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SP Baby, Vol. 1

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By Maki Enjoji. Released in Japan as “SP x Baby” by Shogakukan, serialized in the magazine Petit Comic. Released in North America by Viz Media. Translated by JN Productions.

The cover for SP Baby (the ‘x’ has been removed from the North American title, for reasons that are unclear, particularly as the SP is not particularly obvious – I think it stands for Security Police) is meant to be viewed horizontally, I think. with the front and back together showing us the lead couple. It’s a good summary of the power dynamics of the couple itself, like many manga romance covers. Tamaki is the heroine, and she has her hand extended to stop some unseen person from coming closer, while the other is shoved up against the wall. Her face doesn’t make it clear if she’s guarding her charge from an attack or trying to stop anyone seeing him with his arm around her. Meanwhile, Kagetora is the hero, and is a ninja who… wait, he’s not a ninja? Nonsense, he’s named Kagetora. All manga characters named Kagetora are ninjas, it’s a rule. In any case, he’s standing there with one arm around Tamaki’s waist and the other posed artfully in the air, staring at the reader with a smirk that makes me worry he’s going to say something like “My bodyguard – I think I’ll keep her”. It is a great cover for showing exactly what you get in the manga itself.

Despite the occasional snark in the above paragraph, I found SP Baby enjoyable more than I expected. Tamaki is fairly hapless, but it’s in a likeable, realistic way. She’s looking for work but has an extreme case of bad luck, and it has a tendency to get others hurt. Her only close people seem to be her younger brother (who’s a non-entity) and her childhood friend Natsu, who is tall, good-looking, likes the heroine but seems to be unaware that she is into him. He’s also a blond in a josei series, never a good sign. One day while looking for work, she spots a man being chased and attempts to stop his attacker… who it turns out is actually the man’s bodyguard, trying to get him to do some unpleasant task. Turns out Kagetora is the nephew of the prime minister, so has a lot of people after him for various reasons. And whatever bad luck Tamaki may have, she can also kick. So Kagetora hires her to be another bodyguard for him. But is this really the first time they’ve met?

The author previously did Happy Marriage?!, and I get the sense that if you enjoyed that you’ll like this, and if you didn’t it’s probably not your thing. That said, I did enjoy Happy Marriage?!, and I liked this as well, forced kisses aside. For one, I liked the fact that the forced kiss was immediately called out. I also enjoyed the various bits of bodyguard training we saw – Tamaki can kick, but she needs to learn more if she’s going to be able to protect anyone. And the couple is cute. You hope they get together. In fact, they’d better get together soon, the second volume is the last. Josei fans should have fun with this.

Also, if Kagetora is revealed to be a ninja in Vol. 2 I will laugh and laugh.

Legend of the Galactic Heroes: Mobilization

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By Yoshiki Tanaka. Released in Japan as “Ginga Eiyū Densetsu” by Tokuma Shoten. Released in North America by Haikasoru. Translated by Tyran Grillo.

These novels seem to have been alternating between political intrigue and space battles, and as you might guess that means the majority of this volume is the latter. And some fantastic space battles they are, showing off good strategies, the horrors of war (one of Those Two Guys is even killed off), and a battle of wits between Yang and Reinhard. As for who wins, well, as you can imagine, it’s not as clear cut as all that. There is a decisive winner of the war, though, and that leads to the scene that everyone has been waiting five books for, which is Reinhard and Yang meeting face to face. It’s not a very long scene at all, and the two respect each other but don’t really change their mind about much of anything. Still, it’s iconic, and I imagine must be one of the highlights of the anime series. Of course, there’s still five books to go in the main series, so the question is where does LoGH go from here?

Perhaps a romantic comedy? Unlikely, but it’s not an accident that each main character has a capable and beautiful young assistant. That said, Frederica’s feelings for Yang have been far more noticeable, whereas it’s harder to get a read on Hilda (as the two generals mirror each other, so do their aides). Given that, it’s unsurprising that Yang takes the plunge here, with perhaps one of the most awkward proposals ever recorded on paper. It’s still nice to see, and combined with the war being over you sort of hope that Yang gets his wish to settle down, retire, and become a historian as he’s always wanted. That is highly unlikely to happen, sadly. As for Hilda, she’s far more active in the plot, but any potential romance (which, given the differences between the Empire and the Alliance, I expect would be more a political than romantic arrangement) is scuppered by her actions here to ensure Reinhard’s safety, which are very clever, work 100%, and absolutely infuriate him. Reinhard has never grown up in many ways, and it’s never more clear than in the scenes at the close of the battle, where he can’t accept what’s actually happened.

As always with LOGH, there’s about twenty other things also happening. Much to my surprise, the bratty child Emperor has not yet been terminated with extreme prejudice, but he has been made completely irrelevant, which works just as well. Julian is back with Yang, though that also means he has to deal with Yang and Frederica getting together, which (as a teenager with a crush on Frederica himself) is vexing. And there is still politics and intrigue, mostly on the Alliance side – in fact, given this is the midpoint of the series, it seems appropriate that a decisive and crushing final victory… is completely averted, leaving everyone pretty unhappy.

As you may notice, I’ve been trying to be less spoilery than usual, because the joy of this volume really is trying to guess what’s going to happen. Of course, the amusing thing is that the main audience for these novels may be fans who have already seen the anime. That said, if you’re on the fence and you like dense, verbose space opera, you absolutely have to be reading this.

Knights-Errant, Vol. 1

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Knights-Errant, Volume 1Creator: Jennifer Doyle
Publisher: Chromatic Press
ISBN: 9781987988239
Released: November 2016
Original run: 2015-2016

Jennifer Doyle’s series Knights-Errant had its beginnings as a webcomic in 2009. It was Doyle’s first attempt at a long-form comic. Somewhat unsatisfied with how the story’s structure was developing, Doyle decided to reboot the series as Knights-Errant: Pavane. The subtitle was eventually dropped and Knights-Errant ultimately became a part of Chromatic Press’ online multimedia magazine Sparkler Monthly in 2015. As a beautifully illustrated, queer-positive historical fantasy with compelling characters and engaging story, Knights-Errant was a perfect addition to the lineup. In 2016, the first volume of Knights-Errant was released in both print and digital formats. The book is in full-color and collects the first three chapters of Knights-Errant serialized online between 2015 and 2016 in addition to content not previously released: a short comic, “Anton & Beppe,” exploring the backstory of those characters, and a short story, “Justice,” written by Doyle’s partner Ursula Wood and featuring the characters Kadeen and Oswald.

