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In Another World with My Smartphone, Vol. 16

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By Patora Fuyuhara and Eiji Usatsuka. Released in Japan as “Isekai wa Smartphone to Tomo ni” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Andrew Hodgson.

It is very telling – and a bit sad – that a chunk of this book is some of the best Smartphone prose I’ve seen in some time, and it’s the part narrated by someone else, with Touya absent. I do worry about the afterword, where the author and editor discussed cutting this bit as it did NOT feature Touya or his fiancees. I get the sense that we’re looking for different things in this series. Rest assured for Touya fans, though – if there are any Touya fans left – that he gets a lot to do here, including finding a lost heir to the throne, battling yet another evil and bonkers leader of a foreign country (this time, thankfully, not also taking out the rest of the country as well), and catching giant fantasy-world tuna. As for getting closer to his fiancees… well, thanks to Sue not knowing the basics, the fiancee horde learn about sex in this book. Perhaps more than they really wanted.

In the Reverse World, there’s a brief Phrase battle, but aside from ominous foreshadowing it’s fairly inconsequential. The main thrust of the book is the survivors of a destroyed kingdom asking Touya to find the missing heir, who disappeared as a newborn infant. The heir turns out to be in the place they’d last expect, and also not particularly invested in returning to help get revenge on those who killed his parents and destroyed their kingdom. Meanwhile, a third kingdom is trying to invade, using its awesome Golems and its mad scientist leader, who does all but scream about how they laughed at him at the academy and is a literal brain in a jar by the end. Touya is his usual callous self in the battle with this guy, but of course we’re made to see that he’s super-duper evil so it’s all good. And of course more jokes about Touya’s genocides. LOL.

Thankfully, the last third of the book is excellent. Touya joins forces with the Guild of Adventurers to start an Adventurer Academy, where they can compete to see who deserves to level up. He also puts an inside person on the job, Sarutobi Homura, last seen as one of “those three ninja girls”. We’d seen her mostly be the loud one who acts least like a traditional ninja, and there’s a bit of that here, but for the most part she actually proves to be quite competent and cool. The other adventurers are very much “I don’t want to work with that guy” sorts, so there’s a lot of struggle, and we see them screw up quite a bit, especially when their “test” mission turns out to be far more dangerous than expected. Everyone gets a chance to be sympathetic, the fights are cool, and Touya and company are there to make sure no one’s really hurt. I would not mind more of these guys.

Unfortunately, In Another World with My Smartphone still stars Touya. But that’s fine, we’re mostly here to wallow in the trash. It’s just nice to get a really good meal once in a while.

Manga the Week of 8/28/19

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SEAN: This week’s Manga the Week of comes to you live from Stanfield International Airport in Halifax, Nova Scotia.

We start off with J-Novel Club, who have new volumes of An Archdemon’s Dilemma (7) and Der Werwolf (5).

Kodansha’s print volumes include Attack on Titan: Before the Fall 17, Kiss Me at the Stroke of Midnight 9, L*DK 13, and Witch Hat Atelier 3.

ANNA: I love Witch Hat Atelier!

ASH: It really is such a lovely manga.

SEAN: The digital debut next week is Atsumori-kun’s Bride-to-Be (Atsumori-kun no Oyome-san (←Mitei)), a shoujo/josei series from Dessert. The author has also done House of the Sun. Country girl chases after a guy she likes by moving to Tokyo.

MICHELLE: I was looking at this earlier. It looks somewhat cuter than some of their shoujo fare, so I will probably check it out.

SEAN: And we get Domestic Girlfriend 20, Elegant Yokai Apartment Life 16, and My Boy in Blue 12.

No debuts from Seven Seas, but we do get Blank Canvas 2 *and* The Girl from the Other Side 7, as well as the 2nd and final Division Maneuver in print.

MICHELLE: Seven Seas really has some great titles these days.

ASH: It’s true. I adore The Girl from the Other Side and the first volume of Blank Canvas was terrific.

MJ: It’s really been a pleasure to watch Seven Seas become awesome.

SEAN: Vertical has the 2nd volume of the Koyomimonogatari short story collection, with one of the better cliffhanger’s Nisio has done. They also have To the Abandoned Sacred Beasts 9.

We get several more Yen titles, though again a lot of their August lineup shifted into September. Yen On has Kingdom Hearts Re:Coded, as well as the 9th KonoSuba novel.

Yen has two debuts. One is a done-in-one omnibus, Count Fujiwara’s Suffering (Fujiwara Hakushaku no Junan). Fujiwara is a cat. The cat is the straight man to two wacky siblings. This ran in Kodansha’s Shonen Sirius.

ANNA: Is there dog manga? I feel like we’ve gotten a bunch of cat manga and no dog manga.

SEAN: There’s Fullmetal Alchemist… (WHACK) Ow!

ANNA: Nooooooooooooooo!

MICHELLE: Now, that’s just wrong.

MJ: It huuuuurts.

SEAN: The other debut, Overlord A La Carte, is a comic anthology take on the Overlord light novels done by various artists. It runs in Kadokawa’s Comp Ace, also the home of the main Overlord manga.

Yen has A Bride’s Story 11 and Silver Spoon 10, which my sixth sense tells me I should separate from the others for the convenience of comments.

ASH: Both are phenomenal series! A Bride’s Story is gorgeous and Silver Spoon has so much heart.

MJ: You know Silver Spoon tends to blind me to any manga unfortunate enough to be sitting around it, but if anything’s got a shot, it’s A Bride’s Story!

SEAN: Yen also has Dimension W 15, Hatsu*Haru 8 (I actually really like this one), Re:Zero Arc 3 Volume 8, The Royal Tutor 12, Shibuya Goldfish 5, Smokin’ Parade 6, Tales of Wedding Rings 7, and Val x Love 6.

Not bad for the end of August. What are you getting?

