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Three Bags Full by Leonie Swann

October 31, 2012 by Michelle Smith

From the back cover:
On a hillside near the cozy Irish village of Glennkill, the members of the flock gather around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared for the sheep, reading them a plethora of books every night. The daily exposure to literature has made them far savvier about the workings of the human mind than your average sheep. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer.

The A-team of investigators includes Othello, the “bad boy” black ram; Mopple the Whale, a Merino who eats a lot and remembers everything; and Zora, a pensive black-faced ewe with a weakness for abysses. Joined by other members of the talented flock, they engage in nightlong discussions about the crime and embark on reconnaissance missions into the village, where they encounter some likely suspects. Along the way, the sheep confront their own struggles with guilt, misdeeds, and unrequited love.

Review:
I’m not sure where I first heard about Three Bags Full, but the promise of a mystery with a team of sheepy sleuths on the case guaranteed that I had to read it. Originally published in German as Glennkill, this English edition has been translated by Anthea Bell.

Despite its bucolic setting, things are not very peaceful in the Irish village of Glennkill. One morning, George the shepherd is found dead in his pasture and his sheep, particularly several whose intelligence has been greatly increased due to George’s habit of reading aloud to them, set out to find justice. What ensues are various scenes of the sheep surreptitiously observing humans—“It was the first time Othello had been to a funeral, but the ram behaved beautifully.”—and filtering the information they glean through a sheepy lens. Usually, they get things a bit wrong, but the logic of their reasoning is quite endearing. They still manage to behave like sheep and often, certain of the flock complain about all the thinking and learning and must be cajoled from backsliding into blissful ignorance. Metaphor, much?

This was Swann’s first novel—a sequel, Garou came out in 2010 but no English translation is yet available—so perhaps it’s not surprising that, while the sheep are charming, the mystery itself is not as well-developed. George had apparently discovered a dirty secret of some of the villagers years before, but nothing much actually comes of this. Then, we also learn George was a drug dealer—with a rather clever method of transporting his goods—but nothing much actually comes of this, either. That said, the way in which the sheep encourage the truth to come out—though they’re convinced that what needs to “come out” is some kind of tangible thing lurking in the shepherd’s caravan—is pretty cute to envision, so I can’t complain too much.

Lastly, a couple of compliments! I applaud the English translation by Anthea Bell, which is so well done—and retains so much wit—that one would never guess it wasn’t the original text. Also, I happened to “read” Three Bags Full in unabridged audio format and the narrator, Josephine Bailey, was simply superb. Each sheep had their own easily recognizable voice, and the lambs were nothing short of adorable.

Here’s hoping Garou eventually makes its way to our shores!

Filed Under: Books, Mystery Tagged With: Leonie Swann

Limit, Vol. 1

October 31, 2012 by Sean Gaffney

By Keiko Suenobu. Released in Japan by Kodansha, serialized in the magazine Bessatsu Friend (“Betsufure”). Released in North America by Vertical.

Keiko Suenobu is a name that might be familiar to those manga readers with long memories. Tokyopop put out several volumes of her shoujo manga Life before Kodansha took their licenses away, and it was a decidedly different shoujo manga from the usual fare. Not that it didn’t feature high school girls, dating, rivalries and bullying, etc. But it also discussed topics such as suicide, self-mutilation, body hatred, and rape, and did not try to give us the usual ‘you will defeat the bullies if you get emotionally stronger!’ message that most manga do. It was quite popular in Japan, winning awards and spawning a live-action drama. And now Vertical has licensed her next project, which takes high school popularity and tosses it into the middle of the unknown wilderness.

If there’s one big issue I had with Limit, it was this: I feel the accident that causes the plot to happen should have been on Page 175, rather than Page 45. We’re introduced to a class and get a quickly sketched out plan of who’s popular and who’s unpopular, with the main characters briefly touched on. But given how much of what happens focuses on Morishige and her feelings of hatred and revenge, I wanted to know more about the class dynamics and in particular about the class’ ‘queen’, Sakura, and our heroine Mizuki. As it is, being thrown into the deep end along with Mizuki helps give a feeling of uncertainty and fear, but it also makes her rather flat. If we’d had a couple of chapters that faked us into thinking this would be a typical coming of age (albeit serious) shoujo, I think the added depth would have helped.

