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Manga the Week of 8/31

August 25, 2016 by Sean Gaffney 1 Comment

SEAN: August ends with a giant pile of manga, mostly via Yen Press, but as always we’ll start alphabetically.

Kodansha gives us the first volume of the Attack on Titan: Lost Girls manga. This is an adaptation of the visual novel that focused on Mikasa and Annie, there’s also a novel that Vertical released. It promises to be quite good.

ASH: Oh! I somehow overlooked the manga being licensed, though I did know about the novel.

SEAN: There’s also a 4th volume of Maga-Tsuki, as well as a 9th Your Lie In April. You know I have little to say when I combine releases into the same line.

ASH: I didn’t care much for Maga-Tsuki, but for the most part I have been enjoying Your Lie in April. It can be a bit melodramatic, but I’m always down for music manga!

SEAN: Seven Seas gives us a 9th volume of runaway monster girl hit Monster Musume.

And they also have a 2nd volume of Shomin Sample, whose full title I won’t bother with. Volume 1 was not very good, but did make me laugh more than I expected to.

Vertical Comics also has a Vol. 9, this one is Witchcraft Works.

OK, that’s it for non-Yen titles. Let’s start with digital, there are new digital volumes of Aoharu x Machinegun (5), Black Detective (5), Corpse Princess (6), and Saki (5). I’m falling behind on Saki, I will admit.

ASH: Still happy if somewhat stunned that Saki is being translated!

SEAN: Yen On has a full 8 light novels out this month; luckily, we already had two of them out this week. For next week, we get the debut of The Asterisk War, a stunning expose of modern copyediting in Japan. Wait, no, this is another fantasy series with magic, swords, and cute girls. But, on the bright side, it does not have anyone getting trapped in a game.

Baccano! has a 2nd light novel, this the first of a 2-part arc subtitled The Grand Punk Railroad (this is the “Local” novel.) It is worth noting that one of the protagonists in this book is named Jacuzzi Splot. This alone should make everyone want to read it.

MICHELLE: Haha. At some point, I will get around to these.

SEAN: And a 4th Black Bullet, which will have to figure out how far down the rabbit hole it can go after last volume’s “kill an entire classroom of adorable children”.

The Devil Is A Part-Timer! is always a treat, and I look forward to the 5th volume.

ASH: I’ve fallen behind on the series, but was greatly amused by its beginning.

SEAN: Likewise, Is It Wrong To Try To Pick Up Girls In A Dungeon? continues to have a batting average above its premise, and the 6th volume should continue that.

And Sword Art Online has an 8th volume, this one devoted to two large novellas and a short story, taking place both during the time in Aincrad and after.

MJ: I’m still reading this, so… that’s something.

SEAN: On the manga front, Yen has a 2nd volume of Anne Happy, a story of several unlucky students and their bizarre classroom.

And there’s a 2nd omnibus of Corpse Party: Blood Covered, which as you can tell from the title is filled with heartwarming fluff.

Yen has a 3rd volume of sci-fi thriller Dimension W.

ASH: I recently picked up the first two volumes since I generally like Yūji Iwahara’s manga. Also, the covers glow in the dark!

SEAN: And a 4th volume of fanservice-heavy Dragons Rioting.

MJ: I know fanservice sells, but it’s become so overwhelming in Yen titles generally, I’ve started to wonder what’s left for me. Then I remember things like Emma and Fruits Basket.

SEAN: Well, Yen Press allied with Kadokawa Shoten, and is now putting out a bunch of its titles. Between Dragon Age and Comic Alive, there’s a lot of titles that cater to the male otaku.

We have reached the end of Emma with its 5th and final omnibus. This one is mostly side stories, but does also give us some time with the main characters themselves. So happy Yen rescued this.

MJ: Yep.

ASH: Yes! I was one of the people who discovered the series after it had gone out of print. I’m thrilled that I can now own it, and Yen has done a beautiful job with the release.

ANNA: I got it the first time around, but am so happy that people who hadn’t read it before have a chance at a nice rerelease.

SEAN: And a 4th omnibus of Fruits Basket, which introduces us to Hiro, who is one of my favorite underappreciated characters.

MICHELLE: This is coming out so fast!

MJ: Delightfully fast!

ANNA: Fruits Basket EEEE! I have all the TokyoPop volume, so I have held off on this but I am delighted it is in print again!

SEAN: Monthly Girls’ Nozaki-kun is always at the top of my pile when it comes out, because it will always be the funniest thing to read.

MJ: I gotta get into this.

ASH: Definitely! I think you’ll like it. The anime adaptation is great, too.

ANNA: I like it, and it is genuinely funny.

SEAN: School-Live! has a 4th volume of adorable schoolgirls and horrific zombies.

Trinity Seven, Volume Six. I’ve made this joke too many times already, so just insert your football results gag here.

Lastly, there is a 3rd omnibus of Yowamushi Pedal, filled with earnest cycling and the sweat and tears of male athletes. It’s actually quite awesome.

MICHELLE: I love it!

ASH: I enjoy this series so much.

ANNA: I haven’t picked this up yet, which I’m sure indicates that there is something wrong with me.

SEAN: As always, so much stuff you could be behind forever. What are you reading?

My Week in Manga: August 15-August 21, 2106

August 22, 2016 by Ash Brown

My News and Reviews

After a somewhat tumultuous year, last week marked the sixth anniversary of Experiments in Manga! Though at one point I was very stressed out about the fate and state of the blog, I’m now honestly looking forward to year seven, even if I’m not able to write as much anymore. Thank you to everyone who has read and supported Experiments in Manga in the past, present, and future!

Elsewhere online, Speculative Fiction in Translation interviewed Tyran Grillo, translator of Yusaku Kitano’s award-winning Mr. Turtle, the most recent offering from Kurodahan Press. And Barnes & Noble posted a list of 8 Great Japanese Books in Translation That Aren’t by Haruki Murakami. It’s a great list–I’ve only reviewed one of the novels included (Manazuru by Hiromi Kawakami), but I’m very fond of Keigo Higashino‘s work and several of the other books are very high on my to-be-read pile.

Quick Takes

Forget Me Not, Volume 3 written by Mag Hsu and illustrated by Nao Emoto. I was taken a little by surprise by how much I enjoyed the first two volumes of Forget Me Not and so I was looking forward to reading the third volume as well. The series delves into the life and past loves of Serizawa, a young man who so far has been shown to have very little luck when it comes to romance. Some of his relationship woes can be credited to the fact that he’s still immature and inexperienced, but that’s starting to become less and less of an excuse for him now that he’s in college. Perhaps because of that, the third volume of Forget Me Not didn’t work quite as well for me as the previous volumes did. It is very clear that the relationships shown in the third volume are heading towards an absolute train wreck. Considering the beginning of the series it’s already a known fact that Serizawa ends up alone and full of regret, but it’s still painful to watch the whole mess unfold. I feel just as badly for the two young women involved as I do for Serizawa. They both like him and he likes them both; Serizawa just hasn’t been able to figure out exactly what that means yet. Apparently, he still has quite a bit of growing up left to do. Despite my frustration with the most recent volume of Forget Me Not, I am curious to see how this unfortunate past ties in with the mystery of Serizawa’s current situation.

Noragami: Stray God, Volumes 15-16 by Adachitoka. Although the series’ quirky humor hasn’t completely disappeared, Noragami has become increasingly dark and dramatic over time. Adachitoka does still find appropriate moments within the series to insert a bit of levity, but for me what makes the manga compelling is its characters. The real heart of the much of the conflict in Noragami–the frequently unpredictable relationships between the various gods as well as the turbulent relationships between the gods and mortals–has once again been thrust to the forefront of the series with the manga’s most recent story arc. One thing that I found particularly interesting about these two volumes of Noragami is that Adachitoka introduces several deities of indigenous origins in addition to recognizing the existence of foreign gods. I’m not sure that they will necessarily have a large role to play in the series (then again, it seems as though they might), but this expansion is marvelous from a worldbuilding perspective, especially as Noragami is currently dealing heavily with the court and political intrigue of the Heavens. Along with that also comes a few tremendous fight sequences. Ocassionally some of the individual actions can be a little difficult to follow amidst the chaos of battle, but overall the scenes are effective and at times even impressive.

