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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Features & Reviews

Bookshelf Briefs 10/24/19

October 24, 2019 by Ash Brown, Sean Gaffney and Michelle Smith 1 Comment

Ao Haru Ride, Vol. 7 | By Io Sakisaka | Viz Media – Somehow I missed reviewing the sixth book, and may have missed reading it as well. In any case, things aren’t going well for our lead couple, which is suffering from the usual miscommunication drama that infects shoujo series like this. Indeed, it infects the rest of the cast as well, and so we have Kou’s brother getting in trouble for seemingly having an affair… with Futaba. It’s not what it seems. But it does inspire Shuko, who was terrified about what would happen to her crush, to confess to him. Fortunately, he’s a good teacher, so rejects her. We’re also getting some setup for a beta couple, which I think I would enjoy more if it wasn’t so obvious. This was a good volume, but I’ve grown to expect great from this series, and it wasn’t that. – Sean Gaffney

Cats of the Louvre | By Taiyo Matsumoto | Viz Media – I expected it would only be a matter of time before Cats of the Louvre was licensed, but I was initially a little surprised that Viz was the company bringing it over—up until this point, every volume of the “Louvre Collection” (including Hirohiko Araki’s Rohan at the Louvre and Jiro Taniguchi’s Guardians of the Louvre) has been released by NBM Publishing. But, on the other hand, Viz has been Matsumoto’s primary publisher in English. Viz has done a beautiful job with the release if Cats of the Louvre, combining both volumes of the Japanese edition into a single, hardcover omnibus. In part, the narrative follows a declining colony of cats that lives in the hidden corners of the Louvre and the humans that come into contact with it. Both Matsumoto’s storytelling and artwork are atmospheric, magical, and melancholic. But while there’s some darkness to the work, there’s also hope. – Ash Brown

Hakumei & Mikochi: Tiny Little Life in the Woods, Vol. 7 | By Takuto Kashiki | Yen Press – I think we’ve now caught up with Japan, so expect more of a gap before the next volume of this. Till then, we see our not-a-couple couple use bird mail delivery, get taken advantage of by local doctors, have troublesome friends over for the night, wait in a very long line for food that may not live up to the line, etc. Easily the best chapter is also the most serious, as an old mentor of Hakumei’s dies and sends her a final sake bottle, which she and Mikochi wander all over to try to drink quietly before Mikochi finally moves on so Hakumei can grieve a bit. This is always going to be the sort of series where “we couldn’t buy the cups” is gripping drama, but that’s why it has its fans. – Sean Gaffney

Himouto! Umaru-chan, Vol. 7 | By Sankakuhead | Seven Seas – Is this the end of the superdeformed Umaru? Well, no, but it makes for a nice change of pace, as Umaru realizes that she’s been hanging out with friends normally for a while, and wonders if she can admit to them her big secrets—both her slothful little self, and also her masked gamer. The message turns out to be “don’t rush growing up,” which is a bit disappointing but not surprising given this has like five more volumes to go. We also see the “rival” girl again, and she turns out to also be connected to this extended family in an oblique way. Unfortunately, emphasizing the similarities between her and Umaru works a bit TOO well—sometimes I can’t tell them apart. This is the definition of moe cuteness. – Sean Gaffney

Magus of the Library, Vol. 2 | By Mitsu Izumi | Kodansha Comics – The main selling point for this series is present and correct—it is gorgeous, and rivals Witch Hat Atelier for the prettiest manga in Kodansha’s stable right now. The main plot involves a somewhat older Theo setting out to take the Kafna test, despite the fact that it’s a job, much like “librarian” is here, seen as being for women. He’s joined by a young woman who seems to tick off every single box in the “easily flustered love interest” box, to the point where I actually found her a bit annoying. The series sure does love its books, though, and also loves its grueling three-day-long test, which is known to break many of its participants. Can Theo pass? If you guessed “I bet we find out in Book Three,” you’re right. – Sean Gaffney

My Hero Academia: Vigilantes, Vol. 6 | By Hideyuki Furuhashi, Betten Court, and Kohei Horikoshi | VIZ Media – With the departure of Master, Vigilantes seems to be settling in for the long haul. Koichi discovers two new applications for his powers, which leads him to engage villains in ways he really shouldn’t, though this comes in handy when he helps Aizawa take on another enhanced Trigger user. In fact, there is lots of Aizawa in action, which I appreciate, as well as an example of how effectively Midnight’s powers work in the field when she goes undercover to figure out who is dosing young men with the drug. Meanwhile, there’s a mysterious speedster lurking about who easily dispatches the villain that Aizawa and Koichi struggled with. This prequel really seems to be coming into its own and I find myself increasingly captivated by it! – Michelle Smith

Mythical Beast Investigator, Vol. 2 | By Keishi Ayasato and Koichiro Hoshino | Seven Seas – Last time I called this very readable but extremely forgettable. The two qualities invert in this second and final volume, as the “twist” that happens halfway through the book is rather startling, but I don’t really like the way that it’s handled, which seems confusing and probably reads better in the novel this is based on. The focus, appropriately, changes over to Kushuna, the grumpy rabbit demon accompanying Ferry on her journeys, and we see how they originally met and how he was won over to her side. But… ergh, I don’t want to spoil the twist, but let’s just say I disliked it and leave it at that. On the bright side, I’m very glad the series ends with the second volume. – Sean Gaffney

Sleepy Princess in the Demon Castle, Vol. 9 | By Kagiji Kumanomata | Viz Media – The bulk of this volume is given over to the demon castle’s Summer Festival, which naturally Syalis is SUPER EXCITED for, despite meaning that outsiders might actually notice she has the run of the place. With that in mind, she does a café (well, haunted house was taken) which features her, as a hostage in big fake handcuffs, begging for food. It’s brilliant and also hilarious. We get a beauty pageant, which Syalis manages to lose despite seemingly being a shoo-in, as well as the final bonfire, which she sleeps through, much to her horror. The rest of the book is just as funny, and while the gags aren’t original they arrive with precision timing. This remains a fantastic comedy manga. – Sean Gaffney

That Blue Sky Feeling, Vol. 3 | By Okura and Coma Hashii | VIZ Media – I reckon some people are going to be disappointed by the ending of That Blue Sky Feeling, in that Noshiro and Sanada are not yet formally dating, but if one looks only at the change in Sanada, then it’s a satisfying ending indeed. Probably because of his experience being accepted by Noshiro, when Sanada’s long-time friend Ayumi asks whether he likes boys, he tells her the truth. And when Noshiro starts going out with a girl, it’s Ayumi who knocks some sense into Sanada, telling him that his feelings do matter in this situation. After Noshiro ditches his date to hear what Sanada has to say, it’s confession time and it looks like the feelings may be mutual. But what really stands out to me is Sanada’s face there at the ending—happy and at peace. His love was not rejected! I hope we get more Okura in the future. – Michelle Smith

