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Reviews

Accel World: The Carbide Wolf

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

After last volume’s short story collection, we’re back to the main plotline, as Silver Crow is (finally) cleared of the accusation of hosting the Chrome Disaster. Of course, now that they know he’s not evil, the leaders all get together to try to use Silver Crow for their own purposes. It’s a very Haruyuki-centric book as he tries to gain a new ability, learns his companion’s tragic backstory, prepares for the upcoming culture festival at school (yes, Accel World has a real life aspect as well), and worst of all, deals with getting utterly humiliated in a duel against a Level 1 who has super strength hard armor. This lets all his previous doubts and self-hatred come to the fore, though thankfully he has allies now who won’t let him slip too far into that. Essentially, it’s a good, solid volume of Accel World.

Kawahara does apologize in the afterword for Haruyuki getting all the character development so far in this series, and promises to work on developing the others soon. It’s a fair point – even Sword Art Online paid more attention to its other cast members than Accel World does at times. We do get to learn more about Utai here, and as a drama major, I appreciated the fact that she came from a family of Noh theatre performers – though that also meant that I could guess why she was so upset as a child, Japanese theatre being very male exclusive. The death of her brother is one of those freak accidents that sounds a bit more ridiculous than it probably was, but once you learn about him, the way he died, and the life she grew up with, almost everything about Ardor Maiden comes into clear focus. If this is the sort of character development we’ll get in the future, I’m looking forward to it.

And then we have the titular Carbide Wolf, aka Wolfram Cerberus. No, he’s not related to Wolfram and Hart from Angel, but he does seem to be related to Accel World’s big bads, the Accelerated Research Society. I enjoy the themes between personality and armor that Kawahara gives us – the name is wolf-themed, the armor has a wolf’s head… and the actual player sounds like a big friendly puppy when he’s dueling other people, or rather when he’d kicking other people’s asses. It’s hard to fight against something when you can’t do damage to it, and that also gives us the opportunity to dwell on various metals – this had also come up earlier, when Haruyuki was being asked to learn about mirrors in order to master a new ability. Haruyuki being who he is, of course, he grows and learns, with the help of some harsh training, and the rematch, though it ends in a cliffhanger, is another solid fight scene.

Accel World has always been the more consistently written of Kawahara’s two series, and that remains the case here. There’s occasionally some tortured exposition (the animal club member teaching Haruyuki about the different kinds of reflective mirrors really seemed like a reach to me), and Haruyuki’s self-deprecation can wear on the anime fan who wants all cool all the time, but overall this is another very good entry in the series.

Hayate the Combat Butler, Vol. 30

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

This is the first volume of Hayate the Combat Butler to be released in North America after the manga has already ended in Japan, and it will be interesting to see how it does going forward. (ominous thunder rumbles in distance) We are, of course, nowhere near finished here in North America, where Hayate is not quite Kaze Hikaru, but pretty close. Last time we were discussing how long Hata would drag things out before Hayate’s true gender was finally revealed to Ruka, and we get an answer here. It’s actually a good question when you’re dealing with Hata, who is a master – for good and ill – at dragging things out long past when you’d expect the punchline or point to be. Sometimes this works well for comedic effect, sometimes it feels like his editors are forcing him to extend things forever, and sometimes you sense he’s a bit of a troll.

The missing suitcase of money is dealt with fairly quickly at the start (and does a good job of inserting Fumi and Sharna, everyone’s favorite characters (it’s a shame sarcasm is hard to show in text), into the narrative. The majority of the volume, though, continues the interlocking narrative of Nagi and Ruka’s doujinshi competition. Ruka gets the benefit of a stern critic in Hina, who not only gives her honest opinion about what’s wrong, but goes on to do research into popular kinds of manga so that she can give better advice. Hina is a good, honest girl who I sometimes feel deserves better than this comedy harem manga. Speaking of girls who deserve better than this, Nagi has Ayumu giving advice, and while it’s not nearly as good, it does seem to inspire her. Whether this will actually lead to good manga remains to be seen.

And yes, Ruka does eventually find out that Hayate is a guy. The reaction is more low-key than I was expecting, but then Ruka in general tends to be more low-key than I’d expect. As a late arrival harem girl, you can’t avoid the sense that she’s being added to the narrative because the series is too popular to wrap up this quickly – Hayate may be a twice-a-year series here, but it did really well in Japan, and there are references in the volume to the movie Heaven Is a Place on Earth, which was due out in 2011 when this volume came out. (Yes, we are now six years behind.) I like Ruka, but there’s not really much she adds as a romantic lead that Hayate could not also get from Hina, or Ayumu, or Maria, or Athena. Or Nagi, I will reluctantly add, but we’ll get to that 20 volumes down the road.

