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Reviews

Arifureta Zero, Vol. 5

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

It’s been a good sixteen months since I last read Arifureta Zero… and come to think of it, eleven months since the last Arifureta in the main series. This is the danger of catching up with the Japanese release, and I knew this meant that a lot of my time was going to be spent trying to remember who everyone apart from the main characters were. Little did I realize that that was going to be ALL of my time. This is the 2nd to last book in the series, and as such it has to gather everyone in the cast together for the big battle in the finale. And I do mean everyone – every single ally we’ve seen in the books to date pops up again, along with new characters we haven’t seen before, and they’re all written as if we remember who they are and are nostalgic to see them again. It’s exhausting. Fortunately, there’s BIT more going on than just setup.

A month after the end of the previous book, Miledi is still in a coma, which has everyone stressed out, especially Oscar, whose fighting abilities are actually being affected by his worry. Fortunately, she wakes up soon after the book begins. Unfortunately, she’s… a bit different. Yes, it’s We Want Our Jerk Back, the light novel. The largest chunk of the book is spent getting Laus, their newest ally, to the rest of them, as he’s being hunted by the entire church… including two of his own sons. (This is framed as a big reveal, but it’s telegraphed so badly I feel no remorse revealing it here.) Once he’s arrived, and Miledi puts everyone through RIGOROUS TRAINING, it’s discovered that three of their allies are going to be put to death publicly by the Church. So Miledi decides now is the time. the Big Battle. (In Book 6.)

The author apologizes for this book being so long, and he should. It’s too long, and a lot of this wasn’t needed. The “checking in with everyone who the Liberators ever met in prior books” section is a lifeless slog. Better were the scenes with Miledi waking from her coma, but she’s missing her annoying. Without it, she’s a cute adorable teenage girl in love with Oscar and not ashamed to say it. This is mined for much comedy, and for once it actually works quite well, especially her reaction once she returns to normal. Speaking of love, Miledi and Oscar don’t confess here, but that’s because they want to wait till after the battle – their feelings are known to each other. Oh yes, and there’s an incredibly annoying bunny girl in this as well, who seems to combine all the worst parts of Shea and none of the good points. The author loves to write “incredibly annoying but secretly goodhearted and awesome” people – indeed, the lesson of this book is that all of the Liberators are eccentrics – but sometimes I feel they overdue it.

So next up is the finale, and it’s not a spoiler to say that Everybody Dies – this is a prequel, after all. But it’s not the journey, it’s the destination, and so we’ll see how it all happens and how many times our heart can be broken. If you like Arifureta, you should read this, but be aware – it’s long and has boring bits.

Rascal Does Not Dream of a Dreaming Girl

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Yumemiru Shoujo no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

In my review of the last volume in this series, I mentioned I wasn’t aware of what happened in the next two books beyond it being sad. I’ll admit: I was lying. Generally these days, if you are following a series in any capacity on the internet, and the anime has already come out, there is no real way to avoid being spoiled. I didn’t have the main story beats of this book spoiled to me, but I knew what the last five pages would be, and so they are. That said, let’s not talk about those, let’s instead discuss the previous 250 or so pages, in which we find that Sakuta’s own adolescence syndrome has a very different cause from what he (and the reader) thought, learn exactly what’s going on with Shouko, and discover that it’s still hard to say you’re different from Bakemonogatari or Oregairu when you decide the best way for the hero to fix things is to sacrifice himself to save the girl.

Sakuta’s apartment is getting a bit crowded. Kaede is back, though with her “original” personality, and is struggling to catch up with the two years she’s lost. College-age Shouko is there, being very mysterious and Kasumi Tendo-ish. And Mai stays over once as well, because frankly the situation screams “my boyfriend is cheating on me with an older woman who’s also a middle-school student”, and who among us hasn’t felt agitated when that happened to them? The drama starts then Sakuta discovers that Shouko is back in the hospital – and getting worse. She has an old elementary school assignment about dreams for the future she never completed, as “die” would upset the teachers. Now it’s mysteriously being filled out… and the details seem to match up with college-age Shouko very well. Sakuta is concerned about the “get married’ part, though…

One of the more interesting things about this series is that it has all the wacky misunderstandings that harem anime usually has, but without any of the actual misunderstandings themselves. Mai and Sakuta are simply too sympatico with each other to really believe that there’s cheating or lying going on. Indeed, the fact that they’re so in tune with each other is what leads up to the tragedy in the final pages. Other than that, the most affecting part of the book for me may not have been the ending but everything leading up to it, as Sakuta drifts through school looking like a man who’s about to die. When even Kamisato is deeply concerned with him, in her own “drop dead” way, you know things are bad. And Rio and Mai’s scenes are even worse. Everyone seems to know what’s going to happen, but they also know that talking Sakuta out of this is next to impossible. As indeed it proves to be.

So what’s next? Well, if this were the movie, we’d only be halfway done. But it’s a book, so we’ve got to wait a few months. Rest assured I doubt it will kill off a main character, but I’m not as optimistic about its dreaming girl. Till then, enjoy an emotional gut-wrencher.

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 3

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

Generally with any slow life series you have to find the right about of balance between “nothing is happening because this is meant to be a slow life series” and “there are things happening because this is a narrative people will want to actually read”. It can be tricky, as many authors find. A lot of slow life books tend to lean towards the second of those two, where life is not really all that slow at all. This one doesn’t do that, but it needs to find the right time to dole out its plot. As an example, one of the main mysteries of the book is “when will Laetitia realize that her king and her wolf are in fact the same?”. Wait too little and there’s no tension, wait too long and you risk making Laetitia look dim. This book waits just the right amount, though what happens next is left open.

We get a couple of new additions to the cast here. Lelena is the daughter of former maid Krona, who is a bit busy being in jail to attend to her sibling, so goes to live with Laetitia, bringing along a cat and a guilt complex a mile wide. Also introduced is Liddeus, who is an incredibly stereotyped science nerd, only this is an otome game-style romance, so he’s a very handsome stereotypical MAGIC nerd. You get the sense he might actually be a love rival if he could for one moment get his mind off of spells, which he cannot. And there is, of course, all the politics – Laetitia arranges a tea party between the two queen candidates she’s already won over, and the other two who clearly scream “I am fodder for a later book’s plot”. This is pissing off the anti-beast person faction in the country, of course, and so they decide to take stronger measures to express their displeasure. Can Laetitia negotiate all this and still make delicious treats?

