• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Home
  • About Us
    • Privacy Policy
    • Comment Policy
    • Disclosures & Disclaimers
  • Resources
    • Links, Essays & Articles
    • Fandomology!
    • CLAMP Directory
    • BlogRoll
  • Features & Columns
    • 3 Things Thursday
    • Adventures in the Key of Shoujo
    • Bit & Blips (game reviews)
    • BL BOOKRACK
    • Bookshelf Briefs
    • Bringing the Drama
    • Comic Conversion
    • Fanservice Friday
    • Going Digital
    • It Came From the Sinosphere
    • License This!
    • Magazine no Mori
    • My Week in Manga
    • OFF THE SHELF
    • Not By Manga Alone
    • PICK OF THE WEEK
    • Subtitles & Sensibility
    • Weekly Shonen Jump Recaps
  • Manga Moveable Feast
    • MMF Full Archive
    • Yun Kouga
    • CLAMP
    • Shojo Beat
    • Osamu Tezuka
    • Sailor Moon
    • Fruits Basket
    • Takehiko Inoue
    • Wild Adapter
    • One Piece
    • After School Nightmare
    • Karakuri Odette
    • Paradise Kiss
    • The Color Trilogy
    • To Terra…
    • Sexy Voice & Robo
  • Browse by Author
    • Sean Gaffney
    • Anna Neatrour
    • Michelle Smith
    • Katherine Dacey
    • MJ
    • Brigid Alverson
    • Travis Anderson
    • Phillip Anthony
    • Derek Bown
    • Jaci Dahlvang
    • Angela Eastman
    • Erica Friedman
    • Sara K.
    • Megan Purdy
    • Emily Snodgrass
    • Nancy Thistlethwaite
    • Eva Volin
    • David Welsh
  • MB Blogs
    • A Case Suitable For Treatment
    • Experiments in Manga
    • MangaBlog
    • The Manga Critic
    • Manga Report
    • Soliloquy in Blue
    • Manga Curmudgeon (archive)

Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Mushishi, Vol. 4

July 15, 2015 by Ash Brown

Mushishi, Volume 4Creator: Yuki Urushibara
U.S. publisher: Del Rey
ISBN: 9780345499233
Released: May 2008
Original release: 2003
Awards: Japan Media Arts Award, Kodansha Manga Award

Although the ten-volumes series Mushishi was Yuki Urushibara’s professional debut as a mangaka, it has been very well-received by both critics and fans. The manga began its serialization in 1999 and would go on to win a Japan Media Arts Award in 2003 and a Kodansha Manga Award in 2006 among other honors and recognitions. Mushishi, Volume 4 was originally published in Japan in 2003. In 2008, Del Rey Manga released the first English-language edition which is now sadly out-of-print. However, as of 2014, the volume has been made available digitally by Kodansha Comics. Mushishi was a series that I stumbled upon when it was initially being released in English. The manga quickly became and continues to be one of my favorite series; Mushishi was one of the first manga that I made a point to collect in its entirety. I love the series’ quiet, creepy atmosphere, its emphasis on life and nature, and the influence of traditional Japanese culture and folklore on the stories being told.

Mushishi, Volume 4 collects five stories. The volume opens with “Picking the Empty Cocoon,” telling the tale of a family with close connections to both mushi and mushishi. They are the caretakers of uro, a particularly useful but dangerous type of mushi. In “One-Night Bridge,” Ginko is invited to a remote village in a deep valley to investigate the case of a young woman who fell to the bottom of the gorge but somehow survived. Except that she’s never been the same since her accident. Plants growing out of season allow a brother and sister to weather harsh winters in “Spring and Falsehoods,” but the mushi that cause the phenomenon aren’t as benign as they first appear. In the fourth story, while traveling through the mountains, Ginko stumbles upon a small family living in a vast bamboo grove. They seem to be trapped there, unable to leave no matter how hard they try; they always end up circling back to their home. The volume concludes with “The Sound of Trodden Grass,” which provides a little more insight into Ginko’s past.

Mushishi, Volume 4, page 112For the most part, Mushishi tends to be fairly episodic. Except for the presence of Ginko, out of all of the stories included in the fourth volume only “The Sound of Trodden Grass” has an explicit connection to any of the other chapters in the series, and it’s only a tangential one. Although none of the stories in Mushishi, Volume 4 are directly related to one another plot-wise, there was one similarity shared between them all that particularly struck me: the prominent role played by families. Looking back, this actually isn’t at all an uncommon theme in Mushishi—families, as well as other tightly knit communities and groups, are frequently featured in the manga. However, through the illness and other problems that follow them, mushi are shown to cause great strife in those relationships. Circumstances caused by mushi’s existence can drive people apart, but in some cases they may actually draw them together. Familial ties are strong and not easily broken, but mushi’s close connection to nature and life and death (including those of humans) is sometimes in conflict with them and they are just as enduring.

The stories in Mushishi are often reminiscent of folktales and legends originating from Japan; Urushibara clearly draws some inspiration directly from that lore. For example, “In the Cage” with its children born of bamboo recalls the story of Kaguya-hime. The fourth volume of Mushishi is influenced by Japanese history, as well. “The Sound of Trodden Grass” features a group of wanderers displaced by mushi known as the Watari who are based on the Sanka people of Japan. (This is even more meaningful to me now after having read Kazuki Sakuraba’s novel Red Girls: The Legend of the Akakuchibas in which the Sanka also play a part.) Some of Mushishi‘s stories can be rather spectacular, with mushi causing phenomena verging on the paranormal, while others are more subdued. Mushi are said to be very close to the original form of life and are therefore inseparable from nature, but they remain mysterious. Mushishi is a collection of tales that delve into that terrifying unknown. Urushibara combines elements of folklore and history along with her own imagination to successfully create a series that feels familiar while still being new.

