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I Shall Survive Using Potions!, Vol. 6

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By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Word of warning first, it is impossible to review this volume without spoiling the biggest parts of it, as the plot IS the spoiler. So reader beware!

Nothing makes my jaw drop quite like a volume of I Shall Survive Using Potions!, and this one made me do it even more than usual. I mean, it starts out normally. There’s a civil war going on in the kingdom next door, and the first prince (the one who’s stalking… erm, crushing on Kaoru) has had to go into hiding, while the arrogant and dimwitted second prince is now in power, held up by the evil bishops who have managed to escape from their religious dictatorship and insinuate themselves here. Kaoru is not particularly interested in helping the stalker prince, nor does she feel any need to protect Roland and Francette’s kingdom. Instead, she feels that this is her war and she’s the one who’s going to put an end to all of it. This goes quite well at first… until she’s killed off brutally.

The cover deliberately has a feel of “this is the final volume, please enjoy the author’s next work”, let’s face it. Now, this is NOT the final volume – the 7th book came out recently in Japan – but certainly it’s a big ol’ sea change, with most of the supporting cast thrown out the window. Kaoru is able to escape her deathtrap, but it takes a long time and the help of a long lost friend… and when she gets out, it’s 70 years later. In fact, I was pretty convinced (as was Kaoru) that all of her friends would be dead. That turns out not to be true, thanks mostly to Kaoru’s ludicrous potions, but she also makes a clear decision, now that she’s been essentially killed off and made into a legend, to not go back to her old life, and to seek out a new country to live in far away. It’s a very Kaoru thing to do, and fits her well.

As for the rest of the cast, well, they’re mostly not in it, as you’d expect, though Francette gets a big chance to step up and be the hero, saving the world from the wrath of a furious goddess who has just lost her friend. (I also loved said goddess yelling at Francette for offering up her own life as sacrifice, as if Kaoru would want that either.) The main addition here is Reiko, one of Kaoru’s two friends from Japan. Time apparently passes the same in Japan as it does here, and since it’s 70 years later, the two friends can now reunite (the third is still alive, but presumably will show up soon). Reiko and Kaoru are very similar types, but they also play off each other well, and Reiko is (slightly) more sensible. As for where the story goes from here, well, we’re already adding a whole new cast of waifs nd strays for Kaoru to take in next time.

So yes, time skip, new cast, everything you would NOT expect from FUNA, whose Make My Abilities Average is noted for the stasis of its lead girls. FUNA: Hard Mode continues to reward fans of the author, while possibly appalling those unused to such things.

Altina the Sword Princess, Vol. 7

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

We’re still fighting the battle against Britannia here, though after the one volume dedicated to the other side it’s been very much a battle seen from Altina and Regis’ side. Things don’t go swimmingly for our heroes here, though they do get to claim the big win in the end. There are far more casualties than Regis has ever had to deal with as a result of one of his plans, leading him to have even more self-loathing than his normal levels. Even worse, some of his plans actually don’t work, and he’s forced to watch in horror as the biggest, baddest mercenary in Britannia’s army ends up waltzing right into their camp and dueling Altina. Fortunately, they do also have a few things go their way, including some surprise new characters and the return of a beloved weapon. That said, the entire book may be dwarfed by the ending, which I will try not to spoil but which is definitely a game changer. Assuming that Belgaria manages to survive this war, they’re certainly going to have their hands full.

The series is in general a military chronicle, and not all that interested in romance. That said, Altina and Regis shippers should be relatively pleased with events towards the start of this book, though Altina really is going to have to spell things out to Bakarina levels in order to get past Regis’ self-image issues. She’s also growing up and getting smarter… and, more importantly, more inclined to think first and not act as impulsively. She asks Regis the reasons behind some of his decisions, and does not need it dumbed down quite as much as she did in Book 6. The conversation they have about balancing the present and the future is also excellent, with Regis trying to get Altina to be more forward thinking, and Altina trying to get Regis to see that “a land of peace” can in fact be an option to try, even in a land as warmongering as their own.

I will admit there was one plot twist that I found a bit eyebrow-raising, as the blacksmith who is trying to get Altina her now-repaired sword ends up meeting a seemingly harmless old man in the middle of a battlefield. I didn’t expect him to be harmless, but I was expecting him to be one of the enemy. The revelation that he ‘s actually Altina’s mentor is a bit too pat in a series that usually doesn’t rely on that sort of thing too much. That said, the end of the book is also extremely predictable in every possible way, but this time it works quite well, mostly as it’s fast, violent, and will spark a lot of plot in upcoming volumes more than Altina being reminded that fighting fair is something that you should not worry about on a battlefield.

This came out in Japan at the same time as a volume of short stories, which the author says complement the novel. Good news, we are getting the short story volume over here, but bad news, it’s coming out simultaneous with Volume 8, not 7. At least you know which to read first! In any case, still a good series with no magic or fantasy elements, just straight up alternate world battlefield.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 12

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

I’ve often felt that my reviews are read by the Japanese authors after I write them, and they subsequently go back in time to before the next volume was out in Japan to deal with what I was talking about. Now, I can’t confirm this is 100% true, but I will admit that after admitting to the author of this series that I had forgotten the ongoing plot and worldbuilding and only read it for the cute overpowered girls doing cute overpowered things part, the author now seems to have buckled down a bit and started to pay more attention to how the antics of Mile and company are affecting not just their own kingdom but also the world as a whole. Now, don’t worry, this is not remotely a serious-minded volume or anything, and Mile is still completely ridiculous in the best FUNA way. But… there’s thoughts going into other countries’ actions here, and also what happens when you bitchslap a dragon.