Bookshelf Briefs 8/21/19

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Accomplishments of the Duke’s Daughter, Vol. 4 | By Reai and Suki Umemiya | Seven Seas – Aside from praising Iris’s innovations, this volume focuses more on the political end of things than the commerce end. Iris ends up attending the ball, and it goes better than she expected, mostly as the Queen Dowager is in her corner. In fact, honestly, things may go a little TOO well—the entire ball seems engineered to show off how the guy who dumped and exiled Iris is a hothead idiot, and Yuri seems to be doing an excellent job of manipulating the country into… running itself into the ground. But how invested should Iris be in all this, especially as she has to look out for her own nation, because there’s war on the horizon. Still an excellent political drama. – Sean Gaffney

Behind the Scenes!!, Vol. 7 | By Bisco Hatori | Viz Media – I enjoy Bisco Hatori’s humor, but her plotting is not a thing to behold. That said, as predicted, things resolved with the Ruka plotline, followed by a quick epilogue showing the film Goda made (honestly, the plot of the film sounds like a manga I’d love to see Hatori write), and then another epilogue several years later showing the two pairings (mostly) resolved and the two stars at ease with themselves and successful. There’s fun to be had here, but I can’t deny that I think this started a lot stronger than it ended, and I’m glad it did not end up as long as Ouran. I’d still recommend it to Hatori fans, though. Oh yes, and the amnesia arc proves to be as inconsequential as I suspected it would be. – Sean Gaffney

Cocoon Entwined, Vol. 1 | By Yuriko Hara | Yen Press – Hoshimiya Girls’ Academy has a unique tradition. The students have exceedingly long hair, and as the middle school third-year students are being measured for their high school uniforms, the high school third-years are finally having their hair cut, which will be used to make said uniforms. Cocoon Entwined so far is light on plot, heavy on atmosphere. We meet Yokozawa, a girl who seems to be able to sense breathing and/or heartbeats from the uniforms, and Saeki, the princely girl whom Yokozawa has feelings for. We don’t meet, except in flashback, the elusive Hoshimiya, granddaughter of the headmistress, who has locked herself in her room and for whom Saeki seemingly pines, much to Yokozawa’s dismay. I really liked this volume, even though there’s not a lot happening so far. I look forward to more, whenever it comes. – Michelle Smith

Dead Dead Demon’s Dededede Destruction, Vol. 6 | By Inio Asano | Viz Media – Thankfully, and despite Kadode assuring her friends that something happened, it’s suggested nothing did, and the teacher is leaving the city due to the ongoing chaos. Honestly, the world may not have all that long to go—even if the aliens don’t bring things to an end, can Japan really hold off America and everyone else? This still has a bit of a post-apocalyptic feel to it. Still, Futaba does end up getting lucky, so to speak, though the implication is that her politics and his desire for a non-serious relationship will make that a very short relationship. The best part of the story was Oran’s surprise birthday party, which was sweet as pie. I hope there’s more sweet moments ahead. – Sean Gaffney

Emanon, Vol. 1: Memories of Emanon | By Shinji Kaijo and Kenji Tsuruta | Dark Horse – I initially picked up Emanon due to Tsuruta’s involvement since I’ve been enjoying Wandering Island; I only later realized that Kaijo is an award-winning author. The Emanon manga is an adaptation of a series of stories written by Kaijo (also illustrated by Tsuruta) featuring a young woman who calls herself Emanon. Kaijo’s somewhat melancholic but engaging narratives lend themselves well to Tsuruta’s atmospheric artwork. There’s very little action in the first volume of the manga. For the most part, Tsuruta is capturing a reminiscence of a conversation between two people, a young man who enjoys speculative fiction and Emanon. She intrigues him, not only because of the air of mystery surrounding her but because she tells him that she holds memories reaching back to the beginning of life on Earth. Memories of Emanon, adapting Kaijo’s original story, is self-contained, but I’m greatly looking forward to the continuation of the series. – Ash Brown

Idol Dreams, Vol. 6 | By Arina Tanemura | VIZ Media – It’s been almost two years since I read a volume of Idol Dreams. I’d stop short of saying it has gotten good in the intervening time—there’s a lot of melodrama here, from the death of Hibiki’s little sister and him carrying on despite his grief (leading to the spectacularly cheesy line, “Sayaka, can you hear Hibiki singing?”) to the plotline revolving around Hanami’s pregnancy and the fact that it isn’t Tokita’s—but it’s certainly somewhat better, and I think that’s because this volume puts much more emphasis on Deguchi as an adult interacting with adults rather than her masquerading as a teen interacting with teens. It was even a little gratifying to see this mousey character haul off and smack Hanami for leaving Tokita at the altar. Do I care enough to keep reading? Maybe, especially if the next volume is the final one. – Michelle Smith

Magi: The Labyrinth of Magic, Vol. 37 | By Shinobu Ohtaka | VIZ Media – And so, Magi comes to an end. There were some things I really liked about it, like how Ohtaka-sensei showed how Alibaba’s unfailing determination to fight the spell reminded various brainwashed people of other heroes they had known who had sacrificed everything for goals and countries that would no longer exist if everyone and everything returned to rukh. I liked how Kogyoku was desperately trying to get him to surrender to her before the arrival of the massive army in an attempt to save his life. The rest, though, is not completely clear. I get most of what Sinbad did, but I don’t really get how Aladdin emerged victorious. There was a big flash of light and then… happy epilogue? Which I guess is fine. The happy epilogue was what I really wanted, anyway. Overall, I enjoyed this series and its themes of self-determination. – Michelle Smith

My Hero Academia, Vol. 20 | By Kohei Horikoshi | Viz Media – This is an excellent volume, but it’s definitely a “wrap up one plot and start another” sort of book. Midoriya stops the “villains” and we see the small series of tragedies behind their backstory. He makes it back for the festival—just—and it’s a blast, with Jiro at her best (the redrawn art helps) and Eri dazzled. Then we see the new hero rankings post-All Might, and Endeavor is finally top of the charts, but being #1 also means that people are after you as well, and there’s a pretty nasty fight towards the end. Will Endeavor win the day? And will Todoroki care? Great volume, but I think it’s all about Jiro and Eri’s big grins in the end. Those are wonderful smiles. – Sean Gaffney

Shortcake Cake, Vol. 5 | By suu Morishita | VIZ Media – Ten has realized she likes Riku after all and returns early after summer vacation because he’s alone in the boardinghouse. Meanwhile, Chiaki is getting bolder about expressing his feelings. The great part is that not only does he get this pertain to Ten—including a smooch at the end and a “What can I do so that you consider me?”—but to Riku, as well. Chiaki’s oddball personality is starting to come through, and the best chapter here is a cute interlude where he lies about the origins of a cup Riku broke so that they can go out shopping for a replacement together. It involves Riku winning an enormous bag of potato chips for Chiaki from a crane game. I’m not super invested in the romance angle of this story, but I do like the main trio of characters! – Michelle Smith

Sword Art Online: Hollow Realization, Vol. 4 | By Tomo Hirokawa, based on the story by Reki Kawahara | Yen Press – There’s an attempt to ramp up the danger here, given that we’re dealing with the death of NPCs, who technically aren’t real people (though honestly, most of SAO has been built around proving that false lately) and the fact that this time you really can log out and go back to your life. But the threat of the game being hacked, as well as users using drugs to “enhance” their experience, means that this time the Japanese government may finally shut down all these VR games for good—something that Kirito and Asuna in particular are determined to stop. Can they help save Premiere from her fate? And what about Anti-Premiere? – Sean Gaffney

