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Pick of the Week: One Last Love Story

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MICHELLE: Last time I had the option to pick Skip Beat!, I said that it’d likely always be my pick when it comes out, due to its biannual release schedule. Well, not this time. As much as I deeply love it, this is my final chance to choose My Love Story!!, so I’m gonna do it. It’s brain balm of the best kind—warm and sweet but never sappy or boring. I will miss it very much.

SEAN: So much to love this week, and I want to pick Queen’s Quality, as I do love me some Motomi, but I agree with Michelle: there’s no question that the final volume of My Love Story!! is going to be my pick. Some have accused it of being too sweet and sappy, and they’re absolutely correct, but that’s what I want from this series. Mainline the sugar into my veins, please!

KATE: I’m torn between the final volume of My Love Story!! and the latest installment of One-Punch Man, which deserves to be a Naruto-sized hit in America.

ANNA: This is a great week for manga for me. Like everyone else, I feel compelled to pick the final volume of My Love Story!!, it is such a uniquely quirky series that is heartwarming without being cloying.

ASH: I’m in agreement with everyone else here. While there are quite a few things that I have my eyes on this week–Captain Harlock, Haikyu!!, Sweetness & Lightning–it’s My Love Story!! that has my heart.

My Week in Manga: August 28-September 3, 2017

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My News and Reviews

Last week saw the end of one month and the beginning of another, which means the most recent monthly giveaway is currently underway at Experiments in Manga! Partially in honor of the seventh anniversary of Experiments in Manga (but largely just because I feel like it) this is a giveaway for four volumes of manga rather than just one. The winner will be announced on Wednesday, so there’s still time to enter for a chance to pick up a Variety of Vertical Comics: the first volumes of Ryo Hanada’s Devils’ Line, Chihiro Ishizuka’s Flying Witch, Riichi Ueshiba’s Mysterious Girlfriend X, and Keiichi Arawi’s Nichijou: My Ordinary Life. (I tried to make sure there was a good assortment of the types of manga currently being released by Vertical.)

Quick Takes

Cells at Work, Volume 2Cells at Work, Volumes 2-4 by by Akane Shimizu. I enjoyed the first volume of Cells at Work tremendously, but I did wonder just how long Shimizu would be able to carry the series’ conceit without it becoming tedious. I’m still not entirely sure, but apparently for at least four volumes because I still find myself highly entertained by Cells at Work. I’ve even learned a few things about the human immune system that I either didn’t previously know or had forgotten. (It’s been a long time since I’ve taken an anatomy or physiology class.) While there are a number of recurring characters–the anthropomorphized personifications of the various types of cells and organisms found in the human body–there’s not much of an overarching story or any real character development. Cells at Work is an episodic series with each chapter’s plot generally following some variation of the same theme: the body becomes compromised and an immune response is triggered because of it. Shimizu’s approach to the subject matter is to make it as epic and frequently as comedic as possible. The artwork is great, too. Cells at Work can be spectacularly violent, but it can also be surprisingly endearing. I continue to enjoy the series a great deal and look forward seeing more of Shimizu’s mayhem.

Otherworld Barbara, Omnibus 2Otherworld Barbara, Omnibus 2 (equivalent to Volumes 3-4) by Moto Hagio. It’s been around a year or so since the first half of the award-winning manga series Otherworld Barbara was released in English, long enough for me to have forgotten some of the nuances of the story. Granted, I’m not sure that I was necessarily picking up on all of the nuances to begin with. I definitely enjoyed Otherworld Barbara, and am very glad that it has been released in English, but I will admit that the manga can be frustratingly confusing and difficult to follow at times. (Perhaps I should try reading the series all in one go.) Otherworld Barbara is a very strange series and there’s a lot going on in it. Arguably a bit too much. Among many other things genetic experimentation, the search for immortality, Martian wars, dreams which impact reality and influence the future, existential crises, psychic confrontations, disastrous relationships, and precarious family dynamics all contribute to the narrative’s chaos and occasional lack of cohesiveness. In the end everything does successfully come together in a way that largely makes sense, but it does take some seemingly convenient plot twists for it all to happen. Even so, I found Otherworld Barbara to be immensely intriguing.

