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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

The Promise of Marielle Clarac

January 12, 2025 by Sean Gaffney

By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Yakusoku” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Jasmin Thairintr.

Usually when it becomes apparent the author is getting a little tired of writing their best-selling series, it’s not quite as blatant as this. Oh, don’t get me wrong, this is another fine book in the franchise for those who like the sort of things Marielle Clarac gives you. But the author states flat out that they had not expected to still be writing this as Marielle hits her 20th birthday (which she does at the end of the book), and they don’t really have a desire to write an adult Marielle. (This re-emphasizes my feeling that we won’t ever see her as a mother, or if we do it will be in an epilogue in the last book.) And I get it. This series is meant to be about Marielle Clarac, but she’s been Marielle Flaubert for far longer. She’s no longer the teenage girl who can lurk in the background and hear juicy gossip, the juicy gossip is now about her. Not great.

Marielle is horrified to find that the gossip newspaper La Mome has a story accusing Agnes Vivier of plagiarism. After talking her down a bit, Simeon agrees with her that her publisher should handle things themselves… but of course, Marielle can’t help but investigate anyway. She meets up with the reporter that she teamed up with a couple of books ago, and discovers that the article was in fact meant to lure her out, as a piece of jewelry described in her latest book perfectly resembles a piece that a young nobleman needs to get his inheritance. Needless to say, that story is absolutely full of holes, and Marielle doesn’t buy it either. This does not stop her from getting involved, chased, kidnapped, kidnapped AGAIN, and seemingly nearly murdered a few times. Fortunately, she has her overprotective husband by her side. Most of the time.

One of the things I liked best about this book is it has a double bluff revelation. We get the somewhat obvious revelation I was expecting about 3/4 of the way through the book, which I did not complain about because it made a lot of the previous peril Marielle was in make a lot more sense. But then there’s another revelation near the end that was more of a surprise. And it’s always fun seeing Marielle sleuth, and fangirl over her husband looking dark and menacing. But I will admit, it *did* feel a bit like the writer is going through the motions, giving the readers what they want. There is a plot point dangled which promises to be of greater importance in the next book (which should be out faster than this one), but a lot of the most exciting things in this book are looking back at past triumphs rather than ahead to the future.

If the author does not really want to write Marielle as an adult, there’s not much further this can go. But it’s going another volume, at least. For fans.

Filed Under: marielle clarac, REVIEWS

Though I Am an Inept Villainess: Tale of the Butterfly-Rat Body Swap in the Maiden Court, Vol. 8

January 11, 2025 by Sean Gaffney

By Satsuki Nakamura and Kana Yuki. Released in Japan as “Futsutsuka na Akujo dewa Gozaimasu ga: Suuguu Chouso Torikae Den” by Ichijinsha Novels. Released in North America by Airship. Translated by Tara Quinn.

This was supposed to be the final arc of the series, but the author says in the afterword that it’s being extended, supposedly because there’s so many stories still to tell, but also probably because this sells quite well in Japan. That said, I get the feeling the bulk of this volume may have been written before the series got the OK to continue, as there’s very much a “headed into the final act” feel to this, with the danger ramped up even more, and with one of the most violent and hard to read sequences in the series so far, which is thankfully cut off by a series of punch the air moments. Honestly, this is a punch the air series much of the time, as the first half of the book shows us how dangerous things are going to be, and the second half sees Keigetsu managing to succeed somehow and Reirin simply blowing everything up and doing exactly as she pleases. That said, this one is gonna be hard to fix.

Our two heroines have still not been able to swap back to their own bodies, even a month after the 7th book. The reason for this is the Emperor is very suspicious, and wants to execute any magic users he finds. They try to figure out a way to do the switch during a ritual that’s coming up, but the Emperor figured out they were going to do that, and instead sends them all out into the poorer areas of the country to distribute food. Keigetsu (really Reirin) will be sent to the most dangerous, remote part of the country, a land that’s caught between two families and thus has no one taking responsibility for everything. He also sends an assassin after her. Meanwhile, the Emperor himself surprises the other four maidens by showing up at their own distribution site, and he’s determined to prove that Reirin is not Reirin. Which is going to be easy, as she isn’t.

This is the first volume where we’ve really had to dig into the Emperor himself, as mostly we’ve seen the generation after him – his son Gyoumei and the maidens. As it turns out, Genyou’s had it very rough as well, and is consumed by the idea of revenge – which is the main reason that he’s trying so hard to uncover Keigetsu’s magic. Elsewhere, as you’d expect, this volume is filled with Reirin doing jaw-droppingly amazing things, but it also has yet another instance of our two besties completely misunderstanding each other. Reirin has spent so much of her life at death’s door that she has no idea how to deal with things like depression, longing, and love – and let me tell you, this book may not be yuri, but even Reirin’s fiance AND her brothers agree that she’s head over heels in love with Keigetsu. Fortunately, they make up in the most overdramatic way. Unfortunately, they’ve sort of blown any chance of keeping things a secret.

After last volume’s one-volume breather, we’re back to a cliffhanger ending, but fortunately the 9th book came out in Japan a couple months ago. Also fortunately, this is going to continue. I want to read the stories the author says are still to be told.

Filed Under: REVIEWS, though i am an inept villainess

Otaku Vampire’s Love Bite, Vol 1

January 11, 2025 by Anna N

Otaku Vampire’s Love Bite Volume 1 by Julietta Suzuki

Hina is an otaku vampire who has decided to move to Japan to devote herself to her fandom, an anime called Vampire Cross. She’s basically a shut-in, only venturing out to try to score limited edition items at merch drops. She takes occasional calls from her father who seems supportive of her lifestyle choices but can’t help reminding her that vampires sometimes find a special human who they want to bite. Hina is resolute in her decision to only drink from blood bags and fully indulge her fangirl nature. She does become distracted one day by her next door neighbor who looks exactly like Mao, the character she’s obsessed with. Kyuta recoils in disgust initially when he realizes that Hina is an otaku, but something about her draws him in. On Hina’s side she finds that Kyuta smells irresistibly delicious. She notes that there’s a mysterious voice coming from his apartment occasionally – who or what could it be?

