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Bookshelf Briefs 3/13/17

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Haikyu!!, Vol. 9 | By Haruchi Furudate | VIZ Media – While the boys set their sights on the spring tournament and prepare for a field trip to Tokyo for practice games, Shimizu looks for someone who can take over as manager of the volleyball club after she retires. She ends up finding Hitoka Yachi, a girl in advanced classes (this comes in handy when several of the boys need help to pass finals before being allowed to go to Tokyo) who has never before felt needed, but who is impressed by the team’s passion. I like Yachi quite a bit, including how Furudate shows how smart she is without beating readers over the head with it. There’s also much talk about how Karasuno needs to evolve if they are going to have a chance at making it to nationals, and by the end of the volume, Hinata seems ready to do just that. Fun and addictive, as ever! – Michelle Smith

Interviews with Monster Girls, Vol. 3 | By Petos | Kodansha Comics – After talking about the lack of romance in my last brief, the author apparently heard me and decided to add some sparks. Thankfully it’s between the adults, as our still-a-virgin succubus seems to think she’s found the one guy who isn’t sexually excited by her in Takahashi. And when it’s pointed out he likely really is getting turned on and just is good at hiding it… well, that just makes her want him all the more. In the meantime, there’s more discussion of demis, as we hear about how to deal with molesters on the train when it’s a succubus, how people taste differently to a vampire, and the care and attention a dullahan needs to have to protect her head. Cute and fun. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 26 | By Karuho Shiina | VIZ Media – Seemingly even more so than usual, this volume of Kimi ni Todoke is cover-to-cover feelings. It’s especially gratifying that Sawako has finally gained enough confidence in her relationships that she’s able to speak freely and honestly without fear. Because of that, she’s able to explain herself clearly to Kazehaya, and they reconcile. The most riveting moment, however, comes during a sleepover with one-time rival Kurumi in which the latter reveals how absolutely horrible she feels about how she once treated Sawako, and how she doesn’t feel deserving to be called her friend, while Sawako attests that they are already friends. It’s very moving. And then, to top it all off, we get a chapter wherein Ayane seems to realize that she’s in love with Pin. I don’t think I’ve ever rooted for a student-teacher romance before, but this might be the exception! – Michelle Smith

Kimi ni Todoke: From Me to You, Vols. 26 | By Karuho Shiina | Viz Media – I will freely admit it—in the early days of this series, I totally shipped Ayane and Pin in a “this will never actually happen but I love their back-and-forth” sort of way. Then Kento arrived, and then Kento left (he’s not even in this volume), and Ayane is starting to realize that she is really, really falling for Pin, and I’m starting to worry, as it is a teacher/student thing. I’m fairly sure Pin won’t let this get anywhere, but in the meantime, at least we have some amusing faces from Ayane. We also get Kazehaya and Sawako fighting and making up, though I’m going to be honest most of the ship tease in this volume was between Sawako and Kurumi, who have a study sleepover and go over some extremely old and guilty memories. Very strong volume. – Sean Gaffney

Kiss Him, Not Me!, Vol. 9 | By Junko | Kodansha Comics – This series has a tendency to remind me of The Wallflower, and not just because of its reverse harem. Both authors seem far more comfortable and successful when they go for comedy. The first half of this book is absolutely hilarious, as Shinomiya is not only now on his own but also being stalked by a truly ridiculous number of people, and we also get the attempts to fulfill Kae’s ridiculous birthday wishes. The second half gets more serious, as an old upperclassman Igarashi liked shows up again and hears about the guys hanging around Kae, and urges her to make a decision. Which, spoiler, is not going to happen. This is a bit less fun, but does have some heartwarming mixed in among the comedy. Decent. – Sean Gaffney

Natsume’s Book of Friends, Vol. 20 | By Yuki Midorikawa | Viz Media – The author herself notes how much Natsume has changed over the course of the series, and it’s certainly true—he’s far more proactive and compassionate, even if he still occasionally tries to get away from obvious yokai with issues. This is most obvious in the first story, where a yokai “rewards” Natsume’s help by turning him back into a child—memories and all. Thankfully, Tanuma and Taki find him, and can be sensible about it. Seeing his somewhat stoic, untrusting self react to the obvious love and affection his two friends have for him is heartwarming. The series continues to be more episodic than anything else, but that’s fine—it plays to the author’s strong sense of character.-Sean Gaffney

Nichijou: My Ordinary Life, Vol. 7 | By Keiichi Arawi | Vertical Comics – Even for a volume of Nichijou this volume is really, really surreal. Some of the “jokes” are barely funny at all, seemingly designed to make the reader stare as blankly at the page as Sekiguchi stares at her manga. (That’s her on the cover with the rest of the Go Soccer Club, by the way.) The highlight may be Yukko and Mai’s long conversation on the hill, which was so popular the anime animated it very early, possibly as it has fake yuri confessions from Mai, who still takes honest joy in making Yukko freak out. Word of warning: those who dislike the Professor acting like a bratty child aren’t going to like this volume much. But for the rest of us, Nichijou remains a rewarding and very strange experience. – Sean Gaffney

