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Art of Pokemon Adventures

September 11, 2017 by Anna N

The Art of Pokemon Adventures by Satoshi Yamato

The young children in my house have firmly moved on to Yu-Gi-Oh from Pokemon, so this book did not immediately get stolen which is sometimes what happens with the manga that arrives in my house like Haikyu! or Kuroko’s Basketball.

However, as an art book I do think this would appeal to Pokemon Adventure fans. It is a solid book with full-color illustrations printed on glossy paper, with plenty of fold-out posters. Along with the finished art, plenty of sketches are included so the reader can get a sense of how the drawings evolved from idea to finished illustration. Line art is also included, as well as a couple sample panel layouts and some color guides for the characters. The librarian in me appreciated that an index was included in the back of the book, so all the illustrations can be matched up with the manga that they originally appeared in. A bonus short manga chapter concludes the volume. I thought the production quality of this volume was solid, it made me think I should check out other Viz art books.

Filed Under: REVIEWS Tagged With: Pokemon, Shonen, viz media

Queen’s Quality, Vol. 1

September 10, 2017 by Anna N

Queen’s Quality Volume 1 by Kyousuke Motomi

I was very happy when I saw that Queen’s Quality was licensed shortly after the earlier series QQ Sweeper. Motomi has a quirky and slightly warped sense of humor that makes her shoujo series stand out. Queen’s Quality starts out at what felt like a faster pace than QQ Sweeper, as many of the plot points that were only dangling or hinted at in the earlier series get pushed forward dramatically in the first few chapters of this volume.

Fumi continues her life as an apprentice sweeper, learning the tricks of the paranormal trade from her friend Kyutaro and his family. While they practice cleaning everyday rooms and objects, they are also training for dealing with exorcising the demons that can get inside human hosts, causing them to act cruel. There’s a focus on personality and inner character in this series, as people who might be mentally weak or who have a tendency to be cruel end up leaving a door open for evil to get in, and their worst personality traits are magnified.

Another sweeper named Takaya Kitahara shows up to visit the Horikita family, and he provokes Fumi’s hidden Queen power as part of a test. Kyutaro is able to bring her back to herself, but seeing her power manifest is frightening. Kyutaro resolves to stay by Fumi to support her, but he’s told that he can’t ever remind her of the past that she’s forgotten, when they used to be childhood friends. Kyutaro’s response to this is to emotionally withdraw even more than usual, causing Fumi a great deal of distress as she doesn’t understand why he’s acting deliberately cold towards her. Fortunately his family has their best interests at heart, and they send the young couple on a mandatory and hilariously awkward shopping trip/date as an assignment, and their friendship is salvaged.

One thing I like about Motomi’s series is that there’s always a psychological element to be found in the stories, and they don’t rely quite as much on external situations or antagonists. While there are certainly forces at work trying to turn Fumi into an evil queen, the bad guys aren’t really as interesting as the fact that Fumi is going to have to draw on her emotional reserves and face the darkness that’s inside her, the same as any human. Fumi and Kyutaro talk at the end of the volume, and she asks if he’s afraid of her. He replies “Everyone has dark thoughts…or parts of themselves that they can’t control.” He vows that if she has to head into the darkness, he’s going too. This relationship dynamic is so interesting to see in a shoujo series, and it is why I’m so impressed with Queen’s Quality.

Filed Under: Manga Reviews, REVIEWS Tagged With: queen's quality, shojo beat, shoujo, viz media

Nisemonogatari: Fake Tale, Vol. 2

September 10, 2017 by Sean Gaffney

By NISIOISIN. Released in Japan by Kodansha. Released in North America by Vertical, Inc. Translated by James Balzer.

