Discussion, Resources, Roundtables, & Reviews
SEAN: Attack on Titan 10.
Thoughts?
(sorry, couldn’t resist)
(Happy Holidays all)
MICHELLE: *snerk* Same to you!
ASH: I have thoughts! I have lots of thoughts!
MELINDA: I see that the manga gods have taken this opportunity to remind me how out of step I am with the world, having let this series go after the first volume. Perhaps I’ll rectify this in the new year?
2013 may be nearing its end, but there’s still time for one more manga giveaway here at Experiments in Manga before the year is over! For December’s giveaway, you all have a chance to win a copy of the Yen Press omnibus edition of Kiyohiko Azuma’s yonkoma manga Azumanga Daioh. The entire series collected in one convenient volume! As always, the giveaway is open worldwide.
If I recall correctly, Azumanga Daioh was the first yonkoma manga that I ever read. Yonkoma, or 4-koma, is a four-panel format frequently used for gag manga. I know several people who consider Azumanga Daioh to be one of the best examples of yonkoma manga currently available in English. Yonkoma tends to be fairly hit-or-miss for me, but I was consistently entertained by Azumanga Daioh–it’s a goofy yet charming series.
So, you may be wondering, how can you win a copy of the Azumanga Daioh omnibus?
1) In the comments below, tell me a little about a four-panel manga that you have read and why you did, or didn’t, like it. (Haven’t read any? You can simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).
And there you have it! Each person can earn up to two entries for this giveaway. As usual, there will be one week to submit comments. Entries may also be sent via e-mail to phoenixterran(at)gmail(dot)com and I will post them in your name. The giveaway winner will be randomly selected and announced on January 1, 2014. Good luck and a Happy New Year, everyone!
VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.
Contest winner announced–Manga Giveaway: 4-Koma for You Winner
My News and Reviews
Two reviews were posted last week at Experiments in Manga. The first review was for Yaya Sakuragi’s boys’ love manga Bond of Dreams, Bond of Love, Volume 3. Although the series isn’t my favorite work by Sakuragi, I tend to enjoy her manga and Bond of Dreams, Bond of Love has been growing on me. The second review was for Tales of Moonlight and Rain, the most recent English translation of Ueda Akinari’s Ugetsu monogatari, a collection of short stories about ghosts and other mysterious happenings that was originally published in Japan in 1776. It may be over two centuries old, but it’s still a great read.
I came across quite a few interesting things online last week: The Advocate posted its 10 Great Graphic Novel Gifts. It’s a great list of queer comics that came out this year and it includes a few excellent manga selections as well; Some Fog uses Kazuo Umezu’s Drifting Classroom as an example on how to creat comics–Lessons from Umezu; Voting has opened for the second Manga Translation Battle; The Comic Book Legal Defense Fund reports that Core Magazine Pleads Guilty in Japanese Obscenity Case, feeling that a “guilty plea would be a better option than a protracted legal battle.; On a happier note, the Toronto Comic Arts Festival has announced it’s initial list of featured guests. Among other great comics creators, Est Em will be coming to TCAF 2014!
Quick Takes
About Love written by Narise Konohara and illustrated by Tomo Ootake. Despite his family’s misgivings over his choice of career, Asaka has become an enthusiastic wedding planner. But recently things haven’t been going so well–several of the couples that he has been working with have canceled their weddings. That’s when he reunites with his first client, a man by the name of Sasagawa who has the perfect marriage and serves as an inspiration to Asaka. However, his marriage isn’t nearly as perfect as it seems. About Love is a slow-burning romance; Asaka and Sasagawa’s relationship takes a great deal of time to develop and solidify, but it’s a natural progression from acquaintances, to friends, to possibly something greater. About Love focuses on the emotional connection between the two men more than it does on their physical intimacy, although that has a role to play as well. In addition to their evolving relationship, About Love addresses some issues of same-sex marriage and there are other gay and lesbian couples important to the story as well.
Attack on Titan, Volume 10 by Hajime Isayama. I’m not entirely sure how Isayama pulls it off, but it’s rather impressive how many twists and turns Attack on Titan has been taking lately. I went into this volume expecting a respite from major plot reveals since there have been so many recently. I was wrong. The focus of the tenth volume is on 104th’s struggle to survive against a massive titan attack on the castle in which they were hoping to hide and recover. They are without weapons or maneuvering gear, making their situation particularly precarious. This alone would have been enough to carry the volume and there are some very exciting moments in the fight. But no. After an extended action sequence, Isayama throws in not one but two (well, maybe three depending on how you’re counting) major story twists. Although there are still plenty of questions that need to be answered, the titans themselves are becoming less of a mystery. I actually kind of miss when they were beyond humanity’s comprehension, but I’m still interested in seeing how things play out.
Baron Gong Battle, Volumes 1-6 by Masayuki Taguchi. Only six out of the nine volumes of Baron Gong Battle have been released in English. After his girlfriend is horrifically murdered by a Neo Hume, Baron is determined to seek revenge against those who killed her. The Neo Hume’s are extraordinarily powerful creatures born out of the Nazi’s biological experiments. Baron Gong Battle is an utterly absurd and violent action-packed manga series that can be a tremendous amount of trashy fun when it’s not being completely offensive. Baron is an over-the-top badass and the dialogue is extreme. However, the more that I read, the less enamored I became with Baron Gong Battle. The manga’s utter ridiculousness is highly entertaining, and it becomes more and more outrageous as the series progresses, but I soon became tired of the role that the women play. Occasionally they can be very competent fighters, but more often than not they seem to only be a part of the series in order to fawn over Baron and to run around mostly if not entirely naked.