Tomo-chan Is a Girl!, Vol. 5 | By Fumita Yanagida | Seven Seas – Beta couple Carol and Misaki get the main focus in this book, though they aren’t actually a couple. Carol seems to be waiting for Misaki to take the lead, and he just isn’t doing that—though seeing her and Misuzu threatened by some punks turns on his inner rage, as the cover art shows. As for Carol, once she finds that Misaki is trying to get stronger by spending time with Tomo at her father’s dojo, Carol suddenly finds herself jealous—and decides to do something about it by seemingly seducing Jun. Of course, she’s not really doing this, but it does serve to show off Jun’s paralyzing fear of intimacy, and also possibly the sexiest “rawr!” in all of manga ever. I love this series. – Sean Gaffney

The Wize Wize Beasts of the Wizarding Wizdoms | By Nagabe | Seven Seas – After a wizard named Wizdom bestowed the shape and intellect of humans upon beasts, the demi-human tribes built a grand academy. The Wize Wize Beasts of the Wizarding Wizdoms is a collection of BL short stories set at that school. I must say… as a major fan of Nagabe’s The Girl from the Other Side, I thought I’d like this more. Some stories are charming, like “Mauchly & Charles,” in which a human is clearly in love with his bear friend, but others are darker, like “Doug & Huey,” in which a crow sabotages his peacock pal’s efforts to find a girlfriend so that he can remain closest to him, or “Alan & Eddington,” in which the latter brews a love potion intending to make out with the former and leave him with no memory of their encounter. I was expecting more whimsy, I think. – Michelle Smith

Filed Under: Bookshelf Briefs

Manga the Week of 10/30/19

October 24, 2019 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ Leave a Comment

SEAN: No more small weeks anymore. All the weeks coming up are huge, huge, huge. Starting with next week.

Denpa gives us the 3rd volume of Today’s Menu for the Emiya Family, with Best Girl on the cover.

Ghost Ship has the 2nd Creature Girls volume, as well as To-Love-Ru Darkness 12.

No debuts for J-Novel Club, but we do get the 16th and final volume of I Saved Too Many Girls and Caused the Apocalypse.

There’s also Full Metal Panic! 4, In Another World with My Smartphone 17, and Seirei Gensouki: Spirit Chronicles 7 on the light novel side, and The Magic in This Other World Is Too Far Behind! 2 and Seirei Gensouki (again) 2 on the manga side.

In print, Kodansha has erm… nothing. On to digital! The debut is Guilty (Guilty – Nakanu Hotaru ga Mi o Kogasu), a josei series that runs in Be Love, and judging by the cover seems to be Very Serious Indeed.

MICHELLE: I am intrigued.

ANNA: I am too, but I somehow almost never get around to reading the digital manga I buy.

SEAN: Digitally we also see Domestic Girlfriend 22, Fairy Tail: Happy’s Heroic Adventure 2, and The Prince’s Black Poison 10 (a final volume, I think), as well as the 10th GTO: Paradise Lost, the first volume in almost a year and a half.

Seven Seas has one debut, which digital readers will have seen already: the first of the Neon Genesis Evangelion: ANIMA novels.

Seven Seas also has a lot more, though. Alice & Zoroku 6, the 10th and final Dreamin’ Sun (yes, I know, it was here before, sorry, it slipped), Getter Robo Devolution 4, the print edition of Grimgar of Fantasy and Ash 11, The High School Life of a Fudanshi 5, the 3rd Mushoku Tensei novel in print, New Game! 7, and everyone’s favorite punching bag, Pandora in the Crimson Shell: Ghost Urn 12.

MICHELLE: Probably I said something like I still intend to finish Dreamin’ Sun, even though I prefer orange, and that is still true.

ASH: Likewise.

SEAN: Vertical has Colorful Dreams, an artbook of VOFAN’s non-Monogatari works. It is apparently super gorgeous.

Despite a number of delays, Yen does have quite a bit out next week. Yen On has one debut, The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker (Sekai Saikyou no Kouei: Meikyuukoku no Shinjin Tansakusha). Reincarnated Japanese dude in fantasy world, dungeon game stats, picking a seemingly weak job and making it the strongest – this ticks those boxes.

Yen On also gives us Bungo Stray Dogs 2 (the novel version), Final Fantasy XIII-2 Fragments After, Kingdom Hearts 3D: Drop Dream Distance, Magical Girl Raising Project 7, No Game No Life 9, Overlord 11, and Sword Art Online 17. Feels like the last three of those are the most important.

ASH: I should give the Bungo Stray Dogs novels a try one of these days.

SEAN: No debuts on the manga side, though we do get the 14th and final Prison School omnibus.

And we get Akame Ga KILL! ZERO 10, Black Butler 28. Is It Wrong to Try to Pick Up Girls in a Dungeon? 11 (manga version), The Saga of Tanya the Evil 8 (manga version), School-Live! 11, and Silver Spoon 11.

MICHELLE: I am so far behind on Silver Spoon. Sigh.

ASH: Totally worth making a point to catch up when you have the time!

MJ: Such a huge week and I only care about Silver Spoon? How can this be? That said, I REALLY care about Silver Spoon!

SEAN: Do any of these float your boat? Or will you just ring and run?

Filed Under: FEATURES, manga the week of

Today’s Menu for the Emiya Family, Vol. 3

October 24, 2019 by Sean Gaffney

By TAa, based on Fate/Stay Night by TYPE-MOON. Released in Japan as “Emiya-san Chi no Kyou no Gohan” by Kadokawa Shoten, serialization ongoing in the magazine Young Ace Up. Released in North America by Denpa Books. Translated by Ko Ransom.

This series has shown a very delicate touch when it comes to the “canon” of the Fate universe. To a fairly large degree, understanding the character interaction requires familiarity with the source, be it the game, anime, manga, whichever. There are also little “bonus” bits that reward a reader who knows things deeper than the source, but aren’t required, such as why Gilgamesh is hanging out with a bunch of little kids. That said, sometimes you actively have to ignore the original game. Emiya Family is a light, fluffy spinoff where everyone is happy and everyone cooks. When we see the backstory of how Shinji and Shirou became friends, we’re meant to think “a ha ha, what a delightful tsundere he is!”, not “what a disgusting rapist abuser”. Shinji isn’t a villain here, just a jerk who doesn’t know how to be a good friend. Maybe food will help!

Likewise, there is a story here where middle-school Sakura asks Shirou to teach her how to cook, and we see her sad dead eyes and think “poor girl, she must be having a rough time at home”. But we’re not going to ever see HOW rough a time in this manga. At the end of the chapter, we see Sakura happy and full of life, but it’s not because she’s in love with Shirou, it’s because she was saved by the power of beef stew. Emiya Family is a light-hearted slice-of-life manga, but it never forgets its purpose of food and recipes. As a result, even Caster and Shirou are getting along now, mostly as her cooking has improved enough that Kuzuki is consistently praising her now. That said, the Gilgamesh chapter comes close to just being written for fun rather than food, despite the fact that yes, there are corndog recipes here. (What would Lancer think!?)