Takane & Hana, Vol. 10 | By Yuki Shiwasu | Viz Media – As expected, Okamon is shot down (very nicely) by Hana. Of course, Takane misunderstands. Indeed, the entire volume is about misunderstandings and poor communication, which is always a good fallback in romantic comedies like this one. We also get the backstory on how Takane met Nicola, and how, like Hana, he was at first completely annoyed by him till he saw his hidden nice side. There are not quite as many amusing faces as previous volumes (though the omake helps make up a lot of the difference). But in return we do get a bit more on the romance front, as a drunken Takane (they had a birthday party for him) ends up kissing Hana… on the nose. That said, the effect is devastating. Fun times. – Sean Gaffney

Yuri Life | By Kurukuruhime | Yen Press – We’ve seen quite a few yuri anthologies about adults lately and this one is a 4-koma one-shot, with each chapter focusing on a different couple, until we come around to the first one at the end. There are couples I found interesting. (One involves the Grim Reaper waiting for a woman to die, falling in love with her, and then having her romance be what enables the woman to keep living… so they have to part.) I will say they are “mostly” adult romances… one is teacher-student, with the student being sixteen, and it didn’t work for me. Nor did the one about the “yandere.” Still, there were more hits than misses, and if you’re looking for cute, sweet yuri that won’t stick in the head, this is decent enough. – Sean Gaffney

Crest of the Stars: A War Most Modest

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By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

When we left Jinto and Lafier, he was locked up in an evil Baron’s swank apartment along with the evil Baron’s sympathetic father. What follows for the next third or so of the book is a well-executed action movie, as we get escapes, chases, battles to the death, a clever use of propellant, and the two of them reunited and on their way once more. Unfortunately, it would appear that “drop Jinto off and continue on her merry way” is just not in the cards for Lafier, as the delay means that there’s now a huge war that they have to somehow get through. They’re able to evade pursuit in space, but that won’t last long, so they land on a planet that, it turns out, has just been captured by the enemy. Now they have to hide out, disguise the fact that Lafier is Abh, and try to get back off the planet and to safety. But they’re both smart kids. What could possibly go wrong?

It has to be said, the best reason to buy this volume is Jinto and Lafier’s pathetic attempt at being on the run. They are the worst wanted criminals ever, made even more silly when they hold up some joyriders and steal their car, then… hole up in the first inn they find for days at a time, thinking everyone will simply ignore them. This is very much played for laughs, though it’s more of a wry smile sort of laugh (that said, I was amused at Lafier trying subtly to convey to Jinto that she needed privacy to go to the bathroom, though I could have done without the author patting himself on the back in the afterword). By the time the resistance shows up to “kidnap” them, you’re ready to thank God that someone can save these idiot kids from themselves. Perhaps the crusty old cop who’s being forced to work with the planet’s new conquerors might help as well.

We get an origin story of the Abh here from Lafier, who’s rather matter-of-fact about it but it’s still pretty dark. There are also a few scenes away from our star couple, as we see the Empress of the Abh dealing with the human ambassadors “negotiating” with her, which goes about as well as you’d expect. You can see that the Abh are upset about Lafier’s supposed death, or at least as upset as Abh are allowed to get. And the war also seems to be coming towards them, though I suspect they won’t be so easily rescued. A lot of Japanese science-fiction has that old-fashioned space opera feel to it, and this is no exception. The Abh tend to be a fill-in for Japan at times, so it’s no surprise that they’re being shown as the good guys, but the author tries to make it clear how that appears to everyone else. It’s just the narrative sides with them.

Again, this is a good work of science fiction, and doesn’t feel like a light novel at all. It’s worth it as a real change of pace for those who are tired of isekai. Also, nice hat.

A Certain Scientific Railgun, Vol. 14

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By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer, Adapted by Patrick Sullivan.

Out of the ‘core four’ heroines in Railgun, Uiharu Kazari has probably gotten the least amount of focus time. She’s the hacker friend of the bunch, and would be the weakest esper except that Saten is a Level 0, and Saten is also outgoing whereas Uiharu isn’t. But we’re past the events of Index 15, where Uiharu stared down a dangerous Level 5 in order to protect a child (and got a broken collarbone for her troubles), so we know that she’s made of sterner stuff. As a result, she gets a bit of the spotlight in this volume of Railgun, though true to her character most of the “spotlight” is spent offscreen. A prison is trying to boast of its impregnability, and asks students to try to infiltrate it and free a prisoner. There’s a big cash reward, so Saten’s in, and Mikoto’s pride is tweaked, so she’s there as well. But how impregnable is it really?

The volume opens with a lovely series of scenes where Uiharu takes Saten out on a date to try to cheer her up as she’s been down lately, and Saten admits (though doesn’t specify) that she’s upset about Frenda’s disappearance. (As with most yuri relationships in Railgun that don’t involve Kuroko, there is plausible deniability here, but the entire chapter reads as REALLY yuri if you ask me.) The majority of the volume, however, shows off the huge cast of Railgun that we’ve met over the last few volumes, as they’re also trying to get into the facility – along with some “new” characters, who readers of Index will recognize from the New Testament novels but we’re seeing in the timeline for the first time, who run the gamut from goofy to helpless to dangerous – well, actually, the goofy and helpless girls ARE the dangerous ones.

Everyone is busy using their powers to break into the facility, fight the robots that try to stop them, and get taken out by various scientific marvels, but it’s Uiharu who (we see, after the reveal that the contest is over) comes up with the best plan – hack the robots, hack the cameras, hack the security and waltz away with the prisoner. It’s a good reminder of how lucky we are that she’s on the side of the angels, and there’s a very amusing joke where she talks about donating all her winning to charity because after all, she can always hack into a bank for money anytime she wants. Unfortunately, there was a new “villain group” of students at the event, all of whom are traitors of some sort, and they’ve decided that their plan really needs someone like Uiharu in it. I smell a kidnapping coming up. In the meantime, let’s hope the wait for the next volume of Railgun isn’t as long as this one was.

Mushoku Tensei: Jobless Reincarnation, Vol. 3

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By Rifuin Na Magonote and Shirotaka. Released in Japan as “Mushoku Tensei – Isekai Ittara Honki Dasu” by Media Factory. Released in North America by Seven Seas. Translated by Paul Cuneo. Adapted by JY Yang.

A lot of people had talked about the influence of Mushoku Tensei on other reincarnation isekais, and I must admit after the first two volumes I wasn’t seeing it. If anything, this series is more interesting for what it doesn’t do, as we see Rudy training up as a child, and at the end of this book he’s still only eleven years old or so. The subplot with Eris in the second volume also seemed fairly unique. But then there was that cliffhanger, with everyone and everything being scattered to the four winds. Unfortunately, we don’t find out anyone else’s fate (though there is a bit at the end that hints about why it happened), but the good news is Rudeus and Eris are fine. The bad news is that they’ve ended up in the middle of the Demon Empire, and their only companion is a Superd, whose mere presence is enough to reduce people to shaking terror. And the better (or worse) news is that this volume has them become… adventurers.