Despite being almost as long as the first in this series, Karen Bee, the second Nisemonogatari book, Tsukihi Phoenix, only got adapted into four episodes for the anime. As you can imagine, therefore, there’s a lot of content that got omitted or severely cut in order to fit it into the timeframe, particularly in the first half of the volume. As such, anime fans will find much to enjoy here. In particular, I think they’ll be amused at Araragi’s description of Senjogahara post-Karen Bee, who he describes as no longer caustic and sharp-tongued at all but now sweet and devoted, and how all of her formerly cruel and spiteful actions (which, let’s face it, the reader is aware were broken attempts at flirting) are replaced with normal girlfriend responses. Anime fans may be wondering what the heck happened, since the next time we meet Senjogahara in the series she’s still much the same.

In fact, Nisioisin seems a bit conflicted about the series getting turned into an anime – there’s a sense he tries to take things too far here in order to avoid having the anime continue, though obviously that didn’t work. Nisemonogatari has a reputation for being the sleaziest of the series, though, and it’s not inaccurate. Most of that reputation comes from this volume, which features the now infamous “toothbrush scene”, where Araragi and his sister Karen have a bet that he can’t brush her teeth for five minutes without her crying out. It’s obviously meant to suggest sex, and in particular incest, which earlier in the book Araragi had been mocking himself. Several times in the book he says that he feels no sexual desire towards his sisters before doing something sexual to them (he later steals Tsukihi’s first kiss, which horrifies her). Araragi is becoming a somewhat unreliable narrator, to be honest, though we won’t really see how much till later books in the series with other character’s narration.

This volume features his “younger younger sister” Tsukihi, who so far has been defined mostly by her temper and her mood swings, which we certainly get plenty of here. It’s also a good introduction to her personality in another sense – Araragi notes that Karen is the one with the actual sense of justice, while Tsukihi “just likes to run wild”, and it’s true – she tends to go along with what others do rather than making her own firm choices. The reader may wonder how much this ties in with the main plot, which suggests that – surprise, surprise – Tsuhiki is not who she seems. In the end, though, this book is about family in the good ways as well, which means that it’s not just about suggestive incest but also about loving your family even if they’re not what you thought they were – and Araragi, as a human who still retains vampiric powers, should know about that. Here he goes up against Kagenui, a “specialist” like Meme Oshino who specializes in eradication, and Yotsugi, a deadpan reanimated corpse who is her assistant. We’ll see a lot more of Yotsugi, not so much of Kagenui.

Speaking of Yotsugi, we can briefly talk translation. The issues are much the same as Karen Bee – dagnabbit mad is still there, and it’s still really annoying, but it didn’t appear as much as I feared. Tsuhiki also sounds like Yosemite Sam when she catches Araragi and Karen brushing teeth, but that’s more clearly deliberate comedy, and the anime watcher likely heard the heavy ‘fake accent’ she was using then, so it makes more sense. As for Kagenui, she too uses a fake, overdone accent, but it’s subtler, and the translator seems to go with “old-time Northern England”. It doesn’t jar much at all, and reminds me how much anime subtitles tend to gloss over accents. Speaking of which, Shinobu still sounds old-timey, as she always does, whether she’s Kiss-Shot or no.

Overall, I was quite pleased with this volume, a few issues aside. It also does sort of feel like he was trying to wrap up the series once more, but he failed again, and now tells us he has two more stories after this to write, about Hanekawa and Hachikuji. In fact, the Hanekawa story grew so large it got split into its own two-part book. Stay tuned for Nekomonogatari Black in November, when we FINALLY see what happened Golden Week.

Filed Under: monogatari series, REVIEWS

Captain Harlock, Space Pirate: Dimensional Voyage, Vol. 1

September 9, 2017 by Sean Gaffney

By Leiji Matsumoto and Kouiti Shimaboshi. Released in Japan as “Captain Harlock – Jigen Koukai” by Akita Shoten, serialization ongoing in the magazine Champion Red. Released in North America by Seven Seas. Translated by Zack Davisson.

