Features

My Week in Manga: January 4-January 10, 2016

January 11, 2016 by Ash Brown

My News and Reviews

The new year is now well on its way, and I finally feel like I’m getting back into my writing groove; my regular posting schedule has mostly returned, though there might be a slight interruption in February. Anyway. In addition to the regular My Week in Manga feature, there were two other posts at Experiments in Manga last week. The first was the announcement of the Merman in My Tub Giveaway Winner which also includes a compiled list of some of the giveaway participants’ favorite manga that were released in 2015. The second post last week also happened to be the second in-depth manga review for the year—JoJo’s Bizarre Adventure, Part 1: Phantom Blood, Volume 3 by Hirohiko Araki. It’s such a ridiculous, over-the-top series, but I’m sincerely enjoying it.

As for some of the interesting things I’ve discovered online recently: The news was previously leaked, but Dark Horse has now officially announced its two new manga licenses, Kenji Tsuruta’s Wandering Island and CLAMP’s RG Veda. I thought I had mentioned it a few weeks ago when it first launched (apparently I forgot), but Digital Manga’s boys’ love imprint Juné has a new Kickstarter project to publish four titles by Sakira in print. At least three of the four manga were Digital Manga Guild publications that were previously only available digitally. The project has already succeeded, but Digital Manga’s plan is to put a fair amount of the money pledged into restocking/reprinting some of its older, hard-to-find boys’ love titles. Finally, over at MangaBlog, Kate Dacey, Brigid Alverson, and Deb Aoki talk about some of their most anticipated manga of 2016, many of which happen to be some of my most anticipated releases as well.

Quick Takes

Itazura na Kiss, Volumes 4-6 by Kaoru Tada. For the most part, I’m continuing to enjoy Itazura na Kiss. At this point in the series, Naoki and Kotoko are in college, each trying to figure out what to do with their lives. Kotoko’s infatuation with Naoki is the most important impetus for her to do just about anything, whether it be joining the tennis club, becoming a waitress, or trying her hand at office work. Normally, this would probably annoy me, but I appreciate her gusto, individuality, and willingness to follow through with what she’s started. Even though Kotoko is so incredibly focused on Naoki, her world actually doesn’t completely revolve around him and she’s not defined by him either, which I think is what makes her character work for me. Were it otherwise, I don’t think that I would enjoy the series nearly as much. Naoki continues to be aloof and more often than not a jerk. One particular instance in which Kotoko is unnecessarily treated very poorly could have been avoided entirely if he would have just had the courtesy to tell her what was going on, and there was no good reason for him not to. Thankfully, this sort of behavior isn’t romanticized or idealized in the manga.

Love in All Forms: The Big Book of Growing Up Queer edited by Serafina Dwyer. I follow the work of Kori Michele Handwerker who contributed to Love in All Forms which is how I first learned about the collection. I was also thrilled to discover that Jennifer Doyle, another artist whose work I enjoy, was also a contributor. The anthology collects fourteen comics by queer creators about queer children. Most of the creators were actually new to me, so I’ve definitely found some new artists to follow. As for the comics themselves, some of the stories are based in reality, while others are fantasy or science fiction, but they all deal with love and personal identity in one way or another. Many of the characters skew towards the feminine side of the gender non-conforming spectrum, but there’s a nice range of representation in the anthology with an emphasis on acceptance. Generally the stories tend to be fairly optimistic, which is marvelously refreshing. The name of the anthology might be a little misleading, or at least overly broad or ambitious, but it’s a lovely collection of beautifully heartfelt and touching queer comics.

Yowamushi Pedal, Omnibus 1 (equivalent to Volumes 1-2) by Wataru Watanabe. I’ve watched and enjoyed part of the Yowamushi Pedal anime adaptation, so I wasn’t especially surprised by any of the developments found in the original manga. Even so, the first omnibus was great fun and I enjoyed it a great deal. Onoda is a fan of anime and manga whose surprising natural talents and regular trips by bicycle to Akihabara using less than ideal equipment have granted him some impressive cycling skills. He doesn’t even recognize his own abilities, though, not at all identifying with the more athletically inclined students at his school. But after several curious turns of events, he finds himself joining the bicycle road racing club. Watanabe isn’t very subtle when working information about cycling and bicycles into the story, which can be a little jarring, but the manga is still entertaining and I really like the characters. I’m glad that Yen Press is taking a chance on a long-running sports manga (the series is already over forty volumes in Japan and is still ongoing) and I sincerely hope that Yowamushi Pedal is a success.

Manga the Week of 1/13

January 7, 2016 by Sean Gaffney, Ash Brown, Anna N, Michelle Smith and MJ 1 Comment

SEAN: Traditionally, the first and fourth weeks of the month are the largest, as Week 1 is where Viz releases it’s Jump and Beat titles, and Week 4 is usually Yen Press. Weeks 2 and 3 therefore vie for the remaining attention, containing less spectacular stuff – Viz puts out Sunday imprints in Week 2, but otherwise it can be a hodgepodge. (Week 3, to complete the analysis, is Viz’s Signature stuff.) Is there anything vying for attention in next week’s small batch?

Dark Horse gives us an 11th volume of its Lone Wolf and Cub omnibus.

ASH: I’m finally making a point to get caught up with Lone Wolf and Cub; it’s a really great series.

SEAN: Seven Seas has a trio of releases. Arpeggio of Blue Steel is a cut above the usual ‘girls are ships/planes/whatever’ genre, and I look forward to Vol. 6 next week.

The words “monster girls” may cause the entire Manga Bookshelf team to groan, but the debut of My Monster Secret from Seven Seas is intriguing – people I trust have told me it’s very funny and well-written. It’s from Weekly Shonen Champion, also home to Yowamushi Pedal, which it resembles not at all.

And we have a third Pandora in the Crimson Shell: Ghost Urn, which… yeah, I can’t, really. I do hear it has an anime soon.

SubLime has an 8th volume of His Favorite, whose covers always look great, and has some fans here, I think.

ASH: That it does!

SEAN: Viz gives us 57 varieties of Case Closed, one for each volume it has out to date.

There’s a lot of fun stuff in the first half of the 12th Ranma 1/2 omnibus – including the famous “fishing rod of love” story – but let’s be honest, old-school fans will mostly want to read this for Herb. He shows up in the 2nd half.

Lastly, and thankfully for Manga Bookshelf writers desperate for a Pick of the Week, there’s a 3rd volume of Requiem of the Rose King, which is still in the Henry VI plays but possibly not for much longer.

ASH: Definitely the one volume that I’m most looking forward to this week!

ANNA: This is the ONLY volume I’m looking forward to this week!

MICHELLE: Yup. Same here.

MJ: Okay, this is probably predictable since I actually chose this series as my Pick of the Year, but: ME, me, me me me. Me. Yes, me. Me, too.

SEAN: What whets your appetite for next week?

The Most Anticipated Manga of 2016

January 4, 2016 by Katherine Dacey

We’re kicking off 2016 with a look at the manga titles and trends we’re most excited about. Joining me and Brigid is manga journalist and critic Deb Aoki, former guide to AboutManga.com, current host of Manga Comics Manga, and Publishers Weekly contributor.

What new manga are we looking forward to this year?

BRIGID: Fruits Basket! Natsuki Takaya’s tangled tale of a cursed family was one of the first shoujo manga I ever read, and I’m looking forward to re-reading it with a more experienced eye (and a better translation).

The other upcoming manga that everyone seems to be looking forward to is Princess Jellyfish, which Kodansha is publishing in double-sized omnibus volumes. This josei title about a bunch of nerdy girls living in their own rooming house sounds like it will be a lot of fun.

In terms of continuing series, I loved the first volume of Planetes and I’m looking forward to more. It’s a smart science fiction story with likeable characters and thoughtful storylines, and Dark Horse’s new edition is a beautiful two-volume omnibus that really feels like something special. I can’t wait to read more of Hiroya Oku’s Inuyashiki, about two humans given extreme superpowers in a freak accident—one uses them for good, one… doesn’t—and Yoshitoki Ōima’s A Silent Voice, an amazingly powerful story that’s about bullying but also about alienation and redemption. One more: Your Lie in April, which has kind of slid under the radar, a shonen romance about musicians that, like A Silent Voice, goes beyond the standard shonen romance tropes and has relatable characters experiencing real emotions.

On a general note: When I was compiling my lists of the best new and ongoing manga series of 2015, I was struck by how many really good manga debuted in 2015. From all accounts, 2016 is going to be even better.