After a prologue that shows us what life is like in their default inn with Lenny when they aren’t around (spoiler: not great, but at least she’s building up strong muscles), we get the plot that makes up the bulk of this book, as the Crimson Vow are asked to escort four researchers disguised as merchants to Albarn’s Empire, as there are disquieting rumors going around about what they’re up to. Given the Vow were responsible for much of their downfall, they’re not wild about it, but they do go along, also pretending to be merchants and making a mint. After managing to find the one company picnic to end up getting attacked by bandits bent on murder and kidnapping, they manage to find out why Albarn is going to war, and it’s a reason that’s a lot closer to what they’ve been doing lately… those damn ruins. And to solve this… they may need to beat up a lot more dragons.

As always, the best part of these books are the bond between the four girls, who may occasionally get jealous of each other’s powers (Mile) or large bust (Pauline) but for the most part are so close than when asked by Mile, in one of her attempts to amuse herself late at night, what they would take with them to a desert island, the answer ends up being Mile… as she can provide anything else. Reina is a bit despairing of the fact that if they ever do split up,. the others will be totally unable to work as a team, but let’s face it, they’re never going to split up as long as this series is an ongoing concern. As for the Albarn Empire, the discussion of why they always go to war, and what’s driving them to do so again, is pretty well nuanced, with the family that the Crimson Vow protect on the company picnic essentially military suppliers. A lot of the reason things are like this now is related to either Mile or her prior self, Adele. Will she take responsibility? Well, sort of, as we see with the golems. But not a whole lot.

Still the most nuanced of the three FUNA series, but that’s a matter of degree – this is still toxic to anyone who hates OP characters.

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, Vol. 8

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By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

As I look back through previous volumes of this series, I keep having to remind myself “this is a parody” more and more often, for two reasons. First, because as the series goes on the serious plotline of what the proper amount of love and distance should be between mother and child is taken more and more seriously, and that holds here as well. The other reason, of course, is that due to the nature of the plot and the over the top parody aspects, we see some really toxic abusive relationships between mothers and daughters. I mention this in passing because Wise and Mehdi’s mothers show up again in this volume to team up with Mamako, and for the most part they’re being greatly softened. I should not have expected much else – even if “sometimes you need to cut off an abusive parent” was a thing that happened very often in media like this, it’s certainly not going to happen in this specific title with the opposite message.

The book leads off with the moment we’ve been waiting for – finally, we get Porta’s mom. As was hinted last volume, she is the final of the anti-mom generals – and also one of the main developers of the game itself. She and Porta have a strained relationship that manages to be different from our other three mom-child teams. Mamako is the smothering type, Wise’s mother the ignoring type, and Mehdi gets the education mama, but Porta and her mother both compete to see who can hate themselves the most, and let me tell you, it’s neck and neck. What’s more, the latest plot to break up the game seems to work quite well – planting pins on the kids of the world so that they all try to act super independent, leading their mothers to get depressed that they aren’t needed any more. This goes double for Mamako, who knows that she doesn’t even need to have a pin to get those feelings – her baby is growing up, and pretty soon she’ll have to let him to at least a little.

If you worried the humor was gone, no fear. Shiraaase is still around to make everything hilarious, this time by making Mamako and her other mom companions idol singers, something that humiliated all the children, and all the moms who are not named Mamako, who is of course delighted. Shiraaase has also managed to find a way to weaponize her own coffin demises, which is impressive. There’s also some amusing schtick in the middle of the book, as Masato and company have to play Porta’s life-sizes board game in order to advance, a board game filled with annoying yet amusing pitstops. It’s also quite nice that, even after 8 volumes (out of 11 total), there is very little to no romance in this still. Sometimes, once or twice a book, Wise and Medhi briefly show they might like Masato, but they’re far more comfortable emasculating him instead.

So yes, as long as you don’t take this too seriously, it’s still good enough, and it was nice to see the guilty workaholic mom added to the pile. (Honestly, I thought that might be filled by Shiraaase, but her kid is only 5, so unlikely to show up in this game.) Next time around… (Noddy Holder scream) IT’S CHRIIIIIISTMAAAAAAS!!!!

Re: ZERO ~Starting Life in Another World~, Vol. 15

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

This book slid in RIGHT under the wire in avoiding spoiling English-speaking fans. The book came out literally the day before the episode aired which animated the first part of it. It also brings to an end the 4th arc in this series, in a mostly satisfying way. Some of the beats feel very obvious, but as always with Re: Zero, they feel that way because we’ve spent so long setting up those beats with the previous go-rounds. This series also does a very good job of keeping all the fights it has to have here interesting, either through breaking them up by moving from the Sanctuary and Emilia’s trials to the mansion and Subaru’s pleading and back again, but also because, much like Banner of the Stars, this series runs on banter and there is a lot of that. Still, by the end of the book our heroes have won the day, though… not without some cost with a last minute bitter sting in its tail. And we’re ready to move on to a new arc!

Beako is on the cover, and deservedly so. Garfiel, Emilia and Ram/Roswaal’s stories also come to a conclusion here, but there’s no real surprises in any of them on an emotional level. Emilia’s trials two and three feel almost anticlimactic – after failing so hard at the first trial over and over, she sails through them. But that’s to be expected, as she has moved past the trauma that held her back. Garfield too had most of his issues resolved in earlier books, allowing him to be the muscle that’s required in order to beat the immortal nightmare that is Elsa (who gets a shred of backstory here, but honestly I think works best as simply a grotesque impossible to stop enemy). But Beatrice’s story is the one that needs Subaru, and, true to form, he fails over and over again to convince her to leave the Library of Forbidden Books and come with him. Not even the entire mansion burning down can sway her.

