Features & Reviews

Bookshelf Briefs 12/15/14

December 15, 2014 by Sean Gaffney and Michelle Smith Leave a Comment

This week, Sean and Michelle look at recent releases from Viz Media and Kodansha Comics.

Kimi Ni Todoke, Vol. 20 | By Karuho Shiina | Viz Media – This is still Sawako’s story, and her development here is great, but I do love that there’s just as much investment in having the other two heroines grow up as well – Sawako’s career choice is actually the easiest. It’s also great to see the good teacher we know Pin is, as he reminds Chizu that running a ramen joint requires more than just knowing how to cook, and tells Yano straight up that she has the talent to set her goals higher… so why isn’t she? Her mother backs this up, and now Yano is not only wondering about her life goals but about her relationship with Kento. I’d complained earlier that I felt this series might be running a bit long, but this volume showed it still has a lot more going on. – Sean Gaffney

Nura: Rise of the Yokai Clan, Vol. 24 | By Hiroshi Shiibashi | Viz Media – For the most part, this penultimate volume of Nura is a bunch of battles. I believe that the actual end in Weekly Jump is here, approximately halfway through – the rest ended up being in the extra issues like Jump Next, etc. It’s nice seeing the school classmates here, even if it fells like a goodbye – Nura quickly outgrew its “real-world” aspect, and even Kana is an afterthought now, as it’s Tsurara who spends the volume by Rikuo’s side. We see the culmination of what he’s been doing the entire series, as everyone he approached to be allies in the fight now shows up to help out, leaving him safe to fight the final boss. This was never the best shonen series, but I’ll miss it. – Sean Gaffney

Real, Vol. 13 | By Takehiko Inoue | Viz Media – The latest volume of this wheelchair basketball drama is actually all about pro wrestling, as Takahashi’s rehab companion, Shiratori, makes an inspirational return to the ring, fighting in such a way that the audience is oblivious to his disability. While it was nice to learn more about his backstory, better still is the impact his performance has on Hanasaki and Takahashi. The latter, especially, watches Shiratori fighting with everything he’s got left, pushing himself to the limit for something he loves and finally completely lets go of the aloof, unaffected persona he’d cultivated in high school and embraces his real self, who could love something passionately. To that end, the final page is him showing up to join a wheelchair basketball team. Maybe it sounds simplistic described in words, but in Inoue’s sure hands, the end result is very moving. Now to endure another year before volume fourteen! – Michelle Smith

Toriko, Vol. 25 | By Mitsutoshi Shimabukuro | Viz Media – I will admit to being a bit disappointed with this volume. I wanted more amazing cooking battles, but sadly Gourmet Corps crashes the event and starts attacking everything, so instead this turns into a melee battle. It’s not without its high points – I liked Coco explaining to Komatsu why chefs such as him are so highly prized in this world, and a battle between Sunny and Tommyrod promises to be rather epic – but for the most part this is a bunch of people showing off their fighting power, then vanishing from the narrative to make way for more people. Combine that with the already high number of new chefs introduced in the last volume, and you have a Toriko that’s less than the sum of its parts. – Sean Gaffney

xxxHOLIC Rei, Vol. 2 | By CLAMP | Kodansha Comics – Yeah, OK, I knew I wasn’t really getting a reboot. Clearly this takes place after the main series, and also clearly there is something terribly wrong, seemingly based on a decision that Watanuki made at some point, something lampshaded by his being interrupted here in this dream/whatever world before he can choose between two gifts. He has knowledge of the supernatural that could only come with experience, and is thus surprising everyone – or is he? In any event, we also still have the usual supernatural, yokai-influenced stories, which are the best part of xxxHOLIC for me. And Himawari’s here, yay! And not married to generic guy we never see and shoved offscreen! Oh xxxHOLIC, why can’t I quit you?-Sean Gaffney

My Week in Manga: December 8-December 14, 2014

December 15, 2014 by Ash Brown

My News and Reviews

Two reviews were posted at Experiments in Manga last week. The first was of Frederik L. Schodt’s classic survey of manga originally written in 1983 but slightly revised in 1986 and with a new introduction added in 1997, Manga! Manga!: The World of Japanese Comics. It may be a few decades old, but it’s still a fantastic work that is well worth reading. Last week I also reviewed Hikaru Suruga’s Attack on Titan: No Regrets, Volume 2, the final volume of Attack on Titan‘s short, shoujo spinoff which focuses on Levi and Erwin’s backstories. I wasn’t quite as fond of the second volume as I was of the first, but I did enjoy the series. It’s definitely a must-read for fans of Erwin and/or Levi and I appreciated how it expanded the setting of Attack on Titan.

Elsewhere online, Kodansha Comics announced the license of Naoshi Arakawa’s Your Lie in April. An Indiegogo campaign was launched to create a stop-motion film adaptation of Moyoco Anno’s The Diary of Ochibi manga. Vertical linked to an older article about Prophecy and how French Manga Fans Inspire the Work of Tsutsui Tetsuya. (The first volume of Prophecy was recently released in English and it’s fantastic.) And last but not least, Muse Hack posted an interview with Mikhail Koulikov of the Anime and Manga Studies Blog. I’ve been following Koulikov’s Anime and Manga Studies ever since I’ve discovered it. The blog is a great resource for anyone interested in the academic pursuit and scholarly study of Japanese pop culture.

Quick Takes

Fairy Tail, Volume 43 by Hiro Mashima. There was very little Gray in the forty-third volume of Fairly Tail which made me a little sad, especially after the buildup in his character and story over the last few volumes. But with a series like Fairy Tail, which has a fairly large cast of characters who regularly play an important role in its plot, time needs to be spent with those other characters as well. Fairy Tail always seems to have one or two moments of fanservice that, at least for me, detract from the story being told. The clothing and armor choices for the female characters in particular tend towards stereotypical fantasy design–showing more flesh than would be appropriate for battle–but at least the women in Fairy Tail generally have well-developed personalities and are very capable characters in their own right. Often, they’re even stronger than the men. And to be fair, there’s male nudity as well as female nudity in Fairy Tail, though as might be expected from a shounen manga, generally not to the same extent. Fairy Tail is now well into the beginning of the Tartaros arc of the series in which the members of the Fairy Tail guild must face off with a dark guild of demons which is trying to eliminate the entire Magic Council.

Kiss All the Boys, Volumes 1-3 by Shiuko Kano. For the most part I enjoyed Kiss All the Boys more than Kano’s earlier series Yakuza in Love, but ultimately I felt a bit cheated by its conclusion. While in some ways I’m glad that most everything ends happily for the characters, I’m not convinced that that’s really how things would have played out and some of the eventual pairings are troubling. But while Kiss All the Boys may not be the most believable series, at least the convoluted relationships are for the most part interesting even when they are appalling. The series hinges on Tetsuo, a straight thirty-something hentai artist with a fifteen-year-old son born from his youthful indiscretions. At least he’s supposed to be straight. Conveniently for the manga, he soon finds himself entangled in relationships with several other men–his next door neighbor, his best friend and editor, and even the boy his gay son has a crush on. Tetsuo is an asshole, but at least he knows he’s an asshole. He does make some effort to rise above his nature but unfortunately never quite manages to succeed. For the most part Kiss All the Boys is intended to be a comedy and shouldn’t be taken too seriously, but I couldn’t help but worry for the youngsters left with terrible adult role models.