When I’d heard that Seven Seas had licensed this 21st century Harlock reboot, I said that if they really wanted to impress folks they would go get the original manga from the 70s – which they proceeded to do, and that should be out in 2018 or so. That said, that doesn’t make this any less interesting. I’m not sure how much input Matsumoto actually had on the finished project, but it certainly feels just like it should. It’s a retelling of the original series, featuring Harlock’s fight to protect what he values most, as well as picking up a new crewmember whose father was killed. We see an Earth that has fallen, if not into ruin, then at least into disrepair, as the only people who gave a damn have long since left for space, leaving behind the corrupt and uncaring, mostly. And, of course, we have the florid dialogue, which may be the chief highlight.

I haven’t yet read the original, so I’m not sure how much of this is just a straight up remake of the original and how much is updated content. I did like the beginning of the story, which seems to be framed by a sympathetic reporter as she interviews people about what they think of Harlock. This not only shows off the varied and different opinions that they have, and introduces a large majority of the cast, but it also lulls us into thinking that she may be the viewpoint character – nope, it’s a fakeout. But quite well done, and reminds us that the enemies we’re facing here are the Mazon, a race of female humanoids who seek to destroy Harlock. They’re not getting very far in that regard. After this we meet the actual viewpoint character, Tadashi Daiba, who may look familiar to anyone who’s seen a Matsumoto manga – diverse character types is not his specialty, thought Tadashi does at least manage to be taller than some of the others we’ve seen.

I’d previously reviewed the two volumes of Queen Emeraldas, and noted that it felt like reading a manga adaptation of a Wagner opera. There’s some similarity here, but it also definitely has the feeling of a 21st century work, rather than something from two generations ago. I’d say this is more of an Andrew Lloyd Webber musical, with big gestures and dramatic confrontations galore. Every like is declaimed rather than spoken, as if each of the characters knows that they are part of an ongoing lyrical poem that will only end in destruction. This is not to say that this is 100% depressing – Harlock’s crew are a bunch of goofballs, with the exception of the stoic second mate, and Harlock explains to Tadashi why they’re goofballs much of the time in a very good scene.

The art looks fine – I imagine Matsumoto tests out potential artists to see how well they draw his “ugly” characters, though the odd bone structure of some of Harlock’s crew gave me pause. If you’re a Matsumoto fan, this should make you pretty happy. And if you want to find out what the fuss is about Harlock, this is a good start.

Filed Under: captain harlock, REVIEWS

The Asterisk War: Quest for Days Lost

September 8, 2017 by Sean Gaffney

By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Melissa Tanaka.

Another volume of Asterisk War brings along with it more of the same, and honestly these books are so short I frequently wish that Yen had decided to omnibus them, especially since the plot to this volume is essentially “more tournament arc”. Nothing particularly surprising happens – even the cliffhanger ending is signposted from the moment we meet the sweet innocent girl who’s the victim of it. There is cool fighting by tactics. There is cool fighting by unlocking the next level of abilities. There are also Saya and Kirin, whose fights we don’t see until the final chapter. I have a sneaking suspicion how that will turn out, but it’s also part of the cliffhanger ending. So yes, nothing whatsoever new here, but as always the prose is readable, it’s not too offensive (though there are a few stereotypes), and fans of this sort of thing will eat it up like candy and then move on.

One thing I did like is Julis (who is reminding me more of Rin Tohsaka every volume) managing to get Ayato to have a reason to fight and win that isn’t just “well, I guess I’ll help her achieve her goal”. The drive to succeed, to surpass, to go beyond your limits requires something to strive for in these sorts of stories, and given that Ayato is, if I’m being nice, sot of bland it’s especially important for him to have this. He’s on a quest to find his sister, but there’s always been an undercurrent of “she must have had a good reason” that’s stopped him from really investigating. If the tournament ends next volume (which it looks like ti’s shaping up to do), I expect we’ll get more answers, though whether we get his sister is another matter.

