Ash Brown

Pick of the Week: Abundance

March 24, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, MJ and Anna N Leave a Comment

SEAN: There is far, far too much here that I’m interested in, including many debuts. That said, my pick this week is a final volume, as I won’t be able to choose it again later. Soul Eater started slow for me, with the bizarre and surreal art keeping me going through the early volumes till I got to appreciate the bizarre, surreal characters more. Now it’s ending at Vol. 25, and I will miss it greatly.

ASH: Despite it being a big week for manga release, my pick is an easy choice for me. Like Sean’s, it’s also a final volume (although of a much shorter series). With it’s phenomenal artwork, fascinating, well-developed characters, and death-defying story, I am absolutely thrilled to be able to get my hands on the fifth volume of The Summit of the Gods.

MICHELLE: I’ll cast my lot with Love at Fourteen this week!

MJ: Okay, wow, I almost skipped out on this column today (moving week chaos), but holy cow are there a lot of promising manga for me to choose from! Yes, I’m interested in continuing/finishing series like the The Summit of the Gods, Love at Fourteen, and Sword Art Online: Progressive (how’s that for variety?), but there are also a few debuts that have really got my attention. Though I had mixed feelings about Olympos, I can’t deny that I’m looking forward to Angel of Elhamburg, the latest from that artist. And there’s no way I’m missing out on Kaori Yuki’s Demon From Afar, because c’mon. But I think I’ll throw my vote this week to the latest import from Zero-Sum, Karneval. Despite mixed reports from readers so far, I’m afraid that I just can’t resist the call. It’s beckoning, and I must answer.

ANNA: There’s so much coming out this week it is hard to pick! But out of all the manga coming out this week I’m probably most interested in Karneval, so that gets my pick as well.

What looks good to you this week?

My Week in Manga: March 16-March 22, 2015

March 23, 2015 by Ash Brown

My News and Reviews

Two more reviews were posted at Experiments in Manga last week. Only one was of a manga, but the other book does include illustrations! I’m a little behind in reviewing the series, but I finally wrote up my impressions of Fumi Yoshinaga’s What Did You Eat Yesterday?, Volume 6. (Just in time for the seventh volume to be released later this week!) There’s some really nice character development for Shiro and, as always, delicious-looking food. The second review posted last week was for Haikasoru’s anthology of short fiction Phantasm Japan: Fantasies Light and Dark from and about Japan which collects twenty-one horror-tinged stories. It has a great range of contributions and authors and is an excellent followup to the The Future Is Japanese anthology.

I’ve been busy at work and the taiko performance season is ramping up, so I’ve not had much time to pay attention to the manga news over the last week or so. (Let me know if I missed something good!) However, I did see that Manga Brog posted a translation of interviews of Inio Asano and Daisuke Igarashi from the magazine Manga Erotics F in 2012. And speaking of Asano, Vertical Comics apparently made a license announcement a couple of weekends ago—an omnibus edition of Asano’s A Girl on the Shore. Asano’s Nijigahara Holograph left a huge impression on me last year, so I’m really looking forward to reading more of his work in English.

Quick Takes

Attack on Titan, Volume 14 by Hajime Isayama. The cover of the fourteenth volume of Attack on Titan has a Western flair to it (“Western” as in the genre) and, surprisingly enough, so do the contents. I found the introduction of the trappings of the American Old West to be a little bizarre in a setting that has largely been European-influenced, but it is what it is. I never expected there to be a guns-blazing saloon shootout in Attack on Titan, but it is an admittedly exciting scene even if it does feel a little out-of-place. Also somewhat surprising, not a single Titan makes an appearance in the volume except for flashbacks. The series’ focus has shifted from the fight against the Titans to the conflict inside of the walls as humans are pitted against each other. The Survey Corps is in the process of trying to reveal some major conspiracies to the general public, schemes that the Military Police and government would rather not come to light, so things get pretty violent. All in all, even considering the odd Western elements, it’s an excellent volume of Attack on Titan with some great action sequences, character development, and plot progression.

Fairy Tail, Volumes 44-46 by Hiro Mashima. The Tartaros arc of Fairy Tail continues with these three volumes of the series. Fairy Tail is facing off with a guild of demons which is attempting to eliminate all magic except for its own curses. For the most part, it’s battle after battle without too much story development. Major sacrifices are made by Fairy Tail (sadly, some of them lose their significance and impact when Mashima doesn’t completely follow through with them), and a new antagonist is introduced, the extremely powerful King of the Underworld, Mard Geer. Reading Mashima’s afterwords at the end of each volume, it seems as though he has tried to carefully plan out the important events and battles of Fairy Tail. Even so, it feels as though the series meanders getting from one major plot point to the next, almost as if Mashima is making the story up as he goes instead of having a definite endpoint in mind. However, the fights can be exciting and the characters continue to evolve, or at least power up. I was pleased to see the forty-sixth volume turn the manga’s focus back onto Gray, though, bringing his most recent story arc to a satisfying conclusion.

Sankarea: Undying Love, Volume 10 by Mitsuru Hattori. There have been parts of Sankarea that I’ve really enjoyed, and parts of the series that I really have not, but overall the tenth volume frustrates me more than anything else. Mostly it’s because of the narrative structure and the fact that several important backstories are crammed into the volume. I almost wonder if Hattori realized that he was running out of time to bring the series to a proper conclusion. (There is only one more volume after this one.) It is good to finally find out more about Chihiro’s grandfather and all of his research into bringing the living back to life. And there are some great horror elements to that particular story, as well. I just really wish the revelation hadn’t taken the form of a huge infodump given by a conveniently revived zombie. However, I did like the different art styles that Hattori used to distinguish Chihiro’s memories of his mother and the story about Chihiro’s grandfather from the rest of the manga. And I am curious to see how Sankarea will end. It’s been a strange if somewhat uneven series about zombies and love, part horror manga and part romantic comedy.

Phantasm Japan: Fantasies Light and Dark from and about Japan

March 20, 2015 by Ash Brown

Editor: Nick Mamatas and Masumi Washington
Publisher: Viz Media
ISBN: 9781421571744
Released: September 2014

Phantasm Japan: Fantasies Light and Dark from and about Japan, edited by Nick Mamatas and Masumi Washington, is the second anthology of short fiction curated specifically for Haikasoru, the speculative fiction imprint of Viz Media. Phantasm Japan, published in 2014, is a followup of sorts to the 2012 anthology The Future is Japanese. A third anthology in the loosely-related series, Hanzai Japan, is currently being complied. I rather enjoyed The Future Is Japanese and so was looking forward to the release of Phantasm Japan. The anthology collects twenty-one pieces of short fiction, including an illustrated novella, from seventeen creators in addition to the two introductory essays written by the editors. Most of the stories are original to the collection, although a few of the translated works were previously published in Japan. Much like The Future Is Japanese, Phantasm Japan promised to be an intriguing collection.

