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BL Bookrack: Juné in November

November 17, 2010 by MJ and Michelle Smith 15 Comments

Welcome to November’s installment of BL Bookrack, a monthly feature co-written with Soliloquy in Blue‘s Michelle Smith.

This month, we take a look at four offerings from Digital Manga Publishing’s Juné imprint, Endless Comfort, Kiss Blue (volume two), Seven Days: Monday-Thursday, and Stay Close to Me.


Endless Comfort | By Sakura Sakuya | Published by Juné | Rated Mature (18+) Buy at Akadot – Two years ago, when Masaki Kuzumi’s sickly mother finally succumbed to illness, his primary emotion was relief. Not wanting to confront these feelings, Masaki immersed himself in business in Hong Kong. Now, just shy of the second anniversary of her death, he has returned to the manor home he inherited a changed man. His friends remark that he is no longer as cold as he once was, and he is soon intrigued by Yuu Kanai, a seemingly easy-going dog trainer with some inner darkness of his own.

The path that Masaki and Yuu’s relationship takes is fairly straightforward and predominantly sweet. Yuu is good-natured when awake, but at night suffers terrible nightmares brought on by sexual abuse perpetrated by his stepfather when he was an adolescent. Masaki wants to help Yuu get over this, and very gently puts himself in the position to provide support when necessary, also achieving sufficient closeness to confess his own feelings about his mother’s death. Through the power of Masaki’s love, Yuu is able to overcome the terror of physical closeness, and an absolutely adorable epilogue chapter (featuring the show-stealing dogs) suggests a happy future.

There are definitely good things about Endless Comfort. Masaki is quite secure in his homosexuality and is upfront about it with Yuu, giving him the option to speak up if he ever feels uncomfortable. And, as mentioned, the dogs have a lot of personality. Unfortunately, quite a lot of the middle is pretty dull. The characters initially seem stiff, and some moments that should be dramatic—Yuu freaking out and crying, “Father, no, I don’t want to!”—are so stilted as to almost be comedic. Additionally, a side couple consisting of a pair of Masaki’s coworkers doesn’t add much to the story. The status of their relationship is confusing and I think the story would’ve been better off without them.

If I had to pick one word to decsribe Endless Comfort it would be “nice.” It’s a gentle story and a worthwhile read, but you might want to load up on caffeine first.

-Review by Michelle Smith


Kiss Blue, Vol. 2 | By Keiko Kinoshita | Published by Juné | Rated YA (16+) | Buy at Akadot – The first volume of this short series introduces us to Tomosaka, a quiet high school student who realizes he’s in love with his womanizing best friend, Noda. Though his eventual confession to Noda lands the two of them in bed, Noda’s inability to take their new romantic relationship seriously makes the encounter a regretful one for Tomosaka. Anxious to salvage the relationship they once had, Tomosaka asks that they return to just being friends.

As volume two opens, it becomes quickly apparent that this new arrangement is a strain for both of them. Struck with the impossibility of returning things to normal and unable to swallow his jealousy over Noda’s female conquests, Tomosaka waffles between repressed anger and forced apathy, leaving Noda confused and frustrated by his passivity. Complicating things further, Tomosaka is faced with romantic attention from both a female classmate and his openly gay boss, neither of whom he’s interested in. Can even accidental lovers ever return to being friends?

This series’ first volume was remarkable for its understated, intimate look into its characters’ emotional world and a sort of quiet ambiguity more characteristic of Bildungsroman than straight-out romance. Though the story’s premise is certainly nothing new, its thoughtful execution set it apart from showier romances. Thankfully, nothing has changed. Now in its second (and final) volume, Kiss Blue remains as intriguingly introverted as its protagonist, Tomosaka, favoring awkward kisses and inner monologue over sex and emotional theatrics–a sensibility enhanced further by Keiko Kinoshita’s sparse, wispy artwork.

“Intimacy” is still the series’ major characteristic, both in its style of storytelling and the relationship between its main characters, whose estrangement from and affection for each other are both driven by their keen awareness of each other’s personalities, for better or worse. Deeply flawed characters are usually the most interesting, and that goes for relationships as well, so it’s no surprise that the series gets its greatest mileage out of its characters’ failures, both as friends and lovers.

