arifureta

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

The last third of this very long final volume of Arifureta is a giant victory lap. We get lots of cleanup after, the apocalypse, lots of comedic stuff involving the Haulia, some vaguely amusing jokes, and Hajime finally gets around to having sex with most of the rest of the harem (offscreen, sorry to all those wanting your “snu-snu”). It probably goes on far too long, frankly. But I was so happy to be reading it, because it meant that I was not reading fight scenes. After last volume being 175 pages of fights, this volume is 220 pages of fights, and frankly I would rather chew my own arm off than read more of the battle first going one way, then the other, and the occasional nameless person that we don’t know actually dying. The only named people we know who die are the evil God, and Eri, who was killed off last book. We know how this final battle will turn out, this is not Arifureta Zero.

Even the fights in the book are divided neatly in half. The first third of the book shows us Ehit’s apostles versus the rest of the cast that weren’t fighting in Book 12, including Kaori, who frankly gets the MVP for that battle easily. That said, it shows off everyone’s cool moves, shows everyone almost winning and them almost losing, etc. It’s very much a final battle. Then we cut to Ehit vs. Hajime for the second half, and the same thing happens, only every time it appears that Hajime is almost losing, he pulls some new “I was only fooling” bullshit out of his ass, because, frankly, this is Arifureta, and if you didn’t think this was coming you’re reading the wrong series.

So yeah, the first two thirds of the book is basically fight now grr. the only emotional moment is the one pre-designed to be a tear-jerker, which is where Miledi shows up to save the day and also die, because now that Ehit is finally defeated there’s no reason why she cannot finally pass on and rejoin all her friends and her true love. (There’s an additional short story that adds a nice even happier ending to that, if you like). The last third is a bit more varied, as we see Kouki trying to deal with apologizing to literally everyone he’s ever known, Kousuke unlocking his inner chuuni and ending up with a rabbit girlfriend, and Liliana pouting because she’s still too young to get the sex that the rest of the girls all get. And there’s a nice little epilogue where Hajime finally returns home to his family, which is heartwarming.

The webnovel this was based on has an After Story that would probably run about 13 more volumes, but Overlap has shown no sign they plan to release any of it, so this might be it for Arifureta. Which is fine, frankly. It ties up well, and I don’t need the wacky adventures of Yue in Japanese high school. To the end, Arifureta was the “I’ve got the lamest power and everyone hates me, but it’s secretly THE COOLEST” that every other similar series tried to be, and none of them really could ever touch it. I won’t MISS it per se, but I’m glad I read it. Mostly.

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

My biggest fear with this 422-page final volume was that it would be one long fight scene, and thankfully that is not the case, though the first third of the book is one long fight scene. My second fear was that it would be unrelentingly grim, and while it is grim, with lots and lots of deaths of people we care about, it’s not unrelenting, and there are moments of silliness and humor in the middle of the book. Heck, even some of the main characters survive, because I’d forgotten the main series talks about their descendants. But for the most part this book is “Miledi tries her hardest but fails”, as we knew it would be – it’s a prequel, after all. It also helps to set up the final volume of the main series, coming soon I hope, which will likely feature her showing up to save the day. At least I hope she does, because the day is certainly not saved here.

The first chunk of the book, as I said, is one big fight, and goes fairly well for our heroes right up until the very end, when they’re forced to retreat. They then take the time to try and gather a few more allies – the dragons are now ready to help them, and even the vampires are willing to pitch in… that is, after we discover their long-lost royal daughter (who is closer than you’d think) and resolve the issue of the missing heir to the throne. We also discover that you can access the most powerful magic ever if you get really, really drunk. Unfortunately, Ehit has finally had enough, and decides to force the hand of Miledi by brainwashing everyone who is not a Liberator to kill all their allies. This takes up most of the rest of the book.

As always with Arifureta, this book had a lot of things I enjoyed and some things I could really do without. The main issue with the last third of the book is that this cast is simply too damn large, especially with the books coming out every year or so, and it’s hard to get sad when a character who you can’t really remember well dies. I needed a guide at the start. Also, Naiz marrying one of his emotional support 8-year-olds once she came of age is not something I wanted at all. On the bright side, Miledi and Oscar are handled perfectly, and her execution and subsequent golemification are also done well. There’s even some good horror here, as one of the few bad guys who’s likeable has her soul destroyed so that the big bad can take over her body.

So yeah, not everyone dies, but the majority of the cast die, and Ehit still rules. It’s gonna be up to Hajime and company to fix things. In the meantime, this was a fun yet annoying prequel, just like its heroine.

