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Narutomania

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Naruto app

This is a big week for Naruto fans, as the 72nd and final volume of the series comes out in print, the the one-volume sequel Naruto: The Seventh Hokage and the Scarlet Spring is released in digital, and creator Masashi Kishimoto appears as a special guest at New York Comic Con, where the film Boruto: Naruto the Movie also gets its North American premiere.

Viz is also launching a dedicated Naruto app for iOS and Android devices that will feature a new chapter of the manga every day for free (each chapter stays up for seven days). The app syncs with their VizManga digital service, and for the month of October, Viz is offering discounts on Naruto volumes, with the first five volumes going for just $1.99 each. They also have some sweet bundles, and any purchase will get you an e-book of digital extras, including Kishimoto’s original pilot that ultimately turned into Naruto.

Here’s Kishimoto-sensei’s New York Comic Con schedule—and stay tuned for update and reports from the show:

Masashi Kishimoto NYCC

Pick of the Week: Almost a Clean Sweep

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qqsweeper1SEAN: Everything comes to an end, and we have three major series ending this week. My pick is for the final volume of Oh My Goddess!. It’s the 2nd manga series I ever read, after Ranma 1/2, and I’ve literally been reading it as long as I’ve read manga. Seeing it come to an end is surprising – I honestly thought it would run forever, like Sazae-san. Here’s hoping Keiichi and Belldandy finally get the honeymoon they’ve deserved for the last 25 or so years.

MICHELLE: And while some things end, others begin, like the latest series from Kyousuke Motomi (Beast Master, Dengeki Daisy), QQSweeper! I’m partway through the debut volume now and enjoying it immensely, so it easily earns my Pick of the Week award.

ASH: QQ Sweeper is my pick, too! Although I still need to read Beast Master, I really enjoyed Dengeki Daisy, even more than I expected that I would. I’m definitely looking forward to the debut of Motomi’s newest series in English.

ANNA: I enjoyed Dengeki Daisy very much, and while QQ Sweeper doesn’t feature another older hacker janitor/schoolgirl romance, Motomi’s delightfully quirky storytelling habits make it my pick of the week. I’m looking forward to seeing what happens with this more supernatural shoujo series.

MJ: I admit that I fizzled out early on Dengeki Daisy, but QQ Sweeper hooked me right away. It hits all my contemporary shoujo sweet spots, and I really can’t wait to read the next volume. This is absolutely my pick of the week.

So Cute it Hurts! Vol 3

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So Cute it Hurts! Volume 3 by Go Ikeyamada

This is an excessively silly series, but I’ve been enjoying it, mostly because of the amount of plot twists that get resolved in each volume, so more goofy subplots can promptly develop. Also, I feel like Shojo Beat should always be publishing at least one title where the heroine cross dresses just on principle.

I feel like in many shoujo series, the fraternal twins’ cross dressing antics would fuel plot lines for 4-5 volumes, but in So Cute it Hurts! their true identities were unmasked at the end of the second volume. Aoi, the delinquent boy with a crippling physical aversion to female contact is surprised when the boy he’s been hanging out with is unmasked as Mitsuru’s sister Megumu. At the same time, Mitsuru’s masquerade is uncovered by mean girl Azuza. Aoi deals with the psychological impact of being around a girl unknowingly, and Azuza blurts out a confession of her crush to Mitsuru instead of revealing his secret. Meanwhile, Mitsuru is struggling with his feelings for Shino, but doesn’t want to ruin their friendship by telling her that he’s actually a boy. Oh, the tangled storylines of cross dressing shoujo romance!