That said, there’s a lot to like here. Teenage drama is something that Suenobu specializes in, and it’s all over the place here. The manga manages to give us the overly dramatic histrionics we’d expect from privileged teens caught in a disaster without making it too annoying or causing it to get bathetic. One might argue, given this is a manga dealing with the ‘strata’ of Japanese classrooms and bullying to a degree, that making the bullied school outcast the main villain is helping to contribute to the ‘blame the victim’ mentality that kids constantly deal with. But this story doesn’t seem to be about bullying per se, nor does it seem to have only one antagonist.

Where the story really shines is in the relationship between Mizuki and Haru, and how quickly group dynamics can change when the catalyst of the group is removed. Even close friends don’t know everything about each other, and here Mizuki finds that her peer group is just as rife with self-doubt and paranoia as she is. Being a popular girl is a two-edged sword, and what may seem to Mizuki like trying to blend in and bond with all the different girls is seen by others as switching sides deftly to avoid getting singled out. Which, as we see in a flashback, is exactly what Mizuki was doing. If you don’t open up or take a stand, you don’t get hurt.

This series looks to be six volumes total, so we’ve only just begun to see how it’ll play out. And I’ll be honest, I have a feeling that some cast members will soon be joining the rest of their classmates in sweet death (coughChikagecough). Hopefully we’ll see more development from our heroine, and more broken social dynamics driving the plot. Mostly as now that it’s broken, I want to see how it gets put together again. Will we get to see the girls work together and forge new friendships? Or is this just six volumes of slowly killing each other?

Filed Under: REVIEWS

Fall 2012 Call for Contributors!

October 30, 2012 by MJ Leave a Comment

Around this time last year, I posted a Call for Contributors here at Manga Bookshelf, which resulted in the creation of a slew of great new columns, some of which are still going strong and some of which have faded away, as these things sometimes do. So here I am, a year later, making a fresh call!

Join us!

Got a great idea for a weekly or monthly column? Send us your pitch! Contact us with the following:

Your name
Your pitch
Links to 2 samples of similar writing you’ve done

Also seeking 1-2 writers interested in accepting regular news/interview assignments. To apply: same as above.

Your pitch should include a theme for your column, a general outline for the column’s inaugural entry, how often you’d write it (weekly or monthly), and how you envision maintaining its theme over time. If your idea is a one-shot or short series of posts, please indicate that as well. We are particularly interested in columns that offer something different than what we do now. Areas of particular interest include Korean manhwa, anime (especially something other than straight-out reviews), fandom, and industry news, but all creative ideas are welcome! We’d also be open to expanding into video or audio features. Please allow at least four weeks for a response.

At this time, we are unable to offer monetary compensation for contributors, but we look forward to doing so in the future.

Filed Under: UNSHELVED Tagged With: announcements, call for contributors, site news

Strobe Edge, Vol. 1

October 30, 2012 by Katherine Dacey

One of the most maddening aspects of shojo manga is that it can take 100 or 200 pages for a character to realize what she’s feeling, and another 200 or 300 before she actually tells someone; only the British period drama wrings more tension from its characters’ inability to say what they’re thinking. Strobe Edge, the newest addition to VIZ’s Shojo Beat imprint, isn’t quite as drawn out as Parade’s End or The Remains of the Day, but there are enough meaningful glances, lip quivers, and moist eyes for an entire BBC mini-series.

Strobe Edge focuses on Ninako, a classic shojo everygirl: she’s cute but not gorgeous, bright but not brilliant, liked but not popular. Through a twist of fate, Ninako meets and befriends Ren, her school’s Designated Dreamboat. Ninako is initially happy to be Ren’s pal, but soon finds herself consumed with thoughts about  him: should she tell him how she feels and risk alienating him, or silently resign herself to being his friend?

Author Io Sakisaka certainly evokes the mixture of excitement and fear that grips anyone in the throes of a crush, but she’s less successful at expressing those ideas in a distinctive voice; Ninako is so utterly lacking in personality that everything she thinks and says sounds like a lyric from a Selena Gomez song. (“For some reason, my chest kinda aches,” she muses after one encounter with Ren.) That same blandly polished quality extends to the artwork. Though Sakisaka exercises restraint in her layouts, giving Ninako room to breathe and reflect, her character designs are too ordinary to make much of an impression; I swear I’ve seen this cover before.