Pink by Kyoko Okazaki. While I didn’t find Pink to be as brutal or as hard-hitting as Okazaki’s later work Helter Skelter, I still think that the manga is an excellent work and I enjoyed it a great deal. Pink is rather curious manga filled with rather curious characters. In general, they are much more likeable than those in Helter Skelter, but they are definitely an odd bunch. Yumi works as a part-time call girl in order to feed her pet crocodile Croc. Although Yumi’s on great terms with her younger stepsister Keiko–a precocious girl with a bottomless stomach–she and her stepmother hate each other. Things get a little complicated when Yumi becomes involved with Haruo, her stepmother’s manstress and wannabe novelist. I was actually surprised by how much of the Pink was told from Haruo’s perspective. His strange relationships with these three women, and Croc, forms the basis for much of the story. But even so, it’s Yumi who really seems to be the focus of the manga. Pink has a very cynical and oddball sense of humor which I could appreciate.
From the New World directed by Masashi Ishihama. Overall I really liked the story and setting of the From the New World anime, an adaptation of the novel by the same name written by Yusuke Kishi (which sadly has yet to be licensed in English.) However, I frequently found the series’ pacing and narrative structure to be frustrating and somewhat disjointed. Saki, the main protagonist, also had an annoying habit of echoing back whatever was being said to her by someone else. I did like that the story focused on the characters at several different points in their lives. From the New World takes place in what is eventually revealed to be a post-apocalyptic environment. I actually would have liked to have seen more about how society reached the point that it is at in the series; most of the past events are merely hinted at. From the New World deals quite a bit with the terrible lengths humanity is willing to go to when driven by fear. It’s very well done in places. The anime also gets bonus points for the nice use of music from Dvořák’s From the New World symphony.
SEAN: ‘Tis Christmas, and a young child is looking under the tree for a manga that’s bigger than the average tome, one that has a gorgeous design and feel, and one that can amuse, delight, and possibly scare the pants off of them. Yes, that child is looking for Kitaro from Drawn and Quarterly, which is my pick for Christmas gift this holiday season. It’s a true classic whose influence is massive, it has Nezumi Otoko, one of manga’s truly great Dirty Cowards, and it’s just a giant pile of fun. Give your kid the gift of vintage manga! (And also a PS4, so they don’t whine.)
MICHELLE: At first I thought it would be very difficult to come up with the one gift I’d give a manga fan this Christmas, but then I remembered the one manga I simultaneously adored and was mightily impressed by—Taiyo Matsumoto’s Sunny! Sad, charming, uplifting, introspective, a page-turner… all of these adjectives apply. And if you were feeling really generous, you could pick up volume two as well!
ASH: For manga fans, or even general comics fans, a gift that I think will have broad appeal is Makoto Yukimura’s Vinland Saga. Kodansha’s first deluxe hardcover release looks great on the shelf, too. The series has badass Vikings, exciting battles, great art, and fantastic characters. And lots of snow; that’s seasonal, right? Also, if you get them hooked, the second omnibus will be on its way soon!
ANNA: If you are all nestled snug in your bed with visions of giant robots dancing in your head, there is no other book I would recommend than Gundam: The Origin. Any volume in this series comes with Vertical’s always excellent production values, the hardcover design makes it extra special, and the revisited first story of the Gundam saga is both epic and human in scale, as the great action in the space battles is balanced by the human trials and tribulations the human pilots go through.
MELINDA: I personally love Christmas for the sake of two of its particular attributes: beauty and nostalgia. And what manga embodies these glorious concepts more completely than the works of Moto Hagio? My gift pick this year goes all the way back to January’s highly-anticipated release of Hagio’s The Heart of Thomas. Lovingly translated by Hagio aficionado Matt Thorn, and gorgeously produced by the folks at Fantagraphics, this luxurious hardcover edition is undoubtedly the loveliest jewel in my personal collection—and for a fan of classic shoujo, that’s saying quite a bit. It’s the kind of manga that’s so pretty, I’d content myself with simply gazing at its artwork, were that all it had to offer. Fortunately, there’s a lot to love all around. A year later, it’s still my favorite new release of 2013.
What are your manga gift picks for this holiday season?
Author: Ueda Akinari
Translator: Anthony H. Chambers
Publisher: Columbia University Press
ISBN: 9780231139137
Released: December 2008
Original release: 1776
Awards: Japan-U.S. Friendship Commission Prize
Ueda Akinari’s Ugetsu monogatari is a collection of nine short stories of ghosts and the occult that was originally published in Japan in 1776. The classic as a whole has been translated into English several times and some of the individual tales have been translated as many as ten. The most recent of these translations is a study by Anthony H. Chambers first published in 2007 by Columbia University Press as part of its series Translation from the Asian Classics. With his translation of Ugetsu monogatari, titled Tales of Moonlight and Rain, Chambers aimed to provide th most accurate, comprehensive, and faithful English edition of the work, conveying the meaning of the text while still capturing Akinari’s tone and style of writing. His efforts were rewarded with the 2007 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. The particular reason that Tales of Moonlight and Rain was brought to my attention was that Akinari was noted as being one of Yukio Mishima’s favorite authors in his biography, Persona.
The nine stories in Tales of Moonlight and Rain–“Shiramine,” “The Chrysanthemum Vow,” “The Reed-Choked House,” ” The Carp of My Dreams,” “The Owl of the Three Jewels,” “The Kibitsu Cauldron,” “The Serpent’s Lust,” “The Blue Hood,” and “On Poverty and Wealth”–all deal with the mysterious and the strange. Ghosts make frequent appearances, demons cause terror and strife, spirits seek revenge, people are cursed or succumb to possession, and so on. All of the stories are set in provincial Japan which, as Chambers note in the introduction, would emphasize the strangeness and otherness of the tales for Akinari’s original audience, a group mostly made up of people who lived in Japan’s major cities. Additionally, all but one of the stories takes place before the Tokugawa shogunate was established in 1603, which also had a distancing effect. Today’s readers are even further separated from the stories in Tales of Moonlight and Rain, but the tales are no less fascinating because of it.