The city of Adigo in North Vetal is under siege by the army of its own king. The population is slowly starving, essentially being held hostage by an influential but traitorous margrave whose loyalty to his god comes before his faith in the monarchy. Not all of the margrave’s soldiers share or support their commander’s fervent beliefs, however. At least one guard, Beppe, is working to end the deadly impasse by conspiring with a criminal. Wilfrid, after some amount of convincing, has become vital to Beppe’s plans. Jailed for stabbing two men, Wilfrid is given a choice: certain death by hanging for the crime or almost certain death by attempting to guide the king’s forces into the city. But only the latter gives Wilfrid the chance of surviving long enough to seek retribution and exact revenge. Wilfrid’s fundamental goals may only temporarily align with those of the soldiers who are are hoping break the margrave’s self-destructive control over the city and its people, but it is a risk that they are all willing to take.

Doyle has on occasion described Knights-Errant as a “hate/love letter” to Kentaro Miura’s Berserk. While that influence and inspiration can be seen in the comic, Knights-Errant is more than just a response to a single series–it is a brilliant work based completely on its own merits and worth. One of the many things that I particularly love about Knights-Errant, and one of Doyle’s intentions behind its creation, is the inclusion of queer themes and representation. Notably in the first volume, Wilfrid’s gender is naturally complex and Beppe’s closest and most intimate relationship is with his fellow guardsman Anton. But these sorts of personal qualities make up only one aspect of the series’ believably imperfect and multi-faceted characters. The layered portrayal of both the antagonists and protagonists–many of whom are dealing with traumatic pasts, grim presents, and potentially tragic futures–is excellent. The evocative artwork, colored with subdued but striking tones, seems to effortlessly carry and support the emotional weight demanded by the story. However, in part due to the comic’s admittedly dark and sardonic sense of humor, Knights-Errant does manage to avoid being overly oppressive.

Knights-Errant is a nuanced tale of politics, religion, intrigue, and revenge. It’s amazing how high the stakes have already risen in the first volume with the main players and the beginnings of the underlying plot having only just been introduced. The fate of a city and the lives both within and outside of its walls are at stake, and the threat of psychological and physical violence that the series’ main characters must personally face is tremendous. The entire situation is extremely volatile and everyone knows it–whatever happens next will not only have a major impact on the people who are directly involved, it may very well change the course of history for the kingdom as a whole. The tension and pacing in the first volume of Knights-Errant is magnificent, the intertwining complexities of the characters’ individual stories unfolding within the context of a much larger narrative developing on an even grander scale. Everything about Knights-Errant is intense in the best way possible, from the sophisticated dynamics of the characters’ relationships, to the intricacies of the plot and fully-realized setting, to the dramatic and expressive artwork. The comic is incredibly easy to recommend.

Anonymous Noise, Vol. 5

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Anonymous Noise Volume 5 by Ryoko Fukuyama

I think Fukuyama should give other mangaka lessons on designing compelling covers. The cover for this volume of Anonymous Noise features a great image of Miou rocking out with her guitar. Speaking of Miou, in my mind, I think the best possible ending for this series would be for Nino and Miou to forswear all men, and run off to form an all girl supergroup. This being shoujo manga, I think the series is going to continue along with some conventional love triangles until everything is resolved.

I tend to prefer Anonymous Noise when it focuses more on the music than the romantic drama aspects of the story, so I was looking forward to this volume, where Nino and Yuzu’s band In No Hurry goes up against Momo and Miou’s Silent Black Kitty in a battle of the bands. At 5 volumes in, I’m still not finding the romance storylines in this series very compelling, as Nino is revered as a muse and pulled back and forth by her two childhood friends as though they are squabbling over a shiny toy. I did enjoy seeing Nino’s determination as she approaches practicing for her big concert, and there was a great scene of sassy comebacks as the rival bands unexpectedly find themselves on a radio show together, where they argue about who is the most angsty. I wish the series had a few more self-aware humorous bits like this.

Momo has an emotional confrontation with Nino right before she’s about to perform, which is an action I think is so overwhelmingly selfish, it causes me to not be very invested in the whole Nino/Momo romance that this series has built up over several volumes. Nino’s reaction to her emotional trauma is to take her fugue-like state while singing to the next level, and she responds with an incredible performance, even if she is emotionally out of control. The art is consistently super stylish, and I enjoy the dynamic performance scenes of Nino scream-singing. While I might not be very invested in the romance side of Anonymous Noise, it reliably brings the drama with every volume, and I do enjoy the series when the focus is centered more on the music that the characters all love.

Forbidden Scrollery, Vol. 1

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By ZUN and Moe Harukawa. Released in Japan as “Touhou Suzunaan ~ Forbidden Scrollery” by Kadokawa Shoten, serialized in the magazine Comp Ace. Released in North America by Yen Press. Translated by ZephyrRZ.

Seemingly this manga is simply another in a long, long line of titles that can be summed up as “supernatural experts deal with the yokai problem of the week”. The star of the show, or at least the character who the events revolve around, is Kosuzu, a perky and slightly ditzy seller of rare books. The land she (and the rest of the cast) live in, Gensokyo, seems to exist somewhere in yokai land, and finding books that actually exist “in the human world” is a big deal. Of course, just because the books may have existed in the human world doesn’t mean they can’t be big trouble. There’s letter-eating bugs, and sentient smoke, and all sorts of yokai that are not precisely evil but are definitely troublesome. Fortunately, Kosuzu has a group of friends to help her out whenever things get too out of control. In fact, at times it feels as if the friends are the real stars that the reader paid to see…

Yes, as most readers are no doubt aware, this is not merely another generic youkai manga, but in fact that first manga licensed here in the West based on the hideously popular bullet hell game Touhou Project. And the reason that so much attention is devoted to Reimu and Marisa is that they are the overall stars of the franchise – Kosuzu was created specially for this title. There are, thankfully, some explanatory endnotes detailing who’s who of the major characters. Sometimes this isn’t needed – the vaguely antagonistic friendship/rivalry between Reimu and Marisa is pretty self-evident from the text, but sometimes things can be a bit confusing. When Reimu meets Mamizou, the unsettling supernatural tanuki girl, it’s clear they have a past history, but that is presumably part of another piece of Touhou lore.