Perhaps that’s the point — Sakisaka has created a story and heroine so generic that almost any young teenager could see parallels between her own life and Ninako’s. While that kind of reading experience can be enormously comforting at twelve or thirteen, it’s awfully dull for older readers who need a little more than thousand-mile stares and cryptic conversations to hold our attention; a little subtext or, frankly, context, would make all that angstful withholding more dramatically compelling.

Review copy provided by VIZ Media. Volume one will arrive in stores on November 6, 2012.

STROBE EDGE, VOL. 1 • BY IO SAKISAKA • VIZ MEDIA • 200 pp. • RATING: TEEN (13+)

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: shojo beat, Strobe Edge, VIZ

Strobe Edge, Vol. 1

October 30, 2012 by Katherine Dacey 3 Comments

One of the most maddening aspects of shojo manga is that it can take 100 or 200 pages for a character to realize what she’s feeling, and another 200 or 300 before she actually tells someone; only the British period drama wrings more tension from its characters’ inability to say what they’re thinking. Strobe Edge, the newest addition to VIZ’s Shojo Beat imprint, isn’t quite as drawn out as Parade’s End or The Remains of the Day, but there are enough meaningful glances, lip quivers, and moist eyes for an entire BBC mini-series.

Strobe Edge focuses on Ninako, a classic shojo everygirl: she’s cute but not gorgeous, bright but not brilliant, liked but not popular. Through a twist of fate, Ninako meets and befriends Ren, her school’s Designated Dreamboat. Ninako is initially happy to be Ren’s pal, but soon finds herself consumed with thoughts about  him: should she tell him how she feels and risk alienating him, or silently resign herself to being his friend?

Author Io Sakisaka certainly evokes the mixture of excitement and fear that grips anyone in the throes of a crush, but she’s less successful at expressing those ideas in a distinctive voice; Ninako is so utterly lacking in personality that everything she thinks and says sounds like a lyric from a Selena Gomez song. (“For some reason, my chest kinda aches,” she muses after one encounter with Ren.) That same blandly polished quality extends to the artwork. Though Sakisaka exercises restraint in her layouts, giving Ninako room to breathe and reflect, her character designs are too ordinary to make much of an impression; I swear I’ve seen this cover before.

Perhaps that’s the point — Sakisaka has created a story and heroine so generic that almost any young teenager could see parallels between her own life and Ninako’s. While that kind of reading experience can be enormously comforting at twelve or thirteen, it’s awfully dull for older readers who need a little more than thousand-mile stares and cryptic conversations to hold our attention; a little subtext or, frankly, context, would make all that angstful withholding more dramatically compelling.

Review copy provided by VIZ Media. Volume one will arrive in stores on November 6, 2012.

STROBE EDGE, VOL. 1 • BY IO SAKISAKA • VIZ MEDIA • 200 pp. • RATING: TEEN (13+)

Filed Under: Manga Critic Tagged With: shojo beat, Strobe Edge, VIZ

Poll: Manga Bookshelf Front Page Experience

October 30, 2012 by MJ 11 Comments

Hello Manga Bookshelf readers!

We watch our page stats pretty closely, and one of the main reasons for this is to try to learn something about how people get to Manga Bookshelf and how easy it is for them to find the content they want once they get here. Historically, the vast majority of our site traffic has come from links accessed offsite, on Twitter, Facebook, and other blogs, or from search engine results—links that usually go directly to an article the individual wants to read. Lately, however, a growing number of readers have been entering the site from the Manga Bookshelf front page. But where they go from that point on has been a little surprising.

As a result, the questions most on my mind are, “Are people finding the content they’re looking for?” and “Have we made that content easy to find?”

You can help me answer these questions by participating in the poll below! Please feel free to use the comment section to elaborate on your experience or what you’d like to see on the Manga Bookshelf front page. I can’t guarantee that we’ll be able to adjust the site to please everyone (certainly an impossible task!) but we will take everyone’s comments into consideration while contemplating our front page layout!

[poll id=”5″]

[poll id=”6″]

[poll id=”7″]

Elaboration strongly encouraged. (If you don’t tell me what you’re missing, I can’t fix it!)

If there’s anything else you’d like to share, I’d love to hear it! What regular columns are the first ones you look for? Do you come to read a particular writer? What kind of content would you like to see more of?

Thanks for your feedback!

Edited to add: I’ve already made some changes based on comments here, so keep the feedback coming!