Otaku Vampire's Love Bite

Suzuki excels at portraying tsundere heroes. Kyuta initially finds Hina off-putting, but when he realizes that she truly knows nothing about how to live on her own he starts helping her. He gives her practical advice about taking out her trash and even joins her for a special Vampire Cross cafe event when the internet friend she was supposed to go with stands her up. Kyuta ends up being a vampire magnet, and Hina has the ability to protect him because she’s unexpectedly powerful even if she has no desire to engage in vampire activities like sucking blood. I enjoyed the developing relationship dynamic between Kyuta and Hina. Hina has powerful supernatural abilities but only cares about arranging acrylic standees and Kyuta’s ability to function in the modern world balances her out. Suzuki’s art is so whimsical and cute. Hina’s tiny fangs and pointed ears are adorable and Kyuta’s exasperated but kind in spite of himself mannerisms make him sympathetic. Suzuki’s series are always delightful and the first volume of Otaku Vampire’s Love Bite started off strong.

Filed Under: Manga Reviews, REVIEWS, shojo beat Tagged With: otaku vampire's love bite, shojo beat, shoujo

From Villainess to Healer, Vol. 1

January 10, 2025 by Sean Gaffney

By Punichan and Yoh Hihara. Released in Japan as “Kaifukushoku no Akuyaku Reijō” by MF Books. Released in North America by J-Novel Club. Translated by Adam Seacord.

I do appreciate that an author might feel that the villainess genre is played out. There have been many, many, MANY villainess books in the last eight years or so. They all tend towards specific types. Some have the villainess actively trying to change her fate, as they were reincarnated long before the “break off the engagement” event. Some have them fighting death after they’re unable to avoid that fate. Sometimes they go to a different country, where they’re welcomed with open arms. Hell, this particular author will do almost the exact same premise and first chapter in a later book – you could have copy/pasted much of the start of this book into the start of Camper Van Villainess. So I do appreciate the conceit of this book, which is “what if the villainess is an RPG nerd who just wants to be hitting up dungeons and grinding levels?” Oh wait, we had that too, with Villainess Level 99. That said, this does get the “boring as hell” part of these RPG books 100% correct.

Mitsuki loves playing the RPG game Reas Life Online, as well as its Otome Game side story game, Reas Love. When we next see her (and it’s never clear how she dies), she’s in the body of Charlotte Cocoriara, the daughter of a duke and fiancee to the prince. But this is one of THOSE games – the player is a commoner girl who the prince falls for, and Charlotte is the villainess, who the prince exiles. Expecting her to object, he’s a bit stunned when she says “OK” and bolts instead. (It’s really, REALLY just like Camper Van Villainess.) She runs home, tells her parents what happened, and leaves to achieve her dream – become an adventurer and play Reas Life Online rather than Reas Love!

There were some things here I found interesting. Unlike most otome game worlds, where the “heroine” has to be yelled at by the villainess for treating it like a game when in fact it’s real life, but here it really DOES seem like a game, inasmuch as our protagonist can see status screens, levels, etc. I also like the conceit of the otome game being a side spinoff of the main RPG core. As with Camper Van Villainess and Otome Survival Game, this is more interested in taking the skeleton of a villainess plot and spinning it off into a different genre. Sadly, the genre, generic RPG power leveling, is something I’ve tried to avoid for the last few years when trying out new books, and seeing it in a villainess book really didn’t help much. At least the RV book is meant to be more ridiculous – this is just basic. And then there’s the same problem the villainess genre as a whole seems to have – by emphasizing the villainess as good and the heroine as bad, it plays into “commoners should know their place, only noble people have the breeding to rule”. Which is not helped by this heroine being, well, a generic selfish heroine.

I’ll happily read more of the author’s other series. But as for this, if I wanted an OP isekai, I’d read an OP isekai.

Filed Under: from villainess to healer, REVIEWS

The Manga Review: Not Dead Yet

January 10, 2025 by Katherine Dacey 1 Comment

I had big resolutions in 2024: I would post a weekly round-up of manga news and reviews, I would read (and review) more books, and I would update my site. Alas, reader, none of these things came to pass. Work got busy, and every time I tried to carve out a few minutes to write, I had difficulty getting my head in the game. My writing stunk. My enthusiasm for writing flagged. So I gave myself permission to put The Manga Critic on ice, and took a long break from blogging. With 2025 on the horizon, though, I started to feel that familiar urge to write about manga and pulled my site out of mothballs once again. I can’t promise that I will churn out as many articles as I did in, say, 2019, but I am excited to saddle up for another year of link posts, essays, and reviews.

A quick note about this week’s column: I’ve focused exclusively on news and reviews, but future editions will also include links to great podcasts, essays, and interviews with folks working in the manga industry, so stay tuned!

NEWS ROUND-UP

Brigid Alverson breaks down the top selling titles at Yen Press, noting the success of both long-running favorites (Delicious in Dungeon) and new series (Unholy Blood)… Kara Dennison highlights three of VIZ Manga’s January releases… Erica Friedman rounds up the latest yuri news… Kodansha will be releasing new volumes of Wind Breaker on a faster schedule… Crunchyroll has plans for its own digital manga app… Tuttle will be publishing a manga adaptation of A Night on the Galactic Railway in March… and CLAMP fans have reason to celebrate: a new installment of xxxHOLiC Rei will be published in April, nearly eight years after the last chapter appeared in Weekly Young Magazine. Better late than never!

REVIEWS

Over at The Wonder of Anime, Lisa De La Cruz explains why you should be reading The Lady and Her Butler, Collette Deserves to Die and Red River… Jeremy Stauber gives mixed marks to Crescent Moon Marching, arguing that the series hits many of the same beats as Sound! Euphonium… Publisher’s Weekly gives a star to Shirato Sanpei’s The Legend of Kamui… Erica Friedman dives into the special English edition of Galette… and Demelza describes Hereditary Triangle as a “rare special manga that manage[s] to both be satisfyingly complete within a short run and leave behind a strong impression on the reader.” Also of note is Jocelyne Allen’s fabulous review of Torikai Akane’s Baby Baby wa Nakanai, a manga that absolutely, positively needs an English translation.