And so Hayate the Combat Butler’s strengths remain its humor, and its romance can be a strength or a weakness depending on Hata’s writing. We get a bit of both in this volume, making it a fairly average volume in the series. See you in the winter for Vol. 31.

Also, the back cover says that Ruka is ‘plumb worn out’, and I feel sad that they didn’t go whole hog and say ‘plumb tuckered out’.

Elegant Yokai Apartment Life, Vol. 1

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Elegant Yokai Apartment Life suffers from multiple personality disorder, lurching awkwardly from one situation to the next without comfortably settling into one storytelling mode long enough for the reader to decide if it’s a sitcom, a soap opera, or a horror show.

In fairness to creators Hinowa Kouzuki and Waka Miyama, few stories purely embody a single genre; the labels that the publishing and entertainment industries have coined — rom-com, dramedy — give ample proof that hybridization is a common strategy for enlivening familar plots. For such hybrid forms to work, however, the tonal shifts must be intrinsic to the story, arising naturally from the interactions between the characters and their environment. Elegant Yokai‘s narrative swerves, however, feel more like a desperate attempt to appeal to as many different constituencies as possible: there’s fanservice for guys (a female ghost who wears only panties and a well-placed towel) and girls (a hot onmyoji with a ponytail and a silver fox with an eye patch), yokai drawn from folklore and urban myth, a potential love interest for the hero, a raft of comic-relief characters who get brief turns in the spotlight, a subplot borrowed from a 1983 Afterschool Special, and tragic backstories for several characters just in case the idea of a “ghostly boarding house” doesn’t tickle your funny bone.

The most frustrating part of this narrative abundance is that so much of it feels… extra. Any one of these elements could be excised from the story without fundamentally changing the premise, making room for more character development. That point is crucial: Elegant Yokai‘s lead is less a person than a reader surrogate, walking from one situation to another in a state of mild befuddlement about his supernatural neighbors. Author Hinowa Kouzuki has saddled Inaba with motivations that explain how he ended up rooming with yokai, but hasn’t actually given him any discernible personality traits. Kouzuki and Miyama’s few attempts to flesh out Inaba’s character are clumsy and, frankly, illogical: what well-adjusted person marks his middle school graduation by fighting his BFF in an abandoned lot because he’s “always wanted to do that”? (Shouldn’t Inaba quote one of the rules of Fight Club or something?)

The artwork suffers from a similarly overdetermined quality. The human characters are less drawn than assembled from bits and pieces of other artists’ work — a dash of CLAMP here, a bit of Yuu Watase there — while the yokai have been shamelessly copied from Rumiko Takahashi and Hayao Miyazaki’s oeuvre. Making deliberate allusions to other artists’ work is, of course, a time-honored tradition, but here, these nods feel less like tribute and more like theft; readers tempted to compare Miyama’s art with Miyazaki’s are bound to find hers a poor substitute.

It’s only in the final chapter of volume one that we get a glimpse of what Elegant Yokai might have been. The story trains the spotlight on Inaba’s fellow apartment dwellers Kuga and Shiro, a boy and his dog who were murdered by Kuga’s mother. Once a month, Kuga’s mother — also a ghost — shows up at the apartment building to reclaim her son. Over time, however, her human form has deteriorated and memories have faded, reducing her to a pitiful demonic state, more scribble monster than angry wraith. The frankness with which Kouzuki and Miyama depict her crime prevents these scenes from descending into bathos; these moments are the only ones that elicit an authentic emotional response from the reader, not least because Kuga and Shiro’s predicament has a demonstrable effect on the other characters. Too bad the rest of volume one is such a frantic, disjointed mess.

ELEGANT YOKAI APARTMENT LIFE, VOL. 1 • STORY BY HINOWA KOUZUKI, ART BY WAKA MIYAMA • TRANSLATED BY ADAM HIRSCH • 206 pp. • RATED T (13+)

Water Dragon’s Bride, Vol. 3

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The Water Dragon’s Bride, Volume 3 by Rei Toma

The story in The Water Dragon’s Bride has been unfolding at a measured pace, in the third volume Asahi and Subaru are almost all grown up. As they become more adults, this results in some increased tension with Asahi’s eventual destiny as the bride of the Water Dragon as well as her role as priestess for Subaru’s village.

The volume opens with a little bit of backstory showing Asahi filing her role of priestess as she moves through adolescence. Every year, there’s a ritual designed to gain the favor of the water god, and Asahi disappears under the waves for three days. Her encounters with the water god are first limited to staring, glaring, and finally smiling. The elemental gods still are fundamentally alien when compared with humans. The Water Dragon at least has figured out that he needs to feed his young human bride, so he calls over the Tree God to give her some supplies. I enjoyed seeing these visits from the perspective of both the Water Dragon and Asahi.

