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Fox Tales

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By Tomihiko Morimi. Released in Japan as “Kitsune no Hanashi” by Shincho Bunko. Released in North America by Yen On. Translated by Winifred Bird.

After getting a couple of books in the previous few years, this is definitely the year of Tomihiko Morimi in North America. The Tatami Galaxy, one of their most famous works, in finally getting a translation into English next month. Tower of the Sun, their debut work, came out in August (though I did not review it as I read the first 20 pages or so and decided that I hated the protagonist so much I wanted to burn the book). And now we have Fox Tales, a short story collection that came out the same year as The Night Is Short, Walk On Girl. But while that book was mostly whimsical fantasy with the occasional bout of melancholy, Fox Tales is straight up here to be scary and unnerving. It’s basically a yokai book, with four stories interconnected by a curio shop and also a mysterious fox/dragon creature that seems to act as a harbinger of bad things. The stories vary in quality, but the book is definitely worth a read.

In the first story, which is also the title story, a young man works part-time at a curio shop run by a middle-aged woman who falls under the dictionary definition of “mysterious”. Unfortunately, in an effort to protect her, the man gets involved with a nasty person who engages in trades, and has a way of making you REALLY want to make the trade. In the second story, our narrator falls in with a man who can’t stop telling stories of his past. The third story has a tutor of a high school boy run afoul of a mystery person who is going around beating people up, possibly due to something the family of his student did years ago. And in the final story, a young man (it’s always a different nameless young man, by the way) goes to his grandfather’s wake and ends up nearly drowning in family obligations and past sins.

One of the stories has a “twist” ending, but the twist is fairly easuy to figure out almost immediately, so I’d argue it’s not really meant to be a mystery. Mostly the stories set a mood, and succeed admirably. They have a lot of Morimi’s quirks, such as characters walking around back alleys, used bookstores, and how people actually feel buried in the things that they don’t quite say. It can also be scary – the first story is almost straight up horror, and the third story ends so abruptly I wondered if there were pages missing – it’s as if once we figure out the “why” there’s no reason to type any more. The final story was probably my favorite, digging deep into family history, the oppressiveness of funerals, and (as with all of these stories) the supernatural. The only story that didn’t work for me was the second one, which went for “melancholy” rather than “eerie” and didn’t seem to fit.

If you enjoy Morimi, this is a must buy. It’s also a good addition if you like spooky stuff.

Manga the Week of 11/30/22

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SEAN: Thanksgiving is over, you can’t move, come read some manga instead.

ASH: That’s a good response to many a different situation.

SEAN: Airship has a couple of ongoing print series. Disciple of the Lich: Or How I Was Cursed by the Gods and Dropped Into the Abyss! 4 and Irina: The Vampire Cosmonaut 2.

And in early digital we see A Tale of the Secret Saint 4 and The World’s Fastest Level Up 2.

A double dose of Cross Infinite World gives us Apocalypse Bringer Mynoghra: World Conquest Starts with the Civilization of Ruin 4 and So You Want to Live the Slow Life? A Guide to Life in the Beastly Wilds 2.

Ghost Ship has Creature Girls: A Hands-On Field Journal in Another World 6 and Peter Grill and the Philosopher’s Time 9.

J-Novel Club has some debuts. The Mythical Hero’s Otherworld Chronicles (Shinwa Densetsu no Eiyū Isekai Tan) is a long series from Overlap, 13 volumes. A legendary hero wants nothing more than to be reincarnated into the peaceful life that he fought so hard to earn. Sadly, he’s reincarnated a thousand years later, and the peace is almost shattered! Can he get his warrior mojo back?

On a sillier note, Reincarnated as an Apple: This Forbidden Fruit Is Forever Unblemished! (Ringo Tensei: Kindan no Kajitsu wa Kyō mo Korokoro to Musō Suru) features a guy who dies when he’s hit by a truck full of apples. But he gets to reincarnate with 4 great OP cheats! … and one curse. You can guess the curse.

MICHELLE: Huh. Well, that’s different, I guess.

ASH: Different enough that it caught my attention, too.

SEAN: Also from J-Novel Club: Ascendance of a Bookworm 22 (which begins the books’ final arc), Cooking with Wild Game 19, the 4th Demon Lord, Retry! manga, The Great Cleric 10, Gushing Over Magical Girls 4, the 2nd Isekai Tensei: Recruited to Another World manga, The Magician Who Rose from Failure 5, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 12, and My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ— 6 (the manga).

ASH: I’m a bit behind in my reading of Ascendance of a Bookworn, but I’ve enjoyed what I’ve read so far.

SEAN: Kaiten Books has The Yakuza’s Guide to Babysitting 4 in print.

Kodansha’s site, per their Anime NYC panel, may be broken for some time, so we continue to try to guess.

MICHELLE: Poor Sean.

SEAN: In print, the first debut is In the Clear Moonlit Dusk (Uruwashi no Yoi no Tsuki), a shoujo title from Dessert. The plot reminds me a LOT of I Hate You More Than Anyone!, and so therefore I am intrigued.

MICHELLE: Me, too! I meant to read this when it came out digitally, so now is a good time to jump on board.

ASH: Oh! I am likewise intrigued.

SEAN: We also see the debut of NOiSE, the prequel to BLAME!, which means we’re back in Tsutomu Nihei territory. This is a Tokyopop license rescue, and is complete in one volume.

MICHELLE: I own the TOKYOPOP version, but I do love BLAME!.

ASH: I really dig Nihei’s artwork.

SEAN: This is a big one: Parasyte Full Color Collection. The original “what the actual F?” manga is back, and in full color. Each volume is 300 pages, and it’s a hardcover.

ASH: I adore Parasyte, but I’ll admit I wasn’t overly impressed by the samples of the color work I saw. Hardcover appeals, though.

SEAN: Wistoria: Wand and Sword (Tsue to Tsurugi no Wistoria) is from Bessatsu Shonen Magazine, and its writer is better known for Is It Wrong to Try to Pick Up Girls in a Dungeon?. A guy enters a magical academy… but can’t use magic! It’s OK. He has a sword.

We’re also starting an omnibus edition of Fire Force, with the first 3 volumes.

Also in print: UQ Holder! 27 is already out, as I missed it. Witch Hat Atelier 10 is already out, as I missed it. And there’s Attack on Titan: Colossal Edition 7, Blue Period 11, Drifting Dragons 11, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 2, Peach Boy Riverside 9, Phantom of the Idol 3, Rent-a-Girlfriend 15, and The Seven Deadly Sins Omnibus 6.