  • Ashita no Joe: Fighting for Tomorrow, Vol. 1 (Jarius Taylor, ANN)
  • BLEND-S, Vol. 1 (Danica Davidson, Otaku USA)
  • Beware the Villainess!, Vol. 1 (Noemi10, Anime UK News)
  • Cat Companions Maruru and Hachi, Vol. 1 (Renee Scott, Good Comics for Kids)
  • Choujin X, Vol. 8 (King Baby Duck, The Boston Bastard Brigade)
  • Dogs and Punching Bags (Kara Dennison, Otaku USA)
  • Drunks (Katherine Dacey, The Manga Critic)
  • Eden of Witches, Vol. 1 (Danica Davidson, Otaku USA)
  • Happyland, Vol. 1 (Giovanni Stigliano, Asian Movie Pulse)
  • Hayate the Combat Butler, Vol. 44 (King Baby Duck, The Boston Bastard Brigade)
  • Home Office Romance (WinterVenom, Behind the Manga)
  • H.P. Lovecraft’s The Call of Cthulhu (Tom Shapira, Solrad)
  • I Was Sold Dirt Cheap But My Power Is Off the Charts, Vol. 1 (Danica Davidson, Otaku USA)
  • Kaiju No. 8, Vol. 11 (King Baby Duck, The Boston Bastard Brigade)
  • Last Quarter, Vol. 1 (Megan D., The Manga Test Drive)
  • Let’s Do It Already, Vol. 5 (Josh Piedra, The Outerhaven)
  • Love Bullet, Vol. 1 (Erica Friedman, Okazu)
  • Luciole Has a Dream, Vol. 1 (Sarah, Anime UK News)
  • Lycoris Recoil, Vol. 1 (Demelza, Anime UK News)
  • Marriage Toxin, Vol. 4 (King Baby Duck, The Boston Bastard Brigade)
  • The Moon on a Rainy Night, Vol. 6 (Erica Friedman, Okazu)
  • My Brother’s Husband, Vol. 2 (A Library Girl’s Familiar Diversions)
  • My Hero Academia Team-Up Missions, Vol. 5 (King Baby Duck, The Boston Bastard Brigade)
  • Nichijiou: My Ordinary Life, Vol. 10 (A Library Girl’s Familiar Diversions)
  • Oshi no Ko, Vol. 8 (darkstorm, Anime UK News)
  • The Other World’s Books Depend on the Bean Counter, Vol. 5 (A Library Girl’s Familiar Diversions)
  • Pupposites Attract, Vol. 2 (Demelza, Anime UK News)
  • Rainbows After Storms, Vol. 1 (Erica Friedman, Okazu)
  • RuriDragon, Vol. 1 (Renee Scott, Good Comics for Kids)
  • Scars, Vol. 1 (Lauren Orsini, ANN)
  • Skip Beat!, Vols. 7-8-9 (SKJAM! Reviews)
  • A Smart and Courageous Child (Giovanni Stigliano, Asian Movie Pulse)
  • Stitches: Short Stories (A Library Girl’s Familiar Diversions)
  • There’s No Freaking Way I’ll Be Your Lover! Unless…, Vols. 1-6 (Rebecca Silverman, ANN)
  • Three Exorcism Siblings, Vol. 1 (Matt, No Flying No Tights)
  • Tougen Anki, Vol. 1 (Adam Symchuk, Asian Movie Pulse)
  • Undead Unluck, Vol. 17 (King Baby Duck, The Boston Bastard Brigade)
  • Viral Hit, Vol. 1 (MrAJCosplay, Anime News Network)
  • The Walking Cat: A Cat’s Eye View of the Zombie Apocalypse (A Library Girl’s Familiar Diversions)
  • Working for God in a Godless World, Vol. 1 (Manga Alerts, Behind the Manga)
  • X-Men: The Manga: Remastered, Vol. 1 (Renee Scott, Good Comics for Kids)
  • Yonoi Tsukihiko’s Happy Hell, Vol. 1 (Danica Davidson, Otaku USA)
  • Yonoi Tsukihiko’s Happy Hell, Vol. 1 (That Manga Hunter)
  • You and I Are Polar Opposites, Vol. 3 (King Baby Duck, The Boston Bastard Brigade)

 

Filed Under: FEATURES

An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me!, Vol. 9

January 9, 2025 by Sean Gaffney

By Yuishi and Kagachisaku. Released in Japan as “Inkya no Boku ni Batsu Game de Kokuhaku Shitekita Hazu no Gal ga, Dō Mitemo Boku ni Beta Bore Des” by HJ Bunko. Released in North America by J-Novel Club. Translated by Satoko Kakihara.

I honestly hope that this series does get an anime some day. Not just because it’s cute and sexy and all that. Some of you may recall back in the day there was a manga called My Dress-Up Darling, which also spawned an anime. That anime spawned Episode 11 of same. And Episode 11 spawned 80 million fanfics on AO3, the basic summary is “but what if they’d had sex?”. And that’s not going to happen with a light-novel only series like this is now, but if it gets an anime, I can’t help but think that frustrated fanfic writers are going to take matters in their own hands. Not only have they only kissed (and not even with tongue, as Nanami is reminded by her teacher), but their every move is now being watched to make sure they don’t go too far in the school. And yet these two have no idea what the definition of “too far” is. They revel in being sexy together.

Last time the author said we’d finally be getting the class trip, but I was dubious, given that the cover art showed what was clearly a sports festival. And yes, that’s absolutely what we get in the first half, as a reluctant Yoshin is convinced by Nanami to actually try for a change, and they end up competing in the Piggyback Race, a couples event where the goal seems to be “how embarrassing can we make things?”. That said, the back half of the book actually does give us the preparation and the setup for the class trip, which ends up being in Hawaii. This is possibly not the wonderful news you’d expect. Both Yoshin and Nanami’s parents had their honeymoons there, and given Yoshin has already proposed – more than once – they joke that this will be a “pre-honeymoon” for the couple. Which gives them ideas. Ideas of getting even closer. They may even get to extreme hand-holding.