Filed Under: UNSHELVED Tagged With: polls

Point of Hopes by Melissa Scott and Lisa A. Barnett

October 30, 2012 by Michelle Smith

pointofhopesFrom the back cover:
It is the time of the annual Midsummer Fair in the royal city of Astreiant, and the time of the conjunction of the spheres approaches, heralding the death of the monarch. Each year a few youngsters run away from home to go on the road with traders, but this year a far larger number of children than usual have gone missing during the Fair. Someone is stealing them away without a trace, and the populace is angry.

Nicolas Rathe, a city guard, must find the children and stop whatever dark plan is being hatched before the city explodes into chaos.

Review:
It took me nearly three years to finish reading Point of Hopes, and two months to write this review after I finally completed it. Those facts should give you a good indication of just how riveting this mystery isn’t.

Nicolas Rathe is a “pointsman” (basically a policeman) in the city of Astreiant. When dozens of children suddenly go missing, Rathe is on the case. He enlists a few friends to help—Philip Eslingen, a foreign mercenary to whom Rathe seems to be attracted, and a necromancer buddy from the local university who was, for some reason, played in my head by Paul Bettany. Primarily, Rathe’s investigation consists of visiting various parts of the city and talking to people to no avail, until finally a bit of evidence turns up on page 279. The three guys collectively put the pieces together, and I really liked the bits where they were working in concert. Too bad they were only together in the final 70 pages!

Thankfully, the setting of Point of Hopes is more intriguing than its central mystery. For one, gender equality is absolutely the norm. Just as many women as men participate in professions seen as traditionally male in our society, and many women are in positions of power. In the fantasy setting of Astreiant, your occupation is determined by the alignment of the stars at your birth, which reads to me as a metaphor for objectively selecting people for a job based solely on their abilities. Equality of sexual preference is also a facet of life in Astreiant—it’s not that same-sex relationships are merely tolerated: they’re commonplace. No one would think of considering them invalid or sinful.

Aside from not being very exciting, the most irritating aspect of Point of Hopes for me was the dire need for better editing. There were many, many, many instances where a comma was used in a spot that needed a semicolon and many pages that suffered from wall o’ text syndrome. I can’t help but feel like it would’ve read faster if it weren’t so dense-looking. Lastly, I wonder at some of the names. I tend to think characters’ names “aloud” in my head, and while this is obviously not a problem for the lead characters, I was stymied by names like “Cijntien.” Plus, it’s weird to have fantasy names like that alongside such normal ones.

Anyway, there is a sequel to this entitled Point of Dreams. I own it, so will likely read it someday, but at the rate I’ve gone with this story thus far, I wouldn’t expect a review until at least 2015!

Additional reviews of Point of Hopes can be found at Triple Take.

Filed Under: Books, Fantasy, Mystery, Triple Take Tagged With: Melissa Scott and Lisa A. Barnett

It Came From the Sinosphere: The 8th Bronze Man of Shaolin (Manhua)

October 30, 2012 by Sara K. 6 Comments

A cool picture of Jubao, Qisuo, and Busha

So our protagonist, Qisuo, grew up hearing stories about heroes. Naturally, he wants to become a hero. Where do you become a hero? Shaolin Temple of course (see my previous post about The 36th Chamber of Shaolin).

Qisuo manages to get to Shaolin Temple. Being Buddhist, the monks of Shaolin temple are supposed to be celibate vegetarians. What does Qisuo find at Shaolin temple?

Qisuo sees Shaolin monks eating meat and hanging out with prostitutes

Why, it’s monks eating meat and hanging out with prostitutes! What gives?

Shaolin Temple started accepting any rich kid as a student in order to get generous donations, and the rich kids don’t really want to give up on meat and sex, and … well it influenced the whole institution. Shaolin Temple is now a school for anti-heroes.

Note 1: this is an example of truth-in-fiction; the present day Shaolin Temple does allow the consumption of meat, and according to one martial arts master I know, has become a tourist trap which has lost its traditional way.
Note 2: It is very common, at least in the wuxia fiction I read, for Shaolin (or other Buddhist) monks to somehow break their vows of chastity. They actually seem to be more likely to get laid than the lay unmarried male characters.

Anyway, WHAT IS QISUO SUPPOSED TO DO?! He is so naïve that even this isn’t enough to break his rose-colored glasses.