It’s taken over two years for this volume of Kiss Blue to appear, thanks to the first volume’s poor sales performance, according to this thread at the DMP user forums. Let’s hope that the release of its second volume will encourage new readers to take a look at this thoughtful little manga. Recommended.

-Review by MJ


Seven Days: Monday-Thursday | By Rihito Takarai & Venio Tachibana | Published by Juné | Rated YA (16+) | But at Akadot – Each Monday morning, without fail, high school freshman Touji Seryou will agree to date the first girl who asks him, only to break up with her by the week’s end. Despite this unusual reputation, Seryou’s respectful treatment of his endless string of girlfriends keeps them in fresh supply. One Monday morning, curious about Seryou’s motivations, upperclassman Yuzuru Shino jokingly offers himself up as Seryou’s date for the week, only to be surprised when his proposal is accepted. As the volume continues, both carry on with the motions of their arrangement, neither quite sure of the other’s intentions.

Much like Kiss Blue above, what really makes this story work is its characters’ flaws and hangups, and how these affect their ambiguously developing relationship. As it turns out, Seryou’s hung up on his brother’s ex-girlfriend, whose aggressive pursuit of Seryou (both before and after the breakup) keeps him concurrently hooked and wracked with guilt. Given this, it’s unsurprising to discover that Shino’s domineering personality is striking a chord with him as well, awakening within him the first shreds of real attachment he’s felt since he began his bizarre dating ritual.

Meanwhile, Shino finds ways to make light of any burgeoning feelings on his part, while using his new influence over Seryou to make him show up to archery practice, forcing Seryou into displaying commitment for something in his life, while also possibly working through his own ambivalence for a discipline at which he once excelled.

There are a lot of layers to this odd little story, and though it’s unclear at this point how anything might be resolved within (presumably) just three more days, writer Venio Tachibana provides more than enough reason for us to want to find out. And though that reason includes school club drama, at least two love triangles, one wonderfully tough female character, and, of course, attractive archery uniforms, it’s still the story’s idiosyncratic leads who steal the show with a mountain of mixed signals, persistent defensiveness, and awkward moments of affection.

Rihito Takarai’s artwork is a mixed bag of expressive movement, dully similar facial designs, and moments of real beauty. Fortunately, the visual storytelling is strong throughout, making the most of Tachibana’s offbeat tale.

There’s still a lot of story to be told in this two-volume series. I, for one, can hardly wait ’til “Friday,” to see how it plays out. Recommended.

-Review by MJ


Stay Close to Me | By Yaya Sakuragi | Published by Juné | Rated Mature (18+) | Buy at Akadot – I don’t always fare well with BL comedies, which too often revolve around a bigger guy trying to manhandle a littler one at every opportunity. Happily, Stay Close to Me is not that kind of comedy.

Yuzuru Shibata and Issei Yogi have been close friends since elementary school, when Issei stepped in to save Yuzuru from bullies. Yuzuru has pretty much been in love with “Icchan” since that day, whom he regards as princely, and is “in training to be a homemaker.” Alas, a growth spurt has stymied Yuzuru’s efforts to feel like the proper princess, since at 6’0” he towers over the 5’8” Issei.

The couple stars in a quartet of episodic stories that derive their comedy more from the characters than wacky hijinks (though those do ensue). First, Yuzuru is oblivious to the true reasons the captain of the karate club is pursuing him, even though the guy has some terrifically cheesy lines like, “Today is the day I will seduce you… I mean… convince you to join the karate club!” Then he’s drafted to participate in a school play, receives a love letter from a girl, and finally is prevented from spending quality time with Issei when the latter’s brother moves back home. Each time, blunt but kind Issei ends up saving him in one form or another, though he informs Yuzuru he won’t be treating him like a princess, since he can handle himself.