When the week-long switch ends after Megumu has taken Mitsuru’s tests for him, there’s still plenty of emotional fall-out as Megumu pines for Aoi, and he begins to come to terms with his own feelings. Aoi’s allergy to girls causes some hilarious reactions when he and Megumu get closer, although they have to stay a certain distance apart to avoid triggering him. Their budding romance is indeed ridiculously cute, and while this manga in no way approaches both the hilarity and emotional depth of My Love Story!!, it is still entertaining. Ikeyamada ratchets up all the emotional reactions of her characters for added hilarity. While this volume focused a bit more on Megumu, I can see how the next volume is going to be focusing more with the love triangle Mitsuru is in since the object of his affections does not even know him as a boy while Azuza continues to have a violent crush on him. So Cute it Hurts! continues to be a fun read for those who enjoy romance with broad comedy.

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Bookshelf Briefs 10/5/15

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Sean and Michelle present another round of Bookshelf Briefs!

assclass6Assassination Classroom, Vol. 6 | By Yusei Matsui | Viz Media – It’s unsurprising that there are people in Class E who are somewhat resentful of what Koro-sensei is trying to do. The entire class, as we’ve seen, is not of one mind, and Terasaka is perfectly happy scraping along at the bottom. Of course, Koro-sensei can win anyone over, though it also takes some tough love from Karma as well. Things are going pretty well for our heroes, though, which is why it’s time to introduce a new villain—this one the son of our main villain, the school principal. Asano is there to ensure that Class E does not make headway in the school exams. I’m not sure if he’ll succeed, as the class making headway would result in their promotion, which would make it hard to continue the series. Good stuff. – Sean Gaffney

onlyvampire4He’s My Only Vampire, Vol. 4 | By Aya Shouoto | Yen Press – Aki’s pursuit of the seven stigmas needed to gain the power to wake his slumbering brother continues, despite the objections of a pair of angels, culminating in the acquisition of a third stigma and the apprehension of the serial killer who’s been on the periphery since the beginning of the series. This is an entertaining volume, largely due to some manipulation of shoujo tropes. A classmate goes missing, and ordinarily we would expect the heroine and friends to succeed in rescuing her, but that does not happen. Then we get the “our leads fill in for a school drama performance” plot, including Aki in drag, but this old idea is made fresh by the lurking supernatural menace. Of the three Aya Shouoto series coming out presently, I like He’s My Only Vampire the best. The tone is darker and more consistent and plotting feels more sure-footed as well. Recommended! – Michelle Smith

kokoro5Kokoro Connect, Vol. 5 | By Sadanatsu Anda and CUTEG | Seven Seas – Being an ongoing light novel series whose manga was going to end here, I’m not surprised that Kokoro Connect has a very open ending that doesn’t really resolve the main love triangle or Heartseed. But it does continue to do what it does well, which is put its cast through the wringer—particularly Inaba, whose self-loathing turns out to be just as bad if not worse than Iori’s sense of self issues. The weak link here is Taichi, whose “knight complex” gets called out here without nearly as much development in the narrative. Still, it’s a solid ending that leaves things open for a second series (though one hasn’t happened as of yet in Japan). A surprisingly emotional romantic comedy with psychological underpinnings. – Sean Gaffney

lovefourteen4Love at Fourteen, Vol. 4 | By Fuka Mizutani | Yen Press – As the focus expands slightly to show us other students in this series, it’s clear that not only do Kazuki and Kanata have the whole ‘mature’ thing going for them, but their own love affair is the only one that’s going relatively smoothly. There are issues like a need for closeness and face time, but given they’re both fourteen that’s understandable. To contrast this, we have the ongoing teacher/student relationship that knows it’s wrong but just can’t stop itself, the yuri writer whose Kanata fantasies are getting more robust, and the standard “why the hell won’t he notice me, dammit” girl who’s growing her hair out for the clueless guy she likes. Honestly, the main couple is the main reason to read this—the rest grates. – Sean Gaffney

qqsweeper1QQ Sweeper, Vol. 1 | By Kyousuke Motomi | VIZ Media – Stop me if you’ve heard this one before. Here we have a Kyousuke Motomi shoujo manga featuring a custodian with past trauma for which he blames himself and the plucky orphan who is recruited to work alongside him. Happily, while there are obvious similarities to Dengeki Daisy, the tone of QQ Sweeper distinguishes itself nicely and its lead characters are distinct, as well. (Also, while Kyutaro describes himself as “the custodian of the Genbu Gate,” it’s not really a janitorial position.) I particularly like Fumi, both in character design and personality, especially her unabashed pursuit of a rich husband but unwillingness to get in the way of true love. I’m still positive she and Kyutaro will end up together, but for now I love that she’s not even considering him romantically, despite telling him “you’re special to me.” I really enjoyed this debut and look forward to more! – Michelle Smith