Don’t worry, he gets to study some marital arts … after getting bullied at the Shaolin Temple.

Oh, and childhood friend, Hongzhong, also leaves the village to learn martial arts. She’s not going to let Qisuo have all the fun.

About Giddens Ko

Giddens Ko is nobody important. He’s just Taiwan’s most popular active novelist.

About Online Novels

It’s a bit hard to describe the world of online novels, partially because I don’t know it as well as I should.

On the one hand, for aspiring Taiwanese novelists, online is pretty much the only way to start these days. Even novelists who prefer the traditional publishing route have to go there because the traditional publishers would rather work with writers who have already proven themselves online.

Fortunately for the aspiring novelists, Taiwan has a vibrant and unique online culture, which I actually am not too familiar with since I spend most of my online hours in the English-language net (hey, I already live in Taiwan offline, I don’t need to live in Taiwan online too, at least not yet). One of the distinctive features of the Taiwanese internet is that bulletin board systems (BBS), which are considering a relic in most of the world, still flourish (another reason I’m not too familiar with the Taiwanese internet – while I’ve learned thousands of Chinese characters, I still haven’t learned how to use a BBS!). Anyway, it is in the BBS-world that aspiring novelists show their stuff.

Now, there are traditional-style novels which first reach readers through the internet. For example, Passionate Wastrel, Infatuated Hero was originally published online. If these novels get a traditional publishing contract, they will generally be listed under a traditional genre (in this specific case, “wuxia”). However, a new style of novel writing has emerged from the labyrinths of the Taiwanese BBS world, and if these novels get printed, they will be listed as “online” novels.

Giddens first became famous in the BBS world, and I know about half of his novels originated there. I have not confirmed whether The 8th Bronze Man of Shaolin is one of them. Nonetheless, pretty much all of Giddens novels get shelved under “online novels,” regardless of the story’s genre. And while this story is in some sense a wuxia story, the novel is written in an online style.

Oh wait a minute. I’m not discussing the novel. I’m discussing the manhua. So I also need to talk about…

James Khoo

So, if Tony Wong (whom I’ve discussed here and here) and Ma Wing-shing (whom I discussed here) are the two top Hong Kong kung-fu/wuxia manhua artists, then James Khoo is around number four. He actually started as an assistant for Tony Wong, and later left to make his own name.

Artwork

Unsurprisingly, James Khoo’s style is a lot like Tony Wong’s style. On the one hand, his artwork doesn’t pop the way that Tony Wong’s does, nor does it compel me to flip back through the pages after I’ve finished a volume. On the other hand, it’s more grounded—and I don’t think it’s any less lovely. I haven’t seen James Khoo display Tony Wong’s skill in telling a story visually, though this might not have been the right story in which to do that (NOTE: the artwork looks way better in print than in these terrible photos).

A fight scene

Qisuo gets hit by somebody

More fighting

Zhang Sanfeng looks cool with his sword

Seriously, was it necessary to expose Ling Xue’s belly like that? She’s a flipping martial artist! None of the male martial artists wear such impractical clothing…

A burning building

Jubao's family backstory

More fightingJubao and Qisuo standing in a Ying-yang

Original Tragedies and Monkey Wrenches

Most wuxia novels (or at least the ones I’ve read) follow the original tragedy/monkey wrench pattern. To me, it’s more essential than the martial arts. The “original tragedy” is something horrible that happens to the protagonist early on and propels the protagonist into embarking on a journey, literal and/or metaphorical. The story is basically about the protagonist coming to terms with the “original tragedy.” But the path is not straightforward, because at some point, a monkey wrench is going to hit the protagonist on the head (and sometimes there are multiple monkey wrenches).

To make this clearer, let me use the wuxia novel Pingzong Xiaying Lu as an example. The protagonist is Yun Lei. In the prologue, we learn that her grandfather had been exiled in Mongolia for 20 years, her father had been killed, and she had been separated from her mother, all because of somebody called Zhang Zongzhou. Shortly before his death, her grandfather commanded his offspring to grow up and get revenge by killing any member of the Zhang family, young or old, that they may encounter. At the time, Yun Lei was seven years old. This is her original tragedy.

