook collection continues to expand. Last month I picked up the two volumes of Takehiko Inoue’s gorgeous Vagabond illustrations, Sumi and Water. Outside of manga, I was very excited for Haikasoru’s re-release of Otsuichi’s award-winning light novel Goth since I thoroughly enjoyed Tokyopop’s edition of Goth back in the day. Haikasoru’s edition uses the same translation at Tokyopop’s, but it also includes the newly-translated novelette “Morino’s Souvenir Photo,” which I’m looking forward to reading. I also picked up the anthology Press Start to Play specifically because it includes the short story “Respawn” by Hiroshi Sakurazaka (the author of All You Need Is Kill and Slum Online), but I was happy to discover that a bunch of other great authors, including Ken Liu, contributed to the volume as well. And, after some delay, Yurei: The Japanese Ghost by Zack Davisson has finally been published!

Manga!
Another by Hiro Kiyohara
Citrus, Volume 3 by Saburouta
Crushing Love by Ritsu Natsumizu
Depression of the Anti-Romanticist, Volumes 1-2 written by Yasuna Suginuma, illustrated by Riyu Yamakami
Dorohedoro, Volume 16 by Q Hayashida
Dr. Makumakuran and Other Stories by Takeshi Matsu
Embracing Love, Omnibus 3 by Youka Nitta
Emma, Omnibus 2 by Kaoru Mori
The First Stage of Love by Kazuhiko Mishima
Food Wars!: Shokugeki no Soma, Volume 7 written by Yuto Tsukuda, illustrated by Shun Saeki
Inuyashiki, Volume 1 by Hiroya Oku
Itazura na Kiss, Omnibus 1 by Kaoru Tada
JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 3 by Hirohiko Araki
Love at Fourteen, Volume 3 by Fuka Mizutani
Love Bus Stop by Ritsu Natsumizu
Maria the Virgin Witch: Exhibition by Ishikawa Masayuki
Millennium Darling 2006 by Maki Naruto
My Hero Academia, Volume 1 by Kohei Horikoshi
Poison Cherry Drive by Motoni Modoru
Prison School, Omnibus 1 by Akira Hiramoto
Red by Sanae Rokuya
Sea View by Ayumi Kano
Tokyo Ghoul, Volume 2 by Sui Ishida
Ultraman, Volume 1 by Tomohiro Shimoguchi
Weekend Lovers by Kiriko Fuwa
Wolf Children: Ame & Yuki written by Mamoru Hosoda, illustrated by Yu

Comics!
The 6 Voyages of Lone Sloane by Philippe Druillet
Guardians of the Kingdom by Tom Gauld
Here by Richard McGuire
Hopeless Savages: Greatest Hits 2000-2010 written by Jen Van Meter
Lumberjanes, Volume 1: Beware the Kitten Holy created by Grace Ellis, Noelle Stevenson, and Shannon Watters
Pages to Pages by Lai Tat Tat Wing
This Tastes Funny by Suddenly Sentai
Thoughts From Iceland by Lonnie Mann
Wayward, Volume 2: Ties that Bind created by Jim Zub and Steve Cummings

Artbooks!
Sumi by Takehiko Inoue
Water by Takehiko Inoue

Light Novels!
Attack on Titan: The Harsh Mistress of the City, Part 1 written by Ryo Kawakami, illustrated by Range Murata
Don’t Worry Mama written by Narise Konohara, illustrated by Yuki Shimizu
Goth by Otsuichi
The Man Who Doesn’t Take Off His Clothes, Volumes 1-2 written by Narise Konohara, illustrated by Yuki SHimizu

Anthologies!
Press Start to Play edited by Daniel H. Wilson and John Joseph Adams

Nonfiction!
Global Manga : “Japanese” comics without Japan? edited by Casy Brienza
Yurei: The Japanese Ghost by Zack Davisson

Dr. Makumakuran and Other Stories

September 4, 2015 by Ash Brown

Creator: Takeshi Matsu
Publisher: Bruno Gmünder
ISBN: 9783867878432
Released: August 2015