My Week in Manga: September 28-October 4, 2015

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My News and Reviews

A few different things were posted at Experiments in Manga last week. First of all, it’s time for the most recent monthly giveaway. The winner will be announced on Wednesday, so you all still have a chance to enter to win the first volume of Madoka Takadono and Utako Yukihiro’s Devils and Realist. The honor of the first in-depth review for October goes to Jim Zub and Steve Cummings’ Wayward, Volume 2: Ties That Bind, which continues to successfully meld the history and legends surrounding yokai with a brand new story. The series, which I’m thoroughly enjoying, would probably make a great entry point for manga fans who would be interested in exploring American-style comics. Finally, over the weekend I posted September’s Bookshelf Overload.

As for some of the interesting things that caught my attention elsewhere online last week: Foreign Policy has a nice piece about evolving LGBT rights in Japan and the role that manga like Wandering Son and boys’ love has played in it; Otaku USA has an interview with the (in)famous mangaka and tentacle master Toshio Maeda; it looks as though Masahiko Matsumoto’s long-awaited Cigarette Girl is currently scheduled for release in 2016 by Top Shelf; and Digital Manga, despite the trouble it seems to be having actually publishing anything in print these days, has launched its newest Tezuka Kickstarter aiming to release Wonder 3 and, as a stretch goal, The Film Lives On.

Quick Takes

The DivineThe Divine by written by Boaz Lavie and illustrated by Asaf Hanuka and Tomer Hanuka. The striking color artwork of The Divine is what first caught my attention. (It looked vaguely familiar, and indeed, it turns out that Tomer created the cover art for Haikasoru’s recent Battle Royale releases.) The graphic novel follows Mark, an explosives expert, who travels to a remote Southeast Asian country on a military contract. The mission seems relatively straightforward—blowing up a mountain, supposedly to help the locals gain better access to its rich mineral resources—but Mark ends up caught up in the local civil war when he’s captured by a group of young rebels. Mixing mythology and modern warfare and the supernatural with man-made terrors, the comic is graphic in its blood and violence. The artwork is consistently great, but I found the narrative to be a little uneven and none of the characters are particularly likeable. The Divine was in part inspired by a photograph of the twelve-year-old Htoo twins from Burma, the leaders of the God’s Army guerrilla group in the 1990s. Although I did enjoy The Divine, I think I’d actually be even more interested in seeing a direct retelling of their story.

Inuyashiki, Volume 1Inuyashiki, Volume 1 by Hiroya Oku. It’s been a long while since I’ve read any of Gantz, the series that Oku is most well-known for, but I was still curious about Inuyashiki, his most recent series to be released in English. Almost unheard of in manga available in translation, which largely tends to be targeted at a younger audiences, one of lead characters, the titular Ichiro Inuyashiki, is nearly sixty years old. In fact, he looks even older than that. The first volume of Inuyashiki seems to mostly be a prologue for the rest of the series, establishing the premise of the manga and introducing the characters who will become the major players. Oku makes a point to emphasize just how sad and miserable Inuyashiki’s life is before killing him and another innocent bystander off in a freak accident. Granted, they are then both resurrected as extraordinarily powerful, weaponized cyborgs. In the case of Inuyashiki, he’s using his new-found abilities for good, and in spectacular fashion, too. As for the other victim, I don’t expect that he’ll be quite as magnanimous. Inuyashiki, as ridiculous as its setup is, has a promising start. I’m rather curious to see the direction Oku will be taking the series.

