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The Manga Review, 7/1/22

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Good news: The United Workers of Seven Seas (UW7S) achieved a major victory this week when the company agreed to recognize their union. Though management has not yet spoken to the press, the UW7S Twitter feed posted the following statement on June 24th: “This decision by Seven Seas eliminates the need for an NLRB conducted election and will pave the way for a more expedited path to bargaining a first contract. At a time when many employers continue to fight the unionization of their employees, we appreciate that Seven Seas decided to respect the voices of the majority of staff and recognize us. We look forward to developing a mutually beneficial relationship and reaching a collective bargaining agreement in the near future.” The path to a better contract and better working conditions, however, is a long one. As OASG contributor Krystallina notes, “Bloomberg Law estimates the average length of time for initial negotiations to be 409 days — in other words, 1 year, 1 month, and 2 weeks. One analyst says there’s only about a 50-50 chance of reaching an agreement in a year, with additional estimates calculating it will take about a year and a half.”

NEWS

After 247 chapters, Yuki Suegetsu will bring Chihayafuru to an end. The series, which has been running in Be Love since 2007, proved so popular with Japanese readers that it spawned three live-action films and three anime series. [Anime News Network]

Looking for a manga industry job? VIZ is currently advertising four positions in its publishing division: Copy Editor, Editor, Editor of Original Graphic Novels, and Publishing Production Assistant. [VIZ]

The American comics market is booming, according to industry experts Milton Griepp and John Jackson Miller. They report that “total comics and graphic novel sales to consumers in the U.S. and Canada were approximately $2.075 billion, a 62% increase over sales in 2020.” Comics performed well at many types of retail outlets as well. As Griepp observes, “Sales through comic stores were up 60% vs. last year and 34% vs. 2019; sales through the book channel, including book fairs (which were back in operation) grew at a blistering 81% pace. Digital growth, while slower, was coming off a gangbuster year in 2020 during the shutdowns.” [ICv2]

FEATURES, INTERVIEWS, AND PODCASTS

As Pride Month comes to a close, Okazu reader Meru explains how reading yuri manga played an important role in their decision to come out as transgender. “When I look at Yuri, I see myself: I see the soft butches that could, in another series, be they/them or even they/he,” they note. “I see bodies and ideals and identities that mirror myself. I feel less alone. I feel natural in a country that would rather me turn my back on playing at soft masculinity and gender ambivalence in exchange for kitten heels, a lack of body hair, and legs crossed at the ankle. When I crack open a volume of Yuri and see tomboys and boyish girls and girls straddling the lines of socially acceptable gender and being themselves.” [Okazu]

If you’re a fan of Daytime Shooting star, Deb Aoki thinks you might like Mika Yamamori’s latest series, In the Clear Moonlit Dusk. [Mangasplaining]

On the newest installment of Manga Mavericks, Colton and Lum check in with ongoing series Haikyu!! and Magu-Chan!, and look at new offerings from VIZ, Manga Plus, and Azuki. [Manga Mavericks]

The Manga Machinations crew discuss three series that explore different facets of the LBGTQ experience: New York, New York; Catch These Hands!; and I Want to Be a Wall. [Manga Machinations]

Kory, Helen, and Apryll dedicate the latest Manga In Your Ears podcast to My Solo Exchange Diary and Yuri Is My Job! [Taiiku Podcast]

Paul Semel and Anne Ishii interview Gengoroh Tagame about Our Colours, a coming-of-age story that centers on a queer teen artist. “It’s something I’d wanted to read as a middle and high schooler myself, so decided to write for my own self,” Tagame explains. As I’m now in my 50s, I think of it as a gift to myself 40 years ago.” [Paul Semel]

Also of interest: Cayla Coates talks to Okura about I Think Our Son Is Gay, a gentle comedy about a woman who begins questioning her son’s sexual orientation. “I’ve always felt that gay people in manga and drama are often portrayed as either comic relief or someone with struggles and hardship.,” Okura observes. “I wanted to draw what I consider to be natural, ordinary gay people.” [Crunchyroll]

REVIEWS

Erica Friedman delves into the latest installment of Even Though We’re Adults, singling out the translation and lettering for special praise. “Jocelyne Allen’s translation is outstanding, in providing the nuance and ‘adultness’ this series needs,” she notes, while the “lettering and retouch by Rina Mapa lets’ me feel in the story in exactly the same way as I do when I’m reading the Japanese.” Meanwhile, Megan D. explores the forgotten corners of Tokyopop’s BL catalog with a look at Innocent Bird, “a limp, shallow romance… illustrated with an indifferent and murky hand,” and Christopher Chiu-Tabet continues his retrospective on Sailor Moon with a look at issues 15-20.

Bookshelf Briefs 6/30/22

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Kageki Shojo!!, Vol. 5 | By Kumiko Saiki | Seven Seas – I really like the fact that Sarasa is choosing the more difficult option. They’re doing auditions for a five-minute Romeo and Juliet, with singing, and Sarasa, who would make a much better Romeo, resolves to try for Tybalt again, as she wants to figure out the role and how she can make it not what the actress she emulated had done. This ends up impacting Ai, who’s going for Juliet, but realizes that she has absolutely no idea what being a girl who falls in love at first sight is like… until she starts thinking of Sarasa, and how they first met in a very romantically charged scene, and the bulb lights up. This may not be a yuri series, but as all good Takarazuka manga should, it’s not afraid to lean really hard into it. – Sean Gaffney