With a title like Phantasm Japan I had anticipated an anthology inspired by yokai and Japanese folklore. And while the volume does include such tales—Zachary Mason’s “Five Tales of Japan” (tengu and various deities), James A. Moore’s “He Dreads the Cold” (yuki-onna), Benjanun Sriduangkaew’s “Ningyo” (mermaids and other mythological beings)—it incorporates a much broader variety of stories as well. The fiction found in Phantasm Japan is generally fairly serious in nature and tone and all of the stories tend to have at least a touch of horror to them, but they range from historical fiction to science fiction and from tales of fantasy to tales more firmly based in reality. Pasts, presents, and futures are all explored in Phantasm Japan. The authors of Phantasm Japan are as diverse as their stories. Some make their homes in Japan while some hail from the Americas, Europe, or other parts of Asia. Many are established, award-winning writers while others are newer voices. In fact, Lauren Naturale’s “Her Last Appearance,” inspired in part by the life of kabuki actor Kairakutei Black, marks her debut as a published author of fiction. I also personally appreciated the inclusion of both queer authors and queer characters in the anthology.

Other than being a collection of fantastical stories, there isn’t really an overarching theme to Phantasm Japan. However, some of the works do explore similar concepts, but use wildly different approaches and settings. In addition to the stories influenced by traditional lore, like “Inari Updates the Map of Rice Fields” by Alex Dally MacFarlane, there are those that reflect more contemporary concerns like Tim Pratt’s “Those Who Hunt Monsters” which mixes online dating, fetishism, and yokai. Ghost of various types make appearances throughout Phantasm Japan, from the supernatural haunting of Seia Tanabe’s “The Parrot Stone” to the biohazard-induced hallucinations of Sayuri Ueda’s “The Street of Fruiting Bodies.” Joseph Tomaras’ “Thirty-Eight Observations of the Self” is in part reminiscent of stories about living ghosts. Possessions are seen multiple times in the volume as well. In “Scissors or Claws, and Holes” by Yusaku Kitano, creatures are intentionally invited into a person’s body in order to exchange memories for visions of the future while in Jacqueline Koyanagi’s Kamigakari a consciousness is shared by a man and something that isn’t human as a result of an accident.

One of the recurring themes that I found particularly appealing in Phantasm Japan was the power of memories and stories to shape, create, define, and redefine reality. In Gary A. Braunbeck’s “Shikata Ga Nai: The Bag Lady’s Tale,” a tailor from a Japanese-American internment camp is responsible for passing on centuries worth of history. In “The Last Packet of Tea” by Quentin S. Crisp, an author struggles to write one last story. Project Itoh’s “From Nothing, With Love” (which re-convinced me that I need to read everything that he has written) is about a very specific cultural touchstone and the life that it has taken on. As with any short story collection, some of the stories are stronger than others and different stories will be enjoyed by different readers. Some contributions to Phantasm Japan are readily accessible to just about anyone, such as Nadia Bulkin’s “Girl, I Love You” and Miyuki Miyabe’s “Chiyoko,” but then there are more challenging works like Dempow Torishima’s exceptionally bizarre and grotesque novella Sisyphean. As for me, I enjoyed Phantasm Japan as an anthology. I liked the range and variety in the stories collected, and my reading list has certainly grown significantly because of it.

Manga the Week of 3/25

March 19, 2015 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 4 Comments

SEAN: Oh dear.

First off, it may not be in stores yet, but Kickstarter backers have gotten their two volumes of Tezuka’s Captain Ken from DMP. One of his early 60s shonen series (though, as with most of his series for kids, there are darker undertones), it’s complete in 2 volumes.

Kodansha stuff next. Air Gear 33. Roller blading! Pretty girls! Um…

Genshiken 2nd Season has its 6th volume out. The old cast has been slowly infiltrating the new series, even after graduation. Will this continue to be the Madarame Harem Show?

ASH: I’m a bit behind in this series, but I’ve enjoyed what I’ve read so far.

SEAN: Sankarea comes to an end with its 11th volume. Will all end well, like a good romantic comedy? Or will everything go horribly wrong, like a good horror manga?

And Ken Akamatsu gives us a 4th volume of Negima sorta-sequel UQ Holder.

Ponent Mon has the 5th and final volume of Summit of the Gods, for those who enjoy manly seinen mountain climbing manga. As everyone should.

ASH: I am absolutely thrilled to have this entire series in English.

MJ: This, yes, this!

SEAN: Alice in the Country of Joker’s Nightmare Trilogy comes to an end with, appropriately, Vol. 3. Will Alice and Nightmare find happiness? Can they overcome obstacles? Can they overcome the poor artwork? Will this have half a volume of short stories and Crimson Empire at the end of it? Is Alice in the Country of Hearts the new vampires? Can Heironymus Merkin ever forget Mercy Humppe and find true happiness?

MICHELLE: I would be very proud of myself if I caught this reference, but alas.

SEAN: The rest of this list is Yen, despite us being nowhere near the end. Let’s start with the Yen On imprint, as they have the 3rd Accel World light novel.

MJ: I’ve fallen behind on this, but I’m looking forward to catching up.

SEAN: I tend to forget about all of Yen’s Kingdom Hearts manga releases, but they’re big hits, and now Yen On has Kingdom Hearts: The Novel.

Sword Art Online: Progressive is not just a reboot of the series with an added focus on the world of Aincrad and more POV for heroine Asuna, it’s also huge – this first volume is much longer than Yen On’s other SAO books.

MJ: Yes!

SEAN: Not only do we have the 3rd Accel World novel, but also the 3rd Accel World manga.

Did you like Olympos? Or at least think it was really pretty? The same author’s Angel of Elhamburg is out next week. I do enjoy josei, especially from Shodensha, but I have a feeling this will be a Depressing-O-Rama.

ASH: Pretty and depressing? I’m in.

MJ: Sounds like my cup of tea.

SEAN: Given we’ve had eight volumes of Are You Alice? and it’s still not over, I fear we’re asking the wrong question. Perhaps Why Is Alice? Or How Is Alice? Does Alice Live Here Anymore?

