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Cross Game 1 by Mitsuru Adachi: A-

October 20, 2010 by Michelle Smith

When the first volume of Cross Game arrived at my house, I’m pretty sure my exact words were, “Eee!” Happily, I liked it every bit as I thought I would.

The back cover really says it best: “Cross Game is a moving drama that is heartfelt and true, yet in the brilliant hands of manga artist Mitsuru Adachi, delightfully flows with a light and amusing touch. The series centers around a boy named Ko, the family of four sisters who live down the street and the game of baseball. This poignant coming-of-age story will change your perception of what shonen manga can be.”

Warning: it’s impossible to discuss one of the nicest aspects of this series without revealing a major spoiler. Proceed at your own risk.

The first of the three volumes of Cross Game that VIZ has bundled together in an attractive omnibus serves as a prologue, of sorts. We meet protagonist Ko Kitamura when he’s in fifth grade, a mischievous and lazy kid whose parents run a sporting goods shop. Nearby, Mr. Tsukishima runs a batting center and his four daughters are a part of Ko’s life, though none more so than sunny Wakaba, who was born the same day as Ko and who alone has the power to motivate him. She’s a very special girl, with a knack for befriending other kids despite their appearance or reputation; the influence her acceptance has on her classmate Akaishi, commonly regarded as somewhat of a hoodlum, is destined to be lifelong.

Tragedy strikes at swimming camp when Wakaba attempts to save someone else and ends up drowning herself. Despite her physical absence from the story after this point, Wakaba’s presence remains a palpable one. As the story jumps ahead four years, we find Ko still continuing to perform the daily workout he promised her he would do as a means of improving his baseball skills and Akaishi leading the junior high baseball team (and staying out of trouble). Ko hasn’t joined the team because of some jerks that were on it when he was a first year, but once Akaishi tells him that on the last morning of her life, Wakaba passed by his parents’ store and mentioned that she’d dreamed about Akaishi and Ko going to Koshien together, he begins training without another word necessary. Ko may be a slacker if left to his own devices, but if it’s something Wakaba wanted, he is going to make sure it becomes reality, no matter what. It’s clear Akaishi feels the same.

The boys move into high school, where the interim principal has hired an unprincipled baseball coach with a good record at Koshien. Ko, Akaishi, and their friend Nakanishi don’t want to play for such a fellow and opt to remain on the junior varsity team; as the volume ends they’re preparing to show up the varsity team in an upcoming scrimmage game. Tying in with this is the sad story of Aoba, Wakaba’s younger sister. Aoba is passionate about baseball and is even the captain of the junior high team. Unfortunately, because she’s a girl she can only ever pitch in practice games and can never be deemed more than a devoted fan. Aoba and Ko clash personally, as well, as she still resents him for the closeness he shared with Wakaba, though it’s clear they’re destined to end up together.

Cross Game is a pretty low-key story that’s part slice-of-life and part sports manga. Typically, the protagonists in the latter don’t have such a touching reason for wanting to excel at their sport, and neither do they feature two guys nurturing a bittersweet memory of the same beloved girl in their hearts. The characters really grow on you—Ko seems a little bratty at first, but shows time and again that he’s a good person, particularly in how he treats Momiji, Wakaba and Aoba’s little sister—and I love that Ko’s two best friends are kind of burly and unattractive. You don’t see that a lot in manga.

I have two minor complaints, but I’ve been given to understand that they’re both common attributes of Mitsuru Adachi’s manga. The first is that some of the character designs—particularly of children—are positively dumpy. Too, a lot of the recurring characters have faces that are difficult to remember, though this is not the case at all for the primary players. Secondly, the fourth wall gets broken all the time. Adachi himself appears and the characters are often shown reading his manga. The story doesn’t take itself too seriously, so this is not as glaring as similar moments in NANA, for example, but I found it kind of irksome all the same.

The second omnibus of Cross Game, this time containing volumes four and five of the original Japanese releases, is due in January. I am looking forward to that scrimmage game—and Ko finally getting to show off his amazing baseball abilities—so much that it isn’t even funny.

Cross Game is published in English by VIZ, who is bundling the seventeen-volume series into eight chunky tomes. This one is comprised of the first three volumes and the others will contain two each.