Laid-Back Camp, Vol. 11 | By Afro | Yen Press – It’s rare to see real character development in a slice-of-life fluff series, so it’s quite something to see Rin in this volume, who is almost unrecognizable from the Rin at the start of the series. Camping with others has really helped to open her up to the point where ‘the stoic, unemotional one’ doesn’t even fit anymore. It works in reverse as well, as Nadeshiko is able to go off on her own solo adventures without us worrying about her getting in too much trouble. As for the camping trip itself, it involves crossing a lot of suspension bridges, some of which are fantastic and scenic, and some of which are simply terrifying. I know I would never be able to do any of them. Laid-Back Camp is pure ambience. – Sean Gaffney

Lost Lad London, Vol. 1 | By Shima Shinya | Yen Press – I’ve learned to temper my expectations when it comes to “mystery” manga, so it pleases me greatly to announce that Lost Lad London is the real deal and I loved it wholeheartedly. Al Adley is a somewhat aloof university student who happened to be riding the Tube at the same time that the mayor of London was murdered in one of the train carriages. It just seems like an odd coincidence until Al discovers a bloody knife in his jacket pocket. Thankfully, when Inspector Lenny Ellis turns up, he believes in Al’s innocence and they start working together to uncover whether Al was just a convenient scapegoat or if he’s being intentionally framed. The art style is striking, full of large, uncluttered panels, and I love seeing people of color in main roles. The final scene is wonderfully cinematic and I can’t wait for volume two. – Michelle Smith

Sacrificial Princess and the King of Beasts, Vol. 15 | By Yu Tomofuji | Yen Press – We finally get the actual backstory of the king, and it’s a pretty tragic one. It also helps explain why Set is so intent on destroying them like this. That said, most of this final volume is spent wrapping everything up in a neat bow. The allies arrive just in time, the people love their king regardless of whether he’s a human or a beast, and he and Seriphi can now be married. We even get to see a little of their life after, with kids running around being little terrors. This series felt a bit too much like “Fantasy Fruits Basket” sometimes, but I think it was quite underrated, and is a great one for shoujo fans. That said… man, why didn’t our favorite crocodile couple make it official? Slowpokes. – Sean Gaffney

Skip and Loafer, Vol. 4 | By Misaki Takamatsu |Seven Seas – I really appreciate the fact that Mitsumi is allowed to screw up here, realize it, and resolve to do better without the help of a magical love interest to resolve things. As I said in the previous volume, Shima still has his own issues which are taking priority, including a realization that not everyone hates him because of his actions. Maybe they’re just awkward! Maybe they’re a child whose motives you’re misreading! There’s also some nifty parallels with The Sound of Music, which Shima is forced to act in despite his not wanting to because… well, because he’s supposed to be the swell guy in class. I admit the series is starting to meander a bit from its premise, but I’m here for the Loafer half as well as the Skip. – Sean Gaffney

Tales of Wedding Rings, Vol. 10 | By Maybe | Yen Press – After last volume having “when are they going to do it” absent from the plot, and being better for it, this volume returns to it with a vengeance. Hime is overtaken by evil, and Satou tries various things to stop her, including dealing with different aspects of her personality (the childhood friend, the child, the princess, etc.). But, in the end, it turns out she just needs a good rogering and her magical power overflows with evil-destroying light. In fact, they do it a good five or six times to be sure. One might argue that plot resolution is a bit much, but honestly this entire series has been driven by “when is he going to rid these girls of their virginity,” so it seems rather apt. Still, more battles, less sex next time. Maybe. – Sean Gaffney

Unnamed Memory, Vol. 5

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By Kuji Furumiya and chibi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Sarah Tangney.

The six books in this series are divided into three books each, and this is the middle one of the second arc. As such, it tends to mirror the middle one of the first arc, in that it’s a bunch of shorter events that happen to our two leads rather than one big storyline. Of course, there’s a lot going on in those shorter events. The author describes this book as the lighter, fluffier one before the final book, and that does make me a bit worried, because this book was not all THAT light and fluffy. That said, there are many sweet moments in here, as Oscar accepts Tinasha’s love and they get engaged. We also get to know more about Travis and his relationship with Aurelia, which is also adorable in its own twisted way and I really hope does not end badly. But there is an ominous core to this volume that definitely will continue to the next: time travel made things bad, and the world needs to reset itself to its proper place.

We start things off with Tinasha solving the curse that’s on Oscar and (presumably) making him able to have children again. She’s then able to return to her coronation… but has a big announcement to make that will upend Tuldarr. We see Tinasha solve a particularly nasty incident at a magical academy, and help to fight off an invasion by another country, who are primarily using zombies as troops, which is annoying. Unfortunately, Valt is also still around, and he explains to Tinasha what the two orbs currently locked up in the two kingdoms do. Fortunately, we won’t have to deal with that particular subplot till Book 6. Oh, yes, and we also meet the Witch who cursed Oscar in the first place, and she’s very unhappy with everyone… and a lot more familiar to some than was expected.

Probably my favorite story in this volume was the academy one, which was simple tragedy with no purpose except to show that this world still has a tendency to run on death. It even gives us a little side plot with three students talking about the disappearances, and you wonder if we’re going to take a detour into a side story, but alas no. I also really liked Aurelia, who has a touch of the Maria Campbells to her but (like Maria) also a strong cure. She also works well with Oscar, which would create a love triangle in any book which is not this one. This book is all about the OTP. As for the witch, well, it certainly opens up Oscar’s past, which we finally get to see for the first time, and explains why his late mother has never dwelt much in his thoughts. But the key takeaway from that is “Oscar should be dead”, and I expect the final book may try harder to push on that.

This is another very solid volume. If you’re sick of the usual light novel brand of fantasy, you should absolutely be reading this.