Wolfsmund, Volume 7Wolfsmund, Volumes 7-8 by Mitsuhisa Kuji. While it seemed like Wolfsmund had reached a natural ending point in the sixth volume, apparently Kuji had always intended the manga to be longer than that; with eight volumes, Kuji was able to reach the series’ conclusion as it was originally envisioned. Wolfsmund is an incredibly violent and frequently gruesome manga based on the historical conflict between the Swiss Confederacy and the Habspurg-led Austrian occupying forces in the early fourteenth century. The series culminates with the Battle of Morgarten, a pivotal moment in the history of Switzerland. That battle and the various skirmishes that lead up to it are brutal and legitimately gut-wrenching. Kuji does not at all shy away from showing the blood and gore associated with pre-modern warfare. The atmosphere that Kuji creates is exceptionally dark, heavy, and oppressive, the few moments of hope overshadowed by desperation and despair. However, the members of the Confederacy’s peasant army show astounding devotion to their cause even when faced with overwhelming odds. I can’t say that I was ever emotionally invested in Wolfsmund, but it was a gripping retelling.

If It’s For My Daughter, I’d Even Defeat a Demon Lord, Vol. 2

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By CHIROLU and Truffle. Released in Japan as “Uchi no Musume no Tame Naraba, Ore Moshikashitara Maou mo Taoserukamo Shirenai” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Matthew Warner.

Like a lot of second volumes, this one seems to have a bit of an “wait, I have to write more? Well, OK…” feel to it. For the most part it’s the continuing adventures of Adventurer Dale (whose last name, we find out, literally MEANS adventurer, as it’s more of a title), and his adorable adopted Devil daughter Latina (who has aged a couple more years since the first book). Since Latina is now the main reason for Dale’s existence (jokes about him being a pushover for his girl continue to be the main running gag of the series), he’s decided to take her home to meet his family. And so most of the book is a leisurely trip across the continent, as Latina experiences different cultures, tries new foods (and gets better and better as a cook), and we learn a tiny bit more about her past. That said, this book also lacks the dark yet extremely compelling climax the first book had.

Instead we get a mellower climax that introduces us to Dale’s family proper, a village of powerful folks connected to the Earth, led by his matriarch grandmother. Dale was, in fact, supposed to be the future head of the clan, but he had the calling to be an Adventurer and protect the world, so he does that calling, and his younger brother gets the clanship – and the girl, as he’s getting married while they’re there. We get a bit more of Dale’s past, mostly with occasional thoughts from other people’s POV on how he used to be, but I really wish woe could get an extended flashback or something. It’s all very well and good to say Latina changed him for the better so much, but honestly we’re only familiar with Goofy Dad Dale, so it’s got less impact. As for Latina, she still unintentionally wraps everyone around her little finger by virtue of being really good and smart and pretty and diligent and earnest and pure.

Latina also gets some rather nasty nightmares when she wakes up and Dale’s not around, brought about by too much family all at once and hearing talk about getting married and moving on. And this is an issue, as Latina is VERY attached to Dale, and she to him. For the most part, this is dealt with in the standard way you’d expect in a Japanese light novel – his family make the occasional lolicon joke, Dale says “OMG I’m her father!” a lot, and Latina misses all this subtext. But honestly, I think in the next book she’s a couple years older, and there’s a few books still to go, and I am throwing out there that this is a really enjoyable series, but I would not be surprised at all if it ended with Dale and Latina in a romantic relationship, which is obviously far more acceptable in a Japanese work. I don’t actually know any spoilers, and if I’m totally wrong I apologize, but I’ve been burned a bit too often by this sort of thing. Latina is not the perpetual 5-year-old Yotsuba.

That said, nothing has really happened yet, and what you’re left with is a heartwarming and sweet story of a father and his adopted daughter, going on mild yet entertaining adventures. If the series keeps giving us that, I’m perfectly fine with it.

Everyone’s Getting Married, Vol. 6

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Everyone’s Getting Married, Volume 6 by Izumi Miyazono

I read each volume of this series with an increasing sense of tension, because as the romance between successful businesswoman and wanna be homemaker Asuka and famed broadcaster Ryu continues to develop, I grow more and more worried that this josei romance series isn’t going to have a happy ending. Even when seeing the couple continue to evolve and grow within their seemingly incompatible relationship, I am waiting for the other shoe to drop. Both characters have such well-reasoned and firmed opinions towards marriage, and I don’t want to see either of them change without a ton of narrative justification. It’s tricky to pull off this undercurrent of tension in a romance manga, but Miyazono does this so well.