So the question remains, is this readable and enjoyable to someone unfamiliar with the Touhou franchise? I think so. Pretty much all I know about Touhou can be summed up as “Cirno’s Perfect Math Class”, but I was able to move along here, mostly as I have considerable experience reading youkai manga. The cast are new to me, but their character tics are pretty well established – Reimu seems very lazy, for example. That said, I think I found Kosuzu the most interesting character – which makes sense, since this series is supposedly about her. It’s unclear how aware she is of the dangerous qualities of her books – certainly she seems to be hypersensitive to anyone damaging then, but that reads as “obsessive book lover” more than anything else. I want to see more of her.

I think Yen Press seems to agree with me that the series can be appreciated without any previous knowledge, as the Touhou references are limited to the endnotes – not even a “based on the hit game Touhou Project!” on the back cover. It’s supposed to succeed or fail on its own. There seem to be about 7 volumes, and I’ll certainly see how the next one is. For Touhou fans, obviously, but also yokai fans and fans of cute girls.

Manga the Week of 12/6/17

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SEAN: The first week of December seems like a cakewalk compared to the third, but that’s only a matter of degrees. Let’s see what we’ve got.

Dark Horse has an 8th volume of Blood Blockade Battlefront, whose 7th volume came out sometime in the 17th century, I believe.

ASH: That does sound about right.

SEAN: Ghost Ship is the new imprint for Seven Seas’ more racy titles, though honestly I’m not sure how they’re different from a lot of Seven Seas’ other racy titles. They begin with two Shonen Jump titles that Viz never bothered to pick up: To-Love-Ru, a sweet yet ecchi romantic comedy, and To-Love-Ru Darkness, its much racier sequel that verges on hentai at times. We get an omnibus of the first two volumes of the first series, and the first volume of its sequel.

ASH: I’m curious to see how this imprint develops. It’s also incredibly interesting to see Shonen Jump titles from a publisher other than Viz!

SEAN: J-Novel Club has another debut, this one called How NOT To Summon a Demon Lord. I believe the Japanese title mentioned slave magic, so I will withhold my thoughts till I see how it handles it.

ASH: I wonder if Seven Seas might eventually team up with J-Novel Club to print this series, too, since the manga adaptation has also been licensed.

SEAN: There’s also a 5th Mixed Bathing in Another Dimension, which has caught up with Japan so has longer wait times.

Kodansha has STUFF. The first digital debut is Drifting Dragons, which seems to combine dragons and cooking. It runs in good! Afternoon.

MICHELLE: Oooh! And next year we’re getting househunting dragons, too.

ANNA: That sounds fun!

ASH: I would totally read that.

SEAN: The other debut digitally is Ayanashi, a fantasy drama from Shonen Magazine R. World overtaken by monsters, our hero bent on revenge, can he open up to others?

Also out digitally we have Pumpkin Scissors 16 (the Del Rey rescue) Yozakura Quartet 19 (ditto), Altair: A Record of Battles 6, The Full-Time Wife Escapist 7, Hozuki’s Coolheadedness 3, and Real Girl 8. I haven’t even reviewed Wife Escapist 6 yet…

MICHELLE: It’s good!

ANNA: So far behind with Wife Escapist, but I still like it!

SEAN: Kodansha’s print debut is Wake Up, Sleeping Beauty, which is another shoujo title from Dessert but whose premise intrigues me.

MICHELLE: I am always willing to at least try Dessert titles, having liked a lot of them.

ANNA: Me too!

ASH: I am also rather intrigued.

SEAN: If you wanted to pick up the Attack on Titan: No Regrets series but decided to wait till it came out in a Complete Color Edition, have I got good news for you!

ASH: I’m not such devotee that I’ll be double-dipping, but I did like this (shoujo!) spinoff. This will probably be the definitive edition, though.

SEAN: And there’s a 7th Fire Force, which continues to not be Soul Eater.

Seven Seas has 2nd volumes for Akashic Records of Bastard Magical Instructor and Captain Harlock: Dimensional Voyage, two series nothing like each other. We also get a 13th Dragonar Academy and an 8th Magika Swordsman and Summoner.

ANNA: CAPTAIN HARLOCK!

ASH: I liked the first volume! I will read more!

SEAN: Vertical has the 2nd and final Helvetica Standard volume, subtitled Italic.

And it’s the first week of the month, so there must be a ton of Viz. Two debuts. The first is Astra: Lost in Space, a Shonen Jump + series by the author of Sket Dance that looks to be a lot more serious than that title ever was.

The other debut is The Promised Neverland, a Weekly Shonen Jump series that I know little about except it’s become quite popular in Japan. Is it the new My Hero Academia?

ASH: I’m interested in both of these, but Kate recently posted a great review of The Promised Neverland, so I know which one I’ll be starting with.

SEAN: Shonen ongoing series! Assassination Classroom 19, Dragon Ball Super 2, Food Wars! 21, Haikyu!! 18, Kuroko’s Basketball 17-18, a 22nd One Piece 3-in-1, and the 4th Platinum End.

MICHELLE: Yay for food and sports!

ANNA: Indeed!

ASH: That is a pretty great combination, actually.

SEAN: Shoujo ongoing series! The 9th Bloody Mary, a 7th Everyone’s Getting Married (OK, that’s josei), and a 2nd Queen’s Quality.

ANNA: Excited for both Everyone’s Getting Married and Queen’s Quality!