Accomplishments of the Duke’s Daughter, Vol. 6

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

It would be more accurate to call this volume, and apparently the two following it, “Accomplishments of the Duchess”, as we now begin an extended side story telling us about Iris’ mother Merellis. Featured in the first few books of the main series as a caring mother who seemed the sort to speak with her mouth behind a fan, the final book in the series showed us that behind all that etiquette is a dangerous swordswoman who will cut you down as soon as look at you. I said I wanted to hear her story, and it turns out iris does as well. Merellis’ past had never been revealed to her daughter, so Iris asks and Merellis tells up about her childhood, starting with the tragic murder of her mother by bandits, which sets her on a path leading to revenge and… well, revenge. What else does one need? the book was excellent, but fans of the series who loved it for the economic theory might be a bit thrown off.

After her mother’s funeral, Merellis is consumed with rage and a desire to take revenge on the bandits who did this to her family. Her father decides to train her in the sword to at least try to distract her, and, although from her own perspective the gains she makes and slow and inadequate, it’s actually rather terrifying how quickly she takes to it. Soon she is Mer, impersonating her own body double and rising through other guards, then knights, rapidly becoming an amazing military commander. Unfortunately, when all your life is dedicated to one goal, there are obstacles that are hard to overcome, such as your father getting his own revenge for his wife’s death and leaving you with no purpose in life. If only there was a guy her own age she could talk to about this…

As I said before, this feels like a completely different story. Merellis is not a meathead swordswoman, and very much shows she can take charge on a battlefield, but the book shows her worldview gradually opening up, as she goes from “I only care about my revenge” to “now what the hell do I do?” to “I want to protect my family” and then to “I want to protect others around me so that they do not suffer as I have”. At her side, though they’re not a couple yet (the two haven’t even hit puberty by the end of this first novel in the subseries, though the inner artwork may not have gotten that message) is Louis, son of the Prime Minster and Merellis’ future husband. She’s fairly smitten with him by the end of the book, but they also fight,as he tries to get her to see the bigger picture.

I suspect the next book will feature a lot more nobility and gowns and less fighting, but who knows? Merellis was clearly a little hellion until she got married (and then became a big hellion). This is a great book, but it’s nothing like its parent series, except maybe as it regards the greater good and how to move towards it.

Arifureta: From Commonplace to World’s Strongest, Vol. 12

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It was about 18 months in Japan between Vol. 11 and 12, and it’s been about the same here in the West as well. I was briefly worried that I’d forget literally everything that had been happening before, but that was before I remembered what series I was reading. Arifureta is not particularly interested in its own plot, or even that much in its characters. Arifureta is interested in people powering up and getting new special moves. The author has clearly drowned himself in Jump series as a kid, and as a result this book, especially the back half, can be summed up by using the “It’s over 9000!” meme over and over again. That said, there is a little bit of character stuff in the front half, but I was less happy with that, as it leans too heavily into an evil cliche stereotype I dislike. This is also NOT the final volume of the series – we’ve got one more to go after this. Fortunately, it’s scheduled for the fall in Japan.

Kaori gets a nice cover art picture, which makes it a shame that she’s the only one not in the main book, getting left behind to guard everyone else and make sure they’re not killed. (She gets a nice short story at the end to make up for it.) The rest of the book is divided almost exactly in half. In the first part, Shizuku, Ryoutarou and Suzu head over to try and beat Kouki and Emi up and return them to their senses. Only one of them actually gets beaten up enough to have that happen, and you can probably guess who. But hey, Suzu gets to say goodbye. In the back half, Hajime is sent ahead to go rescue Yue (which will clearly be most of Book 13), so we get Shea and Tio taking on a whole bunch of apostles and monsters, as well as Freid. Unfortunately, the bad guys seem to have forgotten how our heroines are basically nightmares themselves by now.

So yeah, we get Eri’s backstory here to explain why she’s incredibly evil, and it’s because her father died saving her from getting run over, her mother blamed her and abused her, and she was almost raped by her mother’s new boyfriend. Getting abused as a child leading to a bad person later in life is something we need to see less of. Kouki, meanwhile, remains a shallow parody of the standard shoujo boyfriend, so it’s no surprise that once the mind control is removed and he’s punched a lot he manages to recover what wits he has… though we’ll see what happens when he sees Hajime again. But really the majority of this book is exactly what I said earlier: yelling out attacks, just barely avoiding lethal moves, pulling off near lethal moves in return, and lots of shouting.

The return of everyone’s favorite Zero protagonist at the end of the volume is interesting, and I wonder if she’ll help Hajime in the next volume. Till then: boy, this sure was a volume of Arifureta.

So I’m a Spider, So What?, Vol. 14

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Kadokawa Books. Released in North America by Yen On. Translated by Jenny McKeon.

The subtitle of this volume could be summed up as “At Long Last”. At long last, we have finally caught up with where we left Shun, Katia and the rest of the human cast in Book 5. At long last, we get several extended flashbacks explaining to us the origins of Ariel, Potimas, and Guli-Guli… erm, Guliedistodiez. But perhaps most importantly, at long last, Potimas is dead dead dead. Yes, technically this is a spoiler and it happens at the very end of this volume, but I think most readers of the series won’t blame me too much, because every single one of us have wanted that asshole dead for almost ten books now, and it’s about damn time. Of course, there’s one slight problem with all these things happening at once, which is that none of them really land as satisfyingly as I want them to. For a book that should have been a home run, this ends up being merely “okay”.

The Imperial Army, augmented by hidden demon army members, has arrived at the Elf Village to kill every single elf there, including Potimas (but excluding Ms. Oka, who gets a pass for being nice to our spider long ago). Ariel asks White to leave Potimas all to her, which White very reluctantly does. But that’s fine, as it turns out there’s a lot more going on, including robots, giant robots, even gianter robots, massive sea urchin robots, and UFOs. All of these force White to work harder than she’s ever…. well, no, White barely breaks a sweat, but she does have to use a few tricks she’d been saving for later. As for the rest of the human cast? Erm, sorry, the title of this book is still about the spider. They barely get a look in. In the meantime, Ariel has flashbacks to her past, and the previous end of the world apocalypse, which is mostly thanks to Potimas, though the dragons helped.