One-Punch Man, Vol. 11 | By ONE and Yusuke Marata | Viz Media – I was worried that this volume would consist entirely of a tournament arc, but thankfully there’s only about 1/3 tournament. The rest is spent dealing with both the kidnapping monster from the last volume, which is battling Metal Bat, and Garo, who interrupts the fight because it’s all about him. We’re not meant to like Garo, and I don’t, but I especially dislike the way that he’s not particularly funny, and when the others are around him they get more serious as well, which can be deadly in a manga that relies so much on not taking itself seriously. Luckily, Saitama is always there for a deadpan one-liner. Also, Metal Bat’s little sister is adorable. Not as good as before, but still good. – Sean Gaffney

Skip Beat!, Vol. 38 | By Yoshiki Nakamura | VIZ Media – In this volume, bolstered by various good-luck charms given to her by Ren, Kyoko finally decides to confront her mother. Only, on the way there she learns some information that changes everything and goes a long way toward explaining her mother’s treatment of her. I honestly never thought I would feel even a little sympathetic towards Saena Mogami, but the entire second half of the volume is a flashback to Saena at age 28 and the circumstances under which she came to be pregnant with Kyoko, and it is very compelling. Alas, it all ends on another cliffhanger that we’ll have to wait six months to see resolved, but I’m very pleased that the truth ends up being more nuanced than I expected and yet still fascinating. I guess I should’ve known it’d be great. – Michelle Smith

Twinkle Stars, Vol. 2 | By Natsuki Takaya | Yen Press – For the most part, the focus in the second volume (comprising volumes three and four of the original release) is on the developing relationship between Sakuya and Chihiro—who initially ignores her pain, telling himself he can’t save her, only to have regrets that compel him to act at a crucial moment—and the stargazing club’s participation in summer camp, which concludes on a truly lovely moment orchestrated by Yuuri. There’s some interesting foreshadowing about Chihiro’s mysterious past, but the most powerful scenes are Sakuya’s present-day interaction with her terrible stepmother and the reveal of the circumstances that drove her from home. Her anguish is heartwrenching; it’s no wonder she feels like there’s a black hole inside her that sometimes threatens to swallow her. I hope for a nice story where she and Chihiro help heal each other, but I expect more darkness ahead. – Michelle Smith

Pick of the Week: Picks, Picks, Picks

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MICHELLE: I suppose Ace of the Diamond technically came out last week, but it didn’t feature in our week-of discussion ’til this week, so… I am totally picking the first volume. Shounen sports manga that’s already complete in Japan? Yes, please! (Also, because I am greedy, can we get Big Windup next?)

SEAN: “Complete” being an iffy term – remember Ace of the Diamond Act II is currently running in Japan. In any case, my pick of the week has to be the final omnibus re-release of Ranma 1/2. Re-reading the entire series has reminded me why I was so obsessed with it twenty years ago, as well as making me feel I had good reason to move on. I’ll still miss it. Also, Ryouga x Akari 5-evah.

MICHELLE: Oh, jeez. I was totally unaware.

KATE: I’ve been impressed with Kodansha’s digital manga initiative, so I’m planning to check out both volumes of House of the Sun this week. Like most of the MB gang, I’m also intrigued by Kodansha’s latest sports acquisitions, though a small and solipsistic part of me wishes these manga focused on the exciting worlds of (a) running (b) rowing or (c) golf. Now that would get me off the couch!

MICHELLE: I would definitely like to see those sports, too. And I hold out hope for Mitsuru Adachi’s Rough, too.

ASH: I’m not much of a digital reader, but I must admit Kodansha Comics’ recent offerings may very well end up changing that. I enjoyed the anime adaptation of Giant Killing immensely and I never expected All-Rounder Meguru licensed, so those two series have definitely caught my eye as picks (even if technically they were released last week). And since we’re talking about sports series we’d like to see, someone give me a competitive marching band manga!

ANNA: Complex Age 4 is the most interesting thing to me coming out this week, although I also happily celebrate greater sports manga availability.

My Week in Manga: March 6-March 12, 2017

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My News and Reviews

Every month I post a Bookshelf Overload feature which takes a quick look at some of the manga and other media that make their way onto my shelves at home. And so last week I published February’s Bookshelf Overload. As I mentioned in that post, I’m currently working on an in-depth review of Kazuto Tatsuta’s Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant. I expect that it should be ready to post later this week (that’s my intention anyway), but I’m also incredibly busy right now getting ready to change jobs. Taiko performance season is also steadily ramping up, and the Lion Dance troupe is still getting regular performance requests, so I’ve had a bunch of extra rehearsals and less downtime in general, too. Still, the writing is slowly but surely happening!