Filed Under: REVIEWS Tagged With: del rey, Japan Media Arts Award, Kodansha Manga Award, manga, mushishi, Yuki Urushibara

Double Dose of Seven Seas: Pandora in the Crimson Shell: Ghost Urn vs. Magika: Swordsman and Summoner

July 15, 2015 by Sean Gaffney

Pandora in the Crimson Shell: Ghost Urn by Shirow Masamune and Rikudou Koushi. Released in Japan as “Koukaku no Pandora – Ghost Urn” by Kadokawa Shoten, serialization ongoing in the magazine Newtype A. Magika: Swordsman and Summoner by Mitsuki Mihara and MonRin. Released in Japan as “Magika no Kenshi to Shoukan Maou” by Media Factory, serialization ongoing in the magazine Comic Alive. Released in North America by Seven Seas.

As I’ve said before, my tendency to give all Volume 1’s a shot even if I suspect they won’t be my thing at all gets me into a lot of difficulties, particularly with Seven Seas, which is very much an all or nothing company with me. They debuted two new titles this month, one of which not only has the amazing writer-artist team of Shirow Masamune and Rikudou Koushi (leaving Viz means he gets his u’s back), but managed to be on SDCC’s worst manga of the year list despite having been out a total of 5 days when the panel ran. The other one is a harem fantasy from my old nemesis, Comic Alive. Two otaku-pandering titles enter, only one can leave – which one did I like more?

ghosturn1

Pandora gets off to a poor start with that cover, featuring our heroine bursting, semi-mude, from some sort of mosaiced plastic casing. We then get color pages of another heroine dressing up in tiny lingerie. This title definitely does not skimp on the fanservice, as we’ll see throughout the volume. The basic premise involves Nene, our heroine, getting involved with a confident young woman who may actually be a supervillain and her cyborg companion. Nene is also a cyborg and highly idealistic, saying that she wants to see world peace. Sadly, she arrives at her island destination to find a robot gone amok, and only she and Clarion (the other cyborg) can hope to stop it.

On pure skeeze factor, Pandora in the Crimson Shell wins hands down. The sequences where Nene has to finger Clarion in her vaginal ‘port’ are risible, though admittedly I wouldn’t put it past Shirow based on past titles. Speaking of which, the credits show quite a committee working on this title. Rikudou is the main artist in charge, but I had felt that I could only see his art style occasionally, and that may be why. His sense of humor, thankfully, is sometimes more apparent, particularly in the Excel-ish intrepid reporter and the dry tones of Uzal Delilah. The action sequences, which make up much of the second half, are… decent. Basically, if it weren’t for the horrible service and constant sexual assault hints, I may actually have enjoyed this. Sadly, the service and assault is all over the book.

msas1

Magika Swordsman and Summoner is our second title, and reads like a modern-day light novel checklist (appropriate, it’s based on a light novel). Our hero is the lowest of his class at magic school, not good for much yet but stirring water around. He’s also the only male in a class of females. He has an adopted sister (older than him, but acts younger as they only found that out recently), who harbors incestuous feelings for him. At the school, he meets a busty airheaded woman who turns out to be student council president, as well as an angry young blonde who seems very upset that he doesn’t recognize her, for some reason. Oh yes, you can also add in a quiet, stoic elf-girl and a shy girl who can’t deal with men. When he summons an amnesiac diva with no powers (which gets him in trouble, as she may be evil), he discovers he has to form a harem of 72 women in order to become the Harem King.

If you started throwing up halfway through that, you may get the feeling I had while reading this title. Everything about it is from Tropes 101, be it the Magic Academy stuff or the Harem stuff, though I admit 72 is aiming high – even Negima didn’t quite go for that many women. (Yes, it’s from reports of the houris that accompany Muslim martyrs after they die.) Seven Seas’ back cover notes that fans of Dragonar Academy and Zero’s Familiar will enjoy it, and I can’t argue with that – it’s certainly more of the same. The one redeeming feature is the hero, who seems a decent sort and is very uncomfortable with the whole harem concept. We’ll see how long that lasts. Or rather, other readers will.

In general, if you’re going to be a bad manga and keep me interested, it’s best to do it with style. Neither of these titles are things I’d recommend to anyone except SS’s core otaku audience. But honestly, Ghost Urn made me wonder how the cliffhanger might be resolved, whereas with S&S I just didn’t care. On balance, I have to give the edge to Shirow, Rikudou and company here.

Filed Under: REVIEWS

My Week in Manga: July 6-July 12, 2015

July 13, 2015 by Ash Brown

My News and Reviews

So, apparently last week was Shark Week, an annual event on the Discovery Channel. I don’t watch much television or pay attention to programming schedules, therefore it was a complete coincidence that both of the manga that I reviewed last week happened to include sharks! First up was my review of the deluxe hardcover omnibus of Junji Ito’s (comedy?) horror manga Gyo: The Death-Stench Creeps. It’s an incredibly gross and absurd manga and will certainly not be to everyone’s taste. I was entertained by its outrageousness, but overall much prefer his earlier work Uzumaki: Spiral into Horror. The second review last week was of The Legend of Kamui, Volume 1, an influential historical drama by Sanpei Shirota. The manga was actually one of the earliest series to be released in English back in the 1980s. Fortunately, it’s still relatively easy to find even though it’s long been out-of-print. I really wish that more of the series had been translated, though; The Legend of Kamui is excellent.