ASH: Just picked up my copy of Witch Hat Atelier 10!

SEAN: We don’t have to guess the digital debut, as they told us at the panel. The Food Diary of Miss Maid (Maid-san wa Taberu Dake) is a Comic Days series about a Japanese maid in an English manor who is now back in Japan… but it’s really a foodie sort of title.

ASH: I do like foodie manga.

SEAN: Other digital titles include The Decagon House Murders 5 (the final volume), Desert Eagle 5 (the final volume), I’ll Be with Them Again Today 4 (the final volume), It’s That Reincarnated-as-a-Virus Story 3, My Wonderful World 5 (the final volume), Oh, Those Hanazono Twins 7 (the final volume), Our Bodies, Entwining, Entwined 4, Our Fake Marriage: Rosé 2, Yozakura Quartet 29, and Zatsuki: Make Me a Star 3 (the final volume). So many final volumes!

MICHELLE: Indeed! After being burned so many times by unfinished series, I always feel some satisfaction when we actually get the final volume of something, even if I’m bummed it’s over. (Seven Seas, please rescue Silver Diamond!)

SEAN: Seven Seas debuts I Get the Feeling That Nobukuni-san Likes Me (Tonari no Nobukuni-san wa Ore no Koto ga Suki na Ki ga Suru), a seinen title from Young Animal, about a high school girl who’s fallen in love but has no idea what to do next. Can a mascot character help her?

Also from Seven Seas: Classmates 6 (which has the “Blanc” stories) and Skip and Loafer 6.

MICHELLE: I really do want to read these!

ASH: Same!

SEAN: Square Enix Manga has SINoALICE 2 and Soul Eater: The Perfect Edition 9.

Tokyopop debuts Love Circus, a single volume BL title from Canna. A man who has tried to help a sex worker, and only ended up in debt, tries to kill himself… and wakes up at a sex establishment that caters to gay men.

Tokyopop also has the 2nd manga of Formerly, the Fallen Daughter of the Duke.

And that’s it! Yep, 5th week of the month, so no Viz, no Yen. What’s your turkey coma manga?

Alya Sometimes Hides Her Feelings in Russian, Vol. 1

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By Sunsunsun and Momoco. Released in Japan as “Tokidoki Bosotto Russia-go de Dereru Tonari no Alya-san” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Matthew Rutsohn.

High school romcoms have made a big comeback in recent days. Technically, they never really went away in Japan, but like sports manga in the 2000s, non-supernatural tinged light novels in the 2010s were forbidden. The gateway has now burst open, though, helped by the breakout hits such as My Youth Romantic Comedy Is Wrong As I Expected, Bottom-Tier Character Tomozaki and Chitose Is in the Ramune Bottle. And we have the “sweet” subgenre, characterized by minimal conflict and a lot of “awwwww” moments. Now there’s a good chance that when a new series hits big numbers in Japan, and makes the end of year lists, it’s likely to get a license. And this year’s golden girl is Alya Sometimes Hides Her Feelings in Russian. If you are asking “apart from the Russian, what’s so new about this variation?”, the answer is not much, though it does have an interesting twist I won’t spoil. But the main goal of this genre of books, being sweet and relaxing, works just fine.

Alisa Mikhailovna Kujou, aka Alya, is our heroine. She’s half-Russian, and is a transfer student into a school known for academic excellence who nevertheless ends up at the top of the grade charts. She’s known as the “solitary princess” for her general attitude, which is standoffish. Sitting next to her is Masachika Kuze, who is… look, just read any of the other books in this genre and you’ll know exactly what he’s like. Seemingly lazy and shiftless, secretly plagued by backstory and works hard when no one else can find out. That kind of guy. In class, Alya treats him harshly, scolding him, reminding him of the school rules, and calling him an idiot. That said, in reality she has a crush on him, and occasionally says things to herself in Russian to blow off steam about it. Unfortunately… Masachika knows Russian.

This is a good book. Likeable characters, fast and breezy writing, some amusing lines. Alya is a kuudere who does not really take much poking to get rid of the ‘kuu’ part, and honestly the main surprise was that they did not end up together at the end of the book – I suspect this was written with a longer series in mind, rather than as a “contest winner” one-shot. Masachika’s “tragic” backstory is rather mundane, but that ends up working well here, and reminds us that most teens don’t really need much to get derailed from their dreams. A divorce, a childhood friend disappearing, a realization that being a winner means there’s a loser… it’s standard stuff, but fits well here. And there’s also a lot of cute romcom scenes, helped out by Yuki, a fun character who appears to be the “other woman” in this book but ends up nothing of the sort.

Basically, I get why this is popular. If you like the genre, read it. If you want fast progress or more compelling drama, don’t read it.

Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 5

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

The fact that I still greatly enjoy this series despite it moving at a pace that would make a snail speed past it is testament to the good writing and strong characterization of the two leads. Last time I said that I didn’t feel Dahlia was quite mature enough to enter into a relationship, and that’s still true, but it has to be said that the exact same thing can be said about Volf. Plus, let’s face it, they’re essentially already married in how they act around each other every day. It just lacks the acknowledgement of attraction and desire. But boy, we’d really like to see that attraction and desire, huh? Volf is one slight step ahead of Dahlia in that he occasionally can admit his feelings (see his reaction when he hears Oswald has recommended Dahlia get a “large black-haired dog” to guard her at night. (Dahlia, of course, does not pick up on this at all, and starts asking about actual dogs.) Slow burn isn’t the word. Slow heating pad.

It’s a new volume, so we must be getting a new person who’s challenging Dahlia to verify that she’s not after Volf’s status or wealth and that she really is who she says she is. This time it’s Volf’s brother Guido, who tries to bribe Dahlia with a pile of cash, which works about as well as you’d expect. After this misunderstanding is cleared up (and Volf, who arrived late, expresses his displeasure at the whole thing), she bonds with Guido pretty quickly, as well as his bodyguard Jonas. She’s also becoming fast friends with her mentor Oswald, who is teaching her the proper, safe way to make tools (as opposed to the various not safe things she’s been doing to date), and giving her a protection bracelet made from precious materials. This triggers Volf’s jealousy… not that he’ll admit it. And she doesn’t notice it anyway.