Despite being so busy and not being online as much as usual, I did come across a few interesting reads last week. Jennifer Robertson (who I’ve actually briefly met before) recently wrote for Salon about Japan’s long history of blurred sexualities and gender-bending. Brian Hibbs takes his annual look at the BookScan numbers for comics and graphic novels for The Beat. The analysis includes a section specifically devoted to the manga being released in English. Finally, in what I think is terrific news, more of Yen Press’ digital-only titles will now be getting print editions, too! Look out later this year for Homura Kawamoto and Toru Naomura’s Kakegurui: Compulsive Gambler, Higasa Akai’s The Royal Tutor, and Sakurako Gokurakuin’s Sekirei. Finally, a Kickstarter campaign was launched to publish anime director Yasuhiro Irie’s manga Halloween Pajama in English.

Quick Takes

Ghost in the Shell, Volume 1The Ghost in the Shell, Volume 1 by Masamune Shirow. It’s been a long time since I’ve read Shirow’s The Ghost in the Shell. The series was actually among one of the first manga that I encountered. My introduction to the franchise was through Mamorou Oshii’s animated film Ghost in the Shell which probably remains my favorite interpretation of the story and characters. I actually often find the manga to be very difficult to follow. Shirow has some great, thought-provoking and intriguing ideas, but the flow of the story can be extremely disjointed at times. A live-action American Ghost in the Shell film will soon be hitting theaters, so it makes sense that Kodansha Comics would take advantage of the opportunity to re-release the original The Ghost in the Shell manga in a beautifully-produced deluxe hardcover edition. This “definitive” version is being presented in right-to-left format with Japanese sound effects for the first time. I’m fairly certain there are more color pages included, too, but the volume does lack some of the additional textual content found in previous English editions. The controversial lesbian sex scene has also been excluded at the creator’s request which does cause some slight narrative confusion.

Monthly Girls' Nozaki-kun, Volume 5Monthly Girls’ Nozaki-kun, Volumes 5-6 by Izumi Tsubaki. I love Monthly Girls’ Nozaki-kun so incredibly much. This series, along with My Love Story!!, is something that I can always count on to make me happy. I find myself constantly smiling while reading Monthly Girls’ Nozaki-kun and on more than one occasion have even caught myself laughing out loud. At this point the manga series is far enough along that almost all of the content is new to me. (My introduction to Monthly Girls’ Nozaki-kun was through the anime adaptation which is likewise an absolutely wonderful series.) There are new scenarios and even new characters–Nozaki’s younger brother and his judo teammates have become more prominent as one example–but those that were previously established are never forgotten. The good-natured humor in Monthly Girls’ Nozaki-kun remains consistent throughout the manga. Most of the hilarity is the result of the fact that none of the characters quite manage to be on the same page as any of the others and the ridiculousness that ensues because of it. The quirky characters themselves are incredibly endearing, too, even if they’re not particularly nuanced.

Ten Count, Volume 2Ten Count, Volume 2-3 by Rihito Takarai. Well now, that escalated quickly. From the very first volume Ten Count presented itself as a dark psychological drama, but if anything its intensity only increases as the series progresses. The relationship between Shirotani and Kurose is an incredibly unhealthy one which only becomes more troubling as sexual elements are introduced to it. Kurose, whether or not he realizes it or intends to be, is abusive, manipulative, and controlling. He pushes Shirotani, often without consent or consideration, to his limits and beyond. Shirotani does have some personal breakthroughs but heartbreaking glimpses into his past and into his current emotional and mental states reveal a man who is conflicted and struggling with his own self-worth. Frankly, I find Ten Count to be disturbing and unsettling, verging on psychological horror rather than romance. At this point I can’t really envision things turning out well. (Honestly, I’d probably feel disappointed or even somewhat betrayed if Takarai manages some sort of romanticized happy ending.) To me Ten Count is still immensely engrossing, but I certainly can’t blame anyone who would want to avoid the series.