Big Hero 6 is not only an Oscar-winning film, it’s also a manga, with Kodansha putting out the first (only?) volume next week.

Bloody Cross has a 6th volume out as well.

MICHELLE: Already?! Man, time flies.

SEAN: I made fun of Demon From Afar’s first volume for pretending to be something other than a Kaori Yuki manga till the blood-filled cliffhanger when we see no, it is a Kaori Yuki manga. I anticipate Vol. 2 will be darker.

MJ: Aaaaah, hm.

SEAN: Finally… no, just kidding, we’re still nowhere near finally. Next, we have the debut of another light novel/manga combo license, with the manga coming first. The Devil Is A Part-Timer! has Satan working in a fast-food joint,so I suspect ‘lighthearted’ is the order of the day.

ASH: The anime adaptation was actually pretty entertaining; I’m looking forward to checking out the original novels.

SEAN: Just in time for the anime adaptation that starts in April, here’s a 7th volume of The Disappearance of Nagato Yuki-chan. Hope you like heartwarming!

I’ve been mocking the glut of vampire manga lately, so it’s only fair to say I quite enjoyed He’s My Only Vampire, and am looking forward to this 2nd volume.

Karneval is the omnibus release of the week for Yen, covering the first two volumes. It came out from Ichijinsha’s Zero-Sum, which is sort of the GFantasy of their company, i.e. a shonen/shoujo/josei/fantasy blend. It also features circus folks! Ha, bet you thought I’d say vampires.

MJ: You had me at “Zero-Sum.”

ANNA: Oh! This wasn’t on my radar before, but I am interested now!

SEAN: Another light novel/manga license where the manga comes a month early, Log Horizon features a group of MMORPG players startled to find themselves inside the game they’re playing. I would say it sounds like it’s for fans of Sword Art Online, but from what I hear the fandoms actually have a rivalry going on.

MJ: Heh, interesting.

SEAN: A second volume of Love at Fourteen is right up my alley after this influx of fantasy and supernatural titles we’re seeing.

MICHELLE: This is literally the one thing on this list that makes me personally go “Ooh!”

MJ: Yes, yes!

SEAN: If you wanted more from the spinoff Puella Magi Oriko Magica, then Yen has an Extra Story for you.

The end! The final volume of Soul Eater, one of my favorite recent shonen titles. I will miss your surreal art and exciting battles.

Sword Art Online: Fairy Dance has its manga reach its exciting conclusion, but, spoiler, still has the stupid birdcage.

Lastly (really this time), there’s a 9th volume of Triage X, which (checks cover art) is still Triage X.

Does something here excite you? Or are you seeing this pile, throwing up your hands, and going back to bed instead?

What Did You Eat Yesterday?, Vol. 6

March 18, 2015 by Ash Brown

Creator: Fumi Yoshinaga
U.S. publisher: Vertical
ISBN: 9781939130815
Released: January 2015
Original release: 2012

Fumi Yoshinaga’s series What Did You Eat Yesterday? is a manga that I’m very glad is being released in English. Part slice-of-life manga focusing on contemporary gay relationships, work relationships, and friendships, and part food manga, the series holds a tremendous amount of appeal for me. Plus, it’s created by Yoshinaga whose manga as a whole I tend to enjoy. I particularly appreciate the subtle and nuanced depth that many of her characters exhibit, which is certainly true of the characters found in What Did You Eat Yesterday?. The sixth volume of the series was originally released in Japan in 2012 while the English-language edition was published in 2015 by Vertical. Although this particular volume does have some translation issues—some awkward phrasing as well as questionable word choices (such as “pepper balls” instead of “peppercorns”)—generally Vertical’s release of the series has been great.

Although Shiro will soon be turning forty-seven, he still has room to grow and has only recently started to really become comfortable with his sexuality. He and his boyfriend Kenji have been living together for years but its a relationship that he has largely kept private. Shiro’s parents know he’s gay, as do a select handful of close friends, but he hasn’t mentioned it to his colleagues and he’s terrified of being found out by straight strangers. Kenji, on the other hand, is able to be much more relaxed and open about who he is. Happily, Shiro and Kenji have developed a good friendship with another gay couple, Kohinata and Wataru, which has allowed Shiro to become a little less anxiety-ridden in public. He continues to worry about appearances, and he’s still fairly reserved when it comes to outwardly demonstrating his affection, but it has become easier for Shiro to enjoy time spent with Kenji outside of the house, whether it be a major grocery shopping trip or a bento lunch picnic in the park.

Although I am a huge fan of food manga in general, and meals and their preparation are certainly a major component of What Did You Eat Yesterday?, what I find most appealing about the series is its characters and their lives. But the manga works best for me when the food and recipes tie directly into the plot and character development instead of being a more tangential element. Some volumes of What Did You Eat Yesterday? bring the characters and food together better than others, but overall the sixth is fairly successful in doing that. High-quality ingredients are given as gifts of thanks, meals are prepared as a way to offer comfort and support, recipes are modified when finances are tight, the qualities of a proper bento are debated, and more. Food is obviously important to the characters in the volume.

What Did You Eat Yesterday? tends to be fairly episodic, each chapter exploring a small part of Shiro and Kenji’s lives and featuring a recipe detailed enough that an adventurous reader or experienced cook could actually attempt to make the dish. However, recurring characters and continuing story threads do help to tie the series together as a cohesive whole. There may not be a grand, overarching plot to What Did You Eat Yesterday?, but there is still character and story development to be found. Each reappearance of an established character adds more depth to them as a person and reveals more about the complexities of their relationships with other people. Each volume of What Did You Eat Yesterday? explores more about Shiro and Kenji as well as about their families, friends, and coworkers. And with the sixth volume specifically, I’m especially happy to see Shiro becoming gradually more confident and accepting of himself.

Pick of the Week: Late. Late.

March 18, 2015 by Michelle Smith, Ash Brown, Sean Gaffney, Anna N and MJ Leave a Comment

MICHELLE: Even though I must admit that I haven’t gotten around to reading volume one of Master Keaton yet, I’m still gonna pick volume two this week, because Naoki Urasawa is involved and I like his stuff.

ASH: Another week, another batch of interesting manga. But I’ll admit, the release that I’m most curious about technically isn’t manga. Fumio Obata is an artist who was born and raised in Japan but who currently lives and works in the United Kingdom. I believe Just So Happens may be his first North American release, but the pages I’ve seen of it are beautiful.