This review was originally published at Comics Should Be Good.

Review copy provided by the publisher.

Filed Under: Manga, Shounen Tagged With: Mitsuru Adachi, shonen sunday, VIZ

Rescue Manga poll results

October 20, 2010 by Anna N

I threw together a poll about manga on hiatus over on Manga Views and thought the results were interesting. I didn’t include every stalled manga series that I knew of because I was trying to represent a few different publishers. So it was interesting to see from the small section of the mangasphere that voted that the love for Even a Monkey Can Draw Manga remains so strong. I also had no idea how fervently people missed Nodame Cantible. I read the first few volumes of that series but lost steam a little bit. There were some good additions in the comments with votes for some horror and seinen manga, which tend to not be on my radar very much.

I miss many of the series listed on the poll, but I voted for Crown over Swan, just because Crown is so goofy, and I’m determined to just buy the rest of Swan in Japanese sometimes and at least enjoy the pretty pictures even if I can’t really tell what’s going on. Swan is one of those series that is so visual in its storytelling I think I’d enjoy reading it even in the absence of a translation.

Filed Under: UNSHELVED

Two from emanga: The Cinderella Inheritance and The Cinderella Solution

October 19, 2010 by Anna N

Harelequin manga might be a little bit on the disposable side – I don’t know if I’ve read any that I know I’d want to reread but I’m just getting over a cold and there is really no better manga to read while you have a stuffy head. So here are quick takes on two Harlequin manga that have the word Cinderella in their titles. One manga was good, and one was not so good.



The Cinderella Inheritance by Carolyn Zane and Mon Ito

Cynthia has worked as the personal secretary to the patriarch of a rich family, Alfred Wingate. She’s engaged to his womanizing grandson Graham, but decides that she has to call the engagement off because Graham is a pathological cheater. Things get complicated when Alfred dies and leaves his mansion to Cynthia, along with the qualification that she can’t give the mansion back to the WIngate family. If she doesn’t take it, it has to go to charity. Graham’s long lost brother Rick shows up for the reading of the will, and promptly decides that Cynthia is a scheming woman who got close to his family in order to grab her share of the Wingate fortune.

The quality of these Harlequin manga can be erratic. Sometimes they are good in a brain candy type of way, but other times they really seem rushed. Some of the transitions between scenes in The Cinderella Inheritance seemed a little jerky and the plot elements were introduced randomly, without a real connection to the character’s emotions or backgrounds. I’m never entirely sure if these execution problems are due to issues with the adaptation or the source material because let’s face it, we’re talking about harlequin romance novels here. Of course, Rick and Cynthia fall in love with each other while she’s jugging the expectations of the Wingates that she marry Graham so the mansion will stay in the family. Of course she’s just a good girl who is working her way for college, and while Rick is initially suspicious he finds himself falling in love with her despite his better judgment. I didn’t find Ito’s character designs very appealing, and the art was static. The characters just seemed like paper dolls put through the paces to satisfy a fairly predictable plot.

This title is skipable, but I enjoyed the other Harlequin Manga with Cinderella in the title much much more.

The Cinderella Solution by Kyoko Sagara and Cathy Yardly

Charlotte and Gabe are best friends. She’s a bit of a tomboy and she goes along with Gabe to all of his typical guy-like activities like poker and football games. He even takes her out to a bachelor party right before she’s supposed to be the maid of honor at his sister’s wedding. They constantly compete with each other by making stupid bets. Charlotte has a bit of a psychological complex where she thinks of herself as unfeminine, which is absolutely ridiculous because Sagara draws her as a classic shoujo heroine with shining eyes and glossy hair. I guess the thing that signals that she isn’t very girly is the fact that she always has her hair pulled back in a ponytail.