Dragnet GirlDragnet Girl by Yasujiro Ozu. I recently had the opportunity to see Ozu’s silent film Dragnet Girl in a theater narrated by a professional benshi and accompanied by music cued by a prominent local DJ. There was even a brief lecture beforehand which I wasn’t expecting but found interesting. I enjoyed the production as a whole immensely–it was one of those once-in-a-lifetime events–but I also specifically enjoyed the film itself. (I really ought to seek out more of Ozu’s work.) Dragnet Girl is a gangster film which largely follows Tokiko and her boyfriend Joji, a retired boxing champion and current small-time crime boss. Hiroshi, a promising young hoodlum, joins the boxing gym and their gang. His older sister Kazuko worries about him and so tries to convince Joji to make her brother leave. Some romantic entanglements and turmoil ensue, but eventually Tokiko and Joji decide to leave their life of crime together but only after they pull off one last heist for the sake of Kazuko. Dragnet Girl is available from Criterion, collected together with two more of Ozu’s silent crime films, Walk Cheerfully and That Night’s Wife. It won’t quite be the same as watching it “live,” but it’s wonderful that there’s a home release readily available at all.

Kase-san and Morning Glories

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By Hiromi Takashima. Released in Japan “Asagao to Kase-san” by Shinshokan, serialization ongoing in the magazine Hirari. Released in North America by Seven Seas. Translated by Jocelyne Allen, Adapted by Jenn Grunigen.

I’ve always said (perhaps a bit too often) that as long as something is well-written and enjoyable, it doesn’t matter that it’s a hoary old cliche. And likewise, with the yuri genre, just because something is as Story A as it gets does not mean its sweetness and cuteness are in any way diminished. This series is no exception, being light as air but ever so tasty. The girls are nice, their incipient romance is nice, and there is a shot of someone silhouetted against the setting sun, because if you’re going to throw in romantic tropes, you may as well use the kitchen sink as well. All of this adds up to a fun series that will make you smile.

As the author notes in the afterword, the magazine this series runs in is generally about yuri one-shots, and its very easy to tell this is a series of shorts about the same two people. (In fact, future volumes will be “Kase-san and _______” rather than a Vol. 2 or 3.) Kase-san is the tall sporty girl on the cover, a track star and school idol who also has some odd rumors hanging around her. The other girl is Yamada, who is shy and fretful and has a very low self-opinion of herself. You know the sort – there’s no way they could ever be interested in little old me. They bond over flowers, which Yamada is planting at the school, and then there are bike rides and shopping for shoes and blushing. So much blushing. Because, of course, these two girls are really into each other.

Most of the drama, such as it is, revolves around Yamada’s low self-esteem and how it leads her to almost sabotage her own friendship. Luckily, Kase-san is not as clueless as some of these archetypes can get, and so is able to, if not realize what is going on, at least rescue Yamada from being desperately sad. I liked the idea of the marathon, as it allows Yamada to work to improve herself, even though that gets torpedoed by a bunch of jerks running over first her flowers and then her. The volume is done from Yamada’s perspective, though I’m hoping a future volume may have a flasghback showing Kase’s own thoughts on their relationship. It all builts up to a confession and kiss in the nurse’s office, with Kase uncharacteristically unapologetic and Yamada crying in relief.

It’s safe to say that not much happens here – honestly, I’m having trouble filling out my word count. But I’m just so pleased to see Seven Seas putting out stories like these and Kindred Spirits on the Roof rather than “yuri for guys” like Netsuzou Trap. Cute girls meet and like each other. In the end, they kiss. Thankfully, this is not the end, as we’ll see Kase-san and Bento soon. for now, just revel in the adorable.

Manga the Week of 3/15/17

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SEAN: A relatively light week next week, relatively being the operative term. But first, let’s double back and look at titles out THIS week that weren’t announced till the weekend.

Remember how we used to say you couldn’t sell sports manga over here? Or 40+-volume series? Clearly digital-only is a good way to test the waters on flouting that rule. Case in point: The debut of Ace of the Diamond, a baseball manga that ran in Shonen Magazine from 2016-2015, and then, like many baseball manga, started up again with Season 2. It will be interesting reading a non-Adachi baseball series.

MICHELLE: !!!!!!!!!!!!! Yay!

ANNA: Interesting. I don’t know if I’m up for 40+ volumes but I will check it out.

SEAN: All-Rounder Meguru is a mixed martial arts manga from the creator of Eden: It’s An Endless World, though hopefully a bit less bleak. It ran for 19 volumes in Evening magazine.

And Giant Killing is another 40+ volume manga, this time about soccer, that runs in Weekly Morning. Naturally, being long-running sports manga, the primary audience in the West for these titles will be female BL fans.

MICHELLE: !!!!!!!!!!!!! Yay! I might even try All-Rounder Meguru, while I’m at it.

ASH: Wow! Kodansha is really killing it (sorry, I couldn’t help myself) with the recent digital releases! I’m very excited to see Giant Killing and All-Rounder Meguru being added to the mix.

MJ: I doubt I have the patience for either of the epic sports manga on this list, but I like watching Michelle’s squee.

MICHELLE: I will likely always have an abundance of squee for sports manga.

SEAN: Also, Persona 3’s 3rd volume from Udon moved up a week without me noticing. Whoops.