SEAN: I’m fairly uninspired for this week, but will go for the third volume of Kokoro Connect from Seven Seas. The first two volumes impressed me in their realistic look at teenage hangups and worries, but the third takes a decidedly darker turn, and I was really surprised. Manga that surprise the reader these days should be cherished.

ANNA: I’ll also have to pick the second volume of Master Keaton. I’m hoping to dig into it this week!

MJ: I’m on board for Master Keaton and I admit a little curiosity regarding Servamp, but I think I’m with Ash this week. Just so Happens sounds pretty terrific.

What looks good to you this week?

My Week in Manga: March 9-March 13, 2015

March 16, 2015 by Ash Brown

My News and Reviews

Two reviews at Experiments in Manga last week! First up, I finally got around to reading Kouhei Kadono’s Boogiepop at Dawn. Technically the sixth Boogiepop novel, and the fourth to be released in English, it actually serves as a prequel to the entire series. I’ve really enjoyed what I’ve read of the Boogiepop series and found Boogiepop at Dawn to be particularly satisfying. I’m hoping to do a Boogiepop Adaptation Adventures post once I have a chance to read the manga and watch the anime and live-action adaptations. The second review posted last week was of Yuki Urushibara’s Mushishi, Volume 2. Mushishi is one of my favorite manga, and the second volume includes some of my favorite stories in the series. The review is part of my monthly manga review project focusing on horror manga. Next month will feature Setona Mizushiro’s After School Nightmare again.

Sparkler Monthly has been getting some good press recently, which I’m happy to see. Jason Thompson delves into the comics side of the magazine in the most recent House of 1000 Manga. Lianne Sentar was interviewed by Brigid Alverson at Robot 6 about Marketing to the Female Gaze. Sparkler has been adding a bunch of new comics lately. The most recent is actually a rescue from the closure of Inkblazers, Heldrad’s Orange Junk. More comics and more print releases will be announced in the very near future (I’m particularly looking forward to the Tokyo Demons Cherry Bomb collection), so now is a better time than ever to consider becoming a member to support the creators and the rest of the Sparkler team.

Last week was apparently “manga week” at ICv2, which included interviews with Dark Horse’s Mike Richardson (Part 1 and Part 2) and Viz Media’s Kevin Hamric (Part 1 and Part 2). The Comics Journal has been collecting and posting tributes to the late Yoshihiro Tatsumi, and Ryan Holmberg has written an in-depth article on Tatsumi for the site as well. Elsewhere online, Comics Forum posted Masafumi Monden’s article Shōjo Manga Research: The Legacy of Women Critics and Their Gender-Based Approach and Reflecting Lights has a nice publisher spotlight on Vertical Comics. Finally, Sean has a roundup of all the manga and light novel licenses that have recently been announced.

Quick Takes

Attack on Titan: Before the Fall, Volume 3 written by Ryo Suzukaze and illustrated by Satoshi Shiki. An adaptation of a series of light novels, Before the Fall is a prequel to Hajime Isayama’s immensely popular and successful manga Attack on Titan. It takes place well before the original series, during a time in which humanity is facing the Titans, but has yet to really find a way to effectively deal with them. At this point, the Survey Corps at least knows how to destroy the Titans, but it is lacking the resources—specifically the three-dimensional maneuvering gear—that greatly aids in actually accomplishing the feat. Apparently, as the extra manga at the end of the third volume implies, Kuklo will somehow be involved in reclaiming that crucial bit of technology. However, most of the volume is devoted to the intense battle and tragic outcomes of the Survey Corps and Kuklo’s unfortunate confrontation with a Titan outside of the walls. There’s some plot and story development as well, but the action takes precedence this time around. In general, I don’t find Before the Fall to be quite as compelling as the original Attack on Titan, but it is interesting to see more of the overall worldbuilding and backstory that has been created for the franchise as a whole.

Cage of Eden, Volume 16 by Yoshinobu Yamada. It’s been a while since I’ve read any of Cage of Eden, though the sixteenth volume seems to be pretty par for the course. I enjoy a good survival story, but the manga is just not as enthralling as I want it to be. It doesn’t help that the fanservice tends to be narratively awkward; the sixteenth volume includes not one but two naked bath scenes of buxom middle school girls that interrupt the flow of the story. As for the story itself, there have been a few interesting developments. Having split into separate groups to investigate the spire and the pyramid on the island, the survivors have been able to begin piecing together exactly where they are as they uncover more and more secrets. Considering the number of deaths in Cage of Eden so far, it’s probably a safe bet that not everyone is going to survive to the end of the series. Especially taking into account the fact that the dinosaurs and other beasts aren’t the only dangerous creatures on the island. Humans can also be extremely deadly. And manipulative, too. It’s this menacing human element that the sixteenth volume of Cage of Eden focuses on. Trying to survive on the island has definitely taken its toll on the characters both mentally and physically.

Missions of Love, Volume 10 by Ema Toyama. To be completely honest, I wasn’t expecting to enjoy Missions of Love nearly as much as I do, but here I am, ten volumes later, still completely hooked on the series’ melodrama and exceptionally twisted train wrecks of relationships. And there are some pretty momentous developments in those relationships in this volume, specifically a confession of love that can’t be mistaken or ignored. It seems as thought the time is drawing very near in which Yukina will have to choose either Shigure or Akira, but she’s only now realizing that might mean losing one of them completely. Partially in an attempt to avoid having to make an immediate decision, she challenges them both with a mission: to take her on a date as boyfriend and girlfriend. Missions of Love has always been suggestive, often skirting the edge of what would be deemed appropriate behavior and occasionally crossing over the line, and the tenth volume is no different. The relationships in the series aren’t healthy ones and never have been. Seeing as how many of them were initially based on manipulation and blackmail that probably isn’t too surprising, but it is interesting to see the characters develop legitimate feelings of affection for one another. They just don’t always go about expressing it in the best fashion.

xxxHolic, Omnibuses 1-2 (equivalent to Volumes 1-6) by CLAMP. I read the first few volumes of xxxHolic when the manga was originally being published by Del Rey Manga but never got around to finishing the series before it went out of print, so I’m happy that Kodansha Comics is releasing the omnibuses. xxxHolic is a manga of extremes. One moment it’s ridiculously comedic and the next it’s deadly serious. The manga can be a strange mix of humor and horror; sometimes the balance between those two aspects of the series works better than others. I like the incorporation of yokai in xxxHolic since I have a particular interest in yokai. Generally, CLAMP’s renditions of the traditional stories are much more contemporary and free-form in nature. Yokai and folk tales serve more as a source of loose inspiration rather than a rigid structure for the manga to build upon. xxxHolic and Tsubasa: Reservoir Chronicle are directly related to each other, although they can be read separately without to much of a problem. So far, I find the Tsubasa references to be some of the least interesting in xxxHolic, but I do get a kick out of some of the throwaway nods to other CLAMP manga. For example, the leads from Legal Drug make a brief appearance with a minor (yet arguably crucial) role selling a hangover cure.