DEB: I’m most excited about the trend where manga publishers are taking chances on titles and genres that were once considered the third rail/extra risky to license, like sports manga. Super excited about the Summer 2016 arrival of the first volumes of Haikyu!! by Haruichi Furudate and Kuroko’s Basketball by Tadatoshi Fujimaki from Shonen Jump/VIZ Media! I love Haikyu!! a lot — been watching the first and second seasons on Crunchyroll over and over again. the characters are really wonderful — it’s delightful to see the team grow and reach new heights every time. It’s got lots of heart and humor as well as exciting sports action. It’s now one of my all-time faves!

I’ve also been enjoying the recently released Yowamushi Pedal by Wataru Watanabe, a manga about a hapless anime otaku who discovers that he has a talent for bicycle racing. Big ups to Yen Press for publishing this fairly long series in double-sized volumes.

queen-emeraldas-small Another example of manga publishing biz in the US dipping their toes into riskier fare is the upcoming publication of three classics: Rose of Versailles by Riyoko Ikeda from Udon Entertainment, Queen Emeraldas by Leiji Matsumoto from Kodansha Comics, and Otherworld Barbara by Moto Hagio from Fantagraphics Books. For too long, the classics that are the foundation of manga in Japan have been largely unavailable in English. I’m hoping that these titles succeed so we can someday get more.

Also super excited about having more manga by Asano Inio available in English. Solanin and What a Wonderful World! are go-to recommendations for anyone who loves indie comics and is curious about manga. Now VIZ Media is publishing the mind-bending Goodnight Pun Pun, and A Girl on the Shore, coming from Vertical Comics. Both should be on your pre-order lists, as these are beautifully drawn, thought-provoking books that everyone will be talking about in the months to come.

KATE: I share Deb’s excitement about classic manga. It’s a risky undertaking for any publisher, especially when so many readers are young (under 20) and not particularly curious about the medium’s roots. It will be interesting to see if UDON can pitch Rose of Versailles to the Shojo Beat crowd; though the artwork is a little dated, the melodrama, costumes, and kick-butt female lead have obvious parallels with titles in VIZ, Kodansha, and Yen’s catalogs. Who knows? It could be a surprise hit.

Speaking of vintage titles, I’m ecstatic about Drawn & Quarterly’s new Kitaro volumes. D&Q will be releasing these previously untranslated stories in slimmer, kid-friendly editions–a departure from their 2013 Kitaro release, which screamed “prestige project!” I think that’s a smart move: adults with an interest in Shigeru Mizuki’s work will buy it in almost any format, but younger manga fans need a length and trim size that reflects their own reading habits.

Another title on my must-read list is Jiro Taniguchi’s Guardians of the Louvre, which NBM Publishing will be releasing in April. The previous installment of the Louvre series–Hirohiko Araki’s Rohan at the Louvre–was the ultimate otaku two-fer: a ghost story and a standalone chapter in the JoJo’s Bizarre Adventure saga. Taniguchi’s book will undoubtedly be a more sober affair, but one I’m anticipating with the same eagerness: I can’t wait to see how Taniguchi integrates the museum’s famous collection into his story.

In the just-for-fun department, I Am a Hero, a zombie thriller from Dark Horse, is near the top of my list, as are VIZ’s Haikyu! (mentioned by Deb above), Vertical’s FukuFuku: Kitten Tales, and the final installment of DC Comics’ Batman: The Jiro Kuwata Batmanga. I’m also looking forward to Wandering Island, a story about a gutsy young woman who runs an air mail service in a remote corner of Japan. The illustrations are by Kenji Tsurata, the creator of the criminally under-appreciated Spirit of Wonder, which was published by Dark Horse in 1998.

Last but not least, I’d also make a plug for The Osamu Tezuka Story: A Life in Anime and Manga. This visual biography clocks in at a hefty 900 pages, highlighting important periods in Tezuka’s career as an illustrator and animator. Its author, Toshio Ban, worked closely with Tezuka in the 1970s and 1980s, giving Ban a unique perspective on his subject. As an added bonus for American readers, Stone Bridge Press brought in Frederick L. Schodt to do the translation.

How about conventions—does anything look particularly tempting?

DEB: I’m always curious to see what Toronto Comic Arts Festival will be bringing as their guests this May. Last year was Gurihiru and Aya Kanno, prior years brought Konami Kanata, Moyoco Anno, Akira Himekawa, Usamaru Furuya, Est Em, Natsume Ono and Yoshihiro Tatsumi to name just a few. I don’t know what they have planned, but I know it’ll be worth the trip!

As booth space and tickets get harder and harder to get at San Diego Comic-Con, Anime Expo in Los Angeles has turned into the Japanese content biz must-go show. I’ve noticed that more companies from Japan are buying booths, and see lots of meetings / business being conducted at the show.

It’s great that AX is getting bigger and bigger, but I worry that it creates a situation where the anime/manga world becomes even more segregated/separated from the general pop culture community that converges at Comic-Con and similar American shows. This is especially irksome because it seems like most of the Western comics / pop culture press corps basically ignore / don’t report on / don’t attend Anime Expo or any of the announcements that come out of this show.

This pisses me off because anime/manga matter more than ever — especially as its fandom tend to skew younger, are more active, and more interested in all kinds of entertainment from US and Japan compared to their counterparts on the superhero side of the comic shop. So much for my “be less crabby in 2016” resolution… ;-)

KATE: I had a blast attending shows like New York Comic Con and Wondercon in the late 2000s. The last time I attended NYCC, however, I felt that the show had taken a much sharper turn towards the television, film, and gaming industries, and was losing its identity as a comics convention. The manga publishers were still there, of course, but it was harder to circulate and interact with editors and sales reps because of the enormous crowds. That experience pretty much soured me on going to any more big conventions. TCAF always sounds like a blast, but the timing never works for me; I’m always knee-deep in final exams and student papers when it rolls around!

BRIGID: I echo Deb’s concern about AX, but it does seem like this year, the news was spread across a broader swath of conventions—and many of the new licenses, including Fruits Basket, were announced on Twitter. The presence of so many people from the Japanese publishers—not just creators but editorial staff as well—was very noticeable this year and shows that the publishers are taking the American audience seriously. It also enhanced the experience to see, for instance, the editor of Noragami explaining the process of how it went from sketches to finished page. I’m looking forward to more of that at the larger shows as well as the more intimate experience at the smaller shows, where the creators and their readers are not so far apart.

Any predictions about the industry?

DEB: Almost all signs point to a healthier, more robust manga publishing business in 2016, which is a great thing. I don’t see the same rush to publish anything and everything vaguely manga-ish (even crappy manga) that I saw prior to the crash of the late 2000’s — publishers seem to be making more careful choices, more calculated risks. The fact that they’re taking any risks at all — by expanding genres, offering their stories via more digital channels and doing more simulpub/same day as Japan releases, is a good sign.

I’m also intrigued/encouraged by the efforts being made by Japanese manga publishers to welcome submissions by creators from outside of Japan, like Comics Zenon’s Silent Manga Audition contests and the Japanese edition of Shonen Jump’s latest contest to get published in their online magazine, Jump Plus. It’s no secret that many up-and-coming comics creators from around the world are inspired by manga, so it’ll be very interesting to see what happens when more of these creators get exposure in Japan and guidance from Japan’s top-notch manga editors.

KATE: I’m consistently impressed by Seven Seas’ tenacity and business acumen, but not so impressed with the actual titles they license. Last year, however, Seven Seas published The Ancient Magus’ Bride and acquired Orange, neither of which fit the profile of a typical Seven Seas manga; if anything, both seemed like the kind of titles that CMX used to license. That gamble has paid off with Bride, which recently cracked the NY Times Manga Bestseller list. My prediction: Seven Seas will continue to make bold licensing choices in 2016, even as vampire-monster girls remain their core business.

BRIGID: I see publishers taking manga more seriously as the audience expands. While the “pile ‘em high and sell ‘em cheap” attitude that made Tokyopop and Viz’s Shonen Jump lines such a success ten years ago works well with teen readers, who gobble up manga in quantity, publishers are starting to cater to older readers who want a somewhat better experience. The oversized omnibus isn’t that much more expensive than single volumes, but it allows for a more satisfying reading experience, and publishers often include extras like better quality covers and color pages. Viz’s new edition of Monster, Dark Horse’s Planetes, and Yen Press’s Emma are all examples of this, and Kodansha gets a shoutout for not only its superb editions of Vinland Saga but its deluxe Attack on Titan Colossal Edition. This seriousness goes beyond production values to the licensing of quality manga that might not have found a market in earlier years, including Inuyashiki and Naoki Urasawa’s Master Keaton.

gekiga01 If any publishers are reading this, I have a very specific licensing request. There’s a small French publisher called Lezard Noir that is publishing some amazing manga in French; I spoke to the publisher when I was in Angouleme two years ago and was really impressed with his line, which includes Minetaro Mochizuki’s Chiisakobé, Bonten Taro’s Sex & Fury, and Masahiko Matsumoto’s Gekiga Fanatics. I’m not the only one—every year at least one of his books is picked as an official selection by the Angouleme festival. I’d love to see some U.S. publishers pick up these titles in a similar format—I think they would have a lot of appeal to those older, more sophisticated manga readers.

