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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

The Faraway Paladin: The Lord of the Rust Mountains

October 17, 2017 by Sean Gaffney

By Kanata Yanagino and Kususaga Rin. Released in Japan as “Saihate no Paladin” by Overlap. Released in North America digitally by J-Novel Club. Translated by James Rushton.

I’m reviewing this as one giant book, but it actually came out as two books here, called ‘Primus’ and ‘Secundus’ – in fact, Amazon thinks that those are the titles, and forgot about the whole Rust Mountains thing. It works better to see them as one big book, though, which is what the author intended. The first volume simply stops, and the second picks up right where it left off – there’s no real attempt to separate them. As for the plot, our square-jawed hero and his elf friend are here to take down an ancient dragon, helped out by some old friends and some new dwarves, including one who becomes Williams’s squire, despite being of royal blood. He is told repeatedly that if he fights the dragon now he will die, and he should gain more power and influence by letting a few people be killed so he can take it down more easily. As you might imagine, that is not how William rolls.

William is the star of this series, and the narrative fits itself around him, meaning it too tends to be like he is – straightforward, a bit humorless, and painfully, PAINFULLY earnest. This is actually the main selling point of The Faraway Paladin, which is miles away from any other fantasy light novel we have out there – there’s not an ounce of cynicism or irony in it. William is Good and True, and he can do impossible things thanks to the help of his friends, the training of his parents, and MUSCLES, which he points out are awesome several times throughout the book. The closest we get to cynicism is the villain, who is a very well-done ancient dragon, and would very much like to tempt William into allying with him to that he can sow chaos. He should know better.

The book reads quickly, and the action sequences are very well done, with no confusion about what is happening at any time. I was a little annoyed with the introduction of a tsundere elf girl, whose sole purpose seems to be to get rid of the ho yay that existed between William and Menel (there’s a lot of teasing of William for not having found a girlfriend yet, further driving the point home). Al is a good addition to the cast – it fits that someone like William gets a squire that’s almost as serious-minded as he is, and the two work well together. The translation is also good, though the Kindle version I have has both the dragon and the Gods speaking in bold text, which can get very confusing when three of them are all speaking at once – perhaps one should have been italicized instead.

Again, if you want to read a light novel but are thoroughly sick of the cliches of the genre, this is an absolute must-read. It’s the Lord of the Rings starring Superman, basically. I look forward to seeing where it goes next.

Filed Under: faraway paladin, REVIEWS

My Week in Manga: October 9-October 15, 2017

October 16, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I posted the Bookshelf Overload for September which includes lists of some of the manga and other books that I picked up last month (along with some brief commentary). Looking forward to future manga releases, Vertical Comics recently announced two new titles: Pop Team Epic by Bkub Okawa and The Delinquent Housewife! by Yoko Nemu. Seven Seas also had an interesting announcement to make. In addition to two licenses–Yuuna and the Haunted Hot Springs by Tadahiro Miura and World’s End Harem by Link and Kotaro Shono–Seven Seas is launching Ghost Ship, a new imprint for the publishers’ more mature titles.

Quick Takes

Captain Harlock: Dimensional Voyage, Volume 1Captain Harlock: Dimensional Voyage, Volume 1 written by Leiji Matsumoto, illustrated by Kouiti Shimaboshi. Although I immediately recognize the name of Captain Harlock, Dimensional Voyage is actually the first incarnation of his story that I’ve read or watched except for the short crossover manga  included in Kodansha Comics’ recent release of Queen Emeraldas. (Emeraldas actually makes a brief appearance in the first volume of Dimensional Voyage, too.) My understanding is that Dimensional Voyage is either a reboot or retelling of Matsumoto’s original Captain Harlock manga, written by Matsumoto himself but illustrated by a different artist. The series is completely accessible to readers who are unfamiliar with Harlock though I suspect that established fans will find the manga to be appealing as well. Shimaboshi’s designs are obviously based on Matsumoto’s though many of the main characters are much more conventionally attractive in this version. Both the dialogue and the artwork of Dimensional Voyage tends to be very dramatic and at times even melodramatic, but I don’t at all consider that to be a bad thing. As for the story itself, the manga is just getting started. The first volume establishes the basic setting and premise, but much of it is spent introducing the legends surrounding Harlock, the series’ titular space pirate.

Jackass!Jackass! by Scarlet Beriko. I forget exactly how Beriko’s work as a whole was first brought to my attention, but my curiosity was immediately piqued by Jackass! when SuBLime announced that it would be publishing the manga. It’s not a terribly uncommon trope in boys’ love for two friends to ultimately fall deeply in love with each other, so Jackass! isn’t particularly surprising in that way. However, it is the first manga that I’ve read in the genre in which women’s stockings provide the initial impetus for a relationship to take that particular turn. Keisuke’s best friend Masayuki has a leg fetish. In a rather awkward turn of events, and much to Keisuke’s embarrassment, Masayuki catches a glimpse of him wearing his sister’s pantyhose. Masayuki is instantly smitten with Keisuke’s perfect legs, which understandably complicates their relationship somewhat. At times Jackass! can be unexpectedly sweet and even touches on more sobering subject matter like homophobia, but for the most part it reads as a comedy not to be taken too seriously. Jackass! includes a strong supporting cast, including Keisuke’s older sister and his confidently gay cousin, which add a great deal to the manga; the entertaining and occasionally ridiculous character interactions are the highlight of the story. I enjoyed Jackass! and would certainly be interested in reading more of Beriko’s work.

Kiss Me at the Stroke of Midnight, Volume 1Kiss Me at the Stroke of Midnight, Volume 1 by Rin Mikimoto. Hinana is known for her seriousness so most of her friends and classmates are unaware that she’s also a romantic hoping to find a fairy tale-like love. Kaede is a celebrity and rising star, admired for both his talent and incredibly good looks. The two of them meet, somewhat by chance, when Kaede is shooting on location at Hinana’s high school for an upcoming film and they end up hitting it off. Mikimoto’s artwork in Kiss Me at the Stroke of Midnight comes across as attractive but a little generic overall except for the hilariously exaggerated reaction shots drawn for comedic effect. And there is plenty of humor in the series. Kaede, idolized by his fans, does not at all have the personality that they would expect. He can be kind but, despite how he generally presents himself professionally, Kaede’s not exactly a refined gentleman. He’s also really into butts, and isn’t ashamed of that fact. Most people would probably be slightly taken aback by this, but Hinana finds his candidness refreshing. (I appreciated that aspect of his personality as well.) I was a little surprised by how much I enjoyed the first volume of Kiss Me at the Stroke of Midnight. I’m not overly interested in manga about celebrities, but Kaede is such a weirdo and Hinana is likeable, so I’m curious to see what turns their relationship might take from here.