I think a lot about clarity of art when I read a Rei Toma series, but I’m always struck by how much she is able to do with simple character designs and sparse backgrounds. It is expected that expressive eyes count for a great deal in shoujo manga, but she’s able to convey so much in just a couple pages. Subaru, aware that both his mother and his sister are prejudiced against Asahi, turns away from his family thinking “…don’t disappoint me more any than this.” His face is half in shadow, and blank in a way that shows he’s hiding the tension and disgust he feels inside. As he walks away he smiles and waves. All of this is accomplished with just one line of dialogue and some great sequencing and paneling from Toma in a two page spread.

For a series with such lovely illustrations and a seemingly fantastic premise, one of the reasons why I enjoy The Water Dragon’s Bride is that it explores some dark territory, particularly focusing on the way humans are capable of great cruelty. While the first volume also lingered on Asahi’s inhumane treatment by the Water Dragon who was absolutely ignorant and uncaring of the ways humans can suffer, humans seem like the real source of evil in the world. In addition to the leering gazes and jealously in Subaru’s village that Asahi has to isolate herself from, her capabilities as a priestess attract the attention of a neighboring village and a war is launched. Watching these events with Asahi, the Water Dragon thinks all the humans are fools.

While for most of this volume Asahi seems to be placed in a Persephone role, going back and forth between water and the human world, there’s a narrative turn as Water Dragon decides to dwell with humans for a time. Toma is able to pack an incredible amount of story in a single volume of manga, making this a shoujo fantasy series that is extremely rewarding to the reader.

Invaders of the Rokujouma!?, Vol. 6

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

First off, going back to my worries from the last review, I am delighted to see that Yurika’s character development from the previous book is not only kept but noticed by others. Yes, she is still sometimes the butt of the joke – this is a comedy, after all – but she’s far more content with her lot in life now, talking easily with Koutarou and realizing that using her abilities secretly so that no one knows about it may actually be the best thing she can do right now. The other cast members are also keeping their growth – Koutarou is noticeably less formal with Harumi here, and the cast is all starting to realize they’re in love with Koutarou without having it become their defining trait, always a worry in harem titles. Rokujouma may be light as air at times, but there’s more depth here than I was expecting.

Of course, sticking with the ‘heroine is the cover girl of the previous book’ rule, the main focus here is on Kiriha, the last of the ‘main girls’ in the room to be fleshed out, provided you’re not counting Harumi, who’s sort of the plus one in this situation. (I’m not sure if Shizuka is going to do anything but be the landlord who knows lots of martial arts – she certainly gets more do do in this book than usual, but her feelings for Koutarou are not brought up.) Kiriha has been the teasing older woman sort in the series, but naturally we discover that this is mostly a front to disguise her true motives, which are actually pretty pure and noble given she was supposed to be a vanguard for a race trying to invade the Earth’s surface. In reality, what she has in mind is more like immigration than anything else, and Koutarou is relieved to discover this.

She also has a childhood dream she wants to fulfill, as when she was a kid she ran away to the surface and met a young man who she immediately fell in love with. Now, I have been saying how much I enjoy Rokujouma here, but it does have a few downsides, and the biggest one is that it’s about as subtle as a brick to the head. Time travel has not really come up yet in the series, though given the amount of weird tech we’ve seen so far it would be no surprise. Also no surprise is the fact that the boy Kiriha fell for all those years ago is clearly ‘our’ Koutarou, who no doubt will find a way to slip back in time in some future book. Then again, I’m not sure that subtlety and mysteries are what the author is going for here. I think we’re meant to be winking along with the narrative.

Of all the ‘light, fluffy romance series with no real point’ I’ve been reading in light novel form, Rokujouma is probably my favorite. It’s always a relaxed, easy read, and some of its jokes made me laugh out loud this time (particularly Koutarou’s reaction to the five-team sentai squad when they first show up). If you don’t mind harems, it’s an excellent light novel starting point.

Queen’s Quality, Vol. 1

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By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This is, of course, not so much Vol. 1 of a new series as a reboot of an old one, which is why I’ll continue to use the QQ Sweeper tag for it. Just looking at the covers might show a difference, though – the first QQ Sweeper volume had Kyutaro front and center, with Fumi getting less attention. But now the Q in the title has changed to refer to Fumi herself, and she is front and center. It’s also a more dramatic, serious cover, which is appropriate, as while there are still many lighthearted moments in the book, the overall mood is darker, particularly towards the end. The series examines the popular idea of negative emotions manifesting themselves and how to fight that. And, also a popular idea, the answer is to get in touch with the darkness in your soul without letting it overwhelm you.