I’ve decided that I enjoy these Harlequin manga the most when the art is extra super-girly and this manga didn’t disappoint in that category. Take a look at the cover where our cute couple is surrounded by both roses and weird blobby sparkly things. The character designs are cute, with bee-stung lips and perfect hair. The only odd thing is that Sagara tends to draw her men with extra long eyebrows, which sometimes gave Gabe a vaguely insectoid appearance. But, unlike the flat personalities in the previous manga, The Cinderella Solution really takes the time to establish the bickering relationship between Gabe and Charlotte. She’s in agony performing her bridesmaid duties at the wedding and Gabe is the master of casually cruel comments like “Do you think Charlotte is the wife type? She’ll be just fine single for the rest of her life.” Goaded beyond her limits, Charlotte bets Gabe $1000 that she’ll find someone to propose marriage to her in a month. She embarks on a makeover campaign, and soon finds a potential suitor when an eligible bachelor moves next door. Gabe is surprised by his growing feelings of jealousy as he sees other men notice his best friend. Charlotte uses the bet as a way of gaining more self confidence, and Gabe is soon confronted with the decision that he might have to give up platonic friendship for romance or lose her forever.

The Cinderella Solution was an enjoyable read simply because the characters were more fully developed, so I was interested in seeing the conclusion of their story. I tend to like romances more when some funny moments are incorporated, so I appreciated Charlotte inadvertently introducing herself to her neighbor while wearing a mud pack on her face and Gabe’s unique approach to formal wear when he goes to spy on Charlotte and her wanna-be boyfriend at a party. This was definitely a better than average Harlequin manga title.


Access to electronic copies provided by the publisher

Filed Under: UNSHELVED

Pick of the Week: Pandora Hearts

October 19, 2010 by MJ 2 Comments

Wow, it’s a tough week here for choosing a Pick, though for a much different reason than last time around. Looking at this week’s new manga from Midtown Comics, we’ve got the new omnibus of Cardcaptor Sakura, a second volume of Alice the 101st, Double Cast, 13th Boy (one of my favorite manhwa series), the adorable third volume of previous Pick Chi’s Sweet Home, new Nightschool, new 20th Century Boys… it’s a great week for manga.

All that said, I’m going to go with the third volume of one of my favorite current shonen series, Pandora Hearts from Yen Press. Here are a few bits from my review of volume one:

That’s a lot of plot to spell out in a single review, though it really only scratches the surface of this whirlwind shonen fantasy. Impressively, though the story races along at an exceptionally fast pace, it is very easy to follow and its characters immediately take shape, evoking both sympathy and great interest from the beginning. Both Oz, whose carefree attitude hides significant intelligence and compassion, and Alice, whose aggressive, fearsome persona seems crafted to protect the psyche of a very damaged young girl, are immediately compelling …

Mochozuki’s art is central to the atmosphere of this manga, with its detailed character designs and settings. Much inspiration is taken from John Tennial’s vision of Lewis Carroll’s Wonderland, with the addition of Mochizuki’s own style which excels particularly in the story’s creepiest moments, such as Oz’s adventure in The Abyss … The story’s action sequences are unusually coherent and easy to follow, with a very dramatic use of contrast and paneling, matching its surreal setting beautifully.

As with any story as elaborately set up as this one, the real question at the end of a strong first volume is whether or not the author can effectively follow through with what’s been put into play. The series has offered more questions than answers at this point, relying mainly on the strength of its characters to hold the reader’s attention through the din. That said, there is enough promise in this fun, mysterious fantasy to ease all doubts for the moment and simply anticipate. Fast-paced, enigmatic, and attractive to the eye, Pandora Hearts is easy to recommend.

For reviews of volumes two and three, check out the tag, pandora hearts. All three volumes are available now.

Filed Under: PICK OF THE WEEK Tagged With: pandora hearts, pick of the week

March Story debuts 10/19

October 18, 2010 by MJ 1 Comment

As someone who pays quite a lot of attention to Korean manhwa artists, it’s a bit embarrassing for me to admit that one of the things that tends to pass by my radar completely is Korean artists with work being serialized in Japan. One such artist (or two, actually) has a work debuting here in English this week and I’m terribly late to the party.

The work I’m referring to, of course, is March Story, story by Hyung Min Kim and artwork by Kyung Il Yang, debuting tomorrow on Viz Media’s Signature imprint.

Here’s a rundown of the story as described in a recent press release from Viz:

Among the quiet villages and towns of 18th century Europe, demons known as the Ill hide within the most beautiful works of art and are sparked to life by the torment of their creators. Attracted by their jewel-like allure, unwary viewers can find themselves possessed by the Ill and will be driven to horrific acts of violence. Only the hunters of the Ciste Vihad can dispel the Ill. March is one such hunter, tracking the Ill from town to town to find the antiques that contain the demons before they can possess anyone. If the worst has come to pass, March’s full powers are unleashed to battle the fiendish Ill.