The high point of the book, as I just said, is Subaru and Beatrice, and I loved every scene with both of them in it. The rest of the book does not QUITE reach those heights. Emilia, in particular, suffers from the author wanting her to grow up and move past her trauma but also being an innocent boke who knows nothing about anything. Sometimes this is hilarious – her comment on “Ryuzu’s mother” may be one of the best jokes in the series – but announcing she’s pregnant because she and Subaru kissed fell a bit flat to me. (Presumably he explains later – or more likely Ram does). Oh yes, and there’s another character who I thought was gone for good who shows up again to help kick Roswaal’s ass, which was great. Actually, there’s a scene which mentions that the entire cast take turns punching Roswaal at some point, and I deeply hope this gets like an entire episode devoted to it in the anime.

Where will this go next? There’s apparently the series’ first time skip coming up, and presumably we’ll see more of Anastasia, Priscilla and Felt. Till then, though, please enjoy Garfiel punching forever, Subaru and Otto being bros, and Emilia being even more earnest than Rem, if that’s even possible. (Technically Rem is in this book a lot, but sorry, she still does not wake up.)

Manga the Week of 3/10/21

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SEAN: Has anyone else run out of time to read things? You’d think I’d be reading MORE in a pandemic, but…

MICHELLE: I have run out of brain to read things.

ANNA: My non-work reading and writing have suffered.

ASH: It’s strange but true.

MJ: What is time?

SEAN: Airship has the print debut of Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells. Also in print is the second ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, and digital-first gives us the 2nd Trapped in a Dating Sim: The World of Otome Games is Tough for Mobs.

Dark Horse has a 7th Deluxe Hardcover edition of Berserk.

ASH: It’s probably no surprise that I’ll be picking that up.

SEAN: Drawn & Quarterly has a biggie: the late Shigeru Mizuki’s adaptation of Tono Monogatari, a famous collection of folklore. It ran in Shogakukan’s Big Comic.

ASH: My recent brief doesn’t truly do it justice, but I love this book.

MJ: Ash is persuasive!

SEAN: No debuts for J-Novel Club, but a lot of new volumes of beloved series. We see Ascendance of a Bookworm 11, Bibliophile Princess 5, the 2nd manga volume of The Engagement of Marielle Clarac, Girls Kingdom 2, Infinite Dendrogram 14, the 5th manga volume of The Master of Ragnarok & Blesser of Einherjar, and Slayers 6.

ASH: Yay, Bookworm!

SEAN: Kaiten Books has a debut with Welcome to the Outcast’s Restaurant, a manga version of the light novel we’ve seen released here by Tentai Books. A strong adventurer, banished by his party, starts a restaurant, and has to deal with his customers’ varied issues.

ASH: There seems to be a surprising number of these types of restaurants.

SEAN: Kodansha has some print. There’s Grand Blue Dreaming 12, Rent-a-Girlfriend 5, Saint Young Men 5 (in hardcover omnibus), and the 14th and final Waiting for Spring.

MICHELLE: I’ve been waiting for Waiting for Spring‘s finale for ages!

ANNA: I have the first volume and I still haven’t read it!

ASH: I’ve liked what I’ve read of Waiting for Spring so far, but Saint Young Men has most of my attention from this batch.

MJ: Same here!

SEAN: For digital, the debut is Shaman King: Marcos, which runs in Shonen Magazine Edge, and is MORE SHAMAN KING.

Also digital: A Couple of Cuckoos 3, Ace of the Diamond 31, Peach Boy Riverside 5, Saint Young Men 10, Seven Shakespeares 15, and We Must Never Fall in Love 7.

MICHELLE: A baseball binge is in store for me!

SEAN: Seven Seas has two debuts. The first had an anime recently, and it’s called Super HxEros (Dokyuu Hentai HxEros). Despite the Japanese title, this isn’t quite porn, but it does run on fanservice. Aliens are sapping the world’s lust, and only superheroes who can use their own lust to power up can stop them. This runs in Jump Square, home of Blue Exorcist, believe it or not, and is 11+ volumes in Japan.

The other debut is Wonder Cat Kyuu-chan (Fushigi Neko no Kyuu-chan), a 4-koma about an office worker who finds an abandoned cat that proves to be… a wonder cat! This looks very cute.

ANNA: That does sound cute.

ASH: It does.

SEAN: Also from Seven Seas: Akashic Records of Bastard Magical Instructor 11, Arifureta: From Commonplace to World’s Strongest 6 (manga), Arpeggio of Blue Steel 17, Peter Grill and the Philosopher’s Time 4, The Ideal Sponger Life 8 (manga), The Saint’s Magic Power Is Omnipotent 2 (manga), and We Swore to Meet in the Next Life and That’s When Things Got Weird! 2.

SuBLime gives us Caste Heaven 5 and the 2nd and final volume of Toritan – Birds of a Feather.

MICHELLE: I need to check out Toritan. Caste Heaven was not for me.

ASH: I haven’t tried Caste Heaven yet, but I really liked the first volume of Toritan. I didn’t realize it was only two volumes long.

SEAN: Tokyopop has Katakoi Lamp, a BL title from Rutile. A young man working at a coffee shop falls for a customer, but can he work up the courage to confess?

They also have the 2nd volume of Ossan Idol!.

Vertical has a 9th volume of Flying Witch and a 3rd With a Dog AND a Cat, Every Day is Fun.

Viz has Tokyo Fashion: A Comic Book, an illustrated guide to building your wardrobe and looking good.

ASH: Oh, that could be interesting!

SEAN: We also have Fly Me to the Moon 4, The Legend of Zelda: Twilight Princess 8, RIN-NE 38, and Splatoon: Squid Kids Comedy Show 3.

Yen On has a debut, with The Executioner and Her Way of Life (Shokei Shoujo no Ikirumichi), about a woman whose job it is to STOP isekai protagonists – they keep bringing chaos whenever they arrive! Unfortunately, the girl she meets may be more than she can handle. Nice seeing more yuri light novels.

ASH: That is kind of a delightful and cathartic twist to the isekai deluge. And it’s yuri, too? I may have to check it out!

SEAN: Yen On also has Combatants Will Be Dispatched! 5.