Both major battles in this book are against students from Chinese Stereotype Academy, aka Jie Long Seventh Institute. We get both a noble fighting pair who are simply very good at what they do, and a team of twins who are very good at what they do but are also jerks. They don’t cheat per se, but they hammer on weaknesses and love to break their opponent. Dishonorable is a good word for them. Needless to say, Ayato and Julis fight against them near the end of the book, and the fight is probably the best part of the novel, even if, once again, the lack of surprising things happening is clear. If I were to tell you that the twins have a reaction that’s basically “This… this CANNOT BEEEEEE!” towards the end of the fight, I’m sure you would just sigh and nod.

Kirin and Saya are here as well, and Saya gets a flashback that shows off her childhood with Ayato, but honestly it’s harder to develop these two as their personalities are naturally passive – likely that’s why we didn’t see their fights till the very end. In any case, this volume of Asterisk War may not convince uncertain readers to keep going, but it also won’t make them decide to drop it once and for all. It’s still the equivalent of having a Peppermint Patty for dinner. Tasty, but you really want a lot more.

Filed Under: asterisk war, REVIEWS

Manga the Week of 9/13/17

September 7, 2017 by Sean Gaffney, Michelle Smith, Anna N and Ash Brown Leave a Comment

SEAN: More manga, more backlog.

Kodansha has the final volume of Complex Age, Vol. 6, which I found a little TOO realistic for my tastes, but it was very well written.

MICHELLE: Volume five was less painful than volume four, though I am still nowhere near certain that we’re going to get a happy ending.

ANNA: I’m way behind on this series but still interested in it!

ASH: Same! The first volume left a deep impression on me, and the other volumes I’ve read were likewise very strong. I’ll definitely be reading the rest.

SEAN: There’s also a 6th volume digitally of Domestic Girlfriend.

Fuuka hits Vol. 14, despite still being written by Seo Kouji.

And there is a 12th volume of Kiss Him, Not Me!, which is The Wallflower for the millennial generation.

ASH: I’ll admit, I’ve fallen behind on the series. But while are parts of the story I’m not fond of, I do like the manga overall.

SEAN: If you didn’t get burned out by the heroine of Mikagura School Suite’s light novel, One Peace has Vol. 1 of the manga.

Seven Seas is next. The third Kase-san And… volume, which of course has no actual numbers, is Kase-san and Shortcake. It promises to be adorable.

ASH: Quite.

SEAN: Monster Girl Encyclopedia sure was popular with a certain type of fan. If you are that type of fan, there is a 2nd volume.

Non Non Biyori’s cast continues to do not very much in a cute way with this 8th book.

And we also get a print version of the second volume of Occultic;Nine, whose digital edition came out from J-Novel Club.

SuBLime has a 5th volume of Don’t Be Cruel, which is not subtitles To A Heart That’s True, but should be.

ASH: I haven’t read the series proper yet, but the first volume of the side stories was entertaining.

SEAN: And we also get the 7th and final volume of Love Stage!!, which can now pass on its extra exclamation marks to needy new manga.

MICHELLE: I had actually completely forgotten Love Stage!! exists.

SEAN: Vertical has a 5th volume of the Master Edition of BLAME!.

ASH: For anyone interested in Tsutomu Nihei’s artwork, this is absolutely the edition to pick up.

SEAN: Lastly, Viz’s poster child for “do scanlations hurt sales?”, Hayate the Combat Butler has finally hit Vol. 30. I eagerly await it, though I may be totally alone there.

Hey, a light week! Relax, or buy something from this list?

ASH: Until now, I didn’t realize that light weeks even existed anymore!

Filed Under: FEATURES, manga the week of

My Love Story!!, Vol. 13

September 7, 2017 by Sean Gaffney

By Kazune Kawahara and Aruko. Released in Japan as “Ore Monogatari!!” by Shueisha, serialized in the magazine Bessatsu Margaret (Betsuma). Released in North America by Viz. Translated by JN Productions. Adapted by Ysabet Reinhardt MacFarlane.