Speaking of spinoffs, I’ve said before that the core of this “universe” is Fate/Hollow Ataraxia minus the plot, and we get a chapter here that the author basically admits is just one of Hollow’s scenes made into a manga, where Yukika (one of “those three girls”) gets a mild crush on Assassin and gets Shirou’s help in making him sakura mochi. Assassin’s incorporeal nature is not really brought up until the final panel, so it works very well as a “cute girl + stoic guy” story. There’s also a shameless fanservice chapter where the girls all go shopping because they want to see Saber in different outfits, but it’s wholesome fanservice – we the reader also want to see Saber dressed in something different. And one of the chapters was made into the first episode of the anime, which was being created at the same time, and is a must for fans of the Shirou/Saber pairing.

Unless you don’t think it’s Fate unless there are people dying (in which case, Fate/Zero is right over there), this is a must buy for fans of these characters. And try a recipe or two as well!

Filed Under: REVIEWS, today's menu for the emiya family

Kokoro Connect: Yume Random

October 23, 2019 by Sean Gaffney

By Sadanatsu Anda and Shiromizakana. Released in Japan by Enterbrain. Released in North America by J-Novel Club. Translated by Molly Lee.

Oy. I’ve had several reviews of this series where I’ve talked about Taichi, how annoying he can be, and the way he and everyone else around him struggle to have him be more than just “generic visual novel protagonist”. Which means I need to find new things to say about THIS book, which finally takes all of this and turns it up to eleven, destroying Taichi so that he might be reborn. (No, that is actually what one character does.) When we finally get to that point, it’s fantastic. The setup for this book is also great. The middle second and third quarter of this book, though, while well-written and necessary, felt like I was stabbing my legs with forks constantly while reading it. I’ve mentioned I’m not a big fan of cringe comedy, and it turns out I don’t like cringe drama much either. If you have trouble watching people make bad decisions while watching the other shoe about to drop for pages on end, this will be a very difficult read.

Heartseed shows up and says that this will be the last time he messes with them (I know this isn’t true, there’s four more books after this). This time they (they being the core five, the first years are exempt) are given the ability to see other people’s hopes and dreams. This very quickly divides the group in two, with Taichi and Kiriyama being on the “we should use this to help people” side, and Inaba and Aoki being on the “we should just let this be” side, with Iori, as always, in the middle. Because they are in high school and surrounded by teenagers, most of these hopes and dreams end up being love-related, and Taichi and Kiriyama get reputations as “love gurus”. This despite the fact that Kiriyama still has not managed to tell Aoki how she really feels, and that this may be the last straw in Taichi and Inaba’s relationship. Oh yes, and everyone’s about to go on the class trip. But, most importantly, Taichi is determined to make up for the fact that he feels empty as a person by sticking to his guns on this decision, even if that turns out to be the worst thing possible.

As I said, how much you like this book depends on how tolerable you find Taichi attempting to finally realize that he needs to have his OWN hopes and dreams. His dilemma reminded me a lot of Tsubasa Hanekawa from the Monogatari series, who is verbally shredded by Senjogahara (the Inaba of that series) for not having anything she really dislikes… or, as it turns out, likes. Similarly, Taichi is so used to turning his attention to others that the mere sight of a future career survey can paralyze him. This is what leads him to decide to make a decision and stick with it, even if it’s a bad one. Fortunately, by the end of the book he seems to have come to terms with the ability to actually think about himself for once, let people deal with issues on their own, and actually tell Inaba he loves her out loud. Oh yes, Kiriyama and Aoki also get together, in a very sweet confession that spurs Taichi on, and almost makes up for another subplot involving Aoki’s family that I will gloss over as I don’t want to stab things.

It’s odd that I sound like I’m bashing this book, which is very good. You’re frustrated and angry, but in a way that makes sense for the characters and plot. I will note that if this had been stretched to two volumes, I might actually have been unable to continue. Fortunately it isn’t, and we have another short story volume next time. I need it.

Filed Under: kokoro connect, REVIEWS

The Alchemist Who Survived Now Dreams of a Quiet City Life, Vol. 1

October 21, 2019 by Sean Gaffney

By Usata Nonohara and ox. Released in Japan as “Ikinokori Renkinjutsushi wa Machi de Shizuka ni Kurashitai” by Kadokawa Shoten. Released in North America by Yen On. Translated by Erin Husson.

It’s possible that I simply have overinflated expectations for slow life titles with a female protagonist, but I must admit that I found this book a big old grab bag of good stuff and bad stuff, with in the end the bad outweighing the good a bit. I am reminded once again that there is a roadmap these fantasy light novels follow, and much as we as readers would like them to forge a new path they are absolutely going to stay on the well-traveled road. And that means we get slavery here, along with the heroine not really caring about it (she’s not reincarnated from Japan, though, so gets a bit more of a pass). It means we get more “her breasts are huge and I am sad that mine are not” descriptions, some of which verge on the ridiculous. And it means endless, truly endless descriptions of alchemical recipes, as if this were a foodie title. Sometimes worldbuilding can be boring.

Mariela is a young, relatively poor alchemist in a city with quite a few of them, living in a cabin in the woods while waiting for her Master to return. Then there’s a monster stampede killing everyone in its path. To survive, she puts herself in suspended animation… but forgets she’s in a hole in the ground, so her candle goes out and the spell lasts for two hundred years. Now awake again, she finds that alchemy has mostly died off, and that potions are highly prized. She decides to make a new life for herself in the city, hiding her real profession but opening an apothecary so she can be as close to it as possible. With the help of Siegmund, a slave she purchased on impulse who turns out to clean up very nicely, and a bunch of friendly soldiers and innkeepers, she resolves to live her slow life in a world that, to her, is the far future.

Great premise, and it has to be said Mariela is the best thing about the title. An odd combination of savvy and stunningly naive, you can see why she tends to worry people around her. She describes herself as just your average alchemist, but it’s pretty clear her Master was a genius, and Mariela was well on her way to surpassing that. Unfortunately, her treatment of Sieg, which is basically “I bought him as a slave and order him around for everyday household tasks but like to think we are the bestest of friends!” is cringeworthy. More to the point, this volume desperately needed an editor. Not on the Western side, Yen’s version is fine, but on the Japanese side. It’s a very long book, and future volumes in the series are just as long or longer. A good half of the book is Mariela describing in detail her alchemical processes and why you need this herb or that monster ingredient. I’ve mentioned that I dislike the “stat descriptions” in game based isekai. This is a normal fantasy, but may be just as bad. A lot of these Syosetsu webnovels need to have their wordcount culled before publication.

Again, problematic as she is, I liked Mariela, and will likely try a second volume. But honestly, I recommend this for those who REALLY love immersing themselves in worldbuilding and want to know exactly what steps to take to be an alchemist.