ASH: Can’t really blame you for that; sometimes I wonder if Udon even knows when it will be releasing something…

SEAN: Now onto titles actually out next week. J-Novel Club has some more volume twos, as we get another I Saved Too Many Girls and Caused the Apocalypse, which presumably adds more girls.

We also get the 2nd Mixed Bathing in Another Dimension, which is probably the biggest surprise of all J-Novel’s titles for me as I really enjoyed it.

Kodansha has a 4th Complex Age, which mixes cosplay and drama quite well.

ASH: I’ve been fairly consistently surprised and impressed by Complex Age.

SEAN: They also have the 2nd digital volume of House of the Sun, which seems to be on a much faster publishing schedule than the other new digital volumes.

MICHELLE: Ooh! I’ll definitely be checking out these two.

SEAN: One Peace has a 9th volume of not-really-yuri series Maria Holic.

Seven Seas has the debut of Hana & Hina After School, which is really yuri. It’s by Milk Morinaga, probably the most prolific yuri manga artist in terms of North American licenses.

They also have a 2nd Seven Princes of the Thousand Year Labyrinth, which hopefully continues to be, as I called it, “the most Comic Zero-Sum series ever”.

ASH: That really does seem to be an apt description.

SEAN: SuBLime gives us a new side story for Don’t Be Cruel, subtitled Akira Takanashi’s Story, though it’s unclear who this volume will focus on. (How’s my deadpan?)

MICHELLE: Heh.

SEAN: And they have the 8th volume of the Finder Deluxe Edition.

ASH: While this is the eighth volume, it’s the first one to be released since SuBLime took over the series. (Previously, it was released by Digital Manga.) The actually first volume in this edition will be released later this year; it’s nice that SuBLime isn’t making readers wait for the most recent content.

SEAN: Vertical has a 5th volume of Mysterious Girlfriend X, which I think is approaching its climax.

Viz not only has the 3rd Legendary Edition of The Legend of Zelda, which has both Majora’s Mask and A Link to the Past, but also the first volume of the latest in the series, Twilight Princess.

ASH: Unlike some of the other games (I’m a bad Zelda fan), I’ve actually played Twilight Princess. I’m looking forward to its adaptation.

SEAN: At last, the final omnibus of Viz’s re-release of Ranma 1/2! It even ends with a wedding! Don’t let that fool you, though, this is still Takahashi at her most Takahashi. Still well worth reading.

ASH: I’m still very happy that Viz found a way to keep Ranma 1/2 in print.

SEAN: And there’s a 23rd volume of Rin-Ne, which apparently will have a surprise announcement in Japan soon. New anime season? Spinoff? They found Sakura’s repressed rage?

As I said, light week is relative. What’ll you be getting next week?

Bookshelf Overload: February 2017

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So, things got a little out of hand in February, mostly due to the fact that I came across a fair number of out-of-print and somewhat hard-to-find manga that I wasn’t able to pass up. Other than that I largely behaved myself. Most of the non-manga comics that I picked up last month were Kickstarter-related which just means that my wallet cried months (and in one case years) ago rather than in February. As for manga, I finally got my hands on The Girl from the Other Side, Volume 1 by Nagabe. Technically published in January, it’s one of my most anticipated debuts for the year. My copy of Jennifer Doyle’s Knights-Errant, Volume 1 (the most recent paperback from Chromatic Press) arrived after a short delay, too. When it came to actual February debuts, I was particularly curious about Kei Sanbe’s first first Erased omnibus and was thrilled that Two Hoses, a short erotic gay manga by Jiraiya, was simultaneously released in Japanese and in English. My copy of the gorgeous box set of Chiho Saito’s Revolutionary Girl Utena manga was one of the few that escaped the recall–most people will have to wait until April for the corrected version to be released. I also received an early copy of Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta which was released a few days ago; I’m currently working on an in-depth review which should hopefully be posted sometime next week. Ichi-F is an important work, so I’m very glad that it was translated.