I can easily see such a storyline irritating me if done poorly, but both Yuzuru and Issei are very likeable, and Sakuragi’s art is quite attractive, as well. The end result is a manga that is often silly—indeed, in her author’s notes Sakuragi writes “Please don’t think too hard while reading it”—but at the same time incorporates scenes of genuine emotion. A pair of similarly lighthearted stories featuring a ronin and a gambler round out the volume, and though our time with them is brief, it’s still enjoyable.

Stay Close to Me balances humor and emotion to become one of the few BL comedies I have genuinely liked.

-Review by Michelle Smith



Review copies provided by the publisher.

Filed Under: BL BOOKRACK Tagged With: kiss blue, seven days, Yaoi, yaoi/boys' love

DMP Quick Takes: Itazura Na Kiss Volume 3 and Alice the 101st 2

November 17, 2010 by Anna N

Itazura Na Kiss Volume 3 by Kaoru Tada

The third volume of this delightful shoujo series opens with Kotoko and tennis club captain Sudou spying on the objects of their affection Irie and Reiko when they go out on a date. The hapless pair trail the dating couple to a showing of Edward Scissorhands. In the meantime Kotoko’s self appointed future husband Kinnosuke attempts to follow Kotoko and ends up in a porno movie theater. In one of Tada’s cute bits of character interaction, Kotoko and Sudou are destroyed with emotion by the ending of the movie, while Irie calmly proclaims that he wants to make an artificial being one day. Irie knows that he’s being tailed and ends the date, spending the rest of the day with Kotoko after telling her that her reactions to his date were hilarious. Irie announces that his life use to be boring and uneventful, with noting but trouble appearing since Kotoko came into his house. He says that she’s a trial he has to test himself against, but he doesn’t mind her being around. This is the closest thing to a declaration of affection that Irie is capable of, and Kotoko is delighted.

Later, there’s a school festival where the anime club has adopted Kotoko as their main character in an anime “Racquet Warrior Kotorin”. Kotoku ends up beating out Reiko for the title of school festival queen due to the powerful otaku voting lobby. One of things I like about this series is the large and funny ensemble cast. Irie’s mom makes a point of exclaiming over Kotoko’s skin when both families go on a hot springs vacation, very aware that her son will be able to overhear her. Kinnosuke and Sudou’s hapless attempts to court the objects of their affection continue to amuse, and it is hard not to root for Kotoko’s desired romance with Irie.

Alice the 101st Volume 2 by Chigusa Kawaii

As the volume opens Aristide Lang aka Alice is dismayed to discover that Max, the best violinist in his class is a bit of a space case. Alice’s mentor and fellow classmate Victor directed him to view Max as his rival, and Alice freaks out when the genius violinist actually seems a bit goofy. Alice has prodigious musical gifts that are hampered by his extreme ignorance. Alice has perfect pitch and can play almost any piece by ear, but he is utterly incapable of reading a musical score. He’s bullied by other students who don’t understand why he was admitted to their school as a special case. Alice’s violin teacher sets him the task of playing Twinkle Twinkle Little Star “exactly as it is written,” and Alice doesn’t know who to go to for help. All of his friends are busy practicing for the upcoming concert. He ends up stumbling across Max and asks him for help.

This volume deals with issues of musical interpretation and accompaniment. While Alice can reproduce a piece of music when he’s heard it once, he isn’t sure how to answer when his classmate Georges plays Motzart’s version of song and asks Alice what his own version of the piece sounds like. Max is able to display an amazing degree of technical proficiency with a piece by Bruch, but does Alice’s innate ability to produce a more interesting tone mean that he’ll eventually be able to surpass his rival? There were plenty of amusing moments in this second volume as Alice continues to overreact to everything around him, but I continue to enjoy the way Kawaii is able to portray the process of learning how to make music.

Access to electronic copies provided by the publisher.

Filed Under: UNSHELVED

Cross Game Volumes 1-3

November 16, 2010 by Anna N

Cross Game Volumes 1-3 by Mitsuru Adachi

I will start off by saying that I really dislike baseball in real life. If I have to watch sports, I’m more interested in basketball, hockey, or tennis. So I am not necessarily the best person to review a baseball manga. On the other hand I remember so many people being excited when this license was announced, since evidently Adachi is a behemoth of shonen manga. The only series of his previously published in the US was Short Program, which now appears to be out of print. I’m glad I gave Cross Game a chance, because it is so well-written, the fact that it is nominally about baseball didn’t matter to me. I was won over by the characters and Adachi’s masterful story pacing.