Three debuts from Yen Press. I Cannot Reach You (Kimi ni wa Todokanai) is a BL series from Media Factory’s Gene Pixiv, and is a childhood friend romance sort of story. It looks sweet.

MICHELLE: I’m really looking forward to this one!

ASH: Me, too!

MJ: Okay, yes, THIS.

SEAN: SEAN: Play It Cool, Guys (Cool Doji Danshi) runs in Square Enix’s Gangan Pixiv, and features a bunch of cool guys who are secretly… awkward dorks! This seems more on the funny side.

ASH: Could be fun!

SEAN: Penguin Gentlemen (Penguin Shinshi) is a done-in-one hardcover about a group of penguins who run a bar. Sometimes they’re drawn as penguins… and sometimes they’re drawn as buff hot guys. This ran in Kadokawa’s Pixiv Essay.

ANNA: This sounds hilarious.

ASH: It really does, in the best sort of way.

MJ: This sounds amazing.

SEAN: Lastly, Yen has Happy Sugar Life 8, I’ve Been Killing Slimes for 300 Years 5 (manga), Kakegurui Twin 9, and Restaurant to Another World 4.

What series are you falling more and more behind on?

MICHELLE: ALL OF THEM.

ANNA: SO MANY SERIES!

MJ: I REPEAT, WHAT IS TIME?

Konosuba: God’s Blessing on This Wonderful World!: The Lich’s Proposal

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By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

It is the nature of a long-running series that it tends to accrue supporting cast members. The longer the series, the more cast members it has to support. Now, KonoSuba has never made it a secret that it is, at heart, a story of four people: Kazuma, Aqua, Megumin and Darkness. Now, this series has a bit of an advantage over many others in that it is popular enough to have scored a slew of spinoff books. We’ve seen one of them, which focuses on Megumin and Yunyun before and during the events of the series. There’s another, unlicensed series (by a different author) that follows KonoSuba through the eyes of Dust and his party (which also has a large helping of Yunyun, who is pathetic enough to get entangled in Dust’s life). But really, though we’ve learned a bit about her past, there has not been a huge focus on adorably pathetic shop owner Wiz. That changes now!… though this does not really mean Wiz will come off looking good.

As with a large number of KonoSuba books, the actual main plot does not really start up till about halfway through the book. There’s also a fake plot – Yunyun has to take the test to be the next chief of the Crimson Magic Clan, and wants Kazuma’s help. Megumin refuses to let this happen, of course, and instead helps Yunyun herself – with offscreen results, but results you can probably guess. There’s a treasure hunt to clean encrusted jewels off a turtle’s shell, and Darkness once again tries to seduce Kazuma, who makes it clear that he’s only willing to go through with it if he’s forced, so he can blame her. (They’re both caught, of course.) That said, the main plot is what folks are here for – a mysterious stalker… erm, stranger arrives and seemingly proposes marriage to Wiz! Or at least that’s what Kazuma and Wiz herself believe. Only Vanir knows the truth, and he finds it absolutely hilarious.

As you might gather, fans of Kazuma being a complete scumbag will be well-served here by his behavior here, though again this is the slightly less appalling version we’ve seen from Vol. 9 and later. I was highly amused where Megumin offers to sneak into his room and he, having just gotten laid via succubus sex workers, indicates he’s not in the mood – the joke being Megumin was unaware men could EVER be not in the mood. The main plot itself is amusing, but if you aren’t a fan of the series kicking Yunyun when she’s down, you may not enjoy it as much, as Wiz is absolutely an airhead here, getting completely into the idea that someone has proposed to her and acting like a lovestruck maiden. Vanir heaps abuse on her, probably because all her love-love feelings are making him cranky. That said, spoilers, but Wiz does not get married. Sorry to ruin that for you hopeful readers.

Speaking of Yunyun, the cliffhanger involves that she will finally drag the main cast back to her chieftain trial, which is at its third (and presumably final) attempt. We’ve got four more books to go after this one, so you can see the series starting to dot its I’s and cross its T’s. This is not really as deep or heartwarming as some prior volumes, but it’s a lot of mean, kick-them-when-they’re-down fun.

Zom 100: Bucket List of the Dead, Vol. 1

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If your chief criticism of King of Eden was “not enough boobs,” have I got the manga for you: Zom 100: Bucket List of the Dead, a comedy about a corporate drone whose life is transformed by the onset of a zombie plague. Its hero, Akira Tendo, sees opportunity where others see only chaos, and decides to make a bucket list of 100 things he wants to do before he, too, becomes one of the walking dead. His top priorities? Telling his voluptuous co-worker Ohtori how much he likes her—even if she is the “boss’ side piece”—and tracking down a mysterious hottie he encounters in a convenience store.

While Akira’s quest doesn’t sound particularly memorable, his new-found optimism makes him an agreeable guide through a Tokyo overrun by zombies. His palpable joy in quitting a soul-crushing job is infectious—if you’ll pardon the expression—as he finds pleasure in small things: riding a motorcycle for the first time, scavenging for his favorite beer, playing video games during normal business hours. No matter how much carnage he encounters, or how many of his bucket-list errands don’t go according to plan, Akira’s can-do spirit remains undiminished. So, too, is his loyalty to others, as evidenced by his willingness to rescue his childhood friend Tencho from a hotel overrun by zombies.

The hotel scene is indicative of what’s good and not so good about Zom 100. On the one hand, the friends’ shared ordeal leads to a heartfelt exchange in which they discuss why they drifted apart after college. Their dialogue is a little on-the-nose—“I got jealous of how successful you were and took my anger out on you,” Akira confesses in a torrent of tears and snot—but the characters’ sincerity makes Akira and Tencho’s reconciliation feel like a genuine moment of maturity.