Well, I mean, of course. Have you seen the title? Laetitia has two main weapons, her food and her animals, and she uses them both here. Indeed, she gains another furry friend, named Tweety, though if you’re expecting the Looney Tunes bird you may be disappointed – possibly the Hyde and Go Tweet version. Admittedly yes, she is also monstrously overpowered in her magic, which literally breaks the device they use to measure it. This is clearly more due to her reincarnation than to her innate powers (though we do get more “amusing” stories of her and her butler being abused as children by her siblings in the name of magic training. They look back on those days and laugh, so I suppose we must as well). And yes, by the end of the book Laetitia finally realizes – after the king gives it away – that King Glenreed and Lord Aroo are one and the same. She seems devastated this means no more fluffy petting. I am 100% positive she is mistaken.

I do wonder if we’re heading towards a war, and if so how this book would handle it. Bit hard to cook for your fluffy friends in a trench. Still, so far the book does quite a good job of walking the tightrope. I look forward to the next volume.

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 1

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By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

I have not read the two other series that this author has out in English. Hazure Skill and Drugstore in Another World are both in genres that I’m gradually trying to read less of. But ‘syrupy sweet high school romance’ is still a relatively new genre in English-translated light novels. Honestly, the marketplace changes a lot these days, and yesterday’s down and outs are today’s up and comers. Remember 15 years ago when we all said sports manga was impossible to license? Even just five years ago I was saying that you couldn’t get a LN title licensed unless it had some sort of fantasy or supernatural plotline in it. But now here we are. That said, to be honest I picked this up because of the artist. Fly is best known here for Bottom-Tier Character Tomozaki, and this is in the same basic genre. That said, the two books are doing different things. Tomozaki is a deconstruction. This book is what it deconstructs.

Ryou is a typical light novel romance protagonist: nondescript, doesn’t have many friends, school skipper, thinks of himself in terrible ways. One day on the train he sees a girl being groped by a salaryman, and decides to make a scene and get the guy caught. Later, in school, it turns out that he’s sitting next to said girl in class… and that it’s Hina, his childhood friend. They had been inseparable in grade school, but in middle school she got super gorgeous and popular, and he got more self-conscious and so they drifted apart. But while he may have mostly forgotten about her, she certainly hasn’t forgotten about him. As the book goes on, Ryou starts to notice that Hina is asking to walk home with him, and making him food, and asking him out on dates. Does this mean… she has feelings for him? Nah, let’s not overthink this.

As always with this genre, whether you can tolerate it or not depends how much you like ‘oblivious’ teenage boys. I’d say it was unrealistic except I was also a teenage boy, and no, it really is this bad. That said, at least the series gets a confession out of the way by the end of the first book, even if it leads to “I’m not sure how I feel about you”. Hina is cute, and the reader is meant to understand her frustration with Ryou and sympathize, and it works pretty well. I also loved Ryou’s younger sister Mana, who does not have a shred of the standard “younger sister of the protagonist” character to her and is quite happy wingmanning for her brother, though buying condoms for him turns out to be a mistake. (There’s no sex in this book, sorry to disappoint. Everyone’s very pure.) And the love rival role is handled pretty well, as she’s good at analyzing Ryou and Hina and knows that’s why she doesn’t really have a chance.

There’s nothing outstanding about this book, and it doesn’t have a good gimmick like Tomozaki. But it’s decently written, and there are no terrible people in it yet. If you like the genre of “pretty girl tries to get guy to admit that someone might actually like him and it’s her”, this is a good one to try.

Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons, Vol. 3

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By 616th Special Information Battalion and Wuhuo. Released in Japan as “Doushitemo Hametsushitakunai Akuyaku Reijou ga Gendai Heiki wo Te ni Shita Kekka ga Kore desu” by K Lanove Books. Released in North America by J-Novel Club. Translated by Shaun Cook.

This is, as of my writing of this review, the latest volume in the series, and it’s been about a year and a half since it came out in Japan. I know that fans here in the English-speaking world tend to dislike those sorts of books, wondering why publishers would license it when it grinds to an unfinished halt. (The answer is almost always “because it was still ongoing when they licensed it”, in case you were wondering.) But yes, nothing is really resolved in this volume either – we’ve gotten up to the point where the “game” part of this would start, where the heroine is about to arrive at Astrid’s school. That said, I’m not exactly crying if this is all we’re going to get. The author loves writing morally bankrupt heroines, and even in a villainess light novel, a genre I’m particularly soft on, I think I’m starting to reach my limit with Astrid’s evil antics.

Astrid is still trying to figure out ways to avoid her fate (but not realizing that everyone loves her – it’s that sort of genre). She’s socking money away in a separate non-family bank account in case she has to go on the run. She’s getting familiars who are far more powerful than mere fairies. She’s conducting experiments on other students to see if they will murder small animals just because she tells them to. There’s a beach episode! You know, the usual stuff. Even as she tries her hardest to learn better magic/get more firepower, the world edges closer to the actual war that will likely trigger these events. And even her grades aren’t assured anymore, as she’s reaching the limits of what her previous life can achieve and realizing that science in another world is hard.

There are some cool set pieces in this. Astrid’s battle with the fenrir is pretty cool, and he seems to be a cool wolf familiar, albeit one that doesn’t really care if she’s got no soul. It is occasionally amusing seeing Iris having to deal with her friend’s crushes, and trying to help them along by drugging the crush to get a result… but not TOO much. Astrid’s mother, again, seems to know exactly what her daughter is doing despite Astrid’s best efforts to conceal it, and I wish we’d see her more than once a book. But yeah, I think I have reached my limit on watching “what if the villainess reincarnated decides to be more villainous” as a plotline. It doesn’t help that there are other areas of the book also starting to annoy me – Iris’ former bullies are now stealing her used underwear, because nothing says teenage lesbian crush like making it creepy.

This author pretty much does this type of character, regardless of the genre, and if you enjoy Her Majesty’s Swarm you’ll probably like this as well. If you like Villainess books, though, feel free to stop, as I’m going to.

The Saint’s Magic Power Is Omnipotent, Vol. 5

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

The Saint’s Magic Power Is Omnipotent may be an atypical light novel in some ways, but it is still an isekai when you get right down to it, and that means that the isekai cliches are still there to be walked into. Our heroine has ended up in the fantasy equivalent of medieval Europe, as is typical for these sorts of books. She really misses the taste of home, with good old fashioned rice and miso, as is also typical. Generally these sorts of books fall into two types: either our isekai’d Japanese person tries to make rice and miso and the like themselves in the kingdom or they hear about a country far across the ocean that just happens to have the exact foods they’ve been looking for (and sometimes samurai, but hopefully the Saint series isn’t going there). We get the latter here, as Sei happens upon a slow boat from China – or its fantasy version – that gives her the meals she’s been craving for so long.