Yes, THIS is what everyone was talking about when they mentioned influence. The guild, the levels, its rules. Unfortunately, Rudeus is in a bit of a bind, as he’s got a plan to a) get back home, and b) restore Ruijerd’s reputation so that everyone does not scream and try to kill him on sight. (He has a tragic backstory.) This requires being a cool adventurer, but that takes lots of time and grinding. Fortunately (?), he has some advice from a god who speaks to him through his dreams (more things we’ve seen in other reincarnation books), and so is able to cheat the system a bit and Make.Levels.Fast. Unfortunately, Rudeus is still the combination of a precocious child and a shiny shut-in, so sometimes he has grand plans and they end up going very badly. It’s not till the end of the book that he works out how to handle their group of three, and by then they’re off to another city.

Rudeus is the highlight of the book, and the book is at its best when he’s seeing the consequence of a bad decision he’s made, usually involving someone dying. He’s having to grow up fast, and relying on his past life really isn’t helping here. After a couple volumes showing him as a child prodigy, he struggles with exhaustion, his magic isn’t always useful or effective, and he resembles what he is: promising but that’s about it. Eris does not fare quite as well here, for the most part remaining the hothead tsundere girl, though her swordsmanship is miles ahead of Rudy by now and she’s on her way towards being a legend. The debut here is Ruijerd, who is a good strong, silent type, and again at his best when he’s upset, such as when Rudy makes bad decisions and people die. I like him.

It’s clear that this book is the start of an ‘arc’, and I’m not sure when Rudy and Eris will be returning to what’s left of their home. Till then, though, enjoy a volume that’s a bit more like what you’ve read before but still worth reading.

Ao Haru Ride, Vol 6

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Ao Haru Ride Volume 6 by Io Sakisaka

I’m enjoying the way this series presents young romance with a sense of nostalgia mixed with compassion. Futuba’s heightened awareness of memory and lost time as she attempts to get to know Kou after not being in contact with him for years has her approaching school milestones with great introspection as she attempts to find just the right moment to confess her renewed feelings.

Ao Haru Ride 6

Complications loomed at the start of this volume, as it is clear that Kou has gotten himself a bit enmeshed with a former classmate named Narumi, who is leaning on him as her main source of emotional support. Narumi shows up at the school festival, and Futuba tries to figure out what sort of relationship she and Kou have. Futuba’s friends see through this situation and warn her of being too trusting. Kou continues to be motivated by jealousy, when he sees Futuba make a point of attending a performance from Kikuchi’s band, he also attends and they accidentally kiss. The fallout of this event dominates the rest of the volume as Futuba tries to figure out what it all means, if anything.

As far as enigmatic yet troubled dark-haired shoujo male protagonists go, Kou is rapidly moving up my unofficial rankings. He has not yet reached the heights of Izumi Sano from Hana-Kimi, but who knows how I’ll feel by the end of this series. While his tendency to go hot and cold and engage in impulsive actions that cause Futuba to experience the torments of teenage angst, his background and his own emotional turmoil still make him sympathetic. There’s a hilarious sequence where Futuba keeps running away because she doesn’t want Kou to be able to see her face and he keeps running after her, eventually cornering her in a classroom where she proceeds to hurl maid costumes at him. Futuba again gets some key advice from her friends as she struggles to deal with her emotions. Kou disregards the advice of his friends who tell him, quite reasonably, that “You can’t save everyone!”

This volume of Ao Haru Ride concludes by pulling off an impressive narrative maneuver of making mostly everybody miserable, but all for very good reasons. Surely this will sustain the shoujo drama for several more volumes and I have to say I am willing to endure plenty of tears to eventually get some sort of happy ending, or somewhat wistful conclusion.

Stravaganza: The Queen in the Iron Mask, Vol. 1

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By Akihito Tomi. Released in Japan as “Stravaganza – Isai no Hime” by Enterbrain, serialized in the magazines Fellows! and Harta. Released in North America by Udon Entertainment. Translated by Zack Davisson.

Sometimes when you see manga brought over to North America in omnibus format, it’s because the series would be too long otherwise (see, for example, YowaPeda). Sometimes it’s because of financial considerations. Sometimes it’s because the series is only 2-3 volumes long so it makes sense to release it all at once. And sometimes it’s because the publisher knows that the series only really gets good at the second volume, and doesn’t want everyone to read the first one and then drop it like a hot potato. After reading Stravaganza, I’m fairly sure that this last one is the reason we start with an omnibus of the first two books. The first volume is not bad per se, particularly if you’re a fan of nudity. But the nudity seems to be the point of the book, and it doesn’t really impress. That changes when we start the equivalent of Volume 2, when suddenly things turn very dark and very violent.

Queen Vivian is the titular Queen, leader of a small Kingdom who wears a knight’s mask to disguise her face. She takes advantage of this by walking around the kingdom posing as a common adventurer, Claria, confident that the mask means no one will recognize her. This is annoying to her lady maid as well as her lead Knight, but what are they going to do? The Kingdom seems to be fairly isolated, and also has several species of monster living in its forest, including the Umber, whose snarling face can be seen in the background of the cover. The manga starts off with wacky antics, and while “Claria” is briefly in danger from the monsters, it gives every impression of being relatively lighthearted, including a “guess which of us is the queen” scene and tripping and falling out of her gown, revealing her breasts to her subjects. It was very much “for teenage boys.”

Then we hit the halfway point, and suddenly a huge herd of Umber are slaughtering everyone in the kingdom, climbing the walls to the castle, and looking for all the world like they’d stepped out of Attack on Titan. You sense there will be an arc where the kingdom unites to subdue the monsters, but these monsters are simply too overpowered and terrifying. In the end, they’re forced to flee the land after over 90% of its people are killed. The humor does not entirely go away (the Queen races forward ahead of everyone else, and is later found panting on the ground begging to be carried) and the nudity is still around, but there is a definitely “fun times are over” sense to things, which makes some plotlines such as the return of a lecherous old man from the first part (who’s far more dangerous – and lecherous – here) seem out of place.

I was interested enough in the first book to get another one, but it has to be said: the tone of this is all over the place. If you want a good action manga and don’t mind a lot of nudity, you might enjoy this, but be prepared to have it wander all over the place before it settles down.