This volume is rated “Mature” and will sell for $12.99 here in the US. For more information, visit Viz’s news room.

Filed Under: NEWS Tagged With: march story

Manhwa Monday: News & Reviews

October 18, 2010 by MJ 4 Comments

Welcome to another Manhwa Monday!

Somewhat in the realm of political cartoons, as reported by The Chosun Ilbo, Cho Won-haeng, a professor at Mokwon University in Daejeon, has created a set of caricatures of world leaders as part of next month’s G20 Summit.

The exhibition, organized by the Korea Manhwa Contents Agency with support from the Ministry of Culture, Sports and Tourism, will travel around Seoul before the Summit, and organizers are negotiating to exhibit the drawings at the actual venue, COEX exhibition hall in Samseong-dong.

Check out the Chosun article to see more of the drawings.

Webtoon publisher iSeeToon has offered a sneak peek at their new iOS app, due out shortly. The first of their offerings, Kim Se Rae’s Magician, will feature an English adaptation by editor Daniella Orihuela-Gruber, who also works on various titles for TOKYOPOP. This will be Daniella’s first manhwa.

Speaking of TOKYOPOP, here’s an interesting review of their manhwa, The Tarot Cafe in the tarot section at freepsychicreadings.com.

Also, at Slightly Biased Manga, Connie checks out volume five of Bride of the Water God (Dark Horse). And at Manga Maniac Cafe, Julie takes a look at volume five of 13th Boy (Yen Press).

That’s all for this week!

Is there something I’ve missed? Leave your manhwa-related links in comments!

Filed Under: Manhwa Bookshelf, Manhwa Monday Tagged With: manhwa monday

Tidbits: Shonen Jumping for Joy

October 17, 2010 by Michelle Smith

Welcome back to Tidbits, a new feature for shorter reviews! This time I take a look at three continuing series from VIZ’s Shonen Jump imprint. First up, it’s volumes 28-31 of One Piece, followed by volumes 9-12 of Slam Dunk and a single volume (the third) of the aesthetically pleasing Tegami Bachi: Letter Bee.

One Piece 28-31 by Eiichiro Oda: B+
Volumes 28-30 consist almost entirely of fighting, as the forces of the all-powerful “Kami” of Skypiea, Eneru, clash with the Shandians (fighting to regain their lost city), while the Straw Hat pirates (just lookin’ for some gold) are caught in the middle. Eneru, as it turns out, has staged the whole thing as a survival game, and figures that after three hours, only five of the original 81 combatants will survive. After this, we get periodic updates as to how many remain, a device I found strangely satisfying.

Although some of the battles are between characters we’ve never seen before, those encounters are usually brief. While Luffy spends the entirety of volume 29 stuck inside a giant serpent, many of the other Straw Hats get a chance to shine, especially Chopper and Robin, whose battles with Eneru’s minions show off the versatility of their respective powers. Nami, too, gets more experience using her new weapons and Conis, a resident of Skypiea, marshals her courage to defy the Kami and warn the people of his plans to destroy the island. There’s been some discussion lately about manga that passes the Bechdel Test, and these volumes exemplify why One Piece does so with flying colors.

Speaking of Robin, I am liking her more and more. This is the first time we’ve really seen her on her own and though it’s always been evident how intelligent and competent she is, it’s nice to see she’s also trustworthy and kind of a badass. She’s generally reserved but is passionate about archaeology, and through her we begin to get hints about a 100-year gap in the history of the world, something that could turn out to be huge. At one point she references “the unspoken history that the land below has ceased to talk about,” and later discovers that Shandora “fought against the enemy.” Thirty volumes in and we’re just starting something so big and potentially awesome? Oda, I think I love you.

After Eneru puts in motion his plan to destroy Skypiea, a mass exodus of its residents ensues. Volume 31 departs from the present panic to flesh out the history of the island and how it ties in with Mont Blanc Noland. This is actually the best part of the Skypiea arc so far and explains quite a few things while being a durn good story in and of itself. The arc doesn’t quite wrap up here, but now that I fully understand the significance of the golden bell in the city of Shandora, I care a lot more about the outcome than I have done in recent volumes!