After discovering not only that her cooking can deliver magical power ups to those who consume it, but also that Turkish Coffee is being imported nearby, Sei is on a cooking tip. She also has to do something about her cosmetics company, which has become so popular that the nobles are taking *too* much interest in it. As a result, she has a new umbrella company founded for future Saint developments. Disguising herself as the daughter of said company’s head (which is, in reality, her) she travels with Johan to a nearby port town to track down the rice she’s wanted to find for so long. Getting a hold of this proves to be an adventure in itself, and features Sei almost giving away who she really is multiple times. Then, back at the capital, she has an even more dangerous event lying in wait… her debutante ball.

After waiting nine months between books 3 and 4, the wait between books 4 and 5 hasn’t even been one month. Which means I have a bit less to say than I normally do, as I just talked about all this. I will note that Sei’s aversion to romance is starting to not only get on people’s nerves, but to be a genuine problem. Albert is trying to be aware of her feelings and courting her at the speed of a glacier, but she’s the Saint, and is also very much of marriageable age. She can’t simply stay in the back of the research lab and make potions for the next ten years. She manages to get through the ball designed to introduce her to society, but is terrified of dancing with any men she doesn’t know. Fortunately, the palace agrees with her – they certainly don’t want other nobles getting a chance to woo her. Given the author does not really seem to care much about the romance in this series, I’m not sure where this plot will go, but it’s what is interesting me most at the moment.

All this plus Sei teaches Aira how to make a magical Coleman Stove. Thankfully, Vol. 6 of The Saint’s Magic Power Is Omnipotent is not coming out in December. That said, I’m still interested.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 2

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

After a first volume that seemed to take 200 pages to finally get to its point, we finally have a bit of meat to its sequel. There’s a lot going on here, both in terms of more action, more ongoing backstory and plot development, and more of a daughter who loves her father perhaps a bit too much. Note, as I said last volume, that isn’t the way you think it is. Unlike seemingly every other daddy-adopted daughter series out there the past few years, there are no romantic or sexual feelings here at all. But it is true that when Angeline is around her father, she tends to regress several years and act like a spoiled kid. Not to mention that she puts her dad on a massive pedestal. Of course, he does actually seem to deserve some of that. By now the reader realizes that his description of himself as just some guy with a sword is absolute crap. But then, he is living in Backwater Town, USA.

The start of this book is indeed the promised vacation, with Angeline and her two companions staying for a while and enjoying Belgrieve’s hospitality. That said, things can’t stay slow life forever. There’s a young albino girl and her stoic companion who are proselytizing in the big city, and seem to be secretly evil. And when Belgrieve and his daughter’s party arrive in the Bordeaux capital, they find that roads to their remote town are not as easy as they’d like as the local lord is kicking up a fuss. Indeed, the local noble, Count Malta, is actually allying himself with the religious duo, and his goal is simple: kill Helvetica off so that things can go back to how they should be, with nobles having all the power and abusing the common people. Can Angeline and the others save the royals?

Two points to make. First of all, we are getting a harem here, it’s just not the usual one we see in fantasy light novels. Belgrieve isn’t attracting lovers, he’s attracting girls who want a father figure. With the exception of Helvetica (who still really wants to marry him, and has annoyed Angeline by being obvious about it), the girls in this series are the kind who want a pat on the head or a shoulder carry. Even Charlotte, the Ilyasviel von Einzbern clone we meet in this new volume, seems to suddenly realize revenge is wrong after just a brief moment of being treated like a daughter would. Secondly, this book gets quite dark in places, and it works very well. The evil noble is exactly the stereotype you’d expect, but it’s Helvetica’s character who does the heavy lifting here, as she realizes what it truly means to lead for the good of the people and makes some hard, bloody choices. Hope to see more of her.

Angeline returns to the capital at the end of the book, so I assume the third one will be in two different places. Till then, though, this volume improves on the first, and is a great one if you love dads being great dads – to everyone.

Slayers: Delusion in Crimson

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

It can be somewhat annoying to come at the Slayers novels from someone who grew up with the anime and realize how a huge chunk of them are Lina, Gourry, and one-off characters. Zelgadis and Amelia stuck around for a bit, as did Xellos, but they’re gone now. We’ve had Luke and Mileena come in with an attempt to add a new supporting duo to the cast, but they’re more of the ‘we keep running into each other’ sort than actual party members. They’re also not in this particular book either. We do get a villain from two books ago… but she doesn’t appear, she’s just an offscreen catalyst. It can be rather disheartening. Where’s the wacky fun times? Where’s Lina accidentally destroying things? Where’s Gourry being rock stupid? But this isn’t the anime, these are the light novels. And because of that we get something here which the anime almost never tried to do unless it was a huge world-shattering crisis: we get a straight up tragedy.

Lina and Gourry arrive at a city that is telling any and all sorcerers to report to the local sorcerer’s council at once. Doesn’t say why, and does not appear to be from the government. Lina, who has just been through sorcerers trying to take over a city a book or so ago, thinks we’re seeing much the same thing here, and she’s mostly correct. She teams up with Aria, a young woman who is trying to rescue her sister from the lord who killed her fiancee and forcibly married her, and Dilarr, a passing adventurer who just seems to like Aria, though he does find Lina somewhat terrifying, to her displeasure – her reputation is now that death and disaster show up whenever she arrives. Sadly, this book does not really change that reputation. Once they arrive at the city where Aria and her sister Bell live, we get a Chthulhian nightmare featuring lots of monstrosities and lots of death.

Despite the fact that these books frequently seem as if they’re written without an outline by the author simply going to the typewriter and typing till he stops, there is some decent character work here, particularly in regards to Aria’s sister Bell. Set up as the unwilling victim through most of the book, the reality is far darker than we’d expect. The second ‘series’ of light novels were never adapted to the anime, and this one shows why – the sister who is forcibly married after her fiancee is killed sends her little sister off to safety because she loves her, but also has hatred in her heart, as her sister is safe and can be happy while Bell is trapped. It’s a very real look at family dynamics that can stem from a family member being abused. Unfortunately, Slayers is still a fantasy, not a realistic look at power dynamics and coping mechanisms, so we get a massive bloodbath.

As Lina and Gourry walk away at the end, both are subdued and disturbed, and the reader has to agree. This is on the darker side of the Slayers novels, a series which is already much darker than its anime equivalent. I hope the next book has a bit more jollity.