Probably the most interesting part of the book is when Dahlia is convinced to actually outsource things so that she’ll have time to come up with new ideas. The problem with this is that the best company to outsource to is Orlando & Co., home of her ex. It is rather fitting how the company has fallen on hard times. At times you might think it’s a bit too much, and if you do I urge you to go back and read the first volume and see what Tobias did. Dahlia, of course, goes nowhere near the place, which is just as well, as she might be tempted to be too nice – indeed, she’s being too nice just subcontracting to them at all. Ivano’s scene with Ireneo is dark and chilling, both for his attitude towards the company and also for his ability to see that Tobias’ mother (who blames herself for everything that happens) is suicidal, and pauses things to make Ireneo stop her. This is a long way from “Dahlia and Volf drink and drink and drink some more”.

That said, rest assured we have that as well. (Also, have we even seen Tobias’ wife since she arrived to be the other woman? I will be 100% unsurprised if she did not bail as soon as the world turned against him.) Dahlia in Bloom remains a top-tier Heart title.

The Manga Review: Black Friday Edition

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Yet another Anime NYC has come and gone, bringing with it a raft of licensing announcements from Azuki, Kodansha, Seven Seas, and Yen Press. While most reports from the show floor were positive, The Beat’s Ricardo Serrano Denis noted that the convention suffered from some of the same issues that plagued it before the pandemic. “One thing I thought was seriously underrepresented in the 2019 show was manga and anime booths, places to acquire them,” he noted. “For an anime convention, I felt the number of booths dedicated to the medium were on the slimmer side of things. Fast forward to 2022, a whole pandemic later, and those same shortcomings are still accounted for, perhaps even worse so.” Other attendees gave mixed marks to the panels, noting that the Spy x Family session lasted a mere 30 minutes, while the online ticketing for the Attack on Titan event was marred by computer glitches and limited seating. Still, many folks left satisfied. Summarizing her experience at Anime NYC, for example, Erica Friedman observed there’s more great yuri anime and manga than ever before, noting how many vendors were prominently displaying series such as Lilies and The Executioner and Her Way of Life.

NEWS AND VIEWS

Looking for a great deal on manga or anime? Krystallina has you covered with an extensive list of Black Friday deals. [The OASG]

Mary Lee Sauder jumps in the WABAC machine for a look at the ani-manga craze of the early 2000s. [Honey’s Anime]

Over at Women Write About Comics, Carrie McClain sifts through a batch of new releases from Seven Seas, including I’m a Terminal Cancer Patient, But I’m Fine, The Savior’s Book Café in Another World, and The Titan’s Bride. [WWAC]

The latest essay at Sports Baka focuses on Gunjo no fanfare (Fanfare of Adolescence), a series about “a rich ensemble of teenage characters who, except for their common goal to become jockeys, couldn’t be more different.” [Sports Baka]

The Mangasplainers are all business this week with an in-depth look at Division Chief Kosaku Shima, a salaryman manga from the 1980s. [Mangasplaining]

Psyche Kale exposes the not-so-hidden sexism of Claymore. “Consistently, when given the chance to treat its characters with grace, to give them control of the story, to have their struggles understood, to have their humanity appreciated, Claymore chooses to undermine itself with a juvenile emphasis on unnecessary carnage, a lack of interest in the inner worlds of the characters depicted, and a callousness to their emotional suffering. And it sucks,” they observe. “For many it was the first time they saw a female protagonist in an anime or manga that was allowed the spotlight, who could fight and kill as well as anyone else, who was allowed to get beat up instead of wilting like a dainty flower. There’s still merit in those experiences, and moments of the story where it knows what it’s doing and how to give its female characters that grace and to focus on their emotions.” [Anime Feminist]

REVIEWS

Rebecca Silverman reviews Be Very Afraid of Kanako Inuki, arguing that this short-story anthology feels more “like a sampler rather than a full collection in its own right,” but asserts that “Inuki is a creator worth knowing, and if you’re a fan of Kazuo Umezz and Junji Ito, this is well worth checking out.” Over at The Manga Test Drive, Megan D. takes Naoki Urasawa’s Pluto for a spin. “Pluto works as both a tribute to a classic and as a stand-alone mystery,” she opines. “You don’t need to be familiar with Astro Boy to understand the story, but if you do you’ll be able to appreciate just how Urasawa adapts it for modern tastes.”

Making Magic: The Sweet Life of a Witch Who Knows an Infinite MP Loophole, Vol. 1

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By Aloha Zachou and Tetubuta. Released in Japan as “Maryoku Cheat na Majo ni Narimashita: Sōzō Mahō de Kimamana Isekai Seikatsu” by GC Novels. Released in North America by J-Novel Club. Translated by Emily Hemphill.

A lot of new writers these days tend to start off writing fanfiction of their favorite series, or of the popular series of the time. The good authors know how to skillfully take the original world and add their own take and characterization to it. The less good authors simply rewrite the original as prose, adding the occasional difference but largely having events go the same way. I am starting to feel that way about a lot of these “reincarnated into a fantasy world with OP stats” books. They may have different villages, or dungeons, and this one at least lacks a harem of slave girls (instead having a golem daughter-figure… I’ll go with daughter as the alternative skeeves me), but for the most part if you’ve read Kuma Kuma Kuma Bear, you’ve pretty much read the same sort of things that happen here. It’s not a good sign when even the chapter titles are pleasant but boring.

We start off with our main character dying and meeting God. We don’t hear a single thing about their past life, though they appear to have been a woman named Chise. In any case, God reincarnates her into a different world, and she chooses ‘Creation Magic’ as her one cheat skill that gods inevitably give dead people in this genre. Ending up in the middle of absolutely nowhere, Chise slowly begins to figure out how this world works and how her powers work. Very, very slowly. Eventually she creates a golem, and then by feeding the golem magic stones the golem evolves into Teto, a very strong and naive young woman who is deeply devoted to Chise. Together, the two of them rescue adventurers, gather herbs, fight ogres, and help a village to acquire basic survival skills.

This is from Micro Magazine’s GC Novels imprint, and I’ve talked before about how this imprint seems to have a very high miss ratio for me. I’m afraid this is another one. It improves in the second half with the village, and when it tries to focus on the fact that as a consequence of Chise raising her magic powers so high she’s also accidentally making herself immortal. Unfortunately, the first half is an absolute slog, especially for non-gamers who do not care how Chise tries various ways to kill things, or create things, or raise her magic. Also, and I blame the editors more than the translator here, one thing Chise creates to help her level up is named, repeatedly, a “strange fruit”. Even if that was its name in the Japanese romanji, or if it turns out it’s a familiar RPG thing, it should have been changed to ‘weird fruit’ or ‘bizarre fruit’ or something similar. Please google the words, or search on Spotify, if you don’t already know why.