Dr. Makumakuran and Other Stories is the second collection of erotic gay manga by Takeshi Matsu to be released in English. Matsu was one of the nine mangaka to be featured in the landmark anthology Massive: Gay Erotic Manga and the Men Who Make It which is where I initially encountered his work. Matsu can be counted among the few mangaka who have been able to make a career out of creating gay manga, his stories appealing to readers of multiple genders and sexualities. I thoroughly enjoyed “Kannai’s Dilemma”—the story of his collected in Massive—as well as his first English anthology More and More of You and Other Stories (which had the added bonus of in part being a food manga), so I was looking forward to Dr. Makumakuran and Other Stories a great deal. The volume, published by the Germany-based Bruno Gmünder in 2015, collects several of Matsu’s short manga, many of which had previously only been available digitally. So, not only are the stories being translated into English for the first time, most of them are being released in print for the first time as well.

Dr. Makumakuran and Other Stories collects five of the Matsu’s short erotic manga. The volume opens with the first two episodes of The Dangerous Games of Dr. Makumakuran, a ongoing series featuring the titular Dr. Makumakuran. Both a genius scientist and a total slacker, he spends much of his time working on side projects and annoying his assistants rather than focusing on more commercially productive research. More than once the lead assistant Tachibana becomes the test subject for Makumakuran’s seemingly innocent inventions, including a virtual reality workplace training system which allows for a variety of simulations and a diet formula that shrinks more than just fat cells. The next story, “Yashio and Shibayama,” is about a comedian whose career is struggling after he undergoes a celebrity makeover as well as the lengths he and his manager are willing to go to save it. In “Big Man, Tiny Boss” a strapping underling approaches his superior for some hands-on advice on satisfying a partner, except that he’s straight and his boss is gay. Finally, things unintentionally get a little out of hand in the changing room between a designer and his stand-in model in “Wolf Mask.”

Although I enjoyed More and More of You and Other Stories immensely, overall I think that Dr. Makumakuran and Other Stories may actually be the stronger collection out of the two, or at least the one that will be more immediately accessible to a wider audience as a whole. But either way, both anthologies are great. I’ve come to expect Matsu’s work to have a sense of humor and playfulness to it, and Dr. Makumakuran and Other Stories doesn’t disappoint. The stories, as well as the plentiful no-holds-barred sex scenes to be found within them, can actually be surprisingly sweet and charming. Even the scenarios with more dubious beginnings end up being rather romantic. One of the things that I particularly enjoy about Matsu’s erotic manga in Dr. Makumakuran and Other Stories is that while the works aren’t overly serious and at times can be quite comedic, there is still some relationship drama and honest emotional connections between the characters; the sex is only one aspect of that greater whole.

Except for the first two manga collected in Dr. Makumakuran and Other Stories which are part of the same series, none of the works in the volume are directly related to one another. However, there are a few themes that occur repeatedly. Many of the stories feature a transformation of some sort, whether it be physical or psychological. Matsu plays with size and power dynamics a fair bit in Dr. Makumakuran and Other Stories as well. Both “Big Man, Tiny Boss” and “Yashio and Shibayama” deal with pushing the boundaries of professional relationships between men with different body types. The changes in size and dynamics in the two The Dangerous Games of Dr. Makumakuran stories are more fantastic and dramatic in nature and the sex ends up having to be fairly creative as a result. “Wolf Mask” turns out to be intense and kinky, too, but ultimately the relationship between the men is kind of adorable. Dr. Makumakuran and Other Stories is a great collection of erotic gay manga, Matsu exhibiting his skills as a creator whose work can be hot and heavy and still have heart. I hope to see more of his manga translated in the future.

Manga the Week of 9/9

September 3, 2015 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 1 Comment

SEAN: The second week of the month is always the oddest, in my opinion. Not drenched in Shonen Jump, Shojo Beat or Yen titles, it tends towards Viz’s Shonen Sunday, Seven Seas, and a few oddities. Let’s see what’s out next week.

xxxHOLIC gets its 7th and final omnibus, as the series grinds to a halt, crushing the reader within its mandibles and slowly killing them over the course of a hundred years time. I think MJfeels differently.

ASH: This will be my first time reading the ending, so I’m not sure exactly how I’ll feel about it yet.

MJ: MJfeels differently, indeed.

SEAN: Seven Seas gives us a 6th volume of comedy and not-quite-harem series D-Frag!, which will continue to make fun of bald heads, large breasts, and its supposed hero.