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It was about 18 months in Japan between Vol. 11 and 12, and it’s been about the same here in the West as well. I was briefly worried that I’d forget literally everything that had been happening before, but that was before I remembered what series I was reading. Arifureta is not particularly interested in its own plot, or even that much in its characters. Arifureta is interested in people powering up and getting new special moves. The author has clearly drowned himself in Jump series as a kid, and as a result this book, especially the back half, can be summed up by using the “It’s over 9000!” meme over and over again. That said, there is a little bit of character stuff in the front half, but I was less happy with that, as it leans too heavily into an evil cliche stereotype I dislike. This is also NOT the final volume of the series – we’ve got one more to go after this. Fortunately, it’s scheduled for the fall in Japan.

Kaori gets a nice cover art picture, which makes it a shame that she’s the only one not in the main book, getting left behind to guard everyone else and make sure they’re not killed. (She gets a nice short story at the end to make up for it.) The rest of the book is divided almost exactly in half. In the first part, Shizuku, Ryoutarou and Suzu head over to try and beat Kouki and Emi up and return them to their senses. Only one of them actually gets beaten up enough to have that happen, and you can probably guess who. But hey, Suzu gets to say goodbye. In the back half, Hajime is sent ahead to go rescue Yue (which will clearly be most of Book 13), so we get Shea and Tio taking on a whole bunch of apostles and monsters, as well as Freid. Unfortunately, the bad guys seem to have forgotten how our heroines are basically nightmares themselves by now.

So yeah, we get Eri’s backstory here to explain why she’s incredibly evil, and it’s because her father died saving her from getting run over, her mother blamed her and abused her, and she was almost raped by her mother’s new boyfriend. Getting abused as a child leading to a bad person later in life is something we need to see less of. Kouki, meanwhile, remains a shallow parody of the standard shoujo boyfriend, so it’s no surprise that once the mind control is removed and he’s punched a lot he manages to recover what wits he has… though we’ll see what happens when he sees Hajime again. But really the majority of this book is exactly what I said earlier: yelling out attacks, just barely avoiding lethal moves, pulling off near lethal moves in return, and lots of shouting.

The return of everyone’s favorite Zero protagonist at the end of the volume is interesting, and I wonder if she’ll help Hajime in the next volume. Till then: boy, this sure was a volume of Arifureta.

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

It’s been a good sixteen months since I last read Arifureta Zero… and come to think of it, eleven months since the last Arifureta in the main series. This is the danger of catching up with the Japanese release, and I knew this meant that a lot of my time was going to be spent trying to remember who everyone apart from the main characters were. Little did I realize that that was going to be ALL of my time. This is the 2nd to last book in the series, and as such it has to gather everyone in the cast together for the big battle in the finale. And I do mean everyone – every single ally we’ve seen in the books to date pops up again, along with new characters we haven’t seen before, and they’re all written as if we remember who they are and are nostalgic to see them again. It’s exhausting. Fortunately, there’s BIT more going on than just setup.

A month after the end of the previous book, Miledi is still in a coma, which has everyone stressed out, especially Oscar, whose fighting abilities are actually being affected by his worry. Fortunately, she wakes up soon after the book begins. Unfortunately, she’s… a bit different. Yes, it’s We Want Our Jerk Back, the light novel. The largest chunk of the book is spent getting Laus, their newest ally, to the rest of them, as he’s being hunted by the entire church… including two of his own sons. (This is framed as a big reveal, but it’s telegraphed so badly I feel no remorse revealing it here.) Once he’s arrived, and Miledi puts everyone through RIGOROUS TRAINING, it’s discovered that three of their allies are going to be put to death publicly by the Church. So Miledi decides now is the time. the Big Battle. (In Book 6.)

The author apologizes for this book being so long, and he should. It’s too long, and a lot of this wasn’t needed. The “checking in with everyone who the Liberators ever met in prior books” section is a lifeless slog. Better were the scenes with Miledi waking from her coma, but she’s missing her annoying. Without it, she’s a cute adorable teenage girl in love with Oscar and not ashamed to say it. This is mined for much comedy, and for once it actually works quite well, especially her reaction once she returns to normal. Speaking of love, Miledi and Oscar don’t confess here, but that’s because they want to wait till after the battle – their feelings are known to each other. Oh yes, and there’s an incredibly annoying bunny girl in this as well, who seems to combine all the worst parts of Shea and none of the good points. The author loves to write “incredibly annoying but secretly goodhearted and awesome” people – indeed, the lesson of this book is that all of the Liberators are eccentrics – but sometimes I feel they overdue it.