A couple of interesting things that I came across last week: Shojo Beat’s tenth anniversary celebration continues with five questions for Julietta Suzuki and Haikasoru posted a translation of a conversation between authors Paolo Bacigalupi and Taiyo Fujii from 2013. (I recently reviewed Fujii’s debut novel Gene Mapper, and reviewed Bacigalupi’s novel The Windup Girl, which has been very well received in Japan, at my old review blog Experiments in Reading several years ago.) Last week was the San Diego Comic-Con, but most of the news and announcements seemed to be repeats of Anime Expo. However, there was one newly announced license that was huge: Udon Entertainment will be releasing Riyoko Ikeda’s influential shoujo classic Rose of Versailles! Among other good news, Udon rescued Moyoco Anno’s marvelous shoujo series Sugar Sugar Rune, which makes me very happy. (I reviewed Del Rey’s edition of the first volume a couple of years back.) Udon will also be releasing Yomi Sarachi’s Steins;Gate manga. Kodansha has picked up Kousuke Fujishima’s manga series Paradise Residence. Dark Horse will be re-releasing Hiroaki Samura’s epic Blade of the Immortal in an omnibus edition which is great news since some of the individual volumes are out-of-print and hard to find. (The series is also a favorite of mine.) A couple of other interesting SDCC/manga-related posts: myths from the Manga Publisher Roundtable and a summary of 2015’s Best and Worst Manga panel. Oh, and Shigeru Mizuki’s Showa: A History of Japan won an Eisner Award!

Quick Takes

The Demon Prince of Momochi House, Volume 1The Demon Prince of Momochi House, Volume 1 by Aya Shouoto. There were mainly two things that initially drew my attention to The Demon Prince of Momochi House, the beautiful and somewhat provocative cover illustration and the promise of beautiful and somewhat provocative yokai. Himari Momochi unexpectedly inherits a house when she turns sixteen. As an orphan, it’s the only connection that she has to a family that she has never known. But when she arrives, she discovers a couple of complicating factors: the house is a gateway between the human and supernatural realms, and it is already occupied. Honestly, the story’s setup feels a little forced and employs a few well-worn shoujo tropes; it remains to be seen whether or not Shouoto will do anything clever with them. However, the artwork is attractive and I actually really do like the underlying premise of the manga. Although I wasn’t blown away by the first volume of The Demon Prince of Momochi House, I did enjoy it. The series has great potential and the manga certainly delivers on its promise of beautiful spirits. While I’m not in a rush to read the next volume, I’ll likely continue with the series to see if it develops into something really special or if it will merely remain something that is enjoyable in passing.

Dengeki Daisy, Volume 13Dengeki Daisy, Volumes 13-16 by Kyousuke Motomi. It’s been awhile since I’ve read Dengeki Daisy, but it is a manga that I tend to enjoy. Since the final volume of the series was released in English relatively recently, I figured it was about time for me to catch up. Dengeki Daisy isn’t always the most realistic or believable series—frequently things will happen because they’re convenient for the sake of moving the story forward or are being used as a punchline rather than being a convincing development—but it’s still pretty great. The manga also handles the romance between Teru and Kurosaki very well, especially considering the eight-year gap in their ages. Interestingly, while the last volume quickly wraps up the main story, it’s actually mostly devoted to a small collection of side and bonus stories, generally of a humorous nature. The volume also includes Motomi’s debut manga, “No Good Cupid.” It’s kind of a fun send off for the series, especially as the final story arc is focused more on intense action and drama rather than the manga’s humor or the quirkiness of its characters. However, I always find Motomi’s author notes and commentary to be endlessly entertaining. I definitely plan on reading more of her work in the future.

NightSNightS by Kou Yoneda. Only a few of Yoneda’s boys’ love manga have been released in English, but I enjoy her work immensely and would love to see even more of it licensed. NightS is a collection of stories: “NightS,” about a transporter for the yakuza and an older man with whom he becomes entangled (in more ways than one); “Emotion Spectrum,” a high school romance with a bit of a twist on the usual sort of love triangle; and “Reply,” featuring the blossoming relationship between a car salesman and a mechanic. Although the anthology is called NightS, “Reply” is actually the longest and most involved work in the volume. But even the shorter manga feature well-developed stories and characters. They each come across as an individual with a distinctive personality. This is a particularly important aspect of Yoneda’s manga since the plots tend to be very character focused and driven—people and their relationships, romantic or otherwise, are key to her stories. There is a maturity to the storytelling, as well. And a great sense of humor. Though they aren’t comedies, at times the manga collected in NightS can be quite funny. Also, Yoneda’s artwork is excellent; especially impressive is her use of light and shadow to create drama, mood, and atmosphere.

Filed Under: FEATURES, My Week in Manga Tagged With: Aya Shouoto, demon prince of momochi house, Dengeki Daisy, Kou Yoneda, Kyousuke Motomi, manga

Tokyopop + Disney = Manga Mickey?