In addition to Akinari’s nine stories, Tales of Moonlight and Rain also includes extensive notes and analysis as well as a bibliography listing texts and commentaries, secondary resources, and previous English translations of Akinari’s work. Chambers has written a lengthy introduction to the collection as a whole, but each of the stories has its own prefatory material which notes important details regarding the titles, characters, places, and time periods, explains useful background information and the stories’ relationships and affinities to other works (both classic and contemporary), and provides additional commentary and any other observations. Chambers uses both footnotes and endnotes in Tales of Moonlight and Rain–the footnotes for points critical to the immediate understanding of the text and the endnotes for more in-depth information. In theory, this is an excellent idea, but in practice I found it rather annoying and cumbersome to have to look in two different places for the stories’ notes. But this is really my only complaint about the volume and I consider it a minor one.
One of the most interesting things for me about the stories in Tales of Moonlight and Rain were all of the references and allusions that the collection contained to other classic works of Chinese and Japanese literature such as Murasaki Shikibu’s The Tale of Genji and the collection of poetry Manyōshū. Having read translations of some of the older works being referred to, I particularly appreciated Akinari’s use of them in Tales of Moonlight and Rain. However, it is not at all necessary to be familiar with the Chinese and Japanese literary classics in order to enjoy the collection. All of the stories stand completely on their own despite the borrowing and adapting that Akinari employs. I didn’t realize it before reading Tales of Moonlight and Rain, but I was actually already familiar with some of the adaptations of Akinari’s own work; Ugetsu monogatari was more influential than I knew. Personally, I enjoyed the entirety of Tales of Moonlight and Rain a great deal, including Chambers’ commentary and analysis. The stories may be more than two centuries old, but perhaps in part because of that they remain both evocative and spellbinding.
SEAN: For the most part, it’s a Merry Christmas and not a lot of manga, as most publishers take the holidays off. We do have a couple of titles trickling in, however…
Kodansha has the 4th volume of Sankarea, which continues to walk the line between harem romance and horror movie. As you can see from the cover art seen here, Kodansha is gunning more for the latter.
ASH: Sankarea is such a strange manga. I’m enjoying it more than I thought I would, but some of the fanservice really detracts from the series’ quirky charms.
SEAN: And Seven Seas has the 3rd and final volume of Crimson Empire. I really like the heroine and basic premise of this series, but I admit I have not really enjoyed the manga as much as I have the author’s Alice series. Perhaps the otome game plays out better, or perhaps this volume will give us a big finish.
ANNA: I actually enjoyed the first volume of Crimson Empire quite a bit, and was planning on picking up subsequent volumes but hadn’t got around to it yet. Perhaps I’m just easily amused by the idea of an assassin maid in a reverse harem series.
SEAN: That’s it. Either of these under your stocking?
MICHELLE: Not for me, this time.
MELINDA: Sadly, I’m with Michelle, in that neither of these titles is for me. But that doesn’t mean I’m not buying this week! So much to catch up on…
Creator: Yaya Sakuragi
U.S. publisher: Viz Media
ISBN: 9781421549781
Released: February 2013
Original release: 2010
Yaya Sakuragi has had several of her boys’ love manga released in English. Bond of Dreams, Bond of Love was the second of her series to be licensed. Bond of Dreams, Bond of Love is loosely connected to her earlier series Tea for Two. Reading Tea for Two isn’t at all necessary to understand Bond of Dreams, Bond of Love, but it does provide more details about one of the character’s back stories. Sakuragi was actually my introduction to yaoi and boys’ love manga and I continue to be very fond of her work. I like her particular sense of humor and lanky character designs. Bond of Dreams, Bond of Love isn’t my favorite of her works, but I’m still largely enjoying the manga; it’s a rather goofy series. The third volume of Bond of Dreams, Bond of Love was originally published in Japan in 2010. The English-language edition was released in 2013 by Sublime Manga, the boys’ love imprint associated with Viz Media.
There are some big changes occurring in Ao’s life. One of the biggest is that he might be moving out of his grandmother’s place and transferring schools in order to live with his mother and his twin brother Aka. Ao’s not too keen on the idea, especially since it would mean he would see Ryomei less, but more than one person has encouraged him to make the move, believing it to be in his best interest. Even though Ao’s life has been thrown into turmoil his preoccupation with Ryomei is still foremost on his mind. He somehow even manages to convince the older man to go on a date with him, though it doesn’t exactly turn out how either of them expected it would. As for Ryomei, he continues to be somewhat baffled by and conflicted over Ao’s advances. He’ trying to work out just what his feelings really are for the younger man, but it hasn’t been an easy process. And with Ao potentially moving away, Ryomei had better figure it out sooner rather than later.
Bond of Dreams, Bond of Love started with a wet dream (Ao’s, to be specific) and dreams and daydreams have continued to be a recurring element in the series. But now with the third volume, Ryomei has to deal with them, too. It’s a nice way to tie the narrative together and show the parallels between Ryomei and Ao’s feelings as the develop. Another way that Sakuragi show these parallels is through Ryomei and Ao’s not-quite-date, which is handled exceptionally well in the manga. Though the two of them are on the same outing they are experience it very differently. As a reader it’s interesting to be able to simultaneously see and compare their thoughts and reactions while they themselves are completely unaware of how the other person is interpreting the events. It’s a situation in which the lack of communication is completely believable. Both Ao and Ryomei are holding back, but for different reasons–Ao is worried about scaring Ryomei off while Ryomei is understandably concerned about his changing feelings for Ao.