Ten years later, Yun Lei is a teenager who knows how to wield a sword. It is time for her to actually go about getting revenge for the wrongs done to her family. She intends to reunite with her brother, whom she hasn’t seen in more than ten years, so they can get revenge together. Of course, traveling alone isn’t fun, so she travels with a young man called Danfeng. He’s also pretty good with a sword. They have adventures together and fall in love. Then it is revealed that Danfeng is Zhang Danfeng and … well, I think you can guess who his father is. He is Yun Lei’s monkey wrench.

This is the most common setup—somebody killed the protagonist’s parent(s), so the protagonist must work hard to be powerful enough to get revenge—but then ZOMYGOSH THE PROTAGONIST FALLS IN LOVE WITH THE CHILD OF WHOEVER KILLED THE PROTAGONIST’S PARENT!!!!!! There are, however, plenty of other ways to set up original tragedies and monkey wrenches. And of course, original tragedy/monkey wrench setups can be found outside wuxia too (in manga, for example).

Why did I go into this long digression? Because this is why the story of The 8th Bronze Man of Shaolin doesn’t quite click with me. Qisuo does not have an original tragedy—he left his village because he wants to be a hero. Okay, he does get bullied a bit at the Shaolin temple but a) Qisuo doesn’t seem to be hurt enough for that to work as an original tragedy b) it doesn’t change Qisuo or inspire him to take a particular course of action.

Now, Jubao does have an original tragedy, but a) he’s not the primary protagonist and b) it … I just don’t feel enough pain coming from Jubao for that to quite work either.

Wuxia stories don’t absolutely need original tragedies but this story doesn’t really work without one. The lack of monkey wrenches also does not help. This story feels to me like it’s just about youths learning martial arts, improving, and defeating increasingly powerful enemies … all without growing or maturing as people.

And the thing is, I don’t even think the fights are that good. I have no issue with James Khoo’s artwork—to the extent that the fights are interesting, it’s thanks to him—it’s just that the fights aren’t written to be very interesting. On a technical level, most of the fights lack any elements of puzzle-solving or surprise which can provide intellectual stimulation. On an emotional level there is … little impact.

In other words, this story fails for me.

Availability in English

The artwork is available to anybody who has eyesight. The story (in both manhua and pure prose form) is only available to readers of Chinese, but I don’t think that’s a big loss.

Conclusion

I don’t think Giddens was trying to write a classic wuxia story at all. I think he was trying to indulge in wuxia geeks’ fantasies. Qisuo—who grew up listening to stories of heroism—is basically a cipher for the reader. He gets to be best friends with Zhang Sanfeng, the legendary creator of Tai Chi and a character in many wuxia stories, help him develop Tai Chi, and eventually marry his sweetheart.

Well, it did not work for me. But the idea is good. In fact, Giddens tries the same thing in another novel, and in that novel it works so well that it is my favorite Giddens novel so far (I will discuss it here eventually, I am sure).

I do like James Khoo’s art … and I find it a bit disappointing that he choose to adapt this novel when there are so many better novels out there he could have adapted (Pingzong Xiaying Lu for example).

Next Time: Bump Off Lover / Ai Sha 17 (idol drama)


What was Sara K. doing while this column was on hiatus last week? Last Tuesday she was visiting Little Liuqiu Island, where they burn boats (they weren’t burning any boats while she was there though). Anyway, Sara K. is going to do a lot less running around Taiwan now, which means this column will regain its regularity. Hopefully.

Filed Under: It Came From the Sinosphere Tagged With: Giddens, James Khoo, manhua

Moyoco Anno, Yoshitaka Amano, and YaoiCon news

October 29, 2012 by Brigid Alverson

Hurricane Sandy messed up my week a bit, but I’m thankful that it seems to have moved on. We had some high winds that shook the house, but the worst of it seems to have passed and (knock on wood) we have emerged unscathed. So here’s what’s going on in the mangasphere tonight.

New York Comic Con was awesome on many levels, but I think the high point of the experience was getting to interview Moyoco Anno, the creator of Sakuran, Sugar Sugar Rune, and the lamentably unlicensed Hataraki Man. Be sure to read the interview all the way to the end—she threw me a curve ball just as the interview was ending. I had the privilege of interviewing Yoshitaka Amano as well, for CBR—and watch for some more manga-ka interviews in the next few weeks.

Todd Ciolek of ANN got to interview Yoshitaka Amano as well.

At Kuriousity, Lissa Pattillo rounds up the YaoiCon announcements from Digital and SuBLime.