My Week in Manga: December 28, 2015-January 3, 2016

January 4, 2016 by Ash Brown

My News and Reviews

Happy New Year, everyone! 2015 may now be over, but there is still time to enter Experiments in Manga’s last giveaway of the year for a chance to win Merman in My Tub, Volume 1 by Itokichi; simply tell me a little about your favorite manga released in 2015. As for the first in-depth manga review of the year, that particular honor goes to Tetsu Kariya and Akira Hanasaki’s Oishinbo, A la Carte: The Joy of Rice, which examines the heart and soul of rice in Japanese culture and cuisine. Finally, over the weekend, I posted December’s Bookshelf Overload, the first of what I expect to be many fairly lean months when it comes to book purchases.

Since I’ve been on holiday for the last week or so, I haven’t actually been online much, so I’m certain that I’ve missed out on all sorts of manga news, announcements, and articles. (Please do let me know of any that were particularly exciting!) However, I did come across a few things that made for interesting reading last week. For example, Jonathan Hammill, Tokyo Symphony’s Principal Horn player, wrote about performing and recording music for anime. (I’m a horn player myself, so I found this doubly interesting.) The Shojo Beat tumblr posted the first part of an interview with Arina Tanemura, with the second part to come. And Organization Anti-Social Geniuses has the 2016 update of it’s incredibly useful guide to reading digital manga legally.

Quick Takes

Nephilim, Volumes 1-2 by Anna Hanamaki. It was the basic conceit of Nephilim that first brought the series to my attention. The Nephilim are a race of people who change sex and gender, revealing their true selves at night before transforming again in the morning. Should a human see a Nephilim’s true form, the Nephilim must either kill that human or else die of a curse themselves. (That last bit is apparently too inconvenient from a storytelling standpoint and is soon dropped, however.) When Abel is seen by Guy she is determined to take his life, but that was before she fell in love with him. Now she has a terrible choice to make since a romance between a human and a Nephilim would seem to be doomed from the very start. As far as I can tell, Nephilim was canceled after two volumes; I can’t say that I’m particularly surprised. Despite a vaguely promising start and intriguing worldbuilding, unfortunately the series ends up being a confusing, nonsensical mess with hardly a likeable character in it, somehow managing to become more and more cliche as unfolds even while incorporating unique elements. The artwork could be pretty at times, though.

One-Punch Man, Volumes 1-3 written by One and illustrated by Yusuke Murata. For over a year, most of One-Punch man was only available in English digitally; it was only recently that it was finally released in print. I had been holding out, so I was glad when I could finally hold the series in my hand. I have been hearing great things about One-Punch Man since it first began and I was sincerely afraid that I would be disappointed when I read it. I was very happy to discover that the series lives up to its reputation. Both the writing and the artwork are excellent. The premise of One-Punch Man is that Saitama, at one point a miserable salaryman, has taken his hero training so far that he can now defeat any enemy with a single punch, once again leaving him bored and frustrated with life. He’s actually more worried about missing bargain days at the supermarket than he is about dying in battle. One-Punch Man is legitimately funny and the fight and action sequences are great. I’m actually rather impressed by how many different scenarios One has come up with for what could have been a very limited, one-shot joke.

Tale of the Waning Moon, Volumes 2-4 by Hyouta Fujiyama. The first volume of Tale of the Waning Moon amused and entertained me, so I figured that I should read the rest of the short boys’ love series. The manga continues to be utterly ridiculous, although by the end it has become surprisingly weighty. In the beginning, the plot progression of Tale of the Waning Moon is highly influenced by role-playing games, complete with random old men giving clues as to what needs to be done next (I love this) and multiple side quests that must be completed before the main goal can be achieved. The goal in this case being uniting Ryuka with Ixto, one of the spirits of the Moon. The RPG elements become less prominent as the series develops although the fantasy setting remains. I generally preferred the goofier side of Tale of the Waning Moon; some of the more serious developments actually felt a little out-of-place and less convincing than the series’ comedy and silliness. But I did enjoy the manga overall. Though it had a dubious start, Ryuka and Ixto’s relationship is sincere in the end. I did, however, find that I was often more invested in the supporting cast and couples.

Manga the Week of 1/6

December 31, 2015 by Sean Gaffney, Ash Brown, Anna N, MJ and Michelle Smith 1 Comment

SEAN: For a first week of the month, this is pretty mild. And by mild I mean there’s still 17 titles due out. But mild by comparison.

Seven Seas gives us a 2nd volume of A Certain Scientific Accelerator, as he deals with a Certain Magical Girl who is messing up his plans to not get involved.

And a 2nd Merman in My Tub, with more wacky anthropomorphism (which would make a great band name).

ASH: That it would!

SEAN: There’s also a 3rd volume of Senran Kagura: Skirting Shadows, which I had forgotten existed, likely as it’s already hit ‘caught up with Japan’. Judging by the cover, breasts are somehow involved. I wonder if someone will trip and fall into them.

The rest is all Viz. There’s a 14th Blue Exorcist, which I admit I always forget about between volumes, but it all comes back to me when I read a new one.

Aya Shouoto continues to be the new Arina Tanemura, as we can’t get enough of her work. This week we have a 3rd Demon Prince of Momochi House, and also an 8th Kiss of the Rose Princess.

ANNA: Not surprisingly, I enjoy these series. These manga are solid shoujo series, even if they aren’t standouts.

MJ: I’ve begun to enjoy them as well!

SEAN: If you like shoujo that’s so sweet as to give you cavities, the first volume of Honey So Sweet may be for you.

MICHELLE: Sometimes I do like that very thing, so I am looking forward to this one.

ANNA: Also not surprisingly this is on my reading list!

MJ: And mine!

SEAN: Kimi ni Todoke is also good at sweet, but has also been putting on the drama a bit lately as we hit Vol. 23.

ANNA: I’ve been avoiding this just because I’m not sure I can deal with all the feels.

SEAN: And it will be hard to top the concentrated sweetness that is My Love Story!!, whose 7th volume is guaranteed to require major dentistry for all its readers.

MICHELLE: Heh. Also on my list.

ASH: Mine as well! Such a wonderfully charming series.

ANNA: Ditto. One of the series I most look forward to reading.

MJ: Wow, what a lovely, shoujo-ish week.

SEAN: Naruto has a one-volume sequel coming out next week, The Seventh Hokage and the Scarlet Spring. Be warned, it’s post-Epilogue.

And there’s a 13th Naruto 3-in-1.

Lastly, if you really want to catch up, Naruto 49-72 are in a giant box. Perfect for figuring out what the fuss was all about and why Sakura fans are so angry.

Natsume’s Book of Friends 19 is the one shoujo out this week that’s more bitter than sweet, but I still love it to bits.

MICHELLE: Me, too. Much as I look forward to the others, this is the one I’m really celebrating about.

SEAN: And a 13th Nisekoi, which will answer the question “will this still sell after the harem has now been sunk in the weekly chapters from Japan?”.

One-Punch Man just gets more and more popular by the week, so I expect big things from the 4th manga volume. And also big punches.

ASH: Still thrilled we’re finally getting this series in print.

ANNA: Why did it take so long? Hooray for punching!

SEAN: Twin Star Exorcists is getting an anime soon, so I think the 3rd volume should do pretty well.

And there’s an 8th volume of World Trigger, one of those Jump series I always despair about falling further behind on.

So what are you ringing in the New Year with?

Manga Giveaway: Merman in My Tub Giveaway

December 30, 2015 by Ash Brown

There may only be a few days left in December and in 2015, but there’s still time for one last manga giveaway before the year is through. For 2015’s final giveaway, I wanted to be sure to feature one of the many manga series to debut in the last year, so this month you all have the chance to win the first volume of Itokichi’s Merman in My Tub as published by Seven Seas. As always, the giveaway is open worldwide!