For me, Bond of Dreams, Bond of Love works best as a comedy and shouldn’t be taken too seriously, which is not to say there aren’t some genuinely touching and occasionally bittersweet moments. However, the series excels in its humor and reaction shots. In general the characters’ faces are all very expressive and dynamic, but Ryomei, who tries so hard to be serious and reserved, has some of the best expressions. He has become hyper-aware of how he interacts with Ao and it shows. Despite the focus of Bond of Dreams, Bond of Love being on Ao and Ryomei, the series actually has a fairly large cast of secondary characters who all have their roles to play, too. This includes a fair number of important female characters, which can be a rarity in boys’ love manga. However, it’s Ao’s best friend Shunpei who remains one of my favorites. (Shunpei is also the character from Tea for Two; I’d love to see him get his own series at some point.) Ao’s twin brother Aka, who is constantly on edge, can be pretty entertaining, too. With its slightly ridiculous and over-the-top characters and interactions, Bond of Dreams, Bond of Love has really grown on me, and there’s still one more volume to go.
MELINDA: I know there’s a lot of manga on tap this week, but I can’t help it… my heart belongs to Pandora Hearts, and I fear it always will. Volume 18 hurt me as cruelly as it could, and as it turns out, that’s just the way I like it. More, more, more, please. I gotta have my fix.
MICHELLE: Ooh, how do you like your love? o/~ (I hope I’m not the only one who instantly got that song in my head!) Anyway, I’m definitely with Melinda on this. The cliffhanger ending of volume 18 was too cruel to pass up on the 19th, though, now that I think about it, it’s all too likely that only more sorrow awaits.
SEAN: My pick this week is the 2nd and final volume of Summer Wars, which was a big surprise hit for me this fall. Combining rural love comedy with technopocalypse is not something you see every day, and it has some likeable, fallible lead characters. It’s also not afraid to go into dark places when it has to. If Vol. 2 is as good as Vol. 1, we’re in for a real treat.
ANNA: I’m going to have to go with Gundam: The Origin Vol. 4. I love this series, and I love Vertical for bringing it out in a deluxe hardcover edition.
ASH: Gundam: The Origin has consistently been one of my favorite releases this year, but my pick of the week goes to the eleventh volume Q Hayashida’s delightfully weird and strange manga series Dorohedoro. With its dark humor and quirky characters, Dorohedoro somehow manages to be incredibly violent and incredibly charming all at the same time.
What looks good to you this week?
My News and Reviews
Last week I posted the first review in my new monthly review project, A Year of Yuri. This project will focus on comics and manga with yuri and lesbian themes. For this month’s review, I took a closer look at June Kim’s debut graphic novel 12 Days which was even better than I remembered it being. It’s a beautiful work that addresses the complexities of grief, family, love, and loss.
Also last week, I wrote a post that focused on how to find manga in libraries–Finding Manga: Library Love. The post is sort of a combination of two of my semi-regular features–Finding Manga and Library Love. (I’ve actually decided to retire Library Love, so the post was also a way for me to give the feature a nice send-off.) It’s a pretty long post; if you don’t feel like reading the whole thing, you can always just skip to the quick tips at the end.
As for interesting things found online: The Pew Research Center coincidentally posted its report on How Americans Value Public Libraries in Their Communities the same day I was expressing my own love of libraries; over at Geekscape, Kari Lane discussed yaoi with Jennifer LeBlanc, SuBLime’s editor; and Erica Friedman talked about some of the differences between the U.S. and Japanese comic book industries on Quora.
Quick Takes
Fake Fur by Satomi Yamagata. For a boys’ love manga, Fake Fur is surprisingly realistic in its portrayal of Yamashita–a young man who in high school is just starting to come to terms with his sexuality and homosexuality. The manga follows him as he becomes aware that he is in love with his close friend Kubo and how he handles the aftermath of that realization and his changing relationships. Fake Fur deals with both physical and romantic desire and how those two aspects of love can often be in conflict with each other. In some cases, sex and physical pleasure is used as a replacement for true affection. For Yamashita and several of the other characters in Fake Fur, this is something that is both comforting and heartbreaking. On the other hand, for better or for worse, physical intimacy can naturally lead to emotional intimacy. After all, a sexual relationship is still a relationship. In Fake Fur Yamashita and the others grapple with this, hoping to find love but also recognizing that there is more than one way to be close to another person.
Sankarea: Undying Love, Volume 4 by Mitsuru Hattori. The covers for the English-language edition of the Sankarea manga tend to focus on the horror elements of the series. While that horror is certainly a part of Sankarea, I still see it as more of a romantic comedy than anything else. Granted, it is a very strange romantic comedy with even stranger characters. I like the series best when it’s focusing on the relationship between Chihiro and the recently zombified Rea, which has some interesting developments in this volume. For one, Rea continues to become more zombie-like, her cravings for flesh barely being held in check by her natural inhibitions. However, I was less impressed with the mostly unnecessary scene between Chihiro and Rea’s mother in which she drunkenly and nakedly propositions him. Apparently the volume’s fanservice quota needed to be met somehow. My favorite part of this volume was actually the side-comic “I Am Also…A Zombie…” which is told from the perspective of Chihiro’s pet cat (and zombie) Bub. Bub is the greatest.
Showa: A History of Japan, 1926-1939 by Shigeru Mizuki. Originally published in Japan as an eight-volume series, Drawn & Quarterly’s edition of Showa: A History of Japan is being released in four, two-volume omnibuses. Japan’s Showa era, corresponding to Emperor Hirohito’s reign, lasted from December 25, 1926 to January 7, 1989. In the introduction to the first volume of Showa, Frederik L Schodt describes the Showa era as one of “the most tumultuous, violent, and tragic” periods in Japan’s history. There are actually two intertwining stories contained in Mizuki’s Showa: the factual history of the country as a whole at that time and Mizuki’s personal history as someone who lived through it. Mizuki’s artwork also reflects these two different portrayals of the Showa era. The illustrations range from the highly detailed and realistic, based on news and photographs from that period, to the more free-form and cartoonish. Showa is an informative read. I’m personally more familiar with the late Showa era, so I appreciated being able to learn more about early Showa in such an engaging format.
