Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Sabikui Bisco, Vol. 3

by

By Shinji Cobkubo and K Akagishi. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

Sabikui Bisco, as I noted on Twitter while reading this volume, bases itself around two aesthetics: “cool” and “gay”. Both of these aesthetics are present and correct in this third volume, which wraps up the story arc the author had in mind on creation, though it’s clear there are more volumes coming. Now, it may come as a surprise that I am saying that this volume of Sabikui Bisco is really gay, given that, over the course of the book, Bisco marries a woman and the book ends with the two of them going off on their honeymoon. And yes, that does happen. But it’s irrelevant. Bisco and Milo is still THE pairing in this book, and even the flashbacks to the memories of the villain falling in love with another woman have Bisco and Milo laid over the two of them. It’s ridiculous, but that’s part of this series’ charm. It runs on ridiculousness. Ah, I suppose that’s a third aesthetic.

We open with our heroes celebrating, complete with quasi-religious ceremonies. Unfortunately, we then get the arrival of this book’s Big Bad, Apollo. He’s determined to return Japan to the way it was in 2028, and to do so he has particles that will convert anything – building, animals, people – into cities. Now some folks are belching out tiny buildings, telephone poles and power lines. To make matters worse… or possibly better… Tirol ends up being possessed by an an aspect of the villain who is on our heroes’ side, and tries to explain what’s going on. What follows is a series of extended battles against the encroaching citification of everything. But in order to get to that point, as I said above, Bisco and Pawoo are going to have to get married. Because the villain runs on etiquette, and it would be rude to interrupt a wedding procession, even if it’s heading off to defeat you.

Again, this book runs on cool as much as gay, and the cool in this book is very cool. The sheer imagery of the cities popping out all over people is stunning, and it will be amazing if it’s ever animated. That said, there are a few issues I had with this book. About 2/3 of the way through, most of the major characters except for Milo and Bisco get killed off one by one, and I’ve read enough shonen manga to know that there was inevitably going to be a resurrection at some point. Not to spoil, but yep. Sabikui Bisco is a shonen manga in light novel form, and that sometimes means it has the bad aspects of shonen manga as well. And the fact that this book runs almost entirely on aesthetic means that there’s not an awful lot of depth to it. We are never really going to see a different, more shaded side to Bisco or Milo. They’re who they are. And while I was asking for more Tirol in future books, “possessed the entire time” was not what I meant.

Still, this book doesn’t really need to be good in the way other light novels need to be, it needs to be good in the way that One Piece or Fairy Tail are good. In that respect it passes with flying colors.

Bookshelf Briefs 8/30/22

by and Leave a Comment

Frieren: Beyond Journey’s End, Vol. 5 | By Kanehito Yamada and Tsukasa Abe| Viz Media – This is a series that is prepared to get pretty dark—some of the examinees in this volume are killed off—but not too dark—none of the characters we’re actually introduced to are among the dead people. I also enjoyed seeing some other powerful mages, such as the girl who’s weak as heck through most of the competition because there’s a protective dome over the area, but when the dome is shattered (by Frieren, natch) and rain comes down, her power shines. We’re also getting some more of Frieren’s backstory, and showing off why her kind of magic was not what others were looking for back in the day. This is a fascinating fantasy series. – Sean Gaffney

In/Spectre, Vol. 16 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – All the cards are laid out on the table here, after we spend 3/4 of the volume resolving the ghost giraffe case. Rikka has what turn out to be very good reasons for why she’s constantly trying to break Kotoko, and they’re related to her own powers and those of her cousin. This actually causes Kotoko to have possibly the biggest emotional breakdown we’ve seen in this manga to date, though it’s fairly mild by the standards of anyone else. It’s not something Kotoko can easily refute. As a result, they have to team up for a bit longer. As for what Kuro thinks of all this, alas, we have to wait till the next volume because sometimes the arcs don’t end the way you want for a collected book. – Sean Gaffney

Kemono Jihen, Vol. 1 | By Sho Aimoto | Seven Seas – Kohachi Inugami is a detective specializing in the occult. He’s summoned to a remote village to investigate some mysterious animal deaths and ends up befriending an ostracized boy who’s being called Dorotabo by the villagers. Long story short, Dorotabo’s real name is Kabane and he’s not entirely human. Good thing Inugami isn’t either! He brings Kabane back to Tokyo with him where he meets a couple of other wayward boys the detective has taken in. I liked how Inugami insists that Kabane wasn’t abandoned by his parents and loved that he shows Kabane that he can use his unnerving abilities to help people. The overall vibe of the story is really neat and I and very much look forward to continuing! – Michelle Smith

Knight of the Ice, Vol. 11 | By Yayoi Ogawa | Kodansha Comics – I’d fallen quite behind on Knight of the Ice, and so spent a very enjoyable ten days or so catching up to the eleventh and final volume. I could nitpick a few things—some obstacles to Kokoro and Chitose’s relationship are resolved rather abruptly, for instance—but overall the series strikes a great balance between sports manga and josei romance. In this final volume, Kokoro has made it to the Olympics and gives an amazing performance. For the first time since he was a kid, he actually has fun. That part made me a bit sniffly, but the rest of it does kind of go by in a flash, and I’m left with some unanswered questions about Kokoro’s career that bug me a little bit. Ultimately, though, this series is a lot of fun and is one I could see myself rereading someday. – Michelle Smith