Yukarism, Volume 1 by Chika Shiomi. I haven’t previously read any of Shiomi’s manga, but I was looking forward to Yukarism because of its promise of interesting gender dynamics, reincarnation, and historical romance. Although Yukari Kobayakawa is only seventeen, he has already made a name for himself as an author of novels set in the Edo period. He never has to do any research though since he subconsciously draws inspiration from his past life as a courtesan in the era’s pleasure district. Except for that particular twist, at this point Yukari actually isn’t a very interesting character. He’s very reserved, self-absorbed, impassive, and completely unfazed when he begins to slip back and forth between his past life and his current one. Many of the people surrounding Yukari in present-day Japan are reincarnations of people he knew in the pleasure district although they don’t all seem to be aware of that fact. There’s definitely some potential for romance in Yukarism, but after only one volume that doesn’t appear to be the series’ main concern yet. Instead, the mystery surrounding the deaths of Yukari and the others in the past seems to take precedence, although the connections between all of the characters in all of their incarnations is an important element as well. I’ll be curious to see how the series continues to develop.

DevilPartTimer The Devil Is a Part-Timer! directed by Naoto Hosoda. I’ve been meaning to watch The Devil Is a Part-Timer! for quite some time now, but I was recently reminded of that intention when Yen Press licensed both the light novel series by Satoshi Wagahara on which the anime is based as well as at least one of its manga adaptations. While the anime is entertaining, the ridiculous premise is more hilarious in theory than in execution–The Devil Is a Part-Timer! is actually played fairly straight. But it’s still a fun and consistently amusing series. I particularly got a kick out of Satan diligently working in the fast food industry as a way to take over the world (he takes his job very seriously) and the portrayal of Lucifer as a hikikomori with an online-shopping addiction. For the most part, The Devil Is a Part-Timer! nicely balances its comedy with its drama. Although it has a conclusion, the ending of the series lacks finality and some of the characters introduced were never really put to good use, as though additional seasons were initially planned for but never manifested. (At least I haven’t heard anything about a second season.) Overall, The Devil Is a Part-Timer! is funny series and a nice change of pace from all of the anime centered around high school or middle school students. I might just give the original novels a try when they’re released in English.

Soul Eater Not!, Vol. 4

December 14, 2014 by Sean Gaffney

By Atsushi Ohkubo. Released in Japan by Square Enix, serialized in the magazine Shonen Gangan. Released in North America by Yen Press.

I had thought that this was the final volume of the series, but apparently not, as there’s an unscheduled Vol. 5 that is likely waiting for a sufficient distance from the Japanese release. It’s unclear whether the plot of the manga will follow the anime, which had already finished (with Ohkubo’s advice) before this ended. That said, we have here a manga that still has the same problems which the first volume possessed, but is also adding some new ones, such as whether a typical ‘yuri’ fan is supposed to enjoy the series or be really pissed off about it, and how much serious plot you can have in a moe slice-of-life type manga before it really starts to feel out of place.

Please note that by yuri fans I mean MALE yuri fans, the sort who would be quite happy to see the pairings end in a threesome, and who aren’t put off by the chapter of Meme running around naked that we see here. That said, fanservice isn’t everything, and I think most modern yuri fans are finding that the traditional tease just isn’t enough. Kim and Jackie are another good example – there’s lots of suggestion here that Jackie is in love with Kim, and some hints that Kim might one day return it… but this takes place before Soul Eater, where Kim and Ox become a couple. There’s no there there, it’s done solely to be ‘cutesy’ in a harmless way. Likewise, anyone who thinks that the ‘who will Tsugumi choose?’ plotline might actually involve genuine love and emotion has to be appalled at the aforementioned scene with the girls trying to sleep on a very hot night, which, fanservice aside, seems to show off the ‘immaturity’ of the girls for those who want a safe out.

That said, the other suggested romance in the series, that of Tsugumi and Akane, also seems to have vanished, and the manga is happily settling into focusing solely on our three heroines. There is also, among the jokes and 4-koma, a suggestion of the deeper ongoing plot. Eternal Feather is still recovering from her brainwashing two volumes ago. More importantly Meme’s memory issues, which have been used for comedy to this point, are getting to be a bigger and bigger issue, one that causes genuine concern. The final scene of the book is heartbreaking, as Tsugumi tears into Meme for what she sees as an annoying quirk (Tsugumi dealing with grief over a dead pet right now), but then stops seeing Meme expressing real sadness that she forgot something important again. It’s been vaguely implied she’s a mole for the villain, and I wonder if this is connected to that.

Soul Eater Not! is doing its best to try to appeal to a broader otaku market here, but it feels too pandering, to be honest, and could use more seriousness and heart. It still has some strengths – Anya has developed into the most sensible character of the bunch, and is a far cry from the tsundere princess she started as – but really, Soul Eater fans are better off with Soul Eater, and moe/yuri fans can find material that will give them better jokes and a better payoff than I expect this to have.

Attack on Titan: No Regrets, Vol. 2

December 12, 2014 by Ash Brown

Creator: Hikaru Suruga
Original story: Gun Snark
U.S. publisher: Kodansha
ISBN: 9781612629438
Released: October 2014
Original release: 2014

Attack on Titan: No Regrets, Volume 2 is the final volume of Hikaru Suruga’s manga adaptation of the A Choice with No Regrets visual novel written by Gun Snark. No Regrets is one of the many spinoffs and adaptations of Hajime Isayama’s immensely popular Attack on Titan manga series. It focuses on the backstory of one of Attack on Titan‘s most beloved characters, Levi, and how he became an exceptionally skilled and valued member of the Survey Corps. The second volume of the No Regrets manga was originally released in Japan in 2014, as was Kodansha Comics’ English-language edition. The volume also includes two short, largely comedic, No Regrets side stories as well as a special interview between Isayama and Suruga discussing the story and characters of the Attack on Titan franchise. I rather enjoyed the first volume of No Regrets and so was looking forward to reading the conclusion of the series.

At one point they were considered to be some of the most notorious criminals in the Underground, but now Levi, Isabel, and Furlan have been coerced into joining the Survey Corps, which may very well be a death sentence. Initially they weren’t well-liked by their fellow soldiers, and the three of them weren’t particularly happy with their situation, either. But during their first expedition outside of the walls, Levi and his crew leave quite an impression by handily dispatching an abnormal Titan with seeming ease. Levi and the others still don’t fit in with the rest of the Survey Corps members, but at least their remarkable skills, especially Levi’s, are recognized and admired. The extra attention they receive after defeating the Titan isn’t exactly welcome, though–Furlan is trying to coordinate a covert mission that will either lead to the three criminals’ ultimate freedom or to their deaths. They have been hired by a high-ranking political figure to steal back incriminating documents from Erwin, one of the Survey Corps’ most promising young leaders, and to end his life in the process.