Filed Under: alchemist who survived now dreams of a quiet city life, REVIEWS

Umineko: When They Cry, Vol. 20

October 20, 2019 by Sean Gaffney

Story by Ryukishi07; Art by Kei Natsumi. Released in Japan in three separate volumes as “Umineko no Naku Koro ni: Twilight of the Golden Witch” by Square Enix, serialized in the magazine Gangan Joker. Released in North America by Yen Press. Translated by Stephen Paul.

Given this came out about three months ago, faithful readers might have wondered what happened, given my When They Cry obsession. Well, frankly, reading about 200 pages or so of Ange revealing her suicidal mental state for all to see is relatively exhausting and hard to get through. It’s well-handled, it’s just really goddamn depressing. A lot of this arc of Umineko, and this volume in particular, is dedicated to hammering into the reader that this isn’t Higurashi and there is absolutely no “everybody lives” ending. The time for guessing the murderer is over, The time for figuring out Beatrice is over. And, just in case readers of the VN were still debating endlessly because Ryukishi07 wanted to not spoon feed people the answers, we now get those same answers spoon-fed. How much you enjoy that may depend on how much you wanted to “solve” the mystery of Umineko, and how much you just want to read a good story.

Once again, I think there was a more appropriate cover they could have chosen, but I’ve given up on that fight. And to be fair, Will and Dlanor do get a wonderful epic teamup here fighting the goats spinning their endless theories. They each balance each other’s weak point. The start of the omnibus intersperses an awful lot of battles into the mix, with logic flying back and forth and everyone screaming at each other. This contrasts with the end of the book, Confession of the Golden Witch. This is possibly the most controversial manga addition – it was not in the original visual novel, and some say that Ryukishi07 added it as he was tired of people saying there was not a “real” answer. There is one. This is it. We see the culprit narrating what led to this point, why they decided to do it, and how they did it, down to the tiniest detail. As a mystery element, it’s terrible. As a character moment for the villain, it’s amazing.

For all that I’ve been going on about an unhappy ending for all, and certainly Ange does seem to leap off a building while Bernkastel describes how ludicrous it would be for convenient netting to break her fall, there is also something suggesting that she and Eva may not have been the only survivors from the island. We get a bit of background for Ikuko, who is far more likeable in the real world than she is as Featherine. She almost runs over a body on the highway one day, and finds they’re not as dead as expected. Sadly, said body seems to have lost his memory, and is facially bandaged… and then hidden from the reader. That said, the secret identity of this person is not all that hard to figure out. What IS hard to figure out is where Ange goes from here. She’s read Eva’s diary, and did not like what it said. So she can’t get her revenge, and also she’s seemingly dead, though a lot of Beatrice’s impassioned speech at the end certainly implies she is not as dead as everyone else in the Golden Land. What can she do, other than scream and pound Beato’s chest?

Well, that’s what the final omnibus will tell us. It’s been delayed till 2020, so we may not find out for a bit. Till then, enjoy a fun but emotionally exhausting book. Unless you were trying to figure out the mystery, in which case you may hate this. The answers are highlighted in yellow.

Filed Under: REVIEWS, umineko

The Asterisk War: The Way of the Sword

October 19, 2019 by Sean Gaffney

By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Haydn Trowell.

There is not usually much continuity between reviews of different series on my site: these are meant to stand alone. That said, as I read The Asterisk War’s 11th volume, a series derided by many as being cookie-cutter and plot-by-numbers, filled with harem heroines getting jealous, cool girls with swords, and a lead who seems to be putting all issues of romance aside till he solves the big problems, it was hard not to compare this with the 13th Strike the Blood, which I’d read right before it. Heck, they even both have the exact same number of fanfics on AO3. Five. I was somewhat grumpy with the StB volume, which I felt fell back into its old patterns (admittedly on purpose). This volume of Asterisk War, which is a “between arcs” volume with no tournaments, should in theory be even more by the numbers – and it is. Despite that, I found myself enjoying it a lot more. I’m not entirely sure why this is, though.

Kirin was on the cover of the 10th volume, so she’s not on this one, which is a shame, as this is absolutely her book through and through. She invites the rest of the group to her family house for the break, but all of them have other plans, which devastates her, as she’s that sort of person. That said, Ayato is quick enough to realize this, and asks if she wouldn’t mind going to HIS house, mostly as he wants to avoid being alone with his father. Kirin learns about Ayato’s family and past, and yearns to help him get closer to his parents. Things are slightly happier at her house, and Ayato naturally comes with her in return, as she has a full family once more – her father is out of prison due to her wish. But will she have to drop out of school to take over the family? And will she manage to confess to Ayato?

Again, every single plot beat you see here can be read a mile away, both on Kirin’s end, and also with Ayato, who also has to deal with the larger plot (his sister being revived, and also his late mother, whose secret identity the reader learns about here). And it probably helps that I haven’t read or seen Chivalry of a Failed Knight, the series everyone negatively compares Asterisk War to, unlike Strike the Blood, where I am familiar with Index. I think the main reason I enjoy this series more is that, despite both having complicated plots, the Asterisk War characters grow and develop emotionally in satisfying ways that have little to nothing to do with the fact that they love Ayato. Yes, Kirin wants to get strong so that she can stand by Ayato’s side, but her arc is also satisfying for her standing up to her family and inspiring Ayato to do the same, even if he can’t quite make up with his stern but awkward father. Julis and Claudia also get mini-arcs in this book that help develop their own plotlines and character, neither of which have anything to do with Ayato.

Asterisk War may be cookie-cutter and written to order, but its characters have a depth I just don’t really see from Kojou and Yukina. If you want to read a predictable light novel series that Western fans tend to dislike, this is definitely the one to pick.

Filed Under: asterisk war, REVIEWS

Bookshelf Briefs 10/18/19

October 18, 2019 by Ash Brown, Sean Gaffney and Michelle Smith Leave a Comment

Bakemonogatari, Vol. 1 | By NISIOISIN and Oh!great | Vertical Comics – For years there wasn’t a Bakemonogatari manga. It’s not clear why; perhaps Nisioisin didn’t like the format, perhaps the iconic SHAFT anime made it a hard act to follow. In any case, getting Oh!great to draw the story was an inspired choice—the ridiculous over-the-topness that grew tiresome in Air Gear and Tenjho Tenge fits in perfectly with Araragi’s fevered fantasies and Senjogahara’s verbal lacerations. This first volume takes us almost to the end of Hitagi Crab—indeed, it cuts off right near the end, awkwardly so. Still, for anyone who gets overwhelmed by the novel’s verbiage, this is a great purchase. There’s even a bit of added content, though only a bit. – Sean Gaffney

If I Could Reach You, Vol. 1 | By tMnR | Kodansha Comics – Teenage love can be dumb, but not always. Sometimes people are well aware that the feelings they have are never going to be requited, but that does not actually stop the feelings from being there anyway. It’s especially troubling for Uta, the girl that she’s fallen for and her childhood friend. Unfortunately, her brother was also Kaoru’s childhood friend, and they’re now married. Uta is living there due to circumstances, and must continue going to school and living her life while falling deeper and deeper into her passions. I must admit I found her school life a bit more interesting than the home life. Still, this manages to be a potboiler but not in a Citrus way, which is good. – Sean Gaffney