ASH: Same! (Even though I’ve fallen behind…)

SEAN: It’s a mangatopia! What are you interested in?

Shojo FIGHT!, Vols. 1-2

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By Yoko Nihonbashi | Published digitally by Kodansha Comics

Neri Oishi was a great volleyball player in elementary school, when she was captain of a team that took second place in the national championship. At her prestigious middle school, however, she’s a benchwarmer, often tasked with picking up balls and doing laundry. One of her teammates, Chiyo, is vocally frustrated by the situation, since she played against Neri’s team and knows how good she is. After injuring Chiyo during an argument, Neri must play in her stead in a practice game. Try as she might to suppress them, her aggressive tendencies flare, and she ends up injuring a teammate. Disaster is further assured when her childhood friend/osteopath Shigeru chooses the boys’ bathroom as a treatment venue. Upon discovery (and subsequent misunderstanding), Neri is forced to resign from the volleyball club.

It’s a neat setup, introducing Neri in this environment where she’s not flourishing. By the end of the second volume, readers have learned about the childhood trauma that led to Neri becoming obsessed with volleyball as a means to forget, and the consequences that single-minded focus had on her relationship with her elementary teammates, all of whom bailed on their plans to attend middle school together. She also enrolls in Kokuyodani Private High School, where her sister attended and whose volleyball team is now coached by her sister’s former teammate.

Neri is ashamed of the selfish way she sometimes plays, and wants to change. She’s also absolutely certain that anyone trying to be friends with her is going to end up regretting it. To this end, she initially keeps her #1 fan, Manabu Odagiri, at a distance. Neri saved Manabu from bullies when they were kids, and Manabu has never forgotten it. It soon becomes clear that Manabu is now in the one in the position to help, urging Neri to try to talk to people instead of simply interpreting things in the worst way possible.

Manabu also ends up joining the volleyball team, despite being a total newbie, leading to the most enjoyable part of the series so far: a three-on-three game between the new first years. All of the firsties on the Kokuyodani team have distinct personalities (and, actually, the upperclassmen are seriously fun and awesome, too) and their different training styles are fascinating to watch, especially as Neri manages to drill Manabu in the basics while tasked with spending the first three days only on cleaning duty. Seeing Manabu succeed is gratifying, and I loved that, after Neri’s “mad dog” persona emerges during the game, none of her new teammates harbors a grudge about it.

I am very impressed with how vivid these characters are so far, and 100% addicted already. I also want to note that although the art style is a bit unconventional, it doesn’t take long to get used to it and after a while I stopped noticing it entirely. Although I will always love shounen sports manga, after Shojo FIGHT! and Giant Killing, seinen sports manga might be my new fave.

Shojo FIGHT! is ongoing in Japan, where it is up to fourteen volumes.

Review copies provided by the publisher

So I’m a Spider, So What?, Vol. 1

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

The entire genre of ‘transported to another world’ (isekai) has grown massive and huge. Be it via dimensional portal, game gone wrong, or simply death and reincarnation, Japanese teens and young adults keep finding ways to enter a new world, pick up a sword, and start grinding like it’s 1999. And as you can imagine, it’s becoming harder and harder to stand out from the crowd, to have a premise that does not make the average reader go “oh, this again”. And thus we have the influx of being reborn in another world as something weird. Next month we’ll get slime monsters, and in April we may hit peak ridiculousness with vending machines, but for the moment we have spiders, as our vaguely named heroine (we hear about a mean nickname, but her actual name seems deliberately vague) wakes up after an explosion seemingly destroys her classroom to find… she’s a spider. A tiny, weak spider, the sort you kill in Level 1 of your new game. Now what?

To be honest, the other light novel title I kept comparing this to as I read it is Arifureta. The bulk of the book is similar to the middle of that series, with the spider getting into tricky situations, figuring out how to survive them, and getting increasingly strong, even if she may not realize it. Contrasting this we cut back to her other classmates, who have also been reincarnated in the same fantasy world. Some get off well – Shun is a prince with high magical talent, though he’s still a newbie to actually using it. His (male) best friend from their previous world is reincarnated as a (female) noble, though (s)he seems to take it in stride. And one of the “queen bee” types from their class is a dragon, and Shun’s familiar. We even get the cute but immature young teacher who’s there to help find the rest of her class so that she can show them the right path, which is pretty much exactly like Arifureta.

Whether you like Spider So What (which is what I’ve started to call it) depends on how much you can deal with the spider’s narration, which I would describe as first-person hyperactive teenager. In her previous human life, our heroine was apparently a quiet girl, more comfortable gaming at home than interacting with others. Which is fine, but it doesn’t quite mesh with her personality as a spider, which feels like one two hundred page run-on sentence. The plot is simple – watch her kill and eat things (even if it’s a bad idea), gain more experience and levels (which she (and we) can see, in a manner similar to the Death March books), and gradually get into some pretty badass battles – the fight against the bees near the end was probably the best scene in the book, and shows off how far she’s come. Aside from a “it was me all along” moment when we realize the egg she couldn’t open was actually the dragon egg that housed another reincarnated student, she never meets the rest of the class – their narratives are mostly separate. I’m not sure how long that will go on, though.

So I’m a Spider, So What? is not quite as goofy as I’d expected, and when you remove the veneer it’s actually pretty similar to other titles in this genre. But the fact that the lead is a teenage girl, even if she’s a spider, is refreshing, and she’s certainly plucky. I found this pretty decent, and I’ll read more to see where it goes.

Manga Giveaway: A Cache of Kodansha Comics

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November is nearly over which means it’s time for the usual monthly giveaway at Experiments in Manga! As has become tradition, November’s giveaway features a whole feast of manga rather than a single title. This month, everyone participating has the opportunity to win not one but four volumes of manga released (in print!) by Kodansha Comics in the last year: Descending Stories: Showa Genroku Rakugo Shinju, Volume 1 by Haruko Kumota, Kigurumi Guardians, Volume 1 by Lily Hoshino, Land of the Lustrous, Volume 1 by Haruko Ichikawa, and Love & Lies, Volume 1 by Musawo. As usual, the giveaway is open worldwide!