Filed Under: FEATURES, My Week in Manga Tagged With: Captain Harlock, Kiss Me at the Stroke of Midnight, Kouiti Shimaboshi, Leiji Matsumoto, manga, Rin Mikimoto, Scarlet Beriko

Bookshelf Briefs 10/16/17

October 16, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

Ace of the Diamond, Vol. 5 | By Yuji Terajima | Kodansha Comics (digital only) – It’s been a while since the last volume of Ace of the Diamond and I’d forgotten how much I enjoy it! Eijun, who began the series as a hothead, has matured without losing the emotional side that makes him sympathetic. Seeing him not only grow from Chris’ tutelage and execute one truly amazing pitch during their last inning of play together but then bawl his eyes out when he makes varsity and Chris doesn’t is, honestly, pretty darn sweet. He may be brash, but he’s a good kid. Even better, we get more insight into Furuya, who is currently stronger in pitching but lacks in people skills. I love that he doesn’t see himself as better than Eijun at all and is, in fact, motivated by him to try harder. This is such a good series and I delight in the knowledge that there are 40+ volumes still to come. – Michelle Smith

Chihayafuru, Vol. 5 | By Yuki Suetsugu | Kodansha Comics (digital only) – Well, this volume is lacking on miracles, as the Mizusawa High team makes it only a couple more rounds without Chihaya (who has fallen ill) before they are defeated. Still, there’s another day for the individual tournament, and it’s here that Chihaya meets the reigning queen, Shinobu Wakamiya, a high-school first year who trounces Chihaya by a twenty-card margin. This is completely what Chihaya needs, though, since now her dreams have achieved a solid shape: do what it takes to beat Shinobu. Taichi, meanwhile, is determined to attain his class A ranking so that he can face Arata. I absolutely love that he’s decided to devote his entire self to karuta now and look forward to all of the intense rivalty to come! – Michelle Smith

Descending Stories, Vol. 3 | By Haruko Kumota | Kodansha Comics – OK, there are extended flashbacks, and then there are flashbacks that make you think “why didn’t you just tell this story instead?,” and I think that’s what we have here. Don’t get me wrong; I’m greatly enjoying Kikuhiko and Sukeroku’s story, and the love triangle that seems to be bubbling beneath them both. I also liked the extended rakugo performance we saw here, a reminder that that’s really what the series is about. But I admit I sort of agreed with Yotaro in the afterword—isn’t this his story? I wouldn’t blame the reader for having forgotten all about him by the time we get back to the present in what I assume will be the next book. Good, just oddly paced. – Sean Gaffney

Flying Witch, Vol. 3 | By Chihiro Ishizuka | Vertical Comics – I have to admire a series that is always peaceful and soothing, yet not boring. In this volume Makoto and her cousins visit a cafe recommended by Akane, where the waitress is a shy ghost and where Makoto meets a witch her age named Anzu. She receives a hideous souvenir t-shirt from Akane, shows Nao cute edamame blossoms, and picks a plethora of radishes. A witchy newspaper delivers news about a flying whale, which the girls go see. Then they leave when they get hungry and go home to have hotcakes. And that’s it. Makoto can’t even summon any worries to ask about during a fortune-telling session. But, y’know, I’m okay with that. Plus, there are cute cats, one of which turns out to be an anthropology buff. There are times I’m definitely in the mood for manga like this. – Michelle Smith

Food Wars!: Shokugeki no Soma, Vol. 20 | By Yuto Tsukuda and Shun Saeki | Viz Media – Erina gets the cover here, and the bulk of the story as well. We’re finally starting to dig deep into her psyche, after so many volumes casting her as cold, grumpy, annoying, and unlikable. It stems from abuse, naturally, and also being exposed to Soma’s father, who showed her there was a different way to view food. That said, I suspect most Food Wars! fans have said “too little too late,” but that will just lead them to heartache. Meanwhile, to no one’s surprise, Soma did not win against the top chef of the school, but it’s alright as he gets out of his punishment on a technicality. Now we head to the next set of exams, and if you don’t do things the Azami way, you’ll be expelled. So now what? Can’t wait to find out. – Sean Gaffney

Giant Killing, Vol. 6 | By Masaya Tsunamoto and Tsujitomo | Kodansha Comics (digital only) – ETU has managed their first win of the season, and the fans are fired up. They manage to extend the streak to two games, but Sera is growing frustrated with his inability to score and his journey from self-doubt to determination progresses throughout the volume. Meanwhile, the old faithful trope “the previously unmentioned injured teammate returns” comes into play, with oddball Natsumi making his debut. It’s interesting to see a tried-and-true sports manga staple alongside the elements that make Giant Killing stand out from others in its genre, namely that a pro soccer season is way different from elimination-style tournaments, allowing the narrative to swiftly hop from match to match, sometimes skipping a few, as Tatsumi assesses the team’s mood after a series of draws. As a result, this series continues to feel fresh. – Michelle Smith

Haikyu!!, Vol. 16 | By Haruichi Furudate | VIZ Media – Karasuno has reached the semifinal round of the Miyagi Prefecture qualifier and it’s a rematch with Aoba Johsai, which turns out to be an immensely entertaining nail-biter that goes to three sets. Hinata and Kageyama potentially discover a new move they can work on in the future, each member of the team gets a triumphant moment, and Yamaguchi overcomes his nerves to achieve his first success with the jump floater serve. I always love it when characters who’d been somewhat in the background get their turn to shine, and I also loved that we actually got to see some interaction and evolution amongst the Aoba Johsai team, making one even root for them a little bit. Be forewarned, though: there’s an excruciating cliffhanger at the end of this volume! – Michelle Smith

Haikyu!!, Vol. 16 | By Haruichi Furudate | Viz Media – After seeing Yamaguchi choke under pressure last game, the highlight of this book is undoubtedly the start of it, where he manages to push past that failure and show off the serving that he’s learned—and it’s terrific. As for the rest, it’s back and forth and down to the wire, as we knew it would be. Aoba Johsai are really good, and we get a few flashbacks to show us that they’ve had their own ups and downs just like our heroes—including a player who tends to get FILLED WITH RAGE who desperately needs discipline, and manages to do it himself here. And of course loving shots of volleyball, which you can tell the author really loves. Looks like well see the end next time—who will pull it off? -Sean Gaffney

Filed Under: Bookshelf Briefs

Juni Taisen: Zodiac War

October 14, 2017 by Sean Gaffney

By NISIOISIN and Hikaru Nakamura. Released in Japan by Shueisha. Released in North America by Viz Media. Translated by Nathan A. Collins.