Theoretically this book is still a sort of “guide” to new couples who may be reading it, showing the value of communicating everything to your partner and being open about your feelings and desires. The difficulty is that Yoshin and Nanami have a broken sense of shame. They don’t have NO sense of shame, otherwise this would be a very different series, and possibly in the Ghost Ship line. But it seems to activate late, which means they have no idea that they’re talking about intimate couple things while they’re in class surrounded by other students. Nanami in particular has this funny combination of innocence and salaciousness, meaning she can say things like “When you’re ready, feel free to really take me for a ride” and not get the implications, but also spend at least a minute sensuously licking and biting her boyfriend’s ear. I think being a guide on how to be an open loving couple has long left town.

Will they finally go further in the 10th book, when they’re in Hawaii? Probably not. But I’m sure we’ll all want to read it anyway.

Filed Under: an introvert's hookup hiccups, REVIEWS

Manga the Week of 1/15/25

January 9, 2025 by Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

SEAN: Somehow it’s still 2025.

ASH: My brain has managed to jump ahead to 2026 and back to 2024 simultaneously, which I guess evens out to 2025?

SEAN: In print, Airship has I Abandoned My Engagement Because My Sister is a Tragic Heroine, but Somehow I Became Entangled with a Righteous Prince 2.

MICHELLE: I like the title, at least!

SEAN: And digitally they have True Love Fades Away When the Contract Ends 2.

Drawn and Quarterly debuts a classic, The Legend of Kamui (Kamui Den). This 60s manga was serialized in Garo, and is NOT the 80s version that was put out by Viz Media. An Edo-Period historical drama with ninjas, it’s so influential even Tezuka praised it for bringing drama and ideology to manga. This is the first omnibus, and is 600 pages.

ANNA: Oooh, interesting.

ASH: This is huge. I am so incredibly happy and excited for this release. And was fortunate to receive an early copy which I am absolutely loving.

SEAN: No debuts for J-Novel Club, but we do see After-School Dungeon Diver: Level Grinding in Another World 4, the 10th Campfire Cooking in Another World with My Absurd Skill manga, Demon Lord, Retry! 9, From Old Country Bumpkin to Master Swordsman: My Hotshot Disciples Are All Grown Up Now, and They Won’t Leave Me Alone 5, the 11th How a Realist Hero Rebuilt the Kingdom manga, Let This Grieving Soul Retire 6, The Misfit of Demon King Academy 8, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ— 9, Record of Wortenia War 27, and the third The Water Magician manga.

Kodansha also has no debuts. In print, they have Ajin: Demi-Human Complete 2, Blue Lock: Episode Nagi 2, ORIGIN 8, The Seven Deadly Sins Omnibus 14 (the final volume), Sheltering Eaves 2, Versus 2, and Witch Hat Atelier 13.

MICHELLE: I really liked the first volume of Sheltering Eaves!

ANNA: I cannot believe I am so far behind in Witch Hat Atelier it is a personal failing.

ASH: I have a few volumes I’ve been saving which I’ll be reading all at once.

SEAN: And for digital we see Blue Lock 29, Gang King 25, Manchuria Opium Squad 4, Tokyo Tarareba Girls Returns 2 5, and We’re New at This 18 (the final volume).

MICHELLE: How am I already this far behind with Tokyo Tarareba Girls Returns 2?!

SEAN: One Peace have the 5th light novel volume of The Wrong Way to Use Healing Magic.

Just one debut for Seven Seas. Glasses with a Chance of Delinquent (Megane, Tokidoki, Yankee-kun) is a shoujo title from Betsufure. A girl who was bullied by gangs in the past attends a new high school free of them, and meets a glasses-wearing kid… and it turns out he’s a secret gang member! This was so popular Japanese fans got it un-cancelled at one point.

MICHELLE: Looks potentially cute!

ANNA: I generally enjoy delinquents in shoujo.

ASH: Same! And megane, too!

SEAN: Also coming from Seven Seas: 365 Days to the Wedding 6, The Barbarian’s Bride 2, The Duke of Death and His Maid 16 (the final volume), Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 9, I Quit My Apprenticeship as a Royal Court Wizard to Become a Magic Item Craftswoman 2, The Idaten Deities Know Only Peace 7, The Most Notorious “Talker” Runs the World’s Greatest Clan 8, My New Life as a Cat 8, Mysterious Disappearances 4, Soara and the House of Monsters 4, The Strange Adventure of a Broke Mercenary 4, Tiger and Dragon 2, The Titan’s Bride 6, Tokyo Revengers 27-28, and The White Mage Doesn’t Want to Raise the Hero’s Level 4 (the final volume).

ASH: I recently picked up the first volume of Soara and the House of Monsters; I have time to catch up!

SEAN: And for danmei they have Stars of Chaos: Sha Po Lang 5 (the final volume).

Square Enix has Just Like Mona Lisa 4.

From Steamship we get I Can’t Refuse S 5 and A Suitable Fetish 2.

Steamship also has an early digital release of the 2nd light novel volume of The Villainess and the Demon Knight.

SuBLime has My Dearest Patrolman 3 (the final volume) and Stigmata: Love Bites 2 (the final volume).

MICHELLE: The latter has such a gorgeous cover, I might read it on that basis alone!

ASH: Oooh, that is evocative!

SEAN: Two debuts from Viz. Beyblade X is the latest in that toy-based series, and runs in Monthly CoroCoro.

Firefly Wedding (Hotaru no Yomeiri) is an award-winning shoujo manga that runs in Manga One. An ill girl who is being married off so she can have some value to her family before she dies now finds that she’s also being targeted by an assassin! Can she find a way to solve both these problems in one fell swoop? This is definitely on the more ‘dramatic’ end of the shoujo manga scale.

MICHELLE: Hm. Maybe!

ANNA: Shoujo with assassins???? I’m going to check this out.

ASH: This definitely holds promise. Now I just have to figure out why the premise sounds vaguely familiar to me…

SEAN: Also from Viz: Case Closed 93, Destroy All Humans. They Can’t Be Regenerated. A Magic: The Gathering Manga 2, Disney Twisted-Wonderland: The Manga – Anthology 2, Komi Can’t Communicate 32, Mao 19, Spy x Family 13, and Yashahime: Princess Half-Demon 6.

And that’s it! Titles from 1964 to 2024 in this batch. What are you buying?

ASH: No wonder I can’t figure out what year it is!