On the other hand, the main reason this scene begins in a hotel—specifically, a love hotel—is to offer some good old-fashioned fan service, as Kencho is trapped in a bondage chamber with an irate, naked zombie who’s been chained to the wall. The zombie is drawn in loving detail, right down to her perky breasts, but serves no real dramatic purpose; she exists mainly to make young male readers gawp at Kencho’s predicament. The same goes for several other gratuitous moments of nudity and pin-up posturing, none of which feel necessary or demonstrate artist Kotaro Takata’s skill at drawing attractive, anatomically correct women. (All of his figures seem to have a few extra vertebrae.)

The fan service is indicative of a deeper problem as well: the zombies—or the boobs, for that matter—don’t feel essential to Akira’s story. Almost any catastrophe or life-altering event could have set the plot in motion, whether it was a devastating medical diagnosis or Earth’s impending collision with a meteor. Equally disappointing is that Akira’s quest feels more like a to-do list than a real emotional journey; even he seems disappointed in his inability to come up with a sufficiently long or imaginative bucket list. As a result, Akira seems like just another standard-issue shonen lead, blessed with an optimism that sometimes makes him seem a little dim, a superhuman ability to escape life-threatening situations, and an uncanny knack for stumbling into situations with hot women. I don’t know about you, but I would have enjoyed this series 100% more if the gender roles had been reversed, if only for the sight of a former office lady cheerfully riding a Harley through a zombie horde on her way to score a few brews.

To read a brief excerpt of Zom 100: Bucket List of the Dead, click here.

ZOM 100: BUCKET LIST OF THE DEAD, VOL. 1 • STORY BY HARO ASO • ART BY KOTARO TAKATA • TRANSLATION BY NOVA SKIPPER • TOUCH-UP ART & LETTERING BY VANESSA SATONE • EDITED BY KARLA CLARK • VIZ MEDIA • RATED: OLDER TEEN (PARTIAL NUDITY, GORE, VIOLENCE) • 159 pp.

Bookshelf Briefs 3/1/21

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BL Metamorphosis, Vol. 3 | By Kaori Tsurutani | Seven Seas – This third volume might even be stronger than the first two. Urara wants to invite Ichinoi to the winter Comiket, but after realizing just how hellishly long the line and walk would be in that season she bails on it… and indeed drops contact for a while, which makes her feel terrible. Then, when studying for college is taking too much toll on her, she reconnects, but this only reminds her that even after growing up and living your best life, you too will eventually have to sort it all into things to keep and things to throw away. The narrative doesn’t hammer this into the reader, it’s subtle and lovely. Something to cherish. – Sean Gaffney

Gabriel Dropout, Vol. 9 | By Ukami |Yen Press – There’s no major new characters introduced here or any plotlines that are not “excuses for character-based humor,” but that’s fine, because character-based humor is what Gabriel Dropout does best. That said, there are also a few heartwarming moments here as well, particularly in the festival arc, as everyone gets separated. Gabriel is, as always, weak to physical exertion, but will still come through in a pinch. Raphael finally meets someone she can’t seem to tease in the form of Mei, and almost forms a motherly bond with her. And as for Satania and Tapris… well, no, that’s not heartwarming, but it is hilarious. This series probably has nowhere new to go, but I don’t seem to mind at all. – Sean Gaffney

My Hero Academia, Vol. 26 | By Kohei Horikoshi | Viz Media – Most of this book is taken up with Endeavor showing our three male leads the ropes, which actually goes pretty well, and also having his daughter invite everyone over to their place for dinner, which goes a lot less well. Even if you leave out the fact that Natsuo ends up getting kidnapped by a villain with what might be the oddest quirk we’ve seen to date, the dinner itself is even more awkward than you might have imagined, and hammers home to Endeavor how much he can’t make up for the abusive father he’d been most of their lives. He needs a distraction, and we’re about to get one—Izuku’s ominous narration implies that a horrific event is coming soon. Still must-read shonen manga. – Sean Gaffney

Sweat and Soap, Vol. 5 | By Kintetsu Yamada | Kodansha Comics – This remains one of the best titles currently being released for fans of sweet romance, and I urge everyone to try to get past the “he likes to smell her sweat” premise. We get to meet the parents here—hers, at least—and discover that Asako seems to get her heavy sweating from her dad, who also seems to have her perpetually worried disposition. Fortunately, Kotaro is able to make a good impression. Then we get more of them trying to move to a place of their own, which comes with a lot of good advice for young couples trying to do this, as well as “how to look over a potential home for possible huge flaws.” And, well, the manga is still more than a little horny too, but also in a nice way. Highly recommended. – Sean Gaffney

Tono Monogatari | By Shigeru Mizuki | Drawn & Quarterly – In 1910, folklorist Kunio Yanagita published Tono Monogatari, a collection of legends from Japan’s Tono region as conveyed to him by a local storyteller, Kizen Sasaki. Nearly a hundred years later, many of the stories found in this pivotal work were adapted as short manga by Shigeru Mizuki. A folklorist in his own right, there couldn’t have been a more perfect match between creator and subject matter—Mizuki’s love for these supernatural tales and their place of origin is readily apparent from his pages. Similarly, another scholar of Japanese folklore, Zack Davisson, has now translated Mizuki’s Tono Monogatari into English, writing additional supplementary material and essays to accompany it. The volume is a treasure. Mizuki’s beautifully detailed landscapes establish Tono as the real place that it is even while the stories themselves focus on the uncanny. Reaching through time, the chilling tales are often short fragments, but effective in their brevity. – Ash Brown

In the Land of Leadale, Vol. 2

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By Ceez and Tenmaso. Released in Japan by Famitsu Bunko. Released in North America by Yen On. Translated by Jessica Lange.