So next up is the finale, and it’s not a spoiler to say that Everybody Dies – this is a prequel, after all. But it’s not the journey, it’s the destination, and so we’ll see how it all happens and how many times our heart can be broken. If you like Arifureta, you should read this, but be aware – it’s long and has boring bits.

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It’s been over a year since I reviewed the 10th volume of Arifureta. In between that time we’ve had two volumes of Arifureta Zero, as well as a volume of short stories, and we also had the anime come to an end and remind us that some stories really work best when you can’t SEE all the fanservice. That said, all good things must come to an end, and while this is not the final volume of the series, it certainly feels like Vol. 12 is going to be. We get all the setup for the final battle here. Yes, that does mean a “darkest before the dawn” start to the book, and Yue fans will likely not be happy that she ends up possessed by the evil God and therefore not in most of the book, but after that it’s basically a curtain call for anyone who’s ever been relevant in this series and also several people who haven’t – like most of the rest of the students.

So yes, Hajime and company are told by the bad guys to come meet the evil God and his evil assistant, and they’ve taken the students hostage (which doesn’t work) as well as Remia and Myu (which does). After a brief “it’s OK, I’m really a good guy” shtick that fools almost no one, we get reminded why Ehit is so powerful, and they basically mops the floor with everyone, including Hajime, and takes Yue’s body for their own. They also say that in three days, they’ll destroy the world and then move on to destroy Earth. Fortunately, that means they have three days, so the rest of the book consists of preparing to fight back, heartwarming scenes with Hajime and his loved ones (Kaori and Tio get “I love you” scenes, and Aiko and Liliana are clearly upgraded to “will be added to the group in the near future”), and wacky fanservice and comedy, because likely there won’t be much time for that in the final book.

Despite bringing back almost everyone from previous books, the writing glides right through it, assuming (correctly) we won’t remember three-quarters of everyone here. There are also some students, who haven’t gotten anything to do in nearly six books, who get to briefly shine in the spotlight, which is nice to see. Certainly nicer than seeing Kouki – again – side with the villains. Now, much of this is Eri mind-controlling him, but I’m sorry, I just cannot work up any sympathy for him by now. I can’t see him dying, particularly given there’s three different people still trying to snap him out of it, but wow, I absolutely do not care if they succeed or not. And Tio gets another good character building book, with a side story of her own, and it shows off the super-powerful lonely princess equally with the anal pleasure-obsessed pervert.

The novels are still quite popular, and I suspect once the main series is finished the “After Story”, which is still being written to this day on the web, will be put out officially in Japan. That said, for the moment, this is the big lead up to the finale next book, and contains most of the good things about the series, as well as a few of the bad. Fans should enjoy it.

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

I do sometimes worry that the author of the Arifureta series has forgotten why we’re reading it in the first place. In regards to the original series, it’s to see Hajime’s ludicrous overpowered antics and the wacky banter between him and his companions, and with Zero it’s the exact same thing only it’s Miledi. The main series has more harem romance to it than Zero, which seems content to tease only Oscar and Miledi and not have it go further, but, well, romance isn’t why I read it, at least. And, in regards to this volume of Zero, while I can appreciate the author writing some really cool battle scenes because he enjoys it, with lots of the bad guys and good guys bringing out increasingly ludicrous powers, fight scenes are not why I read Arifureta either. Sadly, that makes this volume a big ol’ slog, as a good eighty percent of it is battles.

We head into the forest that we’ve seen in Arifureta’s 2nd volume, home of the Beastmen, and here (at least at the start) at the height of its powers. Well, half the group are here. Things have gotten dangerous enough that Miledi’s Angels split up at this point, with Oscar and Vandre helping to settle everyone from the last book, while Miledi and the others head to the forest, there to meet their next potential Liberator, and also try to stop the battle, as the Church has gotten there first. Speaking of the Church, Laus is continuing to have doubts over what they’re actually doing, and things are not helped by the Church’s religious fervor taking on more and more aspects of brainwashing. Can he continue to fight for something he doesn’t believe in any more? Or should be change sides and joining the Liberators.

I will admit, which I said that I wanted more wacky antics and less fights, when we DO get wacky antics, I’m not sure they’re the ones I wanted. Lyutillus is the Elven Queen of the forest… and also a masochist. The author admits she’s meant to be a mirror to Tio in the main series, and given Tio is my least favorite of the girls in that, I wasn’t really going to be enjoying this. Better was Miledi’s usual stuff – when she’s deliberately trying to be annoying to distract the mood, it’s fantastic, and her confrontation with Laus towards the start of the book was absolutely hilarious. Laus, in fact, is the best thing about this book, as his loss of faith is very well handled. I’ve long since come to terms with the fact that the gods are villains in this world, therefore the fact that everyone in the Church tends towards being a monster is hardly a surprise. I am quite interested in seeing how this switching sides works out going forward.