I wasn’t sure what to make of this when I first heard of it, and now that I’ve finished it, I’m still not quite sure. It was written two years ago, and the anime is just coming out now, so it seems like it wasn’t written solely to be a TV tie-in (Nisio has done those before, writing books in the Death Note and xxxHOLIC franchises). But honestly, it doesn’t have the same strong authorial voice that I’ve grown used to from the Monogatari and Zaregoto series – if nothing else, it has far fewer puns. If I’m going to be honest it feels like it’s a book that was written because a bit of cash was needed, and someone said “can you write us a battle royale-style book that we could potentially use later?”. Even Nakamura’s illustrations are a bit disappointing, as they’re basically just character design – if you’ve seen the cover, you’ve seen the illustrations.

That said, this isn’t that bad a book, and it gets better as it goes along. As I mentioned, the plot is essentially a Battle Royale, as 12 fighters of various types and backgrounds, all seemingly connected with the Chinese Zodiac, have been brought together to fight each other to the death, with the last one standing getting anything they wish. At first it seems like the morality discussions we get, both via internal monologue and external dialogue, are merely padding while we wait for the battles, but as the book goes on it becomes clearer that the battles are padding for the morality discussion. This should not be a surprise, given this author – even in this book, which does not feature too many incredibly talkative people, there’s still a lot of discussion about the nature of good and evil, and what it means to be a good person.

The nature of the series means that even talking about what a character says towards the end of the book can be spoiling, given it’s a ‘kill someone off every chapter’ sort of book. I will say that it’s exactly as advertised – the start of the book said 11 of the 12 would end up dead, and sure enough, that’s what happens. This includes the worst of the bad guys and the most sympathetic of the good guys. It does seem to indicate that, while wars are bad, pacifism is not necessarily the best ideal you can strive for – one of the characters, Monkey, reminds me an awful lot of Tsubasa Hanekawa, and that may be intentional. My favorite chapters were towards the end, as two of the better fleshed-out fighters discuss doing the right thing, and it’s the only time in the book you actually want to see more than one person survive – for the most part, these aren’t nice people.

Watchers of the anime will likely get even more out of this series – Nisio gave each fighter a one-page “biography” in the book, but the anime is expanding said biography to give a lot more backstory to everyone. Likewise, there’s a sequel manga running at the moment in Jump, which I believe Viz has also licensed. And they just announced a sequel novel to this book, with (presumably) a new cast. So in the end maybe this was meant to be work-for-hire to create a franchise. Still, it’s not without interest.

Filed Under: juni taisen, REVIEWS

Manga the Week of 10/18/17

October 12, 2017 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ 2 Comments

SEAN: There’s a little something for everyone next week, though let’s start with something announced too late to be on last week’s list.

Kodansha continues to defy me, so their new digital release is already out: Kokkoku: Moment by Moment, an award-nominated thriller that ran in Morning Two. Seems to feature time stopping?

MICHELLE: This one looks pretty interesting!

MJ: This is the one thing on this week’s list that possibly interests me.

ANNA: I agree, I am intrigued by this title.

ASH: It does seem to have great potential!

SEAN: In titles actually out next week, J-Novel Club has the 4th volume of the runaway hit (at least comparatively) How a Realist Hero Rebuilt the Kingdom.

Back to Kodansha, which has a whole pile of ongoing digital: new volumes of Hotaru’s Way (4), House of the Sun (8), Kasane (6), and Peach Heaven (7).

MICHELLE: I am slowly working through House of the Sun and it’s growing on me.

SEAN: They’ve also got some ongoing print, with a new Inuyashiki (9) and Nekogahara: Stray Cat Samurai (3).

ASH: I’ve fallen behind on both of these series, but I did get a kick out of the first volume of Nekogahara.

SEAN: Their new digital release next week is Until Your Bones Rot (Hone ga Kusaru Made), a disturbing series that was originally run on MangaBox. Seems to be horror?

ASH: I’m always ready for more good horror manga.

SEAN: One Peace has a 9th volume of The Rise of the Shield Hero. Will his fall come soon?

Seven Seas gives us a 2nd Beasts of Abigaile, whose first volume I seem to recall I found intriguing, and a 3rd Ghost Diary, which I found slightly less intriguing.

ANNA: I liked the first volume of Beasts of Abigaile and will check out the second. It is fluffy paranormal reverse harem fun!

SEAN: Their debut is another in the Hatsune Miku franchise, called Hachune Miku’s Everyday Vocaloid Paradise. As astute readers might guess by the ‘chu’, it’s a superdeformed comedy title.

Titan has the 2nd, and I believe final, volume of Assassin’s Creed: Awakening.

ASH: It is the conclusion, which surprises me a little; there’s a lot to tie up from the first volume!

Vertical gives us a semi-spinoff of Nichijou, Helvetica Standard, which comes in two volumes. The first, Bold, debuts next week. It seems to be part artbook, part spinoff, part other?

Viz has a 19th Terra Formars, as well as a 9th Ultraman.

And they also debut Tokyo Ghoul: re, which as far as I can tell is more of a continuation of Tokyo Ghoul than a sequel.

So wassamotta for you this week?

Filed Under: FEATURES, manga the week of

H.P. Lovecraft’s The Hound and Other Stories

October 11, 2017 by Katherine Dacey

If you admire the fecundity of H.P. Lovecraft’s imagination but not the turgidity of his prose, you might find Gou Tanabe’s manga adaptations of The Hound and Other Stories an agreeable alternative to the originals. Tanabe sticks close to the source material while pruning away the florid language characteristic of Lovecraft’s writing, offering more polished — and, frankly, unnerving — versions of three early works: “The Temple,” first published in 1925, “The Hound,” from 1922, and “The Nameless City,” from 1921.

Tanabe is no stranger to literary adaptations; he’s also tackled works by Maxim Gorky (“Twenty-Six Men and a Girl”), Franz Kafka (“A Hunger Artist”), and folklorist Lafcadio Hearn (“The Story of O-Tei”). Lovecraft’s writing, however, occupies a unique place in Tanabe’s oeuvre, as he’s published adaptations of other Lovecraft stories — “The Color Out of Space” (1927) and “The Haunter of the Dark” (1935)” — and expanded Lovecraft’s novella “At the Mountains of Madness” into an ongoing, multi-volume series. Reflecting on his fascination with Lovecraft, Tanabe reverentially describes him as a “priest of his own Mythos,” capable of summoning “unknowable darkness” on the page. “By illustrating his stories,” Tanabe declares, “I intend to become an apostle of the gods he made” (172).