There is some funny stuff here. White’s narration is always amusing, especially as Potimas keeps topping himself with more and more dakka. Her four spider daughters are also very amusing as they have to team up with Ronandt, something which pleases them a whole lot more than it does him. But for the most part I think the parts of this book set in the past don’t land as hard as they should, because they’re told from the perspectives of three people who were not present at the major events. It is interesting to see Ariel as a wheelchair-bound near death teenager, and helps to explain a lot of her actions (as well as her relationship with Potimas). That said, I’m going to be honest, the most interesting part of the book was the final line. White has always been a bit of a villain protagonist. Is she finally going to turn full evil?

So yeah, Spider fans will like this, but not a lot. The next book promises to be a banger, though.

Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 5

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By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

I am deliberately not reading prior reviews of this (which I normally do), because I know I will be typing the exact same goddamn thing again. There’s just no avoiding it. So here we go: This series only has one joke. It’s STILL a good joke. That said, the dichotomy between Reborn to Master the Blade as amusing reading about a meathead and her slightly less meathead sister and Reborn to Master the Blade as a dark fantasy with a lot of casual death is widening, and it does not always mesh together well. There’s a moment in this book where an entire city rises into the air, and Inglis notes that this is likely due to a LOT of people being executed to harvest their energy. And, as it turns out later, she is correct. However, we barely notice this as we’re listening to Inglis trying to figure out how to clone herself to solve her fighting problems.

Inglis and company are traveling in secret to Alcard, in order to try to do something about the impending war. Unfortunately, Alcard has changed a LOT since the last time Lahti, Pullum and Ian were there. The people are starving to death, their food having been taken at the behest of their heiral menace, Tiffanyer, who has the power to make anyone sing “I Think We’re Alone Now”… erm, well, I’m not sure if her power is literal brainwashing or merely incredible charisma, but she’s won over a lot of the knights of Alcard, including Lahti’s older brother. She’s also hella strong, meaning Inglish is having trouble focusing on the mission and not focusing on getting a really good fight with Tiffanyer. That said, the thing that shows up at the very end of the book makes even our favorite meathead step back and pause to reflect.

Again, the one joke is a REALLY GOOD JOKE. The running idea of Inglis thinking about cloning herself, and being told the many ways this is a bad idea, then trying to fix it by tripling herself… it’s hilarious. It will never happen, and THANK GOD, but it’s hilarious anyway. I also loved the desperate stupidity of the world’s two hungriest girls trying to get by on eating snow with sugar and salt sprinkled on top of it. Beyond that, however, things are pretty dark. There’s one point where they literally find a church full of dead children who starved to death due to the machinations of Tiffanyer. What’s more, she’s not merely evil for evil’s sake – she’s grabbing what she can because she knows the penalty for failure. It’s increasingly likely that peace is not something that’s coming anytime soon. And given what shows up at the end of the book, apocalypse is looking a bit more likely.

If you can tolerate the book turning from “this is a horrible tragedy with the corpses of children” to “dur hur Inglis love fighting!” this is still a fun series. Plus the books read fast.

The Manga Review, 6/24/22

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Hi, all! Its been a relatively slow news week manga-wise and a crazy week for me work-wise, so I’m going to dispense with the snappy introduction and get right to the links! As always, if there’s a great blog, podcast, or YouTube channel that you think should be featured in The Manga Review, leave a comment below or contact me through Twitter. Your suggestions have already helped me make this a more inclusive and representative space, so keep ’em coming!

NEWS AND FEATURES

The folks at J-List have posted a thoughtful article explaining the steps the United Workers of Seven Seas will need to take in order to unionize. If you don’t know much about the National Labor Relations Board (NLRB) and its role in “mediat[ing] between the employer, union, and other parties to iron out all the details,” start here. [J-List Blog]

Erica Friedman’s latest Yuri Studio episode is now live, and focuses on sports in yuri anime and manga. [Okazu]

After a brief hiatus from blogging, Allison Ziebruh has revived Bloom Reviews with a raft of new reviews, as well as a thoughtful reflection on the current isekai manga boom. [Bloom Reviews]

Kelli Ewings posts a sneak preview of new works by Gengoroh Tagame, explaining why she’s excited to see more of his ground-breaking work available in English. [Panel Patter]

Wondering what’s new at Seven Seas? Carrie McClain has you covered with licensing news, unionization updated, and brief reviews of The Muscle Girl Next Door, Until I Meet My Husband, and more. [Women Write About Comics]

Laura Grace continues working her way through the shojo manga alphabet with a look at her favorite titles that begin with the letter D. [Beneath the Tangles]

Buckle up, Ryuko fans: Andrew Osmond just sat down for an interview with creator Eldo Yoshimizu. When asked why all his manga feature tough, sexy women in leading roles, he responded, “I like the strong woman, maybe that’s the reason. Especially when I started writing Ryuko, I wanted a lot to have female readers. I had that idea in my head. Especially in Japan, the woman is treated as vulnerable, kawaii… For child readers, that’s fine, but I wanted to provide something more sophisticated, better for the adult readers. Asura [the protagonist in Hen Kai Pan] and Ryuko, they make mistakes and they suffer a lot, and they’re going to grow up… That’s the kind of story I wanted.” [Anime News Network]

REVIEWS

Over at The Guardian, Rachel Cooke posts a thoughtful review of Yamada Murasaki’s Talk to My Back, due out from Drawn & Quarterly this summer. “Murasaki captures her character’s every mood shift and internal contradiction, her guilt as well as her longing (more than once, other people tell Chiharu she should be “grateful” for her life – as if she didn’t know this herself),” Cooke observes. “But Murasaki leavens this by recalling, too, the quotidian pleasures and rituals of home: the jokes, the teasing, a delicious (“slurp”) bowl of noodles. The result is a cross-cultural book about female self-worth – about where it comes from and why it sometimes disappears – that stands the test of time in the most remarkable way.”