Ten Count, Volume 1 by Rihito Takarai. Although the art style in Ten Count looked familiar to me, I actually didn’t make the connection at first–Takarai was the artist of the short boys’ love series Seven Days which I loved. Ten Count, however, is a very different manga than Seven Days. Even before it was licensed in English, I was aware of Ten Count. It’s a massively popular boys’ love manga, but the series also has a fair number of detractors and understandably so. Only one volume in and Ten Count is already a deliberately uncomfortable and troubling story with dark psychological elements, dubious ethics, and emotional manipulation. The manga follows Shirotani, a young man with a severe obsessive-compulsive disorder which has remained untreated since it first manifested. After a chance meeting Shirotani catches the attention of Kurose, a clinical psychotherapist who would seem to have some emotional issues of his own. Kurose takes a particular and decidedly unprofessional interest in Shirotani, offering to help Shirotani deal with his condition off-the-record and off-the-clock. Without realizing it, as Shirotani begins to be able to more easily function within society, he has also become more and more reliant on Kurose. Romantic it certainly is not, but at least for the moment I’m part of the group that finds Ten Count compelling and definitely plan on reading more.

Another: Episode S/0, novel by Yukito Ayatsuji, manga by Hiro Kiyohara. While I was left feeling a little cheated by how some of the major reveals were handled in the horror-mystery novel Another, for the most part I did like the book. And so I was excited when Yen Press licensed both the not-exactly-sequel Another: Episode S (the main action of the novel takes place during the original Another but is only tangentially related) and the short prequel manga Another 0, releasing them together in a single, beautiful hardcover volume. (Out of all the North American manga publishers, Yen Press has had some of the best book designs of late.) Sadly, Episode S has many of the same narrative problems found in Another, namely important reveals that, while they make sense, seem a bit unfair to the readers. I actually really liked the plot twists themselves in Episode S, it’s just that their execution falls short; once again left feeling unsatisfied by the story’s developments. Tonally, Episode S is a little different from Another–while it’s still a ghost story of sorts and there are some marvelously disturbing scenes, the mystery is emphasized far more than the horror. The atmosphere of Another 0, written and illustrated by the creator who helmed the Another manga adaptation, is much closer that of Another. The prequel relies heavily on readers’ familiarity with the original while Episode S largely stands on its own.

Ultimate Conditioning for Martial Arts by Loren Landow. From an athletic standpoint, I have found several of the books published by Human Kinetics to be useful resources in supplementing my study of traditional Okinawan karate. Ultimate Conditioning for Martial Arts, one of the publisher’s most recent titles, can technically apply to any martial artist, but the book does tend to be geared more towards athletes and competitors. Landow also assumes that readers already have basic knowledge of anatomy, physiology, and sports training methods. While perhaps not suitable for absolute beginners, Ultimate Conditioning for Martial Arts does provide a good starting point for established martial artists who want to begin incorporating speed, agility, and conditioning work into their training. In addition to providing suggested conditioning exercises and programs, Landow also incorporates an overview of relevant and closely-related topics such as the evaluation and establishment of fitness baselines, warmups and flexibility, rest and recovery, and nutrition. The book includes a generous number of helpful photographs to accompany the descriptions of the specific exercises, but the photographs selected aren’t always the ones that would be most illustrative or useful. Additionally, rather than explaining the particular functions and applications of the individual exercises, Landow tends to broadly generalize and categorize their benefits. This lack of specificity and guidance can make the creation of an individualized conditioning program challenging for someone who has never developed one before. Ultimate Conditioning for Martial Arts groups commonly practiced martial arts disciplines together as either striking and kicking arts or wrestling and grappling arts. Landow suggests specific conditioning exercises for each category but also emphasizes the benefits of using a blended approach when developing a training program. Mixed Martial Arts is the only discipline that’s addressed in-depth but Ultimate Conditioning for Martial Arts is still broadly applicable to other martial arts and a valuable resource, providing a fine overall introduction to conditioning and endurance training.

Manga the Week of 8/24

August 18, 2016 by Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

SEAN: The dog days of August are really dragging in my opinion, and there isn’t much coming out this week I’m picking up. But I’ll tell you about it anyway, as it’s what I do.

Dark Horse has the first omnibus re-release of the old CLAMP series RG Veda, which I seem to recall I found the most difficult to get into of their early works. Perhaps Michelle or MJcan enlighten me further?

MICHELLE: I have actually never read RG Veda, either!

ANNA: I read a few volumes of RG Veda, and I agree it is hard to get into.

SEAN: Kodansha is next. Fairy Tail has a 3rd volume of its Wendy-focused spinoff Blue Mistral.

And a 5th volume of The Heroic Legend of Arslan, which may not come out that often but it’s drawn by Arakawa so who cares?

ANNA: I haven’t read this yet, I clearly need to rethink my life priorities.

ASH: I’ve read the first few volumes and definitely plan on reading more.

SEAN: And there’s a 6th volume of L♥DK, which continues to be oh-so-bad for us.

One Peace has a 5th volume of its novel Rise of the Shield Hero.

Seven Seas has a 2nd volume of horror manga Hour of the Zombie, which does not even pretend to be cute or fluffy before going for shocks.

There’s a 4th 4-koma volume of Merman in My Tub.

ASH: I’ve read a few volumes of this series, too, and was generally amused.

SEAN: And a 3rd volume of odd survival-game-ish Not Lives.

Vertical has the 6th Tokyo ESP omnibus – it’s catching up with Japan a bit, so this may slow down soon.

MICHELLE: I do like this series, but I’m a couple of volumes behind now.

Almost all of Yen’s August releases got pushed back a week, but there are two titles mysteriously unaffected at major retail sites, so I will list them here accordingly. The 8th A Certain Magical Index novel gives us a different POV narrator, as Mikoto’s stalker junior Kuroko gets her own series of adventures.

And The Irregular at Magic High School’s 2nd volume wraps up its first arc.

Do you want something from this list, or is it just too hot to read?

My Week in Manga: August 8-August 14, 2016

August 15, 2016 by Ash Brown

My News and Reviews

Two posts went up at Experiments in Manga last week in addition to the usual My Week in Manga feature. The first was the Bookshelf Overload for July in which I talk a little about my manga purchases for the month and the fact that I went a little overboard during some recent sales. The second was a brief wrap-up of my recently completed horror manga review project; it took me around a year and a half to review each volume in Setona Mizushiro’s After School Nightmare and Yuki Urushibara’s Mushishi. I’d like to do another review project in the future (and have readers of Experiments in Manga vote on the featured manga as they have for the past two projects), but since I’m currently following reduced posting schedule I’m going to hold off on that for the moment.

Elsewhere, NPR recently released a segment featuring food manga like Food Wars. (Interestingly, NPR was actually where I first learned of Death Note.) The seventh part of “The Sparkling World of 1970s Shojo Manga” was posted at The Lobster Dance and focuses on Sailor Moon and Revolutionary Girl Utena. Also posted last week were not one, but two interviews with Naoshi Arakawa, the creator of Your Lie in April, from when he was visiting the United States for Anime Expo: Misaki C. Kido interviewed Arakawa for Kodansha Comics while Deb Aoki interviewed Arakawa for Anime News Network. And since I’m mentioning interviews, manga translator Zack Davisson was also interviewed over at The Comics Journal about Shigeru Mizuki’s Kitaro.

Finally, a bit of licensing news: Viz Media announced at Otakon that it would be releasing Akira Himekawa’s The Legend of Zelda: Twilight Princess, Kyousuke Motomi’s Queens Quality (the sequel to QQ Sweeper), and Takako Shimura’s Sweet Blue Flowers. For me, the most exciting and unexpected license was Sweet Blue Flowers. Digital Manga previously had the rights to the series but only released one volume of a less-than-stellar digital edition. (Jocilyn Wagner posted a guest review of the manga here a while back.) Before that, a version of Sweet Blue Flowers was available through the now defunct JManga. Shimura’s Wandering Son is a tremendously important series to me, so I’m very happy that Sweet Blue Flowers will be receiving the attention it deserves. Ideally, if the series does well, it could hopefully encourage Fantagraphics to release more of Wandering Son.

Quick Takes

Haven’t You Heard? I’m Sakamoto, Volumes 2-4 by Nami Sano. I greatly enjoyed the first volume of Haven’t You Heard? I’m Sakamoto, so it was only a matter of time before I got around to finishing the rest of the series. I love the manga’s absurdity, humor, and over-the-top scenarios. First and foremost, Haven’t You Heard? I’m Sakamoto is a comedy, but it also has heart–the fourth and final volume in particular is surprisingly touching. While I’m sure I would have enjoyed reading more Haven’t You Heard? I’m Sakamoto, four volumes seems to be the right length for the series. It’s short enough that the the gags still feel fresh and unexpected, but long enough that the manga develops an underlying story to accompany its primarily episodic nature. The entirety of Haven’t You Heard? I’m Sakamoto follows Sakamoto’s first year of high school. As a transfer student it might be expected that he would have some trouble fitting in, and he seems so blissfully unaware socially that he never really does, but everyone adores him, even those who want to hate him. No matter what the circumstances, Sakamoto takes everything in cool, collected stride, frequently facing down and disarming the school’s delinquents with his utter kindness and friendship. Haven’t You Heard? I’m Sakamoto is a ridiculous series and I’m very happy that it’s available in English.