Mushishi, Vol. 2

March 13, 2015 by Ash Brown

Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345496447
Released: July 2007
Original release: 2002
Awards: Japan Media Arts Award, Kodansha Manga Award

Yuki Urushibara’s debut manga series Mushishi is a work that is quite dear to me. I discovered it more by accident than anything else, but Mushishi quickly became one of my favorite manga when it was first released in English and it remains a series that I enjoy immensely. Urushibara has taken cues from traditional Japanese folklore and mythology, creating a series with a quiet yet creepy atmosphere and a subtle sense of horror that relies on the interactions between humans and natural powers beyond their control. Mushishi has inspired multiple anime adaptations, which are also excellent, as well as a live-action film. The series has also been honored with a Japan Media Arts Award and a Kodansha Manga Award. Mushishi, Volume 2 was originally published in Japan in 2002. The volume was first released in English by Del Rey Manga in 2007. It is now available digitally by Kodansha Comics, but I hope that one day Mushishi will be brought back into print.

Mushishi, Volume 2 collects five stories, some of which are among my personal favorites in the series. “The Mountain Sleeps” finds Ginko coming to the aid of a fellow mushishi who is feared to have gone missing. “The Sea of Brushstrokes” tells the tale of a young woman whose family has collected stories about mushi for generations, becoming the guardians of a vast library of valuable knowledge. Ginko travels to a remote island that can only be accessed once every lunar month due to the tides and currents in “They That Breathe Ephemeral Life.” Back on the mainland, he joins up with a man wandering the countryside searching for a rare type of mushi in “Rain Comes and a Rainbow Is Born.” In the final story, “The Green Veil,” Ginko must convince a recently married couple to give up their children, none of whom are human despite their outward appearances.

Mushishi tends to be fairly episodic, though the stories do share similar elements. The individual chapters don’t necessarily build directly on one another, but they do expand and develop more and more about the world Urushibara has created. What I particularly enjoy about Mushishi, Volume 2 is how it places Ginko within the greater context of the relatively small community of mushishi. He is only one mushishi out of many, sharing some likenesses with the others in his profession but also exhibiting personal differences. It is revealed in the second volume of Mushishi that one of the reasons Ginko is constantly traveling from place to place is that he attracts mushi; if he doesn’t keep moving the area around him will become infested. However, as is also seen in Mushishi, Volume 2, some mushishi are able to make permanent homes for themselves. In some extreme cases, they even become trapped by their duties, unable to leave without causing great harm to others.

Mushishi, Volume 2 reinforces one of the most important themes of the series—the sanctity of life and the deep respect that it deserves—and emphasizes the need for humans to coexist with mushi. These concepts are explored in various ways throughout Mushishi. In the second volume, Ginko in particular is shown to give priority to human lives, but he also avoids destroying mushi whenever possible. However, some mushishi seem to take great delight in the eradication of the mushi they encounter. This lack of compassion and understanding by mushishi as well as other humans can be problematic; they try to exert their control over, manipulate, and use to their advantage these creatures which are frequently beyond their ken, often with tragic results. At times mushi can be dangerous if left completely unchecked, but just as dangerous is unrestrained human arrogance.

Manga the Week of 3/18

March 12, 2015 by Sean Gaffney, Ash Brown, MJ, Michelle Smith and Anna N 3 Comments

SEAN: Enjoy this last mild week of manga, before March 25’s apocalyptic deluge.

Starting off, we have not a manga per se, but something that deserves attention nonetheless. Just So Happens is coming out from Abrams as a graphic novel, and details a Japanese woman who lives in London but has to return to Japan for a funeral. Early reviews are excellent.

ASH: Oh, I’m glad you mentioned this! The previews I’ve seen look great.

MJ: Wow, this does look interesting.

SEAN: We’re at the 2nd to last volume of Oh My Goddess! from Dark Horse, and I still can’t quite believe I’m typing that.

Attack on Titan has its 15th volume come out from Kodansha, even as the first volume remains in the NYT bestseller lists.

And My Little Monster hits Vol. 7, even as it seems to have hit a sort of angst holding pattern.

ASH: I do like the quirky cast of characters, but I hope to see a bit more story development with this volume.

MICHELLE: I’ve fallen a few volumes behind on this one, I’m afraid.

SEAN: There’s also a 7th volume of the Seven Deadly Sins.

Kokoro Connect has rapidly developed into an excellent title for me, and I’m pleased to see Seven Seas has the third one out next week.

Servamp is the debut volume of the week. It runs in Media Factory’s oddball shoujo magazine Comic Gene and, obviously, has vampires – a whole pile of them. The artist is known for BL, but there’s not much tease in the first volume, which I reviewed here.

ASH: I know quite a few people who are excited for Servamp; I may have to give it a look despite being a little tired of vampires.

MICHELLE: I definitely have vampire fatigue. Especially vampires who fall in love with teenagers.

ANNA: Even I have a touch of vampire fatigue.

SEAN: And another Strike Witches spinoff comes to an end with the 2nd One-Winged Witches.

Viz has its second Master Keaton volume, with more exciting insurance action and inept interpersonal relations.

ASH: Hooray for more Urasawa (et al.)!

MICHELLE: Definitely looking forward to this one!

MJ: Same!

ANNA: I liked some chapters of the first volume better than others, but you really can’t go wrong with Urasawa.

SEAN: A 3rd Resident Evil will give you all your horror needs.

Unless your horror needs are filled by a 5th Terra Formars.

ASH: Still not a fan of the roach design, but the over-the-top fight sequences are pretty great.

SEAN: Any choice purchases next week?