Also of note: The OASG’s Justin and Helen offer their perspectives on the latest volume of Witch Hat Atelier, while ANN’s Lynzee Loveridge gives Hideshi Hino’s The Town of Pigs a solid grade of B, and Solrad’s Helen Chazan posts capsule reviews of several new releases.

 

Slayers: Hatred in Selentia

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

At last, I have something to talk about. That is not a good thing. The Slayers novels are fast-paced, action-packed, have some interesting fantasy plotting, and Lina and Gourry are fun, but let’s face it, the reason this series is beloved is that the anime took the characters and fleshed them out, made them human. Character development and deep emotional pain is not something that Kanzaka specializes in or is good at. And that’s going to be a problem with this book, whose second half relies entirely on the death of a beloved character and said death driving another character to an extended murder spree, one that I suspect may continue in the next book. There’s just one problem. The emotional impact is taken as read. The author assumes we will be devastated when this character dies, but mostly we’re merely surprised at how fast and pointlessly it happened. And the roaring rampage of revenge is more of a mildly simmering rampage of revenge. Slayers runs on snark and fighting. When there isn’t either of those, it gets into trouble.

Lina and Gourry come to Selentia, a city where religion is the biggest mover and shaker. There’s a high priest as well as four other slightly lower priests. Unfortunately, the high priest has just burned to death in an “accident” that no one thinks is an accident. Lina and Gourry are hired by the Sorcerer’s Guild to investigate, and find that there’s a lot of motive but not a lot of evidence. That is until we get more killings happening. What’s more, Luke and Mileena are here again, being hired bodyguards for one of the priests. Can Lina and Gourry figure out what’s happening and stop it before the entire city turns into a blood-soaked canvas? Answer: no.

Kanzaka apologizes to readers in the afterword for Amelia and Zelgadis not being in this, but for the wrong reason. He states that if they’d been there, they could have healed the fatal wound and thus avoided everything that came after. That said, I think the bigger problem is: this should have been Zel and Amelia, not Luke and Mileena. After being introduced in Book 9, the two of them have had “replacement scrappy” written all over then, despite occasional attempts at depth. Frankly, if Kanzaka had simply used Amelia and Zel in Book 9-14, and had Amelia killed off and Zel go on a rampage, the impact would have been much greater because we actually care about them. And, see, I say that, but I can’t bring myself to believe that either. Because Mileena’s death is so fast, so lame, and so emotionally void that it took me a while to realize it had happened. Kanzaka cannot write depth. And that means this book winds up suffering terribly, because it’s where depth is needed the most.

This second “arc” in the S;layers series will end in the next volume, and I suspect will wrap up Luke’s plot as well. I hope it’s filled with cool action sequences and magical battles. Because really, why else would you read this?

Manga the Week of 6/29/22

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SEAN: As June winds to an end, manga companies are watching closely, because July means the start of a new fiscal year. What manga will balance their books?

ASH: So many calendars to keep track of!

SEAN: Airship has some new print volumes. We see Adachi and Shimamura 9, Classroom of the Elite 11.5, Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 4, and Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs 6.

Digitally, we see an early debut for The Case Files of Jeweler Richard (Housekishou Richard-shi no Nazo Kantei), a mystery light novel series for women that has already gotten an anime. It is another of those series I say is “not BL, but BL-adjacent”.

MICHELLE: I was rather disappointed by the manga. Perhaps the light novel will be better.

ASH: I haven’t had the chance to read the manga adaptation yet, but I have hopes for the original novels.

SEAN: There’s also early digital for The Strange Adventure of a Broke Mercenary 5.

Cross Infinite World debuts Onmyoji and Tengu Eyes: The Spirit Hunters of Tomoe (Onmyouji to Tengugan: Tomoe Shiyakusho Mononoke Trouble Gakari), a title which asks “what if Felix Unger and Oscar Madison were both gorgeous men and fought the supernatural”?

ASH: I am intrigued.

SEAN: There’s also Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace 4.

Ghost Ship gives us I’m Not Meat (Boku wa Oniku Janai), which ran in Shogakukan’s Big Comic Spirits. A man who works as a copywriter is terrified of women, seeing them as predators. Unfortunately, for his new ad campaign he really needs to understand dating. Can he overcome his instincts? This is very much a sex comedy in the old 80s use of the word.

They also debut Wicked Trapper: Hunter of Heroes (Magatsu Wanashi no Yuusha kari), an isekai about a game designer known for traps and sadistic games who arrives at a dungeon world… and the heroes are threatening him. What else to do but side with the villain and get revenge? This runs in Ultra Jump. Those with long memories may remember the author’s Tokyo Cycle Girls on the JManga site.

ASH: Oh, JManga is not a site I’ve thought about in a long while!

MJ: Oh, wow, same. Also… still sad about that.

SEAN: They’ve also got Into the Deepest, Most Unknowable Dungeon 3.

J-Novel Club has a digital debut. The Misfit of Demon King Academy (Maō Gakuin no Futekigōsha ~Shijō Saikyō no Maō no Shiso, Tensei Shite Shison-tachi no Gakkō e Kayou~) already has an anime out, and is one of the genre of “demon king wakes up after thousands of years and goes to magic school” books we’ve seen so much of lately.