There’s also an omnibus of the series Dictatorial Grimoire, containing all three volumes. I remember enjoying it more than it possibly merited, mostly due to a side character I really liked.

ASH: Dictatorial Grimoire was a mess, albeit an entertaining one.

SEAN: A third volume of Love Stage!! tells us that in the future, sunglasses will be edible.

MICHELLE: *snerk*

SEAN: Viz has a 23rd volume of Arata the Legend, which is turning into Shogakukan’s answer to Hunter x Hunter in Japan, as it’s on another hiatus.

Yay, it’s time for the twice-a-year release of Hayate the Combat Butler! Vol. 26 is back to all comedy all the time, but it also deals with the fallout from the End of the World arc, namely Nagi not being able to live in the mansion anymore.

The 10th Ranma 1/2 omnibus does not advance the plot (nothing does, really), but it has Ryouga’s depression and Ranma’s confidence finally meet head on and become legitimate attacks, which should not surprise anyone.

Lastly, we get a 2nd volume of Aya Kanno’s Requiem of the Rose King, where Richard III and Henry VI meet and are both really pretty at each other. (It’s much better than that sounds, I’m sorry, I just can’t help it.) The 3rd volume should involve less of a wait than this one did.

ASH: Kanno does pretty so well. And oh, the drama! Really looking forward to more of this series.

MICHELLE: Volume one was really interesting and I’ve been looking forward to continuing!

ANNA: I enjoyed the first volume greatly, and this is by far what I’m most looking forward too this week.

MJ: i really need to get into this!

So what’s appealing to you this week?

Manga Giveaway: Yumi Tamura Giveaway Winner

September 2, 2015 by Ash Brown

And the winner of the Yumi Tamura Giveaway is… Olivia!

As the winner, Olivia will be receiving a complete set of Yumi Tamura’s shoujo action thriller Chicago as published by Viz Media back in the day. I came across Chicago because Tamura was also the creator of Basara, a series that I love. And so for this giveaway, I asked that participants tell me about the mangaka whose work they always make a point to read. Check out the giveaway comments for the detailed responses, and check out below for the list of mangaka mentioned in addition to a selection of their works that are available in English!

Aki
The Angel of Elhamburg
Olympos
Utahime: The Songstress

Moyoco Anno
In Clothes Called Fat
Sakuran: Blossoms Wild
Sugar Sugar Rune

CLAMP
Cardcaptor Sakura
X
xxxHolic

Usamaru Furuya
Genkaku Picasso
Lychee Light Club
No Longer Human

Kyoko Hikawa
From Far Away

Kazuo Koike & Goseki Kojima
Lone Wolf & Cub
Path of the Assassin
Samurai Executioner

Mitsukazu Mihara
Doll
The Embalmer
IC in a Sunflower

Setona Mizushiro
After School Nightmare
Black Rose Alice
X-Day

Jun Mochizuki
Pandora Hearts

Kaoru Mori
Anything and Something
Bride’s Story
Emma

Takeshi Obata
All You Need Is Kill
Death Note
Hikaru no Go

Yayoi Ogawa
Tramps Like Us

Atsushi Ohkubo
B. Ichi
Soul Eater
Soul Eater Not!

Eiji Otsuka
The Kurosagi Corpse Delivery Service
Madara
MPD-Psycho

Yumi Tamura
Basara
Chicago
Wild Com.

Arina Tanemura
Idol Dreams
Phantom Thief Jeanne
Sakura Hime: The Legend of Princess Sakura

Jiro Taniguchi
A Distant Neighborhood
The Summit of the Gods
The Walking Man

Osamu Tezuka
Astroboy
Dororo
Message to Adolf

Yana Toboso
Black Butler
Rust Blaster

Naoki Urasawa
Master Keaton
Monster
Pluto

Yu Yagami
Go West!
Hikkatsu!: Strike a Blow to Vivify
Those Who Hunt Elves

Fumi Yoshinaga
Not Love But Delicious Foods Make Me So Happy!
Ôoku: The Inner Chambers
What Did You Eat Yesterday?

For the sake of space, I’ve limited the lists of works to up to three releases each in English, but many of the creators have other manga available in translation, too. And hopefully we’ll continue to see more of all of these mangaka! Thank you to everyone who took the time to participate in the giveaway and share some great mangaka with me. Hope to see you all again for the next giveaway!