…I say that, but we know how this is going to end – the main cast all dead (bar Miledi’s soul) and branded as heretics. The bad guys win is the premise of this. But we’ve still no idea how long it’s going to be, and I’m happy to see it play out. As long as it’s not just fights. Or creepy sexual gags. Sigh. Not gonna have much luck there, am I?

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Shouhenshuu” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

This was not the Short Story collection I expected, to be honest, at least not till the final third of the book. What it is is a rounding up of most of the very short stories that the author wrote for giveaways, store-exclusives, etc. A lot of series have these, few bring it out as a real volume. (J-Novel Club has quite a few of them as Premium Extras for subscribers, and indeed I think a lot of these originally appeared as exclusive extras in earlier books.) The book breaks down in four sections: the first are short-short stories taking place within the timeline of approximately Books 1-5 of the main series; the second is an alternate universe where the characters are at a “magical academy” type school; the third has three short takeoffs on popular fairy tales; and the fourth is the short story written exclusively for this book, which has the main cast (along with Myu and Remia) ending up in the crossover event we all wanted to see.

The cover features Hajime, reminding us why he’s rarely on the cover as he looks far more chuuni than grimdark; and Myu, whose character trait in this volume is to show off how she’s taking after her “daddy” despite only having been around him a short time. As for the content… I’m gonna be honest, while these were cute, about 2/3 of the book does not lend itself to a review. There’s lots of harem fights, there’s characters being dorks, there’s indiscriminate destruction of anyone who would dare go after Myu, etc. The Academy/Fairy Tale chapters are even less important, so I’ll skip them entirely. I did enjoy the chapters showing Hajime’s parents, first in a flashback showing off their otaku occupations (honestly, they remind me far too much of the parents from Outbreak Company) and then showing how upset they are at their son’s disappearance.

The main reason to get this is the last story, which has the cast, taking a final voyage with Myu (and Remia) before leaving her behind, and ending up spirited to a cursed city by a phantom whale that seems to only communicate with Myu. Unfortunately, the monsters here are too powerful for this group to handle. Yes, even Hajime. Fortunately, this whale can also reach back… in TIME! Yes, you guessed it, the cast of Arifureta meets the cast of Arifureta Zero, with Miledi being somewhat baffled as to why everyone hates her, Meiru becoming a total siscon about little Myu, etc. Eventually they do team up to take down the Big Bads, and we see Miledi and Yue comparing themselves to each other, as do Oscar and Hajime. Sadly, due to plot contrivance, they don’t remember the meeting afterwards, but hey. (This story also serves to show that Remia’s “ara ara” personality is for show, as if we hadn’t guessed, and also that she may be falling for Hajime for real.)

So in the end, this is pretty light and fluffy, and not an essential purchase. But it’s reasonably fun, and the last quarter was quite entertaining. Arifureta fans should like it.

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve been comparing Miledi to Hajime in these reviews of Zero. And just as Hajime was written to be the ultimate in “I am cool and badass and will happily abandon anyone other than Yue to a fiery death” and then walked back to where he is now reasonable a decent person, likewise Miledi was introduced in the main series as the most annoying person in the world and then we gradually see in Zero how much of it is a front. It’s a front she feels more comfortable with, in fact – despite her complaining, she’d much rather be yelled at for being irritating than praised for being a force for good, mostly as it embarrasses her too much. It’s also a good way to avoid simply having her be too perfect – Miledi is going to save everybody, loves everybody, and has magical powers that can take out a demon lord possessed by a God. Of course she has to be annoying. You need SOMETHING.

As you might guess by the cover, the new Liberator who join’s Miledi’s forces in this book is male, and men don’t get Arifureta covers, meaning Meiru and Miledi pull double-duty. They’re headed back to meet up with Oscar and Naiz’s group, to see if they can revive the comatose kids (spoiler: not quite yet), when they suddenly find out that there was an attack on the base and most of the group was kidnapped. As it turns out, they were kidnapped to avoid ANOTHER kidnapping. Vandre is half-demon, half-dragon, and all tsundere, as he kidnapped Miledi’s group to try to get them to help him own group of people being tortured for experiments by the Demon King. Of course, Miledi will totally save them anyway, especially when it looks like there’s more to the Demon King than meets the eye. But can she do it while fighting off a powerful local disease?