Also out: Culinary Chronicles of the Court Flower 6, Full Clearing Another World under a Goddess with Zero Believers‘ 3rd manga volume, Fushi no Kami: Rebuilding Civilization Starts With a Village 6, The Tales of Marielle Clarac 9, and The Unwanted Undead Adventurer’s 8th manga volume.

Kodansha, in print, debuts Wandance, which runs in Kodansha’s Afternoon. A young man has fallen in love with a woman, and for her he will do anything… even learn to dance! This combines romance and sports, and is more freestyle dancing compared to ballroom dancing.

MICHELLE: This looks fun to me!

ANNA: Nice!

ASH: Looks like it could be fun to me, too!

MJ: Agreed!

SEAN: Also in print: APOSIMZ 9, Blue Period 7, A Sign of Affection 5, That Time I got Reincarnated as a Slime 19, and Welcome Back Alice 2. Oh yes, and Sayonara, Football 11, still not mentioned on their website.

The digital debut is Burn the House Down (Mitarai-ke, Enjou suru), a josei series from Kiss. A young housekeeper starts work at the house of a middle-aged housewife. But she has an ulterior motive, which is to investigate a past tragedy that ties them both together.

MICHELLE: Ooh, interesting!

ANNA: This does sound interesting.

MJ: Maybe, maybe…

SEAN: We also see Back When You Called Us Devils 14 (I’ve called this a final volume three times now, we’ll see if it sticks this time), Harem Marriage 18, Koigakubo-kun Stole My First Time 2, My Darling Next Door 5 (also a final volume), Tesla Note 5, That’s My Atypical Girl 5, and WIND BREAKER 3.

No debuts for Seven Seas this week (they’re all on their other imprints), but we do get Classmates 5, Doughnuts Under a Crescent Moon 3, Drugstore in Another World: The Slow Life of a Cheat Pharmacist 5, The Idaten Deities Know Only Peace 2, Otaku Elf 4, Precarious Woman Executive Miss Black General 8, and The Tale of the Outcasts 5.

MICHELLE: I should really read Classmates.

ASH: I’m a few volumes behind and need to catch up, but I do live the creator’s work.

SEAN: Seven Seas also debuts a new imprint: Steamship! This seems to be “Ghost Ship for Women”, i.e. a smuttier kind of shoujo/josei. Outbride: Beauty and the Beasts (Out Bride – Ikei Konin) is from Hakusensha’s Manga Park, and has a young woman who dies in a car accident isekai’d to another world… where she’s the only human woman! Now four gods all vie for the right to have her bear their child!

ANNA: OK!

ASH: Happy to see this imprint launch.

SEAN: SuBLime has a 4th volume of Black or White.

Tokyopop has the 4th volume of Double.

They also have the digital debut of Aria The Masterpiece – all 7 volumes will be out digitally next week.

Viz has Fist of the North Star 5, Fullmetal Alchemist: Under the Faraway Sky (another re-release of a novel they put out in 2007), and Maison Ikkoku Collector’s Edition 8.

ASH: Still thrilled we’re getting all of Fist of the North Star!

MJ: I am, too!

SEAN: There’s a pile of Yen On light novels. Bungo Stray Dogs 8, Date a Live 6, Demon Lord 2099 2, The Demon Sword Master of Excalibur Academy 6, Our Last Crusade or the Rise of a New World 9, Overlord 14, Unnamed Memory 5, Yokohama Station SF National, and You Call That Service? 6.

ASH: Yokohama Station SF National has most of my attention here.

SEAN: Yen Press’ debut is Why Raeliana Ended Up at the Duke’s Mansion (Kanojo ga Koushakutei ni Itta Riyuu), a reincarnated villainess story that’s actually a Korean webtoon. Yen is adapting it for print. As for the plot… I mean, it’s a reincarnated villainess story.

And we also see Catch These Hands! 2, Goblin Slayer Side Story II: Dai Katana 3, and The Maid I Hired Recently Is Mysterious 3.

Hi, I’m Sean Gaffney, and I’ll teach you how to BUY.MANGA.FAST.

Ascendance of a Bookworm: I’ll Do Anything to Become a Librarian!, Part 4: Founder of the Royal Academy’s So-Called Library Committee, Vol. 7

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By Miya Kazuki and You Shiina. Released in Japan as “Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen” by TO Books. Released in North America by J-Novel Club. Translated by quof.

Each of the parts of this series expands and builds on the one before it. We begin with Myne pretty much confined to her tiny home and the immediate area around it, and this expands when she starts doing her paper thing and meets Benno. Then we expand into the temple environment, where we see our first exposure to the religion of this world, Myne’s role in it, and noble society, where there is a chasm so great that Myne has to die and Rozemyne has to be born in order for the plot to move forward. The third arc gives us all we want to know about nobles and their infighting, and ends with Rozemyne in a two-year coma. In the fourth arc, we move to the Royal Academy and begin to see Rozemyne seriously influencing people beyond her duchy, up to and including the royal family. We’ve still got two more books after this, but after this one I think we all know where things are headed. Civil war.

Rozemyne may spend the first half of the book away from the Academy, but that does not mean that this is a laid back and relaxed sort of book. Things get serious right away when she reads the Bible, trying to find the bits of the Book of Exodus describing how to build an altar (this world, alas, does not seem to have that), and finds that she can suddenly see a magic circle hovering over her Bible. Ferdinand is so unnerved by this that he urges her to never mention it to anyone or even remember she saw it… but then she has to give testimony about all the cool things she did in the previous book, and admit that she learned dark spells form the Bible she has… which is not the same as the Bible other duchies have. This almost sparks a holy war, and I’m pretty sure we aren’t done with it. But I suspect that the terrorist attack we get at graduation time will distract people from it just a tad.