Slam Dunk 9-12 by Takehiko Inoue: B+
It takes some willpower not to devour each new release of Slam Dunk, but it’s so immensely satisfying to read multiple volumes back-to-back that the wait is worth it!

Volume nine marks the start of the Kanagawa Prefectural Tournament, in which the Shohoku team is able to take part thanks to Hanamichi’s friends taking responsibility for the on-court brawl that occurred in the previous volume. Shohoku is underestimated at first, but the return of Miyagi and Mitsui to the team—both of whom are greeted with somewhat awed recognition from the crowd—makes them a force to be reckoned with. They progress steadily through the tournament, eventually ending up in the final four against Kainan, a school that has made it to Nationals sixteen years in a row.

Hanamichi is his usual annoying self to begin with, demanding that the ball be passed to him and proclaiming himself a genius at every opportunity. After fouling out in each of the first four games, and after recognizing the skills and strengths of his teammates, he finally realizes that he’s not such hot stuff after all. Despite occasional relapses, this marks a real turning point for Hanamichi, as he is able to accept tutelage more readily and function better as a part of the team. For example, though he originally harbored dreams of outscoring Rukawa, once he makes snagging rebounds his focus instead, he’s able to contribute a great deal to Shohoku’s success. His progress and maturation combined with a slightly more humble attitude go a long way toward making him more likable, and it’s quite touching when he gets his first rousing cheer from the crowd.

Structurally, Slam Dunk is very similar to The Prince of Tennis. Though I love the latter a lot, Slam Dunk is the more exciting read, a fact I’d chalk up to the nature of the sport. In tennis, our lead characters battle either singly or in pairs against their foes, while the rest are relegated to commentary until it’s their turn. Here, all the principle characters are on the court at the same time, which gives more immediacy to the way they’re able to motivate each other. True, the characters in Eyeshield 21 all play simultaneously, too, but because basketball moves at a faster pace than football, the effect here is exhilarating, bordering on addictive.

Unfortunately, there’s no more Slam Dunk due until December! Perhaps I’ll investigate whether Inoue’s more dramatic basketball manga, REAL, can help stave off the cravings.

Tegami Bachi: Letter Bee 3 by Hiroyuki Asada: C+
Tegami Bachi: Letter Bee is the story of Lag Seeing, a twelve-year-old boy who has just become a Letter Bee (government mail carrier) in the perpetually dark country of Amberground, inspired by Gauche Suede, a Letter Bee he met five years ago. Lag had hoped to reunite with Gauche, but after learning that his hero disappeared six months after he last saw him, he meets with Gauche’s sister, Sylvette, and promises to find out what happened to her brother.

Gauche was by far the more interesting of the two characters featured in volume one, so it’s nice to get a few glimpses of him here. These tibits—and the bonus story about reuniting an aging dingo (animal companion) with the Letter Bee he faithfully served—are the best things about the volume. Lag is still not a very interesting protagonist and I’ve grown to pretty much hate his dingo, Niche. I’m sure she’s intended to be comic relief, but the story would be better served by cutting her unfunny antics and devoting that page space to clarifying the narrative, which is still going on and on about the importance of “heart.”

Back in January when I reviewed volume two, I said I’d give Tegami Bachi one more chance to win me over. As problematic as the series continues to be, after what we learn about Gauche’s disappearance and mysterious memory loss in this volume, I can’t imagine myself stopping without learning what happened to him. I don’t think this counts as “won over” so much as “minimally intrigued,” but either way, I’ll probably keep reading.

Review copies for volumes nine, eleven, and twelve of Slam Dunk provided by the publisher.

Filed Under: Manga, Shounen, Tidbits Tagged With: Eiichiro Oda, Hiroyuki Asada, Shonen Jump, Takehiko Inoue, VIZ

The Dreaming Complete Collection

October 17, 2010 by Anna N

The Dreaming Complete Collection by Queenie Chan

I’d read the first volume of The Dreaming before and enjoyed it, but I hadn’t read the last two volumes of the series. I thought looking at the new omnibus edition would be a good pick during October. This was one of Tokyopop’s more successful titles out of their big OEL push several years ago, and the collected edition features several color pages, bonus stories, and an author interview.