Komi Can’t Communicate, Vol. 3 | By Tomohito Oda | VIZ Media – After a second volume where I had to make it a full review so I could rant, this one settles down quite a bit. Yamai is still around but far less, and the emphasis is firmly on Komi trying to make progress. She does—in fact, her goal of “100 friends” is up to eleven by the end. We also get a better idea of her home life, and it turns out that both Komi and her brother take after their father, while the mother is a total chatterbox. As with the first two books, the best moments in the volume are more heartwarming than funny. Komi at the pool, where her accidental trip and fall means she has to sit by the side, leading to her castigating herself till Tadano steps in. There’s also a lovely festival at the end. Cute as heck. – Sean Gaffney

Ms. Koizumi Loves Ramen Noodles, Vol. 1 | By Naru Narumi | Dark Horse – The back cover promises “a fun food manga that will show you around the authentic ramen culture of everyday Japan,” and on that, Ms. Koizumi Loves Ramen Noodles delivers. I doubt I’ll be able to retain any of the information imparted, but it was interesting, all the same. Ramen-obsessed Koizumi is fine, but I’m less fond of Yu Osawa, the girl who’s desperate to become friends with Koizumi. Watching her friends become friendly with Koizumi—by demonstrating an affinity for ramen rather than interest in her—eventually drives Yu to the point of flailing on the ground and crying, “Why won’t you be friendly with meeeee?” It’s very unappealing. She does start to win Koizumi over by the end of the volume, though, which I guess is good for her. I’m not sure I’ll be back for volume two. Maybe. – Michelle Smith

My Hero Academia: School Briefs, Vol. 3 | By Kohei Horikoshi and Anri Yoshi | VIZ Media – Set just before and after the U.A. students have moved into the dorms, the third volume of My Hero Academia: School Briefs has a recurring motif wherein Hatsume Mei’s inventions cause trouble, including a fun chapter where the kids, on edge from telling ghost stories in Tokoyami’s room, hear a strange buzzing sound that Aizawa begrudgingly comes to investigate. My favorite stories, though, are the a-day-in-the-life entries told from the points of view of Ida (who worries he has ostracized his classmates by being too strict) and Kuwai (Koji’s pet bunny, whose inner narrative turns out to be surprisingly and delightfully erudite). I especially liked that both stories showed Bakugo in a good light, including a moment in Ida’s story where Bakugo prevents a surprise from being spoiled and one in Kuwai’s where he checks on the bunny to make sure it’s okay after it briefly escaped Koji’s room. I’m really glad we’re getting these stories! – Michelle Smith

My Hero Academia: Vigilantes, Vol. 6 | By Hideyuki Furuhashi and Betten Court | VIZ Media – This takes place a number of yeas before the main series, so we can’t really get cameos from 1-A. But we can see the teachers, some of whom aren’t teaching yet. This volume gives us a lot of Eraser, who ends up dealing with Koichi against his better judgment. Meanwhile, Koichi is doing the sort of quirk experimentation that 1-A requires in its students, and finds new uses for his quirk. This really does have in its background plot the idea that someone who fails (or in this case misses) an exam is not a terrible person, but society may treat them that way. And, yes, there’s still quirk drugs going around, this time lading to infiltrating a mixer, with the help of Midnight. Good times. – Sean Gaffney

Natsume’s Book of Friends, Vol. 23 | By Yuki Midorikawa | VIZ Media – It looks as if this is now a yearly series, but that makes each new volume a rewarding experience. This one has two main storylines. In the first, the boys of Natsume’s class get involved in a school’s urban legend about a painting, which may or nay not be supernatural in origin. Then, Natsume and Natori end up visiting a seemingly abandoned house that in reality is being maintained by Matoba and his people, and requires a certain ritual to go well. That said, nothing goes perfectly with Natsume around. Again, the big reason to read this is the natural empathy Natsume has to nearly everyone around him. He is absolutely a good boy—a cinnamon roll, in fact. – Sean Gaffney

Otherworldly Izakaya Nobu, Vol. 4 | By Natsuya Semikawa and Virginia Nitouhei | Udon Entertainment – I like the way that the semi-regular cast show up over and over, sometimes because they’re plot-relevant, and sometimes just to eat more of their favorite food. One of our lothario knights ends up having a food discussion with a woman who is clearly a noble, only he doesn’t really get this. A lady knight shows up looking for the enemy that she fell in love with years ago… only to find the waitress of the izakaya (the blonde, not Shinobu or the little girl) is his wife. Meanwhile, Nobuyuki may be getting closer to Shinobu, but it’s pretty clear food is more important to both of them. Still makes me hungry, but good stuff. – Sean Gaffney

The Poe Clan, Vol. 1 | By Moto Hagio | Fantagraphics – It’s always cause for celebration when more of Hagio’s work is released in translation, doubly so when that work is the highly influential shoujo classic The Poe Clan. Originally published in the 1970s, the series’ focus is on a family of vampirnellas and their interactions with humans, particularly how they prey upon them to sustain their own lives or to initiate them as members into their immortal clan. The first English-language volume from Fantagraphics, released as a beautiful hardcover omnibus, collects six chapters of Hagio’s epic. Though the chapters are all related to one another, the story isn’t presented chronologically and instead shifts between time periods as well as characters. But tying everything together is the presence and spectre of Edgar—a young man whose mortal and immortal life are both tragic. Delectably dark and dramatic, I’m looking forward to the final volume of The Poe Clan a great deal. – Ash Brown

Sacrifical Princess and the King of Beasts, Vol. 7 | By Yu Tomofuji | Yen Press – Sariphi is making friends and influencing people, but her royal fiancé is never far away. She needs to show that she can handle things on her own, so is sent to a nation to essentially bring greetings from the King. Things get complicated, though, because her bodyguard accompanying her is a hyena, and they’re treated as untrustworthy and evil. It doesn’t help that, in order to make himself look good, he deliberately puts her in danger so that he can save the day. But of course Sariphi can see the good within him. She may need to double down on that, though, as the cliffhanger implies he’s about to be framed. An underrated shoujo series. – Sean Gaffney

Filed Under: Bookshelf Briefs

Strike the Blood, Vol. 13

October 18, 2019 by Sean Gaffney

By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

The author mentioned in his afterword that this volume was meant to be something of a return to “traditional” Strike the Blood volumes, and it certainly succeeds at that. We’re back on the island, which is under attack by a terrorist organization that seemingly has all the cards. Half of Kojou’s allies are taken out, and he’s weakened by a Beast that can do something no one else had thought possible. Fortunately, by biting Yukina, as well as another girl, he’s able to save the day. And Yukina gets to say “No, senpai, this is our fight!” It’s all here, all present and correct. Unfortunately, that also includes the less-than-stellar parts of the series – for the first time in a while, I was thinking of this as book-by-numbers. This series has a tendency to feel like it’s a novelization of an anime rather than the other way around, and plot, characterization and action scenes are so smoothly written and precise that they come across as dull some of the time. Nothing is particularly surprising in this book.