Filed Under: FEATURES, manga the week of

I Could Never Be a Succubus!, Vol. 5

January 8, 2025 by Sean Gaffney

By Nora Kohigashi and Wasabi. Released in Japan as “Watashi wa Succubus Ja Arimasen” by Hero Bunko. Released in North America by J-Novel Club. Translated by Roy Nukia.

(This review assumes you want to be spoiled about the last third of the book.)

I will always love the fact that this series is “come for the horny, stay for the funny”. And rest assured, this is still a very horny series. But there are several points in this volume where it appears that the book is finally going to take a bit of a serious bent, and then it absolutely takes a wild leap back into the broadest comedy. And that’s good, as this is one of the few light novel series that does broad comedy really well. Even the horny – especially the horny – works so well because it’s so over the top that you can’t really kinkshame it. So yes, Liz really will wear those panties with the magic-infused elephant trunk that can act like a real penis, because it means the artist will have to draw art of it, and make it funnier. And thus, when we resolve the cliffhanger from the last book, with the new hero menacing everyone, it turns out to be hysterical.

Dia the new hero, shows up and proceeds to not only give Cain a serious wound, but also kidnap Liz. That said, once Liz finds out what’s going on, she realizes that not only is Dia not nearly as villainous as previously advertised, but she’s also a cute young catgirl, which sets Liz’s heart throbbing, though she’s not quite sure why. Liz is rescued soon enough, but finds herself teleporting back to Dia’s location (basically figuring out a teleportation spell on the fly and instantly doing it perfectly, which reminds you how powerful this horny succubus really is), where she finds that Dia not only does the bare minimum of cooking and cleaning, but wears… bloomers! With holes in them! And no bra! This will not stand! It’s time for a lingerie shopping trip!

I ended up trying to overthink this. Yes, as it turns out, Dia’s story about her having the “real” hero sword and Cain’s being a suspicious fake does in fact turn out to possibly be the case but that’s not what drives the climax. The entire climax is driven by the scene where Cain walks into the lingerie shop and sees not only Liz but also Dia, and we realize that he already knows the new hero very well. Once all the identities are revealed, this gets even funnier… at least until we get to the fight to the “death”, which, of course, Cain wins. Again, this should be a dramatic scene, either tear-jerking or heartwarming, and it’s 100% undercut by Liz literally holding up cue cards for the reluctant Cain to read aloud to resolve things properly. Hell, even the sad finale where she leaves to find herself is ruined by Liz, albeit unconsciously. The main reason they want Liz’s memory back is so that when they punish her she actually a) knows why, and b) enjoys it again.

Again, I don’t recommend this to anyone who is not ready for our heroine to be dressed in panties with a working penis shaped like an elephant trunk on the front. But if you are, this remains 10% cool, 10% heartwarming, 30% sex-obsessed, and 50% LOL.

Filed Under: i could never be a succubus!, REVIEWS

Private Tutor to the Duke’s Daughter: The Angel That Broke the Star Oath

January 7, 2025 by Sean Gaffney

By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

I’ve talked before about how this series really loves being a harem title, but it’s not just that the harem writing is done very well (though it is). It’s that the harem antics actually manage to take over every OTHER aspect of the series. The battle scenes are crisp and action-filled, and also filled with banter as the heroines literally encourage each other by saying that they’re going to be the one who marries Allen, forcing the other person to fight EVEN HARDER so that they can deny that possibility. We get the tragic backstory that has led to much of this series, and it turns out it’s because the heroine was unable to save her version of Allen and went mad with the revelation. Nobles are furious with Allen simply because of the sheer number of young superpowerful girls he has at his disposal. Hell, even the resurrected corpse of his dead best friend is cheering him on and urging him to keep saving the girl no matter what. It’s kind of hilarious.

Allen and Stella remains trapped deep underground, with Stella’s body having been taken over by a dangerous-looking angel. Ellie has escaped to tell everyone what’s going on, but the Sealed Archive is not letting anyone come in the way that they originally did. And of course there are those who simply want to leave Allen there, though one of the more annoying antagonistic nobles grudgingly admits Allen is what is needed here. But eventually we get a squad to go into the catacombs under the city and go *up* to rescue Allen, led by Lydia, Caren, Tina and Ellie. Unfortunately, the religious folks are behind all this, and have sent more than one apostles to stop everyone, including a very familiar face to Allen, Lydia, and Cheryl.

I’ve been whining for a long time that I wish the series would do a massive flashback to show Allen and Lydia’s school days, and this is the first volume where we get a flashback that lasts longer than a couple of pages. It shows that, unsurprisingly, school life mostly consisted of Lydia and Cheryl fighting each other every day to see who gets the right to say they’re Allen’s Number One Girl. Allen, naturally, does not get a say in the matter. (I did briefly wonder what would happen if anyone asked him his opinion on being in love with any of the girls, but his self-deprecation is too high for that to work.) But there’s also Allen’s best male friend Zelbert, who seems to be the classic snarky glasses-wearing best friend of the hero type, but who we already know died before the main story began, and here we see why that happened, as well as Zelbert’s own tragic past. If you’re going to fire off the flashback guns, this is an excellent way to do it.

Unfortunately, it turns out our heroes did not win as much as they may have thought, though at least Stella is not evil. The next volume promises – again – more Tina and less Lydia. We’ll see.

Filed Under: private tutor to the duke's daughter, REVIEWS

Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 7

January 6, 2025 by Sean Gaffney

By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

All right, I apologize, I was reading one of the main plotlines wrong. There’s no real defending it, I had forgotten how this series begins, with Sarasa shunted into this world with her massive piles of mana in order to save it. So when I kept seeing her having to fight off monsters that surprised everyone by showing up all of a sudden, I assumed it was due to her being a monster attractor. But no, I should have realized the more important fact, which is that, with the arrival of a new girl in this volume, there’s now FOUR isekai’d folks running around, more than they’ve ever seen before. it’s not that Sara attracts monsters, it’s that she and the others are here to prevent the apocalypse. As such, even in the parts of the world which traditionally have no monsters around, we end up getting a plague of locusts all of a sudden. The Invited go to where the crisis is going to be.