Identical twins Amber and Jeanie arrive at a boarding school called Greenwitch Private College placed far in the Australian bushlands. Their Aunt Jessie is headmistress at the school, but after getting the twins settled she takes off on an extended trip, leaving them alone to get adjusted. They soon find that the school isn’t what it seems. The vice principal Mrs Skeener has a pathological aversion to twins. There’s a mysterious locked room down one corridor that’s been ineffectively disguised by wallpaper. Paintings in the school seem to tell the story of something horrible happening to girls in the Victorian era. Jeanie is the more outgoing twin, and she sets herself the task of unraveling the mystery behind the strangeness at the school. Amber is more sensitive to her surroundings and has horrible dreams, taking refuge in sleeping pills and the hope that she won’t remember the details of her dreams when she’s awake.

As befitting a manga called The Dreaming, Jeanie gradually gets a full picture of the school by piecing details of different stories together. She shares frightening dreams with her sister, where they are lost in the bush wearing victorian dress, trapped under trees that rain blood. Other students share details that allow her to gradually get a full picture of the school’s history. Girls have gone missing before in the past, and when the ringleader of an ill-fated seance in the present day goes missing it looks like the disappearances are starting to happen again. The only criticism I have of the book is that it sometimes seems a little referential. There’s the crazy older spinster character in the person of Mrs Skeener. Characters frequently refer to “odd rumors” and if you’ve ever seen a scene of girls trying a seance in a horror movie, you know that when Jeanie and Amber’s classmates stage one it isn’t going to turn out well. Still, if you’ve enjoyed gothic novels and episodes of the Twilight Zone in the past, there’s a certain amount of pleasant nostalgia invoked in the reader by The Dreaming.

Queenie Chan creates a suitably gothic atmosphere for her book. The wide shots of the school surrounded by dense bushland look incredibly claustrophobic. There’s plenty of detail included in the school’s interior and the Victorian costumes of the phantoms that come to haunt the current students. Setting the story in Australia provides an interesting source of local ghost legends to draw from as well. I especially appreciated the feeling of the epilogue, which evoked the spirit of Daphne du Marier’s opening line in Rebecca “Last night I dreamt I went to Manderley again,” as Jessie revisits her own history with the school.

I liked all the bonus content included with this omnibus. There’s an extra story included at the end that shows how Greenwitch Private College will endure even after the twins’ history with the place has ended. Omake episodes called “The Haunted Linen Cupboard” are included at the end of each volume, giving Chan the opportunity to make fun of some of the horror conventions that she uses in The Dreaming. Overall, this series provided old-fashioned horror fun with plenty of spooky dreams, evil old women, Australian spirits, and the occasional axe.

For more about Queenie Chan, visit her website.

Review copy provided by the publisher.

Filed Under: UNSHELVED

Quick Takes: All-Shonen Sunday

October 17, 2010 by MJ 13 Comments

Welcome to a far-overdue installment of Quick Takes! This time, we check in on some favorite shonen series from Yen Press and Viz Media.


Pandora Hearts, Vol. 3 | By Jun Mochizuki | Published by Yen Press | Rated: Older Teen

After the last volume’s big revelation about Oz’s former servant, Gilbert, volume three offers up some insight into what happened to Gil over the years Oz lost in the Abyss, including the introduction of Gil’s twisted younger brother, Vincent. First, though, Oz is forced to remember some of the greatest pain in his short life so far when he meets a young boy looking for his father.

This is a fairly dark volume, overall, though very much within the tone set by the series’ first two volumes. Also, it’s quite a feat that Mochizuki has managed to introduce a character creepier than Xerxes Break, especially in a volume where he’s shown luring a young, heartsick Gilbert into his service as a spy. “You don’t need to trust me,” Break says in response to Gil’s reservations. “Just use me. After all, I’m trying to do the same to you.” Still, Vincent Nightray is indeed creepier, setting up Break to be even more (inexplicably) likable than he already was.

This quality–an inexplicably likable creepiness–is what really carries this series, created by a powerful combination of tragically beautiful characters and idiosyncratically beautiful artwork.

Though Mochizuki’s slow revelation of the mysteries of her universe may be painful for some, she’s got me decidedly hooked with her sad, complex characters and their profoundly oversized shirtsleeves. For the sake of these things, I can wait forever. Recommended.