First off, the book begins and ends with broad characterizations of cross-dressing gay men who are, of course, sexual predators for the lulz. Ugh. This is not the first time the author has gone to this well, either. Aside from that, it’s a decent enough book. As with the other Zero books, it leans heavily on fight scenes, particularly in the second half, but there is also a decent amount of characterization, particularly of Vandre, the new guy, and Miledi. Vandre and Oscar also look to be adding a new annoying trait to the Liberators, as they don’t get along and snipe at each other constantly in a “vitriolic best buds” sort of way. I do wonder if they can actually weaponize this trait, the way that Miledi has weaponized being annoying to the point where it throws villains off.

We do also get a look at the Church here, briefly, and see that, thanks to evil people and also brainwashing, it may only have one sensible person in it. They’re also trying to get a jump on Miledi in snatching up Ancient Magic Users, so next time we head off to the forest. Till then, this remains a decent spinoff, particularly if you like fight scenes.

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

In general, if you’re going to have an unbalanced book, it’s best to have the strongest material be towards the end than towards the beginning. This is a problem for Arifureta Book 10, which has as its first third or so some of the best scenes in the entire series, then tries its hardest to keep it up. Unfortunately, keeping it up would require the reader to feel a lot more sympathy – or a lot less – towards Kouki than they do. This means that we spend a good deal of the last half of the book waiting for Kouki to finish typing his Reddit post on how girls he deserves won’t sleep with him. To be fair, the book very clearly takes a negative stand on this sort of behavior, and I appreciate that. I’d appreciate it more if this wasn’t also a male power fantasy where a bullied loner literally gets revenge on his high school class and also has sex with all the hottest babes. Which it still is.

Before that, though, there is the battle with Yue and Shea. I haven’t talked about Yue much in these reviews, mostly as there hasn’t been that much TO talk about. Here, though, she gets some backstory showing off who she used to be and the family that she loved – including a set of double reversal betrayals, which left her so devastated that she’s tried hard not to think about her past at all, including why she was sealed rather than just killed off. After meeting up with Shea (who sails through her own test), A pensive Yue makes the mistake of saying that if anything happens to her, she wants Shea to take care of Hajime. Actually, the bigger mistake may be that she doesn’t get why that’s upsetting to Shea. What follows is one of the best fights in the series, as Shea and Yue go toe to toe with each other as Shea tries to beat the resignation out of Yue. The funniest part is that it takes in Kaori’s fight as well – normally the idea of Kaori as the “Steph” of this series annoys me, but it’s handled SO well here I can’t be churlish.

Elsewhere, Tio also sails through her test, showing off that she’d be a fantastic character if she weren’t such a depraved masochist. Suzu is forced to admit that she lives her life by deflecting, and Ryutarou that he really would rather not be a sidekick character (even though he totally is). And then there’s Kouki, who is forced to admit that he’s jealous of Hajime and not as good as he thinks he is… and fails miserably. At this point I’m fairly sure Kouki is not going to be killed off, as if he was this would be the perfect place to do it. Instead we simply see him fail – again. He comes to his senses later to a degree, but there’s still seething resentment underneath everything he does. It’s well-written, but also means that I have to read far more about him than I really want to. Also, I suspect he’ll be useless in the upcoming battle that the cliffhanger suggests.

There’s only a couple more books left in the “main” storyline judging by when the webnovel is, so the cliffhanger ending may be moving us to the climax. Everyone (bar Kouki) has evolved and powered up. They know they can now get home. All that’s left is beating the bad guys. I expect the next book will have a lot of that. Till then, at least we can enjoy Shea beating the snot out of Yue and Kouki railing against the friendzone.

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

The last few Arifureta reviews have begun with me discussing some aspect of Hajime’s personality, but for the most part, after realizing he now has a way to return to Japan, Hajime’s character arc seems to be coming to an end. There is discussion here about how he can possibly fit in back home after all the changes he’s gone though, but Hajime’s attitude to this is basically “can’t do anything about it now, so will see what happens when it happens”. There’s also a side story towards the end of the book that shows that he’s not really as changed as everyone may think, as we see much of his core character even as a bullied high school student. Instead of discussing Hajime, I’d like to focus on the two characters who get the most attention during this volume (the first of a two-parter), and that’s Kouki and Shizuka. Who are suffering from the same problem but going in two very different directions.

The function of this final dungeon, aside from the snow and ice and a bunch of bigfoot monsters, is to make those who try to conquer it confront their negative traits. This starts as whispers in the ear, and ends with a full on “my evil twin” confrontation. We don’t actually see Kouki’s battle in this volume, but I’m going to go out on a limb here and say he’s not going to pass. In fact, I’ll even go further: I don’t think Kouki as an antagonist is going to be resolved in the series. I’m not sure it will get to the point where he’s an outright villain like Eri, but Kouki sees the world, and those around him, in black and white, and as long as he keeps doing that he’s never going to accept that Hajime isn’t “bad” in some way. It can be very frustrating to the reader – and indeed the other cast members, all of whom know exactly what his inner turmoil is but refuse to bring it up as they know once they do he’ll snap and that will be it. Expect snapping next book.