Descending Stories: Showa Genroku Rakugo Shinju, Volume 1Kigurumi Guardians, Volume 1Land of the Lustrous, Volume 1Love and Lies, Volume 1

Although many manga publishers have started to release more and more titles digitally, Kodansha Comics in particular has been making tremendous strides in the digital realm over the last year or so. Personally, I much prefer a physical volume that I can hold in my hands, but I am still very happy that so much content is being officially translated and released. Even if it’s not in my preferred format, at least it’s available. But while I lament the digital titles that for one reason or another will likely never be published physically, there are still plenty of interesting and intriguing manga being released in print to keep me occupied.

So, you may be wondering, how can you win a cache of Kodansha Comics?

1) In the comments below, tell me a little about your manga reading preferences and habits when it comes to print versus digital debate.
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There it is! Participants in the giveaway can earn up to two entries and have one week to submit comments. If needed or preferred, comments can also be sent to me via email at phoenixterran(at)gmail(dot)com which I will then post here in your name. The giveaway winner will be randomly selected and announced on December 6, 2017. Best of luck!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway Winner: A Cache of Kodansha Comics Winner

Arakawa Under the Bridge, Vol. 1

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By Hikaru Nakamura. Released in Japan in two separate volumes by Square Enix, serialized in the magazine Young Gangan. Released in North America by Vertical Comics. Translated by Andrew Cunningham.

Some series work better in collected in volumes, and some work better in a magazine next to other titles that aren’t very much like it. I’m pretty sure that Arakawa Under the Bridge is one of the latter. Of course, since we don’t have too much opportunity to read Young Gangan over here, we’re only getting the volumes – and even worse, this is an omnibus edition, collecting two of them at once. I say “even worse” even though I did enjoy Arakawa a great deal, but it is, at heart, a gag comic, with its chapters being approximately 6-8 pages, and such series always have to deal with the question of “can this hold up when we get to Vol. 7 or 8?”. Even Nakamura’s other famous (and unlicensed) series, Saint Young Men, deals with this, as despite its fantastic and slightly blasphemous premise, it’s much the same – it rides on its weird humor. So far, though, Arakawa is worth the read.

The premise is paper-thin. Our hero is a successful, rich young man who lives his life (thanks to his somewhat abusive father) with the philosophy “never be in debt to anyone”. Then, through a series of ridiculous circumstances, he gets his life saved by Nino, a self-proclaimed Venusian woman who lives under one of the city bridges of the Arakawa river (so no, she is not the Arakawa under the bridge). He is thus forced to try to repay her so that he can move on with his life… which proves impossible, and he soon finds himself inveigled in her world as part-boyfriend, part-tsukkomi, meeting a series of increasingly ridiculous people who also live under the bridge. Despite apparently being a young heir with an important job in a highrise, no one from his family or friends ever comes looking for him. The outside world is not important in this. It’s about the weirdos.

Supposedly, Nino is the first of the weirdos that we meet, but she proves to be the calm, stable center of the series, her deadpan earnestness giving it grounding. It also allows the reader to make an emotional connection between her and “Recruit” (their nickname for our hero, which I tend to think of him as because his last name is too long), and I was surprised and pleased to find a few heartwarming, sweet moments scattered in among the zaniness. You actually want to see if they can form a real relationship. Might be a bit difficult, though, given the other cast members, which include a man who dresses as a kappa, a guy with a star for a head, a male nun who looks like he stepped out of the pages of Black Lagoon, a young yakuza wannabe girl, and a farm woman who confuses ‘teasing’ with abusive language.

As you might imagine, this series is for people who enjoy amusing, strange characters interacting. If you want narrative or character development, I’d look elsewhere. But Arakawa made me laugh, and by the end I wanted to see more of them. That’s the important thing.

Bookshelf Briefs 11/28/17

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It’s a cornucopia of briefs!

Ace of the Diamond, Vol. 6 | By Yuji Terjima | Kodansha Comics (digital only) – Training camp continues, and the coach has arranged for some practice games right afterwards, the better to gauge how well the first years play when exhausted. For Furuya, the answer is initially “not well,” but he never loses his determination, and once he swallows his pride and asks Miyuki for advice, he finally internalizes the truth that, at Seido, he’s got teammates who are going to back him up, even if the batter does manage to get a hit. Eijun’s fun and everything, but Furuya is not your typical shounen protagonist, and I’m pleased that he’s getting his share of attention. I also liked that the boys hang out some with varsity teammates we’ve barely glimpsed before now, and we learn how awesome the captain is. I am already relishing the thought of future marathon rereads of this series. It’s a keeper for sure. – Michelle Smith

Cells at Work!, Vol. 5 | By Akane Shimizu | Kodansha Comics – Once again, Red Blood Cell is absent from this volume except a brief cameo. This allows us to focus our attention on the ‘normal cell’ from prior volumes, who still has a tendency to do dumb things on impulse. Fortunately, the cute adorable bacteria he’s harboring in his room are the GOOD kind of bacteria. Unfortunately, his attempt to get them to where they can do good is thwarted by a host of crises from which White Blood Cell and company must rescue him, most notably the return of Cancer Cell, who brings back the ethical ambiguity to the series as he asks essentially “are the needs of the many less important than the needs of the one?” The one being the body. This was a lot of fun. – Sean Gaffney

Delicious in Dungeon, Vol. 3 | By Ryoko Kui| Yen Press – The cast expands a bit in this third volume. We see one of our team’s old comrades, who left them due to actually wanting to get paid, and the complicated relationship she has with them, particularly Marcille, and it’s made clear she’s not a bad guy—everyone has their own needs and drives. As for Marcille, we also get a flashback to her school days, which shows how she met Laios’ sister (still being digested by a dragon, if you recall), which is rather cute. And of course more ridiculously gross yet amusing monster recipes. And plenty of humor, as it turns out tentacles can be peeled sort of like bananas. Still good, though I’d like to get the sister rescued or declare her dead. – Sean Gaffney