There were many entertaining and sometimes infuriating moments in this volume of Everyone’s Getting Married. On the infuriating side, Kamiya continues his pursuit of Asuka in a fashion that is somewhat stalker-like, when he shows up as she is visiting her parents. It turns out that Kamiya is an acquaintance of Asuka’s father, so while him showing up isn’t as creepy as it could be, it is still plenty uncomfortable. One quick scene I enjoyed shows how much Asuka has idealized her image of family life, but when she talks with her mother about her own choices her mother reveals that she was initially planning on working after marriage but then changed her mind after having children. She comments “Every new person who came into my life took precedence, and my original plan kept getting pushed back.” The contrast between Asuka’s single-minded mission to become a homemaker and her mother’s reflection about pushing aside her desires but still wanting to do the best for her family was interesting, and I’m hoping that Asuka will ponder this more in later volumes.

Asuka and Ryu are closer than ever at the end of the volume, but with his job making it impossible for him to date someone in public and Kamiya’s habit of showing up wherever the couple goes, I sense a confrontation happening in the future. I’m hoping for a happy ending, but I’m genuinely not sure how it is going to happen, which makes this one of the more compelling romance manga that I’ve read recently.

Blood Lad, Vol. 9

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By Yuuki Kodama. Released in Japan by Kadokawa Shoten, serialized in the magazine Young Ace. Released in North America by Yen Press. Translated by Melissa Tanaka.

As you might have guessed by the fact that this volume is half the length of the previous ones, this is the final volume of Blood Lad. The word ‘Final’ on the cover might also clue you in. Fortunately, the main villain of the last several books is polished off fairly early on. I say fortunately because, as if the author had been listening to the whining in my reviews all along, the majority of this book is devoted to Fuyumi and the relationship she has with the others, and particularly with Staz. It doesn’t necessarily redeem her entirely as a character, but it fits very well thematically, and allows for an ending that is both bittersweet and sentimental.

We left off with Staz commandeering Fuyumi’s body in order to take out Grimm, adding more and more of the secondary characters as he went along, to the point where he visualized them as being on the main bridge of a battleship. I’d said last time that I was annoyed that while he was using Fuyumi’s body, Staz was still in charge and doing everything. It turns out that this is actually a fatal flaw, and starts to lead to his defeat. He can’t actually do all this himself, no matter how much he wants to protect everyone, or take on everyone’s troubles, or feel responsible. He is just one (very overpowered) vampire. Fortunately, she gets through to him and they defeat Grimm with the power of a massive FRIENDSHIP BEEEEEEAM! Unfortunately, the combination of this and the loss of a sense of self that it brings on forces everyone that was in the Fuyumi fusion to fall into a coma. Gradually most come out of it, but Fuyumi is the real issue, because her tendency to go with the flow has led to a lack of sense of self.

But Staz, frustrating as he can be, figures things out in time, and we get what seems to be a sweet, happy ending… except, of course, Fuyumi is still a ghost. Now, they can fix that… but it will in fact lead to the separation of teh happy couple. I will try not to spoil too much of what follows (I know, I know, what review blog are you reading?), but it manages to combine the sense of loss that comes of letting someone go in order for them to have a better life (or in this case, an actual life), and then turning it on its head and gaining the possibility of happiness in the future. It’s a bit of an ass pull, but I’m all for these when they lead to sweet things like this.

I wasn’t all too impressed with the premise of this series, when I first saw the solicit, and therefore I’m really pleased that it turned out to be so good. I had issues with it, but it was in turns amusing, thrilling, heartwarming, and a barrel of fun. It’s a good series to do a big reread on now that it’s finished. Go seek it out.

A Certain Magical Index, Vol. 12

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By Kazumi Kamachi and Kiyotaka Haimura. Released in Japan as “To Aru Majutsu no Index” by ASCII Mediaworks. Released in North America by Yen On. Translated by Andrew Prowse.

I’m afraid that I just have to say it at this point: Kamachi is simply not very good at writing comedy. Deliberate comedy, like the events of the first 3/4 or so of this book, seems like it should be something of a success for him, but he gets tripped up by his own overly wordy prose, and also the tendency to rely on familiar cliches and character types – “tee hee, she’s embarrassed to admit her feelings” pretty much defines Mikoto, but it’s not funny per se. The anime actually improved much of this by cutting it down and removing the musty prose, and it’s one of the few times I recommend watching the anime as it handles the material better than the source. Unfortunately, as most of this book is a “cooldown” book, we’re left with another even-number volume curse. It certainly picks up speed by the cliffhanger ending, though.