As for Shizuku, who is getting yet another picture on the cover, she not only has to confront her repressed love for Hajime, which has been bubbling up for some time, but also her repression of everything else in her life. We see her backstory as a girl who wants to do feminine things but has an amazing talent for kendo, and as a result is slotted in as ‘tomboy’ by almost everyone. Her friendship with Kouki’s who’s more an annoying little brother than anything else, also causes her to be ostracized, and it’s only Kaori who’s able to save her. (This also gives insight as to why she’s so willing to put up with Kaori’s eccentric behavior bordering on stalking towards Hajime – and why she refuses to admit her own feelings.) In the end, Shizuku’s main issue is that she needs to be more selfish. She takes a good first step at the end.

As noted, this turns out to be a two-parter, and the author says he’ll show the other cast members confronting their dark selves, including Kouki. I suspect they’ll conquer the dungeon, but the question is what will they do about the rest of the plot, which takes a back seat here aside from occasional mentions of Eri. The latest volume comes out in Japan next week, so we may need to wait a few months to find out.

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

In my review of the first book in this prequel series, I said that it was Miledi’s book and Miledi’s series. Here I’ll go further: I think that Miledi is meant to compare directly with Hajime. Yes, in terms of personality, she reads more like a horrible fusion of Shea and Tio, but as we see a lot in this book, even more than the last one, she is wedded to her ideals and prepared to do anything in her power to preserve them, even if that means taking on the Church, a bunch of pirates, or even a giant seas monster with her ungodly gravity powers. (Ungodly would suit her fine, I think). As for Oscar, he has Hajime’s snark down pat, but after this book we really know who he’s meant to be. He’s Shinpachi from the Gintama series. No, really, the author even straight up ripped off the glasses joke. Oh yes, and we get a new Liberator as well. That’s her on the cover.

The author suggests that the seemingly sweet big sister type who’s really a sadistic tease is a surprise for this book, something which… isn’t true, but whatever. Meiru is a lot of fun, though, and is not only a big sister to her captured real sibling, but also to a huge pirate family that she heads up. Yes, it’s Arifureta does One Piece. Miledi and company are arriving at the city the pirates work out of to find the next Liberator, and after a host of misunderstandings that eventually get resolved, find she… doesn’t want to join them. Well, that’s fine, we went through this in the first book. Till then, there’s sea monsters that get attracted to Miledi’s magic, and casino capers, etc. Of course, eventually the Church is ordered to destroy these pirates once and for all, which leads to the last half of the book, which is one giant melee battle that is highly entertaining provided you love 120-130 pages of fights.

Honestly, I’m surprised there isn’t a much higher body count in this prequel. We already know it’s going to end badly, and it always seems like there’s going to be some dead innocents, but so far the author has done a pretty good job of having them saved at the last minute. (There are a couple of Oscar’s orphan kids who are in a coma from the last book, but Meiru may be able to save them too). In fact, despite the grim Church and the ever-present threat of death, this is a fun book – I would say of all the Arifureta books, this one balances the wacky humor and the thrilling serious plot the best. Miledi is annoying as hell, but not to the reader, just to the characters – an important development! Even the art is really good, showing off both the silly and dramatic (the picture of Miledi giving the finger to the villain may be my favorite).

This is a long book, like most of the Arifureta series, but for fans, it’s a must read. Even casual readers who are turned off by Hajime being Hajime in the main series may want to give the prequel a shot.

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

The last few reviews I’ve talked about Hajime as Christ figure, Hajime as overpowered author fantasy, and Hajime as nerd. Given the events in this volume, particularly near the end, it seems appropriate to talk about Hajime as asshole. Hajime’s experience in the dungeon in the first volume broke him in many ways, and aside from his power levels the most obvious has been in his attitude towards… well, almost everything. And while we’ve seen occasional nudges back towards non-sociopathy, particularly thanks to Aiko, there’s still an awful lot of Hajime making the choice that will upset people the most, either because he wants to or, more frequently, because he can’t be bothered. And the main reason he does this, of course, is that the author (and I assume readers) find it funny. Honestly, given all the attention focused on humiliation being a subset of arousal in this book, I suspect we learn a bit TOO much about the author’s mind here. But at the end of the book, Hajime seems to genuinely mellow out.