The Full-Time Wife Escapist, Vol. 6 | By Tsunami Umino | Kodansha Comics (digital only) – It was inevitable that Mikuri and Hiramasa would discover that they are in love with each other, but I am still kind of surprised that it actually happened. It’s lovely to see him grinning like a doofus at the office after an evening of fooling around, but I appreciate that the transition into a real marriage isn’t exactly going to be smooth. Mikuri is worried, for example, that she’ll be expected to do the same amount of work for free, while Hiramasa worries about his waning sex drive. Somehow I doubt we’ll ever see the latter issue addressed Everyone’s Getting Married! I also really enjoyed the scenes where Mikuri’s aunt and Kazami get to know each other better—I wholeheartedly approve of them hooking up! – Michelle Smith

Haikyu!!, Vol. 17 | By Haruichi Furudate | Viz Media – And so our heroes pull it off, and get to advance, while Aoba Johsai has to suffer an ignominious defeat. This is done in the best possible shonen way, with lots of noble tears and resolve to get even stronger. The cliches don’t FEEL like cliches—the author is adept at making this feel fresh even when you know where every plot beat is going to be. And so it’s on to the finals, and I suspect this game may drag on a while, as it’s a best 3-sets-of-5 game. Their opponent is Shiratorizawa, who I’m sure we’ll find out more about as we move on, but who clearly have one player who’s REALLY good, and the volume ends with our heroes down by quite a bit. I think they’ll come back, though. Just a hunch. – Sean Gaffney

Hana & Hina After School, Vol. 3 | By Milk Morinaga | Seven Seas – This turns out to be the final volume, and honestly you get the sense it was cut a bit short—the last half feels rushed. Of course, considering all we were getting before that was a slow-burning pile of angst, it might be best that it got the push. Morinaga Milk has always been better at fluffy than angsty, so it comes as something of a relief when our two heroines finally get over the whole “is it just me? Did she mean it when she said she’s not that way?” drama and get together (in all respects—as with previous MM titles, there’s a brief, not-that-explicit sex scene here). In the end, this was a cute read, but I’ve seen better yuri from this author. – Sean Gaffney

Horimiya, Vol. 9 | By Hero and Daisuke Hagiwara | Yen Press – Horimiya has always tried to be at least slightly more realistic than a lot of romance manga, and thus watching Yuki’s ongoing angst regarding her lies and deceit and how it’s impacting other people is particularly painful. I’m not really all that sure I want her to win here, even though the alternative will also suck. On the bright side, Hori and Morimiya are doing better than ever, and as Hori is forced to think about her future—something which she seemed to have given not a single thought to—but she realizes here that no matter what she does, she wants to be with Miyamura. This leads to a sort of adorable reverse proposal, which fits the general characterization. Still good, but I hope it’s wrapping up soon. – Sean Gaffney

JoJo’s Bizarre Adventure: Stardust Crusaders, Vol. 5 | By Hirohiko Araki | Viz Media And so, finally, JoJo’s has run up against my ability to get 500+ words out of each volume. Yes, this is the first volume to get a Brief rather than a full review, and I put the blame entirely on the rambling Road To Cairo plot that Araki has chosen to use this time around. Individual moments are as striking as ever—I felt the killer baby was more interesting as a killer within dreams than in the real world, and the surprise non-death of a character feels a bit cheap. But JoJo’s still has its bizarre visuals and grotesque violence, and as long as it keeps that up it should stay interesting, even if Jotaru continues to be the dullest Jo we’ve had to date. – Sean Gaffney

Kiss & White Lily for My Dearest Girl, Vol. 4 | By Canno | Yen Press – Most sports manga fail to show the heroes moving on to a professional career, with a few exceptions like Captain Tsubasa. In reality, a lot of sports careers end just the way we see Mizuki’s end here—she comes close to the Nationals, but doesn’t make it, and realizes that this is it, she has to stop doing track and decide on an actual career. There’s also her relationship with Moe, which may actually be hindering her for a spell—it’s gotten to the point where she forgets running was fun—but eventually proves stronger than both thought, and we get a proposal (of sorts) and a kiss. This is a bit stronger than Hana & Hina, even if it’s just as fluffy, and I’m pleased to see it continue. – Sean Gaffney

Log Horizon: The West Wind Brigade, Vol. 7 | By Koyuki and Mamare Touno | Yen Press – The comedy is kept to a minimum here, as we get the more dramatic parts of the third and fourth novel, intermixed with how it’s affecting the West Wind Brigade. Kawara’s on the cover, and we get a bit more insight into her character—basically, she’s an instinctual fighter but a bit of an idiot who got into the game because she wanted to be a shonen hero, and the West Wind Brigade was the only one that would take her in. It does also show off her strengths as well, though. That said, easily the most interesting part is the ending, where we get a surprise appearance by a seemingly insane Nureha, who’s met by a battle-crazy Soujiro. I want to see how this battle turns out. – Sean Gaffney

My Hero Academia, Vol. 10 | By Kohei Horikoshi | Viz Media – I appreciate that Horikoshi is willing to let Bakugo be a completely unlikable jerk, driven by rage and jealousy and every single negative emotion, and yet still show that he realizes the difference between good and evil—that he’s decided that he wants to be a HERO rather than a villain, even if that means going against what comes more naturally. It’s a terrific scene that really made me like him. On the flip side, the disguises used to infiltrate Evil HQ are hilarious, particularly Deku and Momo. The humor is needed, as this is something of a grim arc, especially with the arrival of a Bigger Bad towards the end. This volume shows off everything that has made this the hot new Jump title. – Sean Gaffney

Nisekoi: False Love, Vol. 24 | By Naoshi Komi | Viz Media – Even though it’s obvious Onodera’s going to lose, give credit to the author for not making it easy. She and Raku have really developed a close relationship, and even if it’s not romantic I hope they can stay friends. More to the point, the fact that Onodera is willing to help Raku track down Chitoge by FLYING TO AMERICA with him (because Chitoge has, like many tsundere heroines in denial, literally run halfway across the Earth to escape her love issues) shows off her truly ridiculous kindness. There’s the last popularity poll in this book, and Chitoge and Onodera are separated by barely 100 votes. That’s impressive for a harem title. In any case, it wraps up next time, so keep reading. – Sean Gaffney