The Executioner and Her Way of Life: The Cage of Iron Sand

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By Mato Sato and nilitsu. Released in Japan as “Shokei Shoujo no Virgin Road” by GA Bunko. Released in North America by Yen On. Translated by Jenny McKeon.

This series continues to go back and forth between things I quite enjoy and things that kind of irritate me, and in this book they’re about fifty-fifty, meaning it gets a reluctant recommendation. There’s far less Akari in here than I’d like, though her scene with Momo was the highlight of the book, and promises good things for the book after this. We also get an amusing new addition to the cast, a colleague of Menou’s who seems to be a airheaded flirt, though it’s implied throughout that this personality is a front. Which is a shame, as I liked it better than the personality that showed up later. There’s lots of cool fights, all of which seem to point to the value of “being pretty good at everything because of working really hard” rather than “has an innate natural gift”. Which I’d appreciate more if it was not undercut by the implication that the supposedly hardworking woman is in reality Very Special Indeed.

Menou and Akari are making their way through the desert, which turns out to be another area that was completely devastated because of a Japanese isekai gone horribly wrong. Things start off badly as Akari has already been kidnapped as the book begins, and Menou has to infiltrate a criminal organization to rescue them. There she runs into an old colleague from the orphanage, Sahara, and the three of them proceed to a nearby oasis city, with Menou now having to suffer the attention of *twp* bokes. Arriving at the city, she and Momo get the help of Princess Ashuna, who is essentially in this book to be cool and not much else. Unfortunately, she and Menou have to fight off a dangerous crime lord, so Menou sensibly leaves Akari back at the hotel. Which ends up being the biggest mistake she makes in the book.

The problem I have with Sahara is likely down to the character skewing away from my tastes. I really like the ‘sleepy ditzy flirt’ sort of character, and when Sahara is revealed to in fact be a ball of jealousy and envy, I wonder what the point was in having her be likeable for 3/4 of the book at all except to annoy me. Then again, when the reverse happens – i.e. when Akari gets her suppressed memories back – I actually tend to like her more, so hey. And yes, everyone is angry at Menou for being ‘the chosen one’, and Menou keeps insisting that she’s not all that great and is just a fairly normal person, which is fine except it’s pretty clear that she’s also got a past that’s been completely suppressed. Which just makes me more annoyed.

Basically, it’s hard to like anyone in this series because they could turn into something completely different down the road. I know that “change is a process” is the theme of the books, but there’s a bit TOO much change. Right now, Momo is my favorite character because she’s at least consistent. That said, sure, I’ll read more.

Also, naming the new character in your desert-themed book Sahara is kind of like naming your dog Spot.

Otherside Picnic, Vol. 6

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

After starting the series off showing us a terrifying, lethal, transforming Otherside, it is somewhat amusing to see that the parts of this book that actually do take place in the Otherside are the most relaxed. Essentially, Sorawo and Toriko decide to settle in and do some dry-walling, and they have a great deal of fun. They don’t have any terrifying experiences there because the real world, and the space between the real world and the Otherside, is scary enough as it is. Starting the book off with a Sorawo who seems to be a normal, non-urban legend loving college student, the book takes off running as our heroes battle T-san, a man dressed like a monk whose features seem to invite unreliable narration. Akari gets involved as well, and before we know it we’re dealing with someone who is perfectly happy to walk into their psychiatric hospital/prison and wreak havoc. This is Otherside Picnic: the Movie, kids, so buckle up for a roller coaster ride of thrills.

As you may have guessed, this book is one long story, involving a young (?) man (?) who is tall (?) and wears monk’s robes (?) and is currently in Sorawo’s college seminar. As I noted above, at the start of the book Sorawo has amnesia, her “Otherside” eye is not working, and she’s rather startled by these other two girls who seem to know her. That thankfully gets resolved quickly, and we’re back to our normal Sorawo who insists that she doesn’t really care about other people even if her actions belie this quite a bit. T-san the Templeborn is another urban legend, though the author, who I already suspect is making up all of their ‘cited sources’, admits this one is probably more fictional than the others. Instead of the Otherside, T-san is threatening the real world, erasing the connections between people and that universe with a shouted “HAH!”. Can they stop him in time? And are they going to need the help of an old enemy to do so?

Gotta admit, my favorite parts of this book are the parts with Runa Urumi, who is (possibly?) trying her best to be the Hannibal Lecter to Sorawo’s Clarice. She’s awake once more, bored out of her gourd locked up in DS Research, and promises to be a good girl if they just let her surf the internet a bit. Needless to say they are very distrustful of her, especially as remorse does not seem to be happening anytime soon, but a later scene where she ends up, somewhat reluctantly, helping the other inmates when T-san visits the facility makes me suspect this plotline is not going to be dropped anytime soon. As for Sorawo and Toriko’s relationship, it’s notable here mostly for Toriko’s jealousy when it comes to Akari, which is so obvious this time around that even Sorawo, never the brightest bulb when it comes to social cues, has to reassure her that she does not like Akari in that way. I also don’t see this plot going away anytime soon, though.

Oddly, for something that was supposed to be a grand movie version of the series, this was rather sedate, with only a bit of action in the final parts, and very little shooting of guns. This is, of course, because most of it took place in reality, and I suspect that the link between the two worlds will continue to fluctuate in future. But yeah, good book, go get it.

Anime NYC 2021, Day Three

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Ah, Day 3, the day when I realized that I am simply not equipped to be able to sit on a floor waiting for a panel for 5-6 hours per day. By the end of the day I was reduced to begging for a chair from staff (who were very helpful). Fortunately, I only had two panels for the day (apologies to Azuki, who I wanted to see, but I know Kodansha would be a huge line because of the Attack on Titan teaser, and also to Inside the Manga Industry, because somehow Yen managed to get scheduled against ITSELF), so there was not quite as much waiting, but I admit I am rather bone weary today.

That said, I suspect fans who came to the Kodansha panel just for the Attack on Titan stuff came away a little disappointed, as most of it was just normal manga announcements. They pointed out the manga gallery on display at Anime NYC, which looked quite impressive as I walked quickly by it. (Look, Attack on Titan and I are exes and we don’t get along, OK?) They’re also encouraging people to tweet about the series with the #thanksattackontitan tag, which I’m sure will be SAFE AND FUN. And there were two other announcements: The Best of Attack on Titan in Color, which has an assortment of the best chapters in the series… well, in color. And also a box set for Part 1 of “The Final Season”.