Say I Love You, Volumes 10-14 by Kanae Hazuki. Although I enjoy Say I Love You, for whatever reason it’s not a series that makes me want to rush to find out what happens next, and so I’ve managed to fall behind. But every time that I read Say I Love You, I am greatly impressed by the manga. The slow, natural development of the story and characters is actually a large part of the series appeal; a manga doesn’t have to be full of action to be dramatic and engaging. These few volumes introduce two underclassmen (a brother and sister who are twins) as important characters in an already large cast. At first, I was a little uncertain about their addition to the series, but I’ve grown to really like them. The realistic and earnest portrayal of teenage sexuality in Say I Love You is particularly well done. The characters are maturing and discovering not only who they are as individuals, but who they are in relation to other people. What I especially appreciate about Say I Love You is that sex isn’t necessarily idealized or treated as an end goal, it’s simply one potential part of a relationship which in fact often makes things even more messy and complicated. The characters in Say I Love You are at the point in their lives in which they are transitioning from adolescence into adulthood. In addition to worrying about their friendships and romances, they are concerned about the immediate future.

Sweetness and Lightning, Volume 1 by Gido Amagakure. I tend to enjoy food manga so will gladly read at least the first volume of a new series which is even tangentially related to the genre. Sweetness and Lightning most definitely fits squarely within the genre–it even contains recipes–but I was particularly interested in the series because it features a single dad who is responsible for caring for his daughter after her mother passes away. He’s a terrible cook so for months they’ve been living on convenience store food and prepackaged, ready-made meals, but when he sees how happy Tsumugi is after eating a home-cooked dinner (not even a dinner really, but a serving of rice), he decides to learn how to cook himself. Helping him is Kotori, one of the students in his high school math class, whose mother owns a restaurant. Kotori sees Inuzuka as a surrogate father, but there also seems to be the possibility that she may develop romantic feelings for him as well. The first volume of Sweetness and Lightning was adorable. Tsumugi is a cute kid, the love and care that Inuzuka shows is endearing, and sharing food with others is joyful experience for Kotori. At this point the three of them together make for a delightful combination. Sweetness and Lightning also has an air of melancholy about it as the characters are dealing with loneliness and loss. Inuzuka does all that he can to make Tsumugi happy, but being a single parent isn’t at all easy.

Manga the Week of 8/17

August 12, 2016 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N Leave a Comment

SEAN: The dog days of August are here, but there’s still manga to keep you cool.

If you like Neon Genesis Evangelion but wish there was less drama and more high school harems, then Dark Horse has you covered with an omnibus re-release of the first 3 volumes of The Shinji Ikari Raising Project. At 16+ volumes, this spinoff is actually longer than the original manga.

Kodansha gives us a 6th volume of reverse harem comedy Kiss Him, Not Me!.

The debut this week is also shoujo, from Kodansha’s breakaway hit magazine Aria. It’s called That Wolf-Boy Is Mine! No prizes for guessing what the lead boy’s amazing secret is, and I’ve heard it compared to Fruits Basket a bit.

MICHELLE: I’ll be checking this one out, and the Fruits Basket comparison is reassuring, since I was worried it’d feel more like Twilight or something.

ASH: I’ll admit, I’m a bit curious about this one.

ANNA: I’m curious too, but I will reserve judgement until after you guys read it!

SEAN: One Peace gives us another omnibus of not-really-yuri license rescue Maria Holic. I think this catches us up, so volumes after this should be new.

Vertical has a 2nd volume of To the Abandoned Sacred Beasts.

Viz gives us a 19th volume of Dorohedoro, which I always look forward to, even if I still am a bit lost on the whole Caiman/Kai/Ai thing.

ASH: This week may have relatively few releases, but it does still have Dorohedoro!

SEAN: And an 8th volume of Tokyo Ghoul, still popular.

Lastly, for all your tokusatsu needs, there’s a 5th volume of Ultraman.

Is there a title here that piques your interest?

My Week in Manga: August 1-August 7, 2016

August 8, 2016 by Ash Brown

My News and Reviews

Last week brought some very good news! Sparkler Monthly‘s Kickstarter campaign for its fourth year was successfully funded, so we’ll all be getting another twelve months of phenomenal new content in addition to all of marvelous the Sparkler Monthly content that already exists, most of which is freely available online. Somewhat related to that, last week the winner of Experiments in Manga’s Sparkler Monthly Year 4 giveaway was announced. I was hoping to post the wrap up to my horror manga review project last week, too, but it looks like that should be going up sometime this week, instead.

Speaking of Kickstarters, there were two recently launched projects that specifically caught my attention last week. The first is a project to publish the second volume of Moonshot, a comics anthology featuring indigenous creators. The first volume was very impressive and earned multiple awards and honors, so I expect the second volume will be great, too. The other campaign is for the first print volume of Der-shing Helmer’s webcomic The Meek. I haven’t actually read The Meek myself yet, but I’ve heard very good things about the series.

Elsewhere online (well, I guess specifically at Anime News Network), it was a Seven Seas sort of week: Deb Aoki interviewed Okayado, the creator of the massively successful Monster Musume, at Anime Expo, the transcript of which has now been posted. I haven’t had time to listen to it yet, but the most recent ANNCast featured Jason DeAngelis, Adam Arnold and Lissa Patillo from Seven Seas. And in licensing news, Seven Seas will be releasing Atami Michinoku’s The High School Life of a Fudanshi.

Quick Takes

Fairy Tail, Volumes 52-54 by Hiro Mashima. Despite its immense popularity, for me Fairy Tail fairly tends to be fairly hit-or-miss. Mashima readily admits that he doesn’t always know where he’s going with the story and characters, but every once in a while he manages to pull it all together to form something truly grand and epic. I have to admit, I’m really liking the most recent story arc of Fairy Tail. Once again, the members of the Fairy Tail guild are responsible for trying to save the world, but the enemies that they face this time are so strong that it’s not something that they will be able to do alone. To me, this showdown feels more personal than some of the previous world-altering battles. Granted, that impression may in part be because my reading of Fairy Tail has been somewhat fragmented. However, I greatly appreciate the more character-driven arcs of Fairy Tail. These three volumes explore the past of Fairy Tail and the guild’s connection to Zeref, the dark wizard cursed to live forever who is trying to find a way to end it all. (This I believe is all explored in greater depth in the Fairy Tail Zero spinoff, which I suspect I would likely enjoy.) The battles in this story arc are well-paced in addition to being suitably dramatic and over-the-top, fitting for a conflict that will determine the fate of the world.

Haikyu!!, Volumes 1-2 by Haruichi Furudate. Due to my increasingly busy schedule, I’ve only managed to watch the first few episodes of the Haikyu!! anime adaptation, but that was more than enough to determine that I wanted to read the original manga when it was released in English. I find that even though I’m not especially interested in sports, I really enjoy sports manga, and so far Haikyu!!, about a boys’ high school volleyball team, doesn’t disappoint. Like many other sports-oriented manga, Haikyu!! features characters who are in one way or another exceptionally skilled or naturally talented athletes. What makes Haikyu!! stand out from other sports manga that I’ve read is that it emphasizes teamwork in a way that I’ve not usually seen–the manga’s not just about great players who are simply part of the same team, it’s about teammates bringing out the best in one another, finding ways to effectively complement their strengths and weaknesses to form a group that’s more capable than any one individual. The characterization is pretty great in Haikyu!!, too, which is particularly important for a series which will likely have a fair number of characters to keep track of. I really like the characters in Haikyu!!; they all have very distinctive personalities. If Haikyu!! continues as strongly as it begins, I’m definitely in for the long haul with this series.