Like a lot of ongoing Viz titles, I haven’t actually reviewed this series in full since the first volume came out, saving my thoughts for a Bookshelf Brief. This is not to say I have not been loving the series, it’s one of my favorite recent shoujo titles. But it’s not something I really try to analyze deeply or get into the nitty-gritty of, more a manga that I can relax in after a long, hard day. It’s soothing. Even its dramatic tension was soothing. Critics have said that it’s a bit too sweet and sappy, and they are 100% correct. If you tend to gag on too much sugar, we may have lost you around the 10th time Takeo swooned and thought “I love her!” to himself. But now Yamato’s about to go to Spain. What will the long distance relationship become?

Obviously, this is a romance manga, and the thrust of the story is about Takeo and Yamato. It can get a bit ridiculous at times (I screwed up our relationship. I must FLY TO SPAIN to fix it!), but even that is so over the top and glorious that by the end you find yourself grinning like a loon. To no one’s surprise, Yamato’s running away from home did not pan out, so she does end up going to Spain for her senior year. The ‘relationship’ part of this separation goes quite well, but Takeo has a best friend to remind him to study so he can get into college, while Yamato lacks such a friend. And so she starts to fall behind, which leads to a series of brutal misunderstandings. And by brutal I mean “everyone immediately realizes what went wrong and yells at him to fix it”. It’s the final volume, we don’t need extended drama, we just need a montage of every supporting player since the start. And a punch. The punch was really good.

Speaking of the puncher, for all that it’s a romance manga, Sunakawa has been just as much of a major character as Takeo and Yamato. He gets a lot to do here, and I wonder if the authors were aware of all the theorizing about his sexuality that went on, as there’s something for everyone here. He and Takeo go on a vegetable-picking vacation with tons of BL subtext, and the final pages are basically Takeo hoping that Suna finds his own awesome girlfriend someday. As for me, I tended to see Sunakawa as asexual, and the manga does not disabuse me of that notion either – he cares deeply for Takeo, but simply lives at something of a distance from the other hormone-addled teens at his school. He was a terrific friend to the end, and the reason this manga works so well is the strength of his character in among the two lovesick doofuses.

And so we end with college, and with our couple together and (presumably) marrying soon. It’s a good ending to this sweet series, where the reader usually found themselves thinking “oh, that’s adorable!” at least four times a volume. Highly recommended to heart-on-your-sleeve shoujo romantics.

Filed Under: my love story!!, REVIEWS

The Legend of Zelda: Twilight Princess, Vols. 1-2

September 6, 2017 by Katherine Dacey

Can someone who’s never played a Legend of Zelda video game still enjoy the manga adaptations? That’s the question I set out to answer by reading the first two volumes of the Twilight Princess saga.

The short answer to the question is a qualified yes — if by “enjoy” you mean, “get a handle on what’s happening.” Akira Himekawa, a pseudonym for the two-woman team of A. Honda and S. Nagano, pack a considerable amount of exposition into the first two chapters, making it easy for the uninitiated to grasp the premise. Honda and Nagano also use these introductory pages to introduce us to the residents of Ordon Village — the hero’s home — treating us to idyllic scenes of farmers tending their crops, shepherds minding their flocks, and barefoot children cavorting. Though these tableaux are as cornpone as anything John Ford ever committed to screen, they’re rendered in a crisp, readable style that helps the reader understand what’s at stake if Link fails in his quest to restore the balance between light and darkness.

But if you equate “enjoyment” with “feeling a spark of pleasure or surprise while reading,” then the answer to my initial question is a resounding no. There’s a labored quality to the storytelling that prevents Twilight Princess from coming alive on the page; Honda and Nagano try too hard to nail down every narrative detail, producing a story that often reads more like an overly scripted PowerPoint presentation on Twilight Princess than an organic work of fiction. In the first volume, for example, we’re introduced to the obviously pregnant wife of an important supporting character. Just a few pages later, however, another villager helpfully mentions that Uli’s wife is… pregnant. A similar round of no-shit statements accompany Link’s volume two transformation into a wolf, a development that prompts Link — and other characters — to repeatedly observe that he’s no longer human; you could play a decent drinking game by taking a swig of whiskey whenever someone registered surprise at Link’s lupine form. At least he looks cool.