Last time I jokingly said that the series was “Overlord meets Kuma Kuma Kuma Bear”, and I was not expecting that to be doubly true in the second volume, which features Cayna serving as a guard/guide to students going out in the woods for the first time (Kuma Bear), but also searching for other “players” and starting to discover that she is not the only one who ended up in this supposed game world far into its future (Overlord). Surrounding this are scenes of Cayna getting pissed off when getting called “grandmother”, Cayna having absolutely no knowledge of current currency at all, and Cayna one-shotting various terrifying monsters that would normally take 15 high-level people to take out. In other words, it’s a slow life series without the actual slow life. It FEELS like a slow life series in both the meandering pacing and Cayna’s somewhat blase personality, but there’s far, far too much going on here, and too many mysteries still to be solved. It is a lot of fun, though, and very quotable.

We pick up where we left off, with Cayna arriving at the capital of Helshper to deliver a message for Mai-Mai. The message turns out to have been a ruse, as it was going to the leader of the largest merchant house in the world… who is also Mai-Mai’s son, and thus Cayna’s grandson. Oh yes, and her granddaughter is a member of the city knight brigade. Cayna doesn’t like surprises like this (she’s also not fond of being called grandma given she still feels like a 17-year-old), but hey. The city is having a bit of a bandit problem, and as Cayna helps with it, she finds out that yes, there ARE other players trapped in this “post-game” world, though whether they think it’s a game or real depends on the mindset. Elsewhere, she gains a small fairy helper, continues to go to the other top player bases, and, to the disappointment of her children, decides to settle and build a house somewhere AWAY from the big city.

So yes, Cayna is not alone in being in Leadale as a gamer, though she does seem to be late – the other players have been there for years, and it’s suggested this might have something to do with the fact that she died in the real world before the game shut down. That said, she’s still far and away the most overpowered person in the entire world, and we see examples of that throughout this book – anyone who dislikes overpowered characters… well, should stop reading Japanese novels, really. Cayna’s delivery continues to be a treat, be it when she’s angry, happy, or otherwise, and I like how her priorities are simply nothing like what anyone else expects them to be. She finds out that another of the top players she knew had an NPC daughter who wants to meet her , and her reaction is “sounds like a pain, so no”. Keina spent half her life in bed on life support. As Cayna, she has absolutely no fucks to give.

So yes, another enjoyable volume in the series, and I definitely recommend it more to those on the Kuma Bear end of the spectrum rather than the Overlord end, though there is a suggestion of malevolent things going on in the epilogue. Cayna’s a treat.

Kuma Kuma Kuma Bear, Vol. 5

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda.

Apologies for the slang here, but as I was reading this volume of Kuma Bear, I kept thinking about recent discussion of ‘gap moe’. Sure, I’m certain there are some people who read this series for the cute girls doing cute things, or for Yuna being stupidly overpowered, or even for the food descriptions. But I think the best reason to read it is for those moments where Yuna’s deadpan, staid character is forced to actually react to things – usually embarrassment, but not always. As I’ve said before, her desire to not take credit for anything she does is starting to feel like a complex, and people are beginning to notice – even kids like Fina. That’s not to say it works all the time, as her Bear Tunnel shows us. What’s more, Yuna gets as uncomfortable with the rough, spiky parts of this world as the reader does, and would much rather try not to think about the whole thing – though she does help out in the end. She hopes by thinking of herself as dull and normal, it will rewrite reality.

Most of this book is devoted to the seaport Mileela, and the aftermath of Yuna wiping out the bandits and boiling the kraken. Returning to normal is not something that can happen as fast as the anime implied it. The town is still pretty much devastated by the last few months, the foreign ships don’t know that they can start sailing there again, and while they would like to ally themselves with Cliff’s city Crimonia, but there’s still that huge mountain in the way. Fortunately, they have Yuna, who once met common sense in passing but promptly went somewhere else. Now there’s a huge tunnel connecting the two areas. Problem solved! Well, except it needs lights. And air. And monster cleanouts. And guards. Yuna may be an overpowered bear girl, but cleaning up after her remains a very exhausting job.

Not sure this counts as ‘gap moe’, but the scene that intrigued me the most, as I implied above, is when Yuna is asking the innkeeper’s daughter Anz to run her new shop. Anz asks if she can have some help in the form of the young women Yuna rescued from the bandits last book – that is to say, the ones whose families were killed and were raped by said bandits. Unsurprisingly, they find still living in the town incredibly uncomfortable. It’s these sort of scenes that you really would not see in this cutesy bear and girls sort of book – indeed, the anime tries to gloss over this – and the fact that it comes up over and over again, ever since Book 1 (where, you’ll recall, Yuna in Japan paid her parents off to go away and leave her alone) just won’t let me go. That said… the majority of this book *is* Bear does OP things” “Bear hangs out with cute kids”, “Bear comments sarcastically on events”, etc.

We get setup for what I assume is the next book near the end, where Yuna is asked to guard a bunch of pampered royals as they journey to the forest to hunt some low-level monsters. It is implied that Yuna’s sharp tongue may be more devastating than any monsters, but we shall see. Till then, this remains a cute, if sometimes more disturbing than expected, book. (Oh yes, and LOL at Yuna accidentally walking around in the white bear outfit one day, which she compares to walking outside in her pajamas.)

Banner of the Stars: Destiny’s Refrain

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By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

I admit, I frequently have difficulty plowing through these books. I enjoy the plotting and characterization, but the writing is a bit on the dry side, not to mention all the bolded vocab. Usually I have a lot of banter between Jint and Lafier to hold me over, but in this book they appear less than they have in any of the others – and for good reason. If you ever looked at the massive Abh Empire and thought “wow, they seem arrogant, I wish they’d lose everything they have”, well, wish granted, my friend. We get an awful lot of dead cast members, though most of the ‘current’ younger generation, including our two leads, are fine. But it does mean that you’re reading an entire book about the downfall of an entire people, which can be… bleak. Honestly, it’s at times like this that I’m grateful for the Abh’s blase attitude towards everything, as this would be a lot worse if people were screaming and crying as they died.