Jason Thompson continues his tour through the manga backlist with a look at Red-Colored Elegy in his latest House of 1000 Manga column at ANN.

The Manga Bookshelf team goes with a horror theme for this week’s Pick of the Week, and they also kick off a new roundtable, JManga The Week of 11/1. Plus: MJ and Michelle Smith chat about the latest BL releases in their BL Bookrack column and discuss Chika Shiomi’s vampire manga Canon at Soliloquy in Blue.

Matt Blind calculates the manga best-sellers for the week ending October 28.

Erica Friedman brings us up to date with the latest edition of Yuri Network News at Okazu.

JManga has added Peacemaker Kurogane and The Art of War to its lineup.

Tony Yao looks at the “emotional vampires” of Gantz at Manga Therapy.

Adam Stephanides picks up on a small but telling detail in Flowers of Evil.

News from Japan: Chiho Saito, the creator of Revolutionary Girl Utena, will launch a new series about the thief Arsène Lupin in the first issue of Shogakukan’s new magazine Zōkan Flowers. Fushigi Yûgi: Genbu Kaiden is drawing to a close, with just two more chapters left to go. Blood-C manga-ka Ranmaru Kotone is working on a manga adaptation of the Red Data Girl light novels. Chaco Abeno, the creator of sola, also has a new series in the works, Angel + Blood, running in Kadokawa Shoten’s Asuka.

Reviews: Ash Brown checks in with another week’s worth of manga reading at Experiments in Manga.

Jocelyne Allen on Bokura no Hentai (Brain Vs. Book)
Erica Friedman on vol. 2 of Candy (Okazu)
Leroy Douresseaux on vol. 44 of Case Closed (The Comic Book Bin)
Lori Henderson on Chibi Vampire: Airmail and Chibi Vampire: Bites (Manga Xanadu)
Kristin on vol. 5 of Dawn of the Arcana (Comic Attack)
Sean Gaffney on vol. 2 of The Disappearance of Nagato Yuki-Chan (A Case Suitable for Treatment)
Laura on Dracula Everlasting (Heart of Manga)
Lori Henderson on vol. 2 of Dracula Everlasting (Manga Xanadu)
Connie on Dry Heat (Slightly Biased Manga)
Anna on vol. 2 of Jiu Jiu (Manga Report)
Connie on vol. 6 of Kobato (Slightly Biased Manga)
Erica Friedman on Koi no Kaori (Okazu)
Leroy Douresseaux on vol. 4 of March Story (The Comic Book Bin)
Sakura Eries on vol. 1 of Message to Adolf (The Fandom Post)
Leroy Douresseaux on vol. 7 of Psyren (The Comic Book Bin)
Lesley Aeschliman on vols. 34 and 35 of Ranma 1/2 (Blogcritics)
Anna on vols. 1-3 of Record of a Fallen Vampire (Manga Report)
Connie on vol. 8 of Sakura Hime (Slightly Biased Manga)
Sean Gaffney on vol. 1 of School Rumble (A Case Suitable for Treatment)
Connie on vol. 1 of Short Program (Slightly Biased Manga)
Connie on vol. 29 of Skip Beat! (Slightly Biased Manga)
Leroy Douresseaux on vol. 8 of The Story of Saiunkoku (The Comic Book Bin)
Rebecca Silverman on vol. 1 of Strobe Edge (ANN)
Connie on vol. 10 of Toriko (Slightly Biased Manga)
Connie on vol. 2 of Totally Captivated: Totally Peeking Under the Sheets (Slightly Biased Manga)
Matthew Warner on vol. 7 of Ultimo (The Fandom Post)
Connie on vol. 18 of xxxHoLiC (Slightly Biased Manga)
Leroy Douresseaux on vol. 3 of Yu-Gi-Oh! 5D’s (The Comic Book Bin)

Filed Under: MANGABLOG

Comic Conversion: A Wrinkle in Time

October 29, 2012 by Angela Eastman 3 Comments

A Wrinkle in Time | Novel: Madeleine L’Engle / Laurel Leaf | Graphic Novel: Hope Larson / Farrar Strraus Giroux

Meg Murry is the intelligent daughter of two world-renowned scientists, but her world is still falling apart. Unable to cope in school, she’s failing her grade and getting in fights with teachers; meanwhile her four-year-old brother Charles Wallace, the smartest, kindest person in her life, refuses to talk to those outside his family, leaving the whole town thinking he’s a simpleton. Everything would be better with her father around, but Mr. Murry has been missing for years, ever since he went to Washington to work on a top secret project. Then, a mysterious old woman named Mrs. Whatsit appears at their house on a dark and stormy night. She and her friends, Mrs. Who and Mrs. Which, take Meg, Charles, and their friend Calvin on a quest through space and time to save their father and fight a battle against the darkness that threatens to consume the universe.