Suikoden III: The Successor of Fate, Volume 1Suikoden III: The Successor of Fate, Volumes 1-5 by Aki Shimizu. Although I am aware of the RPG series, I haven’t actually played any of the Suikoden video games. I was specifically interested in the Suikoden III manga adaptation for two reasons: the entire Suikoden series is loosely based on the Chinese classic Water Margin, and I generally enjoy Shimizu’s work (which also tends to have a Chinese influence). An overview of the previous two Suikoden stories is provided before the manga gets underway; it’s a nice, but largely unnecessary addition. The Successor of Fate seems to stand well on it own, so far. The manga doesn’t really feel like a video game adaptation, either, which I was happy to discover. References are made to past events (and past games, technically), but for the characters that history is shrouded in myth and legend. At this point The Successor of Fate hasn’t really made itself stand out from most other epic fantasy series, but its a solid beginning and, despite a few infodumps, there are plenty of things to like: a large cast of characters (including quite a few women in prominent roles), prophecies and magic, politics and intrigue, battles that rely on strategy as much as strength, and so on.

Bookshelf Overload: September 2015

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Makoto Yukimura’s Vinland Saga is back! The publication of the manga’s sixth omnibus was one of my most anticipated releases for September. I was also very excited for Requiem of the Rose King, Volume 2 by Aya Kanno, which I’ve already managed to review. I was happy to see the second volume of The Ancient Magus’ Bride by Kore Yamazaki as well. September was also a successful month for me in regards to out-of-print shoujo series like Red River by Chie Shinohara. (I’m hoping to find Kyoko Hikawa’s From Far Away, next.) I stocked up on more Japanese crime and mystery novels in September, too, partly inspired by my recent reading of Yukito Ayatsuji’s The Decagon House Murders. I’m actually currently reading Another by the same author and should have a review up in the relatively near future.

Manga!
The Ancient Magus’ Bride, Volume 2 by Kore Yamazaki
Haven’t You Heard? I’m Sakamoto, Volume 1 by Nami Sano
Love Stage!!, Volume 3 by Eiki Eiki
Lucifer and the Biscuit Hammer, Omnibus 4 by Satoshi Mizukami
Master Keaton, Volume 4 written by Hokusei Katsushika, Takashi Nagasaki, illustrated by Naoki Urasawa
Mobile Suit Gundam: The Origin, Volume 11: A Cosmic Glow by Yoshikazu Yasuhiko
One-Punch Man, Volume 1 written by One, illustrated by Yusuke Murata
Pandora Hearts, Volumes 2-3 by Jun Mochizuki
Planet Ladder, Volumes 1-7 by Yuri Narushima
Red River, Volumes 1-28 by Chie Shinohara
Requiem of the Rose King, Volume 2 by Aya Kanno
Showa: A History of Japan, 1953-1989 by Shigeru Mizuki
A Silent Voice, Volume 3 by Yoshitoki Oima
Terra Formars, Volume 8 written by Yu Sasuga, illustrated by Ken-ichi Tachibana
Vinland Saga, Omnibus 6 by Makoto Yukimura
Witchcraft Works, Volume 5 by Ryu Mizunagi
Yamada-kun and the Seven Witches, Volume 4 by Miki Yoshikawa
The Young Magician, Volumes 1-13 by Yuri Narushima

Manhua!
Monkey King, Volume 1: Birth of the Stone Monkey by Wei Dong Chen
Three Kingdoms, Volume 1: Heroes and Chaos written by Wei Dong Chen, illustrated by Xiao Long Liang