While the essential plot is much the same – under the guise of cleaning around the school and residence, Fumi and Kyutaro seek out bug infestations, and work out where they may have come from. But Fumi’s true nature is revealed now, making her more self-conscious, but not nearly as badly as it affects Kyutaro, who has no idea how to act around her anymore, especially given their past together – a past he’s not allowed to talk to her about. Sometimes it’s best not to rip the band-aid off all at once. They even bring in an expert to test Fumi’s ability, though I wasn’t too fond of him – but that’s mostly because I just don’t like his type. That said, they do grow closer, especially in the shopping sequence, the most fun adn heartwarming part of the volume, where we discover Fumi’s dreadful fashion sense.

Things get dark fast, though, and the last chapter is showing us just how terrifying the Black Queen can be when she’s active. And active she has to be, as Fumi can’t learn how to control her dark side without knowing what it is and how it can take over. The scene of her gleefully torturing her teacher – who is, to be fair, a nasty piece of work – and ordering her to never close her eyes again for the rest of her life is chilling, reminding me a bit of Delirium at her worst in the Sandman comics. Fortunately, Kyutaro reminds us that he’s not just there to be a potential romantic lead, he’s also got the experience and determination to bring Fumi back from this, even if afterwards she’s terrified.

And so we get what will likely be the plot going forward: teaching Fumi to use her powers for niceness instead of evil, with the villains (who pop up here and are somewhat generic, though there’s a hint they’re not truly black-and-white evil) trying to corrupt her over to their side. Balancing this sort of serious drama with cute romance is what Motomi does best, of course, as readers of Dengeki Daisy will no doubt remember. I’m not quite sure why the series rebooted itself, but I am happy to see it back, and look forward to more volumes.

My Love Story!! Vol. 13

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My Love Story!! Volume 13 by Kazune Kawahara and Aruko

I had postponed reading the final volume of this series because I didn’t want it to end, but my curiosity about the conclusion helped me deal with my final volume procrastination syndrome. The final story arc was set up previously, with impending separation between Takeo and Yamato. I’ve probably been watching too many k-dramas where a couple gets separated and then they meet again 3 years later, but one of the refreshing things about this manga is that it actually deals with the problems of long-distance relationships instead of just conveniently fading to black and glossing over the separation period.

One of the hallmarks of this series is that in addition to the interest created by having a hulking giant of a boy as the main character in a shoujo series, My Love Story!! is able to step through some conventions shoujo plot elements and make them seem fresh due to the way the manga is infused with so much enthusiasm and heart. When Yamato goes to Spain Takeo is determined to bring his grades up so they can eventually go to the same college. He throws himself into studying with Suna constantly at his side. The unique circumstances surrounding Takeo and Yamato’s provide an opportunity to visit again with characters from throughout the series, as it seems everywhere Takeo goes someone feels the need to encourage him in his epic romance.

There are some hilarious scenes as Takeo goes to Spain in order to visit Yamato, and while a manga series set in high school ending at the point when the characters are about to head off to college is extremely typical, My Love Story!!, as always, ends on a note of such infectious optimism that I put the book down with a smile. This is going to be one of those series I keep around and read whenever I need to cheer myself up.

Rokka: Braves of the Six Flowers, Vol. 2

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By Ishio Yamagata and Miyagi. Released in Japan by Shueisha. Released in North America by Yen Press. Translated by Jennifer Ward.

(Despite the fact that this isn’t a whodunnit beyond page 1, I won’t reveal the culprit’s name in the first paragraph of the review. After that, though, I will. FYI.)

The first volume of this series was strongly concerned with the ‘whodunnit’, and did a decent job, but also left us with a cliffhanger that made me worry we’d have to go through the whole thing again. Sensibly, the second book dispenses with the ‘who is the traitor’ question right off the bat, for the most part (there are still hints there’s yet ANOTHER traitor, but I’ll leave that for now) and tells us on the very first page. And then we get a flashback as to how we got to that situation, though there’s no record scratch noise, nor does the guilty party look towards the camera. So instead of whodunnit, or why did they do it, we have a sort of ‘how are they gonna get out of it?’ situation, as a very nice person has been personally put through the wringer the past three years and may have to commit the worst act to save those they hold dear.

Mora was presented to us in the first book as an overly serious woman, perhaps a bit stubborn, but determined to fill her role as a Brave and defeat the Evil God. And to be fair, she really IS a Brave, rather than a fake. That said, she’s being blackmailed, and being (I think) the oldest of the Braves, she has to deal with a very old and familiar form of blackmail. Do what the villain says or your daughter will die horribly. The strongest part of the book is taking us into her head and her tortured motivations for doing exactly what she has to do to save her family and yet also try not to take a life. Tellingly, the book still keeps some information secret from us, but it’s obvious why, and I don’t blame it a bit, as suspense novels need, well, suspense.