The plot developments are equally obvious. As soon as Honda and Nagano introduced a tremulous teenage girl and her snot-faced little brother, for example, I knew it was only a matter of 30-40 pages before they’d be snatched, giving Link a compelling reason to enter the Twilight Realm. This predictable turn of events wouldn’t be frustrating if we cared about Ilia and Colin’s fate, but they’re such generic characters that they never transcend their function as plot devices. Even the combat feels more like a sprinkling of “adult spice” than a real attempt to tell a darker or more complex story; Twilight Princess is so devoid of ambiguity or suspense that even the most intense, violent sequences seem largely inconsequential.

The blandness of the manga’s execution prompts me to ask a second question: who is Twilight Princess for? Book sales indicate that there’s a large audience of Zelda fanatics who are enjoying this series, so my guess is that the manga appeals to players’ nostalgia for the original games. For the rest of us, however, Twilight Princess is neither interesting nor imaginative enough to compete with One Piece, Naruto, Fairy Tail, or Fullmetal Alchemist on its own terms, nor does it offer any clues why the Zelda games have been a global, thirty-year phenomenon that’s captivated two generations of gamers.

VIZ provided a review copy of volume two.

THE LEGEND OF ZELDA: TWILIGHT PRINCESS, VOLS. 1-2 • BY AKIRA HIMEKAWA • TRANSLATED BY JOHN WERRY • RATED T, FOR TEEN

Filed Under: Manga, Manga Critic, REVIEWS Tagged With: Akira Himekawa, Legend of Zelda, Twilight Princess, Video Game Manga, VIZ

Manga Giveaway: A Variety of Vertical Comics Winner

September 6, 2017 by Ash Brown

Devils' Line, Volume 1Flying Witch, Volume 1
Mysterious Girlfriend X, Omnibus 1Nichijou: My Ordinary Life, Volume 1

And the winner of the Variety of Vertical Comics manga giveaway is… Michelle Gauthier!

As the winner, Michelle will be receiving the first volume of four manga series released by Vertical Comics: Ryo Hanada’s Devils’ Line, Chihiro Ishizuka’s Flying Witch, Riichi Ueshiba’s Mysterious Girlfriend X, and Keiichi Arawi’s Nichijou: My Ordinary Life. Since this giveaway focused on Vertical Comics, I asked participants to tell me a little about their favorite Vertical manga, too. Check out the giveaway comments for everyone’s detailed responses, and check out below for a list of some of Vertical’s manga.

Manga from Vertical Comics:
Arakawa under the Bridge by Hikaru Nakamura
Blame! by Tsutomu Nihei
Chi’s Sweet Home by Konami Kanata
Devil’s Line by Ryo Hanada
Dissolving Classroom by Junji Ito
Dream Fossil by Satoshi Kon
Flying Witch by Chihiro Ishizuka
The Flowers of Evil by Shuzo Oshimi
FukuFuku: Kitten Tales by Konami Kanata
The Garden of Words written by Makoto Shinkai, illustrated by Midori Motohashi
A Girl on the Shore by Inio Asano
The Gods Lie by Kaori Okazaki
Helvetica Standard Bold by Keiichi Arawai
Immortal Hounds by Ryo Yasohachi
Imperfect Girl written by Nisioisin, illustrated by Mitsuru Hattori
Mobile Suit Gundam Wing written by Katsuyuki Sumizawa, illustrated by Tomofumi Ogasawara
My Neighbor Seki by Takuma Morishige
Mysterious Girlfriend X by Riichi Ueshiba
Nichijou: My Ordinary Life by Keiichi Arawi
Ninja Slayer written by Yoshiaki Tabata, illustrated by Yuuki Yogo
Prophecy by Tetsuya Tsutsui
She and Her Cat written by Makoto Shinkai, illustrated by Tsubasa Yamaguchi
To the Abandoned Sacred Beasts by Maybe
Tokyo ESP by Hajime Segawa
Witchcraft Works by Ryu Mizunagi