Last week I posted my list of manga, comics, and novels that I found to be particularly notable in 2015. And just a few days ago, the Manga Bookshelf crew (myself included) declared our pick of the year. For the last few years I’ve gotten away with picking a single publisher rather than a single manga and in 2015 it was Seven Seas that caught my eye. The publisher has been steadily expanding the number and different types of manga it has to offer—Merman in My Tub was one of eighteen (if I’m counting correctly) new series from Seven Seas to debut in 2015.

So, you may be wondering, how can you win a Merman in My Tub, Volume 1?

1) In the comments below, tell me a little about one of your favorite manga to be released in 2015 (in English or not), whether it be a debut or part of an ongoing series. (Don’t have a favorite, simply mention that.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

There it is! Everyone has one week to submit comments and can earn up to two entries for this giveaway. If needed or desired, entries can also be emailed directly to me at phoenixterran(at)gmail(dot)com, and I will then post the comments here in your name. The giveaway winner will be randomly selected and announced on January 6, 2016. Good luck, and Happy New Year!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: Merman in My Tub Giveaway Winner

Pick of the Year, 2015 Edition

December 28, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 4 Comments

SEAN: It’s been a big year for manga in 2015, as the market continues to recover and companies are pumping out more titles than ever. Seven Seas, who were seemingly near death 4 years ago, are pushing all the monster girls you could possibly want. Yen On is putting out so many light novels that my own website is seemingly now only half manga, as I can’t really squeeze a novel into a Bookshelf Brief. Vertical continues to choose wisely and well. Viz is, well, Viz. That said, when I was pondering what my manga of the year would be I kept coming back to only one choice, a Kodansha release starting in April that has really taken off beyond the usual market: A Silent Voice, by Yoshitoki Oima. Though its realistic take on bullying, abuse and disabilities can be hard to take sometimes, that’s not due to lack of quality but sheer emotional rawness. It’s also not afraid to show the cruelty of children, and then turn around and explain exactly why they’re being cruel. It’s my 2015 must read.

Runners up: Viz’s release of the first JoJo’s Bizarre Adventure series; My Neighbor Seki/Haven’t You Heard, I’m Sakamoto? and the return of gag manga; Shigeru Mizuki’s continued releases; Sword Art Online: Progressive.

Worst moment of 2015: Wandering Son going ‘on hiatus’ at Fantagraphics due to poor sales.

MICHELLE: I’ve been thinking hard about my pick of the year this week. My initial instinct was to say “the publishers,” because man have there been a lot of fabulous licensing announcements recently! Kodansha and Princess Jellyfish, Udon and The Rose of Versailles, Yen Press and Twinkle Stars, VIZ and Kuroko’s Basketball, Vertical and FukuFuku: Kitten Tales… Everyone has something I’m really looking forward to for 2016!

As for 2015, I think I am ultimately going to have to pick Yukarism by Chika Shiomi (VIZ). I wasn’t quite on board after its first volume (a 2014 release), but in 2015, the series fully won me over. Emotional, tense, woefully short but thankfully devoid of filler, with fascinating character revelations and a satisfactory conclusion… I’m going with Yukarism this year!

Runners up: Fumi Yoshinaga awesomeness in the form of What Did You Eat Yesterday? and Ooku: The Inner Chambers, the over-the-top ridiculous fun of Food Wars!, and Kodansha’s Dessert titles My Little Monster and Say I Love You.

Worst moment of 2015: Two too many shoujo manga about overweight girls who suddenly lose the weight and become thin, gorgeous, and newly desirable.

ASH: For the last two years I’ve cheated a little bit by picking a publisher rather than a specific manga, so I’ll keep with that tradition. This year it was Seven Seas that particularly caught my attention as it continued to increase and expand its catalog at a remarkable rate. I’m not especially interested in most of Seven Seas’ fanservicey titles, but I am grateful for their success as it has allowed the publisher to pursue some more unusual series. I count some of those atypical manga, like The Ancient Magus’ Bride and Haven’t You Heard? I’m Sakamoto, among my favorites of 2015. I’m curious to see what other hidden gems Seven Seas will present us with in the coming year.

Runners up: If I had to chose just one series, it would likely be A Silent Voice for all of the reasons that Sean has already described. The dark and dramatic historical fantasy Requiem of the Rose King is another personal favorite that just gets better with each volume and Chromatic Press/Sparkler Monthly continues to find amazing creators to work with.

Worst moment of 2015: Echoing Sean here again, but I will be absolutely heartbroken if the eighth volume of Wandering Son is the last to be published in English. Likewise, Vinland Saga, another incredible series, may be in trouble, too.

ANNA: I agree that a worst moment of 2015 is Vinland Saga going on hiatus. Highlights of 2015 for me include the print edition of One-Punch Man and the start of Requiem of the Rose King. When I think about the standout releases of 2015, my thoughts turn to lavish hardcover editions. Vertical deserves kudos for wrapping up the great release of Gundam: The Origin. But the manga that left the deepest impression on me in 2015 has plenty of random rock band references, punching, and almost too much manliness to fit within the confines of a book. It might seem a bit odd from such a staunch shoujo fan, but my pick of the year is JoJo’s Bizarre Adventure: Part 1 — Phantom Blood.

MJ: I’m on board with so many of my colleagues’ picks here, and even though I haven’t been on top of as many series’ as in previous years, the ones I’ve followed closely have been a real treat. I rather wish I could give this year’s nod to Sirial’s incredibly charming Milkyway Hitchhiking, one of my first picks this year, and still the owner of a major chunk of my soul. Alas, though I read the first volume in 2015, it was released near the end of the year before. On the other hand, that gives me room to shine some glory on Aya Kanno’s Requiem of the Rose King. It may not be the greatest masterpiece released in 2015, but it’s won my heart completely, with its heady mix of creative history, gender confusion, and beautiful artwork. My one regret over Kanno’s Otomen was that in all its gloriousness, it never really went anywhere, but that can’t be said at all about Requiem of the Rose King. It’s Richard III meets After School Nightmare, and has got me hooked only like such a strange marriage ever could. Aya Kanno and Viz have found the key to my heart.

Runners up: the totally charming My Neighbor Seki; Yukarism, for all the reasons Michelle has highlighted above; the re-release of the incomparable JoJo’s Bizarre Adventure; and hey, I’ll jump on the Fumi Yoshinaga bandwagon as well, as both What Did You Eat Yesterday? and Ooku have remained strong in my heart; also, Pandora Hearts, my love never dies, even with a year between releases.

Lastly, I’ll join the crowd in mourning the hiatus of Wandering Son, a favorite of mine and of the Battle Robot in general. That’s a difficult blow to take, both for readers and for Fantagraphics.

My Week in Manga: December 21-December 27, 2015

December 28, 2015 by Ash Brown

My News and Reviews

I think I’m finally getting back to my regular posting schedule. I get the week between Christmas and New Year’s off of work which is letting me catch up on a few things. (Sort of. Life has still been rather hectic of late.) Last week I posted an in-depth review of one of Chromatic Press’ most recent paperbacks, Jessica Chavez’s debut novel Dead Endings, illustrated by Irene Flores. The novel has a fantastic combination of horror, mystery, and snark, making it both fun and frightening. I’m looking forward to reading its sequel a great deal. And because the end the 2015 is fast approaching, last week I also posted my annual list of notable manga, comics, and novels of the year.

Quick Takes

Apple and Honey / His Rose Colored Life by Hideyoshico. I wasn’t previously familiar with Hideyoshico’s work, but after reading the boys’ love collection Apple and Honey and its sequel/spinoff His Rose Colored Life, I sincerely hope that more is translated. In addition to the unrelated three-part story “Shades of Summer at the End of the World,” Apple and Honey introduces Natsuki and Komano who are the focus of His Rose Colored Life. Hideyoshico’s characterization is excellent—the characters have depth and the development of their relationships are entirely believable. Komano is this lovable outgoing goofball while Natsuki is much more reserved and unsure of himself. I was especially impressed by the sensitive portrayal of Natsuki’s anxieties and insecurities. While he desperately wants to be loved, he is also terrified of it, having been repeatedly hurt in the past; it’s hard for him to accept that it’s okay for him to be happy. (Natsuki also gets bonus points for majoring in information science which I hold a degree in but have never before seen in a manga.) Komano and Natsuki together make a wonderful couple, nicely balancing each other’s personalities.