Hikaru no Go, Vol. 21 | By Yumi Hotta & Takeshi Obata | Published by Viz Media | Rated: All Ages

This volume begins with the conclusion to qualifying matches for the Hokuto cup and into preparations for the tournament itself. Meanwhile, Koyo Toya continues to baffle the world of Go by entering a Korean amateur tournament, and Kuwabara prepares to defend his Hon’inbo title against the ambitious Ogata.

Though this manga is nearing its end, volume 21 has the tense, uneasy feel of a middle volume, with all of its characters teetering on the brink as they await the commencement of their battles. To writer Hotta’s credit, the tension feels as fresh as ever, though the pressure of a long series is beginning to show as she’s forced to contrive a misunderstanding between the Japanese and Korean players in order to keep an increasingly mature Hikaru’s temper on edge.

In the midst of pre-war preparations, however, there is a bit of philosophy as well, as Hikaru and Akira stumble upon the real value of their rivalry in a pursuit that would otherwise have little meaning. “It must be lonely to be the God of Go,” Hikaru muses. “You’d have no equal, no rival.”

Despite the series’ length, this volume still offers the same small moments of pathos and insight that have been its hallmark all along–a late-night glimpse of Koyo Toya waiting silently for an opponent who may never appear, Waya’s quiet agony over his own fears and limitations, a glimmer of appreciation from Hikaru for his mother’s earnest support–it is these moments that continue to demonstrate the kind of writing that has made this series special from the start.

21 volumes in, Hikaru no Go remains warm, subtle, and downright elegant. Highly recommended.


Bakuman, Vol. 2 | By Tsugumi Ohba & Takeshi Obata | Published by Viz Media | Rated: Teen

In volume two, Mashiro and Takagi attend their first meeting with a Jump editor who gives them encouragement, if not quite what they were hoping for. Meanwhile, Mashiro’s strange romantic attachment takes an unexpected turn when he and “girlfriend” Azuki are seated next to each other at school.

Though the story’s primary romance remains somewhat baffling, its presence is not quite enough to derail the increasingly compelling nature of the boys’ introduction to the world of professional manga publishing. This storyline is enhanced greatly by the introduction of young editor Hattori and prodigy Eiji Nizuma, which sets up not only a standard Jump rivalry, but also what may be the real rivalry at the heart of this manga, artistic genius vs. calculated ambition.

“There are two types of manga artist who succeed in this world,” Hattori tells the boys at their first meeting. “One is the type of person who draws what they want to draw … they’re the ‘genius’ types. And the other is the type of manga artist like you, Takagi, who creates a hit through calculation.”

This isn’t a new concept by any means, but what makes it so interesting here is the fact that the story’s protagonists represent the “calculated ambition” side of things, which would normally be cast in the role of antagonist, certain to lose to the pure, undisputed superiority of the “true artist.” Where Ohba and Obata intend to take this is anyone’s guess, but there’s no doubt that this cynical outlook suits their style of storytelling. It’s enough to make one wish that this manga was being published outside the purview of powerful Shueisha, who must certainly have a stake in portraying an idealized version of their business. What might these two say if they really had the chance?

Though the series’ portrayal of its female characters is still sketchy at best, new girlfriend Miyoshi’s violent tendencies make her a surprisingly good foil for arrogant Takagi, whose cocky intellect is no match for a swift kick to the head.

Ultimately, neither sexism nor Big Brother is able to dampen the interest to be found here for manga fans outside Japan, so far removed from the world at the source of our obsession. Whether as a sly stab at the manga industry or a tightly-controlled commercial for it, Bakuman is fascinating, plain and simple.


To read previous reviews and discussion of these series, check out the tags, pandora hearts, hikaru no go, and bakuman or browse our Index of Reviews.

Filed Under: QUICK TAKES Tagged With: bakuman, hikaru no go, pandora hearts

Story of Saiunkoku Volume 1

October 17, 2010 by Anna N

Story of Saiunkoku Volume 1 by Sai Yukino and Kairi Yura

I’ve been looking forward to reading this manga series. Story of Saiunkoku is a light novel series in Japan which has spinoffs like an anime version and this manga version. I’ve watched a few episodes of the first season of the anime and enjoyed it very much, but I think that the manga stands on its own. You don’t need to be familiar with the anime to enjoy the manga, you’d just need to have an appreciation for strong female heroines and Chinese-like fantasy world settings, and who doesn’t like those things?