Kubo Won’t Let Me Be Invisible, Vol. 2 | By Nene Yukimori | Viz Media – Love can sometimes be inexplicable, and this makes it difficult when your friends look at the guy you’re crushing hard on, a guy who is so nondescript that people literally have trouble seeing him, and wonder why YOU see him like that. And, to be fair to the friends, so far this series is pretty one-sided in its love. Shiraishi is not a friendly, normal guy like Tadano in Komi Can’t Communicate, or a strong personality like Nishikata in Teasing Master Takagi-san. The joy of the series is seeing just how much Kubo is crushing on him, and how hard she’s trying to get him to ask her out. The problem is that we need to be able to care about HIM as well, and I’m not quite there yet. – Sean Gaffney

Minami Nanami Wants to Shine, Vol. 2 | By Bana Yoshida and Yuki Yaku | Yen Press – This series has a goal, and it’s to put Minami’s quiet but intense self-deprecation under the microscope. We see it throughout this volume, where she disparages herself for not being as fashion-conscious or as social-media-savvy as her friends (read: Aoi). She enjoys modeling, but when she tries to say so it always comes out ambivalently or as a question—she’s not sure she’s ALLOWED to enjoy modeling. Is that really OK for someone like her? Meeting a real model and being blown away by how cool they are doesn’t help. Fortunately, as in the novels she has Tomozaki to help, even if it’s not for an election. Will she possibly get to be a romantic lead in this spin-off? I want to know. – Sean Gaffney

Skip and Loafer, Vol. 5 | By Misaki Takamatsu | Seven Seas – Teenage love rarely runs as smoothly as shoujo manga would have you believe, and, given that our lead couple is still only just beginning to realize that they’re in love with each other, that means that it’s up to someone else to try their best but not quite succeed. Makoto has a crush on her sempai in the literature club. With the help of Yuzu (who, having experienced past problems with being “the popular girl,” is perfectly content to live vicariously through others) getting her all dolled up. Sadly, a lack of courage and a lack of understanding on the guy’s part are the result of this date. There’s also some terrific backstory on Nao, explaining why she doesn’t want to go home and why that may change soon. Great. – Sean Gaffney

Tearmoon Empire, Vol. 1 | By Mizu Morino and Nozomu Mochitsuki | J-Novel Club – One of the biggest draws that the Tearmoon Empire light novel has is its snarky, unforgiving narrator, who constantly explains that Princess Mia’s “selfless actions” are anything but. The manga version has that as well, but simply can’t use it to its fullest extent in this medium. As such, we’re left with more of Mia’s thoughts, deeds, and hilarious facial expressions. This has the added value of making Mia seem far more sympathetic in this first volume, more like the Mia of later in the LN series, and shows off the times that she really is acting selflessly (such as everything to do with Anne, the one servant who was kind to her in prison in her past life). If you enjoyed the LN, you’ll enjoy this too. – Sean Gaffney

Durarara!!SH, Vol. 4

by

By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Apologies to those wanting to know what this specific volume is like, but I need to briefly get a little meta. Ryohgo Narita, a ludicrously prolific writer from 2003-about 2015, has been dealing with a chronic illness. It’s made writing on a regular basis very difficult for him. What’s more, when he is well enough to write he has other projects that take precedence, because they’re owned by people other than him. The Bleach light novels. The as yet unlicensed Fate/Strange Fake novels. What does all this mean? It means that this volume of Durarara!!SH came out in 2016, and there has not been another one since. I will be writing the same thing about Baccano! in a few months time. As with Hunter x Hunter’s long hiatuses, it feels wrong to blame Narita for this extended absence. It does mean, though, that this volume was one where I hoped there might be, if not a definitive ending, at least a good stopping place. Alas, no. This is just another day in the life of these violent idiots.

Despite the presence of Anri on the cover of this volume, she’s mostly a supporting role in the book, and Mikado is mentioned but does not appear. Instead, once again, the lead role pretty much goes to Celty, who is grasping for a new purpose in life and wants to try going back to her old courier job, minus the complications that always hounded that job back when Izaya was around. Sadly for her, Izaya may be gone but complications remain. The drug that was going around two books ago is still around, despite the folks behind it having moved on. She’s being asked to locate the eldest son of a rich family, who is, as a lot of eldest sons do, getting involved with a bad crowd. And even though she’s a supporting player in this book, everything seems to revolve around Anri’s antique shop.

I admit that I was very amused about the subplot with the guy who was upset at Ikebukuro in general for treating him like a nameless character, not even someone important enough to be called a weak loser. I was amused because I had trouble remembering who he was as well. Honestly, in addition to the various references to Narita’s other series that litter this volume (Firo and Ennis, though unnamed, get a mention, and there’s a Vamp! subplot in here too), I feel as if I’m missing something in regards to the Natsugawaras, and would not be surprised if the backstory we hear about happened in an unlicensed side story. Other than that, this volume is a lot of fun. Narita calls it lighter than the others, and I agree. It also features the return of Kujiragi, who gets my favorite line in the whole book.

So yeah, good volume, and for now… that’s the end of Durarara!!. Unless Yen licenses the Izaya side novels. Which I highly doubt. Let’s hope that we eventually get some more and perhaps some closure.

Secrets of the Silent Witch, Vol. 1

by

By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

A book can get away with a lot if it has a really strong main character. With that already in the bag, you can feel free to set a book at a university filled with arrogant nobles and petty bullying without worrying about the audience going “oh no, AGAIN?”. You can afford to make your love interest a sort of generic nice Prince dude who only gets vaguely interesting in the final page of the volume. You can even afford to make your book, a mystery, have an incredibly obvious villain, making the denouement a bit flat. You can do this because your main character is why everyone is going to be reading more of this. And Silent Witch (Yen On added the Secrets part, possibly to avoid a copyrighted title) is one of those series. Monica is terribly shy, terrible powerful, and most importantly terribly easy to love as a protagonist. We want to see her succeed, we want to see her very, very slowly get better at simple communication, and we want to see her kick eight kinds of ass.