Comics!
Deep Dark Fears by Fran Krause
Flutter, Volume 2: Don’t Let Me Die Nervous written by Jennie Wood illustrated by Jeff McComsey
Hark! A Vagrant by Kate Beaton
Heart in a Box written by Kelly Thompson, illustrated by Meredith McClaren
Ikebana by Yumi Sakugawa
Julio’s Day by Gilbert Hernandez
Little By Little by Guilt|Pleasure
Nanjing: The Burning City by Ethan Young
Never Learn Anything from History by Kate Beaton
Oh Joy Sex Toy, Volume 2 by Erika Moen
Peacock Punks written by Dale Lazarov, illustrated by Mauro Mariotti Janos Janecki
Sacred Heart by Liz Suburbia
Step Aside, Pops by Kate Beaton
Speculative Relationships, Volume 2 edited by Tyrell Cannon and Scott Kroll
Unflattening by Nick Sousanis
The Usagi Yojimbo Saga, Omnibus 4 by Stan Sakai

Novels!
Attack on Titan: The Harsh Mistress of the City, Part 2 written by Ryo Kawakami, illustrated by Range Murata

Novels!
Another by Yukito Ayatsuji
Honeymoon to Nowhere by Akimitsu Takagi
The Informer by Akimitsu Takagi
The Inugami Clan by Seishi Yokomizo
Patriotism by Yukio Mishima
The Tattoo Murder Case by Akimitsu Takagi
The Tokyo Zodiac Murders by Soji SHimada

Anime!
JoJo’s Bizarre Adventure, Season 1 directed by Kenichi Suzuki and Naokatsu Tsuda.

QQ Sweeper, Vol. 1

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By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz.

I was a big fan of Dengeki Daisy, Motomi’s previous series, which ended up being a technological thriller as much as it was a shoujo romance. Thus I was quite excited to learn of the license of her new series. There are certain similarities between the two titles – the comedy is much the same, our heroine is a spunky orphan, and there seems to be a lot of janitorial work. But whereas Daisy was grounded in tech, QQ Sweeper looks to be more of a fantasy, with owl familiars, doors leading into people’s inner hearts, and creepy black thoughts turning into bugs. It’s a solid first volume, though, and we also have a hero who seems more stoic than Kurosaki was, which leads to a different vibe between the lead couple.

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Actually, I’m wondering if the lead couple will actually be the focus of the series, as this has the potential to be something of an anthology, with our heroes solving the personal problems of various classmates. The first volume gives us Sakaguchi, a baseball star who was injured and now takes his self-loathing out on everyone around him, including his childhood friend who also feels inadequate. This is the sort of series that makes you want to invite these sweepers into your own life, to be honest, as despite the disturbing mental imagery, things seem to work out for the best – and it’s also shown that it’s not just the “cleaning” that did it, but the affected parties also have to make an effort. I look forward to seeing more of these sorts of stories.

As for Fumi, it’s quite refreshing seeing a girl who is honest and upfront about wanting to date a guy solely for his money – the catch is that she’s ALSO searching for a Prince Charming, and won’t actually get in the way of true love. Her love dreams of rich handsome young men are a comedic high point to this series. Her mysterious past, though, is what will likely carry over to future volumes. Well, I say “mysterious”, but I will be very surprised if there’s not a connection between Kyutaro’s tragic past with Fuyu and Fumi – betcha Fuyumi us her real first name, in fact. Kyutaro himself is the brooding sort, but not in a grumpy or overly sadistic way like a lot of other shoujo manga – though he does admit to Fumi going to far when she overwhelms him with how happy she is at the end of Volume 1. Oh, and his obsession with cleaning provides his own comedic highs – I bet he’d get along great with Levi from Attack on Titan.

This is a new series that could go in several directions, but the first volume is strong enough that the reader is willing to go along with any of them. I look forward to seeing how it develops.

A Preliminary NYCC 2015 Schedule

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Last year’s NYCC plans bore laughably little resemblance to what I actually did, due to the long lines for absolutely everything. Let’s see what I’m interested in, regardless of whether or not I’m able to attend it. And they remind everyone they do not clear rooms.