If you’re a fan of overpowered characters who look like 12-year-olds walking around being incredibly powerful… there are STILL better books to read than this one.

Accomplishments of the Duke’s Daughter, Vol. 7

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

If the first book in the “Accomplishments of the Duchess” prequel was about discovering the hellion that Merellis once was, this volume is about showing us how she came to be the woman we know from the main series. In essence, this is also a book about her training for battle, it’s just the battles she’s going to face are in society rather than in the military, and the enemy is anyone who dares to look down on her. And, frankly, she takes to this just as well as she took to being a swordswoman. Frankly, as I’ve said before, Accomplishment of the Duke’s Daughter is not a series to read if you want to see protagonists struggling valiantly against impossible odds. For the most part, it’s about seeing women kick ass, in a variety of settings. In that regard, this volume works perfectly fine. And, in case you were worried we’d lose the awesome swordplay and butchering of enemies, no worries, we get a bit of that as well.

There is an ominous beginning, where Merellis’ father forbids her from taking up the sword and announces she’s going to be engaged to be married to the son of Duke Armelia, a political marriage. She suffers greatly over this for about five pages, but the reader is in on the joke, so we know everything will be fine once she figures out who the duke’s son is. After that it’s just a matter of shifting gears. If she can protect the most people around her through politics rather than the blade, then politics it is. As such, Louis’ mother gives Merellis a crash course in nobility, something she has assiduously been avoiding for the past several years. Just in time too, as it’s time for her to make her debut and attend the academy. Let’s hope it goes smoother for her than it did for her daughter…

I enjoyed seeing how Merellis’ training in military and the sword can be of use to her in society, particularly in how she watches the way people move and stand. Twins who are indebted to her father for saving their lives arrive at the estate, and Merellis can tell very rapidly that a) they have some basic fighting skills, and b) they’re OK to trust. These skills will serve her well. The book’s pacing is sometimes a problem, and sometimes the plots it drops can be more ominous than intended – Merellis’ old maid injures herself and is forced to return home, and there is a suggestion that she will die… which she may indeed have done, as we never hear from her for the rest of the book. It’s at times like these that the series shows off its seat-of-the-pants webnovel roots.

Fans of the main series may still be a bit put off that Iris is only in the wraparound at the start and end of this, but for those who found her mother to be a cool character, good news, here’s more of her.

Death’s Daughter and the Ebony Blade, Vol. 2

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By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

It’s probably time to bring up Michael Moorcock and the series Elric of Melnibone, a series that I’m 100% sure that Maito Ayamine has read over and over again. This particular light novel series happens to feature a silver-haired protagonist who wields a sword that supposedly takes the souls of those it kills and gives them to their patron. Which, well, is exactly what happens in Elric as well. That said, Death’s Daughter and the Ebony Blade does not remotely have a sense of tragedy or pathos in it, running instead on “gosh, that murderous military scamp, isn’t she adorable?”. In the Elric series, you can be reasonably certain that everyone around Elric, particularly his love interests or close friends, will die. Olivia has Ashton has her not-quite-love interest, and Claudia as her “in my heart, this is an OTP” best friend/morality chain, but I have little worry that they’ll be killed off anytime soon. The same can’t be said for anyone else on the side of the Empire.

After the events of the first book, Olivia has gotten a bit of a reputation. In fact, she’s being called a monster, something she is not happy with. (Later she gets upgraded to “God of Death”, which pleases her much more). The book rapidly becomes a series of battles where the moral of the story is “if Olivia is here, or able to get here in the nick of time, we will win. Otherwise, bad things will happen.” The Empire tries sending some of its strongest warriors to fight her, and then a few of its generals. The outcome is the same. It helps that she has Ashton’s tactics, of course, which are also rapidly being appreciated more and more, by her allies if not by the Empire. Can someone come along that causes Olivia to reflect on what she has become? Or is it just “I want to eat delicious cake and butcher enemies, and this town has no cake?”.

In case it was not crystal clear, you should only be reading this series if you have no trouble with a moral void of a main character. In any other series, Olivia would be the terrifying villain. Indeed, I was sort of expecting Claudia to turn to Ashton at some point, possibly after Olivia had decided on the blood and skulls-themed family name as the one she’ll take going forward, and say “Are we the baddies?”. No, you’re not, but that’s really only because there are no goodies in this book, really. Everything can be abandoned in the name of military victory. There is some lip service paid to what it means to be a good lord of a city, in terms of protecting the people who live in that city from harm, but even there the lesson is taught by the execution of the errant lord.

Essentially, this is a very dark series, but it’s not written in a dark manner. It’s written as if this is Haruhi Suzumiya with a sword. That sort of dissonance is probably what makes it interesting.

Formerly, the Fallen Daughter of the Duke, Vol. 2

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By Ichibu Saki, Nemusuke, and Ushio Shirotori. Released in Japan as “Moto, Ochikobore Koushaku Reijou desu” by Mag Garden Novels. Released in North America by J-Novel Heart. Translated by Andrew Schubauer.

The author admits in the afterword that a lot of the fans of this work were very thrown off by the twist at the end of Book One, and even more by the start of the events in the second book. I can’t really blame them. Book one read like a nice, pleasant villainess story with a happy ending. A bit boring, but not actually so much so that you walk away. And now we’re back to the start, and we have to do things all over again. The trouble here is that our heroine does not quite have the self-esteem needed to try to regain her fiancee, so we get nearly an entire book of “it’s OK if he doesn’t love me this time around, I’m fine with being friends”. The other issue, of course, is Charlotte, who remains The Absolute Worst. It’s never quite made clear if she also has memories from Japan, but there’s certainly a lot of “I’m the heroine, why is everything not going my way?” to her.

After the events at the end of the last book, Claire finds herself back where she started, in her old country and about to get her old baptism. She manages to make a few quiet changes (like taking her mother’s note to her so it can’t be used by Charlotte), but for the most part everything goes as it did last time. Except… her family seems a lot nicer and more considerate? In fact, she’s being sent off to school in the country that she fled to in the last book, and can reunite with her old friends and old fiance. But there’s a hitch. Claire is not the only one that went back in time for a redo. And the forces of evil are using the power of capitalism to try to destroy any chance Claire has at getting the powerful magic she needs to achieve her happy ending.