Monica Everett is one of the Seven Sages, mages so powerful that they can take out a black dragon capable of destroying cities all by themselves. Unfortunately, she brings new meaning to the word “introverted”, so she normally holes up in a cabin in the middle of nowhere with only her familiar Nero for company. Then one day another of the Sages arrives and blackmails… sorry, asks Monica to help him with a task. She’s to go to Serendia Academy to be a bodyguard/minder for Prince Felix, who is currently part of a faction war regarding who will inherit the throne. The idea of going back to school (she already went to magic academy) and having to deal with people every day fills Monica with horror. But it’s probably a good thing that she’s there, as the problems at school don’t just involve magic, they involve math. Which is Monica’s other specialty.

Monica is wonderful. Prince Felix compares her multiple times to a squirrel, and you can see why. She tends to be a wreck around people, and essentially is the Silent Witch because speaking incantations out loud would be too difficult for her. But put her in front of anything to do with math or magical circles and she flips on a dime, becoming laser focused and determined to the point where you could hit her in the face with a fan and she would barely react. (Admittedly, part of that is that she doesn’t want to deal with whoever would be hitting her in the face with a fan.) I also loved Isabella, part of Monica’s cover story, who gets to play the villainous ojou-sama who bullies Monica at school and is SO HYPED, having read a ton of villainess books to bone up on this. The rest of the cast are also fun, and I look forward to Monica slowly winning them over in future books.

I think everything in this series will depend on how long Monica can keep her true identity as the Silent Witch a secret. Because I think if that gets out, several big things will happen at once. But till then, I am delighted to watch this math squirrel run through the academy of arrogant noble jerks in search of cookies and places with no other people.

The Holy Grail of Eris, Vol. 2

by

By Kujira Tokiwa and Yu-nagi. Released in Japan as “Eris no Seihai” by GA Novels. Released in North America by Yen On. Translated by Winifred Bird.

The most frustrating thing about this volume is pretty much the same issue I had with the first one: the author is not telling the story I want to read most. Don’t get me wrong, I’m greatly enjoying seeing Connie sort of fumble around and slowly work out what happened ten years ago and why there’s a big chance it’s going to happen again. But frankly, I want the teenage years of Abigail O’Brian. I want a pirate adventure story, I want to see how she ended up at the center of everything and also a madam, I want to see how she inspires absolutely everyone around her. But I suspect all I will get will be the crumbs of backstory I get here, because the author does not want to tell an adventure story, they want to write a mystery. And this volume gives us a lot of answers in the main mystery, though the resolution is still a long ways away. And depends, most likely, on Connie, not Abigail.

Connie is getting closer to the truth, and that’s making a lot of people angry. They try to kidnap and kill her best friend to get her to stop. They murder several witnesses who would have undone all their careful planning. And they have a pesky reporter girl who, sadly, is very much an antagonist in this series. Fortunately, Connie does have a few allies. She has Scarlett, of course, who can still occasionally possess Connie when it’s for the greater good, and whose complicated backstory we learn here. She also has Randolph, her love interest, though both of them being the sort of person that love just bounces off of means that the romance part of the book is more frustrating than anything else. That said, the real selling point is what we find out here: exactly why Scarlett was executed.

I will, of course, not reveal that here – I like spoilers but am trying to get better at not saying them. Nevertheless, it turns out to be a far larger plot than Connie, Randolph, or indeed the reader had planned. It can sometimes be a bit of a stretch to realize that everyone we meet seems to be connected to everyone either in the present, the past, or both, but that’s mystery novels for you. And we also get a few detours that are tense, mostly as while the author is unlikely to kill off Connie or Randolph, they’ve shown they’re perfectly happy to kill off other characters. There actually may be a bit TOO much going on here, as there’s also the subplot of a powerful hallucinogenic drug once again becoming available among the nobility. Everything points to somebody trying to undermine the country. And the biggest bombshell is what some people are prepared to do to save the country. But again… spoilers.

The series has 4+ volumes out in Japan, but I have a suspicion that this arc, at least, will end with the next book. I definitely look forward to seeing what happens – just because the mysteries are solved doesn’t mean the problems have gone away.

The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Vol. 2

by

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This is one of those books that starts slow but picks up speed as things go along. It’s essentially the second half of the first “arc” in this series, and we see Anisphia and Euphyllia dealing with the two remaining dangling plot threads: the man who kickstarted everything by publicly denouncing Euphie, and the young woman who was theoretically the cause of that. And any fan of villainess books will know that both of those plotlines are things that we’ve seen before. That said, this book does have an interesting twist that I don’t think we’ve really come across in regards to the “heroine” role. As for Anis’ brother, that’s a lot more serious plotline, and both he and Anis are forced to face up to the fact that the actions they take have far broader consequences than either of them would have liked. Although I think Algard already knew that, since… well, he has an agenda.

The book starts with Anis being forced to do a lot of things she doesn’t want to do. This includes having a conversation with her mother, who is determined enough to break past Anis’ eccentric behavior, as well as the Ministry of the Arcane, who know that Anis took down a dragon recently and want the dragon’s remains for their own use and not hers. In addition, Anis is trying to clear Euphie’s name, which means figuring out why otherwise sensible young nobles were so willing to go along with this public shaming, and what sort of hold Lainie, the former commoner who everyone has an opinion on, has over them. This will involve consulting one of Anis’ “bad friends”, Tilty, a noble who is essentially just as eccentric as Anis, if not worse.