The rest of the panel was blissfully Attack on Titan free. We got the December digital debuts, which makes me the that types up Manga the Week of posts very happy. My Master Has No Tail (Uchi no Shishou wa Shippo ga nai) runs in good! Afternoon, and is basically a Reese’s Peanut Butter Cup of a manga, containing not only tanuki but also rakugo masters! Shaman King: & a Garden is a spinoff series focusing on the women in the series, and it runs in shoujo magazine Nakayoshi. My Darling the Company President (Darling wa Shachou-kun) is a 6-volume josei series from Ane Friend, where an office lady finds the new company president is a boy that she used to tutor, but now… He Is All Grown Up. And Her Majesty’s Swarm (Joou Heika no Isekai Senryaku) is the manga adaptation of the novels J-NC have been doing, and runs in Suiyoubi no Sirius.

They then had a bunch of print announcements for the Fall of 2022. Which makes sense given how hard it’s been to get things printed these days. Wistoria: Wand & Sword is a new series by the writer of Is It Wrong to Try to Pick Up Girls in a Dungeon?, running in Bessatsu Shonen Magazine. Boy has no magic powers, but he does have a cool sword. Go Go Loser Ranger (Sentai Daishikkaku) is the newest series from Quintessential Quintuplets creator Negi Haruba, a Weekly Shonen Magazine series parodying the stock tropes of sentai shows, and starring a villain who is tired of being the “Villain of the week” sort. Run Away with Me, Girl (Kakeochi Girl) is a josei yuri series that ran in Hane Kiss. Two girls who dated in high school haven’t seen each other in ten years. Will things rekindle when they meet each other?

Shonen Note: Boy Soprano is from Morning Two, and is by the creator of Our Dreams at Dusk, which means it automatically should go to the top of everyone’s list. It actually came out before that series in Japan, though. The story of a boy with a lovely soprano voice, and what happens when puberty starts to change that. As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World (Tensei Kizoku Kantei Sukiru de Nariagaru – Jakushou Ryouchi o Uketsuidanode, Yuushuuna Jinzai o Fuyashite Itara, Saikyou Ryouchi ni Natteta) is a Magazine Pocket series about… aw hell, you know what it’s about. Miss Miyazen Would Love to Get Close to You (Ochikadzuki ni Naritai Miyazen-san) is a cute romcom from… Gangan Joker? Story there, I bet. In any case, delinquent boy, proper girl, love blooms.

Avant-Garde Yumeko is a one-volume series from Shuzo Oshimi, acclaimed creator of Flowers of Evil, Blood on the Tracks, etc. This one… doesn’t have quite the same feel. Yumeko is a girl obsessed with the male organ, and she has decided that art class is the best way to see it. This is only one volume, and… gotta say “Oshimi raunchy sex comedy” is not really what I was expecting, but hey. I have heard others say it “has the subtlety of a truck”. An Older Guy’s VR First Love (VR Ojisan no Hatsukoi) is also one volume, and ran in Ichijinsha’s Zero-Sum Online. 40-ish guy plays in the VR world as a female character, and grows closer to another female in the game. But will real life get in the way? I heard this is quite serious.

Kodansha also announced print versions of a lot of series we’ve seen digitally already, including The Iceblade Sorceror Shall Rule the World (starring former Frank Zappa singer and guitar player Ray White), In the Clear Moonlit Dusk, Shangri-La Frontier, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability, and horror favorite PTSD Radio. We’re also getting box sets! Sweat & Soap, Wotakoi, and Rent-a-Girlfriend for those. And omnibuses! Noragami, Fire Force, Ghost in the Shell, and No. 6. Ghost in the Shell is supposed to have all sorts of bells and whistles (no, don’t ask about the missing pages, the answer is still no). Noise from Tsutomi Nihei will be getting a print release. No Longer Human and Dissolving Classroom will be getting Complete Editions. And, to the annoyance of many fans in the audience, Don’t Toy with Me, Miss Nagatoro is also getting a box set.

Lastly, to show that Kodansha’s troll game is still A+, they announced an exciting release for Nisioisin fans! No, not Monogatari Off Season. No, not Zaregoto 4 & 5. Instead, we get Katanagatari, which had prevoiusly been released in hardcover omnibuses, as paperback omnibuses. See? Much better than Sodachi Fiasco. (Please put away those knives).

After this, I decided to check out the panel introducing Yen Audio! This had marketer Mark and editor Ivan, and also a special guest… Bryce Papenbrook! The voice of Kirito was there himself, so the usual Kiroto hate from fans was pretty much absent. We listened to a clip from the first Sword Art Online book, and he discussed the differences in acting for anime vs. acting for audio books – this was his first audiobook, something he has in common with the other actors we heard today. He loved it being first person, and also talked about having a bit more freedom with his delivery as he did not have to match the lip flaps of the animation. The second Sword Art Online audiobook has Cherami Leigh as Asuna being the narrator, but Bryce also comes back to do the Kirito stuff there.

He then left to go back to his autograph panel, and we got the rest of the audio hype. We heard clips from books already released, including Overlord, Solo Leveling, and The Saga of Tanya the Evil. And we got three new announcements! There are no narrators set just yet (though I would assume calls have been put in to J. Michael Tatum and Brianna Knickerbocker), but we got to hear that we’re getting Spice & Wolf, So I’m a Spider, So What?, and Rascal Does Not Dream of Bunny Girl Senpai. The last of those has never had an English dub, so it will be definitely interesting to see who they get.

And after this I took my leave, heading to the train to collapse and try not to fall asleep. Anime NYC 2021 was a con with lines both inside and out, but it was also a lot of fun, and attendance hit 50K despite COVID restrictions. They’ve already announced 2022, so (my feeble body permitting, I am utterly exhausted today) I will see them again.

Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte: Disc 1

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By Suzu Enoshima and Eihi. Released in Japan as “Tsundere Akuyaku Reijou Liselotte to Jikkyou no Endo-kun to Kaisetsu no Kobayashi-san” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Mikey N.

It’s interesting to come across a series where the villainess ends up being one of the less interesting parts of it. Don’t get me wrong, it’s fine; it was highly enjoyable seeing Lieselotte stubbornly embarrass her way towards happiness. But once you get her schtick, as the “gods” Endo and Kobayashi point out, there’s not much more still to say, at least not in this volume (the last chapter of the book is another story, and tells me she may play more of a role next time). But I was more interested in the ways that this ordinary villainess story is also somewhat broken. From a heroine who feels like she belongs in Hatoful Boyfriend to a game that seems to be encroaching in the real world. And then there’s Endo and Kobayashi themselves, who manage to also bring an achingly sweet school romcom vibe to the book. This series has a lot of balls in the air, and it’s fascinating for that reason.