The book keeps its feet firmly in the fantasy in this volume, with almost no mention of the “Japanese game” part of the series. For the most part, as I noted, the most interesting part of the book is Claire reacting to her family being nice to her. Claire never explicitly states this, but being treated like garbage in the previous world hurt her a lot, and it means that when her ex-fiance or brother are kind and caring towards her (indeed, the fiance is trying to fix the ‘ex’ part) it just throws her off. There is an iffy part of the book, though, which involves brainwashing someone. First of all, the setup to this is ham-handed and obvious, and I rolled my eyes. Second, even though the person being brainwashed is an antagonist, and Claire freaks out and tries to undo it, it really seems like an easy “get out of bad plots free” card. Fortunately there’s still Charlotte around to make everything worse, but still.

This book does NOT end with another loop, much to my relief, and there is a third volume in the series. I’d put this in the middle tier of villainess books.

7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy!, Vol. 2

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By Touko Amekawa and Wan*Hachipisu. Released in Japan as “Loop 7-kaime no Akuyaku Reijou wa, Moto Tekikoku de Jiyuukimama na Hanayome (Hitojichi) Seikatsu wo Mankitsusuru” by Overlap Novels f. Released in North America by Seven Seas. Translated by Amy Osteraas. Adapted by Aysha U. Farah.

I’ve frequently made fun of the fact that many villainesses in these books, with Katarina Claes being the best example, keep constantly trying to “solve” all the problems facing them without realizing that the problems have solved themselves simply due to being empathic and kind. Because Katarina, and Rishe in this series, know the real truth: even if you are as sweet as pie, never assume that the narrative has gone away. Rishe knows that her recurring deaths, and the war that leads to them, are not something that can be solved by simply marrying the man behind it all and showing him how to be happy. There’s a lot more to it than that. This is especially true of this second volume, which brings back a number of characters from her life as an apothecary. Including one who is, for all intents and purposes, a terrorist.

Rishe remains dedicated to her efforts to live a happy, carefree life by overworking herself to death in order to get it. She takes sword training from Arnold, and when she realizes that she absolutely lacks the stamina she had in her knight life, not to mention the elite training Arnold’s knights have, she secretly disguises herself as a boy and enrolls in the knight course. As this is happening, a delegation from Coyolle, a country which has relied on its mining to help it not be taken over and destroyed by other countries, has arrived, including Prince Kyle, who Rishe knew in her apothecary life, and Michel, an alchemist who enjoys inventing things, and if they’re weapons of mass destruction, well, they need to be used. You can’t just NOT use poison once you’ve made it.

Michel was probably the best character in this volume. He’s given a tragic backstory, of course, but for the most part he is the genial mad scientist, willing to blow up the world as long as it shows that his theories are correct. He and Rishe get along surprisingly well. Then again, getting along with everyone is Rishe’s thing. And this includes Prince Kyle, who briefly makes Arnold jealous as in his country all women are meant to be venerated, meaning his attention to Rishe is, shall we say, too much for our grumpy Crown Prince. That said… war does appear to be the the first response for him, and Rishe has to work her ass off to show that diplomacy is the better answer in this case. The answer to “why do I keep dying?” is still not an easily solvable one, but at the very least Arnold finds her fascinating, and is unlikely to brutally murder her this time, unless some horrible misunderstanding happens. Which is unlikely, I mean, this is a light novel…

Fans of the genre, or just fans of shoujo romance, should find plenty to dig into here.

High School DxD: Pandemonium on the School Trip

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By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This may be the least horny DxD volume to date. Which, trust me, means it’s still ridiculously horny, and filled with consensual groping and non-consensual destruction of clothing. But the title is actually High School DxD, and this volume wants to remind you of the first part, as Issei and his class are going to Kyoto. And they actually do make an effort to put in the “look, I did the research” work. There are, of course, supernatural bad things going on on their trip. And they naturally seem to center around Issei. But his teachers say to leave it to them, and to try to have a normal fun school trip. Which makes sense. Most of our protagonists are either demons, fallen angels, or angels, and “high school romcom” is theoretically not high on the list of things they have to do. Unless you’re High School DxD, of course, where Issei cannot walk two steps without having another gorgeous young woman fall in love with him. This volume’s candidate is very young indeed.

As noted, everyone’s off to Kyoto!… well, almost everyone. Rias and Akeno are, of course, one grade higher than Issei, so aren’t going, much to their annoyance. That said, everything is official and they even have special thingummies that will allow them to visit the very religious temples without, y’know, bursting into flames or the like. Things are going well… despite a growing rash of breast gropers among the populace. And the elementary-school aged fox girl who demands that Issei give back her mother, who has been kidnapped. That said, if you recall the events of the seventh volume and wonder “if this perhaps the work of the guys trying to reverse engineer balance breakers so humanity can fight angels and demons?”, you would be absolutely correct.

I will admit that the human side does have a point here, in that if you happen to know about angels and demons and dragons and the like, and they’re all fighting each other, you start to feel like a pointless statistic in comparison. That said, if you want humanity to triumph, I’m pretty sure “terrorist acts” is not the way to go. As for Issei, he’s getting better not only at fighting but also at leading, which is good because without Rias the group seems to lack anyone to give them strategy beyond “hit things very hard”. (Or heal things very hard, in Asia’s case.) I was also amused to see that Issei’s power is very similar to Izuku’s in My Hero Academia (which came out well after this book), complete with prior users who give him cryptic advice. And are also a fan of his signature breast moves. Which is a real sentence that I just typed out, and I still can’t really believe that.

So we’ve had the sports festival, and the class trip, so I think I know what’s coming next. Till then, enjoy a solid volume in this horny series.

I’m the Villainess, So I’m Taming the Final Boss, Vol. 4

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By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

A lot of light novels, particularly in the Villainess genre, have trouble sometimes coming up with what comes next. Looking in particular at My Next Life As a Villainess, which one can argue has sort of been spinning its wheels since the start of Book 3. Fortunately, some authors are much better at coming up with compelling storylines, even if the storyline is “oh, there was another game”. It helps that we have Aileen, who of all the Villainess protagonists is probably the best at being a “villain” personality, i.e. a confident and dynamic young woman who does not take shit from anyone. Well, except perhaps her husband. That said, she gets help here from the “heroine”, Lilia, who is not exactly on her side but is not the antagonist this time, and whose gleeful fourth-wall breaking and sneering bitchiness make this book even more entertaining than it already is. They’re taking on the third game, which has an Arabian feel to it, but still involves the same old otome game tropes.