Invaders of the Rokujouma!?, Vol. 22

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

The plot continues from the last volume, with Koutarou, Theia and Yurika stranded away from the rest of the cast and needing to make their way towards them without getting caught by the military. The rest of the cast have little to do, though Ruth does meet her father, who is happy his little girl is maturing, and also happy she’s fallen for a guy, though Ruth has not quiet told him the “let’s share Koutarou” plan she and Theia have set up. And then there’s Elexis, Maya, and the rest of Darkness Rainbow, who are joining up with the military in order to pursue their own goals, only to find that the military’s “burn everything to the ground” strategy is inimical to their own desires and goals. With that in mind, can Koutarou and company trust Elexis and company long enough to save the planet from a killer virus? And is it time for Magical Girl Pretty Yurika to shine once more?

Most of the book is as good as always, though I wasn’t very much into the part where, to get through a city, Koutarou, Theia and Yurika have to disguise themselves as dogs and cats, something which sounds like it was written in order to create a color illustration more than anything else. More interesting by far was the plot with Elexis, Maya and Darkness Rainbow. They’ve been set up as the best of the villains we’ve had to date, and it’s because their goals are, while not the same as our heroes, at least not evil. Darkness Rainbow want a place to return to and freedom. Elexis regards the kingdom’s rule as a failure and wants it replaced with his own as he thinks it’s better. This is why one of the best scenes shows Elexis coming up against the military leader Vandarion and being overwhelmed by his presence – it helps to show us that a) this guy IS ready to do bad things, and b) he’s not going to be a pushover like Kiriha’s villains were..

Despite being filled with battles and fights (indeed, one of Darkness Rainbow decides to help our heroes because a planet with everyone dead from a virus is a planet where she can’t FIGHT EVERYONE!), Rokujouma’s main success continues to be showing how a harem romance does not need constant conflict between either the fiancees and the heroine or the fiancees and each other to tell a good story. Everyone gets along. Yurika may whine, but she stops immediately when it’s something that she’s best at – indeed, stopping the virus bomb may be her finest hour to date. Likewise, Koutarou and Theia get into a stereotypical “tsundere yells and hits hero” fight, but they’re both hitting each other, and it’s actually a way to make her calm down and blow off steam, and everyone knows it. We’re at the point in the series where “there’s a wacky misunderstanding!” is not needed anymore, and that’s the main reason this is still so good.

We’ve caught up to where the “fan releases” were before J-Novel Club’s unique license, so I expect that the next few volumes may come out in clumps – indeed, I may review them in clumps. Till then, despite being 22 volumes and counting, this is still a series everyone should check out to see a Battle Harem done right.

The Promised Neverland, Vol. 11

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

The cover of this volume, which shows Emma defeating Leuvis by his metaphorically shattering into glass shards, sort of makes her look like a witch given that his hat is right above her. Certainly I’d argue her determination has reached almost supernatural levels, even for a Jump hero. The kids and Lucas are faced with the fact that their plans worked but Leuvis is JUST THAT TOUGH so is coming after them anyway. Clearly time to punt and retreat. But no, Emma knows that this is the best time to try harder. He’s partly blinded and has shown his regeneration is imperfect, they need to bring the hammer down. And it works. Leuvis was a sadistic asshole, but he also made one of the more thrilling villains of the series, and his death gets a nice montage and him praising humans as “the best” before he goes. Oh yes, and he also slices Emma through the stomach with his Freddy Kreuger hands, leaving her too at death’s door.

Now, I think the average reader knows that The Promised Neverland is not going to kill off its heroine like this. But the book is titled “The End”, and the chapter with that title has Emma having a near-death experience as she tries to force herself to get back up despite life-threatening wounds. We see the kids of Grace Fields encouraging her, Krone talking about how weak she is, and finally Norman and Isabella reaching out to help her stand once more. That said, she does spend much of the latter half of the book unconscious, and the others have to take up her ideals for her, as they argue whether it’s safer to try to escape with everyone or to leave behind those who are so injured the journey might kill them. Again, the idealistic choice wins but it is debated, and I like how this series wears its heart on its sleeve but also shows why it chooses to do so every step of the way.

Meanwhile, that geezer has a name! It’s Yugo, and the reunion he has with Lucas is touching. In addition, while events in this book means there is next to no humor, I did crack a smile at Yugo returning to the rest of the Grace Fields children with Emma’s body and immediately being thought of as her killer. See, this is what happens when your plan to kill someone goes awry! But things work out, and Emma is now awake, and Goldy Pond is destroyed. More importantly, we have a new goal for the second half of the series – make a new pact with the demons that does not involve the children farms. That’s a tough row to hoe, especially given that the villains are also going to be gunning for them harder. Can they escape and find the supporters? More importantly, can they find Norman?

This continues to be one of the best Jump series I’ve read in years. A must-buy.

The Poe Clan, Vol. 1

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Since its debut in Bessatsu Shōjo Comic, Moto Hagio’s The Poe Clan has proven almost as enduring as its vampire protagonists, living on in the form of radio plays, CD dramas, a television series, a Takarazuka production, and a sequel that appeared in Flowers forty years after the series finished its initial run. The Poe Clan’s success is even more remarkable considering that Hagio was in the formative stages of her career, having made her professional debut just three years earlier with the short story “Lulu to Mimi.” Yet it’s easy to see why this work captivated female readers in 1972, as Hagio’s fluid layouts, beautiful characters, and feverish pace brought something new to shojo manga: a story that luxuriated in the characters’ interior lives, using a rich mixture of symbolism and facial close-ups to convey their ineffable sorrow.

The Poe Clan‘s principal characters are Edgar and Marybelle Portsnell, the secret, illegitimate children of a powerful aristocrat. When their father’s new wife discovers their existence, Edgar and Marybelle’s nursemaid leads them into a forest and abandons them. The pair are rescued by Hannah Poe, a seemingly benevolent old woman who plans to induct them into her clan when they come of age. The local villagers’ discovery that the Poes are, in fact, vampirnellas (Hagio’s term for vampires) irrevocably alters Hannah’s plans, however, setting in motion a chain of events that lead to Edgar and Marybelle’s premature transformation into vampirnellas.

Though my plot summary implies a chronological narrative, The Poe Clan is more Moebius strip than straight line, beginning midway through Edgar and Marybelle’s saga, then shuttling back and forth in time to reveal their father’s true identity and introduce a third important character: Alan Twilight, the scion of a wealthy industrialist whose confidence and beauty beguile the Portsnell siblings. In less capable hands, Hagio’s narrative structure might feel self-consciously literary, but the story’s fervid tone and dreamy imagery are better served by a non-linear approach that allows the reader to immerse themselves in Edgar’s memories, experiencing them as he does: a torrent of feelings. Furthermore, Hagio’s time-shifting serves a vital dramatic purpose, helping the reader appreciate just how meaningless time is for The Poe Clan’s immortal characters; they cannot age or bear children, nor can they remain in any school or village for more than a few months since their unchanging appearance might arouse suspicion.