Thursday, October 8:
11:00 – 12:15 We Need More Diverse Comics (1A05)
1:45 – 2:45 The 7 Archetypes of Comics Shops (1B03)
4:00 – 5:00 Attack on Titan panel (1A18)
5:15 – 6:15 Sir Terry Pratchett (1A18)
5:15 – 6:15 LGBT in Comics (1A21)
6:45 – 7:45 Crunchyroll Industry Panel (1A24)
8:00 – 9:00 Fangirls Lead the Way (1B03)

Yes, obvious conflict there – not sure how packed Titans and Pratchett will be, and I also really want to see the LGBT panel. The comic shop one is simply as I get my manga at a great local shop in New Haven, so am interested to see if manga comes up. And there’s two good break points to tour the DR and meet people. You’ll notice I’m not doing the Kishimoto panel – I just never got into Naruto, and going to a Main Stage panel requires a lot of hoop jumping.

Friday, October 9:
11:00 – 12:00 Star Wars: A Galaxy of Fandom (1A24)
12:15 – 1:15 Viz Media Panel (1A24)
12:30 – 1:30 Gay Manga Panel (1A05)
2:45 – 3:45 Banned Comics! (1B03)
4:15 – 5:15 Archie Comics (1A05)
5:30 – 6:30 Vertical Comics (1A05)

Not sure I’ll get into Star Wars, but Viz will also be packed, so… Conflict with the Gay Manga panel, sigh. Archie will also be hard to get into, if past years are a good example – 1A05 does not look like a very large room. A surprisingly early night!

Saturday, October 10:
11:00 – 12:00 Yen Press (1B03)
12:15 – 1:15 Kodansha Comics (1A01)
1:45 – 2:45 Clueless 20th Anniversary (1A10)
2:45 – 3:45 Women in Geek Media (1A01)
4:15 – 5:15 Food and Comics (1A05)
7:45 – 9:15 Doctor Who Fan Screening (Empire Room)

I see Yen’s in the tiny room again. Going from Yen straight to Kodansha will be tough if there’s a line.

Sunday, October 11:
12:00 – 1:00 Heroic Counter-narratives (1A05)
2:30 – 3:30 Culturally Queer (1A24)

There’s a Classic Who panel as well, but it’s at 4pm, and there’s just no way, I’ll be fried. In any case, that’s a lot of stuff I want to see. I hope to be able to meet everyone there!

The Manga Revue: Say I Love You

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This week, I’m catching up with Say I Love You, a shojo romance that’s been garnering strong reviews here and elsewhere since Kodansha began publishing it last August.

sayiloveyou3Say I Love You, Vols. 1-3
By Kanae Hazuki
Rated OT, for older teens
Kodansha Comics, $10.99

Back in the 1980s, filmmaker John Hughes peddled an intoxicating fantasy to thirteen-year-old girls: you might be the class misfit–the kid who wore the “wrong” clothes, listened to the “wrong” music, and had the “wrong” friends–but the hottest guy in school could still fall for you. Better still, he’d like you for being a “real” person, unlike the two-faced girls who inhabited his social circle. You’d have a bumpy road to your happily-after-ever, of course, since his friends felt compelled to say that you weren’t in his league, but in the end, your sincerity and quirkiness would prevail.

Say I Love You reads a lot like a manga version of Pretty in Pink or Some Kind of Wonderful, right down to the meet-cute between Mei, a moody loner, and Yamato, the most popular guy in school. Mei mistakenly believes that Yamato tried to peek up her skirt, and responds with a powerful roundhouse kick. Though Yamato’s friends demand an apology from her, Yamato is intrigued by Mei’s display of bravado and asks her out.

Mei is initially bewildered by Yamato’s courtship: why would someone as outgoing, handsome, and well regarded find her interesting? (You, dear reader, may also wonder why Yamato pursues Mei, given her generally sullen demeanor.) As Mei soon discovers, however, Yamato’s dating history is more complicated than she assumed; his good looks belie an earnest, thoughtful person who lost his virginity before he met someone he really cared about. He’s willing to endure a few tearful outbursts–not to mention some mixed signals–if it means he’ll get to know the real Mei before they go all the way.