July 12, 2015 by Katherine Dacey

Anyone hoping for a definitive statement of Tokyopop’s 2015-16 plans was probably disappointed by the company’s SDCC panel. The company reiterated its intention to do “original manga,” announced it was launching a phone game called Sushi Cross, and hinted that it was negotiating an agreement with Disney. Tokyopop also revealed it will publish a new boxed edition of M. Alice LeGrow’s Bizenghast, one of the company’s best-selling OEL manga titles.

UDON announced that it would be reissuing Moyocco Anno’s tween-friendly fantasy Sugar Sugar Rune (originally published by Del Rey Manga in the 2000s). Also on UDON’s calendar: the oddly punctuated Steins’; Gate, which debuts next month.

If you didn’t make it to SDCC 2015, never fear: Deb Aoki has posted a detailed recap of the Best and Worst Manga Panel of 2015. Although the group focused on new releases from 2015, all five panelists also discussed manga they’d liked to see licensed, from Ai Yazawa’s Neighborhood Story (Gokinjo Monogatori) to Gengoroh Tagame’s My Brother’s Husband (Otouto no Otto).

 

Filed Under: MANGABLOG Tagged With: SDCC, Tokyopop, udon

UDON to Publish Rose of Versailles; Showa Wins Eisner

July 11, 2015 by Katherine Dacey

rose-of-versailles-udonUDON may have scored the biggest coup of SDCC 2015: at its Saturday panel, the publisher revealed that it had acquired the rights to Rose of Versailles. UDON will release Riyoko Ikeda’s ground-breaking shojo manga in a 2-in-1 omnibus format next spring.

Shigeru Mizuki’s Showa 1939-1944 and Showa: A History of Japan, 1944-1953 clinched the Eisner Award for Best U.S. Edition of International Material–Asia, beating out All You Need Is Kill, In Clothes Called Fat, Master Keaton, One-Punch Man, and Wolf Children: Ame & Yuki.

At the Kodansha Comics panel, one new title was announced: Paradise Residence, an ongoing series by Oh! My Goddess creator Kosuke Fujishima. The Kodansha team also gave the audience a sneak peak at volumes 16 and 17 of Attack on Titan–both of which will include special extras–and hinted that they might have some additional licensing news at Otakon.

Dark Horse will publish a new omnibus edition of Hiroaki Samura’s Blade of the Immortal. No publication date has been set.

Sword Art Online: Progressive and Tokyo Ghoul lead this week’s New York Times Manga Best Seller list.

Erica Friedman posts the latest Yuri Network News update.

The new omnibus edition of Chi’s Sweet Home looks ridiculously cute. ‘Nuff said.

The Manga Bookshelf gang previews next week’s new arrivals. Over the Barnes & Noble Sci-Fi blog, Brigid Alverson highlights July’s best manga, from Twin Star Exorcists to Pandora in the Crimson Shell.

News from Japan: The last chapter of So Cute It Hurts! will appear in the August issue of Sho-Comi; eleven volumes have been released to date. Corpse Princess creator Yoshiichi Akahito just launched a new “battle fantasy manga” in Shonen Gangen magazine.

The Japan Times has a fascinating profile of manga-ka Machiko Satonaka, whose series Tenjo no Niji chronicles the life of the Empress Jiro (645-702 AD).

Reviews: Ash Brown jumps in the WABAC machine for a look at Sanpei Shirato’s The Legend of Kamui, which VIZ originally published in English in the 1990s.

ebooksgirl on vol. 10 of Attack on Titan (Geek Lit Etc.)
Connie on vol. 2 of Black Rose Alice (Slightly Biased Manga)
Lesley Aeschliman on vol. 64 of Bleach (WatchPlayRead)
Jocelyn Allen on Deathco (Brain vs. Book)
Leroy Douresseaux on vol. 1 of The Demon Prince of Momochi House (Comic Book Bin)
Svetlana Fedotov on Fragments of Horror (Fangoria)
Matthew Warner on Gyo (The Fandom Post)
Connie on vol. 1 of No. 6 (Slightly Biased Manga)
Connie on vol. 5 of Toradora! (Slightly Biased Manga)
Connie on vol. 1 of Whispered Words (Slightly Biased Manga)
TSOTE on The World of Mud Men (Three Steps Over Japan)
Lesley Aeschliman on vol. 6 of World Trigger (WatchPlayRead)
Ken H. on vol. 2 of xxxHolic Rei (Sequential Ink)

Filed Under: MANGABLOG Tagged With: Dark Horse, Eisner Awards, Kodansha Comics, Rose of Versailles, Shigeru Mizuki, udon

The Legend of Kamui, Vol. 1

July 10, 2015 by Ash Brown

The Legend of Kamui, Volume 1Creator: Sanpei Shirato
U.S. publisher: Viz Media
ISBN: 9781569313183
Released: August 1998
Original release: 1990

Sanpei Shirato’s The Legend of Kamui had its beginnings in 1964 as one of the first series to be published in the influential alternative manga magazine Garo. In the 1980s, Sanpei would continue the manga with a second series, Kamui Gaiden. It was Kamui Gaiden that became one of the earliest manga series to be translated into English and widely published in North America. Between 1987 and 1988, Viz and Eclipse Comics released thirty-seven issues of Kamui Gaiden under the title of The Legend of Kamui, serializing edited versions of two stories: “The Island of Sugaru” and “The Sword Wind.” “The Island of Sugaru,” which was later compiled by Viz into two volumes in 1998, is probably one of the most well-known Kamui stories, and not just because of the Kamui Gaiden live-action film adaptation from 2009. The Legend of Kamui, Volume 1 collects the first half of “The Island of Sugaru,” material from a volume of Kamui Gaiden that was originally published in Japan in 1990.