Sara is headed off to see Nelly’s older sister and her husband, who live in an agricultural region that has no dungeons and few monsters but does have lots of medicinal plants. They’re technically there to take care of a larger than usual attack of green locusts, but in reality they’re there because Nelly hasn’t seen her sister in forever, and also because, to everyone’s surprise, there’s a new Invited, Anzu, who also ended up in this world after falling ill in Japan. Ann has been sickly and weak, which puzzles Sara, who knows that they’re brought to this world in order to get more healthy, but the cause of this is found very fast (she’s coddled too much) and we get to the real meat of this book: Nelly is still unmarried, LOTS of people want to change that, and Chris is going to be very unhappy unless he does something soon.

So yes, finally, Nelly and Chris are a couple, though what I liked most about this was that it was framed as the two of them officially gaining a “daughter” in Sara than any romantic leanings. (Despite his mooning over her for the entire series, neither one is the romantic type.) Speaking of unromantic types, Sara and Allen continue to be besties and that’s about it, though there are hints that they both are aware where they’re going to end up in a few years but are just too young now. As for Sara, she’s forced to admit here that her philosophy of “keep my head down and stay out of the way” just isn’t going to work anymore. She cares about everyone in this world too much, and she wants to be proactive. Which she certainly is here, saving the day with her barriers again. That said, unlike Allen or Nelly, she’s happiest being a giant apothecary nerd with her fellow nerds, and fending off proposals from all and sundry.

This was a fun volume, and I do wonder how Ann will blend in with the cast, assuming that she continues to pursue her new dream. One of my favorite isekai of the moment.

Filed Under: REVIEWS, taking my reincarnation one step at a time

The Royal Hostage Has Vanished: The Black Wolf Knight Yearns for the Persecuted Princess, Vol. 2

January 5, 2025 by Sean Gaffney

By Ajigozen and Yura Chujo. Released in Japan as “Hitojichi Hime ga, Shōsoku wo Tatta. Kuro Ōkami no Kishi wa Rinkoku no Shiitagerareta Hime wo Zenryoku de Aishimasu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Emily Hemphill.

It’s always awkward when a book doesn’t really do anything wrong but leaves me a bit cold. Most of this second and final volume is fine. There are a few action scenes, which are exciting. The lead guy is perfectly fine, vacillating between stolid handsome hunk and soppy “I’m so in love with my wife” annoyance. There’s a few plot twists near the end that work pretty well, and the evil nobles are cartoonishly evil without feeling like they also kill babies and kick puppies. And yet, I think I came away from this book shrugging. In the end, I think it comes down to having the wrong narrator. This is Sonia/Nia’s story, but except for one or two POV scenes, mostly in the first book, we rarely see inside her head, instead spending all our time with husband Ark. I appreciate that not all shoujo romances have to have a woman’s POV, but this story would have worked better with it.

After getting unofficially married at the end of the last book, Ark and Nia move to their new domain, which as it turns out is dealing with a nasty outbreak of bandits… which are fairly obviously being sent by the second prince of Sylvario, Nia’s brother. Fortunately, when she was Sonia, the princess formed a bond with the denizens of the towns, which helps them win everyone over fairly quickly. The medicine also helps. Ark is a distant third. Once it’s determined that the foreign prince is behind this, it’s decided to bait him into a trap and capture him, which works so well that everyone wonders if they’re in some sort of Reverse Uno situation, but no, the prince really is that stupid. That said, he’s not the only antagonist…

Towards the end of the book we get several genre shifts to go with the “disgraced noble” that we’ve been dealing with all along. There were hints of a “secret saint” plot, and they turn out to be correct, and we also get a villainess plotline that reminds me far too much of the recent arc of Bakarina – the third princess reads very much like the original evil Katarina Claes, and her fate is likely going to be much the same. (Isekai’d otome game villainesses seem to do very badly in this world, in fact, as she’s not even the first one.) I would argue that the identity of a secret royal who can end up being a potential love interest for Prince Alphonse is perhaps one twist too far, and mostly serves as a way to allow our main couple to actually get it on without getting a cold stare of shame. But for the most part they work well. They just didn’t excite me.

If this was ongoing, I likely wouldn’t get more of it. Fortunately, we’re done here. This was good, but in the end, I wish I’d read it from the other POV.

Filed Under: REVIEWS, royal hostage has vanished

My Next Life As a Villainess: All Routes Lead to Doom!, Vol. 13

January 4, 2025 by Sean Gaffney

By Satoru Yamaguchi and Nami Hidaka. Released in Japan as “Otome Game no Hametsu Flag Shika Nai Akuyaku Reijou ni Tensei Shite Shimatta…” by Ichijinsha Bunko Iris. Released in North America by J-Novel Club. Translated by Joshua Douglass-Molloy.

Let’s face it, Fortune Lover I was a bad game. Lots of fans have spent ages pointing out what a disaster it would be for the country if Maria’s routes played out the way we’re told they did, but more importantly, it’s shallow and badly written. Katarina absolutely did the best thing possible by “trying to prevent her doom” and accidentally saving everyone. Unfortunately for her, they brought in better writers for the second game. Not in terms of the routes themselves, those are still lame. But in terms of the politics behind it, and how it’s now affecting multiple kingdoms. And unfortunately for Katarina, that one’s much harder to derail. The kidnappings, murder attempts, and potential coups we’re seeing in Sorcier are not “a problem for the player to solve”, and as such even when Katarina does her best, success remains elusive. Especially since she still has that pesky dark magic, and it turns out she now knows how to make it strong, and it’s not a good thing.

Cezar, the prince of Ethenell, is being sent to Sorcier as part vacation and part to see how a country that’s not recovering from a civil war is doing things. Everyone tells Katarina that she should absolutely not get involved with him, because something else he’s doing is looking for a wife. Of course, Katarina absolutely gets involved with him. She accidentally breaks up his meeting with various other desperate noblewomen, she takes him on a tour of bookstores, cafes, and farms (of course the farms are the most interesting), and she sees him touring the ministry of magic while she’s busy trying to practice with her dark magic (she’s only good at absorption) and translating the dark magic book (she gets bored easily). Unfortunately, Cezar is also investigating the conspiracy that everyone else is, and this investigation results in Maria’s family being attacked…

Those who read my Bakarina reviews know that I don’t really care about the cishet pairings, even as I acknowledge the author does. Mary and Sophia barely appear. Fortunately, our one exception is present throughout. Yes, Maria ends up getting a bit damselled in the climax, when Sarah and a bunch of goons overpower her, but the best moment might be when she sees Cezar and Katarina at the orphanage, where Katarina has been showing off what a great place it is for kids, and Cezar starts putting the moves on her (something she has no idea about). I love seeing Maria being jealous, and her cold attitude towards Cezar, though it doesn’t last long (they bond over Katarina being awesome) is great to see. What’s more, Katarina has literally saved the life of her and her mother this time. Maria is going to be more in love than ever.