Aileen and Lilia, along with attendants Rachel and Serena, are headed on a boat trip to Hausel. A dragon went wild while Claude had amnesia, and they need to attend an inquiry to explain it. Unfortunately, on the voyage, the boat’s women are all kidnapped! They’re now in the Kingdom of Ashmael, and are part of the royal harem. Unfortunately, Aileen and Lilia both recognize this scenario: it’s the third game! The “heroine” is Sahra, a holy daughter of God who can repair the Holy Sword. The “villainess” is Roxane, a stoic and reserved woman who is Baal’s main consort. That said… certain aspects of the game seem to have already happened before Aileen and company arrive. Is someone else pulling the strings? Can Aileen avoid being unfaithful to her husband? And why haven’t they consummated their marriage anyway?!

Every time Aileen and Lilia are in the same scene it is a delight. Lilia is absolutely terrible in a way that would be excruciating in real life but is wonderful on the printed page. The fact that the two of them are forced to team up here makes it even better. As for Roxane, like the other villainesses in this series she turns out to be far more than she seems, and I hope we see more of her. We’re definitely going to be seeing more of Sahra… at least I hope we are, as her arc was rushed and lacking, the one part of this I didn’t enjoy. The implication near the end is that Cedric is going to take her in as sort of a way to keep Lilia interested, which I’m sure won’t rebound horribly on him in any way. And, of course, Aileen and Claude are adorable together. It is amusing that everyone – everyone – who knows Aileen thinks she’s cutest when she’s crying. (We also get some brief backstory drop, and wow, her family is very much “you will be awesome or you will die, no other options.”)

This is the first volume that won’t be animated by the current adaptation, and if you’re an anime-only fan it’s a great one to dive into. This remains one of the top-tier titles in the Villainess genre.

Manga the Week of 11/23/22

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SEAN: The deluge.

ASH: Ride the wave!

SEAN: Yen On has some debuts. Alya Sometimes Hides Her Feelings in Russian (Tokidoki Bosotto Roshiago de Dereru Tonari no Alya-san) is basically one of those “sweet high school romcom” series, only with a Russian flavor. Sadly, she doesn’t realize the guy she likes can understand Russian!

ASH: That’s a twist on communication breakdown that I don’t think I’ve seen yet.

SEAN: Apparently, Disillusioned Adventurers Will Save the World (Ningen Fushin no Bōkensha-tachi ga Sekai o Sukuu Yō Desu) tells the tale of an adventurer who was screwed by his party. Now he joins forces with others who had similar issues and together they will be the bitterest adventurers around.

The one-shot is Fox Tales (Kitsune no Hanashi), a short story collection from the creator of Penguin Highway and The Night Is Short, Walk On Girl.

ASH: I’ve really enjoyed Tomihiko Morimi’s past work, so I look forward to reading this one.

SEAN: Gods’ Games We Play (Kami wa Game ni Ueteiru) has a former goddess and a genius boy teaming up to win a rigged contest between gods! This is from the creator of Our Last Crusade or the Rise of a New World.

And King’s Proposal (Ōsama no Propose) is from the creator of Date a Live, but I guess I’ll talk about it anyway. A dying witch who is the only one with the power to save the world gives her powers to a passing Ordinary High School Student. Now he’ll need to attend a magic academy… posing as her!

Also from Yen On: The Asterisk War 16, Cross-Dressing Villainess Cecilia Sylvie 3, Eighty-Six 11, Higehiro: After Being Rejected, I Shaved and Took in a High School Runaway 2, The Holy Grail of Eris 3, I Kept Pressing the 100-Million-Year Button and Came Out on Top 4, My Happy Marriage 3, Our Last Crusade or the Rise of a New World 10, Re:ZERO -Starting Life in Another World- 20, Secrets of the Silent Witch 2, So I’m a Spider, So What? 15, Spice & Wolf 23, Strike the Blood 22 (the final volume), Sword Art Online Alternative: Gun Gale Online 11, That Time I Got Reincarnated as a Slime 15, and The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat 6.

ASH: It’s been a while since I’ve thought about Spice & Wolf. I did enjoy some of the early volumes I read.

SEAN: As for Yen Press, they have debuts as well. Coffee Moon is from Dengeki Maoh, and is about a girl trying to live a normal life during what appears to be the apocalypse, and what happens when one day she cannot.

ASH: Okay, I’m at least vaguely intrigued.

SEAN: The Demon Sword Master of Excalibur Academy (Seiken Gakuin no Maken Tsukai) is based on the light novel, which is not too bad for a “magical academy has a demon lord” book. (Yes, that is a genre.) It runs in Shonen Ace.

Embrace Your Size: My Own Body Positivity (Jibun Size de Ikou Watashi nari no Body Positive) is a one-shot serialized on pixiv’s essay site, and then published by Kadokawa. It is, as you might imagine, a story of how society does not accept anything other than the “accepted” body type, and how to learn to love your body anyway.

ASH: I do like the range of autobio manga we see these days.

SEAN: The Gay Who Turned Kaiju (Kaijuu ni Natta Gay) is a one-shot LGBTQ title that was originally published as a series of ten doujinshi, then collected into a volume by Enterbrain. A bullied gay teen wishes he could be someone else. Surprise! That said, this is apparently really good.

ASH: I’ve heard good things, too.

Hirano and Kagiura is a sequel/side-story to Sasaki and Miyano, and is BL Basketball. BasketBL? It runs in Comic Gene.

MICHELLE: I should really read Sasaki and Miyano.

SEAN: So What’s Wrong with Getting Reborn as a Goblin? (Tensei Goblin Dakedo Shitsumon Aru?) comes from the author of My Unique Skill Makes Me OP Even at Level 1. Reborn as hated thing, weak to strong, exhausted office worker dies by getting truck’d, harem of devoted women… it’s all here. This runs in Tonari no Young Jump.