Shurei Hong is a young noblewoman whose family has fallen on hard times. Her mother is dead and she lives in a dilapidated mansion. Her father’s salary as court archivist doesn’t provide enough money to fix up the house or even afford a daily ration of rice. Shurei spends her time teaching the village children. Her ambition when she was young was to become a civil servant, and her father encouraged her in her studies even though as a woman she wouldn’t be permitted to take the exam. Shurei is helped by Seiran, who came to the house originally a a servant but functions like an adopted older brother. Shurei’s life changes when an adviser to the court comes to her with a proposition: Shurei will enter the court as the royal consort and try to push the emperor Ruyki into stepping up and leading his country. Ryuki appears on the surface to be a dissolute noble but it soon becomes clear that he has reasons for acting the way he does. He grew up as the youngest son in an abusive household, and his indifference functions like a kind of armor. Shurei has seen the way the people of the country suffer, and she won’t stand for an emperor who will do nothing to help them.

One of my favorite things about Story of Saiunkoku was Shurei. Having a heroine in manga who places such a high value on education is rare, and she genuinely cares about her students and the people who don’t have all the advantages of nobility. She’s not stuck-up, and is quite capable of indulging in a bit of whining to Seiran about being forced to eat barley instead of the glorious rice that she craves, but she soon stops feeling sorry for herself and focuses on other people. Her main motivation for entering the court is the fee that she’s promised if she manages to prod Ryuki into action. When she gets there she’s astounded by the amount of waste as the nobles surround themselves with expensive trinkets while the common people go hungry.

If Ryuki was just sulking because he’s a poor little rich boy, he wouldn’t be an appealing character. But Shurei’s arrival causes him to start opening up to other people. He notices that Shurei’s hands don’t look like they belong to a noble lady, and she explains about how hard she’s had to work to build a home for her father and Seiran. He shifts from being closed off to expressing enthusiasm when Shurei gives him a present because no one had ever given him anything before. Seiran thinks that he’s “An emperor as pure as a blank page…He seems almost unnaturally untainted and has no affectations. I’m sure he’ll be able to change himself immensely from here on.” The first volume of the manga was mostly concerned with Shurei and Ryuki getting to know each other, but I’m hoping that more attention gets paid to the supporting cast in future volumes. Seiran is a self-contained martial artist of great skill who just happens to share a name with Ryuki’s exiled older brother. Ryuki is helped by the advisers Koyu and Shuei, and the archives that Seiran’s father runs serve as a convenient place to escape all the court intrigue that surrounds the emperor.

Yura does a good job portraying the Chinese-influenced setting of Saiunkoku. The streets and wagons of the world outside the palace contrast with the overly manicured gardens of the court. One thing I liked about the adaptation of this manga is the way Ryuki’s overly formal speech is presented in contrast with the more natural way that everyone else talks. It serves as a reminder of the way he’s held apart from everybody else by his status. Ryuki asks Shurei to call him by name by saying “It’s unfair that only we don’t get to be called by name. Our name is so neglected – don’t you feel sorry for it?” Story of Saiunkoku has plenty of humor to contrast with the more touching moments portrayed in the manga. Seiran hugs Shurei when she breaks down thinking about the way she’s teaching students to become good civil servants instead of taking the exam herself, saying “My Lady, you’ve really worked hard, haven’t you?” The directionally-impaired scholar Koyu is only able to meet the emperor and start tutoring him after Shurei intervenes, and he yells “From here on I shall no longer hold back. Please do prepare yourself” while throwing down stacks of books.

I think this series will appeal to anyone who enjoys fantasy shoujo. The heroine surrounded by a group of handsome men might appeal to fans of Fushigi Yugi. The emphasis on geopolitics and learning to rule a country would also appeal to anyone who’s read the novels or seen the anime Twelve Kingdoms. I’m happy to find a new fantasy shoujo series to follow just when some of my current favorites might be ending in the next year.

Review copy provided by the publisher.

Filed Under: UNSHELVED

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