The above list only includes the manga that have been released (or will be released very soon) under the Vertical Comics imprint which was launched in 2014, but Vertical began publishing manga well before then. (I’m fairly certain that Vertical’s first manga was Osamu Tezuka’s Buddha back in 2003, but I could be wrong.) Even before specifically devoting an imprint to manga and anime-related titles, Vertical has always had a strong catalog of titles which are well-worth reading. Thank you to everyone who shared your particular Vertical favorites with me! I hope you’ll all participate in the next giveaway, too.

Filed Under: Giveaways, Lists, UNSHELVED Tagged With: Chihiro Ishizuka, Devils' Line, Keiichi Arawi, manga, Mysterious Girlfriend X, Nichijou, Riichi Ueshiba, Ryo Hanada

Konosuba: God’s Blessing on This Wonderful World!: You’re Being Summoned, Darkness

September 6, 2017 by Sean Gaffney

By Natsume Akatsuki and Kurone Mishima. Released in Japan as “Kono Subarashii Sekai ni Shukufuku o!: Chūnibyō demo Majo ga Shitai!” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Kevin Steinbach.

Another day, another KonoSuba novel, and another manga series being parodied in the subtitle. This time it’s You’re Being Summoned, Azazel-san, a long-running seinen comedy manga with two anime series. Last time I said that we might get a bit more plot, and that’s certainly true, though thankfully that does not mean that things get any more serious. Sure, Kazuma is being put to death for crimes against the state, but honestly, he could have gotten out of that about eight different ways simply by not being Kazuma. And as you may have guessed by the cover, Darkness features heavily in this book. We get a lot more detail on her background, and find that her strong sense of self can even duel with a lesser demon. This, again, does not make her any less ridiculous. Summing up KonoSuba remains one of the easiest things in the worst: selfish protagonists do stupid things, and the reader laughs.

I’m actually very impressed that Kazuma falls into this category as well. It would be all too easy to turn him into a Kyon type, merely reacting against the antics of everyone else. But no, he manages to make some head-scratchingly selfish and foolish decisions throughout, especially near the start, simply by running his mouth off. Of course, he does also save the day at the end – sort of, in reality Kazuma mostly saves the day by directing others to do so – but one wonders how far he’d go if he simply reined in his put-upon ego. Megumin has a reunion with a classmate of hers, and Yunyun seems to be more powerful but in reality may be even more pathetic than Megumin, which takes some doing. The name really doesn’t help, and I was highly amused that Kazuma and I had the same reaction to it.

As indicated above, Darkness gets the most to do here. The revelation of her family background is not all that surprising, really, and I was relieved that she doesn’t really switch personalities too much when she’s back in her home. As for the marriage meeting, it’s the highlight of the book, with Kazuma’s scheming and Darkness’ sabotage attempts combining in the best way, culminating in a duel which seems to end in a wet T-shirt contest. I’d mentioned before how shipping was minimal in the series, but it’s picking up – Darkness’ angry description of her ideal man does sound an awful lot like Kazuma, and the bath scene he has with Megumin gets a lot more awkward when he realized that she’ll grow out of being ‘underage’ pretty soon. As for Aqua, her part in all this is to be ridiculous, and she succeeds at this admirably. She and Kazuma make a great baka duo.

This volume takes us halfway through Season 2, meaning we only have one more till we catch up with the anime. Of course, the series is so popular there may be a third anime before December. In any case, fans of KonoSuba will enjoy this a great deal, as it’s still one of the funniest light novels being released.

Filed Under: konosuba, REVIEWS

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