Touring After the Apocalypse (Shuumatsu Touring) runs in Dengeki Maoh, like Coffee Moon, and also appears to be post-apocalyptic, like Coffee Moon. That said, the plot sounds exactly like Girls’ Last Tour: the non-SF version. Also, its author just started a Super Cub manga spinoff starring Reiko. HINT HINT.

ASH: Hmmm…

SEAN: Yen also has Adachi and Shimamura 4, Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 5, Breasts Are My Favorite Things in the World! 6, Catch These Hands! 3, A Certain Magical Index 26, The Dark History of the Reincarnated Villainess 6, The Devil Is a Part-Timer! 19, The Girl I Saved on the Train Turned Out to Be My Childhood Friend 2, Goblin Slayer Side Story: Year One 8, Magia Record: Puella Magi Madoka Magica Side Story 5, The Maid I Hired Recently Is Mysterious 4, Mieruko-chan 6, Murcielago 20, Overlord 16, Shadows House 2, Slasher Maidens 6, and Why Raeliana Ended Up at the Duke’s Mansion 2.

That’s it! What will you be… buying… wait. That’s only Yen Press. I’ve only done ONE publisher. (sobs)

Viz Media, fortunately, doesn’t have a lot. JoJo’s Bizarre Adventure: Part 5–Golden Wind 6, the light novel Naruto: Sasuke’s Story—The Uchiha and the Heavenly Stardust, Urusei Yatsura 16, and (digitally) WITCH WATCH 4.

ASH: Still glad we’re getting so much of JoJo translated.

SEAN: Square Enix has Beauty and the Feast 5, The Great Jahy Will Not Be Defeated! 4, I Think Our Son Is Gay 4, Ragna Crimson 7, and The Strongest Sage with the Weakest Crest 9.

ASH: I need to catch up on I Think Our Son Is Gay, but I really like the first volume.

SEAN: Seven Seas has some debuts as well, of course. Steam Reverie in Amber is not a manga or light novel, it’s an artbook/tarot thing from an artist famous for Final Fantasy art.

ASH: Interesting.

You Like Me, Not My Daughter?! (Musume Janakute, Watashi ga Suki Nano!?) is a “momcom” from the creator of When Supernatural Battles Become Commonplace and You Like Me, Don’t You? (and takes place in the same universe as the latter). A young woman raises her niece as her own daughter after the death of her sister and brother-in-law. Then one day, a confession from the guy next door… Not to her daughter, but to her!

Also from Seven Seas: COLORLESS 2, Crossplay Love: Otaku x Punk 2, Dungeon Builder: The Demon King’s Labyrinth is a Modern City! 6, The Ideal Sponger Life 12, Tokyo Revengers Omnibus 5-6, and Young Ladies Don’t Play Fighting Games 4.

One Peace Books has the debut of The Wrong Way to Use Healing Magic’s manga (Chiyu Mahou no Machigatta Tsukaikata – Senjou o Kakeru Kaifuku Youin). Based on the light novel (also from One Peace), it runs in Comp Ace.

KUMA debuts The (Pet) Detective Agency (Tantei Jimusho no Kainushi-sama) is a one-shot BL hardcover volume about a detective who is skilled at finding lost pets, and the boss he’s in love with. It ran in Canna.

MICHELLE: Huh. Potentially cute.

ANNA: It does sound cute.

SEAN: Kodansha’s site being under construction and its solicits being hard to find means that the information is, frankly, a mess. I can only apologize.

Kodansha’s print volumes: The Best of Attack on Titan In Color 2 and When Will Ayumu Make His Move? 8.

A print volume I missed from 11/8 is Avant-Garde Yumeko, another Shuzo Oshimi title which is, and there’s no getting around this, about a girl who likes penises. It ran in Young Magazine in 2003.

ASH: Oh, well, it’ll probably be well drawn at the very least?

SEAN: Digital… their site is still down. But let’s try going by solicits. Blackguard 5 (the final volume), Burn the House Down 6, DAYS 32, Gamaran: Shura 2, WIND BREAKER 7, and You’re My Cutie 4.

Books that are already out from 11/8: Ace of the Diamond 40, The Fable 8, My Maid, Miss Kishi 5, Police in a Pod 18, The Shadows of Who We Once Were 6, and Space Brothers 41.

Books that are already out from 11/15: Blue Lock 16, Boss Wife 5, The Café Terrace and its Goddesses 2, Gamaran 3, Golden Gold 6, Hozuki’s Coolheadedness 11, Otherworldly Munchkin: Let’s Speedrun the Dungeon with Only 1 HP! 6, Our Fake Marriage 10, A Serenade for Pretend Lovers 6 (the final volume), The Seven Deadly Sins: Four Knights of the Apocalypse 6, She, Her Camera, and Her Seasons 4, Tesla Note 7, and Ya Boy Kongming! 9.

MICHELLE: I am, as ever, here for all the josei and sports manga!

ANNA: So am I, theoretically!

SEAN: J-Novel Club light novel debut: Making Magic: The Sweet Life of a Witch Who Knows an Infinite MP Loophole (Maryoku Cheat na Majo ni Narimashita ~ Souzou Mahou de Kimama na Isekai Seikatsu ~). This is a reincarnated in a fantasy world that’s like a game but has a cheat ability sort of book. Despite that, female protagonist, so I’ll try it.

Also from J-Novel Club: Ascendance of a Bookworm: Fanbook 3, Dahlia in Bloom: Crafting a Fresh Start with Magical Tools 5, Holmes of Kyoto 12, the 15th Marginal Operation manga, Perry Rhodan NEO 10, and Redefining the META at VRMMO Academy 5.

Not technically Ghost Ship but I’m putting it here because it’s explicit, The Titan’s Bride (Kyojinzoku no Hanayome) is a mature BL title which features a high school man who finds himself in a fantasy world of giants! And yes, EVERYTHING about them is giant! And one wants our hero as his… bride?

ASH: I’ll admit to being curious.

SEAN: Actual Ghost Ship: The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You 4, Call Girl in Another World 5 and Ero Ninja Scrolls 4.

It’s not just Kodansha I find hard to find. Dark Horse Comics released Keep Your Hands Off Eizouken! 4 on 11/8 and I missed it.

Finally (!!), Airship has, in print, Classroom of the Elite Year 2 3 and Kuma Kuma Kuma Bear 11.5.

And in early digital they have Drugstore in Another World: The Slow Life of a Cheat Pharmacist 6.

(collapses)

MICHELLE: Sean? Sean?!?!