The book’s first really good scene is at Tilty’s place, where we work out what’s up with Lainie and why she inspires the people around her to do emotionally unstable things when she’s around. It’s the sort of plot twist I’d have been incredibly impressed with if the color pages at the start of the book had not 100% spoiled it. Lainie herself is more sympathetic than I was expecting, especially once she comes to terms with the sort of person she is now. As for Anis and her brother, that’s the other really strong part of the book. Algard’s behavior is nightmarish, but it all stems from Anis’ hands-off, “I don’t want anything to do with royalty I just want to study magic” attitude, and even as she points out that he can’t act the way he is because he’s the prince, she understands that she essentially did the same thing. The question of succession is very much up in the air at the end of this book, and I hope it somehow gets resolved in a way that does not remove the yuri from this title, even if so far that’s pretty slight.

So yes, solid second volume, and it suggests that Anis is going to have to get more involved in the lives of those around her, even if it means less magical research. That said, I do hope we get a bit more “magic nerd” stuff between Anis and Euphie in the 3rd book.

The Bride of Demise, Vol. 1

by

By Keishi Ayasato and murakaruki. Released in Japan as “Shūen no Hanayome” by MF Bunko J. Released in North America by Yen On. Translated by Jordan Taylor.

Sometimes an author, regardless of the material, simply reaches out, grabs you by the throat, and starts to throttle you with evocative prose. Keishi Ayasato is one of those authors. Torture Princess, their previous series, contains just about every type of thing that I normally avoid in fiction, and yet it’s one of my favorite LN series. Likewise, when I first saw the solicit for The Bride of Demise, my first thought was “ooooh, not my thing”. But then I saw the author and knew I would have to buy it. And I was right. As with Torture Princess, this series has a certain loving fascination with grand guignol horror in its writing, but this one is, and I can’t believe that I’m even typing this, a magical academy series. That almost cheapens it, and I would hate to see it compared with things like the various “Demon King Went to School and Was Super Badass” books. This is the story of a young man and his fated meeting with a living weapon.

Kou, an orphan whose parents were killed when he was young, is a Magical Research student at the academy. He and his fellow researchers learn about the Kihei, monstrous creatures who were essentially the reason this is a somewhat post-apocalyptic world. Then one day, while he ad his team are exploring a supposedly safe area to harvest kihei corpses for material, they’re attacked by some very strong kihei. Kou decides to sacrifice himself to save the others, and falls trough a glass ceiling into a garden… which is convenient, as this is very much like the dream that he keeps having during his waking hours. In that dream, he meets someone who promises she will be at his side for all eternity. Now it’s come true. She’s White Princess, she is his “bride”, and it feels like he’s known her for years.

This review will very much be talking about the first half of the novel, because the second half is a nest of spoilers that I do not want to be responsible for you learning. All the “holy shit!” moments are there, and they are fantastic. That said, the rest of the book is a lot of fun. Kou is now part of a special team of elite students, all with their own “bride”, and taught by a classic badass teacher with a dark side to him. Kou manages to befriend most of the group pretty quickly, partly because it turns out that he’s a lot better at combat against the kihei than anyone really expected. But really it’s Kou’s relationship with his bride that is the emotional core of this book. Their love for each other is very quick to develop and very strong, and also, again trying not to spoil, the cause of the entire second half of the book.

I rarely have to say “trust me” in my reviews, as everyone knows I spoil like a mad fiend. But trust me on this one. Unless you can’t abide blood and gore (you should steer clear in that case), The Bride of Demise is a fantastic debut. Indeed, my one complaint is that it feels finished in one volume. Where else does this series go? Vol. 2 is coming soon to tell us.

The Manga Review, 8/26/22

by Leave a Comment

On Wednesday, Tokyopop released Peremoha: Victory for Ukraine, an anthology of nine stories written shortly after the first Russian tanks rolled into Ukraine on February 24, 2022. In the forward to Peremoha, Tokyopop publisher Stu Levy explains that these comics “were created entirely by Ukranians to express their fears, tears, and anger towards ‘the Enemy,'” and to express “their resolve and will to fight.” Tokyopop will donate a portion of every book sale to RAZOM, a non-profit organization that is providing humanitarian relief inside Ukraine, evacuating vulnerable populations from war zones, and promoting “policies that strengthen and support Ukraine and its relationship with the US.”

MANGA NEWS

Shueisha is in the process of initiating lawsuits against several pirate websites. [Torrent Freak]

Coming soon to a laptop or television near you: Keseiju: The Grey, a live-action television series based on Hitoshi Hiwaaki’s Parasyte. The series will be directed by Yeon Sang-ho (Train to Busan), with an original script by Yeon and Ryu Yong-jae (Peninsula). No release date has been announced, but the show will stream on Netflix. [Otaku USA]

During her recent trip to Japan, Megan Thee Stallion visited the JoJo: Ripples of Adventure exhibit at the National Art Center in Tokyo. [Yahoo! News]

FEATURES AND PODCASTS

Erica Friedman files a report from Flamecon 2022. [Okazu]

Looking ahead to the holiday season, Brigid Alverson highlights three upcoming manga. [ICv2]

The gang at Honey’s Anime recommend five great manga for bibliophiles. [Honey’s Anime]

This week’s Mangasplaining episode is a veritable feast, as Deb, David, Chip, and Chris compare notes on four different series: Food Wars! Shokugeki no Soma, Sweetness and Lightning, Kokkoku: Moment by Moment, and How Are You? [Mangasplaining]

