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Manga Review

The Manga Review: Black Friday Edition

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Yet another Anime NYC has come and gone, bringing with it a raft of licensing announcements from Azuki, Kodansha, Seven Seas, and Yen Press. While most reports from the show floor were positive, The Beat’s Ricardo Serrano Denis noted that the convention suffered from some of the same issues that plagued it before the pandemic. “One thing I thought was seriously underrepresented in the 2019 show was manga and anime booths, places to acquire them,” he noted. “For an anime convention, I felt the number of booths dedicated to the medium were on the slimmer side of things. Fast forward to 2022, a whole pandemic later, and those same shortcomings are still accounted for, perhaps even worse so.” Other attendees gave mixed marks to the panels, noting that the Spy x Family session lasted a mere 30 minutes, while the online ticketing for the Attack on Titan event was marred by computer glitches and limited seating. Still, many folks left satisfied. Summarizing her experience at Anime NYC, for example, Erica Friedman observed there’s more great yuri anime and manga than ever before, noting how many vendors were prominently displaying series such as Lilies and The Executioner and Her Way of Life.

NEWS AND VIEWS

Looking for a great deal on manga or anime? Krystallina has you covered with an extensive list of Black Friday deals. [The OASG]

Mary Lee Sauder jumps in the WABAC machine for a look at the ani-manga craze of the early 2000s. [Honey’s Anime]

Over at Women Write About Comics, Carrie McClain sifts through a batch of new releases from Seven Seas, including I’m a Terminal Cancer Patient, But I’m Fine, The Savior’s Book Café in Another World, and The Titan’s Bride. [WWAC]

The latest essay at Sports Baka focuses on Gunjo no fanfare (Fanfare of Adolescence), a series about “a rich ensemble of teenage characters who, except for their common goal to become jockeys, couldn’t be more different.” [Sports Baka]

The Mangasplainers are all business this week with an in-depth look at Division Chief Kosaku Shima, a salaryman manga from the 1980s. [Mangasplaining]

Psyche Kale exposes the not-so-hidden sexism of Claymore. “Consistently, when given the chance to treat its characters with grace, to give them control of the story, to have their struggles understood, to have their humanity appreciated, Claymore chooses to undermine itself with a juvenile emphasis on unnecessary carnage, a lack of interest in the inner worlds of the characters depicted, and a callousness to their emotional suffering. And it sucks,” they observe. “For many it was the first time they saw a female protagonist in an anime or manga that was allowed the spotlight, who could fight and kill as well as anyone else, who was allowed to get beat up instead of wilting like a dainty flower. There’s still merit in those experiences, and moments of the story where it knows what it’s doing and how to give its female characters that grace and to focus on their emotions.” [Anime Feminist]

REVIEWS

Rebecca Silverman reviews Be Very Afraid of Kanako Inuki, arguing that this short-story anthology feels more “like a sampler rather than a full collection in its own right,” but asserts that “Inuki is a creator worth knowing, and if you’re a fan of Kazuo Umezz and Junji Ito, this is well worth checking out.” Over at The Manga Test Drive, Megan D. takes Naoki Urasawa’s Pluto for a spin. “Pluto works as both a tribute to a classic and as a stand-alone mystery,” she opines. “You don’t need to be familiar with Astro Boy to understand the story, but if you do you’ll be able to appreciate just how Urasawa adapts it for modern tastes.”

The Manga Review, 11/18/22

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Last week, ICv2 publisher Milton Griepp sat down for a lengthy conversation with Dark Horse Comics’ CEO Mike Richardson. The two discussed the company’s history–particularly its early investment in manga–as well as current trends in graphic novel sales. Among Richardson’s most interesting revelations was that a significant portion of Dark Horse’s business is happening outside of comic book stores. “85% of our sales are found in traditional bookstores,” he notes. “We’ve been told by PRH (Penguin Random House) that we consistently outsell Marvel and DC in bookstores and it’s bookstores that have pushed Dark Horse sales over nine figures.” Richardson also expressed his frustration with the media’s tendency to report Diamond Distributor figures as an accurate indicator of comic book sales. “Last I checked, we had sold almost five million copies of Berserk,” he notes. “Yes, that’s what I said, and we have a number of books that have sold seven figures.  None of them are included in the Diamond market share because we don’t distribute our books through Diamond.”