UQ Holder!, Volumes 7-8 by Ken Akamatsu. There’s something about UQ Holder! that rubs me the wrong way. Frustratingly, I haven’t been able to identify exactly what it is about the series, especially as there are parts of the manga that I actually like. I do wonder if part of this dissonance is caused by the fact that I’ve never read Negima! Magister Negi Magi. Although UQ Holder! initially seemed to be a stand-alone spinoff, lately it seems to be tying itself back to the original to a greater extent; I feel like I’m missing some important context. Much of the humor in UQ Holder! seems to fall flat for me, too, even when I can tell that what I’m reading is intended to be funny. The series also seems to have a bit of an identity crisis, as though Akamatsu can’t quite decide what type of story it’s supposed to be. At this point, UQ Holder! has now suddenly veered into becoming a martial arts tournament; previous incarnations of the series included a murder mystery, among other things. The martial arts tournament was a good choice, though–the battles in UQ Holder! are generally the most entertaining aspect of the series. The tournament also gives the characters an actual, definitive goal to focus on rather than their more ambiguous ambitions. These volumes also delve more into Evangeline’s backstory, which was good to see.

Manga the Week of 8/10

August 4, 2016 by Sean Gaffney, Ash Brown, Michelle Smith and Anna N 4 Comments

SEAN: For a second week of the month, next week is pretty packed with stuff. Let’s leap right in.

I have become very wary of ever listing a print book by DMP on this list again, and it may just result in me being burned, but for now, the 4th volume of Border is still being listed as coming out next week.

Likewise, there’s also Does the Flower Blossom? 3, with the same caveats.

ASH: DMP has been having major problems with distribution, but I do know that currently these two manga actually do exist in print.

SEAN: The Manga Bookshelf’s pick of the Week has been fairly unanimous the last two weeks, and I suspect we will make it three with the release by Fantagraphics of Otherworld Barbara, a 400-page hardcover by Moto Hagio. This is the first of two volumes, and originally ran in the shoujo magazine flowers (note the lack of caps), home of Kaze Hikaru, as well as 7SEEDS, which is still unlicensed because Viz laughs at our pain. It should be amazing.

ASH: I am absolutely thrilled that more of Hagio’s manga is being translated. I’m especially excited for Otherworld Barbara since it’s an example of her science fiction work, which I love.

MICHELLE: I’m excited, too, but also high-fiving Sean for 7SEEDS solidarity.

ANNA: No surprise, I’m looking forward to this too. I appreciate the 7SEEDS shoutout!

SEAN: Attack on Titan has an 8th volume of its Before the Fall spinoff from Kodansha – honestly, it’s run a lot longer than I expected.

Fairy Tail has reached its 55th volume, and really that is about what I expected. It’s not remotely done either.

And we finally run out of Tsubasa Reservoir Chronicle with its 9th and final omnibus.

On to Seven Seas. Devils and Realist has reached 10 volumes. I’m not sure what’s going on in it anymore, but the guy on the cover looks pretty sexy.

ASH: I’ve fallen behind on reading the series, but the covers and artwork are lovely to look upon.

SEAN: The Testament of Sister New Devil also has what might be considered by its core audience a sexy cover with Vol. 3. Its audience and Devils and Realist may not overlap at all.

SubLime gives us the debut of Ten Count, a new BL manga. No, it’s not about boxing – I think North America would more accurately call it Ten Step. It’s about therapy, and by the author of Seven Days.

ASH: I loved Seven Days so will definitely be checking out Ten Count. Despite it’s popularity, it does seem to be a somewhat divisive series, though.

SEAN: Udon has the 3rd volume of Kill La Kill. Be warned, the manga was cut short before it covered what the anime did as well – this is the final volume.

It’s been almost a year since the last Arata the Legend, which has caught up with Japan and thus runs on Watase Yuu time. Vol. 24 is here, from Viz, however.

Itsuwaribito has finished in Japan, but there’s more of it to come over here, and Vol. 18 ships next week.

Oh thank God, something I actually read on a regular basis. Magi! Yes, Magi is here to give me something besides Moto Hagio to buy this week. Luckily, it’s awesome.

ASH: I still need to get around reading Magi…

MICHELLE: I’m a few volumes behind, so look forward to getting caught up.

SEAN: Viz also has a 3rd volume of Monster Hunter: Flash Hunter.

Lastly, Viz is releasing an artbook of Yoshitake Amano’s works, simply called Illustrations. It should be gorgeous, and also have vampires, given its creator.

ASH: I have another of Amano’s artbooks and it is stunning, so I’m definitely glad to see more being released.

SEAN: That’s a lot. Any for you?

My Week in Manga: July 25-July 31, 2016

August 1, 2016 by Ash Brown

My News and Reviews

A new review was posted at Experiments in Manga last week! The final review in my (at one point monthly) horror manga review project delves into Setona Mizushiro’s After School Nightmare, Volume 10. I have mixed feelings about the series’ conclusion, but overall there was a lot that I really liked about the manga as a whole. I’m not exactly sure what my next in-depth feature will be (I have a few different ideas for it), but I do plan on writing a brief wrap-up for the horror manga review project. I’m also working on the post for Experiment in Manga’s (sixth!) anniversary which will be coming up later this month.

Also posted last week was Experiments in Manga’s most recent giveaway which offers a chance to win two Sparkler Monthly paperbacks, ebooks, or audio dramas of your choosing. The last few days of the giveaway coincides with the last few days of the Sparkler Monthly Year 4 Kickstarter. The winner of the giveaway will be announced on Wednesday, but the fate of Sparkler Monthly will be determined on Tuesday. There was a surge of support for the campaign over the weekend, but it still has a little ways to go if it’s going to succeed. I wrote a little bit on Twitter about the importance of Sparkler Monthly to me personally and in general; please consider contributing to the campaign in some way if you are at all able and haven’t already!

Speaking of Kickstarters, Czap Books recently launched a campaign to support it’s 2017 Collection. Last year Czap Books released the first volume of Laura Knetzger’s Bug Boys which I adored, and the books in the 2017 Collection all look as though they should be fantastic, too. Other interesting things found online last week include Deb Aoki’s writeup on manga at SDCC 2016 for Publishers Weekly. Audio recordings of some of the panels at SDCC are now available as well. (As are audio ecordings from TCAF 2016; I don’t remember if I previously mentioned those.) I haven’t had a chance to listen to it yet, but The OSAG introduced the first episode of Translator Tea Time, a podcast featuring two professional manga translators. Also last week, Yen Press slipped in a license announcement for Miyuki Nakayama’s Spirits & Cat Ears and Canno’s A Kiss and White Lily for Her.

Quick Takes

Fairy Tail: Ice Trail, Volume 2 by Yuusuke Shirato. When I first started reading Ice Trail, a spinoff of Hiro Mashima’s Fairy Tail which follows Gray Fullbuster before he joins the guild, I had assumed that it would be a somewhat longer series. Gray is probably one of the most popular characters in Fairy Tail, but Ice Trail ends up only being two volumes long. It’s a fun and even cute series that introduces some original characters in addition to incorporating, either directly or indirectly, cast members from Fairy Tail. Readers already familiar with Fairy Tail will probably get the most out of Ice Trail, but the series doesn’t require much previous knowledge of the original story and characters to follow what is going on. The second volume concludes Gray’s search for the Fairy Tail guild, having heard that it was home to a number of great wizards. As Gray journeys to Magnolia, he more or less unintentionally forms a three-person adventure party with another boy named Pauz, a wizard whose magic is based on books and paper (a type of magic which unsurprisingly I loved) and the young thief Doronbo, who was probably my favorite character out of the entire mini-series. Although initially their relationships were somewhat antagonistic, by the end of Ice Trail the three have become close friends, keeping with the tradition and themes of Fairy Tail as a whole.

Genshiken: Second Season, Volumes 7-8 by Shimoku Kio. It’s admittedly been a little while since I’ve read the original Genshiken manga, but there do seem to be quite a few parallels between the two series. Granted, Second Season is probably much closer to being a continuation of Genshiken proper rather than an entirely separate series. One similarity that particularly struck me reading these two volumes is that both Genshiken and Second Season start as series about otaku and their hobbies but soon evolve into series that’s more about the relationships between the members of the club and inevitably romance. At this point in Second Season, Hato is coming to terms with his feelings for Madarame and is beginning to dress as a woman more frequently. (Just how closely those two things are related to each other is debatable.) As Hato starts making the moves on Madarame, the rest of Madarame’s real-life harem is thrown into turmoil. And of course everyone on the sidelines has their own pairings that they’re rooting for, treating it almost like a game which creates even more drama. Madarame himself isn’t really sure what to do with the situation and has his own conflicted feelings to work out. I won’t lie—I like Hato and Madarame together, so I’m very curious to see where this is all heading.