Introduced in this volume: Amata Kihara. For the most part, this is catching up with old characters and seeing how they’re doing. Kihara is a nasty piece of work, and keep an eye out for his last name in future volumes, as he’s party of a family of nasty pieces of work. We’ve also seen another Kihara, Gensei, as one of the main villains in a Railgun arc. Speaking of Railgun, take those timelines and crumple them in a ball, as we see Mikoto run into Uiharu here, and she barely knows who she is beyond “Kuroko’s friend”. The anime corrected this, of course, since it already took place after Railgun’s first season. This is the trouble with sprawling continuities with multiple spinoffs – you’re going to get contradictions like this. (Uiharu is also OOC here, still being in the “I aspire to be a pure young maiden” stage.) Obviously, this also takes place immediately after Vol. 11 of Index, as Vento of the Front has arrived in Academy City and is here to kick ass and chew bubblegum.

The main conceit of this book, however, is to reintegrate Accelerator into the main events of Academy City. After his seeming heel-face turn in Vol. 5 (though he’d be the first to deny that was what it was), he’s been getting healed in a hospital, and he and Last Order are finally able to move out. Not that they’re going far, as they’re moving in with Yomikawa and Yoshikawa, who continue to have vaguely yuri subtext if you bother to hunt closely for it. Accelerator is quite grumpy about the fact that he can’t use his power for more than 15 minutes anymore, and can’t use it at all – even to keep himself coherent – without the help of the remaining Misaka clones he hadn’t killed off. His understandable self-hatred is a running theme, as he doesn’t really believe he can ever be redeemed (many fans would agree). As for Last Order, she’s still pretty much a brat here, stealing Misaka 10032’s goggles and taking off.

The highlight of the book, deliberately, is the crossing of heroines. Touma is out on a “date” with Mikoto as his punishment game for losing at the Athletic Festival, and Accelerator is out and about trying to find where Last Order has run off. As a result, they each run into the other’s main girl – Last Order has a chat with Touma, and Accelerator comes across a very hungry Index, who he proceeds to feed hamburgers, which may be a mistake. This is not really the highlight per se, of course – as I indicated earlier, the comedy is not as good as it could be, and the anime did it better. What makes it a highlight is the end of the book, where things turn serious – Kihara is here to take back Last Order, and nullifies Accelerator’s powers. Meanwhile, Vento of the Front has invaded and is taking out all of the security forces with apparent magical powers. As a result, at the end of the book the heroines have shifted once more – Index is here to rescue Accelerator (somehow), and Last Order is tearfully asking Touma for help.

It’s a nifty cliffhanger, and should be resolved next time. We also may get even more old faces, as Aleister talks about using Hyouka Kazakiri (remember her?) to help wipe out the Roman Orthodox Church invasion. Somehow – how he plans to use a meek, busty, somewhat nonexistent girl is something that will have to wait for another time. In the end, this isn’t the best volume of Index, but I suspect it needs to be judged when read with Vol. 13, due out in November.

Otherworld Barbara, Vol. 2

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By Moto Hagio. Released in Japan as “Barbara Ikai” by Shogakukan, serialized in the magazine flowers. Released in North America by Fantagraphics. Translated by Matt Thorn.

The second and final volume of Otherworld Barbara has a lot less actual Barbara in it, but that doesn’t make it any less strange. We don’t see as much of the city in Aoba and Dr. Watarai’s dreams because their own current reality is far too busy. We get a lot more revelations regarding Johannes, the guru who turns out to be responsible for a great deal of the plot. We find that Akemi, Dr. Watarai’s ex-wife, is more than simply “slightly hysterical” as I said in my last review, but borders on genuinely disturbed. And various events that seemed to be happening on Barbara, or on Mars, overlap with other events happening on Earth, so that by the end we have an emotionally rewarding but logically befuddling series of reunions. But it’s fine, because the emotional payoff is what you want here.