The Manga Review, 11/18/22

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Last week, ICv2 publisher Milton Griepp sat down for a lengthy conversation with Dark Horse Comics’ CEO Mike Richardson. The two discussed the company’s history–particularly its early investment in manga–as well as current trends in graphic novel sales. Among Richardson’s most interesting revelations was that a significant portion of Dark Horse’s business is happening outside of comic book stores. “85% of our sales are found in traditional bookstores,” he notes. “We’ve been told by PRH (Penguin Random House) that we consistently outsell Marvel and DC in bookstores and it’s bookstores that have pushed Dark Horse sales over nine figures.” Richardson also expressed his frustration with the media’s tendency to report Diamond Distributor figures as an accurate indicator of comic book sales. “Last I checked, we had sold almost five million copies of Berserk,” he notes. “Yes, that’s what I said, and we have a number of books that have sold seven figures.  None of them are included in the Diamond market share because we don’t distribute our books through Diamond.”

NEWS AND VIEWS

Jocelyne Allen explains the appeal of Asada Nemui’s Sleeping Dead, a new entry in the growing sub-genre of zombie BL. “I honestly love every page of this,” she notes. “There’s really not a wasted panel, and while I’m not one hundred percent on board with the explanation for the zombie effect, I am here for the actual zombie action. The developing relationship between mad scientist and zombie is fascinating, especially with the bumps in the road as they each discover things about themselves, and I seriously can’t wait to see how this story resolves in the second volume, which came out only recently.” [Brain vs. Book]

VIZ has just added a new Shonen Jump title to its line-up: The Ichinose Family’s Deadly Sins. The story focuses on a middle-school student who’s reunited with his family after an accident wipes his memory. The catch? His family seems to harboring some big secrets from him! The first chapter is available online. [VIZ]

On the fifteenth anniversary of its original publication, Kara Dennison revisits the first volume of Takashi Okazaki’s Afro-Samurai. [Otaku USA]

Congratulations to SKJAM! Reviews for ten years of thoughtful manga, movie, television, and book reviews; that’s a milestone worth celebrating! [SKJAM! Reviews]

Morgana Santilli leads a spirited roundtable discussion of three shojo titles: MARS, Midnight Secretary, and Ouran High School Host Club. [Manga Machinations]

In the latest installment of Multiversity Manga Club, Walt Richardson, Emily Myers, and Zach Wilkerson recap chapters 956-981 of One Piece. [Multiversity Manga Club]

ICYMI: Hagai Palevsky deconstructs Yuichi Yokoyama’s Plaza. “Such a project is perfect for Yokoyama, as a cartoonist who is interested in the temporality and kinesis of comics and completely uninterested in narrative components such as emotion and character development,” Palevsky observes. “It is elevated by his careful balance between the overall simplicity of lines and the density of objects: he does not bother with overwrought rendering, making do with economic recognizability of objects and putting most of his efforts into a ‘clutter’ both tangible and sensory. There is a lot going on in every single panel, but there is always an order to it, a clarity that rearranges the space in the eyes of the cooperative reader.” [Solrad]

REVIEWS

Over at Okazu, Erica Friedman explains how you should read Tatsuki Fujimoto’s Look Back. “Read it slowly. Pay attention to the details,” she advises. “It’s a slim volume, and not terribly complicated in terms of concept. In fact, I’d call this a very typical ‘the second story a manga artist does after their series goes mega-hit and they need to write about creating manga’ manga. But it is loaded to the gills with feels.” Also worth a look: Sarah offers a frank (and fair!) assessment of The Poe Clan‘s second volume, while Bradathon Nu critiques Tatsuki Fujimoto’s newest one-shot Just Listen to the Song. On the capsule review front, Masha Zhdanova looks at three new VIZ titles, while the gang at Beneath the Tangles offer short-n-sweet assessments of Rooster Fighter, The Remarried Empress, and Tower of God.

The Bride of Demise, Vol. 2

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By Keishi Ayasato and murakaruki. Released in Japan as “Shūen no Hanayome” by MF Bunko J. Released in North America by Yen On. Translated by Jordan Taylor.

Sometimes you are an author with a wonderful idea, a grand epic tale that will span 30, nay, 50 volumes, and then you get told by editorial to wrap it up in the next chapter. So goes life. Then there is the opposite problem. Sometimes you get an idea for a great, short, punchy horror story with a side of friendship and bonding, and it’s great. In fact, it’s so great the publisher asks where the next volume is. There… isn’t one? It’s complete? Nonsense, you will write more. Because it was popular. Now, I’m not sure that’s exactly what happened with Keishi Ayasato and The Bride of Demise, but it would not surprise me if that was the cast. There’s nothing wrong with this book. It’s got evocative prose, startling horror, and some cool battle scenes. It’s just it doesn’t feel like it’s actually telling us all THAT much that’s new about the world, except for one thing which isn’t much of a surprise. But, if you enjoy Ayasato, it’s still very good.

Kou Kaguro, after 15,000 deaths to get there, finally has his happy ending. He’s at the Academy in his special class with his beloved White Princess. He even gets a big surprise when Millennium Black Princess joins the class as a “new transfer student”, something so blatantly false that the class boggles in disbelief. And they get a second teacher, Hibiya, who proves to be far more adept at actual teaching than the eccentric Kagura. Plus, it’s School Festival time! Admittedly, as part of the secret class, it’s harder to walk around the festival, but that’s why masks were invented. They’re even doing a haunted house, and trust me when I say it will be scary. Everything’s coming up roses for Kou… at least till he gets stabbed to death. And then stabbed again. And again. By his closest friends.

Kou can be a relatively passive protagonist, something he is called out for here by Kagura and Hibiya, who both tell him that he uses his time powers like a magical do-over, and that eventually that will get him into trouble. But he’s still trying to be a good guy… a “hero of justice”, as it’s explicitly stated here, and towards the end of the book he finally gets a handle on this, realizing that sometimes justice makes you need to do terrible things to people that don’t really deserve the=m. We also get some new insight into the kihei, which should be too surprising if you’re read enough conspiracy novels, but also lends a nice air of “uh oh” to the series going forward. And there’s even a smidgen of romance, though for the most part it’s either of the “let’s hold hands” variety (Kou and his princesses) or an ominous setup for the third book (Asagiri).

So yeah, this was good, and I enjoyed it. But I don’t think the book was all that necessary. Possibly the publishers agreed – the next book is the final one in the series, I believe.