Lone Wolf and Cub, Omnibuses 3-5 (equivalent to Volumes 6-12) written by Kazuo Koike and illustrated by Goseki Kojima. The omnibuses are rather chunky, but I am so glad that Dark Horse is releasing Lone Wolf and Cub in a larger trim size; the previous edition was so small as to be nearly unreadable with my bad eyesight. Plus, it’s nice to be able to see Kojima’s excellent artwork more clearly. Lone Wolf and Cub is a fantastic series. Although there is an ongoing story to the manga, the individual chapters tend to be somewhat episodic. Ogami Itto was once the shogun’s official executioner but after being framed as a traitor he has become an assassin seeking revenge. Accompanying him on his journey is Diagoro, his now three-year-old son who has known nothing but a life filled with death. Lone Wolf and Cub is a violent series. Ogami is an incredibly skilled and resourceful warrior, surviving multiple attempts on his own life even as he is hired to end those of others. But he is also a father. Some of the most compelling chapters in the manga examine the depth of Daigoro and Ogami’s bond more closely.

Milkyway Hitchhiking, Omnibus 2 (equivalent to Volumes 2-3) by Sirial. I’m not entirely certain, but I believe that with the second omnibus Milkyway Hitchhiking is complete. (Because the manhwa is a series of largely unrelated stories, it can be difficult to tell.) Whether or not it is actually finished, Milkyway Hitchhiking continues to be a beautiful series. The full-color artwork is gorgeous, Sirial changing art styles and color palettes to better suit the mood of each of the stories. The manhwa ranges from brightly colored, upbeat tales to those that are more somber and melancholy. Some are based in reality while others incorporate elements of horror, science fiction, or fantasy. The only thing that really ties the individual stories in Milkyway Hitchhiking together is the presence of the Milkyway, a space-time cat. Although she’s the titular character, Milkyway Hitchhiking isn’t necessarily about Milkyway herself. She frequently has an important role to play, however the focus of the series is much more on the stories of the people she encounters.

Random Musings: Notable in 2015

December 25, 2015 by Ash Brown

For the last couple of years, I have made a point to compile an end-of-year list of works that, for me, were particularly notable. In general I tend to like making lists, but I particularly enjoy working on this one because it specifically provides me the opportunity to reflect back on the year. The notable list isn’t exactly a “best of” list or even a list of favorites. To be included, a work must simply have been released in 2015, read in 2015, and stood out to me in one way or another. (That being said, I didn’t get to read as much this past year as I have in previous years. I’m sure that, had I had the chance to read them, there would be other works represented here, too.)

2015 was a year in which many series came to an end. Final Curtain, the last volume in the English-language edition of Hiroaki Samura’s Blade of the Immortal, was especially meaningful to me since the series was one of the first manga that I ever read and continues to be a personal favorite. Dark Horse began releasing the series in individual issues back in 1996; nearly two decades later it is now available in its entirety. All in all, it was a great ending to a great series.

Another series that concluded in English in 2015 was The Summit of the Gods, written by Baku Yumemakura and illustrated by Jiro Taniguchi. Fanfare/Ponent Mon is one of the smaller, more niche manga and comics publishers and has infrequent releases. Multiple years passed between the publication of some of the volumes in the series, so I was honestly afraid I’d never have the opportunity to read the conclusion of such an impressively drawn and written manga.

2015 also saw what may be the premature end to a few manga in English. Tragically, for a variety of reasons, Fantagraphic’s release of Takako Shimura’s Wandering Son hasn’t been doing well and the publisher might have to cancel the series if sales don’t improve. Only a single volume, with one heck of a cliffhanger, was able to be released in 2015. The series is incredibly important to me on a very personal level—it was literally life-changing—so I’ll heartbroken if this is truly the end.

Makoto Yukimura’s Vinland Saga is another series that might come to a close before its time in English. After a temporary hiatus, the sixth and seventh omnibuses, the last that are guaranteed to be published, were released in 2015. Even if the rest of the series isn’t translated (and I hope that it is), the first two major story arcs are complete and the manga is well-worth seeking out. The character development in the series is fantastic, the artwork is excellent, and the story is marvelous.

One of the manga to debut in 2015 that stood out to me the most was A Silent Voice by Yoshitoki Oima. A realistic portrayal of bullying and the consequences of such cruelty, the series can be a difficult but ultimately worthwhile read. The subject matter is heartwrenching but handled extremely well, skillfully showing the nuanced complexity of human nature and relationships while exploring themes of forgiveness, empathy, and redemption.

Aya Kanno’s Requiem of the Rose King was one of my most anticipated manga series to be released in 2015. A combination of historical fact and historical fantasy inspired by the plays of William Shakespeare, Kanno’s research into the Wars of the Roses, and her own imagination, the manga hasn’t yet disappointed me and gets better with each volume. The storytelling can be somewhat cryptic and chaotic at times, but its dark, dreamlike nature can also be wonderfully effective.

Ken Niimura is an award-winning Spanish comics creator of Japanese heritage who has worked in the European, North American, and Asian markets. Henshin is a delightfully quirky collection of thirteen short manga originally released online by Ikki, making it Niimura’s first major Japanese publication. While the stories range from semi-autobiographical to the absolute fantastic, they all tend to have surprising twists to them with great emotional impact.

Seven Seas has recently shown a remarkable increase in the number and variety of titles it has licensed. Kore Yamazaki’s The Ancient Magus’ Bride is perhaps one of Seven Sea’s more atypical series, but it seems to be doing well for itself. I’m glad, because I enjoy the manga and its strangeness immensely. A peculiar romance incorporating horror and fantasy, magic and science, the series is heavily influenced by European legends, fairy tales, and folklore.

Junji Ito had a pretty good showing in English in 2015 with several new releases and re-releases. Of those, it was Junji Ito’s Cat Diary: Yon & Mu that made the strongest impression on me. (I admittedly find it difficult to resist cat comics.) The manga is drawn in Ito’s signature style but is undoubtedly a comedy, granted one about the horrors and anxieties of pet ownership. The disconnect between the artwork and the story makes it even funnier.

I never expected to see the beginning of Hirohiko Araki’s exceptionally weird yet iconic manga series JoJo’s Bizarre Adventure released in English. The third story arc was published years ago but only garnered a relatively small following. Thankfully, the manga’s recent anime adaptation revitalized interest in the series, leading Viz Media to release the first two arcs of the epic—Phantom Blood and Battle Tendency—and in a beautiful hardcover edition no less.

Probably one of the most divisive debuts of 2015 was Prison School by Akira Hiramoto, but Yen Press had the guts to license it. With its highly sexualized content, over-the-top fanservice verging on the grotesque, and preponderance despicable characters, it’s definitely not a series for everyone. The manga revels in its salaciousness to the point of parody, making it a strangely engrossing and humorous work for readers who aren’t immediately offended by it.

Nimona had its beginnings as an award-winning webcomic, ultimately becoming Noelle Stevenson’s debut graphic novel; the print edition also includes additional material not found online. I absolutely loved this comic. It starts out rather lighthearted, but as the graphic novel progresses it becomes more serious. However, it never loses its sense of humor. Stevenson combines colorful characters, settings, and artwork to create a comic that is both entertaining and meaningful.

Sometimes all I want from a comic is something fun, and Fantasy Sports by Sam Bosma is certainly that and then some. The comic started as a short, self-published, black-and-white work but it has been expanded into an ongoing, full-color series being released by Nobrow Press. The marvelous first volume, featuring a life-and-death game of basketball between an ancient mummy and a young magic user interning at the United Order of Mages, is filled with silliness and adventure.

Also originally self-published, Towerkind by Kat Verhoeven was a comic that I came across by chance more than anything else; I picked up the book on an impulse after seeing it at the Toronto Comic Arts Festival and finding myself oddly drawn towards it. The comic is surreal, about a group of children with supernatural abilities who may or may not be facing the end of the world. It’s both a strangely compelling and darkly ominous work.

Out of all of the novels released in 2015 that I read, Red Girls: The Legend of the Akakuchibas by Kazuki Sakuraba was perhaps the most curious, peculiar, and enthralling. A multi-generational family epic, the story follows the lives and legends of three women, each powerful in their own way. (One of them even becomes a successful mangaka after retiring from being the leader of a girl gang.) Part history, part mystery, and part fantasy, I enjoyed the novel a great deal.

Ken Liu is probably best known for his short fiction, but in 2015 he made his debut as a novelist with The Grace of Kings, the first book in The Dandelion Dynasty which is a sort of retelling or reimagining of China’s historical legends and mythologies. The novel is a massive and expansive work with incredible worldbuilding. Though contemporary fantasy fiction, stylistically Liu also pays tribute to the narrative structure of the Chinese classics and not just their stories.

Manga the Week of 12/30

December 24, 2015 by Sean Gaffney, Michelle Smith, Ash Brown and MJ 3 Comments

SEAN: Bargains bargains bargains! It’s the end of the year, and publishers are clearing out! All these titles must go!

MICHELLE: *snerk*

SEAN: Dark Horse has a the 2nd Astro Boy omnibus out next week.