Boogiepop at Dawn

March 11, 2015 by Ash Brown

Author: Kouhei Kadono
Illustrator: Kouji Ogata
Translator: Andrew Cunningham
U.S. publisher: Seven Seas
ISBN: 9781934876060
Released: August 2008
Original release: 1999

Technically, Boogiepop at Dawn is the sixth volume in Kouhei Kadono’s series of Boogiepop light novels illustrated by Kouji Ogata, however it serves as a prequel to the entire work. Seven Seas jumped to releasing Boogiepop at Dawn after publishing the first three Boogiepop novels in English—Boogiepop and Others and Boogiepop Returns: VS Imaginator, Part 1 and Part 2. It was a decision that made sense: the entire series wasn’t able to be translated, Boogiepop at Dawn ties in directly with the early novels, and the volume was partially the basis for the Boogiepop Phantom anime. Boogiepop at Dawn was originally published in Japan in 1999 while Andrew Cunningham’s English translation was released by Seven Seas in 2008 (two years after the first three books). I discovered the Boogiepop franchise late, after the novels and manga available in English had already gone out of print, but I have still been thoroughly enjoying the series and looked forward to reading Boogiepop at Dawn

As an agent working for the secretive Towa Organization, Scarecrow is responsible for finding other humans who, like him, have extraordinary psychic and physical abilities and strengths. The Towa Organization is very interested in these remarkable people; by controlling them it hopes to control the course of human evolution. Scarecrow’s search is made easier by the fact that he poses as Kuroda Shinpei, a private detective; he is able to continue his primary investigation while working more mundane cases. Scarecrow meets Kirima Nagi, a young woman who has been hospitalized with an undiagnosed but painful condition, while searching for evidence against another Towa agent whose loyalty has been called into question. Nagi has the potential to become one of those exceptional, highly-evolved people he is searching for, but instead of reporting her to the Towa Organization, Scarecrow decides to go against his orders, saving her life by risking his own and triggering a sequence of events that will leave multiple people dead.

Although Boogiepop at Dawn is a prequel, it really is intended to be read by those who are already familiar with Boogiepop in general and with the first few volumes of the series specifically. But for those readers who are, Boogiepop at Dawn is spectacular and a very satisfying addition. Ostensibly the volume is the origin story of Boogipeop—a supernatural entity in conflict with the Towa Organization who is also keeping watch over the super-evolved humans, destroying them when necessary—and to a small extent it is. But Boogiepop actually makes very few appearances in the volume. However, Boogiepop at Dawn does provide an extensive background for another of the series’ primary characters, Nagi, and explains the purpose of the Towa Organization. Many of the other protagonists and antagonists from the earlier Boogiepop novels make a showing as well, which ties everything together very nicely. I was particularly pleased to learn more about Nagi’s father, Kirima Seiichi, an author of peculiar importance to the series whose story hasn’t been fully revealed until now.

Boogiepop at Dawn is a collection of four closely connected narratives with an additional framing story that bookends the volume. Most of the stories focus on Nagi, either directly or tangentially. Much like the other Boogiepop novels, Boogiepop at Dawn employs elements from a number of different genres, but it may safely be called speculative fiction as a whole. All melded together in the volume are bits of mystery and detective work, horror, action and martial arts, the supernatural, and science fiction. Boogiepop at Dawn is engaging and at times chillingly dark with heavy psychological components. The individual stories are seen from different perspectives, at various points following Scarecrow, Seiichi, a serial murderer, and an assassin. Boogiepop is mostly a presence in the background, but an important one nonetheless. Boogiepop at Dawn is also similar to the earlier volumes of the series in that it does not adhere to a strictly chronological structure, but it’s fascinating to seen the beginnings of the plot threads that will become so entangled in the other novels.

Pick of the Week: Requiem of the Rose King

March 10, 2015 by Ash Brown, Michelle Smith, Anna N, Sean Gaffney and MJ 1 Comment

ASH: Although it’s a smaller shipping list this week there are still plenty of great manga being released. But if I’m going to be honest, I only have eyes for the debut of Aya Kanno’s Requiem of the Rose King, one of the manga I’m most looking forward to this year. Shakespearian-inspired drama and appealing artwork? Yes, please!

MICHELLE: As much as I love Knights of Sidonia and am happy that another volume is coming out, I am also going to pick Requiem of the Rose King because I have more than a passing fancy for Richard III and am intrigued to see how Kanno will handle his story.

ANNA: I have to go with Ash and Michelle in picking Requiem of the Rose King. It is certainly one of the most interesting shoujo releases I’ve heard about in quite some time.

SEAN: What they said.

MJ: What he said they said.

What looks good to you this week?

My Week in Manga: March 2-March 8, 2015

March 9, 2015 by Ash Brown

My News and Reviews

And the honor of the first in-depth manga review for the month of March at Experiments in Manga goes to Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: Vegetables which, as is probably fairly obvious, is a food manga about vegetables. I tend to enjoy the Oishinbo, A la Carte collections, finding them to be both educational and entertaining. Vegetables is a good volume, but it does get pretty political. I also posted a list of manga featuring immortals last week as part of the announcement of the UQ Holder! Giveaway Winner. February’s Bookshelf Overload was posted as well, which can mostly be summarized by me yelling “JooooooJoooooo!”

I was fairly busy last week, but a few things did catch my eye online. Viz Media’s Shojo Beat imprint announced two new licenses: Bloody Mary by Akaza Samamiya and Honey So Sweet by Amu Meguro. Seven Seas had a pretty big surprise, too—it’s opened a division focused on producing anime and manga themed tabletop games. First up? A deck-building game based on Space Dandy. Tofugu posted a great article about choosing the best yokai books available in English. I’ve reviewed two of the books mentioned—Yokai Attack: The Japanese Monster Survival Guide and The Night Parade of One Hundred Demons: A Field Guide to Japanese Yokai—and have read some of the others, so I can confirm that it’s a worthwhile list. Also, Paul Gravett has a lovely post remembering mangaka Yoshihiro Tatsumi, who passed away over the weekend.

Quick Takes

Black Rose Alice, Volume 3 by Setona Mizushiro. After a brief detour into lighter territory in the second volume, the third volume Black Rose Alice has taken a definite turn for the darker again. The series can be legitimately disconcerting and oddly provocative at the same time. Alice is getting to know all of the vampires in the nest a little better, but it’s Leo who is in the lead for her affections. The twins are somewhat immature and Dimitri is intentionally trying to not get involved with her, so Leo seems to be Alice’s obvious choice for procreation. Going through with it will lead to both of their deaths, so she is taking her time in making the decision, wanting to feel confident that her choice is the correct one. However, time is not on Leo’s side; his death is already imminent. Alice is unaware of this, though she does notice him acting out-of-character. Black Rose Alice is a strange and disturbing series. As a whole the vampire mythology that Mizushiro has created continues to be unlike any other that I’ve encountered. There is a very dark eroticism to the story as well. Occasionally there are more humorous moments, but they only serve to emphasize the underlying horror of the series.