Kamui is an apostate ninja during Japan’s Edo period, on the run from the members of his clan who consider him to be a traitor when he tries to leave. While traveling through Yumigahama he encounters a woman who, like him, once belonged to a clan of ninja. Sugaru has been able to avoid capture and death long enough to establish a new life with a husband and three children who love her, but she is still being hunted and must be constantly vigilant. Sugaru has managed to survive because she doesn’t trust anyone, and that includes Kamui. Although he helped to save her life when she was attacked by Iga ninja, Sugaru can’t take a chance that Kamui might be trying to kill her as well. After an intense battle in which they are both injured, they part ways. But in a strange twist of fate, Kamui is later shipwrecked on the very island where Sugaru and her family reside. Kamui lives peacefully for a time in the small, remote fishing village and Sugaru’s family becomes very fond of him, but Sugaru would rather see him dead.

The Legend of Kamui, Volume 1, page 255From reading The Legend of Kamui, Volume 1 alone, not much is known about either Sugaru or Kamui’s past lives beyond the fact that they are trying to escape them. The hunted versus the hunter, whether the prey chooses to flee or to fight, is a theme that recurs throughout the manga, mirrored in both nature and human society. Kamui and Sugaru do have the advantage of being exceptionally adept fighters. Although Sugaru does strain under the burden of keeping both herself and her family safe, she is actually one of the strongest characters in The Legend of Kamui, Volume 1, exhibiting both great determination and martial prowess. Her skills rival and in some cases surpass those held by Kamui. Tragically, and understandably, due to her circumstances Sugaru has lost her ability to trust others; it’s simply no longer an option for her. Kamui, on the other hand, has so far managed to retain that part of his humanity, even though it has put his life in danger on multiple occasions.

I really wish more of The Legend of Kamui had been released in English because the series is excellent. The characters are complex, as are their personal struggles and their searches for freedom in an era that could be unforgiving, harsh, and violent. The action sequences are exciting and dynamic. Although a few ninja tricks are employed during the life-or-death battles—secret techniques, impressive acrobatics, illusions and transformations—there is a sense of realism that pervades The Legend of Kamui. In between the dramatic conflicts are the quieter moments of everyday life in a fishing village. Initially it appears as though Kamui, like Sugaru, will be able to outrun his fate and have a chance at a peaceful, happy existence. He learns to fish and becomes friendly with the villagers who are more than happy to welcome a strong young man into their midst. The Legend of Kamui, Volume 1 offers hope that such changes are possible, but ultimately taking charge of one’s own destiny is a difficult path to follow.

Filed Under: REVIEWS Tagged With: Legend of Kamui, manga, Sanpei Shirato, viz media

Dark Horse Reveals 2016 Publishing Plans

July 9, 2015 by Katherine Dacey

I_am_a_HeroDark Horse announced it will publish four new manga in 2016–Danganronpa: The Animation, I Am a Hero, Fate/Zero, and Giganto Maxia-–and reissue RG Veda, formerly a Tokyopop property. Dark Horse also revealed plans for spiffy omnibus editions of Astro Boy and Oh! My Goddess.*

At VIZ’s Shonen Jump panel, editors confirmed that Gakkyu Hotel: School Judgment will make the leap to print in February 2016, while Best Blue, a brand-new shonen sports manga, will appear simultaneously in the Japanese and American editions of Weekly Shonen Jump.

Jennifer de Guzman talks to creators Rikki Simmons, Tavisha Wolfgarth-Simons, and Sophie Campbell about their experiences publishing OEL manga with Tokyopop in the mid-2000s.

Do you love writing about shojo? Laura at Heart of Manga wants to hear from you; she’s currently looking for contributors.

News from Japan: After three years of sporadic updates, Kentaro Miura’s Beserk will resume regular serialization in Young Animal magazine on July 24th. The Attack on Titan: Lost Girls light novel is being adapted into a manga for Bessatsu Shonen Magazine; look for the first chapter in August. Fans of My Love Story!! should mark their calendars: the live-action film opens on October 31st.

Reviews: Michelle Smith, Anna N., and Sean Gaffney post short reviews of Assassination Classroom, Love at Fourteen, Say I Love You, and other recent releases. Over at The Comics Journal, Joe McCulloch tackles Junji Ito’s new anthology Fragments of Horror.