A Redtail’s Dream by Minna Sundberg. I don’t remember exactly when the webcomic A Redtail’s Dream was first recommended to me, but never got around to reading it until now. Which is a complete and utter shame. I had actually forgotten about it but recently came across it again while looking for a different comic entirely. The collected edition of A Redtail’s Dream includes the entire series in a single, massive volume along with additional bonus content, commentary, and cultural notes not found online. A Redtail’s Dream is an absolutely gorgeous comic. Drawn over the course of two years, each chapter is illustrated using a different color palette and the results are simply beautiful. The comic is strongly influenced by Finnish mythology (Sundberg was born in Sweden, but was raised and lives in Finland), but familiarity with those stories and legends is not at all necessary to appreciate and enjoy Sundberg’s epic. A Redtail’s Dream follows Hannu and his beloved dog Ville who are given the responsibility of rescuing the souls of their friends, family, and neighbors when a young spirit fox accidentally causes their village to slip into a dream realm which is dangerously close the land of the dead. Hannu is actually fairly antisocial, so it’s interesting (and amusing) to see him crankily take on the role of the hero when he’d much rather just be left alone.

Seven Stories by Hiroshi Mori. Outside of Japan, Mori is probably best known as the creator of The Sky Crawlers, which was adapted as an anime film directed by Mamoru Oshii in 2008, and his debut novel The Perfect Insider, which was even more recently adapted as an eleven-episode anime series. Inside of Japan, Mori is an extremely prolific, well-known, and popular author. (Apparently, Mori also wrote the novelization of Moto Hagio’s Heart of Thomas, which I didn’t even know existed; I’d love to read that.) It wasn’t until recently that any of Mori’s writing was translated into English, thanks to the efforts of Breakthrough Bandwagon Books. As can be safely assumed by the title, Seven Stories collects seven of Mori’s short works, some of which are representative of his earliest short stories and most of which can be generally categorized as mysteries with some interesting twists: “The Girl Who Was the Little Bird,” “A Pair of Hearts,” “I’m In Debt to Akiko,” “Silent Prayer In Empty,” “Kappa,” “The Rooftop Ornament of Stone Ratha,” and “Which Is the Witch?” (The last two stories are actually from Mori’s S&M series which is a continuation of sorts of The Perfect Insider.) The collection also includes an essay by the editor and translator, providing additional background information and context for the stories which I greatly appreciated. The translation tends to be more literal and academic than literary, but the dry humor present in some of the stories still comes through quite well.

Manga the Week of 8/3

July 27, 2016 by Sean Gaffney 1 Comment

SEAN: Next week is a huge week, with Viz releasing a pile plus stuff from other publishers. It’s hard to keep up anymore.

Dark Horse has a 2nd and final volume of the Blood C spinoff Demonic Moonlight.

Kodansha gives us the 19th volume of Attack on Titan, which once again comes with a Special Edition that has a DVD for those inclined.

ASH: That it does! The second half of No Regrets.

SEAN: And Say “I Love You” has a 15th volume. Will we see the main couple again?

MICHELLE: Let us hope!

ANNA: So far behind on this series. I feel guilty.

SEAN: Seven Seas has a trio of titles. D-Frag! has a 9th volume of broad comedy and gaming, though the gaming will always take a backseat to the comedy.

Somehow Dragonar Academy has hit double digit volumes. Could it be the fanservice?

Nurse Hitomi’s Monster Infirmary is also not above fanservice, but is usually more content to milk humor out of the weird monsters and school life situations. Vol. 4 hits next week.

From Vertical Comics, Wolfsmund has a 7th volume. Japanese Game of Thrones?

ASH: This series has been brutal. I’m curious to see where it will go considering the finality of some of the developments in the sixth volume.

SEAN: The rest is all Viz. We get an 11th volume of Assassination Classroom, where our kids will no doubt find they have much more still to learn.

Black Clover gets a 2nd volume. I hear it wasn’t well-liked at SDCC – can it turn this around?

ASH: I know plenty of people who love the series!

ANNA: I like it! Why wasn’t it liked at SDCC?

SEAN: Bleach has a 16th 3-in-1, and honestly, I’ve lost track of where it is. My guess is people are fighting each other.

ASH: Probably.

SEAN: Will Food Wars! 13 finally get to the end of its latest tournament? Doesn’t matter to me, this is a really fun arc.

MICHELLE: I’m enjoying it very much, too.

SEAN: Haikyu! gets a 2nd volume of plucky volleyball guy and angry volleyball guy learning the basics of being in a Shonen Jump title.

MICHELLE: Ha! That pretty much sums it up, but I love it anyway.

ASH: I’m happy to get another volume so soon after the first.

ANNA: Me too!

MICHELLE: You will get them monthly through at least January!

SEAN: And The Heiress and the Chauffeur wraps up with a 2nd volume, in which, presumably, they combine to become the Heirffeur.

ANNA: I am a fan of occasional 2 volume shoujo series.

SEAN: JoJo’s Bizarre Adventure wraps up its 2nd arc with the 4th hardcover omnibus of Battle Tendency. Worry not, though, the previously released 3rd arc is getting the deluxe re-release treatment soon.

ASH: I remember when the third arc was going out of print. I plan on upgrading my set; these deluxe releases are nice!

SEAN: If it’s August, it must be time for our yearly volume of Kaze Hikaru! This is Volume 24 (of 38 – and counting – in Japan). Thanks as always to Viz for not giving up on it.

MICHELLE: I’m super happy about a new volume even though I will probably be of retirement age before we get to the end.

ANNA: Viz deserves props for this. I love this series so much.

SEAN: On a list of titles I never thought I’d see over here, Kuroko’s Basketball would be pretty high up. But the anime was popular, and Slam Dunk’s re-release ended, so we can have another basketball manga. It’s coming out as omnibuses, to catch up faster – should be 15 omnibuses total.

MICHELLE: Once again, I am so excite!!! So much good stuff coming out this summer!

ANNA: Yay sports manga!

SEAN: Maid-sama! Omnibus 5 finally includes all-new material, for those who didn’t want to rebuy old Tokyopop stuff (though it is an all-new translation from the start.)

My Hero Academia has a 5th volume of Superhero School.

And One Piece, at Vol. 79, is finally wrapping up Dressrosa. I think.

MICHELLE: Finally. Let us hope there are not any more speeches to women about how they shouldn’t do anything so strenuous as fight for their freedom.

SEAN: So Cute It Hurts!! is at Vol. 8, which is right around the halfway point of the series.

MICHELLE: Oh man, somehow I had it in my head that this was only ten volumes long.

ANNA: Yikes! I like this series, but 16 volumes sounds like too much to me.

SEAN: And Toriko is at Vol. 35, an I’m hopful it’s over halfway through, but who knows?

It’s good that lately there’s always been one really obvious pick of the week lately. Viz debuts a series I have wanted to see here forever – Yona of the Dawn, a fantasy series from the author of NG Life, if anyone recalls NG Life. Its heroine is fantastic, and I cannot wait to read it.

MICHELLE: SO EXCITE!

ASH: YES!

ANNA: ME TOO!!!!!!

SEAN: And lastly, a 7th Yu-Gi-Oh 3-in-1 omnibus.

There’s a ton to peruse here. What are you getting?

Giveaway: Sparkler Monthly Year 4 Giveaway

July 27, 2016 by Ash Brown

The end of the month is fast approaching, which means it’s time for another giveaway at Experiments in Manga. It also means that the Kickstarter campaign for Year Four of Sparkler Monthly is drawing to a close. I actually held a Sparkler Monthly giveaway last year to coordinate with the campaign to raise funds for the magazine’s third year. Normally, I try not to repeat myself too much when it comes to giveaways, but this year’s campaign still needs some boosting if it’s going to succeed. Also, I love what Sparkler Monthly is doing and I want to share that love! And so for this year’s Sparkler Monthly giveaway, the winner will have the opportunity to choose not one, but two Sparkler paperbacks, ebooks, or audio dramas. (Don’t worry, I’m more than happy to make specific recommendations if needed or desired.) And of course as always the giveaway is open worldwide!

I adore Sparkler Monthly and have been an avid supporter of both it and its publisher Chromatic Press for years. Although I am a little behind in my reviewing, I do make a point to feature the novels and comics released in print here at Experiments in Manga, but there is even more content available digitally, either as ebooks or freely serialized online. And it’s all marvelous; I have honestly loved everything that I’ve read or listened to from Sparkler Monthly. The magazine, which is currently a mix of prose, comics, illustrations, and audio, provides a wonderful variety of stories in a number of different genres. There’s romance, fantasy, horror, mystery, science fiction, historical fiction, comedy, satire, drama, adventure, and so much more.