Despite all of the immortality research, past lives discussion, and reincarnation theories that pop up in this book, at heart it remains about Dr. Watarai’s awkward yet heartfelt efforts to bond with his son Kariya. He’s not very good at it, and Kariya is also not very good at accepting his father, and the tension between them feels very real. Kariya has several forces pulling at him here, none more so than the dream spectre of Aoba, who urges cannibalism without really going into detail about why it’s such a good idea. And then there’s the question of whether Dr. Watarai is Kariya’s real father – Akemi said he was, but she’s backtracking now, and saying “I did DNA tests that I totally didn’t fake honest” is not really the best reassurance. As it turns out, there really *is* something to the whole “eating hearts” thing, though fortunately we don’t have to go quite that far.

So much of Otherworld Barbara relies on being pulled along by the mangaka without asking too many questions, and it’s actually rather exhilarating. I’m sure that if I sat down and reread the entire series in one gulp most of it would make sense, but I am not actually sure I want to do that. There’s a certain joy involved in being just as confused as everyone else as to what’s actually going on, why Johannes is a young handsome middle-aged man but also an old guy who never leaves his room; why Kariya and Taka seem to swap bodies and lives, and what happened to Laika’s parents, which I admit caused me to say “Oh, come ON”, so that may have been one too many trips to the well. The art also serves the title well, being sensible and direct when it needs to be but gorgeous and evocative when hitting high emotional moments. The faces in particular stay with you, particularly Akemi’s 57 varieties of anger and rage.

Mostly, though, Otherworld Barbara makes me long for more works by Moto Hagio. I want to be pulled along by her as she lays out another story again. This, Heart of Thomas and A Drunken Dream just aren’t enough. What about a They Were Eleven rescue? Or A Cruel God Reigns? I bet Fantagraphics could pull off Marginal, it’s short and offbeat enough for them. Basically what I’m saying is, I think I’m addicted to this author. You should be too.

Manga the Week of 9/6/17

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SEAN: September begins, and it’s back to school with a giant crush of manga. As always.

Dark Horse has a 3rd volume of Psycho-Pass prequel Inspector Shinya Kogami.

J-Novel Club gives us a 5th digital Grimgar of Fantasy and Ash novel, which… may not be depressing? Possibly?

And there’s also a 6th Invaders of the Rokujouma!?, which gives focus to our favorite underground priestess.

Did you know that Pumpkin Scissors is still running to this day? Somehow? It’s true! Kodansha is still rescuing it digitally with Vol. 13.

MICHELLE: I did not!

SEAN: On to non-Del Rey stuff, we have a 5th volume of GTO Paradise Lost, the latest in the author’s “no matter what I try to write, only Onizuka seems to sell” sequel.

ASH: I’ll admit, although I greatly enjoyed GTO, I haven’t really been keeping up with the sequels.

SEAN: And a 3rd Kounodori: Dr. Stork, which I am now behind on. Yay!

We also have two debuts from Kodansha digitally, that actually came out this week but Kodansha dropped them secretly as always. Black Panther and Sweet 16 (Kurohyou to 16-sai) is a Nakayoshi title that nevertheless seems very racy. It also has a weak female lead and pushy male lead. Ergh.

MICHELLE: Pass.

ANNA: I feel like I have seen this too many times before…

SEAN: And Elegant Yokai Apartment Life (Youkai Apato no Yuuga na Nichijou) runs in Shonen Sirius, and is what it sounds like – protagonist moves into an apartment filled with yokai.

MICHELLE: Hm. Maybe.

ANNA: That sounds promising, but I have a high tolerance for yokai titles.

ASH: As do I, for that matter.

SEAN: You want print? How about the 8th Sweetness and Lightning?

MICHELLE: Yay!

ASH: The series is such a delight! (And yes, print, please!)

SEAN: And there is also the 2nd Waiting for Spring for shoujo fans. Its first volume was unoriginal but soothing.

MICHELLE: I think there’s room for a series like that in my heart. I plan to read volumes one and two together.

ANNA: I have the first volume and haven’t read it yet, but soothing shoujo sounds nice.

Seven Seas has an 11th Arpeggio of Blue Steel, which continues to be the Tom Clancy novel of anthropomorphic personifications.

The debut next week is Captain Harlock: Dimensional Voyage, the 2014 manga sequel that apparently updates Harlock for the 21st century. Despite the fact that it runs in Champion Red, I look forward to it.

ASH: I’m looking forward to giving this one a try, too.