The Manga Machinations crew take at look at two new releases–Kowloon Generic Romance and Lost Lad London–as well as the under-appreciated Hetereogenia Linguistico. [Manga Machinations]

On the latest Multiversity Manga Club podcast, Walt Richardson, Emily Myers, and Zach Wilkerson recap chapters 901-924 of One Piece. [Multiversity Comics]

Justin and Marcella critique the fifth and final arc of the Sailor Moon manga. [Sailor Manga]

Jocelyne Allen has the skinny on est em’s latest series, Osama no Mimi, in which a mysterious bartender buys secrets from his customers and “distills them into a liquid which he then makes fancy cocktails with.” Yeah, I’d read that… [Brain vs. Book]

REVIEWS

Over at Comics Worth Reading, Johanna Draper Carlson sings the praises of Cat + Gamer. “Between the portrait of a happy, well-adjusted gamer and the charming cat, there’s a lot to enjoy,” she notes. “This is a wonderful read for anyone, particularly for anyone who wants a pet cat but can’t have one. After all, fictional cats are much better behaved.” Megan D. takes Osamu Tezuka’s Bomba! for a test drive, characterizing it as “yet another selection from what I refer to as Tezuka’s edgelord phase, that decade or so where he was determined to outdo the big-name gekiga mangaka of the day by producing an endless stream of grim, complex, edgy, and frequently unsuccessful tales of troubled young men.”

This week, you’ll find short-n-sweet reviews at Beneath the Tangles, Manga Bookshelf, Women Write About Comics, and SOLRAD, where Helen Chazan weighs in on The Men Who Created Gundam, “a comic begging to be harvested for ‘out of context’ posts on social media.”

New and Noteworthy

Ongoing and Complete Series

Manga the Week of 8/31/22

by , , and Leave a Comment

SEAN: It’s a rare 5th week of the month! Like most 5th weeks, it’s light.

ASH: Even light weeks have plenty being released these days!

SEAN: Yen On has a bizarre release. We’re getting both the 2nd AND the 3rd volumes of The Hero Laughs While Walking the Path of Vengeance a Second Time.

ASH: Huh. Release schedule are still all over the place, aren’t they?

SEAN: And Yen Press gives us Lost Lad London 2, Love of Kill 9, The Other World’s Books Depend on the Bean Counter 2, Reign of the Seven Spellblades 4, That Time I Got Reincarnated as a Slime: The Ways of the Monster Nation 8 and Trinity Seven 26.

MICHELLE: I really, really liked the first volume of Lost Lad London and am excited for the arrival of the second! And wow, already up to volume two on the Bean Counter, huh?

ASH: It does seem like the first volume just came out.

SEAN: Seven Seas debuts SPRIGGAN: Deluxe Edition. Viz put out 3 volumes of this in the 1990s then cancelled it, now Seven Seas is trying again with 650-age omnibuses. The writer gave us Until Death Do Us Part, the artist Project Arms. It’s from Weekly Shonen Sunday, and is loaded with ancient artifacts and secret agents.

ANNA: I do find it interesting when we get license rescues like this, even though I’m sure the series I’m most interested in will never be printed again.

ASH: Same.

SEAN: Also from Seven Seas is PULSE, a yuri manwha webtoon that’s getting a print release here. A doctor who keeps her sexual relationships strictly for pleasure tuns into trouble when she meets a transplant patient who refuses to get the operation.

ASH: I’m not sure I’ve actually read a yuri manwha before! It’s exciting to have the opportunity.

SEAN: Also coming out: Chillin’ in Another World with Level 2 Super Cheat Powers 4, D-Frag! 16, The Girl in the Arcade 2, Necromance 4, Seaside Stranger 4, and Tokyo Revengers Omnibus 2.

Kodansha, in print, gives us Blackguard 4, Blue Lock 2, Cells at Work! CODE BLACK 8, Lovesick Ellie 5, and Something’s Wrong With Us 10.

MICHELLE: In addition to obligatory praise for Lovesick Ellie, I’m also hyped for more of Blue Lock, which turned out to be not at all what I had expected.

ASH: Guess I’ll need to check out both of those series!

SEAN: Digitally, we have Even Given the Worthless “Appraiser” Class, I’m Actually the Strongest 5, Guilty 10, Having an Idol-Loving Boyfriend is the Best! 2, I Was Reincarnated with OP Invincibility, so I’ll Beat ’em Up My Way as an Action-Adventurer 3 (the final volume), My Roomie Is a Dino 7 (also a final volume), My Tentative Name 2, My Unique Skill Makes Me OP even at Level 1 8, Oh, Those Hanazono Twins 4, and Peach Boy Riverside 11.

J-Novel Club debuts a digital light novel whose manga came out a couple of weeks ago: Oversummoned, Overpowered, and Over It! (Meccha Shoukan Sareta Ken), about a hero who can’t seem to stop getting summoned to save the day.

There’s also Black Summoner’s 7th manga volume, Infinite Dendrogram 18, Magic Knight of the Old Ways 3, Marginal Operation 14 (digital version), Sometimes Even Reality Is a Lie! 2, and the 5th and final manga volume of Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons.

Cross Infinite World has a 2nd volume of Even Dogs Go to Other Worlds: Life in Another World with My Beloved Hound.

Lastly, Airship has early digital releases for Irina: The Vampire Cosmonaut 2 and Modern Villainess: It’s Not Easy Building a Corporate Empire Before the Crash 2.

That’s it. Man, this feels more like a list from 2013 or something. Are you buying anything?