There are many funny moments in this book, not least of which is the introduction of the perfect partner for Hartmut, a woman who is just as obsessed with Rozemyne as he is AND able to threaten to kill him with a knife. Every man’s dream. That said, it’s hard not to focus on the more serious parts. The attack is harrowing, and has a body count… though the body count is not from Ehrenfest, which sadly, given the way nobles think in this world, means they’re actually under suspicion. We also get a prologue showing us how much stress Hannelore is under merely by being in Rozemyne’s orbit, and an epilogue showing us the tragic past of Eglantine is even more tragic than we had previously been told. I have a sneaking suspicion that Eglantine’s pacifism is going to tie into future books, and I’m not sure if that’s a good or a bad thing.

If you’re reading this series and wondering if you should pick up Book 19, you don’t need my review. But I’ll tell you anyway: yes, you should pick up Book 19. This remains a top-tier light novel series.

Forget Being the Villainess, I Want to Be an Adventurer!, Vol. 3

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By Hiro Oda and Tobi. Released in Japan as “Tensei Reijou wa Boukensha wo Kokorozasu” by Kadokawa Books. Released in North America digitally by J-Novel Heart. Translated by Kim Louise Davis.

One of the gimmicks in My Next Life As a Villainess is that every reader laughs at Katarina continuing to prepare for her own doom, as they know that if she’d just relax and enjoy life with her harem, everything would be fine. Of course, later volumes show that’s not actually true. One of the things we’ve seen about villainess novels is that the narrative does not like being flouted, and will do its very best to make sure our villainess dies as she’s supposed to do. And few series have quite gone as hard about it as Forget Being the Villainess, I Want to Be an Adventurer!. Even though last book ended with Serephione safely ensconced in another kingdom, and with a fiance who adores her, there’s still the “heroine” to deal with. And this heroine may be the nastiest, most evil one we’ve seen to date. actually, that may be the book’s one big flaw: Maribelle gets no tragic backstory she’s just The Adversary.

As Serephione settles into her new kingdom, various parties try to bring her back to the old one. Her family is OK with her being there as long as she’s safe, though they want to actually see her again. But when the first prince comes himself to beg her to side with him, and her grandmother is cursed and nearly dies, it becomes apparent that there’s no real way of getting out of this throne war. Especialyl when the king is a drugged puppet, the queen is getting revenge on everyone, Schneider is still trying to destroy the book series he hated when he was back in Japan, and Maribelle… well, Maribelle remains a bit of an evil in the shadows until she’s finally forced to come out. When she does, it’s time for a magical duel, which normally Serephione would have no problems with, but Maribelle has the power of a different god on her side.

I get the sense that the writer of this book wanted to go for the tragic ending but the publisher made them stop. The ending, with Serephione resolving to be reincarnated as a warm breeze to always follow her beloved (and woe, that’s an absolutely wonderful moment) feels a lot more valid than what we actually get, which is “remember that scene where you wished on a star? No? Well, we’re cashing it in.” I was also annoyed that Erza came back, as I wanted her to, only to essentially be written out of the book due to Maribelle’s curse. That said, as I mentioned above, the biggest flaw in this book is that Maribelle is a one-note antagonist, whining and screaming when things don’t go her way. She gets the “love interests” on her side due to the power of the narrative, but I would have appreciated at least a little better idea as to what drove her to this.

So, in the end, a flaws series, but I was happy to read it. Three volumes seems just about right. Recommended for villainess fans.

You Like Me, Don’t You? So, Wanna Go Out with Me?

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By Kota Nozomi and Azuri Hyuga. Released in Japan as “Kimitte Watashi no Koto Suki Nandeshou?” by GA Bunko. Released in North America by Tentai Books. Translated by Noor Hamdan.

After getting a very old series licensed by J-Novel Club (When Supernatural Battles Become Commonplace), Kota Nozomi now has a more recent series out over here, one tying in to the current trend of “relaxed, sweet and syrupy teen romances”. The artist may also be familiar to readers, having done illustrations for Our Crappy Social Game Club Is Gonna Make the Most Epic Game. And the plot is, of course, very familiar, as the whole point of this genre is to give the single teenage male a book to read that will make him sit up and think “yeah, that could be me! Maybe! If the hottest girl in the school decided to do all the heavy lifting!”. This is not a series to read if you want unique plot or characterization. But if you enjoy the genre, and are thinking “is there just enough here to entertain me and make me want to pick up the second (and so far, last) volume? Yes. Just barely.

The book opens with the title and then backtracks to review how we got here. Our sad sack protagonist is Kouichi, one of two members of the “Literature Circle”, which is to say a literature club that lost its members and became unofficial. He has a dark past that we will eventually find out about. The other member of the Literature Circle is Kasumi, his sempai at school and one of the school’s “Four Heavenly Beauties”. She is known for her mature attitude and looks (and yes, she has large breasts,. which are mentioned frequently – it’s that genre, after all). And, after about a year of being in the same club, reading books, and getting shamelessly teased by Kasumi, she asks him if he likes her. He does, so she asks if he wants to start “trial dating”, i.e. dating the way we do it in the United States, rather than Japan’s “confess and die” approach. He suspects a trap, but goes along with it.

This book had to have its protagonist clear one low bar in order for me to want to read more of it, and it did – just. We gradually get to hear about Kouichi’s tragic past – it doesn’t involve death or past romance, but it does involve being taken advantage of by someone in authority, and it’s pretty much broken him. Unsurprisingly, it’s Kasumi’s enthusiasm and optimism that makes him decide that he wants to try again. The good thing is that, to get help, he turns to a third, more experienced person who he trusts a great deal. I was hoping that this would not merely be a two-person book, with literally any positive thing he did caused by his love for the hot girl who likes him. Instead, he’s making progress without her input. That’s good. As for Kasumi, we do occasionally get her viewpoint, and it helps us see she’s not nearly as put together and perfect as Kouichi thinks, but she’s definitely taking more leaps than he is here.