What I particularly liked about the first volume of No Regrets was that it expanded the setting of Attack on Titan in addition to providing valuable background information about Levi, Erwin, and their relationship to each other. Sadly, the second volume doesn’t add much more that is new; I felt like I had already seen many of the scenes play out before and it was very clear how some of the events were going to end. The second volume of No Regrets spends a fair amount of time explaining the long-distance scouting formation, for example. While it’s noteworthy that No Regrets shows the first time that the maneuver is ever attempted, anyone familiar with Attack on Titan should already be quite aware of how the formation functions and its importance. Likewise, as is to be expected, encounters with Titans never tend to go well. Because in many ways No Regrets serves as a prequel to Attack on Titan, the deaths of major characters in the series are not at all surprising and lose some of their impact as a result.

More than anyone else’s, No Regrets is Levi’s story, but Erwin plays a pivotal role in it as well. Both of the men are exceptionally charismatic leaders, although Erwin is the only one of the two who actually seeks that role. Levi doesn’t want to be responsible for the lives of others while Erwin is willing to shoulder the weight of the sacrifices made in the fight against the Titans. He is extremely intelligent and talented and able to make tough decision. Even at the cost of individual lives, Erwin voluntarily employs dubious methods if he believes that the results will increase the odds of humanity’s survival. His almost fanatical drive and obsession contrasts sharply with Levi’s more reserved and internally focused nature. As is known will happen, eventually Erwin wins Levi over to his cause and gives him a firm direction and purpose, but this foregone conclusion does seem to occur rather abruptly. Still, the exploration of Levi and Erwin’s respective personalities and motivations in No Regrets is probably what the series does best and is what the manga brings to Attack on Titan as a whole.

Manga the Week of 12/17

December 11, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith 1 Comment

SEAN: Merry Christmas! Have some manga. Since the publishers usually go quiet around Christmas and New Year’s, almost everything is frontloaded to next week. So be prepared to be completely buried.

The Shinji Ikari Raising Project has now officially passed its parent in volume count. It’s coming to an end soon, though. In the meantime, Dark Horse brings us Vol. 15.

Manga Dogs 2 will help us to ask the question, “can the three male leads get any stupider?”. I’m betting on yes.

ASH: I’m sure that’s probably the case, though they’re pretty stupid to begin with.

SEAN: Kodansha also has its 4th xxxHOLIC omnibus. The series was at its high point here, in my opinion.

MJ: Even if I don’t think it had a *low* point, exactly, I agree that this was a great period in the series.

SEAN: Seven Seas debuts a new yuri series with Citrus, which is from Comic Yuri Hime – nice to see a title from that magazine over here again. Expect melodramatic schoolgirls.

ASH: I’m always interested in more yuri in English, so I’ll be checking this one out.

SEAN: There’s the third volume of D-Frag!, one of the funnier series I’ve read this past year.

You thought Dance in the Vampire Bund was over? You thought all we had left was spinoffs starring David Rasche? You were wrong! Here’s Dance in the Vampire Bund II: Vamp Harder… erm, Scarlet Order.

Girls Und Panzer isn’t over, but there’s always room for one more spinoff series. Little Army follows Miho, the “hardened battle commander” of the original series, as she does tank battles in elementary school.

And Haganai has a second collection of side story comedy for those who feel the main series has too much plot, this one called Club Minutes.

Lastly (from Seven Seas – we’re a long way from the end), there’s a new Witch Buster omnibus, with Vols. 13 and 14.

Vertical has a new Mobile Suit Gundam the Origin, and I think Vol. 8 means we’re 2/3 of the way through. Is the cast still alive? (I’m so far behind on this.)

ASH: As far as we know the cast is still alive; the last few volumes have been an extended flashback, so who knows what will happen from here?

ANNA: I’m behind too, but I keep buying it!

SEAN: Vertical is also debuting two old favorites digitally, as next week sees Vol. 1 and 2 of Black Jack, as well as Apollo’s Song. Mmmmm, digital Tezuka…

ASH: Since so many of Vertical’s Tezuka title have gone or are going out of print, I’m very happy that the publisher found a way to give them some new life.

ANNA: I have much fondness for Black Jack.

MJ: I do, too. I’m so happy to see this coming out digitally.

SEAN: Viz has a 10th volume of Afterschool Charisma, one of the SigIkki survivors.

ANNA: Another one of those series I read three volumes of and mean to get caught up on one day.

SEAN: It’s December, so it’s time for the annual release of Dogs: Bullets and Carnage, with Vol. 9 dropping.

The other SigIkki survivor also has a new volume, as Dorohedoro reached its 14th. Ikki in Japan may be no more, but Dorohedoro will be moving to its replacement, so don’t expect it to end right away.

MICHELLE: Someday I really will read these last three.

ASH: Dorohedoro! Such a delightfully charmingly bizarre series.

SEAN: It’s been a while since we’ve been able to get excited about an Urasawa release. Now we see an omnibus edition of Master Keaton, which will feature incredibly dramatic insurance investigations. No, really, it’s excellent. Check this out even if you’re not a fan of insurance.

MICHELLE: I am so excited about this!!

ASH: I’m definitely interested in seeing more from Urasawa.

ANNA: I’m curious about this title for sure.

MJ: I’m in!

SEAN: Think we’re done? HAH! It’s Yen time. We’ll start with the Yen On line. We get the debut of a new series whose title screams “I am a light novel franchise”. It’s called Is It Wrong to Try to Pick Up Girls in a Dungeon? I’m going to guess the answer overall will prove to be “no”, this sounds pretty harem-ey.

ASH: I don’t know much about the series, but the title amuses me, so I might actually give this one a try.

MJ: Heh. Agreed.

SEAN: Spice & Wolf’s novels have been running since long before Yen On began, and as such, we get lucky Vol. 13 here. That’s the light novel, not the manga, which also ships next week, but is Vol. 10.

And Sword Art Online’s novels start everyone’s favorite arc, Fairy Dance. This is a 2-parter, FYI, the second ships in April. This is the novel, not the manga, which already began the Fairy Dance arc in August, but had Vol. 2 ship last month, which is not Vol. 2 of the light novels, though it adapts part of it.

MJ: I don’t hate Fairy Dance, so I’m happy to see this.

SEAN: On the manga front, we have the 2nd of the adaptation of Accel World, having had the 2nd light novel one month ago, which this manga volume does not adapt, as it’s still adapting the first one. Clear? Wait till next spring, when it will get REALLY confusing. Also, hooray for new math.

Alice is really hard to get a lead on, as Are You Alice? has hit Vol. 7 and still doesn’t know.

MJ: Heh.

SEAN: Barakamon seems like a countrified Yotsuba&!, which suits me just fine. The 2nd volume is out next week.

MICHELLE: I still need to check this one out.