ANNA: Maybe not!

Sasaki and Peeps – That Time I Got Dragged into a Psychic Battle in Modern Times While Trying to Enjoy a Relaxing Life in Another World: ~Looks Like Magical Girls Are on Deck~

by

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan: Isekai de Slow Life o Tanoshi Mou Toshitara, Gendai de Inou Battle ni Makikomareta Ken” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

This book is a mess. Saying that right off the bat, confident that even those who loved the title will agree. It’s trying to be a mess, after all. I’m not sure what the meeting of the author and their editor was like, but it feels very much like “I have four different ideas for a light novel, but I can’t decide which one to write.” “Why not write all of them?” “Four different books?” “No, no, the SAME book!”. It’s the sort of thing that requires a delicate hand and solid worldbuilding, and the series that comes closest to this, A Certain Magical Index, still can’t quite pull it off a lot of the time. Sasaki and Peeps doesn’t even try, content to simply revel in its mishmash qualities. It does eventually settle into one of its genres near the end, which makes it both better written and less interesting. I think we’re here for the car crash.

Plot 1: A salaryman in his late thirties, Sasaki, buys a pet Java sparrow, Peeps, who turns out to be a powerful macician from another world. Sasaki goes to this world, trading Japanese tech for gold and also learning magic. Plot 2: Learning magic means he gets in the way of a battle (in Japan, he and Peeps go back and forth) between rivals espers, and he is forcibly recruited into an esper organization trying to control those with powers. This goes far less well than you’d expect. Plot 3: His middle school next door neighbor, unnamed but abused and always sitting outside her front door, has a twisted crush on Sasaki that wars with her despair and suicidal thoughts. Plot 4: There’s a magical girl digging in the trash outside his apartment. This is the magical girl on deck from the subtitle, I assume.

Smoothness is not the selling point of this book. Which is a shame, as the last third of the book, which dedicates itself entirely to the isekai plotline, is the best written part, containing several excellent plot twists and a few cool battle scenes. That said, after watching the author and Sasaki flit around like… well, like a sparrow for most of the book, it feels wrong somehow. Sasaki should be a “potato” protagonist, but there’s a certain broken quality to him that shines through on occasion. His treatment of his neighbor like a stray cat that he keeps feeding is at least not as bad as, say, Higehiro, and I appreciate he did call social services, but he’s not helping there either. The book has no real romance as of yet, which is probably a good thing, as the female cast consist of a high school girl, a middle school girl, and two children.

Mostly the main problem with this book is it cannot settle down as to what it wants to be. That’s baked into the plot so it won’t get better, but I thought I’d mention that I think the plot is bad. The plot with the neighbor and the magical girl barely feature in the book, they’re just there as flavortext so far. That said, I may read a second volume, just to see if the author can keep this up. Or to see if the neighbor kills him.

Bookshelf Briefs 8/23/22

by , and Leave a Comment

Box of Light, Vol. 1 | By Seiko Erisawa | Seven Seas – I’m not sure if this is meant to be a horror anthology with a minor supporting cast or a horror manga featuring the cast but also having each chapter be “the problems of one of the one-shot customers.” Unfortunately, the indecision makes it less than good. The premise has a convenience store stationed at the border between life and death, and only those who are on the verge of death can see it and shop there. This sounds darker than it is, as most of the stories are quirky rather than bittersweet, and the only customer who actually is close to dying ends up working there instead. If you like quirky supernatural stuff… there are probably more interesting titles than this. – Sean Gaffney

Gabriel Dropout, Vol. 11 | By Ukami | Yen Press – The bulk of this volume is devoted to a single plotline, which is the class trip to Okinawa. Everyone gets to have their bit: Gabriel is grumpy and reluctant to do anything but ends up being helpful and a good person anyway, Vignette is so super hyped about the trip that when they actually return she goes into a spiral of depression, Satanya… is herself, and Raphiel shows once again that she’s trying her hardest to convince Satanya that she genuinely loves her while at the same time being a jerk and a troll about it. As you can imagine, this is not going well. That said, this series still manages to make me laugh out loud more than most other comedy manga I read these days, so is still highly recommended. – Sean Gaffney

Hello, Melancholic!, Vol. 2 | By Yayoi Ohsawa | Seven Seas This second volume, after the concert is done (and Minato takes a big step forward in interaction skills), focuses more on the other three members of the cast. It turns out that Chika and Sakiko are in a relationship!… or not, as Chika describes it as “friends with benefits,” somewhat awkwardly. Flashbacks show off how the two met and ended up together-ish, helped enormously by Yayoi Ohsawa’s incredible talent for facial caricature. After this we focus on Hibiki, who can’t really understand Minato so takes her on a date to try to get inside her head… but just ends up more confused. This was a great second volume of what has become a must-read yuri series. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 18 | By Kagiji Kumanomata | Viz Media At some point over the course of this series, the creator was forced to answer the question “how old is Princess Syalis,” which is a question that frequently needs answering when anime girls are designed to always look like children. It turns out Syalis, while we don’t know her exact age, is “an adult,” which if nothing else makes it slightly better that she was buried in work before the demons kidnapped her. In this volume the demon castle falls to pieces, mostly due to laziness, and the princess discovers her inner talent for crisis management, which is… genuinely excellent. This is still funny, but I really enjoy seeing when the cast end up having real character development. – Sean Gaffney