Manga!
Anonymous Noise, Volume 1 by Ryoko Fukuyama
Bakune Young, Volumes 1-3 by Toyokazu Matsunaga
Cantarella, Volumes 1-10 by You Higuri
Captive Hearts of Oz, Volume 1 written by Ryo Maruya, illustrated by Mamenosuke Fujimaru
Dawn of the Arcana, Volumes 8, 10-11 by Rei Toma
Erased, Omnibus 1 by Kei Sanbe
FukuFuku: Kitten Tales, Volume 2 by Kanata Konami
The Ghost in the Shell, Volumes 1, 1.5, 2 by Masamune Shirow
The Girl from the Other Side, Volume 1 by Nagabe
Grey, Volumes 1-2 by Yoshihisa Tagami
Haikyu!!, Volume 9 by Haruichi Furudate
Happiness, Volume 3 by Shuzo Oshimi
Ichi-F: A Worker’s Graphic Memoir of the Fukushima Nuclear Power Plant by Kazuto Tatsuta
JoJo’s Bizarre Adventure, Part 3: Stardust Crusaders, Volume 2 by Hirohiko Araki
The Legend of Zelda: Oracle of Seasons/Oracle of Ages by Akira Himekawa
The Legend of Zelda: Twilight Princess, Volume 1 by Akira Himekawa
Magia the Ninth, Volume 2 by Ichiya Sazanami
Maison Ikkoku, Volumes 1-15 by Rumiko Takahashi
Monthly Girls’ Nozaki-kun, Volume 6 by Izumi Tsubaki
Musashi #9, Volumes 1-9, 13-15 by Miyuki Takahashi
Persona 3, Volume 2 by Shuji Sogabe
Revolutionary Girl Utena by Chiho Saito
Ten Count, Volume 3 by Rihito Takarai
Two Hoses by Jiraiya

Comics!
Another Castle: Grimoire written by Andrew Wheeler, illustrated by Paulina Ganucheau
Big Kids by Michael DeForge
Chernozem by Aud Koch
Enough Space for Everyone Else edited by J. N. Monk and Lee Black
Knights-Errant, Volume 1 by Jennifer Doyle
A Land Called Tarot by Gael Bertrand
Mae, Volume 1 by Gene Ha
Magical Beatdown, Volumes 1-1.5 by Jenn Woodall
Mahou Shounen Fight!, Volume 1 by JD Saxon and Dusty K. Smith
My Monster Boyfriend edited by C. Spike Trotman
Namesake, Volume 2 by Isabelle Melançon and Megan Lavey-Heaton
Sorcery 101, Volumes 1-2 by Kel McDonald
Yes, Roya written by C. Spike Trotman, illustrated by Emilee Denich

Artbooks!
Sketches & Studies by Aud Koch
The Legend of Zelda: Art & Artifacts by Nintendo

Novels!
Decapitation: Kubikiri Cycle by Nisioisin
The Name of the Game Is a Kidnapping by Keigo Higashino
The Stones Cry Out by Hikaru Okuizumi

Anthologies!
The Accusation: Forbidden Stories from Inside North Korea by Bandi

Anonymous Noise Vol. 1

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Anonymous Noise Volume 1 by Ryoko Fukuyama

I read Anonymous Noise a few days ago, and I’ve had a hard time writing about it, I think because I ended up feeling very conflicted about whether or not I actually enjoyed reading it. It was stylish looking, which I appreciated. The author deployed a great deal of typical shoujo manga plot elements, which I was less than enthusiastic about. Finally, there was a level of angst involved in the relationships between the characters that I actually found intriguing, and will likely keep me hanging on to reading this series in the hopes that it gets a bit better in the second volume.

Childhood friends who are separated and meet again only to fall in love is such a shoujo staple plot element, that I get weary of it if it isn’t executed well. Nino Arisugawa has a habit of developing close childhood friendships with boys only for them to utterly disappear, which will make it very handy for her to have a love triangle as a teenager. Her first friend is Momo, a next door neighbor boy with a habit of making terrible puns. They’re in the habit of singing together. Momo abruptly moves away with his family and while Nino is visiting the sea to scream her agony into it, she stumbles across Yuzu, a kid composer who likes to write musical compositions in the sand. Yuzu is also a very familiar character type seen in manga, the short kid who drinks a ton of milk in hopes of triggering a growth spurt. Nino finds a bit of peace when singing Yuzu’s compositions, but she still longs for her lost friend Momo.

Switching gears to the future, Nino starts attending a school where Yuzu is a student. He’s very busy, because he also has the time to be in a rock band called In No Hurry, which performs wearing face masks and eyepatches. Nino and Yuzu reconnect, but it is clear that she’s still nurturing her feelings for Momo. The part of this manga that I found most interesting, and I’m not sure if it was intentional on the part of the author, is that Yuzu’s obsession with Nino as a muse is so clearly unhealthy. He has a girl singer in his band called Alice who is designed with his memories of Nino in mind, and he likens his feelings for Nino as being trapped under the spell of a canary. Yuzu ends up being the most compelling character in this manga, just because he wears his emotional agony on his sleeve. No surprise, Momo is attending the same high school, and shows up around Yuzu to make a few bad puns and then disappear in an enigmatic fashion.

The art is stylish, if a bit generic. I enjoyed the edgy costumes for Yuzu’s band. A couple moments in the manga that stood out to be as being particularly well-executed were a scene of Nino and Yuzu reconnecting through music in a practice room, and an encounter with Yuzu’s band mates that hints at a whole different story of unrequited love. I often feel like some manga series need at least two volumes before passing judgement on them, and I’m hoping that the second volume of Anonymous Noise has less shoujo cliches and more teen angst because the potential is there for an entertaining music infused teen soap opera, but I’m not quite seeing that yet.