SEAN: And there’s the 8th Golden Time. Still a soap opera, still enjoyable to me.

And Tales of Zestria has a 2nd volume.

ASH: Whoops, I’d already forgotten about this series (probably because it’s based on a video game I’m not particularly familiar with), but it seems like it could have potential.

SEAN: Vertical gives us the 2nd Mobile Suit Gundam Wing manga, which continues to adapt Endless Waltz.

And now for Viz. So much Viz. Starting with the 4th Anonymous Noise, which I hope features some nice screaming.

MICHELLE: Volume three was the first time I had a “this is actually kind of cool” moment, so I will keep going for a little while to see if that becomes a trend.

ANNA: I think it has gotten better as the series develops, and I enjoy the screaming scenes.

SEAN: Bloody Mary’s 8th volume is not about vampires!… wait, yes, sorry. It is.

MICHELLE: *snerk*

ANNA: SO behind on this series, but I enjoyed the vampire angst in the early volumes.

SEAN: Boruto has a 2nd manga volume, which I imagine means the anime has already long since passed it.

Death Note gets an all-in-one edition, and at 2400 pages it comes close to taking the crown for best blunt object.

ASH: I really want to see one of these in person, just to see how it’s put together. I’ve been assured that the spine will hold up, but what about the readers?!

SEAN: Everyone’s still not getting married in the 6th Everyone’s Getting Married.

ANNA: I so enjoy this series. Hooray for Shojo Beat’s stealth josei publication practices!

SEAN: Haikyu!! 15 is out. But you knew that, as it’s a monthly. It’d be weirder if it weren’t out next week.

MICHELLE: I actually have a nice little pile of Haikyu!! to read now. I expect a mini-marathon will be great fun.

ANNA: I have a difficult time reading this series because my kids steal each volume.

ASH: Like Michelle, I’ve (unintentionally) been preparing for a mini-marathon as well. But I do enjoy Haikyu!! so incredibly much.

SEAN: Kimi Ni Todoke crawls to its conclusion some more. I dearly love it every time I read it, but admit that I wish it would hurry up.

MICHELLE: Yeah, I still can’t tell whether it’ll end after high school or actually follow the characters into their college endeavors.

ANNA: I need to get caught up!

SEAN: It’s the end for My Love Story!!, which has a lucky 13th volume to end on. Will the rain in Spain defeat our separated couple? Will we get a sweet happy ending! (spoilers: we will.)

MICHELLE: I’m counting on it!

ANNA: Such a great series.

ASH: It really is wonderful!

SEAN: And Nisekoi is also almost-but-not-quite done with this 23rd volume.

Chibi Sasuke’s Sharingan Legend is a superdeformed parody that aims to show us the humorous side of Sasuke. It should be about 4 pages long, then.

One Piece’s 21st 3-in-1 takes us to Fish-Man Island, so it’s slowly catching up with the main volumes.

One-Punch Man’s 12th volume will have some quality punching.

ASH: Excellent.

SEAN: And speaking of Quality, QQ Sweeper finally gets its sequel/reboot with Queen’s Quality. I love this author, so definitely want to read this.

MICHELLE: I’m glad this is finally out!

ANNA: Yay!

ASH: I’ve somehow still not managed to finish QQ Sweeper, but I’m glad we’re getting Queen’s Quality, too!

SEAN: Skip Beat! has a 39th volume, which I hope wraps up the arc with Kyoko’s mother.

MICHELLE: I just read it and it’s great. Of course.

ANNA: Skip Beat is always great, but I am also not fond of Kyoko’s mother.

SEAN: Lastly, it’s not a long Viz list unless it ends with a Yu-Gi-Oh volume, and we get the 2nd of “Arc V” here.

Got your pencils and paper? Or tablets and digital pens, whatever the kids use these days. Also, manga?

Sword Art Online, Vol. 11: Alicization Turning

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By Reki Kawahara and abec. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

I don’t think I’ve ever come across a book that more perfectly summarizes the best and the worst of Sword Art Online in one handy gulp. The high points of this book are excellent, and the low points are incredibly frustrating. Put together, though, we have a series that continues to intrigue even as the main cast that isn’t Kirito continues to be entirely absent – Asuna gets a few pages in the middle, but for the most part we are entirely in Kirito’s fantasy world here. Fortunately, the first half of the book or so gives another break from Kirito’s first person, as we get a long stretch narrated by Eugeo, who is nice and earnest and a good contrast to Kirito. I was expecting that we would see more training at the knight academy, probably ending up in the giant fighting tournament that had been lampshaded earlier. But then things went entirely off the rails.