Pick of the Week: Pastries and Punching

August 31, 2015 by Michelle Smith, Ash Brown, Sean Gaffney and Anna N Leave a Comment

MICHELLE: There’s a new volume of Skip Beat! out this week, which I of course adore, but that makes it even more significant when I say my pick of the week is actually the first volume of Maki Minami’s Komomo Confiserie. I actually know nothing about this series, but I do know that Minami’s Voice Over! ended up being a surprise favorite, so I am really glad to have another new series from its creator now that it has finished.

ASH: It seems like I’ve been waiting to read One-Punch Man forever, but I enjoyed the first volume of The Ancient Magus’ Bride so much that there could be no other pick for me this week.

SEAN: I’m fairly sure that One-Punch Man takes the prize for my pick of the week. Never has invincibility been so funny.

ANNA: I’m very excited that One-Punch Man is coming out in print form, but I’ve aleady been buying the digital volumes!. I’m going to pick the shoujo series Komomo Confiserie because a shoujo series involving food just sounds incredibly entertaining.

My Week in Manga: August 24-August 30, 2015

August 31, 2015 by Ash Brown

My News and Reviews

Last week was a bit slow at Experiments in Manga as I decided to take it a little easy on myself, but I did still post a couple of things in addition to the usual My Week in Manga feature. The most recent manga giveaway was posted, for one, and there’s still time to enter for a chance to win a complete set of Yumi Tamura’s shoujo action thriller Chicago. I also posted an in-depth review of Minae Mizumura’s award-winning A True Novel which I absolutely loved. In part it’s a reimagining of Emily Brontë’s Wuthering Heights set in postwar Japan, but it’s not at all necessary to have read Brontë’s novel to appreciate Mizumura’s work.

Elsewhere online, Mangabrog has posted a translation of an interview of Parasyate‘s Hitoshi Iwaaki from 2005. Justin interviewed Sekai Project for Manga Bookshelf about the company entering the manga market. In licensing news, Kodansha Comics has picked up some Fairy Tail and Noragami side stories and Vertical Comics confirmed its acquisition of Maybe’s The Abandoned Sacred Beasts. Also of note, Humanoids will be releasing an anthology in 2016 called The Tipping Point which will include contributions from mangaka Katsuya Terada, Naoki Urasawa, Taiyo Matsumoto, and Atsushi Kaneko in addition to other comics creators from Europe and the United States.

Quick Takes

Dorohedoro, Volumes 13-16 by Q Hayashida. Even though I love Dorohedoro, it’s been a while since I’ve read the series; I like to save up a few volumes to read all at once. The manga is now entering what I believe will be its final story arc. Granted, Dorohedoro tends to be all over the place with all sort of plot lines weaving in and out, so its difficult to identify distinct story arcs, but Hayashida is now bringing it all back together again. She’s even tying in what initially seemed to be extraneous side stories from earlier in the series more cohesively. Dorohedoro is such a bizarre manga, somehow managing to be sweet and charming at the same time it is disgusting and grotesque. Hayashida’s artwork is marvelous, creating horrific, nightmare-inducing images and an atmosphere that’s dank, dirty, and dingy. But the series is also fun and funny, with a quirky sense of humor and a peculiar fixation on food. At this point, though there is still comedy, Dorohedoro is actually getting pretty serious and dramatic. En’s dead and the rest of the family is currently homeless and on the run; the Cross-Eyes have taken over, but they seem to be losing control of the extremely deadly situation.

Evyione: Ocean Fantasy, Volume 1 by Young-Hee Kim. Back in the day, Udon Entertainment had a line of manwha which, sadly, didn’t end up going very far. Tragically, only the first volume of Kim’s twelve-volume series Evyione: Ocean Fantasy was translated and released. It’s admittedly disappointing that there isn’t more, but the first volume of Evyione serves as a sort of prologue and is well worth checking out even though the rest of the story will likely never be translated. The manhwa is in part inspired by Hans Christian Andersen’s The Little Mermaid except that in the case of Evyione, it’s the king of the sea who has fallen in love with a human princess. The artwork in the series is stunningly gorgeous. The ocean scenes and merfolk are beautiful, sensuous, and slightly disconcerting. There’s a touch of horror to the king’s transformation into a human, keeping with the darker aspects of the original story. On land, Kim pays particular attention to the characters’ clothing and attire, the dresses especially are intricately detailed. Although Evyione is obviously based on The Little Mermaid, it’s not a simple retelling and incorporates political and court intrigue as well as additional plot elements.