Joseph Luster on vol. 5 of Ajin: Demi-Human (Otaku USA)
Sean Gaffney on vol. 1 of Alice in Murderland (A Case Suitable for Treatment)
Carrie Hildebrand on vol. 64 of Bleach (Three If By Space)
Rebecca Silverman on vol. 1 of Chaika: The Coffin Princess (Anime News Network)
Joseph Luster on Dream Fossil: The Complete Stories of Satoshi Kon (Otaku USA)
Amanda Vail on Dream Fossil: The Complete Stories of Satoshi Kon (Women Write About Comics)
Alice Vernon on vol. 1 of Emma (Girls Like Comics)
Leroy Douresseaux on Fragments of Horror (Comic Book Bin)
Joseph Luster on Fragments of Horror (Otaku USA)
confused muse on Fruits Basket (Organization Anti-Social Geniuses)
Ash Brown on Gyo: The Death Stench Seeps (Experiments in Manga)
Matthew Warner on vol. 4 of High School DxD (The Fandom Post)
Lesley Aeschliman on vol. 5 of Kiss of the Rose Princess (WatchPlayRead)
Matthew Warner on vol. 5 of Little Battlers Experience (The Fandom Post)
Naru on vol. 1 of Love Stage!! (Organization Anti-Social Geniuses)
Joseph Luster on vol. 1 of My Hero Academia (Otaku USA)
Sakura Eries on vol. 8 of My Little Monster (The Fandom Post)
Sakura Eries on vol. 4 of My Love Story!! (The Fandom Post)
Lesley Aeschliman on vol. 10 of Nisekoi: False Love (WatchPlayRead)
Matthew Warner on Puella Magi Oriko Magica: Extra Story (The Fandom Post)

* Editorial note: As my colleague Brigid Alverson reported in May, Dark Horse originally announced many of these licenses at an unscheduled Anime Central panel. The title of the post has been updated to reflect the error.

Filed Under: MANGABLOG Tagged With: Dark Horse, Licensing News, SDCC, Shonen Jump, Tokyopop, viz media, Weekly Shonen Jump

Bookshelf Briefs 7/9/15

July 9, 2015 by Sean Gaffney, Michelle Smith and Anna N 1 Comment

After a bit of a break, Sean, Michelle, and Anna offer up a hefty serving of briefs, including recent releases from Seven Seas, Viz Media, Yen Press, and Kodansha Comics.

junkboxAlice in the Country of Hearts: Junk Box Stories | By QuinRose and Mamenosuke Fujimaru | Seven Seas – In general, the stories done by Fujimaru, the ‘default’ Alice artist, have a higher quality to them than the other spinoffs, even in a grab bag collection of short stories like this. There’s a little bit for everyone here (except Julius, my own favorite – sigh), and if you don’t like the Twins as an Alice pairing – which I don’t – wait 10 minutes and we’ll have moved on. The best story in the collection involves Gray, Nightmare’s right-hand man, attempting to get Alice to realize he likes her despite his maturity and her own self-image issues. I feel like I know Gray better now than I did with the Lizard series. Alice fans who want more content should enjoy this. – Sean Gaffney

assassination4Assassination Classroom, Vol. 4 | By Yusei Matsui | Viz Media – To defeat a culture of bullying – and let’s face it, the entire school in Assassination Classroom is based around “Bullying is good for you” – requires that the class develop strong bonds between each other and with their teacher. They need to learn to take pride in themselves – which they do at the end of one arc here, insisting that they won’t let an outsider kill Koro-sensei, they have to be the ones to do it. And of course they gain skills through assassination training, which by its very nature also teaches you about everything under the sun. Even Irina is becoming part of the group. This must be worrying the school principal – the cliffhanger seems to say he’s going to make sure this class Knows Their Place. Fantastic as always. – Sean Gaffney

blexorcist13Blue Exorcist, Vol. 13 | By Kazue Kato | Viz Media – right from the beginning, this manga has reminded us that it’s darker than the usual Jump fare and that people are going to die. Right at the start of this volume we see one of the bad guys, moved by Izumo’s plight, try to help her escape… and she’s horribly murdered for her trouble. Our heroes have arrived at last, but are split up and attacked by ghouls – or is it zombies? Far too many of those coming out from Viz Media this month in any case. And of course there’s Renzo, our double-triple-quadruple agent, who we still aren’t sure about. Killing off Izumo’s familiars is not going to win him friends, though. If there’s one big drawback to this series, it’s that it comes out far too slowly. It should move to Weekly Jump. – Sean Gaffney

9781421576886_manga-Food-Wars-Graphic-Novel-6Food Wars!, Vol. 6 | By Yuto Tsukuda and Shun Saeki | Viz Media – In case anyone was wondering how Soma got the drive to always succeed that we’ve seen in these first few volumes, we’re introduced to his father, the top chef of his own class (though he never did graduate), who promptly creams Soma in a breakfast competition.. and it’s revealed has creamed Soma almost 500 times over the course of his life. Suddenly a schoolwide curry competition seems less taxing. Even though ‘curry’ is pretty broad a topic. I could have done without another teacher who looks like a teenager but is really far older, but in any case most of this is clearly setup for what’s likely to be an amazing set of cooking shonen drama in the next volume. Yum. – Sean Gaffney

9781626921542_manga-Haganai-I-Dont-Have-Many-Friends-Graphic-Novel-11Haganai: I Don’t Have Many Friends, Vol. 11 | By Yomi Hirasaka and Itachi | Seven Seas – She may be very hard to like, but there’s no denying that Yozora remains the most fascinating part of Haganai, and the best reason to keep reading. Most of the Friends Club are at least occasionally making the effort to reach out to each other, but Yozora created this club for her and Kodaka, and is still incredibly resentful that it’s hijacked. She’s also trapped in the past, something Sena rightfully calls her out on here, and later on Kodaka does the same thing. This is a shame, as she’s already shown when she applies herself she can do great things – her play here impresses everyone, even Sena. But of all the cast struggling to move forward, I think Yozora will be the last to do so, and the final part of this still ongoing series. – Sean Gaffney