And also the 4th volume of CLAMP-ish supernatural mystery Blood-C.

Lastly, they have another omnibus of Kurosagi Corpse Delivery Service, which is an absolute must-read if you haven’t already.

ASH: So glad Dark Horse found a way to keep this in print!

SEAN: Kodansha has a huge pile of things. Starting with the ever popular Attack on Titan, we get the 6th volume of serious-minded Before the Fall.

And if you like your Titans sillier, there’s a 4th omnibus of Attack on Titan Junior High.

ASH: Junior High is ridiculous.

MJ: To be fair, actual junior high is pretty ridiculous, too.

SEAN: A new debut from the creator of Blade of the Immortal, Die Wergelder runs in the magazine Nemesis and is rather violent and adult, I hear.

ASH: Violent and adult, that sounds about right for Samura!

SEAN: Fairy Tail has a new spinoff, Ice Trail, which focuses on Gray. Asd with most spinoffs, it’s by a different artist with plotting from Mashima.

There’s a 4th volume of The Heroic Tale of Arslan, drawn by the creator of Fullmetal Alchemist.

MICHELLE: I bought volume one but haven’t gotten around to actually reading it.

ASH: It’s been pretty solid, so far!

MJ: As a huge fan of Arakawa, I’m ashamed to say I haven’t read this at all, though I admit what I *really* want is a new story actually written by her. The art is only half the draw for me.

SEAN: A seventh and possibly last omnibus of Vinland Saga is also out. Don’t let this series hit the dreaded hiatus wall.

ASH: This series is incredible; I really hope we’ll get to see more.

SEAN: And a 5th volume of shonen romance Your Lie in April.

ASH: I’ll admit, I’ve fallen a bit behind on this one.

SEAN: Seven Seas also has a couple of new titles. There’s a 4th volume of smutty yuri soap opera Citrus.

And also a 7th volume of genuinely funny school comedy D-Frag!.

Yen Digital also has a large number of releases, including several debuts. Aoharu x Machinegun is a GFantasy series, but I’m afraid that doesn’t make up for it being in the survival game genre. Still, could be good.

Baccano! may not have its light novels coming out till April, but Yen is able to serialize its new prequel manga that began in Young Gangan this fall. The first three chapters are out next week. I adore Baccano!.

Black Detective is a Shonen Gangan series that looks to be a mystery, as you might gather from the title.

MICHELLE: With a sadistic lead and masochistic assistant, apparently.

SEAN: Corpse Princess has a 2nd volume.

Of all of Yen’s ‘digital only’ announcements, Saki was probably the one that generated the most excitement and annoyance – excitement over the release, annoyance over the lack of print. Given that it’s a seinen mahjong series with a bunch of busty female leads, though, I think we’re pretty lucky to see it at all. I can’t wait for it myself, I’ve heard a lot of good things about this series.

MICHELLE: Ooh! I’m in!

ASH: Mahjong manga!!!

MICHELLE: I’ll even forgive boinging bosoms for that!

MJ: Same.

SEAN: And there’s 2 more volumes of workplace 4-koma Servant x Service.

Lastly, a 2nd volume of Unknown.

Are you getting any of this with your Christmas gift cards?

My Week in Manga: December 14-December 20, 2015

December 21, 2015 by Ash Brown

My News and Reviews

Only one in-depth review was posted at Experiments in Manga last week. I should be getting back to my regular blogging schedule very soon, though. As for the said review, I took a look at Setona Mizushiro’s After School Nightmare, Volume 7 as part of my monthly horror manga review project. After School Nightmare is an effectively unsettling work, but it’s also engrossing. The seventh volume has some particularly chilling developments and revelations. (And that’s it from me at the moment!)

Quick Takes

Black Rose Alice, Volumes 4-6 by Setona Mizushiro. From what I can tell, Black Rose Alice is currently on hiatus in Japan. Fortunately, the first six volumes appear to complete the first major story arc of the manga. While I certainly hope that the Black Rose Alice continues, and I look forward to seeing how it develops, at least readers are provided with some resolution and closure for what could be a long wait. This second half of the first arc deals with the aftermath of Leo’s demise. The relationship dynamics in Black Rose Alice have always been a little peculiar and unnerving, but as they begin to fracture under the strain of the loss of Leo it’s shown just how strong and just how tenuous they can be at the same time. These volumes also include the reappearance of Koya, which throws the situation into even more turmoil, and the revelation of the twins tragic backstory. Emotions run high and the drama is intense as everything seems to be falling apart. Black Rose Alice continues to be dark and creepy and Mizushiro’s vampires are still some of the most unusual ones that I’ve come across.

Itazura na Kiss, Volumes 1-3 by Kaoru Tada. Considering the number of boys’ love titles that Digital Manga releases in print (as well as its recent efforts to translate all of Osamu Tezuka’s works and its foray into hentai) it can be easy to forget that the publisher has other interesting manga in its catalog, too. Itazura na Kiss is one such series, a classic shoujo manga from the nineties which was extremely successful in Japan and elsewhere in Asia. The story is about Kotoko, an academically-challenged young woman in high school who has fallen in love Naoki, another student who is a legitimate genius. He also turns out to be a huge jerk, but every once in a while he shows a warmer, kinder side of himself. So far, I have been enjoying Itazura na Kiss, perhaps more than I expected. Kotoko shows wonderful strength of character and even Naoki’s unpleasant personality has more depth to it than initially appears. Despite the best efforts of their parents who would love to see them married, the romance between the two of them is believably slow to develop. I also like that the story doesn’t get stuck in high school and follows Naoki and Kotoko as they enter college.

Merman in My Tub, Volume 1 by Itokichi. Seven Seas has made something of a name for itself as the publisher of monster girl manga, but with Merman in My Tub monster boys are now better represented as well. The basic and appropriately ridiculous premise of Merman in My Tub is that Wakasa, a merman, has become a permanent resident in the bathtub of Tatsumi, a young man who rescued him from a polluted river. His mere presence causes all sorts of problems and inconveniences for Tatsumi, especially when his other aquatic acquaintances begin showing up, too. The series is a largely episodic four-panel comedy manga although there are some small story arcs, recurring characters, and running jokes. There is also plenty of boys’ love tease and innuendo. (In part Itokichi seems to have created the series as an excuse to draw half-naked men.) At the same time, Merman in My Tub makes use of some of the vaguely incestuous little sister/big brother tropes that can be fairly prevalent these days. As a result, though it has its charm, the series sometimes seems a little confused about which audience it’s trying to appeal to.

Manga the Week of 12/23

December 18, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, Anna N and MJ 2 Comments

SEAN: Last month I believed Dark Horse rather than Diamond, and got burned for it. This time I’m believing Diamond, so no Dark Horse next week. That leaves…

Ninja Slayer Kills 2 and Noragami 9, both from Kodansha.

MICHELLE: Hm… Well, someone is probably happy about these, I guess.

ASH: Wow, only two manga releases?! Personally, I’ll be passing on Ninja Slayer Kills, but Noragami has been developing nicely.

ANNA: It is weird to have only two new releases! It is probably not so weird that I have nothing to say about them.

MJ: I, too, am here to say basically that I have nothing to say. But there’s a lot to catch up on from last week, at least!

SEAN: Thoughts?

My Week in Manga: December 7-December 13, 2015

December 14, 2015 by Ash Brown

My News and Reviews

Okay! Last week I submitted my promotion dossier at work, which means I’ll be able to start paying more attention to Experiments in Manga again. I still have a few other life things preoccupying me at the moment, but I’m hoping to get back to my normal posting schedule by the beginning of the new year if not before. That being said, I only posted one in-depth review last week. Soji Shimada’s classic mystery novel The Tokyo Zodiac Murders was recently re-released in English, which seemed as good an excuse as any to get around to reading it. According to this interview with Shimada, if The Tokyo Zodiac Murders does well, the next book in the series might be translated, too, which I would definitely like to read.

As for other interesting things found online: Seven Seas’ ten-day licensing spree has now wrapped up. (The new license tag on Seven Seas’ tumblr is probably still the easiest place to see them all at once.) Out of all the announced titles the one I’m most curious about is Ichiya Sazanami’s Magia the Ninth which features master composers as demon hunters with music-based magic. (Sazanami is the creator of Black Bard which I likewise couldn’t resist because of the combination of music and magic.) And in case you need to catch up on all of the anime, manga, and light novel licenses announced in 2015, Reverse Thieves has you covered. Also of note, Manga Brog has translated an excerpt of an interesting interview of Kentaro Miura, the creator of Berserk.