Say I Love You, Volume 8 by Kanae Hazuki. I continue to really enjoy Say I Love You. Hazuki’s forthright portrayal of teenage sexuality in particular tends to be handled quite well. After focusing on some of the series’ supporting characters, the eighth volume of Say I Love You largely turns its attention back to Mei. Most of the volume is dealing with a popularity contest being held as part of the school festival that thrusts Mei into the spotlight when she becomes a finalist—some students voting for her because they like her, and some students voting for her in hopes that she will utterly embarrass herself. Yamato is a participant in the contest as well and out of all of the boys he’s expected to win, meaning he’ll be going on an arranged date with whichever girl receives the most votes. All together, this is a very challenging situation for Mei. She doesn’t really want all of the attention and yet she feels compelled to try to win. Hazuki avoids the pitfall of a makeover suddenly changing a person into someone completely unrecognizable. It’s not so much that Mei’s outward appearance is drastically altered, it’s that she’s starting to overcome some of her insecurities and reclaim her femininity for herself.

A True Novel

August 28, 2015 by Ash Brown

Author: Minae Mizumura
Photographer: Toyota Horiguchi
Translator: Juliet Winters Carpenter
U.S. publisher: Other Press
ISBN: 9781590512036
Released: November 2013
Original release: 2001
Awards: Yomiuri Prize for Literature

So far, only two works by Minae Mizumura have been translated into English. The first was the Yomiuri Prize-winning A True Novel. Originally published in Japan in 2002, A True Novel was selected for translation as part of the Japanese Literature Publishing Project. The novel was ultimately released by Other Press in 2013 with an English translation by Juliet Winters Carpenter. Other Press’ edition of A True Novel is a lovely two-volume box set retaining the black-and-white images taken by Kyoto-based photographer Toyota Horiguchi scattered throughout the pages. Mizumura’s second work to be translated, her treatise The Fall of Language in the Age of English, was published in early 2015. It was the release of The Fall of Language in the Age of English that reminded me that A True Novel had been sitting on my shelf waiting to be read for quite some time. My excuse was that I wanted to make sure that I had the time to devote to the novel that it deserved—A True Novel is a massive work well over eight hundred pages in length.

Taro Azuma immigrated to New York from Japan in the 1960s, finding a position as a personal chauffeur. Not much was known about the enigmatic young man and he was reluctant to talk about his past, but he did very well for himself in America, eventually becoming an extremely successful, wealthy, and respected businessman. It’s only after he made a name and a fortune for himself that he began to return to Japan on occasion. Growing up Taro was an orphan raised in a poor and abusive household. His fate was changed when he was taken in as a helper by the well-off Utagawa family, becoming remarkably close with their youngest daughter Yoko. But as time passed, the differences between Taro and Yoko’s social classes became more pronounced and more problematic for the Saegusas—Yoko’s high-society relatives—especially after a series of “indiscretions.” This was what prompted Taro to initially leave the country, but his destiny had already become intrinsically connected to those of Yoko and her family.

In part, A True Novel is a retelling of Emily Brontë’s Wuthering Heights, Mizumura moving the setting of the story from nineteenth-century England to postwar Japan. While someone who has read Wuthering Heights will be able to appreciate the parallels between the two narratives, A True Novel stands completely on its own as a separate work. It’s been a long while since I’ve read Wuthering Heights, but I must say I think I actually prefer A True Novel. The structure of the novel has several layers that build upon one another. The story opens with an autobiographically-influenced prologue long enough to be its own novel which outlines Mizumura’s life growing up in America and her impression of Taro when she meets him there. A True Novel continues with a young editor named Yuske Kato relating to Mizumura his later encounter with Taro in Japan and the story told to him by Fumiko Tsuchiya who at one point in her life was a maid to the Utagawas. It is these two stories that Mizumura weaves together to form the main narrative of A True Novel.