9781421579702_manga-Kamisama-Kiss-Graphic-Novel-18Kamisama Kiss, Vol. 18 | By Julietta Suzuki | Viz Media – This series is now three times as long as Karakuri Odette – remember that? – and after a long and intense arc in Tomoe’s past, is trying to get back to basics with Nanami dealing with school, and the fact that her grades are absolutely awful. But after all this time, she just can’t quite get away from life-threatening crises, or indeed sacrificing herself in order to save even her enemies, which has always been Nanami’s greatest strength and greatest weakness. And rescuing her friends, even if they’ve been turned into dolphins at the behest of a cruel and noble mermaid. I do wonder if Aimi will remember what happens to her, or if we’ll get a convenient memory erasure soon. In any case, still good. – Sean Gaffney

9780316298766_manga-Love-at-Fourteen-Graphic-Novel-03Love at Fourteen, Vol. 3 | By Fuka Mizutani | Yen Press – The title is important in this series. We’ve gotten so used to shoujo romance involving young teenage students that the fact that the leads are fourteen-year-olds is more likely to have a reader say “Yes, and?”. But they’re all still maturing, and insecure, and at a very impressionable period in their lives. So we see Kanata and Kazuki deal with their first fight, which starts indirectly and continues simply as they misunderstand each other’s absences. We see Nagai, seemingly betrayed by Hinohara, lashing out in pain and regret, even as he tries to protect her from any consequences. As for Hinohara herself, she’s still the one aspect of this manga that makes me worry. We’ll see what happens next time. – Sean Gaffney

9781421559629_manga-Magi-Graphic-Novel-12Magi, Vol. 12 | By Shinobu Ohtaka | Viz Media – The core trio of Aladdin, Alibaba and Morgiana is fun to watch and heartwarming to see develop, but it’s become increasingly clear that Alibaba relies on it more than the other two. So the latter half of this volume, where both Aladdin and Morgiana realize they need to go on their own journeys in order to become stronger, devastates him. Sadly, his acting like a whiny, pathetic young teenager is also very in character, and I hope that he learns a valuable lesson soon. Elsewhere, Sinbad shows off why he’s not the hero of this tale, as his character development has mostly already happened. He easily takes out the volume’s villain, and his seduction techniques are so good they’re made fun of in the extras. Magi is a ton of fun. – Sean Gaffney

9781612629926_manga-My-Little-Monster-Graphic-Novel-8My Little Monster, Vol. 8 | By Robico | Kodansha Comics – This series is an interesting blend of familiar shoujo scenarios—like the start of the gang’s second year bringing with it a quirky new first-year character who immediately falls in love with Haru—and a distinctly different vibe that actually makes it seem possible that the two leads will not actually end up together. Granted, Haru and Shizuku do finally become an official couple in this volume, and there are plenty of sweet, significant moments between them, but there are also some missed connections, and the occasional insight into just how broken Haru is that makes their long-term prognosis as a couple less assured than many others I could name. It was lovely to have a small stockpile of volumes to consume over a weekend, and now I’m kind of bummed that volume nine is a whole cruel month away. – Michelle Smith

9781421571485_manga-My-Love-Story-Graphic-Novel-5My Love Story!!, Vol. 5 | By Kazune Kawahara and Aruko | Viz Media – I hope at some point we get a Suna-centric side story, because in this volume he’s at his watchful and sympathetic best as he observes Saijo developing a crush on Takeo, despite the fact that Takeo and Yamato have such a strong relationship. Saijo eventually confesses her feelings, and Suna helps her deal with the aftermath, as Takeo nicely turns her down and reaffirms his commitment to his girlfriend. Takeo and Yamato also celebrate a birthday and learn some important lessons about matchmaking. This manga continues to be unusual in the refreshing lack of drama in each volume, and the smaller more heartwarming moments that continue to drive the love story forwards. Always a great read. – Anna N

9781421580241_manga-Natsumes-Book-of-Friends-Graphic-Novel-18Natsume’s Book of Friends, Vol. 18 | By Yuki Midorikawa | Viz Media – The first story in this volume is cute and fun, and the last one is sweet but melancholy. But it’s the met of this book that most folks will be talking about, as Natori ends up overhearing about the Book of Friends, something that Natsume has been trying to keep a secret from him for a long, long time. Like most subplots in this series, we’re unlikely to see the consequences of this play out immediately. But it continues the motif of Natsume learning to open up and trust people even as the yokai that he deals with every day show the dark side of trusting humans. There’s a very good reasons that yokai and humans are of two worlds, and Natsume’s precarious balance between them is what makes this manga so addictive. – Sean Gaffney

9781626921528_manga-Nurse-Hitomis-Monster-Infirmary-Graphic-Novel-2Nurse Hitomi’s Monster Infirmary, Vol. 2 | By Shake-O | Seven Seas – There are some more students with teenage problems introduced here – a winged girl who.hates rules and confinement, a boy who finds growing breasts shows him how women deal with things, and a girl who will eat absolutely anything. But honestly, I suspect most of the audience for this title will only be interested in Kaminaga-sensei, who is the prettiest teacher in school, can control and manipulate her extremely long hair, and is, as one student puts it, “a great big lesbo!” This falls directly in ‘comedy lesbian’ territory, complete with lots of sexual assault of Hitomi, her object of affection. Still, this is a light fluffy comedy series, so that only makes sense. Enjoyable if you don’t take it remotely seriously. – Sean Gaffney