You know the drill. There’s this girl. Rich, haughty, princess hair. Badmouths the heroine at every turn. Doomed to be possessed and killed towards the end of the game. Even her fiancé is tired of her… until he hears the “voice of the gods”, explicitly pointing out that everything she’s doing is a classic tsundere move to cover her embarrassment. Suddenly he starts to realize how cute she is. As for the gods themselves, Endo is a high school kid whose athletics injury has left him rudderless, and Kobayashi is the upbeat broadcasting club girl who turned his life around. She’s obsessed with the game that features Lieselotte, and has gotten Endo to play it as well. However… the game seems to have taken on a life of its own. The prince can now hear their spoken commentary on the game. And they’re worried that if they screw up, bad ends will result.

As I said, Fiene is probably the character I enjoyed most in this. In the normal, non-broken game she’s a standard otome game heroine, who gradually gets stronger as the routes go on. Here she’s a broken powerhouse of a girl who can easily beat up terrifying monsters in order to gorge herself, as monsters = food. And once she too figures out Lieselotte’s deal, the two of them are cutie patooties. Meanwhile, Endo and Kobayashi, who have wandered in from another genre, are just as fascinating as their otome game counterparts, and their burgeoning romance, which neither of them dares call attention to, is adorable. That said, running into what appears to be a character from the game in real life puts a damper on their first date, and you get the sense that things are about to get even more bizarre. I suspect that the Witch trying to possess Lieselotte and the God (actual God, not high school teens gods) wandering around their world will up the stakes a bit.

This is not the sort of premise that you can extend out to multiple books, so it’s a good thing that the series is only two volumes long. It’s a good one to read even if you’re not really an otome game villainess fan.

Anime NYC 2021, Day Two

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If the first day was defined by the lines outside, the 2nd day was defined by the lines INSIDE. My schedule for the day had to be adjusted a bit as it became clear that if you wanted to go to a panel, you’d better line up early. The afternoon was filled with staffers screaming “The Fate panel is full!”. Despite this, I was able to attend four excellent panels, and will regale you all with my experiences.

We start off with Yen Press, who had quite a few announcements, which I suspect are May and June 2022-ish. The Geek Ex-Hitman is a Shonen Ace Plus title about a sinister hitman who sees a cute anime figurine and decides to just abandon his entire life and move to Japan to get more. It was described as along the lines of The Way of the Househusband. The Other World’s Economy Depends on the Bean Counter (Isekai no Sata wa Shachiku Shidai) is from Enterbrain’s B’s Log Comic, and combines Isekai with BL. Nights with a Cat (Yoru wa Neko to Issho) is a Comic Walker title that is exactly what it sounds – cat manga. These are the sort of sketchy biographical titles you used to see at the back of seinen magazines but you know they’d never get licensed. Now they are.

After some giveaways, we got the manga version of Chitose-kun Is in the Ramune Bottle (Chitose-kun wa Ramune Bin no Naka), whose light novel has been announced by Yen On already (and will have a digital release as well, I checked). It runs in Square enix’s Manga Up!. Hi, I’m a Witch and My Crush Wants Me to Make a Love Potion (Doumo, Suki na Hito ni Horegusuri o Irai Sareta Majo desu) comes from Kadokawa’s Flos Comic and will be familiar to Cross Infinite World fans, as they’ve been putting out the novels. See You Tomorrow at the Food Court (Food Court de, Mata Ashita) is a 1-volume title from Comic Newtype about two unlikely friends who meet up every day to eat. This one interested me the most of the manga announced. And because its spinoffs are almost as endless as Cells at Work, we get Magia Record: Puella Magi Madoka☆Magica Gaiden: Another Story. It’s a spinoff.

Light novels! There were… well, let’s call it 2 1/2 announcements. The Bride of Demise (Shuuen no Hanayome) is a dark fantasy from the creator of Torture Princess, a series I find compelling if depressing. Sasaki and Pi-chan (Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken – Mahou Shoujo Up o Hajimeta You Desu) has a subtitle from hell but looks quite interesting, about a pet bird who turns out to be from another world and the business of selling isekai’d stuff with the salaryman who owns him. An the reason I said 2 1/2 announcements is the third is that No Game No Life 11 will be coming out over here in chapter installments! The prologue hits digitally November 25th.

The next panel was Dark Horse Comics. They didn’t have any new manga announcements, but did have a fun panel where they reminded everyone how old the company is and how far manga has come since the late 1980s. I remember buying some of those 32-page floppy manga comics, and wish You’re Under Arrest could come back out, despite the bad art at the start. They also mentioned the fact that Japan, of course, imports Western Comics and translates them to Japanese. Adam Warren’s versions of Bubblegum Crisis and Dirty Pair can be seen in stores there translated. They also talked about artists who are well known for Western comics but are clearly manga-inspired, like Wendy Pini with Elfquest.

Speaking of the blend of east and west, Shigeru Mizuki was a huge fan of Hellboy, and wrote blurbs for its Japanese release. And of course Monkey Punch’s Lupin III is famously influenced by the Mad Magazine work of Mort Drucker and Sergio Aragones. And the creator of Panty and Stocking with Garterbelt does doujinshi for Umbrella Academy, which sounds hella cool, not gonna lie. There were a few announcements that were at least new to me. Yoshitaka Amano has two new artbooks that recently came out, and this also led to a discussion of the Vampire Hinter D omnibuses also being released. Good for fans of that author. They are also quite happy with Keep Your Hands Off Eizouken!, and the third volume is out next month.

After that I was supposed to meet up with Erica Friedman for a late lunch, but Zack Davisson got to her first, so instead I went to the Localization panel, which also had Carl Horn, Mari Moromoto, and Lynzee Loveridge. In other words, an all-star lineup. It was a very good panel, and the audience actually managed to be engaged and polite about it, which if nothing else shows you the panel did not happen on Twitter. Indeed, Twitter harassment of translators was mentioned at the panel, with Caleb Cook’s being a particularly painful example. The panel had a lot to talk about, but I think what came up most often is that a lot of “correct/wrong” answers depend on the material, the publisher, and the editor. Sometimes end notes are frowned upon, sometimes they’re beloved.

Erica mentioned that the ideal localization for her should be a seamless reading experience. The goal is not to see the mechanics of translation under the hood. There’s also slang – Zack avoids it, but it’s usually there in the Japanese, and Mari uses it. It can date a title, but it also means that the words don’t just lie flat on the page. Naturally, Squid Game also came up, and the kerfuffle over what turned out to be closed-captioning titles. Sometimes it’s not even something the translators can help, as they get overruled by editors, Japanese creators, etc. (I remember how ADV, way back in the day, had to fight tooth and nail to not make Ryo “Joe” Saeba in the City Hunter anime.)