MJ: I’m happy to see more of this!

SEAN: Bloody Cross has its 5th volume ship. I admit I finally moved on from this, but if you like supernatural action, it certainly fills that need.

Yen has 3 debuts this month! The first is a familiar author to many, Kaori Yuki. She’d been with Hakusensha for years, but recently moved to Kodansha and their eccentric Aria magazine. This was her debut there, Demon From Afar. That said, if you like the sort of thing she usually writes, this is more of that. But in hardcover!

MICHELLE: Huh. Interesting.

MJ: I’m definitely looking forward to this!

SEAN: The second debut is another author familiar to us, but that’s because of a recent release from Viz. Aya Shouoto had Kiss of the Rose Princess come out via Shojo Beat, and now we see Yen releasing He’s My Only Vampire, which, yes, runs in Aria as well. This combines vampires AND childhood friends.

MICHELLE: Huh. Well, more shoujo is a good thing!

ANNA: I agree!

MJ: I’ll give it a try, for sure.

SEAN: There’s a spinoff of harem manga High School DxD, focusing on two of the lead females: Asia and Koneko’s Secret Contract. My guess is this is similar to Haganai’s Club Minutes, aka plotless comedy.

Kingdom Hearts II Vol. 3 is really not helping Yen escape my mocking of their volume numbers.

The last debut is the one I’m most excited about: Love at Fourteen. The plot sounds familiar, with two childhood friends finding love in school. But it runs in Hakusensha’s Rakuen Le Paradis, a magazine I’d kill to see more licenses from, and is apparently very well written.

MICHELLE: I’m really excited about this one, too!

ANNA: This was totally not on my radar before, but it sounds interesting.

MJ: My response is *both* of Michelle & Anna’s responses put together.

SEAN: Spice & Wolf has its 10th volume ship this week! That’s the manga, not the light novel. The light novel ships Vol. 13 this week, as I said earlier. Be aware that in 2015, Yen will begin calculating Manga and Light Novel volume numbers in Base 8, as they worry readers may get confused. (I am old enough to know what Base 8 is, yes.)

ASH: Ha!

SEAN: Lastly (at LONG last!), we get the 6th volume of Tena on S-String, a mere 4 years after the 5th. The series is out digitally if you want to jog your memory.

Is this enough Christmas manga? Do you want more? Clap your hands if you want more!

MJ: *clap*? No?

Manga! Manga!: The World of Japanese Comics

December 10, 2014 by Ash Brown

Author: Frederik L. Schodt
Publisher: Kodansha
ISBN: 9781568364766
Released: January 2013
Original release: 1983
Awards: Japan Cartoonists Association Award

Initially released in 1983 and then again in 1986 in a slightly updated and revised edition, Frederik L. Schodt’s groundbreaking Manga! Manga!: The World of Japanese Comics was one of the first, and remains one of the best, surveys of the history of manga and the manga industry available in English. Written and published at a time when manga was virtually unknown to the average comics reader in the West and when only a very few examples of manga had been translated, Schodt was hoping to provide an introduction to the art form, garner interest in manga, and share his love and excitement for the medium. Manga! Manga! was received very well both in Japan where it earned special recognition from the Japan Cartoonists Association as well as in markets focused on English-reading audiences. Although Schodt would follow up Manga! Manga! with his work Dreamland Japan: Writings on Modern Manga in 1996, his initial foray is considered a classic in its subject area and is still well worth reading.

Manga! Manga! opens with a forward by Osamu Tezuka, who Schodt personally knew and worked with. From there Schodt takes over with the first chapter “A Thousand Million Manga,” providing an overview of manga and its readership in Japan. “A Thousand Years of Manga” addresses the history of manga, tracing its origins and development from 12th-century narrative art traditions through its more contemporary influences. “The Spirit of Japan” looks at the portrayal of the bushidō ethic in manga, ranging from historical fiction to the yakuza and sports genres, while “Flowers and Dreams” reveals the significance of comics created for and by girls and women. Other genres, such as salaryman, specialty career-oriented manga, and mahjong manga are explored in the chapter “The Economic Animal at Work and at Play.” Subjects like censorship, violence, and eroticism are the focus of “Regulations versus Fantasy.” Schodt closes his research with a chapters specifically devoted “The Comic Industry” and “The Future.” (Granted, that future is now in many cases the past, but the chapter is still illuminating.)

The editions of Manga! Manga! printed after 1997 also have a short introduction by Schodt but otherwise are nearly identical content-wise to those that were published earlier. In addition to Schodt’s main text, Manga! Manga! also includes an index divided by general subject, creators, and title as well as a bibliography of both English-language and Japanese-language resources. As is appropriate for a work about manga, Schodt incorporates artwork and photographs throughout the volume–rare is the page which isn’t accompanied by some sort of visual component. Particularly noteworthy is the inclusion of translated excerpts selected from four manga: Osamu Tezuka’s Phoenix, Reiji Matsumoto’s Ghost Warrior, Riyoko Ikeda’s The Rose of Versailles, and Keiji Nakazawa’s Barefoot Gen. These examples are among some of the earliest manga in translation readily available to a general English-language audience. Brief biographies of the four mangaka are provided as well.

Manga! Manga! is a fantastic work. Even decades after it was first published it remains an informative and valuable study. And, as I have come to expect, Schodt’s writing is very approachable and easy to read. Manga! Manga! explores the history of manga within the context of Japanese culture and history, ultimately showing that the two cannot be completely separated. Manga and its development reflect, is influenced by, and emphasizes the changing state of Japanese culture, politics, and social mores. It is an art form and a source of entertainment, but it can also be used for educational and informational purposes and even as propaganda. Schodt outlines the importance of manga in Manga! Manga!, both culturally and historically, and what it has to offer to Japan and to the world at large. Manga! Manga! is very highly recommended to anyone interested in learning more about manga, its history, its creators, or the manga industry as a whole.

Yukarism, Vol. 1

December 9, 2014 by Sean Gaffney

By Chika Shiomi. Released in Japan by Hakusensha, serialized in the magazine Bessatsu Hana to Yume. Released in North America by Viz.

I wasn’t really sure what to expect of this new shoujo series going in. I was pleased to see it ran in Betsuhana, as Hakusensha licenses have been very slim ever since Tokyopop collapsed. I hadn’t read either Yurara or Rasetsu when Viz put them out, though, and mostly what I knew was ‘does supernatural romances’. And I suspect that’s what this is as well, but at least for the first volume, the romance is very much on the back burner. No, this is a manga that draws you in very simply: the premise is terrific, and you want to see more of the characters. In the end, that’s what makes for an exciting title.

Our hero is Yukari, a teenaged author who’s already famous for the astounding realism of his Edo-era works. He meets a girl who’s infatuated with his books, but she’s shocked to find that her impression of him is almost 100% wrong. Writing for Yukari isn’t so much writing to please an audience or even himself, but merely being able to conjure up the Edo period. At first we think that this series is going to start the girl, Mahoro, and deal with her goofy attempts to get the quiet, reserved guy to like her. But then Yukari collapses, and when he wakes up he finds himself in his past life – as an Oiran in the Edo period.