Ko Kitamura is the protagonist of Cross Game. He’s a typical boy who has a bit of a hustler’s personality. He helps his family out in their sports equipment business, and doesn’t hesitate to recommend taking up sports requiring extravagant equipment to his classmates. Ko isn’t very interested in sports himself, but he does practice hitting at a local batting center. The batting center’s proprietors are the Tsukushimas, and they have four girls. Ko and the second daughter Wakaba have grown up together. They share a birthday, and Wakaba treats Ko like a steadfast friend, hitching rides to school on his bike. Ko’s friendship with Wakaba causes problems since plenty of other boys have crushes on her. On the run from bullies, Ko decides to hide by joining a group of classmates who are playing baseball after getting the hard sell from Ko. He is utterly inept in every area at baseball except for being able to hit home runs.

Cross Game has a great slice-of-life quality, but the plot does advance fairly slowly. I think it was a good decision to release the first three books in an omnibus edition. One of the things I liked about this manga was the feeling of time and place. The characters wake up and run errands on a hazy summer day. Ko deals with kids at school who now insist that he work on his baseball gloves. Wakaba’s younger sister Aoba is developing her own pitching arm. After a disappointing birthday Wakaba hands Ko a detailed list of the presents he should get for her every year, ending with an engagement ring on her 20th birthday. Wakaba’s faith in Ko is boundless. She comments to Aoba, “If you think of Ko as just another boy, you’ll get burned. If he puts his mind to it, he could be the best pitcher in Japan….But don’t take him from me.” Aoba thinks Wakaba is being ridiculous.

For the first half of Cross Game, I thought that it was on track to be an enjoyable slice of life comedy about baseball. But tragedy strikes, giving even more emotional resonance to the daily lives of the characters as they continue on with school and their family businesses. Ko grows more serious about baseball and he continues to be protective of the Tsukushima sisters even though Aoba acts as though she hates him. Ko develops his abilities secretly, without any sense of how strong he might be compared to his classmates. He still acts goofy at times, taking extra time to flail around his pitching arm when instructed to pitch “for real.”

The high school baseball team is terrible. The new coach is the type to push for a win at the expense of his players’ development. There’s a team of elites and a “portable team,” which consists of players who washed out or didn’t try out for the main team. Only a few of Ko’s classmates recognize his potential. They know the score with the new coach, and are content to stay with the portable team for the present. They don’t want to be ruined by selfish coaching. The dynamic between Ko and Aoba is interesting. She’d be an ace pitcher herself if she was a guy, but she’s only able to play in practice games. She’s set up as the final judge of Ko’s talent, and when she sees that he’s improved she states that he’s a good pitcher but he doesn’t excite her.

Adachi has a simple, cartoony style that adapts to showing showing the freeze frame action of baseball very well. Many of the characters have slightly protuberant ears, making them look a little vulnerable. The backgrounds in Cross Game are very detailed, grounding the characters in specific settings like the batting cage, school hallways, or neighborhood sandlots. Adachi peppers the manga with mini episodes where he talks to the reader, like when he sets up a gag about Ko imitating a classmate’s voice then follows it with an all too convenient scene of Ko’s father talking about his son’s amazing impression skills.

Cross Game sets up an intriguing blend of sports-based wholesomeness and corruption. There’s something very innocent about Ko not being aware of the athlete he could become and his growing enthusiasm for the game. Seeing the baseball team at his high school being put together by ringers under the leadership of an abusive coach made me very anxious to see what was going to happen next to Ko and his fellow students on the portable team. I appreciated the way Adachi handled the passing of time in Cross Game. Often manga sometimes feels fairly static, but Cross Game follows Ko across different seasons and years, making it a true coming of age story. Cross Game is by far one of my favorite shonen releases this year.