As for the rest of the book, there is still a ‘who is it?’ aspect to the book, and lots of debate about same, but as with the first book, the debates are interspersed with enough action so as not to be tedious. Also, unlike the first book, we get a great number of scenes of our heroes fighting demons… though they don’t do as well as they could, given that they still suspect each other of being a traitor. Adlet remains the ‘hero’ type character, but is a bit more likeable here, possibly as he refers to himself as the Strongest Man in the World slightly less. I did have one egregious moment of “OK, I call no way” involving searching for a ludicrously tiny thing across the ruins of a battlefield, but every book leads at least one time when the disbelief suspension bridge breaks and you plummet to your death.

The main reason I’m still interested in reading this is that it’s not very much like a lot of the other light novels we’re getting these days. Yes, it’s a fantasy with fiends, magic, etc. but style-wise we’re a long way removed from ‘I am in another world and dungeon crawling’. That said, I do wonder how many volumes it will drag out “one of us is a traitor”. But overall, well worth your time, and if you missed the insane bunny girl, there’s a cliffhanger here with your name on it.

Kiss Me at the Stroke of Midnight, Vol. 1

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By Rin Mikimoto. Released in Japan as “Gozen 0-ji, Kiss Shi ni Kite yo” by Kodansha, serialization ongoing in the magazine Bessatsu Friend. Released in North America by Kodansha Comics. Translated by Melissa Goldberg.

It’s a cliche, but it’s true: the best type of success is meant to look effortless. We always admire those who manage to achieve things with nothing more than a hair flip and a cool smile. But unfortunately, the reverse is also true. We look at those who strive, who struggle to achieve by any means necessary, and we think: they’re trying too hard. So not cool. You can see the sweat. And this is sometimes a shame, because those folks are trying just as hard as everyone else. but there you have it. And I got that feeling as I read this new shoujo manga. I finished the first volume, and my thought were “that was pretty good, but it’s trying too hard so it doesn’t quite come off”. It looks a bit too calculated, and the calculation’s off. That said, it’s still quite good, just not reaching the next level.

First off, a word of warning: this book does feature a blonde girl paired up with a blond guy. This is actually so unusual in shoujo manga that it attracted my attention: usually one of the couple will have darker hair for the ‘contrasting’ look. Hinana is our heroine, a high schooler with a reputation as a perfect and gorgeous student. Of course, this is just a reputation – in reality she’s as boy crazy as everyone else, she just hides it better. But fate smiles on her when an up-and-coming actor and ex-idol appears at her school during break to shoot scenes for a movie, and she’s chosen as an extra! He’s hot! He’s next to her! He’s… looking at girls’ butts? Yes, Kaede is also not quite what he seems, and his list of what he desires in a woman finds ‘DAT ASS’ in the first position. Can these two people who both project a false exterior find love with each other?

There are some very amusing things in this manga, which I enjoyed quite a bit. The running gag of how Hinana wakes up every morning made me chuckle, and the faces she makes are eccentric enough to get a montage on the back cover. Kaede’s ludicrous butt fetish is also funny, even more so when we see Hinana’s reaction to the “butt alien from the planet Butt”, as she goes on to describe him. The issue, I think, is that the humor doesn’t really go far enough. When it plays things for drama, such as when Hinana is falsely accused of putting a picture of Kaede’s shoes online it tends to fall into the “this is like every other dramatic shoujo” box. Hinana herself is also not as eccentric as you’d expect given the introduction showing how she’s not really the perfect princess – it reads more like “I’m secretly just like you, reader, so please identify with me”. And sometimes the punchlines are too telegraphed – the identity of Scarlet was pretty obvious to me.

Despite my misgivings, this was a decent beginning, and there are a few plot points that will hopefully bear fruit when they’re developed. I just hope that future volumes manage to have a bit less drama and a bit more weirdness. Also, what on earth does the title have to do with anything in the manga?

Infinite Dendrogram: The Beasts of Undeath

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Much as people criticize the warnings on the back of manga noting when there is sex, nudity or violence, sometimes I do think it’s worth telling people in advance, particularly if it’s something that would upset a fairly significant chunk of the audience. So let’s get that out of the way first. This second volume of Infinite Dendrogram contains multiple grotesque and graphic murders of children – in fact, for the first half or so, child kidnapping and murder is the plot. It reaches his zenith when Ray and Nemesis come across skeletons and zombies with the remaining souls of the murdered children inside, and have to destroy them all to move on. This ties in with the main theme of the book, which I’ll get to in a bit, but boy howdy could I have used a warning. So, warning: LOTS OF MURDERED CHILDREN.