Yes, that’s Yukari on the cover, both as his present-day writer self and his past life. He’s not particularly good at imitating his past self’s attitude and mannerisms – or even getting the walk right – but seems to be picking it up as he goes along. Moreover, many of the people he sees in the past also seem to be reincarnated in the present, though they may not realize it – including the Oiran’s beleaguered bodyguard, who reminds him of the girl he’s just met. Why is he time-skipping? Well, we don’t find out in Volume 1, but given this series is only four volumes long, we should know very soon.

This is very likeable. Yukari is a bit standoffish, but he’s not a jerk like many shoujo heroes start off as. Mahoro’s a bit eccentric, and a bit quick to jealousy, but also comes across as very likeable. It will be interesting seeing whether Yukari can jump-start the past life memories in others – towards the end of the book we see Mahoro immediately despising a new arrival, but having no idea why – the reader has already guessed it’s actually her unconscious recall. The art, as you can imagine given it’s an old pro and this is Betsuhana, is also gorgeous, with just the right amount of superdeformed silliness to add spice.

So I’d actually call this series a mystery more than a shoujo romance. What’s going on with Yukari? Is he doing this in order to solve how “he” died in the past? Will memories of their past lives screw up any relationships in the present? I’m not certain, but I definitely want to know more. A very strong debut here.

Bookshelf Briefs 12/8/14

December 8, 2014 by Sean Gaffney, Michelle Smith and Anna N Leave a Comment

This week, Sean, Michelle, & Anna look at recent releases from Viz Media, Kodansha Comics, and Yen Press.

Happy Marriage?!, Vol. 9 | By Maki Enjoji | Viz Media – We’re starting to wrap everything up here, and it shows. There’s a brief ‘I must not confess my horrible secret’ plotline here, but it’s resolved without much fuss. Hokuto can still be difficult to read, and Chiwa gets emotional, but that’s them, and we’re not doubting their Happy Marriage here. That leaves us with Hokuto’s father, whose death is not a surprise but does allow for some closure. And of course the attacks on Chiwa continue. I had already guessed that Hokuto’s ex was a red herring, but the author has done a good job at concealing the real culprit – I have my suspicions, but am still unsure. In any case, a nasty cliffhanger here, but I expect everything should work out well in the end. – Sean Gaffney

Honey Blood, Vol. 2 | By Miko Mitsuki | Viz Media – I didn’t have high hopes for volume two of Honey Blood, since I’d initially found the characters generic and their romance unconvincing, but it turned out to be quite an improvement! It helps that one can just accept that teenage Hinata and immortal vampire Junya are now a couple, and go on from there. What I really liked was that a rosy future for these two seemed downright unlikely. Hinata opines frequently about their current happiness not lasting, and a character from Junya’s past instills further doubts when he reveals that Hinata is the spitting image (and probably the descendant) of Junya’s former love, whom he admits he can never forget. And the best, most bittersweet, twist comes at the very end. Mitsuki-sensei writes that she’d hoped for a longer serialization and wasn’t able to wrap everything up to her satisfaction, but ultimately, this series turned out to be much better than I’d originally thought. – Michelle Smith

Food Wars!: Shokugeki no Soma, Vol. 3 | By Yuto Tsukuda and Shun Saeki | Viz Media – Man, sometimes shounen manga just hits the spot! I really enjoyed this third volume of Food Wars!, in which all 980 members of Soma’s class at the Totsuki Institute go off to cooking camp, where distinguished alumni of the school set challenges in which failure means immediate expulsion. Every good shounen hero needs a worthy rival, and Soma gets his own Akira Touya in this volume in the form of Takumi Aldini, a boy his age who also grew up in a humble family restaurant and has experience cooking for actual customers. I look forward to them challenging and inspiring each other for a long time to come. Soma’s friend and class partner, Megumi, makes some welcome progress, too, and the volume ends on a cliffhanger regarding her future. Realistically, I know that she’s probably not genuinely in peril, but I still wish I had volume four here already! – Michelle Smith

My Little Monster, Vol. 5 | By Robico | Kodansha Comics – The romance and comedy in My Little Monster are both pretty good, but let’s face it: we read this series for the deeply broken characters, right? Haru’s violence continues to disturb me, and something has to give soon there – I simply don’t trust him enough. Natsume is dealing with feelings she’s not ready to handle, particularly given her past. Shizuku wonders if she’s bothering to do enough in her relationship, and Yamaken is easily the most self-aware and savvy character in the cast, but that’s not helping him at all. It all comes to a head in a disastrous ski trip, with lots of misunderstandings. This is one of the better train wrecks I’ve read, and I mean that in the best possible way. – Sean Gaffney

Phantom Thief Jeanne Vol. 5 | By Arina Tanemura | Viz Media – One of the main reasons for my enduring fondness for this series is the absolutely crazy ending, where Maron goes to heaven, explores the complexities and secrets of the tale of Genesis with a magical girl twist, and finally dukes it out with the source of all darkness in the world. Maron ends up in a much better emotional place, and is able to resolve the issues causing the theme of loss and abandonment that was explored throughout the series. There’s plenty of romance as the obstacles keeping many couples apart are finally dealt with, and the profusion of ribbons and flower petals sprinkled over all the panels will be enough to make any shoujo fan happy. There are bonus side stories in this volume as well, giving the reader the opportunity to visit with favorite characters one last time. Hands down, this is my favorite Tanemura series. Highly recommended! – Anna N

Soul Eater, Vol. 23 | By Atsushi Ohkubo | Yen Press – The major event in this volume is Kid’s journey to ask the witches for help, assisted by allies such as Kim as well as prisoners like Erika. As you can imagine, it doesn’t go well at first, but Kid’s willingness to put pride aside when it comes to the safety of the world is important, and a major development for him. He even stops being OCD about symmetry briefly! Meanwhile, Maka and Black*Star join the battle on the moon, and it’s noted that they’re not merely very powerful students, but “freaks”, the sort of soldiers you hold back toill the last minute. Which has now come, as Crona seems to have woken Asura, who is finalyl making his terifying appearance. Can’t wait for the next volume. – Sean Gaffney

Sword Art Online: Fairy Dance, Vol. 2 | By Reki Kawahara, abec, and Tsubasa Haduki | Yen Press – There’s a few brief moments in the real world here that are intriguing, with Kazuto finding it hard to reconnect with a non-fantasy life, and his love for Asuna being driven home to Suguha. The majority, however, takes place in Alfheim, with Kirito showing off his mad gaming skills in large battles, and Asuna attempting to escape and find out exactly why she and the others are trapped there. I knew she would end up recaptured, so wasn’t bothered by that – but framing it as slug-like tentacle things capturing her, along with the coarse breast size discussion in the author afterword, left a bad taste in my mouth. I may stick to the light novels in the future. – Sean Gaffney