As for HOW Katarina saved Maria, well, that’s worrying. I get the feeling “have better control over your emotions” is easier said than done, but I don’t think this series will get TOO dark. This continues to meander towards its ending. Mary and Sophia fans (and Alan and Nicol fans, honestly) can drop it, but Jeord, Sora, Cezar, and Maria fans will be happy. (Keith? Who’s Keith?)

Filed Under: my next life as a villainess, REVIEWS

Bookshelf Briefs 1/4/25

January 4, 2025 by Sean Gaffney and Michelle Smith Leave a Comment

Bocchi the Rock!, Vol. 5 | By Aki Hamazi | Yen Press – A book of two halves, the first half is the usual 4-koma stuff, as the live house gains two new employees and presumably new supporting cast. One is an energetic short girl who reminds me of Kita, probably deliberately. The other is a yuri fanfic writer who writes self-inserts with herself and Ryou, to the horror and confusion of both Ryou and Bocchi. The second half of the volume is an extended flashback showing the relationship between Nijika and her older sister, and how the 12-year-difference between them led to Seika resenting her little sister for getting in the way of her band career. Unfortunately, their mother braids her hair in a side ponytail, and you know what that means. Tragedy is a-comin’. This was a nice change of pace for the comedic manga, and very touching. – Sean Gaffney

Colette Decides to Die, Vol. 1 | By Alto Yukimura| Viz Media – This is an excellent series, which I hope does well. It’s about a decade old, and also from formerly beloved but now shunned Hana to Yume, so I was very surprised it was licensed. (You can tell it’s a Hakusensha title because of the choppy continuity in this first omnibus, as the publisher gauges if it’s a hit or not.) The title is what I call an “artifact title,” in that it applies to the first three pages or so of the manga but not beyond that. The story is about a plucky but overworked apothecary, who one day is so tired she falls into a well she’s leaning into, and ends up attending Lord Hades in the underworld! Colette is a terrific heroine, and Hades is already warming up from his cool exterior. Any shoujo fan will love this, and it’s in omnibuses, so should only be ten volumes rather than twenty. – Sean Gaffney

Home Office Romance | By Kintetsu Yamada| Kodansha Manga – This one-shot is from the creator of Sweat & Soap, which is why I picked it up. It’s also quite cute. During COVID, our overworked, emotionally stunted hero finds working at home to his liking, and he finds he has a little more time in his day to do things, like grow his balcony garden. That attracts the attention of his next door neighbor, a freckle-faced archaeology student. The two bond quickly, though I kind of wish the narration had not spoiled the ending by reassuring readers they eventually get married. The main reason to read this is Nokoru, who a lot of folks will find very relatable in his attempts to interact with his neighbor and deal with the fact that she finds him attractive. As with the author’s previous series, sweet and sexy. – Sean Gaffney

Lycoris Recoil, Vol. 1 | By Spider Lily and Yasunori Bizen | Yen Press – Generally speaking, when the anime comes first, as it did with LycoReco, adaptations tend to either be a) wacky anthology hijinks (I think LR does have these, but this isn’t it), or b) slice-of-life light novel side stories (see next month). But this is just a straight-up adaptation of the first couple episodes of the series. It’s fun, and you can certainly see why the series got to be so popular. Chisato, in particular, drives these early stories. I also liked seeing the foreshadowing of the plot with Mika and Yoshimatsu. That said, if you watched the anime and are looking for additions or differences, there’s none of that here. This is a straight-up adaptation. As such, it’s recommended for those who haven’t seen the anime and prefer manga stories. – Sean Gaffney

Natsume’s Book of Friends, Vol. 30 | By Yuki Midorikawa | Viz Media – Honestly, I could just say “Matoba cross-dresses” and that would be enough. No one is picking up volume 30 of this series on a whim, and those who have read it to volume 30 know what they’re about, and they’re about this. I mentioned on Discord that this series manages to somehow be BL, yuri, poly, and aro/ace at the same time, and I think that still holds up. The first story is good, but it’s all about the back half of the book, where Natsume and Tanuma attend a special auction that turns out to be a lot more mysterious than we’d guessed… well, no, this is Natsume’s Book of Friends, so we likely guessed that immediately. I am, however, totally here for more of Matoba’s screwed-up family, which we’ll likely get next time. – Sean Gaffney

Sheltering Eaves, Vol. 1 | By Rie Aruga | Kodansha Comics – When Yoru Tono was ten, she was removed from the custody of her verbally abusive mother and placed in a children’s home, where she met a kind and brave boy named Tenjaku Narita. We see how the bond between them formed, and then fast forward to 2018, when they are both sixteen, and trying to come to terms with the fact that they’ll be forced to leave the home when they turn eighteen. Tenjaku is pragmatic, trying to earn money and dreaming of travel, whereas all that Yoru seems to want to do is to be near him. Tenjaku’s troubled by this, and it’s unclear currently whether he has romantic feelings for her at all, which is quite refreshing. He doesn’t want to push her away—especially given their shared history of abandonment—but also encourages her to do her own thing. This could get quite interesting, and I look forward to the second volume, due out soon! – Michelle Smith