Picking up right where the last book left off, it turns out that the Hania Federation has pulled a fast on the Empire (and indeed on its own negotiators), joining with the Three Nations Alliance. The Abh very quickly realize that they are screwed, and a good deal of the book is seeing them trying to evacuate to a safe haven as many people as possible while also having those in change (including the Empress, Lafier’s grandmother) nobly try to hold off the enemy as long as possible. Lafier’s brother Duhier also gets a subplot as he tries to be a soldier despite the entire world working to make sure he can never do anything productive – it would normally be funny, but we feel his frustration. As for Jint, he’s busy moving gravestones, which to the Abh are far more important than his own life or Lafier’s.

The book is not entirely a downer. Sporr makes a welcome return towards the end, as does her aide, and they’re as hilarious as ever, as she is essentially the Abh version of the princess-curled ojousama. Jint manages to talk to the old Baron who helped them escape from his son’s clutches, and there is some amusing teasing about his relationship with Lafier – literally everyone assumes that they are lovers, though if they are neither one communicates that to the reader. But for the most part this book is about last stands and picking up the pieces, and I suspect that the next book, when it comes (which is also the most recent book, having come out in 2018), will have the Abh taking on more of a freedom fighter sort of role. In the meantime, this is good space battle stuff, assuming you don’t mind the technical banter, the bolded words and, of course, the piles of death, most of which, like the Abh, is communicated to us very matter of factly.

I’ll Never Set Foot in That House Again!, Vol. 2

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By Milli-gram and Yuki Kana. Released in Japan as “Nidoto ie ni wa Kaerimasen!” by Overlap Novels f. Released in North America digitally by J-Novel Club. Translated by Emily Hemphill.

Reading this immediately after The Saint’s Magic Power Is Omnipotent was probably a mistake, as the two series share much in common. At least the Saint is in her thirties, though. Chelsea’s age and emotional innocence are still front and center in this book, and it can sometimes be discomfiting. The complains once or twice about being treated like a child, but, well, she’s twelve, and honestly acts like she’s six much of the time. What matters most to her are Glen and delicious food, possibly not in that order. And, of course, she has a heart as big as the world and wants to save everyone. In a non-fantasy world she’d be a perfect magical girl candidate – heck, she even looks a bit like Madoka – but here it’s easy for her to be coddled. She’s protected at all times by Glen, ends up getting a new head chef, and a new set of bodyguards once Glen – who is a good 8-10 years older than she is – proposes. So yeah. Anyway, about the rest of the book…

Most of the book involves a journey to a neighboring kingdom, which is definitely having a miasma problem, apparently due to the fact that their new ruler has been cutting down sacred trees and other terrible things. Glen, Chelsea and company decide to see how the former ruler is doing – he’s still around, he just has a terrible mana-draining illness – and Chelsea being essentially a walking plot device, this is soon resolved and he returns to the throne. That said, there are a few hints that there are greater things going on here – the horrible ruler turns out to have been slightly brainwashed by a mysterious fortune teller, who turns out to be working for someone who really, really hates Chelsea – no one is quite sure why. Is this going to be the end of her slow, pampered lifestyle? I mean, no, probably not.

I won’t begrudge Chelsea having a pleasant experience with one the occasional “I did too much and passed out” to worry about, she’s had a rough life and deserves happiness after so long, but it does make the book a bit dull at times. I was amused at her grandparents’ description of Chelsea’s mother – they’re polar opposites – as well as Chelsea’s poleaxed reaction to it. The book also continues to make very light usage of its big clever idea – that Glen is an isekai’d from Japan prince – and we find the former ruler of the other kingdom, a dragon man, is also a forner Japanese person now in a fantasy world body, which leads to some amusing discussion of – as always – how to get miso in a fantasy world. That said, this also means that when Glen proposes to Chelsea he’s called a lolicon… which, well, she’s twelve. At least it doesn’t appear they’ll actually get married till she comes of age.

So yeah, like the first book, this is hit or miss for me – a bit more miss this time – but it’s still warm and fluffy at heart. Also like the first book, I assumed this second volume would be the end of the series, but there’s apparently a third volume out in Japan next month. Recommended for those who love waifs – no, not waifus, waifs.

The Saint’s Magic Power Is Omnipotent, Vol. 3

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

One of the things that is difficult to admit for your average everyday light novel reader or reviewer is that we are unlikely to every be the savior of an entire world. The Saint, as seen here, has to deal with a bunch of difficult challenges to try not to advertise too much exactly who she is (especially now that the existence of the Saint, if not her identity, has been confirmed) while also trying to help as many people as possible by making many, many powerful potions, and also find the time to try to figure out how her powers actually work and why they only appear at unusual times. That said, sometimes even an omnipotent saint can end up being very relatable, as when Sei suddenly realizes what it is that triggers her superpowers, and… yup, so embarrassing it’s the power of love. This has been pretty obvious to the reader from Book one, but the author admits that the romance is going to be slow going, so…

The majority of this volume is spent away from Sei’s beloved potion research, but it’s for a good cause: the domain where they get their best ingredients is suffering from an attack of monsters and miasma, and therefore her powers are particularly needed. Upon arrival, after dealing with pomp and ceremony, and the fact that her cooking methods have become widespread… but only if you like meat… Sei gets down to the nitty gritty of her visit: quizzing the old potion expert they have there about ways to make a superior grade potion. As it turns out, they have the long-lost documentation that might be able to help her. That said, in order to succeed she’s going to not only have to come to terms with the fact that Albert is hot and she likes that, but also deal with a new guy interested in her… one who’s a bit more down to earth.