Filed Under: UNSHELVED

PR: VIZ MEDIA ANNOUNCES NOVEMBER HAIKASORU IMPRINT RELEASES

November 16, 2010 by Anna N

Here are the details of some new releases from Viz’s Haikasouru imprint of translated science fiction and fantasy. I’ve read one of the books from the imprint, The Lord of the Sands of Time. I didn’t realize before that the author of Good Witch of the West was getting her novels translated. I enjoyed a few volumes of that manga series even though I wasn’t compelled to read to the end, but now I am a little curious about Dragon Sword and Wind Child.

THE OUROBOROS WAVE by Jyouji Hayashi
Price: $14.99 U.S. / CAN $19.99 • Available Now!
Ninety years from now, a satellite detects a nearby black hole scientists dub Kali for the Hindu goddess of destruction. As human society expands to Mars and beyond, the generations-long project to harness the power of the black hole pits the retrograde humans of Earth against the imminently rational men and women of the Artificial Accretion Disk Development association. While conflicts simmer, a mystery within Kali itself tests the limits of intelligence—that of both human and machine.

Jyouji Hiyashi was born in Hokkaido in 1962. Having worked as a clinical laboratory technician, Jyouji Hiyashi debuted as a writer in 1995 with his cowritten Dai Nihon Teikoku Oushu Dengeki Sakusen. His popularity grew with the Shonetsu no Hatou series and the Heitai Gensui Oushu Senki series – both military fiction backed by real historical perspectives. Beginning in 2000, he consecutively released Kioku Osen, Shinryakusha no Heiwa, and Ankoku Taiyo no Mezame, stories that combine scientific speculation and sociological investigations. He continues to write and act as a flag-bearer for a new generation of hard SF.

DRAGON SWORD AND WIND CHILD by Noriko Ogiwara
Price: $13.99 U.S. / CAN $18.99 • Available Now!
The forces of the God of Light and the Goddess of Darkness have waged a ruthless war across the land of Toyoashihara for generations. But for fifteen-year-old Saya, the war is far away—until the day she discovers that she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she tumbles into the very heart of the conflict that is destroying her country. The Light and Dark both seek to claim her, for she is the only mortal who can awaken the legendary Dragon Sword, the fearsome weapon destined to bring an end to the war. Can Saya make the dreadful choice between the Light and Dark, or is she doomed—like all the Water Maidens who came before her…?

Noriko Ogiwara was inspired to write by the classic Western children’s books she read as she was growing up. Dragon Sword and Wind Child is her first book, part of the award winning Magatama Trilogy. The second book of the Magatama Trilogy, Mirror Sword and Shadow Prince will be also available from Haikasoru in May 2011. Her other books include The Good Witch of the West and Fuujin Hisho. Ms. Ogiwara makes her home in Japan.

Filed Under: UNSHELVED

Pick of the Week: Real

November 16, 2010 by MJ 7 Comments

Okay, I’ll admit that when I looked at this week’s new manga, I was quite tempted to name volume two of Kiss Blue, the long-awaited continuation of a lovely little BL story that premiered here back in 2008. And It indeed might have happened, if not for…

Real. This week brings us the ninth volume of this gritty, moving series about young men in the world of wheelchair basketball. It was repeated recommendations from Manga Curmudgeon David Welsh that compelled me to try this series, and I’ve been grateful for it ever since.

Here’s a glimpse of what I had to say about volume nine in a recent installment of Off the Shelf:

The volume focuses exclusively on Nomiya and Takahashi, each of whom is facing a particularly difficult task. Nomiya, a bumbling high-school dropout who has never really played serious ball, has determined to go pro, and Takahashi, a fierce high-school athlete now paralyzed from the chest down, is struggling to find meaning in a body he can barely pull off the floor.

… Nomiya’s journey, especially… creates the volume’s shonen-like tone, with emotionally escalating scenes driven by a level of brazen determination and raw inspiration that could rival that of any WSJ title. You can almost hear the power rock if you listen hard enough, as Nomiya firmly declares his goals, undeterred by detractors or doubt.