9781612626734_manga-Say-I-Love-You-Graphic-Novel-8Say I Love You., Vol. 8 | By Kanae Hazuki | Kodansha Comics – After a couple of intensely character-driven volumes—particularly focusing on teen model Megumi—we come to a slightly lighter (though not insignificant) story about a school idol contest that Mei ends up entering in an attempt to prevent anyone else from winning the grand prize of a date with the male winner, who is sure to be Yamato. I suppose it was predictable that Mei would end up surprising the audience with a stunning transformation, but the way the contest ultimately plays out should have some interesting repercussions for Mei and Yamato’s relationship. I also quite like that Mei is definitely thinking about going all the way with Yamato, but doesn’t want to do it for the wrong reasons. I’m starting to believe we’ll actually see them take this next step, which is pretty rare for a high school romance manga. – Michelle Smith

Filed Under: Bookshelf Briefs

Pick of the Week: Plenty of Shoujo

July 9, 2015 by Sean Gaffney, Michelle Smith, Anna N, Ash Brown and MJ Leave a Comment

what9SEAN: There’s some nice Viz stuff out this week, both new and old, as well as a few choice titles from other publishers. I suspect the MB team will be warring between What Did You Eat Yesterday? and Sunny. I will be picking My Love Story!!, because it’s still the most adorable shoujo out there.

MICHELLE: Actually, although What Did You Eat Yesterday? was indeed my initial impulse, especially since I won’t be able to pick it again for who knows how long, I’m going to vote for Yukarism because volume two really won me over and I’m excited to check out volume three.

ANNA: There’s a ton of great manga coming out this week. Since Michelle already picked Yukarism, I’m going to swing my vote over to The Demon Prince of Momochi House because I am shallow and enjoy manga about handsome spirits.

ASH: Well, so as not to completely disappoint Sean, I’ll throw my pick to the most recent volume of What Did You Eat Yesterday?. Actually, I was going to pick that anyway. Or, was I?! My Love Story!! is an excellent choice, as is Sunny. It’s a great week for great manga!

MJ: I’m pretty torn here, but I don’t really have anything original so I’ll simply echo Ash’s sentiment! I choose What Did You Eat Yesterday? as my official pick, but that won’t stop me from picking up the rest as well! Sorry, Sunny, for leaving you in the cold. Yoshinaga always wins.

What looks good to you this week?

Filed Under: PICK OF THE WEEK

Manga the Week of 7/15

July 8, 2015 by Sean Gaffney, Michelle Smith, Ash Brown, MJ and Anna N Leave a Comment

SEAN: Mid-July is a good-sized week, but not completely overwhelming like the first/third weeks tend to be. Let’s see what’s happening.

Dark Horse has the second volume of Oreimo spinoff Kuroneko, marketed to the six remaining Oreimo fans who didn’t scream in anger at the end of the main series.

Kokoro Connect has proven to be a fast favorite of mine, and so I am very happy to see the fourth volume from Seven Seas.

msas1

Magika Swordsman and Summoner is the new series debut of the week. It’s fantasy, it has a magical school, our hero is bullied by the students for his status, he amasses a crew of girls who like him, *and* it runs in Comic Alive. If ever a series screamed “License me, Seven Seas!”, this is it. And so they did.

The Sacred Blacksmith also has a new volume, its eighth.

For BL fans, there is the second volume of Love Stage!! from SubLime.

MICHELLE: I wasn’t entirely sold on volume one, but I’m at least willing to check out the second.

ASH: I actually still need to read the first volume…

MJ: Same here.

SEAN: And also a 2nd volume of The World’s Greatest First Love.

I’m loving Vertical’s My Neighbor Seki as much as I thought I would, and the arrival of a third volume fills me with glee.

ASH: My Neighbor Seki is an incredibly delightful series!

ANNA: I haven’t read this yet and I feel guilty.

MJ: I second the glee!

07gh17

SEAN: The rest is Viz. I believe that Vol. 17 is the final volume of 07-GHOST, though Anna can likely confirm that. Bye, 07-GHOST! You were a good license rescue that I fell so far behind on I may never catch up.

MICHELLE: I still intend to read it, one of these days!

ANNA: I also have not caught up on this series and feel even more guilty, because I liked the first few volumes.

SEAN: Case Closed has Vol. 55, which is not the final volume, or even close to the final volume. It’s a long series is what I’m saying.

The 9th Ranma 1/2 omnibus has one of my favorite arcs of the series, where Akane gets so mad she declares that Nabiki can be Ranma’s fiancee instead, and the fallout that happens is magical. Oh, and we’ll also meet Pantyhose Taro, who… I will not spoil.

There is an 18th volume of RIN-NE, where the plot finally comes into focus and nothing will be the same anymore… OK, I can’t even type that with a straight face.

MICHELLE: I still like RIN-NE, though, particularly when I’m in the mood for something not mentally challenging.

SEAN: Lastly, a 7th volume of superhero manga with BL tease Tiger & Bunny.

Is there a favorite here for you?

Filed Under: FEATURES, manga the week of

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 541
  • Page 542
  • Page 543
  • Page 544
  • Page 545
  • Interim pages omitted …
  • Page 1054
  • Go to Next Page »
 | Log in
Copyright © 2010 Manga Bookshelf | Powered by WordPress & the Genesis Framework