To be fair, I’m not sure that you can call Leo a love interest per se – he’s not interested in Sei as a person but rather in her abilities. He’s probably the funniest part of the book, being a well-meaning but tactless musclehead, apparently included by the author because muscle fetishes are in these days. The most interesting part of the book, though, shows us the diaries and research books of the Great Alchemist, which was thought to have been destroyed and lost forever. To no one’s surprise, she seems to be a lot like Sei, particularly in her attention to detail in regards to research. Given that we now have Sei’s ridiculous magic power combined with actual knowledge, I suspect big things are going to be happening in the next book. That said, I doubt one of those big things will be confessing to Albert.

This is getting an anime soon, so certainly has caught the eye of folks. It’s not the most exciting or original thing in the world, but it makes me smile, and I always enjoy reading it. It’s also a very good recommendation for folks who would normally be turned off light novels due to excess fanservice – only Leo’s muscles qualify here.

Manga the Week of 3/3/21

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SEAN: March comes in like a lion with a pile of new manga, though sadly none of them are March Comes in Like a Lion. Get on that, Viz.

MICHELLE: Seriously!

ASH: Right??

SEAN: Airship debuts a new light novel with Drugstore in Another World: The Slow Life of a Cheat Pharmacist (Cheat Kusushi no Slow Life ~ Isekai ni Tsukurou Drugstore ~). It’s getting an anime in the summer, and gets an early digital release next week. Our hero reincarnates in a fantasy world with a potion maker ability, and treats various folks, including a werewolf girl who falls for him.

ASH: I’m largely isekai-ed out, but this variation intrigues me.

SEAN: Ghost Ship, meanwhile, has the 5th and final volume of Saki the Succubus Hungers Tonight.

J-Novel Club has a lot of new print titles. The debut is Seirei Gensouki: Spirit Chronicles, which is coming out as 2-volume omnibuses.

Also in print: An Archdemon’s Dilemma 10, I Shall Survive Using Potions! 4, Infinite Dendrogram 11, and Marginal Operation 5.

On the digital side we get Altina the Sword Princess 7, the 5th manga volume of Demon Lord, Retry!, How a Realist Hero Rebuilt the Kingdom 13, I Shall Survive Using Potions! 6, Marginal Operation 6, and the 3rd manga volume for The Unwanted Undead Adventurer.

In print, Kodansha Comics has Hitorijima My Hero 9 and Wave, Listen to Me! 5.

MICHELLE: I enjoy both of these for utterly different reasons.

ANNA: I’m so behind on Wave, Listen to Me!

ASH: I’m looking forward to catching up, myself!

SEAN: The digital debut is Araki Won’t Be Tamed (Araki-kun wa Kai Narasenai), a Dessert title about a young woman whose older sister is a famous actress. Now a famous actor declares his love for her… no, not her sister, her! She doesn’t buy this, but he’ll do anything to convince her… even be her pet. YMMV was invented for series like these.

MICHELLE: Yeeeeah.

ANNA: LOLOL

ASH: We shall see!

SEAN: All-Rounder Meguru comes to an end with its 19th volume. There’s also The Invincible Reincarnated Ponkotsu 4, My Dearest Self with Malice Aforethought 2, My Sweet Girl 12, Smile Down the Runway 18, and the 4th and final volume of Star⇄Crossed!!.

MICHELLE: At some point I should check back in with My Sweet Girl and see how it’s going.

SEAN: Seven Seas debuts the Berserk of Gluttony manga, based on the light novel. The story of a boy who gains people’s skills when he kills them, it runs in Comic Ride.

There’s also the 3rd and final Who Says Warriors Can’t Be Babes?.

Digitally, Seven Seas has the first four volumes of Alice in the Country of Clover: Cheshire Cat Waltz, which features Boris, and was one of the better series of the endless spinoffs.

ASH: I really liked this particular spinoff.

Viz has, as usual for the first week of the month, a lot of stuff. The first debut is a spinoff, Dr. Stone Reboot: Byakuya. Not an actual reboot but a prequel to the main series, showing us what actually happened with Senku’s father.

The second debut is also a spinoff, My Hero Academia: Team Up Missions. It runs in Saikyou Jump, a magazine devoted to spinoffs of Jump titles, and features the cast of Class 1-A teaming up with various pro heroes.

MICHELLE: I will read this, but I’d be ridiculously excited if this was Class 1-B doing the teaming up!

SEAN: And we also get: Daytime Shooting Star 11, Dragon Ball Super 12, Haikyuu!! 43, Love Me, Love Me Not 7, My Hero Academia: Vigilantes 9, Naruto: Shikamaru’s Story (yes, I know, it got bumped), Oresama Teacher 28, Queen’s Quality 11, Skip Beat! 45, Snow White with the Red Hair 12, Spy x Family 4, and Twin Star Exorcists 21. I’m getting over half that list.

MICHELLE: Big same. I’m, of course, especially excited for a new volume of Skip Beat!.

ANNA: Tons of good stuff, I agree any week with Skip Beat! is a good week.

ASH: I agree – a really good Viz week!

SEAN: A lot of Yen’s February light novels got bumped to this week, making them March light novels. We get Banished from the Hero’s Party, I Decided to Love a Quiet Life in the Countryside 2, A Certain Magical Index SS 2, Death March to the Parallel World Rhapsody 13, Re: Zero 15 (which ends the 4th arc), A Sister’s All You Need 9, and Sword Art Online Alternative: Gun Gale Online 8.

On the Yen Press side, there’s two debuts. Do You Like the Nerdy Nurse? (Hokenshitsu no Otaku Onee-san wa Suki Desu ka?), a seinen title from Shogakukan’s Yawaraka Spirits. The school nurse is gorgeous… but also a massive otaku, as one student finds out. Can he get her to fall in love with non-fictional people? This is a done-in-one omnibus.

Yen also has the manga adaptation of the Solo Leveling novel.

Lastly, there’s the 2nd volume of Sword Art Online’s manga adaptation of Project: Alicization.

What title catches your eye?