The bunny girl on the cover is one of the big reasons, to be honest. Much has been made by Hajime of the fact that Yue is the girl he loves and the rest of his harem are far, far below her. And while that’s still fairly true, Shea’s actions over the course of the series, and particularly in the last two books, have led Hajime to realize that he does, in fact, love her as well. Not the same way he loves Yue – there’s no sex here, much to Shea’s disappointment, though I’m not sure “platonic” is how Hajime feels either. But Shea makes Hajime happy, and he wants her to be with him – and not with anyone else. This is helped along by the other big thing that mellows Hajime out, which is that he gains magic that should finally lead him to being able to return home to Japan. Just the idea that he can escape this, let’s face it, pretty dystopian world makes him smile like his old self, much to everyone’s surprise.

Speaking of ‘harem tiers’, the majority of this book is spent clearing another dungeon, this one designed to tend the bonds of love, friendship, and teamwork. Along for the ride are the B-team Japanese group, and let’s just say they don’t do really well. Dungeon-wise, the ‘tiers are Hajime & Yue -> Shea, Kaori and Tio -> big gap -> Shizuku -> Kouki, Ryutarou, and Suzu. You’ll notice Shizuku is a level higher than the others, and indeed we also see it becoming more obvious that she’ll be part of the harem eventually, which everyone else seems to have accepted but her. Indeed, at the end of the dungeon the bottom three don’t get the reward for clearing it – they weren’t good enough. That said, props to Suzu for stepping up and asking to go try the next one anyway, especially because she tells Hajime her reasoning is to be powerful enough to try to talk sense into Eri when they next see her. I suspect the reader knows this is futile, given the epilogue, but I was honestly surprised that the whole group is going to stick around. Even Kouki, who was on his best behavior in this book.

The author says we’re in the home stretch, though I suspect that still means about 3-4 more books. Till then, this volume is very long but satisfying, particularly if you like sweet, heartfelt scenes – that last short story was almost pure sugar. On the other hand, when you get to the scenes with the “slime creatures”, take my advice and skip a few pages. What is it with Japan and “fake bukkake”?

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve talked before about Hajime as Christ figure, and Hajime as simply another example of the overpowered hero going after the kids that bullied the author in middle school, but in this book it’s also worth taking a look at something that has remained a core part of Hajime’s character despite every possible attempt to extract it: Hajime the nerd. (Yes, yes, I know, chuuni. I never saw that anime, so feel uncomfortable using the expression.) Hajime’s inner monologue has had the occasional taste of otaku culture throughout the series, but this volume really sees it in full flower. When he’s in the bar gathering information, and has to impress the bartender, you can almost hear him squeeing. And while the core purpose of his “arranging a distraction” was to humiliate and get a bit of revenge on Shizuku for laughing at him, the fact that he dresses them all as a sentai team also shows this off. Hajime is badass, but still a nerd.

We seem to have run out of cover girls, as we’re back to Yue. (Technically it should be Liliana, but honestly ignoring her in favor of Yue is perfectly in character.) That said, in terms of content, Shea should really be the one on the cover, as she and her rabbit tribe own this book. Considering that turning the rabbits into savage killers was a passing joke in the 2nd book, it’s become quite a large thing, and the best running gag of the volume was everyone giving Hajime the stink-eye as they realize how much he brainwashed everyone into being Rambo. (They also inherited his nerd tendencies, coming up with hilariously bad “names” for themselves.) Since the Empire is doubling down on Beastmen being enslaved, the rabbits take matters into their own hands – with a little help from Hajime, admittedly, but mostly entirely on their own – to convince the Emperor to change his mind. Again, those who like over the top battles will be very happy.

The demons also get their asses handed to them by the rabbits, but they have a much stronger response, coming up with 400 or so of the Angels that Hajime had a little trouble with in Book 6. I suspect the eighth volume will deal with the fallout from that. One last thing that impressed me, though, was the final extra story. Usually in light novels these extra stories are pure fanservice, but this one not only advances the plot but makes a nice refreshing change from the “all religion is evil” trope we’ve seen in Arifureta and other light novels. A new pope is appointed to fill the void caused by the events of Book 6, and he proves to be an excellent choice, coming across both Yuka (the girl Hajime saved in Book 1) and Aiko and helping them get over their dithering and try to move forward. It comes across as a confessional, and this is exactly the sort of thing that confessions should be about. I really liked it.

A very strong Arifureta book. Except for Tio. God, I hate Tio. More accurately, I hate the way the author writes Tio.