And while Tanabe’s sentiments are a little purple, his affinities with Lovecraft are evident in his artful translation of words into images. Consider “The Temple,” a tense drama set aboard a German U-boat in the waning days of World War II. While Lovecraft’s narrator baldly ascribes the crew’s irrational behavior to “peasant ignorance” and “soft, womanish” dispositions, Tanabe focuses instead on the extraordinary claustrophobia of their environment, cramming every panel with ducts, pipes, valves, levers, and gauges; the walls of the ship seem to press in on the characters as their disabled submarine plunges to its doom. That sense of entombment is heightened by Tanabe’s stark use of tone in the story’s final act, when the light emanating from the ship barely pierces the jet-black depths of the ocean. A fleeting glimpse of a dolphin — normally a symbol of innocent playfulness — becomes a sinister omen when lit from below, its smiling visage transformed into a sneer.

Tanabe also demonstrates a flair for drawing lost cities, evoking the grandeur and mystery of ancient civilizations through sheer scale: his temples and monuments are so large that they spill off the page, while their interiors are cramped and dark, more cave than castle. In “The Nameless City,” for example, we follow the narrator through a labyrinth of dark tunnels, his torch briefly illuminating objects and surfaces that hint at the true nature of the city’s inhabitants. These panels culminate in an extraordinary two-page spread revealing a Romanesque fresco that, on closer inspection, is populated not with demons, angels, and men, but reptilian monsters arranged in concentric circles around a Christ-like figure.

The revelation of who lived there — and how they treated their human subjects — provides a moment of thematic continuity with the other two stories in the anthology. As writer Robert M. Price explains in his forward to The New Lovecraft Circle, Lovecraft’s heroes seek forbidden knowledge, “gradual[ly] piecing together… clues whose eventual destination one does not know.” Price elaborates:

The knowledge, once gained, is too great for the mind of man. It is Promethean, Faustian knowledge. Knowledge that destroys in the moment of enlightenment, a Gnosis of damnation, not of salvation. One would never have contracted with Mephistopheles to gain it. One rather wishes it were not too late to forget it. (xviii–xix)

At the same time, however, the narrator’s terrible discovery exemplifies another important strand in Lovecraft’s writing: a sense of cosmic indifferentism, the idea that the universe is, in Lovecraft’s words, “only a furtive arrangement of elementary particles” that “presage of transition to chaos.” As Lovecraft observed,

The human race will disappear. Other races will appear and disappear in turn. The sky will become icy and void, pierced by the feeble light of half-dead stars. Which will also disappear. Everything will disappear. And what human beings do is just as free of sense as the free motion of elementary particles. (Riemer)

Viewed in this light, the rendering of the fresco seems less like a simple artistic choice by Tanabe than an expression of Lovecraft’s own cosmic indifferentism. By parodying the Christian iconography enshrined on Medieval cathedral walls, ceilings, and portals, Tanabe points both the futility of belief — it didn’t save the monsters, after all — and the inevitability that mankind will repeat the cycle of birth, life, and death that the monstrous fresco depicts.

And if all of this sounds like the ruminations of a freshman philosophy major, fear not; The Hound and Other Stories can still be enjoyed on its own merits. All three stories are well paced and vividly rendered, each embodying the Romantic definition of the sublime — “all that stuns the soul, all that imprints a feeling of terror”— while offering the kind of satisfying twists that pulp fiction readers craved in the 1920s. And for those more invested in the Lovecraft mythos, The Hound provides an opportunity to revisit these stories afresh, seeing them through the eyes of an artist who has dedicated his career to finding the poetry, the mystery, and the weirdness in Lovecraft’s words. Recommended. 

References

Price, Robert M. “Introduction.” The New Lovecraft Circle. Del Rey, 2004, xiii-xxvi.

Riemer, Andrew. “A Nihilist’s Hope Against Hope.” Sydney Morning Herald, 28 June 2003, http://www.smh.com.au/articles/2003/06/27/1056683892274.html. Accessed on 11 Oct. 2017.

Tanabe, Gou. H.P. Lovecraft’s The Hound and Other Stories. Translated by Zack Davisson, Dark Horse, 2017.

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Dark Horse, Gou Tanabe, H.P. Lovecraft, Horror/Supernatural

Spirit Circle, Vol. 1

October 11, 2017 by Sean Gaffney

By Satoshi Mizukami. Released in Japan by Shonen Gahosha, serialized in the magazine Young King Ours. Released in North America by Seven Seas. Translated by Jocelyne Allen, Adapted by Ysabet Reinhardt MacFarlane.

I greatly enjoyed Mizukami’s last series to be published over here, Lucifer and the Biscuit Hammer, and so was definitely looking forward to this. The first volume is very much a manga of two halves. In the first half we set up the situation and meet out heroes and find out what grudges they may have against each other. That said, this is also a tale of reincarnation. And so the second half of the manga is seeing Fuuta’s past lives, which are various types of tragic so far, and seeing him grow as he slowly starts to remember things. Being a first volume, I’m unsure whether the bulk of the series will be the war between Fuuta and Kouko or the flashback lives – hopefully it will continue to be somewhat balanced – but it’s off to a pretty good start, and is only six volumes, so is unlikely to wear out its welcome.

Our hero, as seen on the cover, is Fuuta, a nebbish dude who can see spirits. Our heroine is the girl on the BACK cover, Kouko, a new mysterious transfer student ™ who initially seems rather cool and standoffish but once Fuuta gets to know her proves to be much worse. Because after she throws him headfirst down a flight of stairs (as you do), he suddenly finds himself flashing back to his previous lives, reincarnation style. No, they aren’t long-lost soulmates – in fact, long-lost enemies is a better term for it, and in the two lives that we see in this initial volume, Fuuta’s past selves make life miserable for Kouko’s past selves – or in some cases simply kill her outright. Helping the two of them are two ghostly familiars – hers is older and serene, his is the bubble pinkette on the cover.

The familiars are a weak part of the book so far – Juno, the pink girl, seems to fulfill no function Except to be bubbly and cute in a series with two rather dour leads. The strong part of the book are the previous lives – the second one in particular could almost be a different, separate manga, and shows Fuuta’s rather bitter and cynical past self, cursed by the witch he killed (Kouko, of course, who was literally making a medicine to save a village, but hey, witch) and living a rather desolate and depressing life, till he is redeemed to an extent by an abandoned child. I’m not actually sure if Kouko and Fuuta will get set up romantically, by the way – certainly she’s not fond of him right now, and the past lives both seem to hint of a connection to some other girl (who, if she’s in the present, we haven’t seen yet). Indeed, a romance may not be the point of this at all.

This first volume does its job quite well – it’s good, and I want to read the next one. That’s really all you can ask for in a new series.