Each of the three nested stories—Mizumura’s, Yusuke’s, and Fumiko’s—draws the reader closer and closer to the heart of A True Novel. The work is tragically romantic, Yoko and Taro born into circumstances where their love for each other is all but impossible to realize, their hopes for happiness dashed by the expectations of society and matters of privilege and class. The characters and their relationships in A True Novel are marvelously complex with love and hate, redemption and revenge all playing a role. At times they can actually be infuriating, but that’s part of the reason A True Novel is so compelling and engaging—the characters are believably flawed individuals navigating (not always successfully) a world that is inherently unfair. A True Novel is a tremendous work, the story tracing decades of family history and drama and the dynamics of complicated and shifting relationships. The novel may be lengthy, but it never felt overly long. If anything, while I was immensely satisfied I was still sad to see it end. A True Novel may very well be one of the best works of literature that I’ve read.

Manga the Week of 9/2

August 26, 2015 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith Leave a Comment

SEAN: School’s back in session. Do you have all your manga supplies? The old favorites? The new series? The zipatone? Let’s see what you might want to pick up.

Dark Horse still knows we like our samurai manga with the 6th New Lone Wolf & Cub.

ASH: I’m still catching up with the old school Lone Wolf & Cub, but I’m picking up this series, too.

SEAN: Kodansha debuts a new series called Ninja Slayer Kills, based off of a concept by two Americans who I suspect are imaginary. It also has a novel series later this year from Vertical, and seems to be very much in the ‘flashy action sequences’ genre.

ASH: Actually, I think Vertical has one of the other manga adaptations. But, yes, lots of action.

SEAN: Kodansha also has the fourth volume of Yamada-kun and the Seven Witches. We’re still running a few witches short.

ASH: This series has been a lot of fun so far.

SEAN: Slightly creepy power imbalance aside, I really enjoyed the first volume of The Ancient Magus’ Bride from Seven Seas, so the 2nd volume coming out pleases me greatly.

ANNA: I enjoyed the first one too. I like these low-key fantasy series, they remind me of the type of thing CMX used to put out (RIP).

ASH: The first volume was one of my favorite debuts this year, so I’m definitely looking forward to the second!

MJ: I will have to catch up with this one for sure!

SEAN: And a 6th omnibus of Dance in the Vampire Bund, which combines lolis and vampires to devastating effect, or so I hear.

Now it’s time for our slate of Viz. There’s new 3-in-1s of Dragon Ball (the 10th), Naruto (the 12th, and One Piece (the 13th). Good buys if you want to save shelf space.

Kimi ni Todoke has a 22nd volume, and I really hope that a plot point suggested by the cliffhanger happens, for the sake of my own sanity.

MICHELLE: Volume 21 was great, if painful, so I am very much looking forward to another installment.

ANNA: I have around 3 volumes now I need to read to catch up. I think I was staying away from the emotional trauma. I do love this series.

MJ: I live for this kind of pain.

SEAN: Kiss of the Rose Princess 6… I admit I’ve lost track of this series. Anna?

ANNA: What’s going to happen with the Junk Rose Princess and her Four Fake Rose Knights? Now that some of Anise’s Rose Knights are powered up even more, will this throw off the dynamics in this fun and frothy reverse harem manga? Is Anise’s father really as evil as he seems? How does one engineer Rose people? How many cards can Anise collect? I don’t know but I want to find out!!!!!

SEAN: Komomo Confiserie is the new series from Maki Minami, author of Special A and Voice Over. Given that title, I’d expect food to be involved. Always love stuff from this author.

MICHELLE: I loved Voice Over! way more an I expected to, and am looking forward to Komomo Confiserie quite a lot!

ANNA: I liked Voice Over, but not enough to complete the series. On the other hand I love food manga so I will be checking this out.

ASH: Food! Pastries! Cakes!

SEAN: Nisekoi barrels along with an 11th volume, being the rare Jump romantic comedy that doesn’t die in North America (see Strawberry 100% for the fate of prior comedies of that sort).

After getting a few volumes out digital-only, print readers are now able to experience the gloriousness that is One-Punch Man, with its first two volumes coming out together.

ANNA: One-Punch Man is the best. It totally deserves the print edition and I hope more readers discover it because it is hilarious.

ASH: I’ve been holding out for the print edition; can’t wait to finally read it!