My Little Monster, Volumes 4-6 by Robico. The third volume back-pedaled from the progress that the story and characters had made in the first two volumes and now with these three it seems as though My Little Monster is stuck in some sort of mire. I still like the characters, most of whom are quirky or weird in one way or another, but I find it immensely frustrating that the series just isn’t going anywhere. Actually, other than the awkward romance, I’m not entirely sure what the overarching story is even supposed to be at this point. However, there is definitely one heck of a love polygon going on. But even with so many unrequited feelings, there doesn’t seem to be as much drama as would be expected. In some ways, that’s actually a little refreshing. It’s nice that the characters can enjoy one another’s company even considering the romantic rivalries. I am glad to see that Haru’s volatile and frequently violent emotional state hasn’t been romanticized, although occasionally it is used for a bit of humor. In part, My Little Monster is intended to be a comedy, but these volumes are generally a bit more serious overall. There are still some genuinely funny and endearing moments, though.

Not Enough Time by Shoko Hidaka. Because I’m enjoying her ongoing series Blue Morning so much, and to make the wait for the next volume a little easier, I’ve made a point to read more of Hidaka’s manga. Not only was Not Enough Time Hidaka’s debut in English, it was also her first volume of boys’ love manga to be released in Japan. Even though it’s an early work, Hidaka’s storytelling and nuanced characterizations were already quite excellent. Her artwork is lovely, too. Not Enough Time is a collection of six short boys’ love manga, some of which share a few recurring characters while others are completely unrelated. One lead couple consists of two high school students, but all of the other romances in the volume are between adult men. The basic settings and overall scenarios of the stories collected in Not Enough Time aren’t particularly unusual or unique. What makes them stand out is Hidaka’s willingness to allow the relationships to be complicated and messy; the endings aren’t always wrapped up happily or neatly. Instead, there is a sense of ambiguity and the feeling that characters’ lives continue on well after the manga has concluded. I thoroughly enjoyed the collection.

xxxHolic: Rei, Volume 2 by CLAMP. After two volumes, I’m not yet convinced that CLAMP knows exactly where Rei is going as it feels a bit aimless. I find that I’m much less interested in the episodic stories of the series than I am in its underlying plot. Only ominous hints are given as to what is going on, just enough to keep the manga engaging. Watanuki is as clueless as the readers are at this point (if not more so), though he is becoming increasingly suspicious about his precarious situation. Both Yuko and Domeki obviously know what is what, but they either can’t or won’t tell him. Rei may be somewhat haphazard story-wise, but I really do enjoy the series’ striking artwork. It might not be absolutely necessary to have read xxxHOlic to follow Rei, but I do get the feeling that the manga will be more meaningful to those who have at least passing familiarity with the original series. (I should actually get around to finishing xxxHolic one of these days, especially now that it’s back in print; I’ve only ever read the first few volumes or so.) I’m very curious to see how Rei ties back into xxxHolic proper, or if it ever does. The third volume of Rei has been released in Japan, but apparently the series is currently on hiatus.

Bookshelf Overload: February 2015

March 7, 2015 by Ash Brown

JooooooJoooooo! It’s finally here! By far the manga I was most excited to get my hands on in February was Hirohiko Araki’s JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1. I’m thankful for the manga’s recent anime adaptation, otherwise I’m not sure we would have ever seen the series licensed in English. Viz has done a beautiful job with the release. (I hope to have an in-depth review of the volume in the near future.) Other February manga releases that I was particularly happy to see included Prophecy, Volume 2 by Tetsuya Tsutsui, the second omnibus of Satoshi Mizukami’s Lucifer and the Biscuit Hammer (the first volume surprised me, and I’m very curious to see where the series goes), and Gangsta, Volume 5 by Kohske. I’m also looking forward to reading the second Milkyway Hitchhiking omnibus, a gorgeous full-color manhwa by Sirial. And because February usually means Valentine’s Day sales on romance manga, I managed to pick up a random assortment of boys’ love manga by creators whose other work I’ve enjoyed in the past for a great price.

Manga!
Akame ga Kill!, Volume 1 written Takahiro, illustrated by Tetsuya Tashiro
Alice in the Country of Clover: Ace of Hearts by Mamenosuke Fujimaru
Alice in the Country of Clover: Nightmare by Yobu
Assassination Classroom, Volume 2 by Yusei Matsui
A Centaur’s Life, Volume 5 by Kei Murayama
Devils and Realist, Volume 4 written by Madoka Takadono, illustrated by Utako Yukihiro
From the New World, Volume 7 written by Yusuke Kishi, illustrated by Toru Oikawa
Gangsta, Volume 5 by Kohske
His Favorite, Volume 7 by Suzuki Tanaka
Intriguing Secrets by Rize Shinba
JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 1 by Hirohiko Araki
Juicy Cider by Rize Shinba
Little Cry Baby by Keiko Kinoshita
Love at Fourteen, Volume 1 by Fuka Mizutani
Lucifer and the Biscuit Hammer, Omnibus 2 by Satoshi Mizukami
Mars, Volumes 1-15 by Fuyumi Soryo
Mars: Horse with No Name by Fuyumi Soryo
My Little Monster, Volume 4 by Robico
No Matter How I Look at It, It’s You Guys’ Fault I’m Not Popular!, Volume 6 by Nico Tanigawa
Obediant One by Yutakamaru Kagura
Prophecy, Volume 2 by Tetsuya Tsutsui
The Seven Deadly Sins, Volume 4 by Nakaba Suzuki
Shy Intentions by Shoko Takaku
Star by Keiko Konno
Tale of the Waning Moon, Volumes 2-4 by Hyouta Fujiyama
Tsubasa: Reservoir Chronicle, Omnibus 1 by CLAMP
Ubel Blatt, Omnibus 1 by Etorouji Shiono
Wild Butterfly by Hiroki Kusumoto
Witchcraft Works, Volume 3 by Ryu Mizunagi
xxxHolic, Omnibuses 1-3 by CLAMP

Manhwa!
Milkyway Hitchhiking, Omnibus 2 by Sirial

Comics!
Fast Friends written by Dale Lazarov, illustrated by Michael Broderick
Huddle! by Ngozi Ukazu
The Unicorn and the Woodsman by Kate Brown