Therapy Game Restart, Vol. 2 | By Meguru Hinohara | SuBLime – To simply describe the plot of this volume of Therapy Game Restart would be to miss everything that is great about it. Minato and Shizuma are planning to move in together, but Shizuma is being kept busy at the veterinary clinic. When he finally gets an opportunity to learn from the director, followed by the arrival of an emergency patient, he stands Minato up for an appointment with a realtor. Meanwhile, Minato tries to keep his insecurities and fears under control, with varying degrees of success. I adore Minato, and I think it’s the superb characterization of someone suffering from anxiety but trying to move past that and have faith in the possibility of a happy ending that makes this series so special. I already am sad thinking about this ending someday. – Michelle Smith

The Way of the Househusband, Vol. 8 | By Kousuke Oono | VIZ – I hate to say it, but I think The Way of the Househusband might be running on fumes. Though this volume pulls out all the stops—a food battle, a snow storm, a movie night—the bonus material is funnier than any of the main storylines. It’s only when we get a glimpse at Miku’s favorite anime series PoliCure that volume eight comes to life. Kousuke Oono creates a deliriously silly mash-up of magical girl manga and police procedural that looks and sounds a lot like Futari wa Pretty Cure. The shift in artwork and tone are a testament to Kousuke Oono’s skills as a draftsman and parodist, and makes me wonder if he should be doing a PoliCure series instead of another installment of Househusband. – Katherine Dacey

Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway, Vol. 1

by

By Shimesaba and booota. Released in Japan as “Hige wo Soru. Soshite Joshikousei wo Hirou” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Marcus Shauer (Medibang, Inc.).

I was not originally going to be reading this at all. What I’d heard from reviews of the anime did not really appeal to me. Kadokawa’s license of the light novel made me ask “are you going to use Mediba–yes, you are”, and sure enough, their original version did not read great, from what I’ve been told. But then Yen On licensed the actual books (Kadokawa releases only chapters), and they promised actual editing. Which, to the credit of Emma McClain and Jordan Blanco, works well; the book may be unreadable to me for several reasons, but the translation and adaptation is not one of them. So I waffled. I read a lot of these romance books lately. It stars actual adults. Fine, I’ll give it a try. Lesson learned? Trust your instincts, Sean. I want to bill the author for the dental work I’ll need after grinding my teeth through this first volume, which tries to clear a low bar but forgets about all the other bars.

Yoshida is a corporate worker who has just confessed to his boss, who promptly rejects him because bosses should not date their employees… no, wait, it’s because she says she has a boyfriend already. In despair, he gets incredibly drunk and goes home, where he finds outside his house a high school girl who has run away from home. She asks if she can stay with him in exchange for “certain favors”, he rejects the favors and notifies the police… no, he does not in fact do that, he lets her stay at his place. As the days wear on and she continues to stay, clean the house, and cook his meals, he suddenly finds that he’s sleeping better, looks more put together, and is leading a sensible life. He’s even getting attention from his cute underling… and from the boss who rejected him. Is the secret to success having a runaway underage wife?

Let’s start with my pettiest objection: I expected shaving to have far more impact on the narrative given that it’s in the title. He doesn’t even have a real beard, just… scruff that he probably shaved every third day. Moving on, one of the reasons that high school romances with a dimwit protagonist who has 8 different women who love him because he’s actually not a terrible person works is because he’s a dumb teen who’s still growing up. It works far less well with a 27-year-old salaryman. The majority of this book is from his POV, and I will admit that when the book finally switched to Sayu it got more interesting, though we never do learn why she’s run away. The book tries to critique the tropes it’s wallowing in, too, pointing out the dangers of “kind” people and also when to learn how to trust, but I still can’t get over the premise of “wow, I just need a girl to be my wife in all ways except sexual ones, and suddenly I’m a harem protagonist!”.

If this book was going to be about found family, and about Yoshida and Sayu’s relationship being more like an older brother/younger sister, I might be vaguely interested. But I have zero confidence that the author is not setting things up for her to be part of the love interests one the “high school” part is done. In the end, this is a giant cavalcade of NOPE for me.

The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker, Vol. 7

by

By Tôwa and Huuka Kazabana. Released in Japan as “Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha” by Kadokawa Books. Released in North America by Yen On. Translated by Alexandra McCullough-Garcia.

Last time I suggested that things might get a lot more interesting now that bad things have happened to our heroes. Sadly, I was overoptimistic there, and I forgot how, no matter how bad things may get, the general tone of this series remains “cozy”. Yes, Theresia was cursed by the Shinimg Simian Lord, but she’s not immediately turned evil, it’s a slow-acting evil curse, so she spends most of this book merely being herself and occasionally shuddering as it corrupts her. And Elitia is of course devastated that she got everyone into this in the first place, but after a suitable period of angst and wallowing she’s allowed to be reborn as a far better person and swordswoman. And, of course, nothing can ever take away from the true purpose of this series: watching everyone ask Arihito what new skills they should buy. Even the author says that this is more a video game than a book at this point. That said… I’m still reading it, so something must be going right.

On the cover are two new characters, Ivril and Viola, who introduce themselves but not much else. But they look cool, right? As for Arihito’s party, after the disastrous battle in the Blazing Mansion they have a new problem; they not only have to rescue Elitia’s comrade but also cure Theresia from her curse. This requires research, as well as battling some undead horrors, in order to reach a curse-breaker who reminds everyone of Ceres (they’re not related, apparently, but have a past history). They also join another battle to help out two wayward seekers who got separated from their party during a retreat, and they take on yet another sentient weapon at the end of the book, which pops up when trying to open a black treasure chest. Do they go back and fight the simian lord? Not yet. See you in Book 8.