And speaking of mixed signals, Say I Love You is refreshingly honest in acknowledging the full spectrum of teenage desire. Some characters embrace their feelings in healthy ways; others use sex to fill a void in their emotional lives; and still others are just beginning to explore their sexuality. Though many of the sexual encounters in the series are ill-advised, the teenage logic that underpins them rings true; an adult may feel an uncomfortable pang of recognition while reading Say I Love You.

The series’ greatest strength, however, is that author Kanae Hazuki is unusually generous with her supporting players. We’re privy to both Mei and Yamato’s thoughts, of course, but Hazuki also pulls the curtain back on other characters’ interior lives. In volume two, for example, mean girl Aiko becomes the temporary focus of the story, narrating her own transformation from a plump, pretty girl to a skinny, angry young woman who is furious that Yamato doesn’t like her. Her blunt self-criticism and body hang-ups remind younger readers that everyone wears a mask in high school; even students who seem outwardly blessed with good looks or talent are wrestling with the familiar demons of self-doubt and self-loathing.

If I had any criticism of Say I Love You, it’s that the plot twists are a little too by-the-book, with beach visits, Valentine’s Day agita, and misunderstandings of the “I saw you kiss her!” variety. In volume three, for example, Hazuki introduces Megumi, a model who’s hell-bent on making Yamato her boyfriend. When a direct approach doesn’t work–Yamato, of course, rebuffs Meg’s initial proposition–Meg transfers schools and ropes Yamato into becoming a model himself. I realize that “model,” “celebrity,” or “singer” epitomize a thirteen-year-old’s dream job, but the artifice and obviousness of diving into the modeling world feels like an unnatural direction for such a finely observed romance.

Perhaps the best compliment I could pay Say I Love You is that it has all the virtues of Pretty in Pink and Some Kind of Wonderful: it’s got a proud, tough heroine who’s skeptical of the popular kids, a sincere hot guy who can see past her bluster, and a veritable Greek chorus of peers who chart the ups and downs of their relationship. All it needs is a killer soundtrack.

Reviews: At Brain vs. Book, Joceyln Allen sings the praises of Takehiko Moriizumi’s Mimi wa Wasurenai, an untranslated short story collection. “It’s okay if you don’t read Japanese,” she explains, “you can just stare at the beauty on every page. Moriizumi makes manga like nothing I’ve ever seen before.” Go see for yourself!

Saeyong Kim on vol. 1 of 21st Century Boys (No Flying No Tights)
Jessikah Chautin on Awkward (No Flying No Tights)
SKJAM on vols. 1-2 of Captain Ken (SKJAM! Reviews)
Kat Stark on vol. 1 of Devil Survivor (AiPT!)
Jessikah Chautin on vol. 1 of Durarara!! Yellow Scarves Arc (No Flying No Tights)
SKJAM on Gimmick! (SKJAM! Reviews)
Kat Stark on vol. 1 of Kiss Him, Not Me! (AiPT!)
Ian Wolf on vol. 1 of the Kurosagi Corpse Delivery Service Omnibus (Anime UK News)
David Brooke on vol. 1 of Ninja Slayer Kills (AiPT!)
Anna N. on vol. 2 of Requiem of the Rose King (The Manga Report)
Ian Wolf on vol. 2 of Requiem of the Rose King (Anime UK News)
Rebecca Silverman on vol. 1 of Rose Guns Days, Season One (Anime News Network)
Marissa Lieberman on vol. 1 of Seraph of the End (No Flying No Tights)
Sean Gaffney on vol. 11 of Umineko: When They Cry (A Case Suitable for Treatment)
Ash Brown on vol. 2 of Wayward: Ties That Bind (Experiments in Manga)
Ken H. on vol. 3 of Yamada-kun and the Seven Witches (Sequential Ink)