One Piece, Vol. 84 | By Eiichiro Oda | VIZ Media – It’s been a while since we had a volume that focused on further sad backstory for one of the Straw Hat crew, but that’s what we get here, with many hard-to-read scenes about Sanji’s abuse at the hands of his family, intercut with a silly fight in which Luffy defeats a bunch of cracker soldiers by eating them. Because Big Mom is threatening to kill Chef Zeff if he doesn’t comply, Sanji is forced to both insult and attack Luffy in an attempt to get him to abort the rescue, but of course this doesn’t work. In addition to this riveting drama, there’s also the question of whether Pudding (Sanji’s seemingly sympathetic bride-to-be) can actually be trusted, more information about the ponegliffs (yay!), and a glimpse at the unintended consequences of toppling Doflamingo. Plus, Brook actually gets something important to do! This series is still excellent. – Michelle Smith

Outbreak Company: The Power of Moe

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By Ichiro Sakaki and Yuugen. Released in Japan by Kodansha. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

It has almost become a running gag to say this, but I went into reading the first volume of Outbreak Company with rock-bottom expectations. The subtitle of the first volume alone made me roll my eyes, and the description of the plot didn’t help one bit. And yet once again, somehow, J-Novel Club has managed to snag a series that sounds wretched and shows that it’s actually pretty readable and entertaining once I get into it. Admittedly, the author is an old hand at novels rather than a web novelist turned published pro, which helps. Sakaki’s previous series include Scrapped Princess and Chaika the Coffin Princess, but we level up a bit here, as Outbreak Company has a Queen. The series is filled with cliches – our hero is an otaku and a bit of a perv, one heroine’s breasts are there to be pointed out every single time, and the Queen is sixteen but looks about eight. Fortunately, the book does things with these cliches.

Our hero is Shinichi, who’s living at home and has not been to school in about a year, but instead spends his life playing games, watching anime, and buying goods. After his parents give him an ultimatum (which may be the funniest scene in the novel, and I think was censored in the anime), he goes to find a job, and winds up interviewing at a sketchy company which tests his otaku knowledge. Mid-interview, he passes out and wakes up in a fantasy world. Turns out it’s connected to Japan, and the JSDF have assigned him to introduce otaku pursuits – anime, manga, etc. – to this fantasy kingdom. For cultural reasons. He’s assigned a maid (from the fantasy world) and a JSDF bodyguard (from Japan), both of whom are cute young women. And the Queen is also a cute young woman, as he observes the moment he sees her – though “little girl” is what her appearance screams. As the book goes on it seriously examines the ridiculousness of the premise, the casual racism and classism that infests the fantasy world, and whether Shinichi is really a good guy or not.

As I said, the series is rife with cliches, but they never actually descend to the creepy or annoying level, much to my surprise. Shinichi is a PG-rated otaku, looking at large breasts and going on about maids because he’s a teenager, but never going further than that, and he also has a genuine sense of right and wrong, which I suspect will get him in trouble in future books. His reaction to the treatment of Myucel, the half-elf maid who serves him (and falls in love with him almost immediately, mostly as he treats her like a real person) and Brooke (a lizardman servant, which does freak him out a bit at first) is not as subtle as the casual reader might like, but after so manty fantasy light novels where the reaction of the hero to slavery existing is “welp”, this is refreshing. And while he has a magic ring to communicate with others, it doesn’t work on other media, so translating is desperately needed – no easy outs in his new job.

This was clearly written from the start to be an ongoing series rather than “do the first one and we’ll see how it sells”, and it ends on a highly ambiguous note that makes the reader want to get the next book. I definitely will. As long as it sticks to gently poking at otaku cliches rather than leaping into them face-first, and keeps on tearing down the class and race-based structure of this fantasy universe, Outbreak Company is worth your time.

My Week in Manga: November 20-November 26, 2017

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My News and Reviews

For everyone following along with Experiments in Manga, it’s probably obvious that things are running a little behind here right now. I intended to post an in-depth review last week (actually, two weeks ago), but life intervened. While I did manage to make some significant progress, the review is just not quite ready. However, I can confidently say that I’ll be able to post it later this week. (For real, this time!) There’s this month’s manga giveaway to look forward to on Wednesday, as well. So, after a couple of weeks of quiet, this week will be relatively busy here at the blog.

Quick Takes

Descending Stories: Showa Genroku Rakugo Shinju, Volume 2Descending Stories: Showa Genroku Rakugo Shinju, Volumes 2-3 by Haruko Kumota. Although rakugo isn’t completely unknown to me (I’ve even seen a live performance), most of my exposure to the art form has been through reading Descending Stories. The first volume introduced Kyoji, a young man who is given the name of Yotaro as part of his apprenticeship under a Yakumo, a highly-respected rakugo artist. While Yotaro does put hard work into learning the craft, his successes can more often be attributed to his natural charisma and earnest enthusiasm than actual technique. Yakumo’s stage presence and approach to rakugo is dramatically different. With the second and third volumes, Descending Stories begins to explore Yakumo’s backstory in greater detail. He details his own coming of age and relationship with and to rakugo. Yakumo, like Yotaro, struggled to find a way express himself through performance, bringing him into conflict with those closest to him. Descending Stories is an engrossing drama that becomes more compelling with each volume; I definitely plan on reading more of the series.

Girl from the Other Side: Siúil, a Rún, Volume 2The Girl from the Other Side: Siúil, a Rún, Volumes 2-3 by Nagabe. One of the most beautiful, unusual, and unsettling manga that I’ve encountered this year is Nagabe’s The Girl from the Other Side. The artwork in particular is striking, but the series as a whole is incredibly atmospheric, a chilling fairytale-like story that unfolds at a tantalizingly slow pace with bursts of shocking violence and heartbreak. At times The Girl from the Other Side can be delightfully charming, but a sense of foreboding is a constant shadow. Shiva was abandoned to the Outside, perhaps for her own sake or perhaps for the sake of others. Now, however, she is being deliberately sought out to be brought back Inside. But while for the time being Shiva’s life may no longer be in immediate danger, her innocence is still poised to be shattered. Teacher continues to guard and protect her even as the curse, and the human response to that curse, threatens to destroy the two of them and their world. With both exceptional artwork and storytelling, The Girl from the Other Side is easily one of my favorite manga currently being released in English.