First published in 1962, A Wrinkle in Time has won a number of awards, including the Newbery medal for children’s literature. Despite that, Madeleine L’Engle had quite a struggle getting it published, being rejected almost 30 times because the story was “too different.” Now, her science fiction novel has been continuously in print for 50 years and continues to make showings on lists of top books for children. In 2010 publishing house Farrar, Strause and Giroux — the original publishers of A Wrinkle in Time — decided to create a graphic novel version of the now classic book, signing on artist Hope Larson to bring the beloved story to life.

I’ve been a long-time fan of Madeleine L’Engle, and though my awe of her really began with A Ring of Endless Light (to this day one of my favorite books) A Wrinkle in Time and all of its companion novels hold their own special place. It’s difficult to think of a contemporary novel, children’s or adult, that you can compare this to. Very basically it is the usual story of good versus evil — the light against the dark — but her characters aren’t as simple as that. Charles Wallace is empathic and smarter than most humans can imagine, but he’s also arrogant, while Meg, the ultimate hero of the story, is emotional, angry, and easily affected by the evil creature IT. When talking about Earth, which is shadowed by a darkness that has taken over many other worlds, their friend Calvin admits, “We make some awful bloopers there.” But, he points out, humankind is fighting the shadow, trying to be better than they have been. That is what A Wrinkle in Time is about, perhaps more than good vs. evil; it’s about knowing and accepting your own faults, and striving to be better than you may have been before.

Right away in the graphic novel we see the famous opening words scrawling across the page: “It was a dark and stormy night.” From that point on, Hope Larson remains faithful to the original book. She did still make the decision to edit down some parts, such as when Meg is momentarily left alone in the darkness after she rescues her father from his prison. These were things that worked very well in the context of the book, increasing the apprehension and Meg’s fear. In the graphic novel, however, this would have resulted in repetitive images and slowed down the pace.

Though L’Engle’s original novel is written in the third person, the story is told entirely from Meg’s point of view. Obviously aware of this, Larson used some effective techniques to keep it that way. Rather than copy-and-pasting narrative passages from the novel, Larson reworded portions so they were Meg’s first-person thoughts, keeping us close to Meg. Larson also does something interesting with her art while Meg is paralyzed — there is none. For five and a half pages there are is nothing but small black squares as Meg struggles to move and listens in on her father and Calvin’s conversation. By keeping the panels small, Larson maintains the steady pace while also creating the feeling of movement more effectively than one black page full of text would have done.

Larson made the interesting choice to color the entire graphic novel in shades of blue. While I would have loved to see the story in full color, the soft monotone grants the images an ethereal quality that fits with the novel’s tone. The character designs, for the most part, were what I’ve been imagining for years: Meg is scruffy and grumpy, and Larson remembered to keep a bruise on her cheek throughout, while Calvin is lanky and adorable. The only one that didn’t quite reconcile with the image I’d had in my head is Charles Wallace. Larson’s attempts to have Charles look far too intelligent and wise for his years made him look a bit strange to my eyes. This works much better later on when Charles is being controlled by IT, but Larson’s design makes him appear a bit creepy long before that’s supposed to be the case.

Really, any problems I have with the graphic novel are just nitpicking. Any changes Larson made were minimal and effective in maintaining the flow and tone of L’Engle’s novel. The biggest issue I had was with some of the character designs, but that’s ultimately a matter of preference rather than quality. Larson’s love and respect for A Wrinkle in Time is apparent in every page, and I couldn’t have ever possibly hoped to experience a more satisfying adaptation of L’Engle’s work. I would always want to urge kids to read L’Engle’s book, it would not be disappointing in the least to see them reading this graphic novel instead.

Filed Under: Comic Conversion, FEATURES & REVIEWS Tagged With: A Wrinkle in Time, graphic novel, Hope Larson, Madeleine L'Engle, Teen Lit

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