Again, these books meander. Chapter 2 goes from Page 54 to 122 in my copy, and it’s nothing but looking at Expedition Results, Level Ups, and choosing new skills. I also left out the delicious meals they eat (including a chef who wants to cook food with the rare fruits they got recently) and of course all the sexual innuendo, as this remains the filthiest G-rated book in light novels. (Kyouka has a dream she’s married to Arihito and is wearing a naked apron for him.) That said, as noted above, it was nice to see Elitia finally figure out how to master her blade, which essentially turns out to be “trust that I won’t use it to murder allies”. We get a bit more of her backstory here, and see that her brother has been manipulating it – after the Simian Lord his group may be the next fight.

No one is reading this for depth, and if you’re reading it to see when anyone will have sex, despite all the innuendo, you should also find some other series. But if you’ve enjoyed rearguard so far, you’ll enjoy this.

Chitose Is in the Ramune Bottle, Vol. 2

by

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

I’m enjoying the Chitose series a great deal, but if there’s one thing that worries me it’s that I don’t know what the series’ overall plot is. Other series have ‘each volume has a girl in distress” about them, most notably Rascal Does Not Dream Of (insert girl here), but we know by the end of Book 2 what the basic thread of the series is (the supernatural manifestations of psychological trauma). I suppose it veers closest to My Youth Romantic Comedy Is Wrong As I Expected, which also features a lead guy who will throw himself under the bus to solve a problem, but I think if I tried comparing Chitose with Hachiman the latter would be very angry with me. The question is, are we meant to be figuring out who is “best girl” in a romantic sense? Is this about ripping Chitose’s mask off? Or is it just a series where a group of high schoolers give an excuse for a plot of the week, like many TV shows?

As you might have guessed, the girl on the cover is the main girl of this book, Yuzuki Nanase. She’s lately been worried that she has a stalker, and asks Chitose to pretend to be her boyfriend in order to either drive them off or draw them out. He’s the obvious choice as the two of them are extremely similar, and so she knows he won’t be getting any misconceptions about what this relationship is about. Unfortunately, her fears turn out to be quite justified, as delinquents from a different school are forcing her to revisit an incident from her past that she’s been trying to bury. In the meantime, the fact that he’s now dating Nanase has Chitose in a spotlight he’d rather avoid, and he ends up having ANOTHER guy that he tries to give life advice to.

The other similar series I didn’t mention in the first paragraph is Bottom-Tier Character Tomozaki, and there is an element of that here in Chitose’s trying to hammer home the idea that girls are not pure fantasy creatures and fart and masturbate and everything else that’s normal. But, as with the first book, one of the big draws here is that the popular kids are the leads, allowing the ability to tell a different kind of story. Even something like Tomozaki relies on the outsider who has a past where he always thought “goddamn normies” to get past. Kenta, the nerd from the first book, is still here and is now part of their group, but he’s not the narrator and doesn’t drive the plot. This is a story of popular kids dealing with a specific popular girl problem in a way that, say, Hachiman would be unable to pull off. Good thing, too, as this book also gets more serious towards the end, with suggestions of sexual assault in both past and present.

So I’m still not sure where this series is going, but I’m greatly enjoying the ride. That said, I suspect that all the potential romantic interests for Chitose, including Nanase, are going to have to take a back seat to his upperclassman crush, and the cover for Vol. 3 suggests we’ll get a lot more of her next time.

Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 6

by

By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

The Bofuri series does have a pretty good supporting cast, and I enjoy reading about them. That said, most people who picked this up are here for one reason and one reason alone, and that’s Maple breaking the game by doing awesome unpredictable shit. Good news, the 6th volume is here to help you. It definitely doesn’t hurt that this 6th book involves the 6th level of the game, which is entirely related to ghosts and the supernatural. As such, except for one disastrous attempt to get over her terror, Sally is pretty much absent, grinding on other floors so she can avoid being Shaggy in an episode of Scooby-Doo. This allows Maple to solo several events, or team up with Mii, or experiment with rewards in strange and brilliant ways. It’s the sort of thing that will look great animated if Season 2 ever happens, but that’s still sadly far in the future at this point.

We start by Maple getting her new favorite toy, which is a literal throne that she can sit on while attacks do nothing to her. (The downside being that she can’t use “evil” attacks while on it – i.e. most of her repertoire). She uses it a lot in the next stratum, which as noted above is one based around ghosts. Sally, who sees there are lots of cool things she could get if only she got over her fear, tries… and fails miserably. So Maple tries to get some nice rewards that she can give Sally, as well as some rewards that will specifically benefit her build. Finally, we get the Seventh Event, which fortunately does NOT involve ghosts, and so Maple wants to go old-school on it: only her and Sally vs. the toughest opponents.

A lot of the humor in this volume comes from the occasional times we cut back to the developers, who have either designed things to be anti-Maple that she proceeds to win out over by doing something bonkers, or else they’ve designed things that would be lethal difficulty for anyone else that Maple strolls through even though it wasn’t designed to get her interest at all. The rest of Maple Tree, of course, have simply given up on being surprised, with Chrome just sighing and helping Maple to control her ghostly hands that can wield other shields, etc. It helps that Maple’s not doing this for any reason other than “it’s fun”. She’s gotten better at thinking things through… just… but most of her gaming still seems to be “do whatever the hell I like”. This includes lunching with Mii, who can drop her roleplay facade around her, or fending off Frederica, who’s trying to duel Sally and wondering why she’s not on the 6th floor. Maple is simply too nice to get angry with.

This isn’t essential reading, and fans of the anime can probably wait for whenever it continues, but I still quite enjoy Bofuri. It’s a relaxing, quick read.