My Week in Manga: December 1-December 7, 2014

December 8, 2014 by Ash Brown

My News and Reviews

There were a few different things posted at Experiments in Manga last week. First up was the announcement of the Seven Seas Sampler manga giveaway winner. The post also includes a list of some favorite titles published or soon to be published by Seven Seas. The honor of the first in-depth manga review for December goes to Mobile Suit Gundam: The Origin, Volume 7 by Yoshikazu Yasuhiko. Even if you’re not particularly interested in Gundam (I’ll readily admit to not being a devotee of the franchise, myself), I’d still highly recommend the series to readers looking for some great science fiction manga. The Origin is consistently great, and Vertical’s edition remains one of the best-looking manga releases in English. Also, over the weekend, I posted November’s Bookshelf Overload for those of you interested in what made it onto my shelves last month. (Granted, it doesn’t all actually fit on my shelves at the moment, thus the “overload.” There are a few strategically placed piles and boxes in my room, too…)

Elsewhere online, Digital Manga has a survey soliciting Tezuka Kickstarter Feedback. According to a recent e-mail newsletter, Digital Manga is expecting to launch a Kickstarter project sometime in 2015 to reprint Unico, Swallowing the Earth, and Barbara, all of which have previously been Kickstarted. Philip of Eeeper’s Choice expresses some of the concerns over these recent developments. Also interesting, a Publishers Weekly article about Digital Manga’s recent Kickstarter efforts notes that Digital Manga is apparently not planning on actually distributing the Tezuka manga outside of direct sales and the library market. This means that individuals who want the manga will either have to back a successful Kickstarter project, or purchase them directly from the publisher. I’ve been extremely busy at work lately (my immediate supervisor retired on Friday, which more or less leaves me in charge of my unit for the time being), so I wasn’t able to follow much more than the Digital Manga drama, but I did see that Viz made a new license announcement: Junji Ito’s Fragments of Horror! And speaking of licenses, Reverse Thieves has compiled a list of all of the manga, light novels, and anime licenses that were announced in 2014.

Quick Takes

Angel Sanctuary, Volumes 11-15 by Kaori Yuki. It took more than half of the series, but Angel Sanctuary has finally grabbed a hold of me. I’ve enjoyed Yuki’s artwork since the beginning, I’ve always liked the series’ exploration of overarching themes of love, destiny, and personal responsibility, and I can certainly appreciate the tremendous amount of research Yuki has put into creating her mythology, but the story itself has been somewhat of an unfocused mess up until this point. Now things are starting to pull together in a very satisfying way though. I’m actually looking forward to reading the conclusion of Angel Sanctuary instead of just feeling obligated to finish the manga. It’s getting really good and the drama is epic. Yuki still has the tendency to be a little haphazard in her narrative structure, but the series has become much easier to follow. It probably helps that her editors wouldn’t allow her to introduce any more new characters. The cast of Angel Sanctuary is huge, and so it’s understandably challenging to present all of their backstories while maintaining the series’ forward momentum. Fortunately, as it approaches its turbulent end, Angel Sanctuary seems to have found its center and drive.

Manga Dogs, Volume 1 by Ema Toyama. Up until now, the only other manga that I’ve read by Toyama is her ongoing series Missions of Love, so I wasn’t quite sure what to expect from Manga Dogs. Turns out it’s a very different series, probably best described as gag manga about making manga and the manga industry. While for me it was never laugh-out-loud hilarious, I was generally amused and consistently entertained by the first volume of Manga Dogs. It’s silly fun. Even though she’s only fifteen, Kanna Tezuka recently made her manga debut. Granted, her series isn’t doing so well and is in danger of cancellation. Her high school has a new major specializing in manga, though it’s incredibly poorly run, which is where three pretty boys attach themselves to her. Fumio Akatsuka, Fujio Fuji, and Shota Ishinomori are more interested in the fame and fortune they associate with successful mangaka rather than the sweat and stress it takes to get there, though. As can be seen with the characters’ names, Manga Dogs has plenty of nods and references to established mangaka, but most of the humor comes from the three young men’s misguided efforts to become famous artists without actually putting in any effort.

Prophecy, Volume 1 by Tetsuya Tsutsui. Before reading the first volume of Prophecy I actually didn’t know much about the manga except that Vertical was approached to publish it directly by the author. Prophecy is a mature, chilling, and realistic series dealing with cyber crime, social media, how quickly people can turn on one another, and the terrible things that can be done under the guise of anonymity. A small group of vigilantes are taking matters into their own hands, viciously striking out against those who have trespassed against others online. While their methods are extreme, their motivation is easy to understand and even empathize with; the world can be a cruel, cruel place. It’s an entirely different sort of case than the members Anti Cyber Crimes Division of the Metropolitan Police are usually involved in. Specializing in internet crime, they more commonly deal with copyright and intellectual property infringement. But in this particular war of information, people’s lives are at stake, not just their livelihoods. The first volume of Prophecy was exceptional. In my opinion, it’s one of the strongest series to debut this year. I’ll definitely be picking up the rest of the manga.

Seraph of the End: Vampire Reign Vol 3

December 8, 2014 by Anna N

Seraph of the End Volume 3 by Takaya Kagami, Yamato Yamamoto, and Daisuke Furuya

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One of the reasons why I like this shonen vampire dystopian series so much is that each volume propels the hero forward to a different stage of development and a different setting. In the third volume, brash yet unexpectedly capable hero Yuichiro has his demon possessed weapon, and now he’s about to become an official vampire hunter when he heads out with his squad to aid other soldiers in Shinjuku. Yuichiro’s new squad consists of the sarcastic and subversive Shinoa, earnest Yoichi, and his cranky new friend Shiho. The balance in the group is upset a bit with the arrival of Mitsuba, an abrasive girl who doesn’t understand why she’s been saddled with a rookie unit.

Yuichiro’s habit of rushing into battle causes tension with the group, since he doesn’t respect the standard tactical formations they are supposed to hold in order to make sure that the entire team is protected. They have a few skirmishes with vampires and survive more due to individual luck than coordinated effort. I have to say, I enjoy Shinoa’s leadership style because she makes pronouncements like “Let us be off on another fun-filled, vampire-slaughtering excursion!” While Yuichiro might be reckless, he’s also just as likely to risk himself to save one of his teammates as he is to charge ahead to fulfill his desire for revenge against vampires.

The reader gets a further glimpse into the life of Yuichiro’s adopted brother turned vampire Mikaela, and it seems like he will be meeting Yuichiro very soon. The combination of good world building, dynamic action scenes, and sarcastic quips makes me confident that Seraph of the End will continue to be very entertaining.

Showa 1944-1953: A History of Japan

December 7, 2014 by Sean Gaffney

By Shigeru Mizuki. Released in Japan as “Comic Shouwashi” by Kodansha. Released in North America by Drawn & Quarterly.