Wayward, Vol. 2: Ties That Bind

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Wayward, Volume 2: Ties That BindCreator: Jim Zub and Steve Cummings
Publisher: Image Comics
ISBN: 9781632154033
Released: August 2015
Original run: 2015

Ties That Bind is the second volume of the American comic series Wayward, created by Jim Zub and Steve Cummings and released by Image Comics. Anything having to do with yokai immediately catches my attention, and I had previously read and enjoyed some of Zub’s earlier work, so I was very interested in reading Wayward. I thoroughly enjoyed the first collected volume in the series, String Theory, meaning that there was absolutely no question that I would be picking up the second, too. (Well, at least that was the case before I learned that a deluxe omnibus edition was going to be released—then there was a difficult choice to be made.) Ties That Bind, published in 2015, collects the sixth through tenth issues of Wayward which were originally serialized between March and July 2015. Also included is an introduction by Charles Soule as well as several yokai essays by Zack Davisson which I especially appreciate. For this particular volume, Zub is credited for the story and Cummings for the line art while the credit for the color art goes to Tamara Bonvillain and color flats to Ludwig Olimba.

Emi Ohara’s life follows a simple, predictable routine. Without much variation from day to day she wakes up, goes to school, and returns home. But Emi yearns to have the exciting lives that the heroines of her favorite shoujo manga enjoy. Little does she know that she’ll get what she wished for, but not at all in the way that she expected—Emi discovers she has the ability to manipulate her body and the materials around her in astonishing ways. Suddenly, among other strange developments, her touch is able to melt and mold plastic and her arm can take on the characteristics of metal and glass. At first she thinks it’s all a dream, but then she is chased down by a group of monstrous kitsune only to be rescued by Ayane and Nikaido, two young people who have their own special powers and who are also the yokai’s targets. It’s been three months since the other members of their group, Rori and Shirai, disappeared during the chaos of an epic confrontation with a faction of yokai. At this point Ayane and Nikaido are welcoming any allies they can find, and that includes Emi.

Wayward, Volume 2, page 40Whereas String Theory largely followed Rori’s perspective of the supernatural events unfolding in Tokyo, much of the focus of Ties that Bind is on Emi. Some of the contrasts between the young women as two of the leads in the story are particularly interesting. Rori, who is half-Japanese and half-Irish, is often considered to be an outsider within Japanese society. Emi, on the other hand, is a “proper Japanese girl,” dutiful and obedient even though she finds that role to be increasingly suffocating. Rori is a Weaver with the ability to alter reality and change a person’s fate. (Just how incredibly powerful and far-reaching her talents truly are is still in the process of being revealed, but the continuing development and evolution of her skills in Ties That Bind is impressive.) However, Emi, who like Rori is sensitive to patterns and seems to be able to at least partially identify the course of fate and destiny, feels trapped and unable to make meaningful choices or to change the direction of those events that have already been set in motion.

At times, Wayward can be an extremely violent series. Ayane’s way of taking charge of the situation is to go on the attack, dragging Nikaido and Emi along with her. The yokai, threatened by the very existence of the supernaturally-gifted teens, are more than willing to fight back. The resulting battles are intense, bloody, and even gruesome. But the yokai aren’t united in their efforts—Ties That Bind introduces the tsuchigumo, or dirt spiders, who would seem to have their own agenda. I love that Wayward incorporates the lore and, especially in the case of the dirt spiders, the history surrounding yokai. The series’ interpretation of yokai and traditional tales is its own and is closely integrated with an entirely new, contemporary story. Wayward effectively creates a cohesive and compelling narrative that can be enjoyed by readers who are already familiar with yokai as well as by those who are not. Ties That Bind brings together new characters, new conflicts, and new plot threads while expanding and further developing those that had already been established. Wayward is an excellent series with great art, characters, and story; I’m definitely looking forward to the next volume.