Quick Takes

Captain Ken, Volumes 1-2 by Osamu Tezuka. I think that I’ve mentioned here before that I happen to have a particular fascination with Mars, which was one of the primary reasons that I was interested in reading Captain Ken. Of course, it didn’t hurt that series was also created by Tezuka. (Though granted, I would love to see more classic manga that isn’t by Tezuka released in English.) Captain Ken is basically a western in space—Mars has been deliberately developed to be reminiscent of the American Southwest, the primary mode of transportation is by (robotic) horse, and the Martians have met with the same tragic fate as the Native Americans. The series is an odd mashup of science fiction and western genre tropes and American history, including references to World War II and the dropping of the atomic bomb. (The portrayal of Americans, perhaps justifiably, isn’t especially flattering.) Captain Ken explores the same themes of anti-war and anti-discrimination found in many of Tezuka’s other manga. Overall, it’s an entertaining adventure story with a rather bittersweet ending.

Cross Game, Omnibuses 6-8 (equivalent to Volumes 12-17) by Mitsuru Adachi. I still don’t have much of an interest in baseball when it comes to real life, but I’m completely invested in the sport when it comes to Cross Game. I’ve come to care tremendously about the characters in the series and, because baseball is incredibly important to so many of them, by proxy the baseball is important to me as well. Cross Game‘s last three omnibuses focus on the final year of high school baseball for Ko and his classmates. In fact, the eighth omnibus is almost entirely devoted to a single game—the last opportunity for the Seishu team to make Wakaba’s dream of seeing them play at summer Koshien a reality. They’ve worked hard as a team and have several players who are individually impressive as well, but that never guarantees a win. I’ve watched the Cross Game anime series, which turns out to have been a very faithful adaptation, so I knew how things would end. Even so, the manga is incredibly engaging and has a ton of heart. I never expected to be so taken with a baseball manga, but Cross Game is excellent.

U Don’t Know Me by Rakun. After a somewhat dubious beginning, I ended up really enjoying U Don’t Know Me. Plot-wise there’s a lot packed into this one-volume boys’ love manhwa and the characterization is quite good as well. Seyun and Yoojin are childhood friends who have only recently come to realize that they share feelings for each other which are much more lustful in nature. While the manhwa is primarily about Seyun and Yoojin and the evolution of their friendship into a romance, their relationships with their friends and families are also extremely important to the story. Context is provided for their love for earch another and the implications of that love. My favorite part of U Don’t Know Me was actually the response of the boys’ parents upon discovering their sons’ intimate relationship. Initially they were shocked and upset, but they ultimately give their love and support and are very involved in ensuring the well-being of both young men. The realistic portrayal of this sort of positive acceptance seems to be something of a rarity in boys’ love, so it makes me particularly happy when I see it.

Manga the Week of 12/16

December 10, 2015 by Sean Gaffney, Ash Brown, Michelle Smith, Anna N and MJ 2 Comments

SEAN: There are 39 titles due out next week. Thirty-nine. Let’s take a look. Try not to get lost in the deluge.

Attack on Titan’s 17th volume has a Special Edition with a DVD of Ilse’s Notebook, the side story from the 5th volume.

ASH: It’s really interesting to see special editions like this starting to come out!

SEAN: Fairy Tail has a 51st volume.

Kiss Him, Not Me! and L♥DK both have their second volumes which may interest shoujo fans.

MICHELLE: I suppose I will check out the second volume of L♥DK just to see whether it improves, but I don’t have high hopes.

SEAN: And Say “I Love You” has an 11th volume that is a must for shoujo fans.

MICHELLE: A definite must.

ANNA: I am way behind on this series! Maybe I will binge read during an upcoming vacation.

SEAN: Tsubasa has finally climbed out of its Reservoir and is ready to take on the world with the debut of Tsubasa World Chronicle 1. I am trying to contain my enthusiasm. See? :|

MICHELLE: I didn’t even know this existed!

ANNA: You know, I used to be a major CLAMP fan, and now I have CLAMP fatigue.

MICHELLE: Yeah, I think that has afflicted me, too. I never finished xxxHOLiC or the first Tsubasa series, despite owning them all, and now they both have sequels I haven’t touched. And then there’s that Gate 7 series, which utterly failed to make an impression with me.

ANNA: Most of my remaining feelings of affection for CLAMP are tied up in nostalgia for X/1999. So much angst and feathers!

MICHELLE: I have an enduring fondness for CLAMP Campus Detectives, but more so the anime than the manga. Oh, and Cardcaptor Sakura!

SEAN: It is rather sad that Man of Many Faces is still in my top 5 CLAMP works, given it was their first. (It’s out digitally next week as well, by the way! Rescued by Viz.)

ANNA: Cardcaptor Sakura is also great! Actually, I’m interested in reading Man of Many Faces, and I didn’t realize that it was out digitally.

MJ: I’m probably the only person here unlikely to succumb to CLAMP fatigue, I suppose, and while a Tsubasa sequel is not high on the list of what I’d really like to see most from them, I’ll surely check it out. Their artwork will always be a draw for me, and they have a knack for creating characters I can’t get enough of. Even when they write themselves into a hole (as they’ve occasionally done), I’ll stick around to the end.

SEAN: One Peace has a 5th (final?) volume of Aquarion Evol.

ANNA: I have some volumes of Aquarion I need to read.

SEAN: If you’ve somehow not read the brilliant and evocative A Distant Neighborhood books from Ponent Mon, they’ve got a Complete Edition out next week to correct that.

MICHELLE: I really liked A Distant Neighborhood.

ASH: Very glad to see this coming back into print!

ANNA: I haven’t read this, but I know it is wonderful, and I am also glad it is coming back into print.

MJ: It really *is* wonderful, and I’m so glad to see it coming back!

SEAN: And Seven Seas also has an omnibus of Mayo Chiki starting next week, whose audience is possibly a bit different from that of A Distant Neighborhood.

Vertical debuts a novel that will be of great interest to anime fans: Kizumonogatari: Wound Tale, the first (chronologically) of the popular Monogatari series from Nisioisin (author of Medaka Box and Zaregoto). I am VERY excited for its release, even though it has vampires – possibly that only adds to the excitement!

ANNA: Vampires are always exciting!

MEILNDA: I’m always willing to try something from Vertical, even if vampires are involved.

SEAN: Vertical also has the 12th and final volume of Mobile Suit Gundam the Origin. It’s a labor of love, and I’m sure that the Manga Bookshelf team, particularly Ash, are ready to congratulate them on its completion.

ASH: It’s true! This has been a fantastic release. Congrats, Vertical!

ANNA: Vertical deserves some sort of award for this lovely edition.

SEAN: And if Gundam is too realistic for you, try the second Ninja Slayer, also from Vertical.

Afterschool Charisma is a series I keep forgetting is still running, but here’s the 11th volume.

ANNA: I’m way behind on this, but I like it!

SEAN: And here is the 17th Dorohedoro, which I could never forget. Are these two the last remnants of SigIKKI?

MICHELLE: I believe so.

ASH: I love Dorohedoro so much.

SEAN: Master Keaton has a 5th volume already. I’ve fallen behind on this series.

MICHELLE: Me, too. I did start, but got bogged down somewhere in volume two.

ANNA: I am happy to report that this is one series I am not behind on! I enjoy Master Keaton.

SEAN: And a 4th volume of the insanely popular Tokyo Ghoul, which will war with Attack on Titan 17 for the top of the bestseller charts.

Yen On has five light novels out for the holidays. The 2nd Black Bullet will, I suspect, be as grim as the debut was.

The Devil Is A Part-Timer! has proven to be very likeable, and I hope the third volume continues the trend.

I remain surprised at how addictive Is It Wrong To Try To Pick Up Girls In a Dungeon? has become, particularly with that title. The 4th volume is also highly anticipated.

We’ve nearly come to the end of the long running Spice & Wolf novel series, with Vol. 16 being the 2nd to last.

And Sword Art Online’s 6th novel wraps up another arc, as Kirito and Sinon try to figure out the secret behind the Gun Gale Online game and those using it to kill players in real life.

MJ: I think I’m one of the few folks here who is pretty into SAO… how did that happen? In any case, I’m always ready for more!

SEAN: Yen Press has a number of debuts next week, beginning with Aldnoah Zero, which (like Rose Guns Days) gets a Season One appended to it. It runs in Manga Time Kirara Forward, but don’t expect it to be a 4-koma: this is a serious sci-fi title based on an anime created at the same time.

ASH: I haven’t seen the anime yet, but I am rather curious about the Aldnoah Zero manga.

MJ: I’m interested as well.