Filed Under: REVIEWS, spirit circle

Yona of the Dawn, Vol. 8

October 10, 2017 by Anna N

Yona of the Dawn Volume 8 by Mizuho Kusanagi

If I had to come up with a brief phrase to describe this volume of Yona of the Dawn, it would be “clever subverted expectations”. Kusanagi explores this theme in a couple ways, first with a brief introductory story focusing on the Yellow Dragon, and then followed by a closer look at King Su-Won.

I was fully expecting another detailed quest storyline as Yona and her companions sit around debating how to search for the Yellow Dragon, but then a mysterious man shows up at their campsite, announcing himself due to his intense stomach gurgling. It is Zeno, the Yellow Dragon, and he is hungry! What follows is one of the comedic interludes that livens up the series as everyone attempts to adjust to the new stranger in their midst and try to figure out what to do next once all the guardian dragons are gathered together. While Zeno initially acts goofy and mysterious, as Yona is trying to figure out what to do next he switches over to serious mode and is incredibly insightful. As one naturally expects from this series Yona’s next direction is not to take back the throne in a grab for power, she wants to help her people who are currently repressed.

The first part of the manga played with the reader’s expectations by subverting the quest narrative that they have come to expect. The second half focuses on king Su-Won and his relationship with his greatest general, Yi Guen-Tae. The general isn’t sure what sort of king Su-Won is, and he’s initially not impressed, as Su-Won appears to be cheerful and ineffectual, without the emphasis on force as a means to an end that Yi Guen-Tae would expect. Reports keep arriving of little problems within the kingdom, and Su-Won appears to be unconcerned. Su-Won ends up proposing an elaborate war game to give the general the action he craves, and Yi Guen-Tae gradually realizes that he’s severely underestimated his king. In this story particularly Kusanagi’s ability to shift between different moods from panel to panel and her facility with facial expressions showcases the real Su-Won as opposed to the mask that usually hides his emotions.

I always put down each volume of Yona of the Dawn feeling a little in awe of Kusanagi’s storytelling abilities. She’s always able to pack so much character development into a single volume, while still giving the reader the feeling that the plot is unfolding in an unhurried, natural way. This is quite tricky to pull off successfully, and one of the reasons why Yona of the Dawn always ends up at the top of my to-read pile as soon as it comes out.

Filed Under: Manga Reviews, REVIEWS Tagged With: shojo beat, shoujo, viz media, yona of the dawn

Bookshelf Briefs 10/9/17

October 9, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

Food Wars: Shokugeki no Soma, Vol. 20 | By Yuto Tsukuda and Shun Saeki | VIZ Media – There really was zero chance that Soma’s contest with Eishi Tsukasa would end with Soma becoming the new first seat, but still, I didn’t expect that to fizzle out as much as it did. Thankfully, the rest of the volume makes up for it. I really enjoyed the scene between Erina and Soma in which she a) eats the totally delicious-looking tempura egg rice bowl that he makes and b) comes to completely reject her father’s plans for the homogenization of Totsuki cuisine. It’s great to see her fired up and training other students how to pass Central’s exams. (Also, by the end of volume 20, the cast is only at the end of the second term of their first year. We’ve hopefully got a long run ahead of us!) – Michelle Smith

Flying Witch, Vol. 3 | By Chihiro Ishizuka | Vertical Comics – I was right, the idea that this series has a plot was laughable. Nothing much continues to happen in this third volume, though we do expand the cast a little more with the addition of a secret cafe for supernatural beings, run by a mother/daughter combo and their shy ghost waitress, who is probably the cutest thing in the volume. There’s no real romance to be seen—Kei barely exists in the manga, and when Akane briefly thinks he has a girlfriend, it’s shot down immediately. What people are reading the series for is the cute girls doing magic (sometimes) very peacefully and seeing impressive sights, such as flying whales that resemble ancient civilizations. Flying Witch is a calm oasis, though risks putting you to sleep. – Sean Gaffney

Golden Kamuy, Vol. 2 | By Satoru Noda | Viz Media – The joke I’d heard about this volume was that the manga decided to turn into a foodie series, and there is an awful lot of attention devoted to the preparations of the wild animals that our heroes kill and eat while in the jungle. It also shows off their chemistry, and when we visit Asirpa’s village we find that they are very much in favor of hooking the two of them up. That’s unlikely to happen right away (if at all), though, as Sugimoto decides that it’s unfair to take her away from her loving family and friends and immediately goes out and gets captured and tortured. He’s a self-proclaimed immortal, but that doesn’t mean we can’t graphically show what he goes through, so it’s a foodie manga with a gore warning. Very good, though. – Sean Gaffney

In/Spectre, Vol. 6 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – I thought this was going to be the final volume, and it does wrap up the novel it’s adapting, but apparently more stories are coming, though I wouldn’t believe Kotoko as to the content. Things wrap up nicely here, with the artist finding new and entertaining ways to show off what is basically a giant internet forum argument and make it a compelling mystery, as well as showing the sordid creepiness that comes from strangers raking over the past of a broken family. Also, the romantic triangle is resolved with no surprises whatsoever—the most interesting girl wins easily. I had a lot of fun reading this series, and am delighted that there will be original stories coming after. – Sean Gaffney

Kamisama Kiss, Vol. 25 | By Julietta Suzuki | VIZ Media – Another shoujo manga comes to a close, this one with a more satisfying ending than some, though it be full of fast-forwards. Nanami has been allowed to remain at Mikage Shrine until she finishes high school, and before that time is up she and Tomoe decide to get married while they’re still ayakashi and kami. I’m grateful that one of her friends brought up that getting married as a teenager is not generally a good idea, but I find that I don’t mind it in this case, since they’ve been through so much together. The ending is satisfying and bittersweet, a combination I really appreciate. Too, if you get the limited edition of this volume, it comes with a snazzy hardcover extra including an illustration gallery and a bonus manga! I’ll miss this series, and look forward to reading Suzuki’s next work. – Michelle Smith

Plum Crazy!: Tales of a Tiger-Striped Cat, Vol. 2 | By Natsumi Hoshino | Vertical Comics – Much like Flying Witch, it’s hard to even fill up a Bookshelf Brief with what happens in this volume—cats are cute!—but I’m going to try anyway as it really is a fun series, and Plum is a very sympathetic heroine even as she’s getting bitten and scratched and otherwise pummeled by the tsundere kitten Snowball. You can tell the author is very good at observing cat behavior, both on their own and with groups of humans—the reaction of the kids at the ballet school to “NEW KITTY!” was hilarious. There are a few sweet moments as well, but for the most part this series is going to be a mild tickle to the funnybone, as you smile and nod your head at the wacky cat antics. – Sean Gaffney