MJ: Same here!

SEAN: Seraph of the End gets a 6th volume. Vampires? Still? Dunno.

ANNA: Not surprisingly, I enjoy this a bunch. It has more world building than most vampire manga. Looking forward to this volume.

SEAN: Skip Beat! has a 35th volume, edging closer to the longest shoujo series in North America (Boys Over Flowers still tops it right now, I think).

MICHELLE: You are right; if you include Jewelry Box, Boys Over Flowers has 37 volumes. Also, yay Skip Beat!.

ANNA: Skip Beat! is so great. May it go on for 35 volumes more!

MICHELLE: Hear, hear!

SEAN: There’s also an 18th volume of Tegami Bachi.

Lastly, you thought there would be no Yu-Gi-Oh? Foolish mortal! Here’s Vol. 7 of Zexal.

What manga makes you want to learn logarithm tables? (None of them, I imagine, unless you have the old Math Girls manga volume.)

ASH: I in fact DO have the old Math Girls volume!

MJ: Same! :D

Manga Giveaway: Yumi Tamura Giveaway

August 26, 2015 by Ash Brown

It’s almost the end of the month which means it’s yet again time for another giveaway at Experiments in Manga. This month I’m offering up an entire series: Yumi Tamura’s two-volume shoujo action thriller Chicago! The series was released in English by Viz Media a decade or so ago, but is now out of print. This month’s giveaway will give you a chance to snag a complete set of the manga. And, as always, the giveaway is open worldwide!

Chicago probably wouldn’t have come across my radar if it wasn’t for the fact that it was created by Yumi Tamura. Tamura is also the mangaka of Basara, a series that I absolutely love. Back when I was trying to track down some of the harder-to-find print volumes of Basara (the print edition is going out of print, but a digital version is now available), I discovered that Tamura’s Chicago and Wild Com. had also been translated. And so, simply because I enjoyed Tamura’s work so much on Basara, I picked them up. There are other mangaka whose work I will read no matter what it is, too, including but certainly not limited to Moyoco Anno, Usamaru Furuya, Fumi Yoshinaga, and Takeshi Obata. It can be interesting to see both the similarities and differences among the manga created by the same person; some mangaka have an incredible range.

So, you may be wondering, how can you win Yumi Tamura’s Chicago?

1) Are there any mangaka whose work you enjoy so much that you make a point to read anything they create? If so, tell me a little about them and what you like about their manga in the comments below. (If not, you can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There you go! It’s as easy as that. You all have one week to submit comments and each person can earn up to two entries for this giveaway. If you have trouble with the comment form, or if you would prefer, entries can also be sent directly to me at phoenixterran(at)gmail(dot)com. I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on September 2, 2015. Good luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Yumi Tamura Giveaway Winner

Pick of the Week: Mostly Kodansha

August 24, 2015 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

SEAN: There’s a surprising amount of stuff out this week for manga fans, including a new Alice that looks more plot-oriented than most, a new Attack on Titan as well as two spinoffs of same, and a new series from the creator of Gantz. I’ll give my pick to the manga tie-in of the Bodacious Space Pirates movie, Abyss of Hyperspace. It’s not very friendly to casual readers who don’t know the franchise, but for those who do, it’s pirate-riffic.

MICHELLE: I pretty much always pick this series when given the chance, but I am definitely going to be picking up the ninth volume of Say I Love You., which always thwarts traditional shoujo expectations in interesting ways.

ASH: Lots of good stuff coming out this week, and I’ll be picking up quite a few of them, but the manga I’m most curious about is the debut of Inuyashiki.

ANNA: Say I Love You is my pick as well, but I can’t believe we’re up to volume 9 already! More to get caught up on!

SEAN: I just want to add that the Say “I Love You” heroine continues to be so unhappy on these covers. She really does not want to be posing for this shot.

My Week in Manga: August 17-August 23, 2015

August 24, 2015 by Ash Brown

My News and Reviews

Last week Experiments in Manga reached its fifth anniversary, so I wrote a somewhat lengthy post about what I’ve been up to online and offline over the last year. Thank you again to everyone who has shown support and encouragement for Experiments in Manga over the years. Apparently, people actually want to see another five years, so I guess I better get to work on that. With that in mind, have two more in-depth reviews! Last week I took a look at Rikao Yanagita’s surprisingly entertaining The Science of Attack on Titan, one of the two non-manga books that Kodansha Comics has released so far. (The other one was related to Attack on Titan, as well.) I also reviewed Baku Yumemakura and Jiro Taniguchi’s The Summit of the Gods, Volume 5, which is the final volume in one of my favorite series. The writing and artwork in The Summit of the Gods is superb; I’m so glad that the entire manga is now available in English.