I was somewhat deceived by the cliffhanger in the last volume, where I felt that I’d gotten to the incident that caused Mizuki to lose his arm. In fact, it’s yet another breathtaking escape from the jaws of death, and the arm is lost much later in the narrative, when he lies delirious from malaria in the camp hospital. It’s fascinating how often he was nearly killed – indeed, it’s especially amazing given how often his squad was sent on suicide marches. He was the only survivor from his original squad, and this is looked upon as extremely shameful by the officers – why didn’t he die nobly? As ever, though, Mizuki seems not to think too hard about all of this, and is mostly concerned with food. At least, the Mizuki we read about here. The author knows very much what he’s saying in this volume, condemning the Japanese higher-ups for needless sacrifice.

The story continues to shift back and forth between Mizuki’s account of his own experiences during and after the war and the historical narrative being presented by Nezumi Otoko (who is briefly joined by two other yokai from the Kitaro series, possibly as Mizuki wanted to distract from some especially dry history). In the earlier volumes, I was more riveted by the history than I was my Mizuki’s biography, but here my interest began to shift, and I found myself wanting to learn more about this man and his determined survival traits, which again are consistently portrayed as being due to happenstance rather than any cunning or intelligence. Mizuki drifts through life during and after the war, and his creation of Kitaro – then known as Graveyard Kitaro – doesn’t even merit a panel, instead being framed as part of the larger narrative of his inability to succeed – Kamishibai, the style he’s trying, is on its way out, and manga is the brand new thing that may actually work out.

This is not to discount the history, of course, which remains excellent. Mizuki is very good at showing multiple sides of each situation, being sure to mention the heroic moments in the Pacific War along with the atrocities, and pointing out how the occupation post-War did help the economy recover (mostly due to the Korean War) while noting how hypocritical and unrelenting MacArthur and the GHQ could be in their promotion of democracy and search for communists. There’s a scene where the students are reading a book talking about the freedoms of Western capitalism which is heavily censored with black magic marker to remove references to Japanese patriotism. It helps to raise a generation of cynics.

As this volume ends, things are looking a little better for both Shigeru Mizuki and the people of Japan. The last volume, due out in the spring, will take us to 1989, the final year of Showa. I look forward to it greatly, but hope it will be a bit less harrowing than this one, which does not flinch in its portrayal of Japanese commanders sending their troops towards “noble deaths”, and one man’s ability to drift through life allowing him to survive that conflict – though not without sacrifice.

Mobile Suit Gundam: The Origin, Vol. 7: Battle of Loum

December 5, 2014 by Ash Brown

Creator: Yoshikazu Yasuhiko
Original story: Yoshiyuki Tomino and Hajime Yatate
U.S. publisher: Vertical
ISBN: 9781939130679
Released: September 2014
Original release: 2011

Battle of Loum is the seventh volume in Yoshikazu Yasuhiko’s manga series Mobile Suit Gundam: The Origin, a reimagining of the original 1979 anime series Mobile Suit Gundam which launched the massive Gundam franchise. The Origin provides an excellent entry point into the rather daunting Gundam universe for those who don’t know where to start with it. I’d even recommend the manga to readers who don’t have a particular interest in Gundam but who are looking for a great military science fiction series or space opera. Generally, I would consider myself a part of that latter group, though after reading The Origin I find that I am more curious about Gundam as a whole than I previously was. I have thoroughly been enjoying Vertical’s deluxe release of the The Origin which is based on the Japanese collectors’ edition. The seventh volume, originally published in Japan in 2011, was released in English in 2014 and includes additional commentary from Mamoru Nagano as well as the extra chapter “On the Eve” as bonus content.

After the Republic of Munzo declared itself the independent Principality of Zeon, political tensions continued to mount between it and the Earth Federation until an all-out war between the two groups ignited. Some of the other space colonies rally under Zeon’s flag, demanding their autonomy and freedom from the Federation’s rule. Others support the Federation and its efforts to keep humanity united. Neither side of the conflict is entirely in the wrong, but as the war continues so do the crimes against innocent civilians and colonists, many of which are manufactured by members of Zeon’s ruling House Zabi who would use the war for their own designs. There are warmongers to be found among the Federation’s ranks as well, though. But then Zeon does something unconscionable. Supposedly in an effort to end the war quickly and decisively, an entire space colony is crashed into the planet and the effects are devastating.

Battle of Loum recounts two of the most pivotal events of the war between the Federation and Zeon. The first chapter or so is devoted to the colony drop of Side 2 and the massacre of the colonists that precede its ultimate destruction. It is an appalling tragedy and the number of casualties is enormous, both of Side 2’s residents and the worldwide population of Earth. Yasuhiko’s stunning portrayal of the colony drop is extraordinarily effective. In addition to the showing astonishing damage inflicted, he explores the motivations behind it, the controversy and doubt surrounding the act, and how individuals respond and react to the plan and its execution. The colony drop is nothing short of an atrocity. It’s chilling to see the propaganda touting the glory of war contrasted with the very grim reality and horror of it all. The images of the colony breaking apart and smashing into Earth and the resulting devastation and loss of life are haunting.

As can be assumed by the title of the seventh volume, the Battle of Loum is the other major incident of the war upon which Yasuhiko turns his attention. Although the Federation has the advantage of numbers and resources, it is outmatched strategically and technologically as Zeon proves just how powerful and versatile the newly developed mobile suits can be. The Battle of Loum is a turning point in the war. Neither side comes out of it unscathed, but the Federation suffers a major defeat. The seventh volume of The Origin is very dramatic, with intense space battles and devious political machinations. There are those who honestly desire peace, but there are also those on both sides of the conflict who seek war. The inclusion of “On the Eve” brings the narrative full circle to the events that begin the series. The Origin is a magnificent piece of science fiction. It’s scope is epic, but Yasuhiko never forgets the very personal human drama that underlies it all.

Manga the Week of 12/10

December 5, 2014 by Sean Gaffney, Ash Brown, MJ, Anna N and Michelle Smith Leave a Comment

SEAN: The second week in December brings us a wide variety of manga for perusing, but is already dominated by something that Fantagraphics released THIS week and I am therefore behind on.

Massive is an anthology of gay manga that, from what I hear, can be judged very well by its cover: if the idea of large, muscley men having sex with each other intrigues you, then this is an absolute must buy. It’s always great to see this sort of manga over here.

ASH: The release date kept moving around for this one, so don’t feel too bad. I’m thrilled that it’s finally here, though! Massive is one of my most anticipated releases for 2015. It includes manga, interviews, essays, and more. I can’t wait to get my hands on a copy!

MJ: Same here.

ANNA: I probably won’t be reading this, but I think it is very cool that it is being published.

SEAN: Kodansha has a third volume of Attack on Titan: Before the Fall. This is the manga, not the novel, for those who may be confused.

There’s also a fifth Battle Angel Alita: Last Order omnibus.

Seven Seas hopes you still like Wonderland (not to be confused with the Country of Hearts) with the 2nd volume of I Am Alice: Bodyswap in Wonderland.

Vertical gives us two types of supernatural action manga. The 2nd volume of Ajin possibly has less romantic comedy than I expect Witch Craft Works 2 will have, though I’ve been wrong about that sort of thing before.