A First Look at The Promised Neverland

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Crack pacing, crisp artwork, and a shocking plot twist in chapter one — those are just three reasons to pick up The Promised Neverland when it arrives in comic shops on December 5th. The first volume is a masterful exercise in world-building, introducing the principal characters and the main conflict in a few economic strokes, avoiding the trap that ensnares so many fantasy authors: the info-dump introduction. Instead, the writer-artist team of Kaiu Shirai and Posuka Demizu allow the reader to figure out what’s happening by revealing important plot details as the characters uncover them, and letting the artwork establish the setting. That makes the very earliest pages of the story flow more like a rollercoaster than a Star Wars screen crawl, making every page turn feel like an urgent necessity.

The story begins at Grace Field House, an orphanage plucked from a Victorian novel: the main building is a homey Tudor villa that’s surrounded by open meadows and lush forest, perfect for a game of tag. Our first hint that something is amiss comes just six pages into the story, as Emma, the narrator, makes a mental note of all the things she’s grateful for: “a warm bed, delicious food” and “an all-white uniform.” Before we can ponder the significance of the uniform, however, Demizu inserts a panel revealing that every resident of Grace Field House has a number tattooed on her neck, a sure sign that the orphans are more prisoners than temporary wards:

A smattering of other clues — including a series of daily IQ tests and a fence encircling the property — reinforce our perception that Emma and her friends Roy and Norman are in grave danger. And while the earliest chapters occasionally bow to Shonen Jump convention with on-the-nose narration, it’s the artwork, not Emma’s voice-over, that makes each new revelation feel so sinister. Consider the panel that introduces the testing ritual:

In the first ten pages of the story, Demizu uses little to no shading to create volume or contrast, instead depicting the setting and characters through clean, graceful linework. The image above, which appears on pages 12-13, is the first time that we see such a dramatic use of tone; the students at the back of the frame look like they’re being swallowed by a black hole, while the students at the front sit under a klieg light’s glare. Demizu’s subsequent drawings are more restrained than this particular sequence, but her artwork becomes more detailed and complex than what we saw in the story’s first pages — it’s as if the setting is coming into focus for the first time, complicating our initial impressions of Grace Field House as a place of refuge.

I’m reluctant to say more about the plot, since the first chapter’s spell loses some of its potency if you know the Big Terrible Secret beforehand. (If you absolutely, positively must know what happens, Wikipedia has a decent, one-paragraph summary of the premise.) By the time Emma, Roy, and Norman realize the real purpose of their incarceration, however, the basic “rules” of the Promised Neverland universe have been firmly established, and the characters fleshed out enough for us to care whether they succeed in escaping. More importantly, the lead trio are smart and capable without seeming like miniature adults, making their likelihood of success seem uncertain, rather than preordained. That element of suspense may be difficult to sustain for 10 or 20 volumes, but hot damn — volume one is a nail-biter. Count me in for more!

Volume one debuts on December 5th in print and ebook form. Chapters 1-3 are available for free on the VIZ website; the story is currently being serialized in the English edition of Weekly Shonen Jump.

Slumbering Beauty, Vol. 1

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By Yumi Unita. Released in Japan by Hakusensha, serialization ongoing in the magazine Rakuen Le Paradis. Released in North America by Seven Seas. Translated by Angela Liu, Adapted by Marykate Jasper.

It can be difficult sometimes when your name becomes synonymous with something notorious. Slumbering Beauty has a lot of things I love. A snarky, emotionally repressed heroine who gradually opens up to other people even as we see that her home life is a wreck. A premise that can involve “situation of the week” yet still have an ongoing plot. Twists that become much darker when you think about them. And some very amusing humor. That said, it’s still hard for me to get past “from the creator of Bunny Drop” and not think “uh oh”. Fortunately, so far there seems to be absolutely no sign of any imbalanced and unsettling relationships here, though I felt the same way when I started Bunny Drop. It’s a good series with a dollop of fantasy, and I’m interested to see where it goes, though we appear to have caught up with Japan already.

Our heroine is Yaneko, a high school girl who really loves to sleep – in fact, it’s difficult for her to get up every morning. This is a problem for the sleep spirit Nerimu, whose job it is to ensure that humans get enough sleep and wake up on time. Yaneko has one of these things down. She can also see him, for reasons that aren’t quite clear yet, and over the course of the series becomes an apprentice as she accompanies him on his rounds to quiet flailing babies, ease the brains of constantly texting young ladies, and otherwise become the Japanese Sandman (it’s not clear whether she has to sneak out with the dew as well). In her interactions with him, Yaneko begins to make real human friends – she was very much the loner no one talks to before – and develop a bit more empathy, and Nerimu, the sleep spirit, is there to guide her.

One of Nerimu’s fellow spirits suggests that he take her on as an apprentice, and this was the part of the book that fascinated me the most, as it almost feels like a metaphor for suicide. Yaneko is making a couple of friends now, but her home life is so oppressive – the reason she seems to sleep so much and so deeply is her parents fighting all the time – that at one point she readily agrees to take on Nerimu’s job. He has to talk her down from this, saying that in effect she will be vanishing from the world, and pointing out his own tragic situation from centuries earlier – it’s not that he misses his mother, it’s that he can no longer even remember her face. I am hoping that Yaneko resists the urge for a volume or two longer, as I’m liking the way she’s gradually opening up and starting to care about others.

As I said earlier, this is the only volume out in Japan, so be prepared for a wait for the next one. It’s pretty good, though, and shows off the author’s innate skill without having any of the disquieting plotlines of her prior series. Give it a look.