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

Arifureta is taken from a web novel, which the author and publisher then rewrite, add to, and extend in order to make the published light novel version. As such, it seems a bit ridiculous to suggest that the author was told by the editor to move things along as they need to cut to the chase. But that’s what seems to be happening here, as several plot threads wrap up so fast that you expect some other hand behind it all. Aiko was rescued so quickly that I actually was worried that a chapter had been skipped, and the resolution of who is the traitor among Hajime’s fellow students also seemed to happen very fast (though if you looked at the cover and said “who the heck is that?”, you might have had an inkling). Other than that, this is a typical volume of Arifureta – over the top fighting, the occasional really good character introspection, and turning very bad when the author tries to be funny – something he shares with other light novel authors I could name.

The strengths of the book are quite obvious. The author likes to write overpowered fights, and is good at it. Seeing Yue and Shea team up to fight a horde of demons was fun, especially as absolutely nothing seemed to faze them. This contrasts with Hajime’s fight with an Angels sent to kill him, which goes very badly for him, mostly as he’s trying to fight while also holding Aiko. Once that problem is solved, things proceed to go Hajime’s way a lot more. Aiko is once again probably the best character in the book, as she’s forced to use her powers in order to completely wipe out the church bishops and priests (yes, her farming powers – it makes sense in context) and feels hideous amounts of guilt and shame for murdering people. The aftermath of this, and Hajime’s response to her, is beautiful, and makes the entire book worthwhile.

Some other parts don’t make the book worthwhile, sadly. As I said before, the pacing of this volume seems incredibly rushed, and a lot of it felt like the author wanted to clear the decks so he could start on the second half of the series (I think we’re about halfway through it right now). Our villain, once she gets revealed, gets to fall straight into the yandere stereotype, and is far duller than I’d hoped based on past manipulations. I’ve no doubt we’ll see her again, but I doubt she’ll have any more significant successes. And I hated absolutely everything about the scene with the okama muscle guys, which is grotesque negative stereotype central. Hajime’s harem stays the same size here, though he is aware Aiko loves him, and the narrative is aware that it’s only a matter of time for Shizuku. Oh yes, and Kaori’s now got an Angel body after being murdered by her insane classmate, meaning she gets to be as ludicrously overpowered as the others – which is what she’s always wanted, to be fair.

Arifureta is always going to have that air of “I am getting back at the bullies who tormented me in school” to it, and the villains this time round make that comparison more painfully apt than usual. Still, it’s fun mostly, provided the author isn’t being humorous, and should definitely please ongoing fans.

By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

If a spinoff of Arifureta was going to be done, the Liberators were the only obvious choice. And, despite the novel starting out trying to make us think that Oscar was going to be the main character (which he is to an extent), this is all Miledi’s plan and all Miledi’s book. As such, enjoyment of this book will depend on how much you enjoyed Miledi in the second novel. She’s deliberately written to be annoying, and even though we get a tragic backstory here to explain why she does that it can still make you want to grit your teeth at times. That said, her drive to try to change the world and go up against the gods is laudatory, and her recruitment of Oscar (and later on Naiz) also allows plenty of scenes of her getting physically and emotionally abused for comedy purposes. (She reminded me of Shea a bit, to be honest, without the trolling that Miledi does all the time.)

(The author wonders if we were surprised at Miledi’s appearance, but honestly, this is pretty much exactly how I imagined her.)

As I said, Oscar is the focus at the start of the book, a synergist (much like our hero in the main series) trying to keep a low profile to avoid the Church. Said low profile falls to bits once Miledi arrives and starts harassing him, but honestly the church is so evil anyway that it was somewhat inevitable that it wouldn’t last. We also get a pile of adorable plucky orphan children, and once Oscar and Mikedi team up to find Naiz we get two more plucky adorable children, all of whom are put in deadly danger by events of the plot. And do you want tragic backstories? You’ll love Miledi’s, whose childhood was pretty crappy and then got much, much worse. There are also several very cool fights, as you’d come to expect from Arifureta, involving clever manipulation of gravity, creating impossibly hard shields via a cool umbrella (apparently a reference to Kingsman, though I kept thinking of Ryouga Hibiki), and teleportation badassery. And, as I said before, Miledi being really, really annoying.

This actually came out a mere 4 months after the Japanese release, so I would not hold your breath for the second volume right away. That said, I can’t imagine fans of Arifureta not enjoying this, even though the regular cast are nowhere to be seen. You get a good sense of the three leads and why they made the dungeons that they did. It also reminded me that Miledi’s spirit is technically still around in the main series, and I wonder if she’ll do anything else. (I also wonder if she and Oscar will ever hook up. Probably not, I suspect.) Basically, this is exactly the sort of thing you’d like a spinoff to be, and I will definitely enjoy more of it whenever it comes out.