So this falls under the heading of “okay”. If it were as long as When Supernatural Battles Become Commonplace, I’d pass. Since it seems to be only one more volume, I might get it.

Sword Art Online: Progressive, Vol. 8

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

(This review spoils the end of the book, but I’ll wait till after the cover art and summary to do so.)

For the most part, Sword Art Online is a cash cow. What this means, especially now that Kawahara is no longer relying on rewriting his webnovel, is that he is free to do what he wants and take all the time he needs without real fear of being cancelled. Now, this can be dangerous, and the series risks becoming a bit TOO meandering. But it also means that he’s happy to set up a bunch of stuff, lead us towards resolving it… and then kick it up to the next floor/book, knowing that he has time to look into it in greater detail then. This is what happens here with the ongoing Dark Elves plot. We get a few more hints about what’s going on, there’s some tantalizing angst as they worry about putting the main casino plot ahead of Kizmel’s (she assures them it’s fine.) And then the confrontation… isn’t. See you in Book 9.

Kirito frequently runs on his instincts, which usually serve him well but also get him in a pile of trouble, as they do here where he essentially decides to rescue the monster dog from where it’s being slowly tortured to death for the casino games. Which is fine, but… that means they’ve got a lot that now needs to happen, including getting Nirrnir to inspect the enemy camp’s monster stables. Unfortunately, that leads to Very Bad Things, so now Kirito and Asuna are in a race against time to try to a) beat the cheating casino, b) beat the floor boss, and c) help Kizmel get un-disgraced. Fortunately, they have each other, they have Argo, and they have the power of delicious Greek food, so it won’t be TOO hard… maybe.

So yeah, I have to admit, I was not particularly surprised at the fact that Nirrnir was a vampire, as all the signs were there in the previous book. It would have been more odd if she WASN’T. No, the surprise was that I expected our heroes to win and be able to cure her poisoning at the last minute. I wasn’t even that surprised at Kirito telling Nirrnir to drink his blood in order to stay alive – this is a classic trope of vampire stories. I was pretty surprised that this caused Kirito to become a vampire himself. And I was VERY VERY surprised that this was not resolved by the end of the book, meaning he’s going to have to take on the next floor only in the evening, as he now has all the traditional vampire weaknesses. It fits with the story in this 2-book arc, but honestly, I hope “Kirito the Vampire” is resolved sooner rather than later in Book 9. And honestly, I kind of want the dark elf plot resolved as well. I love Kizmel, but ell… sometimes Progressive *is* too meandering.

We’re caught up with Japan again, and I’m not sure when Book 9 will come out. In the meantime, please enjoy a Kirito who is probably going to be staring at Asuna’s neck even more than he normally does.

Otherside Picnic, Vol. 7

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By Iori Miyazawa and shirakaba. Released in Japan as “Urasekai Picnic” by Hayakawa Bunko JA. Released in North America by J-Novel Club. Translated by Sean McCann.

If Otherside Picnic is a series about ghost stories and legends, and going to another world to explore and confront them, then the series had to, at some point, deal with its own self-made ghost. Satsuki Uruma has been a part of this series from the very beginning, but we’ve never quite met her. Her presence has been felt, though, both from the impact her life and death had on Toriko and Kozakura and also because the Otherside has used her presence and likeness to hunt and destroy Sorawo. In this new volume, Sorawo finally meets Satsuki and has a conversation with her, and it helps to clear up a great many things. 1) the Satsuki they’re dealing with is not a human being, and b) Sorawo wants to murder her. Of course, this is Kozakura’s friend and Toriko’s former teacher/crush, so Sorawo will have to obfuscate her real motives… but not by much. Call it a funeral or an exorcism or what you will, it’s a final battle, and all it needs is a shootout.

While discussing Kozakura’s decision to take the wayward Otherside child Kasumi in (reasoning that she’s human because she’s not trying to look human), Sorawo and Toriko get into a fight because it turned out Toriko missed Sorawo’s birthday, which Sorawo doesn’t care about but Toriko certainly does. A few days later it’s not a fight but it’s not NOT a fight, so Sorawo, after her anthropology class, decides to return to the building where she first entered the Otherside and met Toriko. There she finds her doppelganger… and also Satsuki, who has a terrifying conversation with our heroine. After this, Sorawo is determined to do away with her, to the point where her romantic anniversary dinner with Toriko is somewhat waylaid by that fact. But how do you kill what Satsuki has become?

I brushed past the anthropology class, but it was a terrific part of the book, with Sorawo (who is no longer amnesiac, so is returning to her original topic) laying out the anthropological details behind ghost stories and the like. The class are doubtful but not mocking her, and the professor is quite supportive… especially when they do find evidence of T-san’s former presence. The other highlight of the book (aside from Sorawo really coming into her own as a leader and driver of the action) is, once again, Runa Urumi. Her interaction with Sorawo is fantastic, and I enjoyed seeing her assume that the only reason that Sorawo is allowed to walk around Japan with her eye that can drive people crazy is that she has friends in high places. Unfortunately, the final scene (which is both terrifying and vindicating, and makes you want to punch the air in victory) puts Runa away again” for a bit, but I now really look forward to seeing her again.

This is not the end of the series, but it’s very much the end of one of the major story arcs, and that makes it easier to wait for the 8th volume, which is not out in Japan yet. Till it comes out, this may be the best volume of the series to date.