Princess Jellyfish, Vol. 6 | By Akiko Higashimura | Kodansha Comics – Most manga is more or less predictable—readers pretty much know what to expect with a sports manga or shoujo romance. Princess Jellyfish is an exception. At the end of the last volume, at which point Kuranosuke was hit hard by the reality of the fashion business, I never would’ve guessed at the place where the characters find themselves at the end of this volume. It’s too good to spoil, really, but I’ll mention the standout moments are Shu delivering Kuranosuke’s dress to his mother in Italy, where we see how much she really does love her son, and a certain character saying to herself, “So this time, I’ll be the one. I have to save everyone.” Reader, I sniffled! I have no idea where this story is going, and that is truly delightful. – Michelle Smith

Welcome to the Ballroom, Vol. 7 | By Tomo Takeuchi | Kodansha Comics – Last time I said that Ballroom‘s fault was that it tended to hammer on the angsty drama a bit too much, and this volumes takes that drama and doubles it. Honestly, it was pretty hard for me to plow through, particularly the first half. I really enjoy watching the dancing and the art is terrific, but there needs to come a time when we see our leads genuinely enjoying themselves, and they’re both just wallowing in misery here. It’s even piled on with their major rivals going to Germany instead of coming to the competition they were going to meet up at. Sports titles always get like this, and I know we’re going to have to have a breakthrough next time, which will be amazing. But only read this to get to that. – Sean Gaffney

Filed Under: Bookshelf Briefs

Arifureta: From Commonplace to World’s Strongest, Vol. 3

October 9, 2017 by Sean Gaffney

By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

This was a relatively good volume of Arifureta provided you understand what genre you are reading – it’s a teenage power fantasy of the strongest kind – so let me get the weak point out of the way straight away. It’s not hard, she’s sitting on the cover. Judging by Arifureta fans’ reaction, I’d expected to dislike Shea, introduced last time, but instead I really found myself taken with her. Tio, introduced in this volume, is not nearly as fortunate, mostly as she’s a walking sex joke (it’s a sad state of affairs when the buxom bunny girl is NOT the walking sex joke). She’s a dragon person who is mind controlled to kill the party that Hajime and company are tasked to rescue, and is unsurprisingly very hard to kill. Hajime, who as we know prefers overkill anyway, ends things by shoving a giant spike up the dragon’s bottom… which apparently not only dispels the mind control, but triggers her masochistic side. She spends the rest of the book making the standard “your abuse turns me on” jokes. Also, if you’re going to develop a heroine, don’t do it at the end in an extra story. It just looks like you forgot to.

Leaving Tio aside, the rest of the book is much better. The teacher of this sent to another world bunch, Aiko, gets the bulk of the development, and honestly probably should have gotten the cover, especially as I suspect she’s eventually going to be part of the inevitable harem, though I’m not happy about that. She still has a tendency to be a bit too much of a ripoff of Komoe-sensei from Index, but her desperate idealism and desire to help everyone she meets – as well as all her students, even when they’ve turned totally insane or (in Hajime’s case) become cynical and bitter. In fact, she’s far stronger than you’d expect, and when she goes up against Hajime to convince him to do the right thing and save the town, it’s him who blinks first. Yue also helps here, saying that the Hajime she fell in love with is not someone who will kill for no reason. Having taken the hero as dark as we can, it’s time to start bringing him back to the light.

That will take some time, and may never completely happen, though I particularly liked his reasoning for killing the villain at the end, even though he was dying anyway. Hajime, Yue and Shea continue to be the most broken trio ever, and Shea has now fully integrated herself into their little group (though he still won’t sleep with her.) If you read a series in order to see the hero overcome hardships and struggles, this is so not the book for you. If, on the other hand, you enjoy seeing a ridiculously overpowered twink waltz his way through a fantasy world and occasionally be reminded that he once had an actual soul, and don’t mind him abusing nearly the entire cast, you should enjoy this quite a bit. I would not go as far as Yue and say that Hajime is a tsundere, though. Maybe he’s a tundra.

Filed Under: arifureta, REVIEWS

My Week in Manga: October 2-October 8, 2017

October 9, 2017 by Ash Brown

My News and Reviews

Last week at Experiments in Manga I announced the winner of the Assassin’s Creed manga giveaway. The post also includes a list of manga published in English that feature pirates of various types, including historical pirates, fantasy pirates, space pirates, and others. Then New York Comic Con (which is still going on) and Yaoi Con were held last week as well. I didn’t attend either event, but there were some announcements made by Kodansha Comics, Viz Media, and SuBLime Manga (which is technically Viz Media, too). Kodansha revealed plans to release Kenji Inoue and Kimitake Yoshioka’s Grand Blue Dreaming, Mitsurou Kubo’s Again!!, and Akiko Higashimura’s Tokyo Tarareba Girls in print. Among other things, Viz will be adding Hidenori Kusaka and Satoshi Yamamoto’s Pokémon Sun & Moon and Tenya Yabuno’s Pokémon Horizon: Sun & Moon and will be re-releasing Naoki Urasawa’s 20th Century Boys and 21st Century Boys in a hardcover edition in addition to speeding up the release of Kōhei Horikoshi’s My Hero Academia. SuBLime announced a few new digital titles, but Ranmaru Zariya’s Coyote and Ogeretsu Tanaka’s Escape Journey will receive print runs, too.

Quick Takes

Aho-Girl, Volume 1Aho-Girl, Volume 1 by Hiroyuki. I only realized it after I finished the first volume of Ah0-Girl, but I’ve actually read another of Hiroyuki’s four-panel manga, Dojin Work, which was never released in its entirety in English. It’s been a long while since I’ve read Dojin Work, but I get the sense that in general I prefer that earlier series over this more recent one. Aho-Girl, while it did legitimately make me laugh on multiple occasions, tends to rub me the wrong way and I personally could have done without all of the sexual harassment being used as the basis for comedy. The dirty jokes I don’t particularly mind, though. As defined by first volume’s cover, “aho-girl” is Japanese for a clueless girl. Yoshiko Hanabatake, the series’ titular character, is indeed an astonishingly dense airhead. Oh, and she really, really likes bananas. Other major characters in the first volume of the manga include Akuru Akutsu, her long-suffering next door neighbor and supposed childhood friend (who doesn’t seem to have many friends in part due to his own unfortunate personality), her mother Yoshie, who would like nothing more than to see the two of the together, and Sayaka Sumino, a genuinely kind girl, classmate, and friend. As may safely be assumed, most of the humor of Aho-Girl revolves around Yoshiko’s sheer stupidity, for better and for worse.