That said, of course, they’re not ‘real’ children, but ones designed by the game developers. I spoke before about the fact that Dendrogram is about the only light novel around that has a normal hero playing a game without getting caught in it, or the game being the actual fantasy world, or any one of a thousand other light novel game tropes. Ray still has to log out and eat/sleep, though that’s given somewhat short shrift here. And this means that we the reader view this as a game a bit more than we do in, say, Sword Art Online. Ray’s death means that the quest may not be completed, and some NPCs may suffer, but it doesn’t mean his actual death. As a result, Ray and his new friend Hugo find that no one has actually tried to stop the child murder scheme because it would be a pain in the ass to fix and likely not worth the cost. That said, Ray (and Hugo, it turns out) are of a different stripe. The “maiden” support they have, in the form of Nemesis and Hugo’s companion, means they are “too caught up” in the story. They’re the sort who would rescue the doomed children in a game, even for little reward and high difficulty, because it’s morally heinous.

Ray is helped along here by his brother, whose actions we helpfully see in a flashback. Ray’s brother hasn’t done much in the series besides introduce him to the game and make bear puns, but we see that he is definitely “the protagonist of another story”, as he gets a grievous injury right before a martial arts match, then goes on to win it anyway through the sheer power of GUTS! I take that back, he’s not the hero of another story, he’s the cool mentor who gets killed off midway through – ominous sign. But it does also signpost why Ray acts the way he does, and why he comes to the conclusion that it’s OK to treat the NPCs as real people. Admittedly, his main concerns may need to be the other players – the final scene in the book reminds us that there are various sections of the map all poised to wipe out Ray’s section, in a very ‘Horde vs’ Alliance’ sort of way.

Dendrogram is well-written, with a likeable hero, and I’ve even gotten over the underage pimp and his PG-rated pimp squad. It’s worth a read, but I have to admit the main thing I took away from it was “wow, that was some graphic child murder description I did not need”.

Frau Faust, Vol. 1

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By Kore Yamazaki. Released in Japan by Kodansha, serialization ongoing in the magazine Itan. Released in North America by Kodansha Comics. Translated by Stephen Paul.

There is a scene towards the start of this manga where the title character is quizzing her protege about the history of their land that he had read. He parrots what he learned perfectly, but she quickly corrects his facts, saying that the actual reality wasn’t what was in the history books. This is something every kid growing up is going to come across sooner or later – certainly my generation learned a very whitewashed history in elementary school – and is always well worth pointing out. Don’t always take facts that you’re given at face value. The manga itself is another example, as it takes place seemingly in a world where the classic story of Faust is well known. But into this story comes our heroine, Johanna Faust, who most certainly is not the antihero we expected. And as we get further into the story, we find that a lot of other Faustian bargains may also be more than they seem.

The narrative of this story is not unfamiliar to manga readers, or indeed any reader of classic stories. Frau Faust comes to a small town on a mission, and happens to run into a boy, Marion, who’s being chased for stealing a book. After helping him escape, he explains that it was in fact his family’s book – their stuff was sold off, and he was trying to get it back. Needing a pasty – sorry, partner in order to achieve what she wants, she decides to become his tutor for a few days, and quickly blows his mind with both what she can teach and the way that she teaches it. Of course, she does have an ulterior motive in mind – she needs a pure-hearted boy like him to invite her into the local church, there to meet the demon Mephistopheles. Or at least a part of him. And their relationship seems to be somewhat more complicated than you’d expect.

As mentioned on the front cover, this is by the author of The Ancient Magus’ Bride, another series I greatly enjoy. This is a bit less introspective, but just as concerned with the nitty gritty of magic and the supernatural. And as you would expect with this author, the artwork is evocative and attractive, giving Faust and her co-stars excellent expressions. As for Faust herself, I was sort of expecting her to be a sly woman who turned out to be a big softie at heart, but I wasn’t expecting it to happen quite so fast, and the second and third chapters had moments of real sweetness in them. Be warned, like a lot of first volumes of shoujo and josei series (this is the latter – Itan is a supernatural/fantasy-oriented josei magazine), there is an unrelated short story at the end. But it’s good, dealing with a young girl whose family has divorced, whose mother drinks a lot, and who isn’t quite as mature as she wants to be, and her encounter with a museum of oddities. The mood fits well with the rest of Frau Faust.

I’ve been looking forward to this series since the moment I heard it was licensed, and it did not disappoint. Definitely any fans of fantasy should pick it up, but even if that’s not your thing give it a try. This makes you want to read the next volume right away.