NEWS AND VIEWS

Jocelyne Allen explains the appeal of Asada Nemui’s Sleeping Dead, a new entry in the growing sub-genre of zombie BL. “I honestly love every page of this,” she notes. “There’s really not a wasted panel, and while I’m not one hundred percent on board with the explanation for the zombie effect, I am here for the actual zombie action. The developing relationship between mad scientist and zombie is fascinating, especially with the bumps in the road as they each discover things about themselves, and I seriously can’t wait to see how this story resolves in the second volume, which came out only recently.” [Brain vs. Book]

VIZ has just added a new Shonen Jump title to its line-up: The Ichinose Family’s Deadly Sins. The story focuses on a middle-school student who’s reunited with his family after an accident wipes his memory. The catch? His family seems to harboring some big secrets from him! The first chapter is available online. [VIZ]

On the fifteenth anniversary of its original publication, Kara Dennison revisits the first volume of Takashi Okazaki’s Afro-Samurai. [Otaku USA]

Congratulations to SKJAM! Reviews for ten years of thoughtful manga, movie, television, and book reviews; that’s a milestone worth celebrating! [SKJAM! Reviews]

Morgana Santilli leads a spirited roundtable discussion of three shojo titles: MARS, Midnight Secretary, and Ouran High School Host Club. [Manga Machinations]

In the latest installment of Multiversity Manga Club, Walt Richardson, Emily Myers, and Zach Wilkerson recap chapters 956-981 of One Piece. [Multiversity Manga Club]

ICYMI: Hagai Palevsky deconstructs Yuichi Yokoyama’s Plaza. “Such a project is perfect for Yokoyama, as a cartoonist who is interested in the temporality and kinesis of comics and completely uninterested in narrative components such as emotion and character development,” Palevsky observes. “It is elevated by his careful balance between the overall simplicity of lines and the density of objects: he does not bother with overwrought rendering, making do with economic recognizability of objects and putting most of his efforts into a ‘clutter’ both tangible and sensory. There is a lot going on in every single panel, but there is always an order to it, a clarity that rearranges the space in the eyes of the cooperative reader.” [Solrad]

REVIEWS

Over at Okazu, Erica Friedman explains how you should read Tatsuki Fujimoto’s Look Back. “Read it slowly. Pay attention to the details,” she advises. “It’s a slim volume, and not terribly complicated in terms of concept. In fact, I’d call this a very typical ‘the second story a manga artist does after their series goes mega-hit and they need to write about creating manga’ manga. But it is loaded to the gills with feels.” Also worth a look: Sarah offers a frank (and fair!) assessment of The Poe Clan‘s second volume, while Bradathon Nu critiques Tatsuki Fujimoto’s newest one-shot Just Listen to the Song. On the capsule review front, Masha Zhdanova looks at three new VIZ titles, while the gang at Beneath the Tangles offer short-n-sweet assessments of Rooster Fighter, The Remarried Empress, and Tower of God.

The Manga Review, 11/11/22

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File this under Weird Twitter Kerfuffles: on Monday, manga-ka Kentaro Sato tweeted that “CEO Elon Musk has been posting my drawings without permission, so I’d like a usage fee of one billion. In dollars.” Musk had apparently re-tweeted a meme that used imagery from Sato’s Magical Girl Site, which is currently running in Weekly Shonen Champion. Though it’s not clear from context if the post was tongue-in-cheek, a number of Twitter users rallied to Sato’s cause, urging him to take action against Musk:

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There’s been no response from Musk so far.