As Sparkler Monthly continues to grow, so does its catalog. A fourth year will mean even more fantastic content including (but certainly not limited to) the Paper Star Studio’s visual novel Out of Sync, the light novel The Decoy and Retrofit by Hazel + Bell, a continuation of Denise Schroeder’s lovely comic Before You Go, and even a Skyglass novella that I personally commissioned from Jenn Grunigen. The work that the staff and creators of Sparkler Monthly and Chromatic Press is doing is phenomenal and important, too. I sincerely hope that the Kickstarter campaign succeeds because they all deserve another year and then some! If you can, please consider directly supporting the campaign if you haven’t already.

So, you may be wondering, how can you win some Sparkler Monthly goodness?

1) In the comments below, write a little about a Sparkler Monthly series that you’ve enjoyed. (Haven’t read or listened to any before? That’s okay! Simply mention that, or take the time to try one out!)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me). You can tag @SparklerMonthly, too, while you’re at it if you’d like!

That’s all there is to it. As usual, giveaway participants will have one week to submit comments and can earn up to two entries. If needed or preferred, comments can be sent to phoenixterran(at)gmail(dot)com and I will then post them here in your name. The winner of the giveaway will be randomly selected and announced on August 3, 2016. Good luck and sparkles to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest Winner Announced–Giveaway: Sparkler Monthly Year 4 Giveaway Winner

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My Week in Manga: July 18-July 24, 2016

July 24, 2016 by Ash Brown

My News and Reviews

Other than the regular My Week in Manga feature, there were no posts from me last week at Experiments in Manga. I was, however, able to make some progress on my review for the final volume of Setona Mizushiro’s manga series After School Nightmare. I hope to finish and post the review in the very near future, and then officially wrap up my horror manga review project.

Elsewhere online last week, I came across two interesting interviews: a translation of a 2006 conversation between Taiyo Matsumoto and Fumiko Takano as well as an interview with Kazue Kato, creator of Blue Exorcist, from Anime Expo 2016. The San Diego Comic Con took place over the weekend and there were a few licensing announcements to come out of the event: Kodansha Comics is planning a deluxe edition of Masamune Shirow’s Ghost in the Shell; Udon Entertainment has acquired Yuztan’s Dragon Crown manga adaptation in addition to more artbooks, Manga Classics, and a Street Fighter novel; and Viz Media will be releasing a Princess Mononoke artbook as well books based on RWBY.

Finally, in part due to a suggestion made by a regular reader of Experiments in Manga, I’d like to start more regularly mentioning some of the crowdfunding projects that I’m either supporting or that have caught my eye. In the past, I’ve tended to only mention projects that were directly or tangentially related to manga in some way, but I’d like to begin highlighting other campaigns as well. And so! Natasha Alterici is raising funds for the second volume of Heathen, a beautifully illustrated comic about lesbian Vikings. Jason Thompson, author of Manga: The Complete Guide and a comic creator in his own right, is printing a poster map of alien invaders. Bones of the Coast is an anthology of horror comics inspired by the Pacific Northwest.

I’d also like to take this opportunity to give the Sparkler Monthly Year 4 campaign another shout out. (If you follow me on Twitter, that’s pretty much all I’ve been doing for the last week or so, and will probably continue to do so for a while.) I really love everything that Sparkler Monthly/Chromatic Press is doing, and will be legitimately heartbroken if the Kickstarter doesn’t succeed.

Quick Takes

Fairy Tail, Omnibus 2 (equivalent to Volumes 6-10) by Hiro Mashima. When I first started reading Fairy Tail, I ended up jumping into the series around the twenty-fifth volume. Fairy Tail has a huge following, but it just didn’t seem to click with me. However, now that I’ve read some of earlier volumes, I think I finally more fully understand the appeal of the series. Fairy Tail is a fun and exciting manga with likeable characters and an emphasis on friendship and found family. One of my complaints about Fairy Tail in the past has been that it often seems directionless. Even this early in the series Mashima readily admits to making things up as the he goes with no concrete plan in place. He even seemed surprised when he realized that the series would reach ten volumes. (And it’s now over fifty and still ongoing.) Interestingly, this lack of direction didn’t seem to bother me as much as it has before, I think in part due to the fact that Mashima spends a fair amount of second omnibus exploring the main characters’ back stories which provided the needed amount of focus. I liked getting to know the characters better, something I missed out on by starting with a later story arc. Also, Kodansha’s massive, oversized “Master’s Edition” omnibuses show off Mashima’s artwork and are a great way to catch up on the series.

Princess Jellyfish, Omnibus 2 (equivalent to Volumes 3-4) by Akiko Higashimura. I am still incredibly happy that Kodansha Comics is releasing a print edition of Princess Jellyfish. I’m also glad that the series seems to be worth the risk and is doing fairly well for the publisher so far. I am especially looking forward to reaching the parts of the story that weren’t included in the anime adaptation. While there are some differences, for the most part the second omnibus fall entirely into what was adapted for the anime. Because of that I’m not at all surprised by any of the plot developments, but I still am thoroughly enjoying the story and characters. I also get a kick out of the visual nods to classic shoujo manga that Higashimura scatters throughout the series, usually when something particularly dramatic is going on. Princess Jellyfish is probably first and foremost a comedy, but through its humor it explores issues of gender roles and expectations. There is a fair amount of relationship drama, too. At this point in the series, Kuranosuke is trying to come up with a plan to raise the funds needed to save the Amamizukan apartments from being demolished and in doing so becomes more and more attached to Tsukimi. As for Tsukimi, she’s dealing with her own personal and romantic turmoils.

A Silent Voice, Volume 7 by Yoshitoki Oima. The first volume of A Silent Voice left a huge impression on me, and the series as a whole has consistently been one of the strongest stories that I’ve recently read. Granted, A Silent Voice isn’t always an easy read and the subject matter can be pretty heavy. Bullying, depression, social anxiety, suicide attempts, and other tough issues all come into play. Oima isn’t afraid to let the relationships between the characters be extremely messy and complicated. I especially appreciate that Oima doesn’t just slap romance on the situation like magical bandage that will fix everything or erase the misdeeds of the past. From time to time, I was a little worried that might happen, but A Silent Voice takes a more nuanced and much less stereotypical route with the story. If anything, the romantic feelings just complicate matters further. The characters themselves are realistically and believably flawed people. Frankly, they can even be unlikeable, they still remain interesting and compelling. Many of them are struggling with mistakes that they have made and are dealing with devastating regret. But by the end of the series, the characters able to begin to look forward towards the future instead of wallowing in what can’t be changed; their pasts have shaped who they are, but won’t be the only thing that defines them.

Manga the Week of 7/27

July 21, 2016 by Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

SEAN: You know the drill. Last week of the month, piles and piles of titles, let’s get right to it.

Dark Horse gives us a 2nd volume of Dangan Ronpa: The Animation, whose awkward subtitle lets you know it’s based on that rather than the game.

And they also have a 4th Oh My Goddess omnibus, which is warring with Dragon Ball for most re-releases.

This is my featured manga this week, and I guarantee it’s my pick of the week as well. The first omnibus volume of Queen Emeraldas is coming from Kodansha Comics, and I’ve heard it looks gorgeous. Matsumoto’s manga is always amazing, and don’t let the age of the material stop you – this is top tier.

MICHELLE: So excite!

ANNA: I am also very, very excited!

ASH: Definitely picking this one up!

SEAN: Also from Kodansha, we have a 3rd volume of Real Account.

ASH: As far as manga with games of life and death go, this series actually manages to be pretty interesting.

SEAN: The other Kodansha debut is Sweetness and Lightning, which runs in good! Afternoon, and apparently lives up to the sweet part of its name. It was a Crunchyroll title that Kodansha then decided to take to print. The author is much better known for BL titles, which this isn’t.

MICHELLE: I’m looking forward to this, as well!

ASH: A food manga featuring a single dad and his adorable kid? I’m in.

SEAN: And there is a 9th volume of Yamada-kun and the Seven Witches, currently in the middle of a very dramatic arc.

ASH: That it is! I just recently caught up with the series, and I’m curious to see where it goes.

SEAN: Seven Seas has a 4th volume of college romance and drama Golden Time.

We also have the 4th and final volume of Haven’t You Heard? I’m Sakamoto, which is ending at just about the right time, I think.

ASH: I’m glad Seven Seas took a chance on this series.

SEAN: Vertical has the 2nd volume of vampire thriller Devils’ Line.

They also debut Immortal Hounds, a violent supernatural thriller that runs in Enterbrain’s Harta magazine. If you liked Ajin and the like, you should enjoy this.

And now for Yen. Only one digital-only title this month, the 5th volume of Crimson Prince.