The World Exists for Me, Volumes 1-2 written by Be-Papas and illustrated by Chiho Saito. The literal translation of the Japanese title for The World Exists for Me would actually be The World of S and M. Though I’m sure it was intentionally chosen, it’s a rather peculiar title for a rather peculiar manga. Only two volumes were ever published, but I get the feeling that The World Exists for Me was originally conceived of as a much longer work. The ending comes very suddenly and very little, if anything, is actually resolved. The series definitely had some potential–I found its use of time travel, destiny, and historical figures and events to be interesting–but the story never quite pulls together as something particularly coherent. It’s a bit of a mess, really. While it can be enjoyable, it doesn’t really make much sense at all. The World Exists for Me was developed by the same creators involved with the Revolutionary Girl Utena manga. Some similarities can be seen between the two series, but I much prefer Utena.
Creator: June Kim
Publisher: Tokyopop
ISBN: 9781598166910
Released: November 2006
June Kim is a Korean-born comics artist and illustrator who currently lives and works in the United States. Although some of her short comics had previously been collected in various anthologies, 12 Days was her first and, as far as I know, only graphic novel to have been published. What I can say for certain is that 12 Days was my introduction to Kim and her work. 12 Days was released by Tokyopop in 2006. The book’s cover design is really quite lovely with silver foil line work and striking red accents. Tokyopop didn’t always take such care with the presentation of its releases, so this was nice to see. 12 Days is at least partially based on a true story–a sad tale that a stranger told to Kim about her ex-girlfriend. Kim herself originally developed the story of 12 Days while getting over a breakup in her sophomore year of college. However, it wasn’t until 12 Days was picked up by Tokyopop that she completed the graphic novel.
On the way back from her honeymoon, Noah was in a lethal car accident. That was a month ago. Noah’s death hits her ex-girlfriend Jackie hard. Already a wreck from their breakup, Jackie is faced with the reality that she has now completely lost the love of her life. And so she devises a way to forget and finally let go. Over the course of twelve days she will drink Noah’s ashes as part of a personal ritual. Somehow Jackie convinces Nick, Noah’s half-brother, to steal some of his sister’s ashes for her from the urn on his parents’ mantle. It’s under these strange circumstances that the two most important people in Noah’s life meet. Nick and Jackie are each struggling to accept and cope with Noah’s death in their own ways. Their shared experience becomes a source of comfort as much as it is a source of pain. They both loved Noah dearly and it will take far more than twelve days to ever change that.
Kim’s style in 12 Days is influenced by both manga and manhwa as well as by independent comics. A prominent theme in both the artwork and narrative of 12 Days is reflection. This can be seen in Kim’s use of mirrors in the graphic novel, but also in the page layouts and panel composition. Jackie and Nick’s actions and how they are captured in the artwork often parallel or echo each other, providing yet another tenuous connection between the two of them. The narrative itself isn’t linear. Much of the story is told through the flashbacks, dreams, and memories that intrude upon Nick and Jackie’s lives. It’s as if a mirror containing all of their thoughts of Noah has been shattered and they are left picking up the pieces–a fitting metaphor for the grieving process. Some of the transitions can be a little difficult to follow at first, but overall it as a remarkably effective approach.
As a whole 12 Days is a very reflective and introspective work. There is intensity and drama but it’s not overblown; the graphic novel tends to be rather intimate and quiet. Despite the realistic portrayal of the complexities of grief, family, love, and loss, 12 Days is not overwhelmingly bleak or depressing. The graphic novel can certainly be heartbreaking considering Noah’s death, the circumstances surrounding her and Jackie’s breakups, and some of society’s prevailing attitudes towards same-sex love, but there is also a fair amount of humor in 12 Days that keeps things from getting too heavy or dark. Even while dealing with the tragedies in their lives, Jackie and Nick, who are both endearingly eccentric, are still able to joke around and tease each other. Sometimes that humor can be a bittersweet reminder of what they have lost, though. 12 Days is a work that holds extraordinarily up well to multiple readings. In fact, I think I enjoyed and appreciated its subtleties even more after reading it several times.
SEAN: Just before Christmas, we have a fairly big week with lots of stuff to give folks for the holidays (or request for your own present.)
First off, another “Sean missed this” entry. Since I go by Amazon now, I forgot that Right Stuf shipped Hetalia Axis Powers Vols. 4 and 5 and left them off last week’s list. I’ve already devoured my own copies, and can safely assure Hetalia fans these are well worth picking up. Non-Hetalia fans likely find the whole phenomenon baffling.
ASH: I’m hoping that Hetalia continues to do well (at least I think it’s doing well) so that Right Stuf will be able to expand it’s print-on-demand program.
MELINDA: I’ve never been able to muster interest in Hetalia, but hearing that you’re so hooked on it, Sean, makes me feel foolish. So. Hm.
SEAN: It’s definitely not for everyone… Hetalia requires a love of World War II-era history and at the same time an ability to completely disassociate the atrocities of that period from the characters that represent each country. It’s pure fluff, and just the idea that it’s pure fluff really bothers folks – and rightly so. That said, if you can bend your brain that way, there are a lot of fun stereotypes here that are all done with a kind, loving heart.
Dark Horse’s Evangelion spinoff, The Shinji Ikari Raising Project, is getting close to actually surpassing the main manga series in terms of volume count. Vol. 13 hits next week, and promises an actual plot!