We also got a reminder that Japan can see things differently than we do here. When Scarlet Johannsen was cast in Ghost in the Shell, there was a lot of pushback here. Meanwhile, Japan was like “OMG TOP HOLLYWOOD STAR!!!”. They’re far less stressed in Japan about things that we here in North America freak out over. Mostly as fans still tend to prefer titles be translated as “literally” as possible, usually meaning “I Like ‘Em Big and Stilted” (with apologies to Julie Brown). It was an excellent panel that I am happy I attended, and afterwards I was about to pass out, so I had a very late lunch and then decompressed for an hour or two. This con has 50K people, and even extroverts can get overwhelmed by it.

The last panel I did before I gave in and went back to the hotel (sorry, Manga Magazines panel, I am not 23 anymore) was J-Novel Club, with Sam Pinansky and Kristi Fernandez giving us 10 new titles – all light novels. We started off with Housekeeping Mage from Another World: Making Your Adventures Feel Like Home (Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!), a J-Novel Heart title about an isekai’d woman (though that rapidly becomes unimportant, a with a lot of isekai titles where they clearly want to write fantasy but know what sells) and the adventurer who loves her.

Fantasy Inbound is a title that may have a lot of hardcore fans saying “but what about Campione!?, as it’s by the same author. It’s a story where the isekai comes to OUR world… and things do not go well. After the apocalypse, can a student survivor and an elf girl try to salvage something? Prison Life Is Easy for a Villainess (Konyaku Haki kara Hajimaru Akuyaku Reijou no Kangoku Slow Life) is a short two-volume series where the villainess happily accepts her ex throwing her in prison… because she STILL has all the power. I’ve actually recommended this as a license request, it’s supposed to be hilarious.

To Another World… with Land Mines! (Isekai Teni, Jirai Tsuki) has a class transported to another world and all getting cool powers, but our hero seems to be one of the few people taking it seriously as a real-life (and possible death) matter. Forget Being the Villainess, I Want to Be an Adventurer! (Tensei Reijou wa Boukensha wo Kokorozasu) is what it sounds like a villainess title where the heroine tries to avoid her fate by doing something else. My Stepmom’s Daughter Is My Ex: Why Can’t We Move On? (Mamahaha no Tsurego ga Motokano datta) is a high school romance… well, ex-romance about a middle-school couple who broke up but are now siblings.

Magic Knight of the Old Ways (Furuki Okite No Mahou Kishi) is similar to Fantasy Unbound, as fans will say “But what about Akashic Records of Bastard Magical Instructor?”. Indeed, they may be doubly annoyed as this seems to have a similar premise of magic knights teaches a group of students. Saint? No, I’m Just a Passing Beast Tamer! (Seijo-sama? Iie, Toorisugari no Mamonotsukai desu!) is a series about a chosen one who decides she’d much rather pet furry animals, from the creator of Woof Woof Story: I Told You to Turn Me Into a Pampered Pooch, Not Fenrir!.

My Quiet Blacksmith Life in Another World (Kajiya de Hajimeru Isekai Slow Life) is a slowlife isekai about a guy who (no surprise) finds out he’s super powerful, and also that the cat he asked for is a catgirl. Like most slow life titles, the goal is to keep having it and not get dragged back in. The most surprising announcement (well, almost) came next, with When Supernatural Battles Became Commonplace (Inou-Battle wa Nichijou-kei no Naka de), an older LN series from the writer of Are You Okay With a Slightly Older Girlfriend? and the artist for The Devil Is a Part-Timer!. What if you got super-awesome powers to help save the world… and nothing happened and you’re still going to school like normal?

Finally, the surprise announcement came via a very familiar voice. We’re getting Slayers in audiobook form, read by the legendary Lisa Ortiz herself! I’m interested in seeing how this goes, as I think Lina in the anime and Lina in the light novel are two very different beasts. In any case, it was a very fun panel but I was wiped, so I went back to the hotel to… well, type this all up. But I am going to go get a late supper now, I promise! And there’s still SUNDAY, SUNDAY, SUNDAY! Though give the lines from today, I think I will limit myself to two panels.

Anime NYC 2021, Day One

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So first of all, in regards to what everyone’s talking about, I can’t speak for the line problem. I arrived at 10am via the press entrance with no issues, but I talked with other press folks who arrived later who were in line forever. So I’ll let them go into details. My own start of the con was relatively sedate. At 10am the place was almost deserted. I found out why later. Plus my first panel wasn’t till 3:15. So I leisurely sat, read manga, read books, ate lunch, and visited a show floor that was absent a lot of the usual suspects. Viz is entirely absent this year. Kodansha has a panel and an Attack on Titan art exhibit, but no booth. The manga contingent consisted of Yen press, J-Novel Club, and Denpa Books.

Speaking of Denpa, they had my fist panel. First of all, the biggest news: Ed Chavez was audible through the entire panel. Anyone who has seen Ed’s prior panels knows what a big deal this is. As for the panel itself, a lot of it was titles that Denpa has already discussed, either in previous con announcements or in tweets. The combination of COVID-19 delays and printing issues owing to the sudden explosion of manga popularity means that getting books to the printers takes forever. A few of the slides Ed had gave Summer 2021 release dates, which isn’t true. That said, he has had a lot of new titles go to the printers recently, so 2022 looks far more promising on the Denpa front.

A big surprise to me, and showing that my own tastes do not necessarily match that of the average manga buyer, was hearing what Denpa’s big sellers were. For all that folks mocked Gambling Apocalypse Kaiji’s delays of Vols. 1-3, now that they’re out they’re selling very well. Also selling well is Pleasure and Corruption, the high school bondage and discipline manga. The Girl with the Sanpaku Eyes also has its 3rd volume out soon, and is also selling well. There were also two special editions of Shūzō Oshimi titles at Denpa’s exhibitor table – they have a very good working relationship with the author.

“Old” new announcements included Baby Bear’s Bakery, an adorable-looking series about, well, a baby bear running a bakery. March 2022 for that. The Man Who Created Gundam, a nonfiction-ish manga with real people in it, is trapped in clearance hell at Sunrise. Hopefully soon. Guyabano Holiday should now be Fall 2022, and we also saw updates on yuri vampire series Vampeerz and comedic action series Under Ninja. We then got “new” announcements, though we knew most of these from tweets the last few months. They Were 11, which will have an oversize trim, posters, and color pages, and will also feature the “extra” chapters never published in English before. They’re looking at Winter 2022. Mobile Suit Gundam: Char’s Counterattack: Beltorchika’s Children has Char abandoning Gundams for the life of a Broadway stage actor. Possibly.