The Irregular at Magic High School: Summer Vacation Arc +1

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By Tsutomu Sato and Kana Ishida. Released in Japan as “Mahouka Koukou no Rettousei” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

Yes, just like Maou-sama and DanMachi in April, it’s now Mahouka’s time to have a short story collection. As such, the stories in this volume are highly variable. That said, there are two that manage to be relevant to the ongoing story, so I’ll deal with them separately. As for the rest, we get a story with the grumpy guy who hates Tatsuya, Morisaki, who rescues a young woman from being abducted and then has to be her bodyguard; Eimi, who we met in the Competition stories, having a nasty amusement park encounter with thugs trying to steal her family spells; Ichijou and Kichijouji trying to recover after their loss last time, and making annoying lolicon jokes simply as Ichijou’s younger sister likes George; and a jaw-droppingly syrupy date between Tatsuya and Miyuki that seems to do nothing but take the incestuous subtext this series is filled with and rub it in your face. These stories are all readable but not great.

The first story in the collection, which is a beach episode, also starts off pretty fanservicey and pointless, and seems to be about Honoka trying to attract Tatsuya’s attention by almost drowning herself, which backfires in a typical anime “you saw my swimsuit fall off” way. The surprise, and actual plot relevance, comes towards the end. First of all, Shizuku, who’s mostly been in Miyuki’s corner, decides to ask Miyuki the rude question: does she like her brother in a romantic way? The answer is not really satisfying to me, but very much in character for Miyuki, so that’s acceptable. Better is Honoka actually working up her courage and confessing, and Tatsuya’s honest answer: he’s incapable of emotions like that. Of course, this is not stopping her from carrying on liking him till she finds someone better, as Tatsuya says he’d feel the same way about anyone else. I honestly wasn’t expecting one of the main pairings of this series to be shot down this fast, and it’s somewhat refreshing.

The longest story here is the last one, which deals with the fact that Mayumi is retiring, and would like to pass on the Student Council President position to someone she trusts. Hattori is the first that comes to mind, but he doesn’t want to do it. This leaves Azusa, but she’s simply too terrified to do it, having always been the meek one in the group. This is eventually resolved by one of the most blatant yet hilarious scenes in the book, which I will try not to spoil. More importantly, the successor is also carrying on Mayumi’s will by seeking to eliminate the prejudice against Course 2 students by allowing them to hold Student Council Positions. It’s a good reminder of the prejudice that still exists in many ways, which we haven’t really focused on since the first book. It also shows us that Miyuki’s immaturity is still hanging around, and that she can be TERRIFYING when lashing out – there’s a reason she wasn’t chosen to succeed as President. Yet.

The Irregular at Magic High School has likely locked in its audience already. If you enjoy the series, you’re going to pick up and enjoy this. If you’re one of those who despise Tatsuya, this is not going to change your mind (I didn’t even get into the politics occasionally on display here). Recommended to the former group – this isn’t an easy series to hate read, so the latter should move on.

Art of Pokemon Adventures

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The Art of Pokemon Adventures by Satoshi Yamato

The young children in my house have firmly moved on to Yu-Gi-Oh from Pokemon, so this book did not immediately get stolen which is sometimes what happens with the manga that arrives in my house like Haikyu! or Kuroko’s Basketball.

However, as an art book I do think this would appeal to Pokemon Adventure fans. It is a solid book with full-color illustrations printed on glossy paper, with plenty of fold-out posters. Along with the finished art, plenty of sketches are included so the reader can get a sense of how the drawings evolved from idea to finished illustration. Line art is also included, as well as a couple sample panel layouts and some color guides for the characters. The librarian in me appreciated that an index was included in the back of the book, so all the illustrations can be matched up with the manga that they originally appeared in. A bonus short manga chapter concludes the volume. I thought the production quality of this volume was solid, it made me think I should check out other Viz art books.

Queen’s Quality, Vol. 1

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Queen’s Quality Volume 1 by Kyousuke Motomi

I was very happy when I saw that Queen’s Quality was licensed shortly after the earlier series QQ Sweeper. Motomi has a quirky and slightly warped sense of humor that makes her shoujo series stand out. Queen’s Quality starts out at what felt like a faster pace than QQ Sweeper, as many of the plot points that were only dangling or hinted at in the earlier series get pushed forward dramatically in the first few chapters of this volume.

Fumi continues her life as an apprentice sweeper, learning the tricks of the paranormal trade from her friend Kyutaro and his family. While they practice cleaning everyday rooms and objects, they are also training for dealing with exorcising the demons that can get inside human hosts, causing them to act cruel. There’s a focus on personality and inner character in this series, as people who might be mentally weak or who have a tendency to be cruel end up leaving a door open for evil to get in, and their worst personality traits are magnified.