The head of the terrorist organization has a past connection with Natsuki, something that cries out for a flashback or more detail but sadly no. He’s also a rather crap terrorist, trying to get Kojou to join him by mentioning that some of the Island’s leaders are evil while also causing events that will kill massive numbers of innocents and yeah, sorry, your #2 love interest also has to die too, but join us anyway. Needless to say, this doesn’t go well, and he ends up being killed off by one of the evil leaders of the island, whose identity is meant to be a shocking surprise but is not. The other members of the terrorist organization are essentially plucky orphans who no one ever loved, and I’d feel sympathy if we got more time with each of them, which we don’t. The other leader is December, who does manage to be interesting, but she’s also a spoiler, so I’ll just end it there.

I was going to complain about Nagisa briefly being in peril for no reason at all (actually, there is a reason, and it’s relatively benign, but we don’t figure it out till the end of the book), but then I realized that this is essentially “Peril: the Series”. Nagisa is obviously #1, but Natsuki also gets to be removed from the field for a while, and the author even jokes about “Asagi having another bad day”. The only ones NOT in peril are Sayaka, Shio and Yuiri, who actually manage to save the day to an extent. Speaking of Yuiri, I’d like to remind the author that he is absolutely shit at writing humor, so stop it. I’d rather read A Certain Magical Index’s humor than yours. That’s how bad the “he sucked my blood/took my virginity” scenes were. Stay in your “action adventure” lane, please.

There were a few elements here I liked, including seeing Astarte do something again for the first time in like ten books. But sadly this attempt to go back to the basics of Strike the Blood reminded me that the series’ basics aren’t all that interesting. Go outside the box again, please!

Filed Under: REVIEWS, strike the blood

Manga the Week of 10/23/19

October 17, 2019 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Mostly due to books being pushed back, this is the smallest week I’ve seen in some time. There’s barely anything! Under 20 books!

ASH: That seems almost unheard of these days!

SEAN: Dark Horse has the third hardcover deluxe edition of Berserk, which contains books 7-9. They also have the 11th and final omnibus of I Am a Hero.

ASH: Dark Horse living up to the dark in its name, I see! Both of these series are great, though.

SEAN: J-Novel Club gives us Infinite Dendrogram 10 and Outbreak Company 11.

Kodansha, in print, has In/Spectre 10 and Love and Lies 8.

The digital debut is 1122: For a Happy Marriage. This is a seinen title from Morning Two, a story of a couple who’ve been married for some time but have no kids… and no sex life. They agree to see other people, but how will that really work out? This seems like a romantic drama, but anything in Morning Two interests me.

MICHELLE: It’s certainly a concept I haven’t seen before in manga, so I will give it a shot.

MJ: I’m cautiously intrigued.

ANNA: Hmmmmmm.

SEAN: The big digital debut, though, was a surprise announcement and is already out: The Drops of God will be getting a complete digital release, all 44 volumes. The first 11 are out now. If you like wine, or people talking about wine, this one is for you.

MICHELLE: Wow! Nice to see this get rescued.

ANNA: Nice!!!

SEAN: Other digital-only titles include AICO Incarnation 2, Atsumari-kun’s Bride-to-Be 3, Drowning Love 14, Elegant Yokai Apartment Life 18, and Vampire Dormitory 2.

MICHELLE: It’s true that Atsumori-kun’s Bride-to-Be is not really breaking new shoujo ground, but I still enjoyed the first volume quite a lot. I need to catch back up.

SEAN: Seven Seas has another digital novel debut. SCP Foundation: Iris Through the Looking Glass is a done-in-one novel about a boy who sees a girl in any book that he opens. It’s by the author of ECHO, though I’m not sure if it’s also based off of a Vocaloid song.

Seven Seas also has the 7th Toradora! (print and digital) for light novels, and the 5th Tomo-chan Is a Girl! for manga.

I’ve mentioned the 4th Otherworldly Izakaya Nobu in this list before – evidently it got bumped. Amazon has it out next week from Udon.

Lastly, Vertical has a 6th volume of CITY.

So small! What are you getting?

Filed Under: FEATURES, manga the week of

There Was No Secret Evil-Fighting Organization (srsly?!), So I Made One MYSELF!, Vol. 1

October 16, 2019 by Sean Gaffney

By Hagane Kurodome and Katto. Released in Japan by Overlap Bunko. Released in North America by J-Novel Club. Translated by Taishi.

If I’m honest, this book was never going to live up to its title. That’s a big title. It promises a lot. It’s long, in the tradition of light novels these days. But the (srsly?) and the MYSELF!, between the two of them, promise more than I feel the series is prepared to deliver. The premise is solid. Indeed, if I read the second book in the series, it’s likely because I’m interested to see what happens next as I am curious. Unfortunately, the characterization and the writing can’t quite live up to it. Possibly the main sin the series commits is that I don’t think it’s funny enough. There’s an occasional smile as I read, but a title like “There Was No Secret Evil-Fighting Organization (srsly?!), So I Made One MYSELF!” demands laughs. A lot of laughs. It does not, I should note, demand endless textbook analysis of what being a telekinetic would be like in real life. Sadly, that’s what we get, as Sago is determined to relate to us in great detail his scientific method.

Sago is our hero, a teen who finds one day that he has telekinesis when he moves snack crumbs using only the power of his mind. It’s never clear how he woke to these powers, nor does anyone arrive to tell him about them, or say that he now has to fight bad guys. After years and years of training, to the point where he is laughably overpowered, he’s bored just being a salaryman, so he decides to create his own organization that would do to others what he wanted done to him. He finds a rich young woman who has just as many delusions of grandeur as he does, and two teenage kids who have issues of their own. He also creates bad guys for the kids to fight. Now he finally has everything that he originally wanted, though admittedly all he ends up doing himself is watching this play out from the sidelines, because he’s given himself the “mysterious unseen boss” character.

As I said, the premise is intriguing, especially with the revelation at the end of the book that they’ve been discovered by the press (which was intentional on their part). There is also a terrific bit of misdirection where they recruit the 5th member to their party that impressed me. But for the most part this was an exercise in frustration. The book is quite lengthy, and a large amount of that length, as I said earlier, is given over to Sago slowly and deliberately testing his powers, researching things, etc. The first fifth of the book, till he meets Kaburagi, is some of the most boring prose I’ve read in some time. Speaking of Kaburagi, I wish we’d done more with her, as she’s a character type I find fun, but she’s mostly wasted in this volume. The two teenage kids who are the “main characters” in Sago’s ploy are interesting, but Shouta’s initial jerkass character is also extremely frustrating. And the side story about the drunken CIA agent was painfully tortuous to read.

The book is trying to show how having a secret evil-fighting organization of superpowered people would be difficult to do in a “realistic” way, and it succeeds in showing us that. But man, it really does not live up to its title.