For print, we have a 7th volume of capital-letter loving (or just English loan-word loving) Akame Ga KILL!.

A manga debut based off a light novel that comes out next month, The Asterisk War is a fantasy series with magic and swords, much like every other series licensed in the past 3 years or so. Its manga runs in… groan… Comic Alive.

Speaking of manga that make me groan, BTOOOM! is somehow at 14 volumes, and more are coming.

MICHELLE: Ugh.

SEAN: A Certain Magical Index has its 6th manga volume. It’s adapting Accelerator and Last Order, should be good.

And The Devil Is A Part-Timer! also has its 6th manga, which is only up to the 3rd book, because it’s not jettisoning some novels the way Index did.

The final volume of Final Fantasy Type-0 Side Story, Volume 5, means I can stop making lame soccer-based jokes.

Fruits Basket gets a 3rd Collectors’ Edition, which will collect the 5th and 6th volumes. It will feature a very awkward but true discussion of how school bullying really works in Japan.

MICHELLE: And Shigure looks fetching on the cover.

ANNA: More Fruits Basket is always a good thing!

SEAN: Horimiya has a 4th volume of romantic sweetness – will things finally get taken further?

ASH: I really need to catch up on this series! The first volume was delightful.

SEAN: How to Raise a Boring Girlfriend reaches Vol. 3, and the boring girlfriend is still the major issue with this.

Kagerou Daze has a 6th manga volume, and I’ve honestly lost track of which LN volume it’s adapting.

And a 5th omnibus of Karneval comes next week as well.

The debut I’d be most excited about were it not for Queen Emeraldas is Liselotte & Witch’s Forest, the current series (though I think it’s on hiatus for health reasons) by Natsuki Takaya, creator of Fruits Basket. It runs, when active, in Hana to Yume.

MICHELLE: And a third debut I’m eagerly anticipating. All of these fab new series almost salve the pain of what we lost when various companies folded in recent years. I’ll never stop pining for Silver Diamond, though.

ANNA: Ah, I’m looking forward to this, although series on hiatus always make me nervous. Also, if Michelle is going to shout out Silver Diamond, I am going to take a moment of silence for Demon Sacred.

MICHELLE: I still haven’t given up hope!

SEAN: Log Horizon’s harem-influenced spinoff The West Wind Brigade has a 3rd volume.

And there’s a 4th omnibus of hard-to-read but fascinating Prison School.

ASH: Yup.

SEAN: And for those who wished Jeanne D’Arc’s life was just as tragic but had more magical girls, there’s the 3rd Puella Magi Tart Magica manga.

Re: Zero had its novel debut last week, so look to that post for a description. Here’s Vol. 1 of the manga, which runs in Big Gangan.

Lastly, there is a 3rd Taboo Tattoo, one of manga recent series that have an anime running at the same time.

Exhausted yet? That’s a whole lotta spicy manga. You’ll need alka-seltzer.

My Week in Manga: July 11-July 17, 2016

July 18, 2016 by Ash Brown

My News and Reviews

I finally did it! I actually managed to finish a longer, in-depth feature. The first since I announced the need to scale back on my blogging. It’s been about a month, the last in-depth post being my review of Yui Sakuma’s Complex Age, Volume 1. (Which I suppose thematically may have been oddly appropriate.) Anyway! Last week I posted a new Adaptation Adventures feature, this time focusing on the Mushishi manga, anime adaptations, and live-action film. I actually really enjoy writing these longer non-review features, so it made me very happy to be able to post a new one! The Mushishi Adaptation Adventures post is part of my (at one point monthly) horror manga review project. There’s only one more review to go, the final volume in Setona Mizushiro’s After School Nightmare, and then I’ll be able to bring the project to a close, so I’ll likely be focusing on that for my next in-depth post.

Elsewhere online, last week I came across a few interesting interviews: Oprainfall has a brief interview with Naoshi Arakawa, the creator of Your Lie in April, from Anime Expo. Crunchyroll posted an interview with Reo Kurosu, the producer of the newest Berserk anime adaptation, also from Anime Expo. And over at Okazu, Takarazuka Week begins with an interview with Ako Dachs, a former troupe member. Also, though not an interview, there is a free online course from Keio University that looks incredibly interesting: Japanese Culture through Rare Books. The class just started today, so there’s still time to register!

Quick Takes

Franken Fran, Omnibus 2 (equivalent to Volumes 3-4) by Katsuhisa Kigitsu. While I wasn’t quite as taken with the second omnibus as I was with the first, I am still enjoying Franken Fran a great deal and definitely plan on reading more of the series. It’s not nearly as fanservice-y a series as the covers might indicate, although there is still some amount of nudity and sexually charged imagery and themes. Sadly, I do know of some people who would likely enjoy the manga who are hesitant to try it simply because of the salacious nature of the cover artwork. For the most part though, Franken Fran is just good, wholesome(ish), gruesome fun. The series remains episodic, so knowing the basic premise is all that’s necessary to jump into most chapters. There’s not much character development at this point either. What Franken Fran does have is a fantastic and frequently dark sense of humor, oddly quirky yet likeable characters, and a bizarre charm. (I mean, even the Flying Spaghetti Monster makes a legitimate appearance in the second omnibus.) Franken Fran is a horror manga that’s fun and funny as well as gross and grotesque. The stories tend to be incredibly weird, but that’s also probably part of why the series is so engaging and entertaining.

Real Account, Volume 2 written by Okushou and illustrated by Shizumu Watanabe. I was a little surprised by how much I enjoyed the first volume of Real Account, but I found that I appreciated its mix of life-or-death entertainment, psychological drama, and social commentary; I was very curious to see how the manga might develop. Real Account continues to be thought-provoking, encouraging readers to really consider the impact that social media has on individuals and society. The series isn’t especially subtle about it, though, and can be a little over-the-top and melodramatic. Online transgressions in the series can lead to someone’s literal death in Real Account, generally in a rather spectacular fashion. The series already has a huge body count and it doesn’t appear as though the rate of casualties will be slowing down any time soon. At this point the motivations and identities of the people behind it all have yet to be revealed, but the games that people are being forced to play are only becoming deadlier. The manga’s creators do go out of their way to ensure that the lead hasn’t yet killed anyone himself, but he most definitely benefits from others killing on his behalf.

Yamada-kun and the Seven Witches, Volumes 5-8 by Miki Yohsikawa. Although I have been thoroughly enjoying Yamada-kun and the Seven Witches, it’s been a while since I’ve actually read any of the series. These few volumes are generally playful, upbeat, and fun with plenty of kissing happening between all genders. I really like how Yamada’s circle of friends and acquaintances continues to grow without it exactly becoming a harem situation. Granted, the series’ basic premise does mean that sexual harassment occurs on a fairly regular basis. Thankfully, Yamada-kun and the Seven Witches is most definitely fiction, and a comedy at that. However, if taken seriously, the occasionally forced and reluctant kisses, usually necessary for the story and played for humor, may very well be off-putting for some readers. But there’s all sorts of other silliness in Yamada-kun and the Seven Witches, and the plot is progressing quite nicely, too. By the end of the eighth volume, the identities of all seven witches have been discovered. The fallout of this is unexpected and is accompanied by several plot twists and revelations. It feels as though the series’ first story arc is beginning to draw to a close; it should be interesting to see where things go from here.

Manga the Week of 7/20

July 14, 2016 by Sean Gaffney, Ash Brown, Anna N and Michelle Smith Leave a Comment

SEAN: Sometimes I like to shake things up and do my list in reverse order, usually when a feature image would be right at the bottom of the list. This is one of those times.

So let’s start with Yen On, which has four books out, one a debut, Re: ZERO ~Starting Life in Another World~ sounds like a mouthful, and it is yet another in a series of “normal guy gets summoned to fantasy world” books, but I have heard from those who have seen the anime that this is top tier stuff. We shall see, but I am provisionally excited.

ASH: One of the light novel competitions has actually stopped accepting those types of stories they’ve become so prevalent.

SEAN: Log Horizon has a 5th volume, subtitled A Sunday in Akiba. Will Shiro and company be able to avoid politics and monster killing and have a light fluffy volume of no consequence? I highly doubt it.

After a bit of a delay, we see the 4th Kagerou Daze novel. The main point of interest in the last novel was seeing that one of the Mekakushi group seems to have a grudge against Shintaro, and also knows about his tragic relationship with Ayano. I’d like to see more about that.

The 4th Durarara!! novel, on the other hand, is a bit of a placeholder before the next major arc begins, but as with most Narita novels, the placeholding is possibly more interesting to fans.