Let’s get the bad out of the way first. We have yet ANOTHER instance where female characters are captured and threatened with rape, so that we may see how irredeemably evil the villains are (Kawahara’s villains remain his giant weak point – he can’t write nuance) and also justify Kirito’s violence towards them. This is even more annoying because we’d barely gotten to know Tiese and Ronie, so the threat doesn’t have as much of a reader impact as it did with Asuna and Shino, assuming the reader impact cannot just be narrowed down to “rolls eyes, sighs”. And then due to the plot moving on, we don’t see the girls after this, which just makes it more blatant it was done for pure “damsels in distress” reasons. I understand in the original webnovel this was taken from, the girls actually were raped – thank heavens for small favors that this was changed. SO BORED WITH RAPE THREATS, KAWAHARA.

Of course, disposing of the two villains does mean that the plot makes a right turn, as now Kirito and Eugeo are captured by the Synthesis Knights and brought to the Central Cathedral… which was their goal, to be fair, but probably not as prisoners to be judged. Things pick up a great deal here, as we find that Alice (remember Alice?) is one of the knights, but doesn’t seem to remember Eugeo at all. Kirito takes up the narration again here, and it works out well, showing off his smarts in knowing when to push hard on “this is a game world with game rules” – breaking the chains was particularly good. What’s more, after a long and highly interesting fight scene that shows us the knights may in fact be brainwashed, we are given a long, long infodump by a new character that actually feels realistic and welcome, telling us a lot more about the Underworld, how it got its start, and the evil woman now at the head of it all.

In the end, this is book 3 of a 10-book arc, so there’s a limit to how far it can take things. But once you get past Kawahara deciding that nothing adds to drama quite like rape threats, it’s enjoyable and fun, with excellent fight scenes. Just… get a new gimmick. I beg you.

Manga Giveaway: A Variety of Vertical Comics

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It’s nearly the end of August which means it’s time for another giveaway at Experiments in Manga! Earlier this month I celebrated the blog’s seventh anniversary, and I’d like to continue that celebration by offering you all the chance to win not one, not two, not three, but four volumes of manga. In this particular case the first volumes of Ryo Hanada’s Devils’ Line, Chihiro Ishizuka’s Flying Witch, Riichi Ueshiba’s Mysterious Girlfriend X, and Keiichi Arawi’s Nichijou: My Ordinary Life, all of which have been published in English by Vertical Comics. As usual, the giveaway is open worldwide!

Devils' Line, Volume 1Flying Witch, Volume 1Mysterious Girlfriend X, Omnibus 1Nichijou: My Ordinary Life, Volume 1

I’ve been a big fan of Vertical releases for years, not only of its manga, but its prose works, too, both fiction and nonfiction. (Two of my younger sisters also greatly enjoy Vertical’s puzzle books, although I think it’s been a few years since the last one was published). In 2014, Vertical launched Vertical Comics, an imprint specializing in the publisher’s manga and anime-related titles. Since then, Vertical Comics has continued to expand and offer more and more manga of a wide variety–there seems to be a little bit of something for just about everyone. And I’m always happy to give just about any manga a chance when it’s released by Vertical Comics.

So, you may be wondering, how can you win a variety of Vertical Comics?

1) In the comments below, tell me a little about your favorite manga that has been released by Vertical Comics. (If you don’t have a favorite, or haven’t read any, simply mention that instead.)
2) If you’re on Twitter, you can earn a bonus entry by tweeting, or retweeting, about the contest. Make sure to include a link to this post and @PhoenixTerran (that’s me).

And it’s as easy as that! Giveaway participants can earn up to two entries and have one week to submit comments. If needed or if preferred, comments can also be sent to me at phoenixterran(at)gmail(dot)com and I will then post them here in your name. The giveaway winner will be randomly selected and announced on September 6, 2017. Best of luck to you all!

VERY IMPORTANT: Include some way that I can contact you. This can be an e-mail address in the comment form, a link to your website, Twitter username, or whatever. If I can’t figure out how to get a hold of you and you win, I’ll just draw another name.

Contest winner announced–Manga Giveaway: A Variety of Vertical Comics Winner