Fortunately, Takahashi’s story provides a nicely ambiguous contrast. The character’s constant need for external comparison–the way he compulsively ranks himself against other rehabilitation patients as though his entire self-worth relies on superiority to others–is pushed front and center, so much so that even he begins to see the impossibility of his system. The realization is subtle, but brutal, and his subsequent struggle to determine even a single, realistic goal for himself is genuinely painful to watch. His story is so compelling, I barely missed the wheelchair basketball, which is saying quite a lot … It’s an uncommonly moving manga, really. I can’t recommend it enough.

And from my review of volumes 5-8:

What’s most impressive about this series … is Inoue’s ability to get inside his characters’ heads and transform their thoughts and feelings into compelling narrative … Yet, through all this, Inoue deftly steers clear of allowing his story become mired in its own weight. Even the series’ heaviest sequences are a true pleasure to read.

Something that seems important to note, and possibly why Real is able to avoid becoming intolerably dark, is that it’s clear from the beginning that Inoue genuinely likes people. Despite the fact that each of his characters has endured terrible heartbreak, pain, and various levels of personal misery (not to mention that most of them have also been responsible for causing significant pain to others), Real is far from cynical. There is no overarching disappointment in humanity here, no deep bitterness, no long-winded speeches about the unavoidable fallibility of the species. Even his characters’ most bitter reflections are directed toward individuals rather than humanity as a whole.

Inoue’s artwork in this series is impressively mature … the world of Real is unpolished and gritty. Inoue’s early expressiveness is even more pronounced in this series, and much more detailed. Also, despite some great dialogue, Inoue lets his artwork do the bulk of the storytelling. Important moments are played out visually, panel-to-panel, without the need for any narration or extraneous dialogue to pick up the slack.

Both heart-wrenching and down-to-earth, this series makes the most of its human drama, both on and off the court, without ever sinking into melodrama. Simply put, Real is real. Highly recommended.

If you haven’t ever picked up this fantastic seinen sports manga, now’s the time to start.

Filed Under: PICK OF THE WEEK Tagged With: real

Manhwa Monday: Quick Links

November 15, 2010 by MJ 1 Comment

Welcome to another Manhwa Monday! It’s been a fairly quiet week on the manhwa front, but we do have a few links to share!

First, with the recent dearth of manhwa licenses, anything new is fairly big news. Recently, KOCCA announced in their blog that TOKYOPOP would be publishing Ghost Face, the latest series from Min-woo Hyung (Priest), and last week, Anime News Network discovered the series listed on Amazon, slated for a May 2011 release.

Additional images and information on the series can be found in the KOCCA blog. You can follow KOCCA on Twitter @KoreanContent.

From the Twitter feed, webtoon publisher iSee Toon has been posting a series of YouTube videos, offering a glimpse of their office and daily surroundings. They’re also conducting a survey regarding their new Magician app, in order to collect feedback from users.

This week in reviews, at Comic Book Bin, Leroy Douresseaux takes a look at World of Warcraft: The Essential Sunwell Collection (TOKYOPOP), drawn by Korean manhwa artist, Jae-Hwan Kim. And at Manga Life, Victoria Martin weighs in on Korean-created March Story (Viz Media).

That’s all for this week!

Is there something I’ve missed? Leave your manhwa-related links in comments!

Filed Under: Manhwa Bookshelf, Manhwa Monday

VB Rose Volumes 8, 9, and 10

November 14, 2010 by Anna N

VB Rose Volumes 8, 9, and 10 by Banri Hidaka

VB Rose is one of those shoujo series that I need to get caught up on – I’ve read four volumes but it is already almost up to volume 10. I previously looked at volumes 1 and 2 and volume 7.

VB Rose Volume 8

The slowly forming love triangle gets resolved when Ageha’s friend Nat-chan confesses his feelings for her. Nat-chan is the younger brother of Ageha’s best friend Mamoru. Ageha isn’t sure how she feels. She believes that her crush on bridal boutique owner Arisaka, who overheard Nat-chan’s confession, is one-sided. Ageha spends a good part of the volume filled with emotional turmoil. She blurts out to Nat-chan “I’ve just got the mixed-up confusions because…someone as good looking as you likes someone like me!” Nat-chan points out that he knows she likes Arisaka, but he thinks that Ageha feels more natural and comfortable around him because they’ll make a good match. Ageha goes to work with Arisaka, and he’s drawn with his hand supporting his head, surrounded by conflicting thoughts. He’s wanting to say “Choose me instead!” but when Ageha tries to find out how he feels about her new romantic prospect he yells at her.