A few other things caught my eye online last week. Mangabrog has translated an article from 2013 that provides a tour through Inio Asano’s workspace. More information has been revealed about Kodansha’s digital efforts and the publisher is aiming high: digital editions of two thousand volumes translated into English by the end of 2017. Occasionally manga makes its way to NPR (which I believe is how I actually first learned about and became interested in Death Note). Most recently, one of NPR’s contributors featured a few great romantic manga: Kaoru Mori’s Emma, Ichigo Takano’s Orange, and Ai Yazawa’s Nana. I haven’t had a chance to read Orange yet, but considering the quality of Emma and Nana, I’m now looking forward to Seven Sea’s upcoming print release of the series even more. The game of manga tag continues to make it rounds, this time Narrative Investigations’ Helen tackles the questions.

Quick Takes

Castle Mango, Volume 2 written by Narise Konohara and illustrated by Muku Ogura. While I liked the first volume of Castle Mango, I really enjoyed the second and final volume of the series. Castle Mango is an unusual boys’ love manga; most of it doesn’t have anything to do with romance. The close relationship between Yorozu and Togame begins with a terribly manipulative lie, but it eventually develops into something real for both of them. In the first volume, the two men frequently seemed to have an almost father-son sort of vibe, but by the end of the series I was slightly more convinced by their intimacy as boyfriends. It does take a little while to get there though; they spend a large portion of the second volume apart. Togame is trying to give Yorozu space, feeling that it’s in the younger man’s best interest, but he doesn’t really go about it in the best way. Unfortunately, this is happening at the same time that Yorozu is struggling to take care of his little brother and his family’s business (a love hotel) when his mother is hospitalized. Yorozu is in the process of shedding the last of his immaturity and makes some terrible decisions in the process. In many ways, Castle Mango is more about Yorozu’s growth as a person than anything else.

Give to the Heart, Volumes 1-4 by Wann. After a long period of silence, about a year ago Netcomics quietly began publishing books in print again. Give to the Heart was the first manhwa to be released after the publisher’s hiatus. I was interested in reading the series because I wanted to support Netcomics, but also because it was created by Wann. (I had previously read and thoroughly enjoyed Wann’s collection of short manhwa 9 Faces of Love.) At first Give to the Heart seemed like it was going to largely be fantasy fiction, but as the series progresses, more and more science fictional elements are introduced. The ongoing story is about Sooyi, a young woman who became the wife of Ganok, the demon king who controls all water, but who is now attempting to escape him. Not only that, she is trying to find a way to kill him as well, or at least cause him as much pain as possible even if that means sacrificing her own life in the process. Though it is implied that Sooyi and Ganok were at one point content and happy as a pair, their current relationship obviously has its problems. Actually, considering the extreme imbalance of power between them—Ganok being a cruel god and Sooyi being a human with a strong will—that’s been true from the very beginning.

My Little Monster, Volume 9 by Robico. So, Haru and Shizuku are now officially a couple, although not much has actually changed in their relationship. But now that that has been settled, the other romantically interested parties are more or less able to move on with their lives. As a result, the plot of My Little Monster is now able to move along as well. This particular volume includes summer vacations and festivals, which is fairly standard for a high school romance, but Haru’s family drama is starting to come to the forefront of the story again. Underneath the humor of My Little Monster there seems to have been something ominous lurking waiting to be revealed. Haru’s brother Yuzan isn’t as terrifying as he once was, but there is definitely something going on between him and Haru and with Haru’s reluctance to interact with the rest of his family. Haru is trying to keep Shizuku from finding out the details, though eventually he’s really going to need to come clean with her and explain his situation. But, while Shizuku is still in the dark, at least readers get to learn a bit more. I continue to enjoy My Little Monster, especially the series’ quirky characters, and I’m happy to see the manga continue to gain some forward momentum.