ASH: I think you’re probably right this time.

SEAN: Arata the Legend has reached 20 volumes, which means if it weren’t licensed already, it would be totally unlicensable by now. But it is! Rejoice, Arata fans.

MICHELLE: I do like Arata, but I kind of can’t believe it’s gone on longer than Fushigi Yuugi. I guess that’s what happens when it’s shounen.

ANNA: I do have a deep and unwavering affection for Fushigi Yuugi. Sorry Arata!

SEAN: Deadman Wonderland has its sixth volume next week as well.

ASH: Tokyopop only made it to five volumes; Viz is starting to get into new material, now.

MICHELLE: Yep! I always think of this series in the same thought as the other final straggly releases TOKYOPOP managed to get out, including a volume of The Stellar Six of Gingacho. Probably no one will ever rescue that one, so I has a sad.

MJ: I’ve been kinda iffy on this series, but I am pretty happy that TP series’ are getting picked back up, so I consider it a win.

ANNA: I will pause to evoke the late, lamented series Demon Sacred and Sky Blue Shore

And there’s a 13th Itsuwaribito, and I begin to despair about this long string of worthy Viz shonen I don’t really follow.

And I am rewarded with a 9th volume of Magi, which I do follow, and which is excellent.

MICHELLE: It is. We need to start a campaign to get MJto read it.

MJ: Heh.

ANNA: I am hoarding stray volumes of this and do mean to read it one day.

SEAN: Are you getting a massive amount of manga next week? Or just Massive?

Assassination Classroom, Vol. 1

December 4, 2014 by Sean Gaffney

By Yusei Matsui. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

A few years back, when Weekly Shonen Jump was just getting started in North America, there was a rumor that one of the series brought over would be the quirky, somewhat popular Majin Tantei Nōgami Neuro. Unfortunately, what it ended up being was one of the first examples of those “mid-range” Jump titles that get to 15-25 volumes in Japan but never quite garner enough success to come over here. After a break of a couple of years, however, the author came back with an even larger hit: Assassination Classroom, the story of an alien teacher and the misfit kids who have to kill him to save the Earth. Initially thought unlicensable due to the basic premise, it’s now reached double digit volumes and an anime is on the way, so Viz is releasing it as a Shonen Jump Advanced title.

There’s another good reason why Viz decided to license this title after all: it’s fantastic. Technically the story is about the kids trying to find ways of murdering their teacher – attempts are made every single chapter, after all – but what this *really* is is another in the genre of ‘oddball teacher comes into class full of misfits and shows them they are all better than they think they are’. Think GTO, Gokusen, or Hell Teacher Nube. The background regarding Koro-sensei’s decision to blow up the Earth at the end of the school year unless he is killed is kept deliberately vague, though various hints suggest he may have been human once. It’s more a plot widget to allow for the killings, which range from deadly serious to hilarious.

Technically the other protagonist of this series is Nagisa, a bishonen-looking young man who’s good at research and analysis but apparently bad enough at school to be in class 3-E. So far he’s mostly there to be the narrative voice, but I sense that there’s more coming in the next few volumes. The series clearly has something to say about bullying and the Japanese educational system, even if it’s filtered through a SF-comedy vein. The regulations against 3-E are designed deliberately so that the children are scapegoats for the rest of the school, and that once there it’s very difficult to climb back out. Indeed, the only person on their side seems to be the alien they have to kill.

Matsui got his start as an assistant on Bobobobo-bobobo, and the influence can sometimes be seen in the sheer loopy surrealism of Koro-sensei’s remarks and attitudes. This isn’t a gag manga, though, and the kids have very real problems – a bully hunter who was betrayed by a teacher has lost all faith in the profession; a baseball pitcher who imitates his favorite player finds he can’t move forward; and a girl who’s good at chemistry but poor at speaking finds you can’t simply kill someone by asking them to die nicely. These are good lessons Koro-sensei is teaching, and the kids are beginning to realize what a great teacher he really is. Shame he plans to destroy the Earth.

Speaking of which, not *everything* is left to these kids (who I suspect are meant to be scapegoats to the entire world if their mission fails). A Ministry of Defense employee becomes their gym teacher, and teaches the kids genuine assassination techniques. And there seems to be another assassin being sent to kill Koro-sensei at the cliffhanger to this volume, and she gives quite a first impression. It’s going to be another two months til the next volume, but this is a terrific debut from Jump, and I cannot wait to see what happens next.

Accel World: The Red Storm Princess

December 2, 2014 by Sean Gaffney

By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen Press.

Much as I’m enjoying Sword Art Online, it was very much complete in one novel, and the subsequent second volume ended up being a series of world-building short stories that filled time while the author regrouped (or so it seemed to me, I know this series began as an online web fiction). Accel World seems to be more planned in advance, and so its second light novel can delve right into fallout from the first: Haruyuki hitting a wall in his gaming and feeling pathetic and useless about it; Takumu and Chiyuri not quite broken up but no longer really together; and Kuroyukihime trying to be a guide and mentor for Haruyuki while attempting to convey that she has feelings for him (she succeeds in only one of these things, of course).

The main thrust of the arc, though, is a new character, Yuniko. She’s only 11, and reminds us how young everyone in this cast is (our hero and heroine are 13 and 14, respectively). That’s by design – the Accelerated technology is designed so that only people below a certain age have the possibility of using it – but you do occasionally wish for some adult supervision in amongst all this gaming, particularly as the effects of the gaming world can seep out psychologically into the real world. The plot involves Yuniko, the “Red King” and a Level 9, teaming up with Kuroyukihime’s team to try to stop an armor that possesses its wearer and drives them insane.

Haruyuki remains the most fascinating character in these books. The bullies have been removed from his school, and he’s dating (well, sort of not really) the school “Princess”, so you’d think he would feel better about himself. But that’s not how minds work, particularly when one was bullied for years as he was. Haruyuki is now desperately afraid of failing Kuroyukihime, and sets up masochistic VR games in order to grow stronger that mostly just serve to beat him up. It’s depressing, and you are relieved that when Kuroyukihime eventually finds out he’s doing this she screams at him. The disconnect between ‘it’s just a game’ and ‘but it’s MORE than a game’ isn’t as obvious here as it is in Sword Art Online, but it’s still a major theme of the books.

The second half of this novel is almost entirely devoted to one big fight, and it’s very well done, filled with action and betrayals and the like. There’s a minor villain, the Yellow King, who’s designed to be hated by the reader, and succeeds very nicely. (He’s reminiscent of the villain from Fairy Dance, only a bit less obvious.) We get a flashback of the scene where Kuroyukihime put in motion the events that led to her being hunted, and it’s both informative and shows us how much succeeding in this game requires strength of will. Which is why, despite all his whining and terror, Haruyuki gets to save the day. (Well, apart from the cliffhanger that suggests he may become possessed and evil in the future…)

For gamers, fans of light novels, and those who like heroes that are a bit out of the ordinary, Accel World is a great read, and a nice contrast with Kawahara’s other series.