Hagio’s artwork further reinforces the dreamlike atmosphere through inventive use of panel shapes and placement, with characters bursting out of frames and tumbling across the page, freeing them from the sequential logic of the grid. In this scene, for example, Hagio uses these techniques to depict an act of impulsive violence—Alan pushes his uncle down a flight of stairs—as well as the reaction of the servants and relatives who bear witness to it:

While the influence of manga pioneers like Osamu Tezuka and Shotaro Ishinomori is evident in the dynamism of this layout, what Hagio achieves on this page is something arguably more radical: she uses this approach not simply to suggest the speed or force of bodies in motion, or the simultaneous reactions of the bystanders, but to convey the intensity of her characters’ feelings, a point reinforced by the facial closeups and word balloons that frame the uncle’s crumpled body.

Her method for representing memories is likewise artful. Through layering seemingly arbitrary images, she creates a powerful analogue for how we remember events—not as a complete, chronological sequence but a vivid collage of individual moments and details. In this passage, Hagio reveals why one of Edgar’s schoolmates has confessed to a theft he didn’t commit:

The final frame of this passage reveals the source of Killian’s pain: he witnessed another boy’s suicide. But Killian isn’t remembering how the event unfolded; he’s remembering the things that caught his eye—birds and branches, feet dangling from a window—and his own feelings of helplessness as he realized what his classmate was about to do.

As ravishing as the artwork is, what stayed with me after reading The Poe Clan is how effectively it depicts the exquisite awfulness of being thirteen. Alan, Edgar, and Marybelle feel and say things with the utmost sincerity, so caught up in the intensity of their emotions that nothing else matters. Through the metaphor of vampirism, Hagio validates the realness of their tweenage mindset by depicting their existence as an endless cycle of all-consuming crushes, sudden betrayals, and confrontations with hypocritical, dangerous, or bumbling adults. At the same time, however, Hagio invites the reader to see the tragedy in the Portsnells’ dilemma; they are prisoners of their own immaturity, unable to achieve the emotional equilibrium that comes with growing up.

One final note: Fantagraphics deserves special praise for their elegant presentation of this shojo classic. Rachel Thorn’s graceful translation is a perfect match for the imagery, conveying the characters’ fervor in all its adolescent intensity, while the large trim size and substantial paper stock are an ideal canvas for Hagio’s detailed, vivid artwork. Recommended. 

This post was updated on August 23rd with more accurate information about the current status of The Poe Family‘s serialization in Flowers. Special thanks to Eric Henwood-Greer for the correction!

THE POE CLAN, VOL. 1 • ART AND STORY BY MOTO HAGIO • TRANSLATED BY RACHEL THORN • FANTAGRAPHICS • 512 pp. • NO RATING

Manga the Week of 8/21/19

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SEAN: This week doesn’t have as much as it originally did because of delays in publishing schedules, but it still has a lot.

Dark Horse has a 2nd Emanon, continuing the story beyond its initial origins.

ASH: I actually still need to read the first volume, but I greatly enjoy Kenji Tsuruta’s artwork.

SEAN: Fantagraphics has what is easily the release of the week with the first volume of The Poe Clan, Moto Hagio’s vampire family shoujo manga that ran in Betsucomi from 1972-1976. This is the first of a deluxe hardcover release of the series in North America, and it is apparently fantastic.

MICHELLE: Somehow, I missed that this had been licensed!

ANNA: I am excited for this!

ASH: Yes! I truly love Hagio’s work.

MJ: I’ve been waiting for this for so long! I’m so excited!

SEAN: Haikasoru is releasing another SF novel with anime/manga interest, as Automatic Eve is out next week. Shogun drama with robots!

ASH: I usually end up reading most of Haikasoru’s releases ⁠— Automatic Eve probably won’t be an exception to that.

SEAN: J-Novel Club has the 15th I Saved Too Many Girls and Caused the Apocalypse and the 10th Outbreak Company.

Kodansha debuts (print and digital) Fairy Tail: 100-Year Quest, a direct spinoff of the main manga with the main cast.

Also in print is Boarding School Juliet 7 and O Maidens in Your Savage Season 3.

ASH: I’ve been meaning to give O Maidens in Your Savage Season a read. I should probably do that before I get to far behind!

SEAN: Digitally the debut is Vampire Dormitory. How far Ema Toyama has fallen when she is reduced to digital-only debuts. This runs in Nakayoshi, and promises to be as Ema Toyama as all get out.

Also debuting digitally is Cardcaptor Sakura, in its Collector’s Edition (print is already out). And Defying Kurosaki-kun 11, Farewell My Dear Cramer 2, and Tokyo Alice 14.

MICHELLE: Farewell, My Dear Cramer is pretty fun.

SEAN: Seven Seas’ debut is a digital one, with print to follow: ANIMA, a light novel series based on Neon Genesis Evangelion. I’m not sure if it’s another alternate universe or not, but it does appear to have NERV and piloting giant mecha and not, y’know, running out of homes with toast in your mouth.

Also from Seven Seas is A Certain Scientific Railgun 14, Miss Kobayashi’s Dragon Maid: Elma’s OL Diary 2, Mushoku Tensei 9 (manga version), Reincarnated as a Sword 3 (digital), Sorry for My Familiar 5, and Wonderland 3.

Udon debuts Stravaganza, which is an omnibus of the first two volumes. This Woman in the Iron Mask story ran in fellows!, and then moved to Harta, meaning it already has my attention. It’s also gotten some great buzz.

ASH: Count me intrigued as well.

SEAN: They also have a 4th Otherworldly Izakaya Nobu.

Vertical has a 2nd volume of Icelandic saga Go with the Clouds, North-by-Northwest.

MICHELLE: Someday I’ll read Otherworldly Izakaya Nobu and Go with the Clouds.

ANNA: I need to read the first volume of Go with the Clouds, but rest assured it is somewhere in my house.

SEAN: Viz has Golden Kamuy 11, Ran and the Gray World 4, Mobile Suit Gundam Thunderbolt 12, Tokyo Ghoul;re 12, and Urusei Yatsura Omnibus 3.

ASH: Golden Kamuy is the release that I’ll be prioritizing out of this bunch, though I suspect that I’ll eventually get around to reading some of the others, too.

SEAN: Lastly, there is Yen, though not as much as you’d expect, as a lot of their titles moved. On the light novel end we get So I’m a Spider, So What? 6 and That Time I Got Reincarnated As a Slime 6.

Digitally there seems to be a release of the first Log Horizon manga volume, which originally came out in 2015, but I’ve only seen solicits for it, not actual confirmation. We shall see.