Tokyo Tarareba Girls, Vol. 1

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By Akiko Higashimura | Published digitally by Kodansha Comics

I spent all my time wondering “what if,” then one day I woke up and I was 33.

Thirty-something Rinko Kamata and her two best friends from high school, Kaori and Koyuki, are still single. They’ve happily spent the last decade getting together regularly for girls’ nights out, during which they get sloshed and speculate on what might’ve happened with past romances or how they might meet Mr. Right in the future. When it’s announced that Tokyo will be hosting the Olympics in 2020 and it dawns on the trio that they might still be single amidst all the celebrating, they abruptly realize that they might have missed their chance to snag husbands.

Ten years ago, Rinko had a chance with Mr. Hayasaka, a dull but sweet coworker, but rejected him. Their work—she’s a scriptwriter and he’s a producer for a television production company—still brings them together, however, and when she seemingly has a second chance, she considers accepting this time, wondering if women must choose being loved over being in love once they’re over thirty. Of course, she’s drunk at the time, so her thoughts are whimsically presented in the form of conversation with her snacks! Specifically, tara (milt) and reba (liver), whose names combine to mean “what if” and thus supply the pun of the series title. They’re cute little creatures, and tara especially gives me some Little Fluffy Gigolo PELU flashbacks (in the best way).

Of course, we wouldn’t have a series if things worked out with Mr. Hayasaka, and losing out to younger women in romance, work, and at a courtship party, where the “tarareba girls” discover that even schlubby guys their age have pretty young things competing for them (because the younger guys are all under- or unemployed), sends her somewhat off the rails, hopping in a taxi to capture some blackmail evidence and winding up at a hot springs resort, drinking alone and feeling unwanted until Key, a snarky male model who’s observed the rowdy trio at their favorite pub and was critical of Rinko’s writing—essentially unrealistic wish-fulfillment fare for daydreaming middle-aged women—shows up to forestall disaster and ends up proving himself to be the ultimate “what if” scenario that Rinko hadn’t even considered. Plus, he encourages her to see her recent failures as a chance instead of a setback, and I hope this means we’ll see her write what she claims she really wants to write and achieve success after all.

This is quite a madcap volume, what with the talking food, and there are also several quick cuts to Rinko guzzling alcohol that make me think this would be extremely amusing in either animated or live-action format. I also really like the way we her conversations with friends via text are depicted. Ordinarily, I might be bothered that these ladies are so fixated on husbands, but Higashimura-sensei has some author’s notes at the back wherein she makes it absolutely clear that she does not think that marriage is the key to happiness or that it’s a requirement for women. It’s just that she had some friends who were beginning to experience some of these things, and she decided to write about them.

Before Kodansha’s announcement, this series hadn’t even been on my radar, so in addition to being grateful for more josei in any format, I’m especially glad to be introduced to this fun story. I’m looking forward to volume two!

Tokyo Tarareba Girls is ongoing in Japan where it is up to seven volumes.

Review copy provided by the publisher.

Chihayafuru, Vol. 1

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By Yuki Suetsugi | Published digitally by Kodansha Comics

Chihayafuru is a long-running josei sports manga series about a girl who discovers a passion for the Japanese card game, karuta. The very factors that made me sure I’d love the series also made it an unlikely licensing prospect. Happily, Kodansha Comics has started releasing it digitally! I still can’t quite believe that it’s really happened.

In the opening pages, we get a glimpse of a teenage Chihaya Amase during an intense match, then promptly travel six years into the past. At twelve, Chihaya had no dream other than seeing her older pageant-entering sister, Chitose, become “number one in Japan.” When she befriends transfer student Arata Wataya, who’s been shunned by classmates for his poverty and regional dialect, he tells her that her dreams should be about herself. Fired up by Wataya’s speed and intensity at karuta, Chihaya can’t help but attempt to score at least one card off of him, and the delight on Wataya’s face as he finally makes a friend who shares his passion is poignant.

As Chihaya (and the audience) learns more about karuta, Wataya eventually gains the respect of his classmates for his skill, prompting Taichi Mashima, the ringleader of the bullies, to cheat against him in a school tournament. I quite liked that we see Mashima’s motivations—his horrid mother flat out tells him that if you don’t think you can win at something, you shouldn’t even try—and that, afterwards, he makes his own decisions about what is right and what is important to him. The three kids become friends and, after joining a karuta club in their neighborhood, conclude the first volume by entering an elementary tournament as a team.