Novels!
Secondhand Memories by Takatsu

Anime!
Carried by the Wind: Tsukikage Ran directed by Akitaro Daichi
Wolf Children directed by Mamoru Hosoda

Oishinbo, A la Carte: Vegetables

March 6, 2015 by Ash Brown

Author: Tetsu Kariya
Illustrator: Akira Hanasaki
U.S. publisher: Viz Media
ISBN: 9781421521435
Released: September 2009
Original release: 2006
Awards: Shogakukan Manga Award

When it comes to food manga, the long-running and sometimes controversial Oishinbo is one of the most successful series in Japan. Written by Tetsu Kariya and illustrated by Akira Hanasaki, the popular Oishinbo is well over a hundred volumes long and earned its creators a Shogakukan Manga Award in 1987. I don’t expect Oishinbo to ever be released in English in its entirety, but Viz Media did license seven volumes of Oishinbo, A la Carte–thematic collections of stories selected from throughout the series. Oishinbo, A la Carte: Vegetables is technically the nineteenth A la Carte volume, published in Japan in 2006, but in 2009 it became the fifth collection to be released in English under Viz Media’s Signature imprint. If I recall correctly, Oishinbo, A la Carte: Japanese Cuisine was the very first food manga that I ever read. Since then, I have enjoyed slowly making my way through the other A la Carte collections available in English, and so was looking forward to a serving of Vegetables.

While Vegetables collects Oishinbo stories from different points the series, it also includes some of the earliest arcs. One of the primary, ongoing plotlines of the manga is the competition between Yamaoka, a newspaper journalist heading the “Ultimate Menu” project, and his estranged father Kaibara, who is developing the “Supreme Menu” for a rival paper. The three-part “Vegetable Showdown!” that opens the volume is only their second official battle for culinary dominance. Appropriately for a volume about vegetables (since getting kids to eat them is apparently a worldwide struggle), many of the stories feature children discovering that produce like eggplants, bean sprouts, and carrots might not be so bad after all. At least when they’re prepared well. Adults preconceived notions are challenged in the manga as well, not just about how vegetables are prepared and taste but also about how they are grown and produced. The stories in Vegetables often follow produce from the field to the table.

Oishinbo frequently delves into the politics of food and the series’ characters (and I would assume by extension its creators) have very strong opinions about the matter. Vegetables joins the previous two A la Carte collections in English–Fish, Sushi & Sashimi and Ramen & Gyōza–in particularly stressing the importance of quality ingredients and in arguing very strongly for food that has been safely, responsibly, sustainably, and often locally produced. So far, however, Vegetables seems to be the volume that is most blatant in its activism, villainizing the use of herbicides and pesticides. Opposing viewpoints are briefly entertained, but it is very clear which side of the debate Oishinbo supports. The environmentalist message in Vegetables can be very heavy-handed. Organic produce is often ideal for a number of the reason explained in Vegetables, but the reality is perhaps much more complicated and nuanced than the manga might lead readers to believe.

Overall, I think that Vegetables may actually be one of the weaker A la Carte volumes to have been released in English, but I still enjoyed it. Oishinbo is a series that is educational as well as entertaining and Vegetables is no exception. Although not particularly subtle about its politics, the manga is informative, the individual stories exploring different aspects of produce from how they are grown to what a chef should keep in mind when preparing them. When it comes to vegetables, Oishinbo would seem to argue for simplicity. Produce grown in ideal conditions and in their native environments require very little to enhance their natural goodness and flavor. A dish may be refined, but if the ingredients are of high quality to begin with it does not need to be overly complex. Sometimes only a bit of salt is all that is called for. Food is a major source of the drama in Oishinbo and is often what drives the manga’s plot. And even when it’s not, food–and in this particular volume vegetables–always plays a significant supporting role.

Manga the Week of 3/11

March 5, 2015 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ Leave a Comment

SEAN: A small second week of the month, but with a lot of variety.

For comedy fans, we have the 4th volume of D-Frag! from Seven Seas.

And they’re also giving us the 2nd and final volume of Girls Und Panzer prequel Little Army.

Sublime has been fairly quiet lately. Are they playing hide and seek? Or just publishing Hide and Seek? Vol. 3 ships next week.

ASH: I reviewed the first volume just last week; I’ll be very happy to have the complete series on my shelves.

SEAN: I remain surprised, but not at all disappointed, that Knights of Sidonia is as long as it is. 13 volumes and counting from Vertical Comics!

ANNA: Ugh, I need to get caught up on this series! I do really like it!

MICHELLE: Yay, more Sidonia!

ASH: Should be a good time!

MJ: Add my voice to the chorus of “Yay!”

SEAN: We’re nearly at the end of 07-Ghost, but not quite. There is a 15th volume, though.

ANNA: Maybe I will read all of it in a marathon session when it is done.

MICHELLE: Yeah, despite good intentions I have not managed to resume this one.

SEAN: And a 21st of Arata the Legend, which surely has erased Fushigi Yuugi from everyone’s heads by now.

ANNA: Not to diss Arata, but I am super excited about the new Fushigi Yuugi series that was recently announced.

MICHELLE: Eh?!?!?! I missed it! Please tell me it’s Byakko Kaiden.

ANNA: It is!!! EEEE!!!!!!!

MICHELLE: !!!! I am all asquee!

MJ: WOOT!

SEAN: Ranma 1/2 is always at its best when Takahashi allows herself to stretch with a longer storyline, and the “Ranma Gets Weak” one stretches out over half this seventh omnibus. I review it here.

I also reviewed Aya Kanno’s Requiem of the Rose King, a new Shojo Beat series that is nothing like Otomen except its art is gorgeous. It’s her take on Shakespeare’s Henry VI and Richard III.

ANNA: I have this, haven’t read it yet, but it sounds great!

MICHELLE: Oooh. I’m kind of a Richard III fangirl.

ASH: This is actually one of the series I’m most looking forward to this year.

MJ: I’m definitely on board with this!

SEAN: Lastly, there’s a 17th volume of Rin-Ne, which is also at its best when Takahashi allows a longer storyline, but sadly we see that far less often.

MICHELLE: RIN-NE is pleasant. I have a few volumes here that I haven’t been dying to read, though.

SEAN: Oh manga’s heart wrapped in an obi’s hide! What are you getting next week? (Also, ten points to whoever gets that without googling it.)