NEWS AND VIEWS

Jocelyne Allen explains why she soldiered through the rocky first chapter of Kemutai Ane to Zuro Imoto. “I almost had to annoyance-quit reading this title,” she confesses. “But you know I love Battan’s sharp-nosed ladies with their cat eyes and strands of hair everywhere, so I kept pushing forward and found a lot more to like, including a much-needed window into Ran’s side of this story.” [Brain vs. Book]

Over at Shonen Flop, David and Jordan dissect the first chapter of Super Smartphone, a new Shonen Jump series. [Shonen Flop]

Artists Sally Madden and Katie Skelly devote the latest episode of the Thick Lines Podcast to Moyocco Anno’s In Clothes Called Fat.[Thick Lines Podcast]

ICYMI: Joe McCulloch dropped by the Thick Lines Podcast a few weeks ago to discuss Kazuo Umezz’s Orochi: Blood. [Thick Lines Podcast]

In the latest installment of Screentone Club, Andy and Elliot go to extremes–tonal extremes, that is, as they discuss Days on Fes and Franken Fran. [Screentone Club]

Erica Friedman praises Eike Exner’s Comics and the Origins of Manga: A Revisionist History, which won the 2022 Eisner Award for Best Academic Work. “You’re probably familiar with orthodox manga history, tracing today’s modern sequential narrative art from Japan from early scrolls, through sketches of the Ukiyo-e period to (time jump) modern manga,” she notes. Exner’s book, however, “stops the story and asks us to look – really look – at that time jump, and at one of the factors that shaped Japanese comicking into what we know today as manga… Exner’s voice is readable and friendly, with a sense of genuine conviction, rather than an argument that was made to be made.” [Okazu]

REVIEWS

Johanna Draper Carlson gives a mixed review to Blue Box, characterizing the artwork as “adequate but not inspiring,” while praising the series for flipping the script. “What I liked most about this book was a boy developing a crush on a girl because of her determination and accomplishments,” she notes. “A lot of shojo has the girl being aggressively normal, even shy, with no reason to stand out, unless it’s due to her cuteness.”

New and Noteworthy

Complete and Ongoing Series

The Manga Review, 4/22/22

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Cover of Cat and GamerBack in the roaring aughts–when earnest manga fans posted reviews on LiveJournal and Blogger–link posts were a simple, effective way to connect with like-minded readers. The widespread adoption of social media in the 2010s was supposed to make it easier to find interesting content, but the proliferation of apps and platforms has had the opposite effect, turning the search for manga news and reviews into a part-time job. Our solution: an old-fashioned column that highlights some of the most interesting manga content on the web, from creator interviews to breaking news stories and reviews. If you write about manga, we encourage you to let us know so we can keep tabs on your site, podcast, or channel; feel free to leave a comment below or get in touch with us through Twitter. Now on to the links!

NEWS AND FEATURES

The latest Mangasplaining episode landed on Wednesday, and this time Deb Aoki and Christopher Butcher take a closer look at Birds of Shangri-La, a steamy boys’ love series, using it as a jumping off point for exploring censorship in Japanese comics. Word to the wise: this week’s show is definitely NSFW. [Mangasplaining]

For an insightful and entertaining look at how girl gangs have been portrayed in anime and manga, look no further than Erica Friedman’s latest Yuri Studio! video. [Okazu]

Erica Friedman interviews Japanese author inori, creator of the popular series I’m in Love with the Villainess. [Okazu]

Do you have a young reader at home? The crack team of librarians at No Flying No Tights have compiled a helpful list of great manga for the under-twelve set, from literary adaptations of children’s classics to perennial favorites Cardcaptor Sakura and Yotsuba&! [No Flying No Tights]

And file this under Better Late Than Never: NPR celebrates the thirty-year history of Sailor Moon with an in-depth look at why the show’s messages of friendship, love, and empowerment still resonate with viewers (and readers) today. [National Public Radio]

REVIEWS

Over at Anime UK News, Sarah reviews Marimo Nagawa’s influential BL drama New York, New York. While acknowledging that some aspects of the story haven’t aged well, Sarah praises Nagawa’s “striking” art and “thoughtful,” “sensitive” exploration of “the problems faced by its gay protagonists in a society that still had a long way to go to be accepting of LGBT rights.” Yuri Stargirl posts a mixed review of Nagata Kabi’s My Wandering Warrior Existence, noting that it suffers in comparison with My Lesbian Experience with Loneliness. “I’ve felt that each volume since that first one has been one of diminishing returns,” she notes. “That doesn’t mean they haven’t been good, or powerful, but with each one maybe a little bit less so.” And Good Comics for Kids contributor Johanna Draper Carlson posts an early review of the much-anticipated Cat + Gamer, in which a video game enthusiast adopts a stray kitten.