The fourth volume of No. 6 comes out from Kodansha. Is the BL tease in this series the same as the yuri tease in series like Sunshine Sketch?
ASH: I haven’t read Sunshine Sketch to be able to compare, but I am enjoying the development of Rat and Shion’s relationship in No. 6.
SEAN: One Peace has an omnibus collection of Smuggler, a seinen series that ran in Kodansha’s Afternoon back in 2000. Tokyopop apparently released this before, but I have no recollection of it at all. More seinen is always good, especially from a new-ish publisher.
ASH: One Peace tends to license some interesting manga. I’m particularly curious about this rescue since I missed Smuggler the first time around.
MELINDA: Ditto!
SEAN: Vertical has a new hardcover edition of Gundam The Origin, the 4th. It’s subtitled Jaburo, and I presume it will keep the stellar quality of the previous releases. Must buy.
ANNA: The world is a better place due to the existence of this glorious manga. And Char Aznable.
ASH: The Origin is definitely one of the highest quality releases of manga in English right now.
SEAN: There’s also the 2nd and final volume of Summer Wars. I was surprised how much I enjoyed the first one of this series – far more than I expected – and look forward to the 2nd with bated breath.
MELINDA: I’m looking forward to this as well!
SEAN: Viz has the 11th volume of one of my pet favorites, Dorohedoro. It can be hard to dip in and out of, but it’s a series that rewards close reading and re-reading. Plus it’s filled with awesome characters.
ASH: I’m always excited to see a new volume of Dorohedoro! It also makes me want to eat mushroom gyoza.
SEAN: And then there’s a giant pile of Yen. The 3rd volume of Are You Alice? continues the Alice trend we’ve seen all year, which looks to pile up even more titles in 2014.
Bloody Cross is one of those series that cried out to be licensed. Vampires, demons, hot guys, hot girls… all this and it runs in Shonen Gangan, a magazine with a very good reputation to exciting series. This should be fun.
MELINDA: I’m cautiously optimistic.
SEAN: High School of the Dead is still popular enough to get those giant full-color omnibuses, and here is the 2nd.
The Melancholy of Haruhi Suzimiya manga is wrapping up soon, mostly as the novel author hasn’t written new material. The final arc continues in this 17th manga volume.
Pandora Hearts 19. I think that says it all.
MICHELLE: Pandora (Will Break Your) Hearts!
MELINDA: Yes, it really will. In the best way possible. *heart*
SEAN: Puella Magi Kazumi Magica has its 3rd volume coming out. The movies have made this franchise even more popular, though I am also hearing talk of a backlash against the darkness. Will this manga make things even bigger?
The 10th Spice & Wolf novel continues to combine fantasy, moe, economics and confusing people who buy it thinking it’s the manga. This is the novel.
Sunshine Sketch not only has its 7th volume ship to stores, but it also has all 7 volumes available in ebook format next week! Great news. As for whether Sae and Hiro finally graduate and the title is forced to continue without them… I suspect that may get dragged out a bit longer.
Finally, Until Death Do Us Part has its 5th omnibus arrive. Mamoru has been having a rough time of it lately, and this volume is not likely to help him in any way.
MICHELLE: I really need to catch up on this one; I definitely liked the first omnibus more than I’d expected to.
SEAN: Deck the halls with volumes of manga! What’cha getting?
Support manga, support your library!
I recently came to the decision to retire my bimonthly Library Love feature. With the slogan “Support manga, support your library!,” Library Love was a way for me to highlight manga that I was borrowing and reading from my local libraries. It’s time for me to finally say goodbye to Library Love in order to make room at Experiments in Manga for other features and reviews. In the future, I will be including my thoughts on my library manga finds in the “Quick Takes” section of the My Week in Manga feature. As I say my final farewell to Library Love (the feature, not my actual love for libraries which is eternal), I wanted to make one last special Library Love post that focused on actually finding manga in libraries. What I’ll have to say specifically applies to libraries in the United States and Canada since those are what I am most familiar with, but hopefully my comments will apply to library systems in other countries as well.
I adore libraries and I have since I was very young. I don’t think anyone was really very surprised when I fell into librarianship as a career. There are many, many reasons that I’m thankful for libraries which I won’t get into here, but I would like to say this: If it wasn’t for libraries, I would not have become the manga fanatic that I am now. When I first started reading manga, it was all borrowed from libraries. For one thing, collecting manga requires both money and space. Making use of libraries that are already doing some of that collecting is a good thing. It benefits you and it benefits libraries, too. Manga and comics tend to circulate well, and good circulations statistics help libraries in a variety of ways. Plus, by supporting manga at your library, you are also supporting the creators and publishers of that manga.
Manga can be found in all types of libraries: public, academic, school, special. Archives and museums get in on the manga action, too. It’s somewhat difficult to make generalizations regarding how to find manga in libraries because each library is different and serves a different population. Broadly speaking, libraries are organized in the way that best serves its patrons, which means that the same manga found in one library may be shelved in another area entirely at a different library. Some libraries will shelve manga and other comics by subject, mixed in with the rest of the collection. Other libraries will have an entire section devoted specifically to manga and graphic novels. In some cases, a library may divide materials by age group. There any number of ways to organize a collection, and each library is different. Familiarize yourself with your library’s system and be aware that you may need to look in multiple places to find all of the manga.
One of the benefits of a library is that it is a physical location that you can visit. After you figure out where the manga is shelved, take time to browse! It’s a quick and easy way of determining what sorts of manga your library collects and sampling what it has. There’s also this wonderful phenomena called serendipity–you might discover manga that you didn’t even know you wanted to read. But don’t limit yourself to what you can see on the shelf, because the library will always have more manga available. Be sure to make use of the library’s catalog, too. Most libraries have an online catalog that supports searches by title, creator, subject, ISBN, general keyword, and more. Some libraries are even beginning to explore digital options for manga and comics, too.