Spring Storm and Monster, Vol. 1 | By Mitsubachi Miyuki | Yen Press – Ranko Haruno, a high school first year without any friends, runs into a delinquent beating someone up in an alley, who then turns out to be her new stepbrother, Amamine Kaya. Shoujo bingo ensues. There’s promptly a naked kabe-don. There are street thugs. Ranko gets lost on a family camping trip and is menaced by a bear (and is rescued by Kaya). Then, on the way home, the car goes over a pothole or something and the teens accidentally kiss. I rolled my eyes several times. And yet. I liked that Kaya sees in Ranko someone genuinely good, after a lifetime of being mistreated by people—it is implied this includes statutory rape—and I liked her awkward attempts to help him, and that the plot does not rely on preventable misunderstandings. It may not be groundbreaking, but I am interested to see how it develops from here. – Michelle Smith

365 Days to the Wedding, Vols. 4-5 | By Tamiki Wakaki | Seven Seas I somehow forgot to buy four when it came out, which is why this is a double-volume review. This takes us to the end of the anime season that just aired, but the manga itself is only halfway done. Most of these two volumes are the main couple accepting that they really are falling in love with each other This is much easier for Takuya than it is for Rika, who decides the best thing to do is to demonstrate to Takuya how boring she is by drowning him in her hobby… which he loves, so task failed successfully. And then there’s the assignment to Siberia, as they both come to the horrific realization that if they are pretending to be married to avoid it, some other sucker will be assigned. Christ, these two are awkward. But now together for real? Maybe? – Sean Gaffney

Filed Under: Bookshelf Briefs

Drunks

January 4, 2025 by Katherine Dacey

In the shadow of the mainstream North American manga industry, there are a handful of indies who are keeping manga weird. They’re publishing the kind of offbeat stories that you won’t read in Shonen Jump or stream on Crunchyroll, stories that are elliptical, profound, strange, funny, or unsettling in ways that My Hero Academia or Blue Lock aren’t. 

On a recent visit to Star Fruit Books, for example, I discovered Okaya Izumi’s Drunks, a pair of stories that put a novel spin on the meet-cute. In the first, a shy salary man staggers home from a night of drinking only to fall prey to a chatty vampire who casually asks, “Do you have blackout drapes at your house?” You can guess where this is going, but the light tone and odd notes of humor push “Drunks” in an unexpected direction as these two wildly different people find solace in each other’s company. The second story—“Tick Tock”—also crosses genre boundaries, using elements of science fiction to set the plot in motion. Tomoko, the heroine, spends a century in a cryogenic chamber before a young man accidentally frees her. Though the pair stumble into a physical relationship quickly, Okaya focuses as much on Tomoko’s complex reaction to rejoining the world as on her sexual reawakening, helping us understand why Tomoko is secretly relieved to discover that the future is not much different than the past.

Art-wise, Okaya’s style recalls Nishi Keiko (Love Story) and Yamada Murasaki (Talk to My Back, Second Hand Love), as Izumi’s characters are rendered in thin, almost scribbly, lines that make them look a little fragile. In her stories’ most emotionally charged scenes, there is almost no background detail; the reader’s eye is drawn to the characters’ faces and body language, allowing us to more fully appreciate their sense of joy, astonishment, and confusion over finding companionship in unexpected places. The quiet authenticity of these moments help both stories transcend their cliché elements to make a deeper point about the characters’ need for connection. Recommended.

DRUNKS • BY OKAYA IZUMI • TRANSLATED BY DAN LUFFEY • LETTERING/RETOUCHING BY KELLY NGO • STAR FRUIT BOOKS • 60 pp.

Filed Under: Manga, Manga Critic, Recommended Reading, REVIEWS Tagged With: Okaya Izumi, Star Fruit Books

Her Royal Highness Seems to be Angry, Vol. 1

January 3, 2025 by Sean Gaffney

By Kou Yatsuhashi and Mito Nagashiro. Released in Japan as “Ojou Denka wa Ookari no You desu” by Overlap Bunko. Released in North America by Tokyopop. Translated by Katie Kimura.

(This was based on a review copy provided by the publisher.)

We’ve seen quite a few of these “young noble lady suddenly has memories of her past life” series before, but if you’re looking for something unique to separate this one from the others, there are one or two things. First of all, she’s not reincarnated from Japan, but from centuries in the past, when the world was at war. (Not to worry, isekai fans, there are indirect hints that her husband from the past was in a good old fashioned normal isekai plot, albeit a tragic one.) More importantly, rather than struggle with the embarrassment of what she was like before, or have to somehow amalgamate her old self with this new one, Leticiel literally overwrites her present body. The book has her think of herself as Leticiel, her old name, throughout, and she wakes with no memory of any time before that point. It’s as if she simply murdered her past self and took them over. Which, well, her fiance also suspects might be the case…

We open with a prologue, showing Leticiel’s country on the verge of being wiped out. Her family and husband are dead, and she elects to mind-control a soldier into killing her rather than be taken alive. A ,long, long time later, she suddenly finds herself in the body of Drossell, a duke’s daughter who is engaged to the first prince. Unfortunately, she doesn’t remember ANYTHING. So, as she tries to figure out where she is and what the state of the world is, she fends off her family by simply being incredibly standoffish and curt. No one really bats an eye at this, which should tell her something, but she doesn’t really care enough to find out. Worst of all, when she goes to her magic academy (you knew it was coming), she finds this kingdom is all about magic! What? Why, when it’s so much less powerful than sorcery?

The weakest part of the book may be its title, as Leticiel spends most of the book being rather nonchalant, only getting seriously pissed off once. I assume it refers to her being upset that sorcery has fallen so far as to be unrecognized. There are more things that I enjoyed, though. The main “love interest” seems to be, not a grumpy noble as is usually the case with these series, but a nerd who spends most of his days working with machines. And then there’s the late Drossell herself (It’s possible the memories will return someday, but for now I have to assume that the girl who used to be in that body is dead.) The book sets us up to see her as an annoying spoiled brat, the typical “villainess” that you see in this genre… and then the backstory explains exactly why she’s acting that way, and it’s a lot closer to I Swear I Won’t Bother You Again! than I’d like. Moreover, most of what’s happened to both Drossell *and* Leticiel seems to be foretold, and I’m not entirely sure I trust the king and his ageless advisor to act in their best interests. The end of this book makes me want to read the next one.

So yes, at the risk of being like the “And you’ll hear it again!” Brooklyn Nine Nine meme, I enjoyed another villainess-style book.

Filed Under: her royal highness seems to be angry, REVIEWS

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