Ageha goes to tell Nat-chan that she only feels friendship for him, and Arisaka goes after Ageha to apologize. After so many volumes of the relationship slowly getting built up, Arisaka and Ageha manage to express their feelings for each other. One of the things I like about this series is that even though the romance is moving forward, there’s still a business to take care of. There’s a photo shoot at VB Rose and Ageha decides to tag along on a trip to meet with Arisaka’s ex-girlfriend. Despite Kana’s bitter facade, Ageha learns more about Arisaka’s past.

VB Rose Volume 9

Ageha and Arisaka’s budding relationship is put to the test when the VB Rose boutique has to scramble to get a dress ready for a bridal show. One of the reasons why I like this series so much is that the store setting and general emphasis on sewing and crafting puts a slightly different spin on the typical “everyone work together for something” plotline that usually is expressed in shoujo manga through putting on school festivals or other high school events. Ageha is going to model the dress, and the entire VB Rose team comes together to achieve some emergency alterations at the last minute. Arisaka has surrounded himself with a second family that supports them, and it is nice to see everyone recognizing Ageha’s importance and her new place at Arisaka’s side.

As I was leafing through this volume in preparation for writing about it, I was struck again with the clarity of Hidaka’s art. She doesn’t use a ton of tone or draw extremely elaborate backgrounds. Instead, the details of the clothing and other crafts constructed at the boutique are given greater importance, as are the facial expressions of the characters. Hidaka tends to go into full-on flower background shoujo mode for moments that have the greatest impact on the characters. Ageha descends a staircase wearing the VB Rose showcase dress surrounded by flowers and music, only to find Arisaka waiting at the bottom step to take her arm.

VB Rose Volume 10

In the tenth volume the reader gets a big explanation for Arisaka’s personality quirks when his mother abruptly shows up at VB Rose. Ran Kashiwagi’s an actress who had her son and got married when she was far too young for both responsibilities. Arisaka’s father was a steadying influence, but Ran’s habit of going out and leaving Arisaka home alone put the boy in danger. Arisaka’s father asked for a divorce, and Ran moved to Tokyo and was discovered by a talent agency. Ran’s approach to try to ingratiate herself back into her family is to arrive with an expensive car for Arisaka. When she realizes that Ageha is Arisaka’s girl friend, she drags her off on an extravagant shopping trip. Ageha listens to Ran’s story about her past with Arisaka’s father and she councils her on the best approach to try to make things up with her son. She points out to Ran that if Arisaka really hated her, he’d have turned away from her immediately.

Arisaka is left at the boutique with his stepmother, imagining what might be happening to Ageha in the company of his mother. Arisaka realizes that his colleagues are actually his friends for life, and he’s lucky to have found Ageha. Mother and son end up hashing out their relationship issues, which I think is a good foundation for Arisaka and Ageha to be able to move forward with their relationship.

VB Rose doesn’t have the over the top soap opera elements or trainwreck drama that makes some other shoujo series entertaining. Instead, it focuses on the small day-to-day revelations that push relationships in new directions. The core of the story is the network of friendships that have been built at the boutique, and the fact that the characters are so supportive of each other might make this manga seem quieter or more low-key than other stories, but insteadVB Rose ends up being much more heartwarming and sweet.

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Saturday Morning Cartoon: Story of Saiunkoku Opening

November 13, 2010 by Anna N

Today’s Saturday morning cartoon is Story of Saiunkoku! So many pretty men! So much wind blowing flower petals!

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Follow Friday: The Reliable Reviewer

November 12, 2010 by MJ 10 Comments

Welcome to November’s Follow Friday! This month, I’m going to focus on The Reliable Reviewer. You know the one I mean… the critic whose priorities and tastes in fiction match up so closely to yours, that you know you’ve got at least a 95% chance of liking anything he/she likes. Most of us have a few of these amongst our daily reads, and they’re likely to be different for everyone. Today, I’ll focus on mine.