Another sweeper named Takaya Kitahara shows up to visit the Horikita family, and he provokes Fumi’s hidden Queen power as part of a test. Kyutaro is able to bring her back to herself, but seeing her power manifest is frightening. Kyutaro resolves to stay by Fumi to support her, but he’s told that he can’t ever remind her of the past that she’s forgotten, when they used to be childhood friends. Kyutaro’s response to this is to emotionally withdraw even more than usual, causing Fumi a great deal of distress as she doesn’t understand why he’s acting deliberately cold towards her. Fortunately his family has their best interests at heart, and they send the young couple on a mandatory and hilariously awkward shopping trip/date as an assignment, and their friendship is salvaged.

One thing I like about Motomi’s series is that there’s always a psychological element to be found in the stories, and they don’t rely quite as much on external situations or antagonists. While there are certainly forces at work trying to turn Fumi into an evil queen, the bad guys aren’t really as interesting as the fact that Fumi is going to have to draw on her emotional reserves and face the darkness that’s inside her, the same as any human. Fumi and Kyutaro talk at the end of the volume, and she asks if he’s afraid of her. He replies “Everyone has dark thoughts…or parts of themselves that they can’t control.” He vows that if she has to head into the darkness, he’s going too. This relationship dynamic is so interesting to see in a shoujo series, and it is why I’m so impressed with Queen’s Quality.

Nisemonogatari: Fake Tale, Vol. 2

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By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by James Balzer.

Despite being almost as long as the first in this series, Karen Bee, the second Nisemonogatari book, Tsukihi Phoenix, only got adapted into four episodes for the anime. As you can imagine, therefore, there’s a lot of content that got omitted or severely cut in order to fit it into the timeframe, particularly in the first half of the volume. As such, anime fans will find much to enjoy here. In particular, I think they’ll be amused at Araragi’s description of Senjogahara post-Karen Bee, who he describes as no longer caustic and sharp-tongued at all but now sweet and devoted, and how all of her formerly cruel and spiteful actions (which, let’s face it, the reader is aware were broken attempts at flirting) are replaced with normal girlfriend responses. Anime fans may be wondering what the heck happened, since the next time we meet Senjogahara in the series she’s still much the same.

In fact, Nisioisin seems a bit conflicted about the series getting turned into an anime – there’s a sense he tries to take things too far here in order to avoid having the anime continue, though obviously that didn’t work. Nisemonogatari has a reputation for being the sleaziest of the series, though, and it’s not inaccurate. Most of that reputation comes from this volume, which features the now infamous “toothbrush scene”, where Araragi and his sister Karen have a bet that he can’t brush her teeth for five minutes without her crying out. It’s obviously meant to suggest sex, and in particular incest, which earlier in the book Araragi had been mocking himself. Several times in the book he says that he feels no sexual desire towards his sisters before doing something sexual to them (he later steals Tsukihi’s first kiss, which horrifies her). Araragi is becoming a somewhat unreliable narrator, to be honest, though we won’t really see how much till later books in the series with other character’s narration.

This volume features his “younger younger sister” Tsukihi, who so far has been defined mostly by her temper and her mood swings, which we certainly get plenty of here. It’s also a good introduction to her personality in another sense – Araragi notes that Karen is the one with the actual sense of justice, while Tsukihi “just likes to run wild”, and it’s true – she tends to go along with what others do rather than making her own firm choices. The reader may wonder how much this ties in with the main plot, which suggests that – surprise, surprise – Tsuhiki is not who she seems. In the end, though, this book is about family in the good ways as well, which means that it’s not just about suggestive incest but also about loving your family even if they’re not what you thought they were – and Araragi, as a human who still retains vampiric powers, should know about that. Here he goes up against Kagenui, a “specialist” like Meme Oshino who specializes in eradication, and Yotsugi, a deadpan reanimated corpse who is her assistant. We’ll see a lot more of Yotsugi, not so much of Kagenui.

Speaking of Yotsugi, we can briefly talk translation. The issues are much the same as Karen Bee – dagnabbit mad is still there, and it’s still really annoying, but it didn’t appear as much as I feared. Tsuhiki also sounds like Yosemite Sam when she catches Araragi and Karen brushing teeth, but that’s more clearly deliberate comedy, and the anime watcher likely heard the heavy ‘fake accent’ she was using then, so it makes more sense. As for Kagenui, she too uses a fake, overdone accent, but it’s subtler, and the translator seems to go with “old-time Northern England”. It doesn’t jar much at all, and reminds me how much anime subtitles tend to gloss over accents. Speaking of which, Shinobu still sounds old-timey, as she always does, whether she’s Kiss-Shot or no.

Overall, I was quite pleased with this volume, a few issues aside. It also does sort of feel like he was trying to wrap up the series once more, but he failed again, and now tells us he has two more stories after this to write, about Hanekawa and Hachikuji. In fact, the Hanekawa story grew so large it got split into its own two-part book. Stay tuned for Nekomonogatari Black in November, when we FINALLY see what happened Golden Week.