In several ways, Chihayafuru reminds me of Hikaru no Go. You’ve got the sixth-grade protagonist discovering enthusiasm for a traditional game. She makes a small group of friends who share a deep love of the game, and they compete together as a team. And yet, there is the inescapable fact that they won’t be able to stay together forever. Mashima’s path will take him to a prestigious middle school while the ill health of Wataya’s grandfather compels him to return to his hometown. Will Chihaya continue on her own? Presumably, like Hikaru, she will make new friends at each stage of her journey, and potentially face Wataya again as a rival in future.

As usual, what I really loved most was Chihaya finding the place she belonged, and the outlet in which her specific skills—quick reaction time, acute vision, and an extremely keen sense of hearing—are recognized and appreciated. Her sister becomes positively odious as she realizes Chihaya now has something in her life to work towards besides Chitose’s fame—“All Chihaya needs to do is look at me and tell me how amazing I am”—and I wonder how far she’ll go to sabotage her little sister’s ambitions, but the opening pages show us a Chihaya still deeply dedicated to the game, so I’m sure she’ll remain undeterred.

I really, really loved this debut volume and eagerly look forward to more!

Chihayafuru is ongoing in Japan, where the 34th volume will be published next week.

Review copy provided by the publisher.

Bakemonogatari: Monster Tale, Part 2

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By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by Ko Ransom.

One of the things I enjoy about the first few volumes of the Monogatari books is that each new story begins with the girl from the previous story having a long conversation with Araragi where they basically take on the role they’ll play in the books from this point forward. In the previous volume’s Mayoi Snail, Senjogahara showers Araragi with abuse and teasing affection. And here we have Suruga Money, in which Mayoi reappears and begins to function as Araragi’s sounding board and life advice coach, and Nadeko Snake, in which Kanbaru shows off that she was actually holding back in her own story, and becomes the only person in the cast who can be more perverse than he can. (This works in Japanese publication order, by the way, and continues at least through Nekomonogatari Black, which starts with a long scene with Araragi and his sister Tsukihi.) The first two books introduced Araragi and began to give him a “harem”, so to speak – this second book expands on that.

The stories in Bakemonogatari were originally written as short stories for a magazine, and it shows – each story has the introduction at some point of Araragi, Shinobu and Meme Oshino and explains his nature, for readers who had not read the previous stories. Not that Shinobu plays a part in this book – she’s still silent, apparently sulking as Oshino is stealing her Mister Donuts stash, and functions mostly as a maguffin to power up Araragi so he can battle oddities. For the most part, each story in this is devoted to showing us the new girl. This works quite well in Kanbaru’s case. Her overly solicitous politeness is perfectly translated, and you also see the frustration and rage she normally keeps well-hidden. She’s a good kid. She’s also a “pervert”, i.e. happy to talk about sexual matters with Araragi till she’s blue in the face. And she’s a lesbian, something she admits herself, though the text goes on to use the alternate term “sapphist”, which, as Araragi points out, is the same thing. (One could argue she flirts incessantly with Araragi in the following story, but I maintain that she mostly does this for appearance – much like many other characters in Monogatari, especially Araragi himself.) Her story is the strongest, flagging only when we have to read a very long battle scene from Araragi’s narrative POV – it gets tedious, and makes you realize why Nisioisin does so much dialogue – he’s better at it.

As for Nadeko… without spoiling anything about future volumes, we’re left with an okay story that works best when Nadeko isn’t in it. Araragi and Kanbaru’s banter at the start is probably the high point of the book. Nadeko herself is painted entirely as a shy, innocent victim, forever looking down or away from the two of them. Her “monster” problem is quite sexualized, which is uncomfortable given she’s only in junior high, but if that really makes you uncomfortable you’d better jump off now before we get to Nisemonogatari, as it will only get worse. In the context of future volumes, there’s lots of subtle clues and hints in here, a few of which I think are deliberate. But without that context, this story sometimes just lies there. It’s the weak link of the five.

The third volume will contain only one story, Tsubasa Cat, and you can probably guess who stars, though if you read these two volumes and think we’re finally getting a flashback to what happened during Golden Week, you’d be wrong. It also doesn’t have quite as much Kanbaru, which is a relief even though I love her. The translation is, on the whole, excellent throughout, but Vertical has decided not to have honorifics, and as such Kanbaru’s constant “Araragi-sempai” is turned into “My senior Araragi”, which is fine initially, but after the first hundred or so times you realize how OFTEN she uses his name, and it begins to wear. (Mayoi’s “Mister Araragi” works better.) I understand why they chose not to have the honorifics, but I suspect I might find it a bit more comfortable if Kanbaru’s use of -sempai was removed rather than adapted, even if that affected the politeness level. Other than that, though, this is good volume of Monogatari, if not quite as good as the other two.