Appleseed AlphaAppleseed Alpha by Iou Kuroda. An adaptation of sorts of the Appleseed Alpha anime, which itself is a spinoff of sorts of Masamune Shirow’s Appleseed manga, Kuroda’s Appleseed Alpha manga forms a prequel to the original story. Although to be completely honest, I’m not entirely sure exactly how the Appleseed Alpha fits into the larger Appleseed franchise since I’m not familiar with any of the other manga or anime. What drew me to the Appleseed Alpha manga was Kuroda’s involvement. It’s been a few years since I’ve read it, but I remember enjoying Kuroda’s alternative manga Sexy Voice and Robo, so I was glad to see more of the creator’s work with its distinctive illustration style released. Kuroda’s Appleseed Alpha was longer than I originally thought it was–Kodansha Comics’ hardcover edition is in fact an omnibus collecting the entire two-volume series, but somehow manages to look much shorter than it actually is. Appleseed Alpha is not a quick read although the plot and action moves at a fairly steady pace. The story follows Deunan, a very competent ex-SWAT officer, and her combat cyborg boyfriend Briareos as the couple makes their way through a dystopic cyberpunk Western version of the United States. Previous knowledge of Appleseed is not needed to enjoy Kuroda’s somewhat quirky contribution.

QQ Sweeper, Volume 1QQ Sweeper, Volumes 1-3 by Kyousuke Motomi. I greatly enjoyed Motomi’s earlier manga series Dengeki Daisy, so I was looking forward to giving another of the creator’s series a try, which is what ultimately led me to QQ Sweeper. (A few of the characters from Dengeki Daisy actually happen to make quick cameo appearances in the series, too.) Fumi’s dream in life is to find a prince charming to sweep her off her feet. Instead, she finds Kyutaro who has a fixation on literally sweeping. He has a pretty good reason for it, though. Kyutaro and his family are responsible for ridding the local area of dangerous infestations of malicious thoughts and psychological torment which manifest as bugs and physical cleanliness can go far to help with spiritual cleanliness. Of course, sometimes the bugs really are just bugs. For as seemingly silly and charmingly goofy as QQ Sweeper can often be–it can essentially be summed up as a supernatural cleaning manga–the series quickly becomes surprisingly dark. QQ Sweeper ends somewhat suddenly with the third volume and doesn’t really provide much of a satisfying conclusion, but fortunately the sequel series Queen’s Quality has been licensed as well. The series’ humor and seriousness occasionally seems a little off-balance, but I really liked QQ Sweeper and certainly plan on continuing with the story.

Filed Under: FEATURES, My Week in Manga Tagged With: Aho-Girl, Appleseed, Hiroyuki, Iou Kuroda, Kyousuke Motomi, manga, QQ Sweeper

Anonymous Noise Vol. 4

October 8, 2017 by Anna N

Anonymous Noise, Volume 4 by Ryoko Fukuyama

I feel a bit conflicted about this series. I found the first volume a bit uneven, but was gradually won over by all the performance scenes in the manga, even though some of the drama in the manga seems a bit far-fetched at times. This volume featured fewer performances, which maybe accounts for me feeling somewhat impatient in some of the plot resets that happened. In the first few pages of the book an event occurred that made me think, “Hell no!” and then I put the manga down and proceeded to read a few other things before picking it up again. Yuzu kisses Nino when she’s in the throes of emotional turmoil (her usual condition), and her reaction is to say “Don’t talk to me for awhile.”

Just a few pages later Yuzu clarifies that she was upset because she didn’t realize that being with her was causing Nino so much pain, and yet she continues to be fundamentally clueless about the idea that someone might have a crush on her. Yuzu promptly walks back on the idea that he has any romantic feelings for Nino, telling her that it is her voice that’s important to him. This type of emotional reset button with the storyline is what I find frustrating sometimes about this series. It just doesn’t seem like there’s a great deal of character change or growth five volumes in. In Everyone’s Getting Married, for example, no one is getting married, but the relationships between the main characters has grown and evolved so much over just a few volumes, I’m confident that the series is going somewhere, and all the drama will pay off for the reader in the end. I don’t have that same feeling for Anonymous Noise, but at the same time, it is still compelling to read.

Once I got past the romantic drama, I was able to settle down more with the secret backstory of the formation of Yuzu’s band. The next volume promises to have more of a focus on music, as everyone is gearing up for a battle of the bands. I think I enjoy this series most when it is emphasizing music more than romance, so I’m hoping for some dramatic scenes of Nino doing her rock star scream soon.

Filed Under: Manga Reviews, REVIEWS Tagged With: Anonymous Noise, shojo beat, shoujo, viz media

Kamisama Kiss, Vol. 25

October 7, 2017 by Sean Gaffney

By Julietta Suzuki. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Viz. Translated by Tomo Kimura

I haven’t done a full review of Kamisama Kiss in over 7 years, but it’s always been near the top of my want to read shoujo titles, and I’m impressed with it for lasting 25 volumes, which is more than four sets of Karakuri Odette. (Does anyone recall that series? It’s been about one fandom generation since it came out.) I was wondering what the author was going to do with this final volume, given that almost everything was resolved in the previous book. And it’s true, this is a victory lap of a sort, a light and cheerful final volume devoting itself to wrapping up the romances and getting Nanami and Tomoe married and living in the human world. It’s well worth the read, though, as it’s a well-told victory lap, and will put a smile on your face.

You’ll note the cover art is a bit different from the ‘wedding pose’ cover that the regular edition had. I picked up the Limited Edition, which comes with this alternate cover and a separate, hardcover minibook that features all the color pages from the series, as well as an epilogue chapter taking place several years later. I think it’s worth shelling out for the extra edition – the art is gorgeous, even if pretty small (this is still the size of a regular manga volume) and we also get one of those ‘extra chapters’ that always tend to happen in Hana to Yume series but so rarely get collected into North American (or indeed Japanese) volumes. Without spoiling anything, fans of Akura-Oh and Ami will absolutely want to pick up the Limited Edition.

As for the main event, I like how it shows that even after all this time, Nanami still has a tendency to sublimate her own desires if she thinks Tomoe will be uncomfortable or dislike anything, and I like the fact that the entire cast serves to clamp down on that and give her the epic wedding that she (and the series) deserves. As for the other human x supernatural pairings, Ami and Kurama is left up in the air, mostly as Kurama has not gained as much experience with human emotion as Tomoe has, but it’s pretty clear that she’s not going to be moving on. As for Himemiko and Kotaro, they’ve got a few more things conspiring to keep them apart, including some of what Nanami has dealt with before (the “they must be unhappy, it would be best if I left them” feelings), but they also have a very good reason to stay together, and the result is dealt with subtly but will put a smile on your face.