ASH: I’ve sadly fallen behind in most of my light novel reading.

SEAN: And now back to manga, so the rest of the MB team can wake up. We have a 13th volume of Terra Formars from Viz, which honestly has gone a lot further than I expected.

I believe that the 9th volume of Monster (Perfect Edition) is the last, which means it’s a perfect time for readers who got behind to catch up.

ASH: I’m really glad Monster is available in its entirety again! And in a great looking edition, too.

SEAN: And hey, it’s been a while – over a year, in fact – but here’s the 7th volume of Gangsta.

ASH: I’ve been looking forward to the continuation of the series as well as the spinoff that Viz recently licensed.

ANNA: I didn’t realize that there was a spinoff coming out too! I enjoy this series and it has been far too long since a new volume came out.

SEAN: The Complete Chi’s Sweet Home has a 3rd omnibus of amazingly cute kitties!

MICHELLE: Yay!

SEAN: Seven Seas has a bevy of titles out. My Monster Secret’s 3rd volume continues to show us that monsters and broad comedy mix really well.

If you enjoyed Love in Hell when it came out a while back, we’re now getting a sequel series, Love in Hell: Death Life. As for me, I’d prefer an anime of Matt Groening’s Life in Hell.

And there’s a 4th volume of yuri thriller Akuma no Riddle, which is beginning to run out of antagonists.

MICHELLE: I haven’t gone back since volume two. Not sure if I am sufficiently compelled.

SEAN: One Peace has a 4th volume of the manga adaptation of Rise of the Shield Hero (which runs in Comic Flapper, for those of you fond of that magazine).

Kodansha has an 8th volume of UQ Holder, which has gone from weekly to monthly recently in Japan, so may start slowing down soon.

And with Noragami 16, we are finally caught up with Japan, so the monthly releases end here.

ASH: I recently caught up with Noragami myself and it’s getting really good. Like, really good.

SEAN: Lastly, we end as we began, with a novel. This one can’t really be called light, though, as it’s the 2nd Legend of the Galactic Heroes book from Haikasoru. Space opera! Intrigue! A whole lot of death! All are within these pages.

MICHELLE: Woot! I confess I still haven’t read the first one, but I am totally getting this via Audible, as I did the first volume.

ASH: Definitely picking this up!

ANNA: I need to confess that I haven’t read the first, but I really want to! Maybe I will schedule a reading binge for a long weekend soon.

SEAN: Which of these books will help you beat the heat?

Adaptation Adventures: Mushishi

July 14, 2016 by Ash Brown

After revisiting and reviewing each volume of Yuki Urushibara’s Mushishi for my horror manga review project, by now it’s probably readily clear that I greatly enjoy the series. I love the influence of traditional Japanese folklore on the stories. I love the manga’s subtle creepinesss. I love the exploration of the relationship between humans and the rest of nature. I love how the series delves into the connections that exist between people. I love the importance placed on the search for knowledge. The storytelling in Mushishi is atmospheric, beautiful, and frequently unsettling as individuals struggle with themselves and with the unknown. There is darkness and tragedy in Mushishi but there is also hope—one of the major themes in the manga is that for better or for worse, life will ultimately persevere.

Mushishi is a largely episodic series following Ginko, a mushishi, who travels the Japanese countryside studying mushi and trying to help people who have fallen under their influence. Mushi are described as creatures which are very close to the original form of life. Their presence is fundamental and necessary to the living world, but depending on the circumstances they may either be beneficial to or negatively impact humans. Mushi are frequently at the heart of unusual natural phenomenon or may cause otherwise unexplainable illnesses. Within the context of the series mushi can be taken literally, but they can also be read as metaphors for many conditions experienced in reality.

Urushibara’s ten-volume Mushishi, originally serialized in Japan between 1999 and 2008, was first released in print in English by Del Rey Manga between 2007 and 2010. Soon after, Del Rey’s manga imprint was closed and Mushishi subsequently went out of print. Unsurprisingly, the print edition of Mushishi has become increasingly difficult to find over time, but in 2014 Kodansha Comics released the entire series digitally. In addition to earning multiple awards and honors over the course of its publication, Mushishi was also the basis for multiple anime adaptations and a live-action film (most of which are available digitally if not physically in North America), as well as a variety of other media.

The first Mushishi anime series, directed by Hiroshi Nagahama, aired in Japan in 2005 and 2006. At twenty-six episodes, it only adapted a portion of the original manga. (Granted, the manga hadn’t yet been completed at that point.) Since I love the Mushishi manga, it probably doesn’t come as much of a surprise that I love the anime as well. Although the first Mushishi anime adaptation isn’t necessarily my favorite series, or even the anime that means the most to me personally, it is the series that I’ve seen the most number of times; I return to it frequently. Eventually, nearly a decade after the first Mushishi anime series, an animated television special was released which was followed a few months later by a second anime series. This twenty-episode series, also directed Nagahama, aired in Japan between 2014 and 2015 and adapted most of the remaining stories found in the manga. (A second animated television special was released during this time as well.) Despite the number of years that passed between the first and the second anime series, they are both very similar in tone and style. Nagahama also directed the Mushishi animated film released in 2015 which adapted the manga’s final story arc. Since I loved both the original manga and the first anime series, I was very happy to see so much more Mushishi anime produced.

The various Mushishi anime are very faithful adaptations of the manga. Frequently the scenes in the anime follow the scenes in the manga frame by frame and panel by panel, though occasionally the order that events appear in the narrative is slightly altered. Where the anime distinguish themselves is in their color and sound, especially in the establishment of the backgrounds and settings. Urushibara’s color artwork is lovely, but except for the covers of the individual manga volumes, very few examples of it officially appeared in North America. (I imported Urushibara’s 2015 Mushishi artbook which is filled with color illustrations and I adore it.) The anime bring the world of Mushishi to life. While the actual animation can at times be fairly simple and limited, the environments are always absolutely gorgeous and beautiful in their detail. The sound design in the anime adaptations is great, too, adding spectacularly to the overall atmosphere. The music by Toshio Masuda (which I’m constantly listening to) makes extensive use of bells, chimes, and other percussion along with unobtrusive synthesized and acoustic instruments, creating a beautiful soundtrack that is in turns ethereal and dramatic. Much like the original, the Mushishi anime creates an experience that can be calming and soothing as well as unsettling and disturbing.

Urushibara’s manga series was also the inspiration for Katsuhiro Otomo’s award-winning 2006 live-action film Mushishi. For the most part the film was received very well both inside and outside of Japan. Though overall it’s palette tends to be darker and more subdued than the anime adaptations, the visuals can be quite stunning; the special effects hold up surprisingly well even a decade after it was first released. I actually only very recently watched Otomo’s Mushishi for the first time. From the standpoint of someone who is very familiar with the original manga and its anime adaptations, the live-action movie is somewhat disorienting and perhaps even shocking. Though it begins much as one would expect, it ultimately deviates a fair amount from its source material even to the point of changing some of the underpinning mythologies and characterizations of the original. It’s clear that Urushibara’s manga provides the basis for the movie, but many details have been reimagined or remixed in some way. The narrative is still interesting, though. Otomo successfully weaves together several stories from the manga series and makes references to many others before taking the film in an entirely new and different direction. While the original Mushishi tends to be episodic, Otomo’s film is self-contained and provides a single cohesive story. In part this is accomplished placing a significant focus on Ginko’s past and what it means for his present and future, providing a framework for the film as a whole. Instead of simply wandering the countryside helping other people, Ginko has the additional motivation of trying to solve the mystery of who he really is and to reclaim his missing memories.

While I would consider the Mushishi manga and anime to be horror, albeit fairly subtle and subdued horror, the film is much more obviously so. Many of the underlying elements are the same, but the film focuses more directly on the aspects of traditional, supernatural horror. However, this does mean some of the more nuanced themes found in the manga and anime are missing. Otomo’s film is a much darker incarnation of Mushishi. The movie, especially towards its end, is incredibly creepy and extraordinarily disconcerting in both imagery and story. It’s so different in tone and narrative that it might actually be better described as a portrayal of an alternate universe of Mushishi rather than being a strict adaptation. It certainly won’t be to everyone’s taste, especially if viewers are expecting something more akin to the gentler (though still disquieting) anime adaptations, but I actually quite liked the movie. For me though, it’s really more of a horror film before it’s a Mushishi film. Still, I feel that the live-action film, the anime adaptations, and the original manga are all well worth checking out and are all fascinating in their own rights. And of course, although unlikely, I’d love to see more Mushishi media and merchandise released in North America.

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