David Welsh (The Manga Curmudgeon) – I can count on one hand the number of David’s opinions I’ve disagreed with over time, that’s how reliable he is for me as a reviewer. If he likes something, that’s a good signal for me to buy, with little to no risk involved. He tends to shop in the same genres and demographic categories as I do (which is to say, nearly all of them), offering up reliable opinions in shojo, shonen, seinen, josei, and boys’ love manga. He’s also got quite a way with the English language. You can follow David on Twitter @MangaCur.

Michelle Smith (Soliloquy in Blue) – Much like David, Michelle is an omnivorous reader with genre tendencies very similar to mine. We have a few contentious series between us (Nabari no Ou, anyone?) and some contrasting pet peeves, but for the most part, her recommendation of a series is all that’s required for it to earn a place on my to-read list. She’s also a smart, witty writer whose reviews are worth a read, regardless of the quality of their subjects. You can follow Michelle on Twitter @swanjun.

Katherine Dacey (The Manga Critic) – Though Kate is frequently critical of series I like quite a lot, when she makes a recommendation, I can take that to the bank. Kate is a very particular type of Reliable Reviewer for me, because, though we have different priorities when reading a work, her overall assessment of a series she actually likes is 100% reliable for me–something that can’t even really be claimed by critics with tastes that more closely match mine. She’s sharp and perceptive, and her standards are impeccable. You can follow Kate on Twitter @manga_critic.

Ed Sizemore (Manga Worth Reading) – Unlike the three critics listed above, Ed’s typical demographic/genre range overlaps less with mine. He reads primarily seinen and mature shonen (with some dabbling elsewhere). He’s a man’s critic, but with an especially thoughtful tone that draws me in to his reviews nearly every time. Though I’m less likely to be able to refer to him for opinions on the latest Shojo Beat release, his thoughts on the books he chooses to review always resonate with me deeply, even on the rare occasion in which we disagree. You can follow Ed on Twitter @edsizemore.


Readers: Now that you have a list of reviewers I count on, who do you turn to for your reliable reviews?

Filed Under: Follow Friday

Bunny Drop Volume 2

November 11, 2010 by Anna N

Bunny Drop Volume 2 by Yumi Unita

I’ve had the second volume of Bunny Drop for several weeks, and when I finally picked it up I was reminded of how charming this low-key josei series is. Daikichi and Rin have settled in to their new lives together, but trouble looms ahead as Daikichi starts to try to track down Rin’s real mother. He also has to deal with school enrollment for his new charge, and the societal implications of his choice to voluntarily downsize his job.

One of the things that I like about this series is that despite the premise of a batchelor suddenly having to take care of his five year old aunt, it isn’t overly sentimental. Daikichi isn’t drawn to look particularly handsome, and most of the time he his expressions look just like what you’d expect from an overburdened new father. Fortunately for Rin, Daikichi’s family has started to warm towards her, and she’s able to enjoy visiting with them. Daikichi’s mom starts going into full on crafting mode, making school supply bags and digging out old handknit sweaters for Rin. It was fun seeing the subtle ways Daikichi and RIn have bonded as a family. When she has something to say to him that she’s afraid of saying out loud, she just stares at him until he leans down so she can whisper in his ear.

I was surprised at how quickly the mystery of Rin’s mother was solved. Daikichi figures out who she is and goes to meet her. As befitting the subtle ways Bunny Drop handles character and plot development, she isn’t a monster who abandoned her child. She’s a very confused young woman who seems to have brainwashed herself to discard any maternal instinct whatsoever. Daikichi decides not to feel guilty about stepping into the role of Rin’s parent, because he’s clearly the only person in her life who actually is trying to take care of her interests.

Bunny Drop isn’t a series with extreme highs and lows. It has a measured approach to storytelling that feels very naturalistic, and the way Unita portrays Rin’s milestones like getting a new school backpack or being able to help in the kitchen seems like an accurate portrayal of a young girl slowly beginning to grow up.

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