Barakamon comes to an end with its 18th and final volume, meaning we’ll need someone else to take up the “not quite Yotsuba&!” banner while we wait for more Yotsuba&!. I though Barakamon was a lot of fun.

MICHELLE: And someday I’ll read Barakamon, too!

ASH: I’ve enjoyed the volumes I’ve read.

SEAN: And we get the 14th The Devil Is a Part-Timer! manga, Sword Art Online: Hollow Realization 4, Triage X 18, and Trinity Seven 17.

First: buy The Poe Clan. You should get Stravaganza as well. And the Evangelion light novel. Aside from that, what are you getting?

Sword Art Online Alternative: Gun Gale Online: 3rd Squad Jam: Betrayer’s Choice (Part 1)

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

You know the drill by now. This is Keiichi Sigsawa’s version of Gun Gale Online, meaning for the most part depth of characterization and plot is left at the door. Last time we at least had the real world threat of Pitohui threatening to kill herself, this time we don’t even have that, and our two teams of two join up to form a terrifying team of four, because there’s another Squad Jam, and the same people are going to be around for it. Llenn is there to see if she can finally have her battle against her gymnastics team friends; Pitohui is there because she wants to fight Llenn but will settle for this instead; M is there because Pitohui is there. and Fukaziroh is the comedy relief. This time around there’s a new rule added, but we only get to see that at the very end of the volume, so for the most part we’re here to see action scenes of LPFM (their team name) kill a lot of people. And they do.

We don’t see much of the quartet’s real world selves except at the start, where we find Karen has been avoiding GGO because a) school is happening; b) she did what she wanted to do with Pitohui and doesn’t have a concrete goal; and c) she’s still weirded out by Elza kissing her. But nothing is going to stop Elsa doing this again, even if she’d rather be fighting Llenn. The rest of the book is the Squad Jam itself, taking place on an island that’s rapidly sinking into the sea, meaning the squads have to keep moving to the center or they will die. Assuming they aren’t shot or blown up by their competitors. M, the leader this time around, holes the group up in a disused railyard, and while Llenn serves as bait (she’s fast, she won’t get killed.. probably) sets up a trap for everyone who’s going after them. And there are a lot of folks going after them, as they’re the favorites.

Of course, there are a few others we do get some development for, notably Shirley, the hunting girl from the last book who almost (but not quite) killed Pitohui. The frustration at her being unable to do this has led to her honing her skills in GGO to a terrifying degree, making her own explosive bullets and becoming a feared sniper. And there’s also Clarence, still female despite the name and the bishonen appearance, who also pulls a 180 from the previous Squad Jam where she was nice enough to give Llenn her ammo as she’s dying. Here Clarence is… well, let’s just say not as nice, but she’s certainly having fun. The battle between Clarence and Shirley may be the highlight of the volume, and I also ship them a bit now.

But of course this is Part 1 of 2, and the 2nd book promises to be even better thanks to the rule implemented at the end, which gives Pitohui her fondest desire. We’ll see how it shakes out next time. Expect lots of gunfight scenes.

Bookshelf Briefs 8/14/19

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Anonymous Noise, Vol. 15 | By Ryoko Fukuyama | Viz Media – Nino has been struggling for so long against herself, or at the very least against Miou, that it’s worth seeing how she fares against actual professional singer at a concert. We find out here when one of the other bands covers an In No Hurry song and asks Nino to join in—which shows off how far she has to go, but also gives her a bit more drive. Meanwhile rain threatens to dwindle their audience, but also inspires them to bring out an older song—one associated with the band’s first vocalist. It helps tie into the theme of moving on and growing that is in this book. Which is good, as the romance is fairly static, though Kurose looks to be stumbling towards a revelation, at least. Still quite good. – Sean Gaffney

High School Prodigies Have It Easy Even in Another World!, Vol. 4 | By Riku Misora and Kotaro Yamada | Yen Press – This volume is at its best when the prodigies are not having it quite as easy as they’d like. The local Duke is furious at what they’re trying to achieve, and launches a fearsome weapon that the heroes to eventually stop, but it manages to cause major damage to the city and causes some deaths as well. Thankfully, the Duke is killed off. Yup, totally dead, despite not finding a body. There’s no way he can come back from that. The service is also less in this volume, though it’s still present, especially in the extra chapter which is basically “why am I surrounded by girls with bigger tits than me?” Next volume promises a love triangle. This is OK, but I think I’d like the LN more. – Sean Gaffney

Killing Me!, Vol. 1 | By Akiyama | Yen Press – There were two volumes of yuri released last month, and one was fascinating enough for me to devote a full review to it. This is the other one, which is far less fascinating, though if you like yuri tsunderes it might be for you. A vampire hunter and vampire are both in high school, and the hunter keeps trying—and failing—to kill the vampire, partly as the vampire does things like attempting to seduce her, etc. and partly as she’s clearly in love but unaware of it. What happens is a series of somewhat tedious scenes that show off this love. There’s also age difference at play here, given the vampire tropes present. Not sure if there’s a second volume of this, but I was going to pass anyway. – Sean Gaffney

My Sweet Girl, Vol. 5 | By Rumi Ichinohe | Kodansha Comics (digital only) – I’ve been waiting for My Sweet Girl to do something that might distinguish it from the pack. It’s been pleasant and cute, but through volume four, it was sticking to the standard shoujo plot lines. I mean, really, the introduction of Kiyodo, the similarly frail classmate whom Koeda befriended in junior high, is just another example of the childhood friend romantic rival trope. But Kiyodo is an interesting tsundere, and I really appreciated seeing Koeda through his eyes, especially his appreciation of how much she’s changed. I hope we’re not supposed to take him seriously as a threat to Masamune-kun, though. Finally kind of good! – Michelle Smith

One-Punch Man, Vol. 17 | By ONE and Yusuke Murata | VIZ Media – Man, it seems like it’s been forever since we’ve seen Saitama show up to a scene and destroy a monster in a single punch, so his arrival at the battle between Genos, two elderly martial arts practitioners, and a nigh indestructable giant centipede—including an epic, eight-page spread for his punch—was immensely gratifying. I’ll just pretend the gag about King pooping his pants didn’t happen. Unfortunately, the arc about the Monster Association is still ongoing, with no end in sight. Hero-hunter Garo I can at least sympathize with a little bit, and now he’s in league with the monsters, so perhaps he’ll make them more interesting by association. This is still a fun title, despite my gripes. – Michelle Smith