As will the entire volume, really. Kamisama Kiss has had its fair share of drama, and so after all the near deaths and trips to the afterlife it’s a relief to see such a sweet ending. Admittedly Mizuki may not agree with me, as Nanami and Tomoe becoming human means a parting from the spirit wold, but even that may be only a temporary thing, we discover. As with most really good manga, finishing this series makes a reader want to go back and start over from the beginning.

Filed Under: kamisama kiss, REVIEWS

Manga the Week of 10/11/17

October 5, 2017 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 1 Comment

SEAN: The fields are full of dancing, full of singing and romancing, cause the manga never stops.

Dark Horse has a 6th omnibus of Oh My Goddess!, the only title to rival Dragon Ball for most re-releases.

J-Novel Club finishes up the 3rd volume of The Faraway Paladin, which was large enough to be split into two books, and this is the second.

ASH: I’m really hoping that Seven Seas might consider teaming up with J-Novel Club for a print release of The Faraway Paladin like they’ve done for other titles.

SEAN: Kodansha Digital is truckin’ like the doo-dah man. We start with a 3rd Aoba-kun’s Confessions.

MICHELLE: I am beginning to sense a trend with these musical references…

SEAN: As the Gods Will’s 2nd Series (the first, which I will always mention, was never license) has a 21st volume.

Chihayafuru’s 5th volume makes me feel guilty I haven’t finished the 4th yet.

MICHELLE: Yay!

ANNA: Double Yay here!

SEAN: Clockwork Planet has a 5th manga volume, and it’s also in print, novelty though that be.

Also in print is a 6th Fire Force.

Back to digital, we have the 2nd Magical Sempai, reminding us that honorific use in translation is still a hot button issue.

And there’s an 8th Real Account.

On to Seven Seas, who have the 3rd print edition of Grimgar of Fantasy and Ash’s light novels, previously released digitally by J-Novel Club.

They also have a 5th Lord Marksman and Vanadis.

The debut next week is Spirit Circle, a new shonen title from the creator of Lucifer and the Biscuit Hammer. It’s a story of ghosts and reincarnation, and ran in Shonen Gahosha’s Young King Ours. It also had a Crunchyroll digital release.

ASH: I’m looking forward to giving this one a try! Lucifer and the Biscuit Hammer was such an odd series, but I rather liked it.

SEAN: SuBLime gives us a 3rd deluxe edition of Finder.

And an 8th World’s Greatest First Love.

Titan has collected a 2nd volume of its Sherlock manga adaptation that runs in Japan. Sherlock: The Blind Banker is out next week.

ANNA: We’ve picked these up at my library, and I think they circulate well.

SEAN: Vertical has a 10th volume of Ajin. Happy double digits!

Case Closed reaches Vol. 64. If we convert to Base 10, it’s reached 100 volumes!

Gangsta has a 3rd volume of its Cursed spinoff.

ASH: I hope to see more of the main series, but the spinoff is likewise compelling and incredibly dark.

ANNA: This reminds me that I bought the first two volumes of this series. Need to get caught up ASAP!

SEAN: Viz is also releasing a novel. Juni Taisen: Zodiac War is written by Nisioisin, creator of the Monogatari and Zaregoto series, and has illustrations by Hikaru Nakamura, creator of Saint Young Men. It also has an anime that just began. Its subtitle is its premise, from what I understand.

ASH: My curiosity is certainly piqued based on the creators involved.

MJ: I have to admit that “Saint Young Men” is the first thing on the list this week that has caught my eye at all. So yes, I’m in for something illustrated by Hikaru Nakamura.

SEAN: And a 26th volume of Magi involves a lot of fighting, I expect.

MICHELLE: At least the flashback is over!

SEAN: Lastly, more double digits boasting, as Monster Hunter: Flash Hunter reached that milestone.

This stack of manga has everything delightful and everything you need. What are you getting from it?

Filed Under: FEATURES, manga the week of

Invaders of the Rokujouma!?, Vol. 7

October 5, 2017 by Sean Gaffney

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

For the most part this book is just a straight up sequel to the fourth volume, with the drama club getting together with our heroes to put on a second play featuring the Blue Knight and the Silver Princess. Like the fourth book, there’s a lot of focus on Theia and Harumi, who compare and contrast even more with each other. And like the fourth book, everything gets derailed by Theia’s rival Clan, who’s out for revenge and has a better gun now. Oh yes, and can fly. That said, for about 4/5 of this book there’s not really all that much happening, and it seems to be content to be a Christmas-themed book showing how well everyone gets along now while seeding possible things for future books, such as Ruth pointing out that serving Theia as her Knight would involve Koutarou moving off-planet.

Ruth is on the cover of this volume, so you might expect to see her get a story in Vol. 8. That said, she does get plenty to do here, mostly acting as support for Theia and trying to nudge Koutarou in the right direction, though there is an amusing side plot of her wanting to get stronger so she can defeat the sentai warrior from last book – who was, of course, Shizuka, who feels uncomfortable about all this. That said, neither Ruth or Shizuka are part of the harem (yet), and so the bulk of the development goes to Harumi and Theia. Harumi is still trying to get Koutarou to treat her as less of a sempai and more of a friend – i.e., the way he treats Theia, which she explicitly is jealous of. Theia does not think about Harumi that much, but that’s likely because she’s unaware of the plot twist we all saw coming: Harumi is in some way possessed by or a reincarnation of the Silver Princess from Theia’s past, and as the end of the book makes clear, Koutarou is literally the Blue Knight.

The climax of the book involves the performance of the 2nd play, complete with Yurika as the most pathetic dragon ever (she’s back to being useless here, though smartens up when actual danger arrives, and the fact that she hasn’t realized her feelings for Koutarou yet helps her keep it together more). The play is, as I said above, interrupted by Clan, who remains petty, spiteful, and very easy to dislike. And then comes the climax of the book, which was a big surprise. Not the actual events, those were the least surprising thing ever. No, I was surprised that the book kept going past where I expected it to. Let’s just say there was a really obvious place for a cliffhanger, but the book chose to go a few more pages and actually resolve most of its built-up tension. It actually worked quite well.

I’m enjoying reading each volume of this series as it really puts an effort into showing how each of the characters is slowly maturing and gaining confidence and strength, as well as bonding with each other. Technically it’s a harem comedy, but the harem all get along, and there’s no real rush to confess, mostly as few of them have even admitted their feelings to themselves. It works very well as an ongoing series, doing the #1 thing such series should do: make you want to read more. That said, I’m pretty sure the next volume won’t feature Ruth, as it’s Vol. 7.5, and tells the story of what happened to Koutarou and Clan during the climax of this book. Be careful when searching Amazon to get the right order.

Filed Under: invaders of the rokujouma!?, REVIEWS

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