SEAN: There’s an 8th Barakamon, which I do recommend if you’re missing Yotsuba&!, even though the two titles have a somewhat different feel.

MICHELLE: I have a big stack of Barakamon that I really need to get around to reading.

MJ: I haven’t given this title its due, but I really should pay more attention to it!

SEAN: For those who don’t like prose, there’s the 2nd volume of the Black Bullet manga.

A ninth volume of Bloody Cross no doubt sees the series headed towards its endgame.

And there’s a third volume of eccentric fantasy Chaika the Coffin Princess.

Demon from Afar is up to Vol. 5, and no doubt continues to look very pretty and destroy all our hopes and dreams.

The third Emma omnibus also will look very pretty, but likely has 100% fewer corpses.

MICHELLE: *snerk*

MJ: I’m still excited every time one of these shows up, since I missed this series the first time around!

SEAN: And we get a 5th volume of He’s My Only Vampire. One of a large number of vampire manga out there, it’s trying to be our steady and doing a pretty good job.

MICHELLE: Definitely my favorite of the vampire gang.

ANNA: Is it odd that I haven’t read this yet? Probably.

MJ: I think that’s very odd indeed!

SEAN: Maximum Ride is not technically a manga, but it certainly sells well enough, so let’s mention the 9th volume here.

The Melancholy of Suzumiya Haruhi-chan is now at double digits, and I suspect will run till the author (Puyo, not the author of the original source) decides it is over.

Of the Red, the Light and the Ayakashi is based on a visual novel, and runs in Media Factory’s sorta-kinda-shoujo magazine Comic Gene. Expect prettiness.

MICHELLE: I’ve started reading this and it’s giving me some Natsume’s Book of Friends vibes, which is definitely a compliment.

ASH: Oooh, that’s good to hear! And the cover art is pretty, too!

ANNA: I’m always up for pretty sorta-kinda-shoujo.

MJ: I’m up for this, definitely, especially after reading Michelle’s comment above.

SEAN: Pandora Hearts has a 23rd volume, and it’s the first to come out in over a year, so I’ll let Michelle and MJtake over from here.

MICHELLE: I’ve fallen somewhat behind, so I am going to have a nice big marathon and it’ll be awesome. And then I’ll wait in desperation for the 24th and final volume to come out.

MJ: I have *not* fallen behind, as you might imagine, and have been anticipating this rather anxiously! My love for this series has not waned!

SEAN: Puella Magi Madoka Magica: The Movie has a first volume, and is sure to appeal to fans of Homura who couldn’t get enough of the movie—ow, I think I cut myself on my sarcasm there.

MJ: I haven’t been able to maintain any interest in this series beyond the original anime. So many books. So little interest.

SEAN: There’s also a 2nd volume of Puella Magi Suzune Magica.

Rose Guns Days Season One gets a 2nd volume, as we learn more about this strange occupied Japan and the eccentrics populating it.

The Secret Sakura Shares is a done-in-1 omnibus that ran in Hakusensha’s LaLa and LaLa DX magazines, and I love that we’re seeing Hakusensha titles get additional publisher availability. That said, I suspect many readers will have trouble getting past the premise.

MICHELLE: Yeah, I don’t know about this one, but I’m gonna read it anyway.

ANNA: Hmmmmmm.

MJ: I just read the premise, and I agree I may have trouble getting past it. I guess we’ll see.

SEAN: Sunshine Sketch 8 finally bids farewell to its two gayest… sorry, oldest characters, as Sae and Hiro are graduating. But the series continues, and we gain some new students in the process.

Lastly, we have the first Yowamushi Pedal omnibus, as an incredibly popular shonen cycling series finally gets a chance in the West, despite a huge number of volumes extant. There are, I hear, one or two male fans. Somewhere. But for the most part, YowaPeda is known for its BL fandom, though the manga itself is not BL.

MICHELLE: I’m looking forward to this one a lot. Not for the BL but for its presumed sports manga-y aspects.

ASH: I’m certainly excited to see publishers giving sports manga another chance!

ANNA: I am always wishing for more sports manga, so I’m glad this is coming out.

MJ: Yay sports manga! Yay BL fandom! I’m ready for it all!

SEAN: That’s it. Finally. What are you getting?

My Week in Manga: November 30-December 6, 2015

December 7, 2015 by Ash Brown

My News and Reviews

So, one of the many reasons that I’ve been incredibly busy lately (which led to me temporarily reducing the number of posts that I’ve been writing each week) is that I’m in the process of applying for a promotion at work. I’m currently putting the final touches on my dossier which is due later this week. At this point it’s already well over two hundred pages and has taken up a significant amount of my time; I’m really looking forward to being done and over with the whole thing so I can get back to reading and writing about things that I actually enjoy.

That being said, last week I announced the winner of the Kodansha Shoujo Smorgasbord manga giveaway. The post also includes a list of some of Kodansha Comics’ shoujo and josei manga, of which there’s a nice variety. The honor of the first in-depth review of the month went to Studio Kôsen’s Windrose, Volume 1 from Chromatic Press/Sparkler Monthly. Kôsen has had a few other releases in English, but I think that Windrose is probably my favorite so far. Finally, over the weekend I posted November’s Bookshelf Overload which will likely be the last list of its utterly ridiculous size for a while.

Elsewhere online in manga publishing announcements: Kodansha Comics manga are now available digitally on Overdrive, which is great news for libraries in Canada and the United States. Seven Seas is in the midst of celebrating ten days of licenses with some interesting as well as not-so-surprising choices. (At the moment, the new license tag on Seven Seas’ Tumblr may be the easiest place to see all of the new titles at once.) Yen Press probably made the biggest license announcement last week, though–Natsuki Takaya’s Fruits Basket is being re-released in English! Yen plans to release Takaya’s Liselotte & Witch’s Forest and Twinkle Stars as well.

Quick Takes

Alley of First Love by Ellie Mamahara. I picked up Alley of First Love without knowing much about the manga except that it was a boys’ love one-shot. Sometimes that can a risky proposition ripe with potential for disappointment, but Alley of First Love ended up being a pleasant surprise. After graduating high school, Shusuke’s best friend (and crush) Atsushi left to study abroad in England with no intention of returning to Japan. But six years later he unexpectedly comes back and Shusuke must once more face the fact that his feelings for Atsushi go far beyond friendship. There were quite a few things that appealed to me about the Alley of First Love: the leads are adult men, the prominence of their tightly-knit families and community (and the realistic rumor mills that accompany those), the touches of humor and overall heartwarming nature of the story, and so on. Readers looking forward to steamy love scenes will be left wanting as they are mostly implied rather than shown (Mamahara jokes in her notes that she’s terrible at drawing them), but the emotional connection between Shusuke and Atsushi is definitely there.

Love at Fourteen, Volumes 3-4 by Fuka Mizutani. I didn’t anticipate that I would enjoy the first couple of volumes of Love at Fourteen nearly as much as I actually did. However, although I also enjoyed the third and fourth volumes, my compulsion to read more of the series has somewhat diminished. Tanaka and Yoshikawa may be the leads, but I think they may actually be some of the least interesting characters in the series. But even though their personalities aren’t particularly strong, I do like them. And I like their relationship and the portrayal of the slow development of young love. But in the end, I find that I’m more intrigued by the supporting characters and their stories. Perhaps I’m not the only one who felt this way—Mizutani adds even more of them to the series in these two volumes. My favorite character has turned out to be Nagai, a delinquent with a talent for singing. However, the way that the music teacher manipulates and leads him on is troubling. She’s supposedly fallen in love with her fourteen-year-old student. I’m not sure if Mizutani intends for it to be tragically romantic, humorous, or what, but the way it plays out and is shown in the manga comes across as creepy more than anything else.

My Love Story!!, Volume 3-6 written by Kazune Kawahara and illustrated by Aruko. I absolutely loved the first two volumes of My Love Story!! and so have made a point to collect the manga even though I’ve fallen behind in actually reading it. At first, I wasn’t really sure how long the series would be able to last before the gimmick was completely played out and became tiresome. After all, the manga was initially intended to be a one shot. Happily, My Love Story!! has yet to lose its charm for me. It continues to be funny and sweet, earnest and endearing. The story is beginning to expand more, as well. While Takeo and Yamato’s incredibly adorable and wholesome romance is at the heart of it all, the manga is now exploring the lives and relationships of their friends and family members as well. At one point it seemed as though My Love Story!! was going to be somewhat episodic, but some longer, continuing storylines are being introduced as are new, recurring characters. My Love Story!! always manages to make me happier just by reading it, so I’ll definitely continue following it.