Filed Under: REVIEWS, there was no secret evil-fighting organization

The Promised Neverland, Vol. 12

October 15, 2019 by Sean Gaffney

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

A brief moment of appreciation for the cover art for this series, which continues to amaze. Last volume we had Emma looking like a witch, this time around her feathery hair is shown to be reminiscent of a bird. She’s also paired on the cover with Phil, who gets a chapter reminding us that the youngest children had to be left behind… and that everything’s changed at Grace Field House. The kids are now all split up, the Mom we know and have mixed feelings about is gone, and Phil has to just sit there and pretend to be happy knowing his friends are going off to be harvested. (Speaking of which, lots of shots in this volume of huge jars filled with child heads and body parts – it constantly reminds you the kids are food. More on that later.) Even worse, at the end of the chapter Phil is cornered by the bad guy… and that’s not really resolved.

As for the escaped kids, they’ve combined to form a huge group themselves – over 60 people. The most fascinating part of this volume to me was seeing how it deals with the “time skip” so beloved of shonen manga. Usually it’s fairly straightforward – there’s a chapter that feels like an ending place, and then we get a “two years later” or somesuch. Here we see the timeskip happening over the course of several chapters, as Emma, Ray and their small party go looking for clues as to what to do next as the others stay behind and live life as best they can. Before we know it, we get “three months later”, “six months later”, till by the end of the book it’s two yeas since events at the start. If nothing else, this shows off how impressive everyone is from staying hidden from the bad guys for so long… but alas, by the end of the book everyone’s in dire straits.

I noticed something interesting when Andrew, the lead bad guy for this book, is chasing down our heroes. When he confronts them personally, he refers to them as “food”, the same way that the demons think of them (there’s a very chilling moment in this volume when the demons bemoan all those ordinary kids they’ve been eating and wonder how delicious the ones from the top farms really do taste), but when on his own he thinks of them as “kids”. A nice reminder that some of the bad guys in this series are actually human, but also that they may not entirely buy into the “raised as food” line that is being toed. In the meantime, despite Emma once again thinking that she wants to escape without anyone dying, it’s hinted very hard that the adults in this group, Lucas and Yugo, are not long for this world. I suspect they will go out with a bang, though.

Continuing to combine the best parts of horror and thrilling adventure, The Promised Neverland is still top-tier Jump.

Filed Under: promised neverland, REVIEWS

Crest of the Stars: The Return to Strange Skies

October 14, 2019 by Sean Gaffney

By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

The final book of the trilogy, though not the final book in the series overall. This wraps up getting Jinto and Lafier off the planet they’ve been stranded on and back to the Abh Empire, where he can finally go to quartermaster school an she can be a pilot. In between, we get cops chasing them, soldiers chasing the, the resistance desperately trying to get them to behave like hostages, a wild chase through an amusement park with animatronic animals, space battles galore, getting shot into space in a coffin, and an epilogue that neatly wraps everything up. If there hadn’t been more of the series, you’d still be pretty satisfied. That said, I am very happy that Banner of the Stars is to follow, as I think this was the best book of the three, despite a few battle scenes that were overfilled with vocabulary, this series’ Achilles heel.

The best reason to read this third volume is the introduction of Sporr, who is essentially that princess-curled high school bully girl from every anime ever put onto a spaceship. She even does the Ojousama Laugh (TM). The back and forth between her and her beleaguered assistant is pure gold, and you also greatly enjoy it when she’s the one who rescues Lafier and it turns out they hate each other, because of course they do. Unlike most princess-curled anime girls, though, Sporr is also tactically clever, and you can tell her rank is not just for show. Speaking of ranks, I also enjoyed the scene near the end where Lafier has to go before a commission to see if she can be a full-fledged pilot. They enjoy making her twist in the wind a bit, magnifying every error she’s committed along the way before mercifully admitting that she did fine and passes. The amusement park was also a hoot, with the behavior of the robot animals possibly being the comedy high point.

As for Jinto and Lafier, they are still not quite a couple by the end of the book, but Jinto does admit he wants to spend the rest of his life by her side, and even after he’s made crew on her new spaceship, she still asks him to call her Lafier. You get the sense that for these two reserved kids, this may be as explicit as you get. They do continue to be awful at being on the lam, and it’s a relief that the comedy resistance fighters are still capable enough to take care of them. he local police force also helps. One of my favorite bits of characterization in the book was seeing Kyte, the military liaison who’s been a prick ever since he arrived on the scene, gradually loosening up, revealing backstory, becoming sympathetic… and then losing it and becoming a prick again when he sees Lafier in person. Sometimes your tragic backstory isn’t enough to redeem you. You have to actually put in the effort. He did not.

The epilogue of the book sees us jump forward three years, and I suspect Banner of the Stars will feature even more space battles than we’ve gotten already. Still, this final volume was excellent. If you can get past the tortured vocabulary, Crest of the Stars is a great space opera.

Filed Under: crest of the stars, REVIEWS

The Drifting Classroom Signature Edition, Vol. 1

October 13, 2019 by Katherine Dacey

In a 2009 interview with Tokyo Scum Brigade, Kazuo Umezu acknowledged that his debt to Osamu Tezuka went beyond storyboarding and character designs. Tezuka “didn’t pull any punches for children or dumb down his works,” Umezu explained. “He dealt with complicated themes and let the readers work it out on their own.” The 1972 classic The Drifting Classroom reveals just how profoundly Umezu absorbed this lesson. Though it ran in Weekly Shonen Sunday, a magazine aimed at grade schoolers, Umezu’s work was bleak, subversive, and weirdly thrilling, depicting a nightmarish world where kids resorted to violence and deception to survive.

The Drifting Classroom begins with a freak accident in which a rift in the space-time continuum sends the Yamato Elementary School and its occupants into the distant future. Initially, the students and teachers believe that they are the sole survivors of a devastating nuclear attack, and the area immediately surrounding the school supports their hypothesis: it’s a barren wasteland with no water, plants, or signs of human habitation save a pile or two or non-degradable trash. As the school’s occupants realize the severity of the crisis, panic sets in. Teachers and students engage in a brutal competition for dwindling supplies while attempting to solve the mystery of what happened to them. And when I say “brutal,” I mean it: the body count in volume one is astonishing, with murders, mass suicides, fist fights, knife fights, and rampaging monsters culling the herd at a breathtaking rate.

It’s sorely tempting to compare The Drifting Classroom to The Lord of the Flies, as both stories depict school children creating their own societies in the absence of adult authority. But Kazuo Umezu’s series is more sinister than Golding’s novel, as Classroom‘s youthful survivors have been forced to band together to defend themselves against their former teachers, many of whom have become unhinged at the realization that they may never return to the present. Umezu creates an atmosphere of almost unbearable dread that conveys both the hopelessness of the children’s situation and their terror at being abandoned by the grown-ups, a point underscored by one student’s observation that adults “depend on logic and reason to deal with things.” He continues:

When something happens and they can’t use reason or logic to explain it, they can’t handle it. I don’t think they were able to accept that we’ve traveled to the future. You know how adults are always saying that kids are making things up? It’s because they only know things to be one way. Kids can imagine all kinds of possibilities. That’s why we’ve managed to survive here.