March Comes in Like a Lion got a big reaction from the audience, though Ed is worried about the title. The author has had failures here before, and the shogi essays make it hard to find a translator. Renjoh Desperado is a comedy action manga about a woman searching for love and her fanservice to the manga reader that will hopefully help that search go well. And we heard about two new artbooks. Black Tights WIDE has 48 different illustrators give their interpretation of thighs and stockings. And The Art of Jun – TabeGirl is about girls eating. And looking good while doing it.

Ed then talked about Denpa’s books on the KUMA boy’s love label. They have not released much on that label yet, but that will change next year, they plan to do a lot more. You Are My Happiness is out soon (it was at Denpa’s table) and is by the author of Melting Lover, also from KUMA. Boys of the Dead is (groan) “Zom-BL”. The Song of Yoru & Asa is a band BL series that’s edgy but also has great character development. Sick is a series about a college student who likes to bully… erm, tease the boy he likes. And Canis – Dear Hatter is a sequel to the Canis title KUMA did earlier.

Lastly, they had a license from the FAKKU imprint that definitely surprised me, as I recall when it was coming out ages ago. Nana & Kaoru ran in Hakusensha’s Young Animal, and typified the magazine in many ways. A series about a virgin with an S&M fetish and the twisted relationship he has with the girl who discovers this, it’s a great example of a title that is almost explicitly porn without actually being porn. It’s 18 volumes long, and will be released in 3-volume omnibuses. Eds Q&A included a more extensive discussion of the supply chain issues going on right now, what made them decide to license a title like Kaiji, how how they look at licenses in general – per Ed, do not expect an isekai from them ever.

After this I bummed around and got more tea till it was time for my next panel, Inside the Manga Industry. This featured five experts in the field: Mark De Vera, sales & marketing with Yen Press (and formerly Viz Media); Jani Olove, translator and editor with Kodansha; Julian Robinson, designer with Viz Media; Nikolas Draper-Ivey, artist on DC Comics’ Static and heavily manga-influenced; and independent artist Koyuki Panda, also heavily anime and manga influenced. They introduced themselves and then noted most of the panel would be a Q&A; audience asks questions, they give advice. Things got off to a bang up start with the first question, which was “what advice would you give your younger self”?

More than one person said “don’t go to art school”, which ended up occupying a lot of the panel as it turns out that several folks in the room are art school students. It was generally agreed that if you need to learn the fundamentals of the craft, it’s a good place to be, but in general a lot of the art schools tend to frown on heading in a manga/anime direction and they also don’t focus nearly as much on the business end of things as they should. This led to the other running theme of the panel, which was learning about business and knowing how contracts worked. Everyone recommended supplementing art school with business classes. Everyone also agreed another good piece of advice is “don’t give up”.

Marketing your work was discussed, and it was mentioned that even established companies can have difficulty using marketing as a tool. Trust in your own likes, and (admittedly) it helps to like things that are not just Shonen Jump – even if Koyuki Panda admitted that she was a huge fan of “the big three” back in the day. It’s mentioned that things are very different now than they were 10 years ago – there’s a lot more breadth to what’s coming out in manga publishing. In fact, when a trans woman asked if there were specific titles available, the panel was able to easily recommend Boys Run the Riot, an excellent choice. Hopefully the boom market will also mean more opportunity for manga-influenced artists in the future – publishers like Oni, Image and Viz were mentioned as being open to this sort of thing, and a non-Japanese title, Radiant, was namechecked.

The panel ended with the wonderful news that they would meet up at Koyuki Panda’s booth in Artist’s Alley and answer the questions from the people they didn’t have time to get to, which was great to hear, and the panel was interesting and inspiring all round. This ended my Friday, as I grabbed dinner and returned to the hotel. Tomorrow will be much busier, and hopefully will have less line.

The Ideal Sponger Life, Vol. 5

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

As promised at the end of my last review, this volume does NOT have Aura on the cover, choosing instead to focus on the newest arrival to the cast. A boat shows up containing a Northern princess-cum-captain and her crew/bodyguards. They need help getting their ship repaired… a ship whose technological advances are far beyond Capua’s own. As a result, Aura is very happy to have their shipwrights help to repair the ship, and also learn valuable things along the way. Unfortunately, she can’t go to the coast to greet them, so Zenjirou is sent – supposedly as a figurehead, but once again the book is taking its title and crumpling it into a little ball. That said, he’s got this in hand, and is getting along with the foreign princess. Everything would be great were it not for the pesky raptors from the previous volume, who have gotten away from the soldiers sent to kill them and are now laying waste to the coastal town. Can Zenjirou find a politically adept solution?

I’ve said before that this series is for those who love political wrangling, but it leaves a bit to be desired for folks of the other potential things that it promised. The romance between Zenjirou and Aura is still fine, but we don’t see any of their bedroom antics here, mostly as Aura is back at the capital most of the book. Likewise, the fights with the raptors are pretty good, but it’s clear the author doesn’t really excel in battle – some of the best parts of the battle are showing off Zenjirou’s plan to disguise their scent in order to throw the raptors off their trail. The best parts of the fight scenes come from Princess Freya’s bodyguard Skaji, who can kick a spear hard enough to pierce the head of a sea dragon, and therefore is completely badass. As for Freya, she’s more of the tactician of the group, seeing faster than the others that Zenjirou is both smarter than he looks and also more in charge than it would appear.

The highlight of the book is seeing him try to get out of the political disaster that Aura accidentally set upon him. After sending a message to her that seemingly described the situation without requesting help, she sent help anyway, meaning that he has to thread a needle as to who gets to be in charge of the battle and who gets the glory without pissing off too many factions. His solution is adept, but also unfortunately makes it so that he himself also gets a lot of the attention, something they’re also trying to avoid. Aura is quick to praise his solution… if it weren’t for the fact that it put him in danger, so she makes him promise never to do it again. (Spoiler: he’ll probably do it again.)

The raptors seem to finally be taken care of, leading to the start of a new arc in the next book. We do seem to have an excess of foreign nobility in Capua, though, so it’s not clear who will get the focus… oh wait, the cover to Vol. 6 has Freya on it, showing off her booty to the reader. No doubt we will continue to focus on her. In any event, this is still a good read if you like political wrangling.