Finding manga through a library doesn’t stop there, either. Many libraries participate in interlibrary loan programs which allow one library to borrow materials that another library owns. This is a fantastic way to track down copies of hard-to-find or out-of-print manga to read. Many libraries also accept and pursue purchase suggestions from their patrons. If there’s a manga you’d like to read or that you think would be a good fit for your library, let someone know! Generally, libraries want to provide access to the materials that people want or are excited about; they want to spend money on materials that will actually be used. Which brings me to my final point about manga in libraries: Don’t be afraid to talk with the librarians and other library workers! Make suggestions, ask questions, and give feedback. We really are here to help.
Quick Tips for Finding Manga in Libraries
1) Manga might be kept in multiple areas, you may need to look around
2) Browse the shelves, but search the catalog, too
3) Check to see if your library participates in an interlibrary loan program
4) Many libraries accept purchase suggestions. Don’t see what you want? Ask for it!
5) Don’t be afraid of the librarians and other library workers (We’re here to help!)
ASH: It’s a somewhat quieter week for manga releases, but there’s still some good stuff coming out. I’m tempted to select the most recent volume of Tsutomu Nihei’s Knight’s of Sidonia as my pick of the week; the series has turned out to be great mix of sci-fi, horror, and romance. But I’ll have to admit, the manga that I’m probably most excited about this week is SuBLime’s rerelease of Ayano Yamane’s Crimson Spell. Occasionally I just really want to read some nicely drawn, smutty fantasy goodness.
ANNA: I’ll have to go with Knights of Sidionia, as I feel obligated to support awesome manga about mecha fighting aliens in space.
SEAN: I’ll go with Magi, the latest Shonen Sunday hit from Viz. It’s looking good so far, with this Arabian Nights adventure being exciting, heartwarming and funny.
MICHELLE: Since Knights of Sidonia has been safely covered, I’m also going to pick Magi. I enjoyed it from the beginning, but the interesting developments at the end of volume two sealed the deal. This could turn out to be a real favorite.
MELINDA: And I’ll circle partway back, at least. Though I’m interested in both Magi and Crimson Spell, I’m joining Anna this week in her support for volume six of Knights of Sidonia. I’ve never been a major fan of mecha, but this series has blown me away with its intense poignance and gorgeous artwork. I’m more than hooked.
What looks good to you this week?
My News and Reviews
I posted two reviews here at Experiments in Manga last week. The honor of the first in-depth manga review for December goes to Yoshikazu Yasuhiko’s Mobile Suit Gundam: The Origin, Volume 3: Ramba Ral. The fourth volume in the series is scheduled to be released this month, so I wanted to make sure to catch up with my reviews. Though I wouldn’t call myself a Gundam fan, I’m still really enjoying The Origin manga. The second review was for Ivan Morris’ The Nobility of Failure: Tragic Heroes in the History of Japan. Originally published in 1975, the work was recently brought back into print by Kurodahan Press. It’s an extremely illuminating and fascinating volume. I also announced the Fairy Tail Feast Winner last week. In case you’re looking for some epic manga to read, the post also includes a list of series that have had at least thirty volumes published in English.
I’ve come across quite a few manga-related things online recently. Sadly, that includes the news that PictureBox will no longer be releasing any new titles. PictureBox had some fantastic manga releases this year, including the start of the Ten-Cent Manga and Masters of Alternative Manga series. It also released The Passion of Gengoroh Tagame. PictureBox’s closing means that the previously announced anthology Massive: Gay Erotic Manga And The Men Who Make It, originally scheduled for release in 2014, is now in limbo.
In happier news, Manga Bookshelf’s Melinda Beasi was interviewed at Diamond Bookshelf–Understanding Manga: Editor Melinda Beasi Discusses CBLDF Presents Manga. I thought that Manga: Introduction, Challenges, and Best Practices was a great resource when I read it, so it was interesting to hear about some of the behind-the-scenes work that went into it.
And speaking of interesting interviews, Organization Anti-Social Geniuses has been Talkin’ Seven Seas and Manga Business With Conner Crooks. Crooks is the Social Media Manager at Seven Seas, which has been having a very good year. Part 1 and Part 2 of the interview series are currently available. Part 3 should be posted on Tuesday.
Continuing on with the Seven Seas theme, Sean Gaffney took a look at the publisher’s recently announced licenses over at A Case Suitable for Treatment. And if you’re interested in all of the anime, manga, artbook, and light novels that were licensed in 2013 (as well as related successful crowdfunding projects), Reverse Thieves has you covered with All the Titles Fit to License, 2013 Edition.
Quick Takes
Hero Heel, Volumes 2-3 by Makoto Tateno. Out of the boys’ love manga by Tateno that I have so far read, I think that Hero Heel is probably one of her better works. At least it has some of the most interesting and believable character development. Although that being said, I’m not sure that I’m entirely convinced by the ending, but that might just be because I feel bad for Katagiri. Minami in particular goes through a lot of change as the series progresses. In the first volume he’s almost the villain of the story, blackmailing and forcing his feelings on Sawada. By the end of Hero Heel he’s a much more sympathetic character and has matured significantly. As for Sawada, he comes across as rather harsh from the start, though how much of an asshole he really is isn’t revealed until later. The themes of hero and villain and what it means to be a good person are very prominent in Hero Heel. It’s interesting to see the parallels between the characters that Minami and Sawada play on the superhero show they costar in and their lives off the set.