Oresama Teacher, Vol. 26 | By Izumi Tsubaki | Viz Media – Arguably kidnapping Mafuyu and locking her in a mansion was not the best move plot-wise, as it takes us away from the school and devotes too much attention to Miyabi’s sister Toko and our villain of the arc, Mr. Maki. Toko fares better here than she has before, but is no Miyabi, and Maki’s tragic backstory does not really tear at the heartstrings like it should. Fortunately, there is always Mafuyu being an absolutely dense pile of girl, and we get that in spades. Every time I found myself laughing hard it was due to Mafuyu reaching new depths of stupidity that I didn’t think were possible—”You’re telling me to make more friends” had me in hysterics. This needs to end soon, but I still love it. – Sean Gaffney

Precarious Woman Executive Miss Black General, Vol. 4 | By jin | Seven Seas – The author almost apologizes for this volume having a plot that runs all the way through it, as it turns out that the heroes organization has been compromised, and after Secretary, of all people, is kidnapped, it’s up to Braveman and Black General to team up and head into the base. This is not to say there’s not a lot of the silly humor that’s the reason to read this—the antagonist realizing how the General had snuck into the hero training course earlier is a great series of “oh crap” images, and while Black General’s solution ended up humiliating her, it also included a very satisfying kick to the groin which was desperately needed. Still more fun than you’d expect. – Sean Gaffney

Requiem of the Rose King, Vol. 10 | By Aya Kanno | Viz Media – So I put off reviewing this for a long time, and while it’s difficult to do a content warning in a brief, here is one: there’s a non-consensual sex scene in this, and while it’s handled in a way that’s not meant to be titillating but disturbing, it’s still here and did not make me happy. It doesn’t help that Buckingham is sitting there on the cover smiling at the reader as if to say “Yeah, I did that. And?” That said, there is one fantastic reason to read this, and it’s Elizabeth, who, like Margaret before her, is getting more and more furious and unhinged, and the faces that Kanno draws to convey this are first rate. This is not an easy read, but I still want to see how it all plays out. – Sean Gaffney

UQ Holder, Vol. 17 | By Ken Akamatsu | Kodansha Comics – This is at its best when it’s revisiting its past, as with earlier volumes. While fifteen wrapped up Negima and gave us an ultra-happy ending, this is not that universe, and there will be no wedding between Chisame and anyone here, as we discover just how Negi got to be what he is and why Nodoka and Yue are on his side. Less impressive is the resolution of the bomb on the space station plot, which involves one of the characters sacrificing their immortality to save the day ’til an ass pull that’s so out of nowhere that even I, a very forgiving person, can’t accept it. Oh yes, and not a fan of Eva/Touta, so seeing Chachazero (revived briefly) nagging her about it did not thrill me. Sill, the Negima stuff was great. – Sean Gaffney

Yona of the Dawn, Vol. 19 | By Mizuho Kusanagi | VIZ Media – Zeno’s sad backstory has concluded, so volume nineteen is mostly transitional. Still, because this is Yona, it’s still really good. First, the group runs into the former site of a Blue Dragon village, whereupon the spirit of a previous Blue Dragon possesses Sinha. He threatens to use the rest of the party as vessels for the spirits of the bandits with whom he was trapped long ago, but then he meets Yona. I loved the panel where this guy just involuntarily starts weeping from being in her presence. She’s able to soothe him in no time, and then she and the boys end up accompanying Riri on a journey to another country. Or, rather, they *would* if they weren’t ambushed in a pleasant-seeming town on this side of the border. Yona is always fabulous, even when it’s just moving the plot along. – Michelle Smith

Yuri Is My Job!, Vol. 4 | By miman | Kodansha Comics – We finally get the climax of the arc here, and it’s handled pretty well given that this series is reveling in yuri tropes while trying to steer clear of any actual yuri relationships. Sumika’s past shows us that, to my surprise, she was not the one involved in the past “tragedy,” though I did like seeing how said tragedy seems to have merely led to an Important Haircut rather than anything more drastic. Still, it does help Sumika realize that she’s not there to stop Kanoko from confessing—Kanoko’s never going to do that—but to be there when the emotions of burying her love get to be too much. As a result, we get two new soeurs… erm, schwesters, and a final lighter chapter whose plot is “Yano’s large chest is too sexy for our room.” Decently handled. – Sean Gaffney

Middle-Aged Businessman, Arise in Another World!, Vol. 1

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By Sai Sumimori and Ichijirushi. Released in Japan as “Around 40 Eigyou-man, Isekai ni Tatsu!” by Kodansha. Released in North America digitally by J-Novel Club. Translated by Taishi.

To a large degree these new isekai titles that we’re seeing are playing to a crowd who knows what it wants. There is, at least here in North America, a relatively loud contingent who are sick of isekai and moan and groan when they see more of it, but the fact is isekai sells a ton, and there are readers who want more and more of it. The same goes for so-called overpowered characters. Hate on Kirito if you must (and he’s not even a good example of the type), but folks love to read about newly isekai’d folks who suddenly find they can do anything. I have excellent news for those of you who like said characters: in this book, we get an entire family of them. That said, I also have good news for those who dislike these types of characters: for the most part, we stick with the father, and he rarely busts out his god powers, preferring instead to trust in what he’s really good at: sales and marketing.

We first meet our hero, Shousou, as a sad-sack 28-year-old salaryman who’s not very good at much of anything. In the pouring rain one evening, he runs into a beautiful goddess who’s experiencing life on Earth. Faster than you can say “Oh My Goddess”, the two go back to his place and fall into bed. Thirteen years later, they’re married with a family, and he’s now a huge success thanks to brimming with confidence after… well, boning a goddess. And he’ll need that confidence, as one day he and his entire family are transported, house and all, to another world. There, another goddess (who is far less impressive than his wife, a running gag) informs them that it was an accident but it will be at least a year till they can be returned. Shouzou has to provide for his family, but adventurer is a job that would keep him away from the home for weeks on end. So he joins a down-on-its-luck guild as their sales manager, promising to make them the top guild in the city within a year.

Lest you think that Shouzou’s sales pitch is his only power, rest assured he has power out the wazoo thanks to his goddess wife (who helpfully explains that sex with a goddess every day will do that to a mortal). But it’s mostly for emergencies like when he has to slap a dragon to get it to go away and such. For the most part, this really is Shouzou dealing with a fantasy world guild the way a marketer would, and using clever ideas to move forward. It’s actually the main reason to read the book, and a lot of fun. I do wish we’d seen more of the family – having been the catalyst of all this, his wife is content to sit back and be sweet for the most part, though the three daughters do get tiny subplots showing off how a combination of their heritage and being in a fantasy world means they’re all superhuman as well.

I enjoyed this a lot more than I expected. Shouzou is dynamic and fun, the guild employees are nice, and even the stereotypes, such as the ojousama teenager with princess curls and the arrogant third son who lashes out when he can’t get his way are relatively harmless compared to other examples of those types. The second volume is the final one, though as with a lot of light novels I do wonder if it has an actual ending or just stops. I will definitely want to find out, though.