That speech is delivered by The Drifting Classroom‘s plucky protagonist Sho, a sixth grader who becomes the children’s de facto leader. When we first meet Sho, he’s behaving petulantly, pouting over his mother’s decision to throw away his marbles. The intensity of his anger is drawn in broad strokes, but it firmly establishes him as an honest-to-goodness ten year old, caught between his desire to play and his parents’ desire to mold him into a responsible teenager. Once transported to the future, Sho’s strategies for scavenging supplies or subduing a rampaging teacher are astute but not adult; there are flourishes of imagination and kid logic guiding his actions that remind us just how young and vulnerable he is. As a result, Sho’s pain at being separated from his parents, and of losing his comrades, is genuinely agonizing.

Umezu’s artwork further emphasizes the precarity of Sho’s situation. Sho and his classmates have doll-like faces and awkwardly proportioned bodies that harken back to Umezu’s work for shojo magazines such as Sho-Comi and Shoujo Friend, yet their somewhat unnatural appearance serves a vital dramatic function, underscoring how small they are when contrasted with their adult guardians. The adults, on the other hand, initially appear normal, but descend into monstrous or feckless caricatures as their plight becomes more desperate. Only Sho’s mother—who is stuck in the present day—escapes such unflattering treatment, a testament to her devotion, courage, and imagination; while her husband and friends have accepted the official story about the school’s fate, Sho’s mother is open to the possibility that Sho may be reaching across time to communicate with her.

Like his character designs, Umezu’s landscapes are willfully ugly, evoking feelings of disgust, fear, and anxiety that are almost palpable, whether he’s drawing an abandoned building or a garden filled with grotesquely misshapen plants. The area just outside the school gates, for example, resembles the slopes of an active volcano, with sulfurous clouds wafting over a rocky expanse that seems both frozen and molten—an apt metaphor the characters’ state of mind as they first glimpse their new surroundings:

Though The Drifting Classroom‘s imagery still resonates in 2019, its gender politics do not, as an egregious subplot involving a sadistic girl gang demonstrates. When the gang attempts to seize control of the school, a classmate urges Sho to oppose them on the grounds that girls are fundamentally unsuited for leadership roles. (“Women are made to give birth and rear children so they can’t think long term,” Gamo helpfully opines.) Umezu’s goal here, I think, is to suggest that girls are as capable of violence and cruelty as boys, but the dialogue suggests the gang’s behavior is a symptom of innate irrationality instead of a genuine and logical response to a desperate situation. Making matters worse is that the few sympathetic female characters are consigned to stereotypically feminine roles that give them little to do besides scream, run, and comfort the younger children; even Sakiko, the smartest girl in the class, never gets a chance to solve a problem or offer a useful opinion.

Yet for all its obvious shortcomings, The Drifting Classroom is a thoughtful meditation on adult hypocrisy, exposing all the ways that adults manipulate and terrorize children for their own convenience. “Adults are humans, children are animals,” a cafeteria worker tells Sho and his friends. “That’s why adults have the power of life and death over kids.” That Sho and his followers cling to their humanity despite the adults’ selfish behavior reminds us that children are innocent but not naive; Sho and his friends are clear-eyed about their teachers’ failings, yet choose to persevere. Recommended.

This is a greatly expanded–and reconsidered–review of The Drifting Classroom that appeared at PopCultureShock in 2006. VIZ Media provided a review copy. Read a free preview here.

THE DRIFTING CLASSROOM, VOL. 1 • STORY AND ART BY KAZUO UMEZZ • TRANSLATED BY SHELDON DRZKA • ADAPTED BY MOLLY TANZER • RATED T+, FOR OLDER TEENS (VIOLENCE, HORROR, GORE) • 744 pp.

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Classic Manga, Drifting Classroom, Horror/Supernatural, Kazuo Umezu, VIZ, VIZ Signature

Mushoku Tensei: Jobless Reincarnation, Vol. 4

October 13, 2019 by Sean Gaffney

By Rifuin Na Magonote and Shirotaka. Released in Japan as “Mushoku Tensei – Isekai Ittara Honki Dasu” by Media Factory. Released in North America by Seven Seas. Translated by Alyssa Orton-Niioka. Adapted by JY Yang.

Ugh. After three volumes where I was mostly pleased and interested in the story, despite the occasional bits of sleazery from Rudy, I now come to a 4th volume where it’s getting really hard to ignore the sleazery. Rudeus is a reincarnation of an otaku lech, and thus spends much of this book either perving on everyone, or else being mistaken for perving on everyone because his “I like petting a dog” face is the same as his “I like groping a boob” face. He’s still not actually trying anything with Eris, but it’s not for want of temptation. But frankly, they’re still both too young for this to be anything other than icky, reincarnation memories or no. Rudeus is an interesting character with him trying to think of elaborate schemes and failing, we really don’t need him to also be thinking of banging everyone and everything. Even bits that aren’t sexual feel wrong – he’s naked in a cell for about a week at one point, and seems to revel in it.

The girl on the cover we don’t recognize is Kishirika, self-proclaimed Emperor of the Demon World, who (stop me if you’re surprised) looks like a little kid but is really [x] hundred years old. Her main purpose here, besides what I just said, is to give Rudy another power-up, as he gains a demon eye that can see into the future for a second or two, provided that the user has lots of mana (which he does). Needless to say, he’s instantly put into situations where that’s highly useful, though it can’t always save him. He’s trying to get back home, but traveling with a Suijerd makes that hideously expensive, so they’re looking at alternatives. These alternatives involve ripping off some slavers, only to end up double-crossed themselves. It’s complicated.

Other issues: Eris continues to be used very sparingly, as if the author can’t figure out what to do with her. She’s getting better at the sword, but still has a ways to go in terms of growing up. (So does Rudy, but it’s more complicated with him because of the past life.) I wish she was more relevant. I also wish Roxy had managed to find Rudy (they just missed each other), as that means we’re left with her side-story, which mostly revolves around one of her companions killing time while they’re searching for people by having a five-way. Mushoku Tensei is one of those books that you would never recommend to anyone but adults, despite the seemingly cute child cast on the cover.

So will I keep going? I’ll probably give it till the end of this arc. We meet another adventurer/gambler by the name of Geese, who describes an adventuring party that sounds very familiar to me. I suspect, if Rudy ever reunites with his family, sparks are going to fly. I also want to see if Eris does anything, or what’s going on with the princess and her (also suspiciously familiar) new bodyguard. That said, based on what I’ve read, I worry once Rudy comes of age the books will just involve him banging half the cast. He’s much more interesting when he’s trying to think about dangerous situations and sometimes failing.

Filed Under: mushoku tensei, REVIEWS

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