Pretty Guardian Sailor Moon: Short Stories, Volume 2 by Naoko Takeuchi. For the most part, I think I probably enjoyed the second (and final) volume of Sailor Moon short stories more than I did the first. In general, they don’t rely as heavily on knowledge of the main series; a basic understanding of the Sailor Moon universe is sufficient to follow the short manga in the second collection of stories. Well, at least that’s true for the first two stories. The third short manga “Parallel Sailor Moon” requires a bit more, and even then it’s a really strange, almost nonsensical piece. I much preferred the first two stories in the collection. “Princess Kaguya’s Lover” is the longest and most involved, basically amounting to a one-sided love story between Luna and Dr. Ohzora, an astronomy professor. It has space and astronauts, which I’ll admit to having a fondness for, so that made me happy. (Takeuchi even visited the Kennedy Space Center on a research trip for the story.) “Casa Blanca Memory” is a shorter work featuring Rei, which also made me pretty happy.
Sengoku Basara: Samurai Legends, Omnibus 2 (equivalent to Volumes 3-4) by Yak Haibara. I get a huge kick out of the Sengoku Basara: Samurai Legends manga. I’ve never played Sengoku Basara 2–the video game on which it is directly based (it hasn’t been released in North America)–nor have I seen any of the Sengoku Basara anime (though I may make a point to check it out now), but I do have some familiarity with the Warring States period. Because of the number of characters, battles, alliances, castles and such to keep track of in Samurai Legends, which are all based on historical figures and events, that familiarity has come in handy. Overall, I think the first omnibus of Samurai Legends was a little stronger than the second omnibus. The last half of the series has a few continuity problems in the artwork, and there are some characters who are introduced more because they are a part of the franchise than because they had an important role to play in the manga, but it was still a lot of fun. I really enjoy the series’ over-the-top fights, characters, and dialogue.
Sickness Unto Death, Volume 2 written by Hikari Asada and illustrated by Takahiro Seguchi. Probably because it doesn’t employ nearly as many clichés, the second volume of Sickness Unto Death is much better than the first. Granted, the first volume was needed to set it up the whole scenario; I just think it could have been handled better. But the payoff is mostly satisfying. Even so, the manga still makes me vaguely uncomfortable, and not in the way I think it was intended to. The problem I have with the story of Sickness Unto Death stems from the way Emiru’s case is handled. That Kazuma wants to help and treat her I’m fine with. In fact, there’s some really interesting conflicts of interest and ethical and philosophical questions that arise because of it. At its best, Sickness Unto Death has some marvelously dark psychological elements to it. What particularly bothers me about the series is that Kazuma’s continued “treatment” of Emiru is actually encouraged by his professor, which is highly irresponsible not to mention unprofessional.
Author: Ivan Morris
Publisher: Kurodahan Press
ISBN: 9784902075502
Released: September 2013
Original release: 1975
In some ways, Ivan Morris’ The Nobility of Failure: Tragic Heroes in the History of Japan could be considered a companion of sorts to his earlier work The World of the Shining Prince: Court Life in Ancient Japan. While The World of the Shining Prince explores the beauty of court culture in Japan, The Nobility of Failure addresses the country’s more tragic history. Originally published in 1975, The Nobility of Failure has been out of print for years. Happily, Kurodahan Press was able to rerelease the volume in 2013 with a newly added preface by Juliet Winters Carpenter. Happier still, I was selected to receive a review copy of the new edition of The Nobility of Failure through LibraryThing’s Early Reviewers program. The Nobility of Failure is an important work that examines the cultural and historical background of some of the tragic heroes who continue to influence the modern Japanese psyche. I am very glad that I, and others, once again have the opportunity to read it.
While not unheard of in Western tradition, Japan has a particular, and some might call peculiar, predilection for the tragic or failed hero. They are admired for their sincerity and loyalty even when their causes were meet with failure and their goals could be considered traitorous. Above all else, those heroes adhered to their ideals, especially in the face of their own destruction. In The Nobility of Failure, Morris traces Japan’s tradition of the tragic hero back to the fourth century and the archetype of Prince Yamato Takeru. The following chapters explore the lives and influences of Japan’s legendary and historic failed heroes found throughout the centuries: Yorozu, Arima no Miko, Sugawara no Michizane, Minamoto no Yoshitsune, Kusunoki Masashige, Amakusa Shirō, Ōshio Heihachirō, and Saigō Takamori. The volume culminates in an examination of the World War II kamikaze fighters–an unprecedented development in modern warfare which for most countries would have been unimaginable.
One thing that I didn’t realize about The Nobility of Failure before reading the book was how much of an influence Yukio Mishima had on its creation. Morris and Mishima were friends and the book was at least in part written in order to put Mishima’s act of ritual suicide in 1970 into historical context. The volume is even dedicated to his memory. Since I happen to have a particular fascination with Mishima, I found this connection to be especially interesting. Many of the heroes who are the focus of The Nobility of Failure (tragic heroines are only mentioned in passing) were men that Mishima personally admired, but they are also generally recognized as important to Japan as a whole and are even considered to be inspirational figures to some. Japan’s tragic heroes carry immense psychological and cultural significance; their role in Japanese history was crucial to the development of Japan’s national character, perspective, and worldview.
The Nobility of Failure is an extremely illuminating volume. It’s readily clear that Morris put a tremendous amount of thought and research into the volume. In fact, the endnotes, bibliography, and index make up approximately a third of the books’ length. Morris draws upon both primary and secondary materials, including literature, poetry, and theatrical interpretations of the heroes’ stories found in kabuki and Noh. Using a combination of sources, excerpts, and retellings, Morris reveals both the mythic and legendary basis of Japan’s tragic heroes as well as their historical reality and how they have influenced Japan’s culture and psyche. This is particularly evident in the chapter about the kamikaze fighters in which Morris ties in everything that had previously been examined. Even though The Nobility of Failure was written nearly forty years ago, it is still a valuable and fascinating work. Morris’ compassionate analysis deserves to remain in print.
Thank you to Kurodahan Press for providing a copy of The Nobility of Failure for review.