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Manga the Week of 10/18/17

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SEAN: There’s a little something for everyone next week, though let’s start with something announced too late to be on last week’s list.

Kodansha continues to defy me, so their new digital release is already out: Kokkoku: Moment by Moment, an award-nominated thriller that ran in Morning Two. Seems to feature time stopping?

MICHELLE: This one looks pretty interesting!

MJ: This is the one thing on this week’s list that possibly interests me.

ANNA: I agree, I am intrigued by this title.

ASH: It does seem to have great potential!

SEAN: In titles actually out next week, J-Novel Club has the 4th volume of the runaway hit (at least comparatively) How a Realist Hero Rebuilt the Kingdom.

Back to Kodansha, which has a whole pile of ongoing digital: new volumes of Hotaru’s Way (4), House of the Sun (8), Kasane (6), and Peach Heaven (7).

MICHELLE: I am slowly working through House of the Sun and it’s growing on me.

SEAN: They’ve also got some ongoing print, with a new Inuyashiki (9) and Nekogahara: Stray Cat Samurai (3).

ASH: I’ve fallen behind on both of these series, but I did get a kick out of the first volume of Nekogahara.

SEAN: Their new digital release next week is Until Your Bones Rot (Hone ga Kusaru Made), a disturbing series that was originally run on MangaBox. Seems to be horror?

ASH: I’m always ready for more good horror manga.

SEAN: One Peace has a 9th volume of The Rise of the Shield Hero. Will his fall come soon?

Seven Seas gives us a 2nd Beasts of Abigaile, whose first volume I seem to recall I found intriguing, and a 3rd Ghost Diary, which I found slightly less intriguing.

ANNA: I liked the first volume of Beasts of Abigaile and will check out the second. It is fluffy paranormal reverse harem fun!

SEAN: Their debut is another in the Hatsune Miku franchise, called Hachune Miku’s Everyday Vocaloid Paradise. As astute readers might guess by the ‘chu’, it’s a superdeformed comedy title.

Titan has the 2nd, and I believe final, volume of Assassin’s Creed: Awakening.

ASH: It is the conclusion, which surprises me a little; there’s a lot to tie up from the first volume!

Vertical gives us a semi-spinoff of Nichijou, Helvetica Standard, which comes in two volumes. The first, Bold, debuts next week. It seems to be part artbook, part spinoff, part other?

Viz has a 19th Terra Formars, as well as a 9th Ultraman.

And they also debut Tokyo Ghoul: re, which as far as I can tell is more of a continuation of Tokyo Ghoul than a sequel.

So wassamotta for you this week?

H.P. Lovecraft’s The Hound and Other Stories

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If you admire the fecundity of H.P. Lovecraft’s imagination but not the turgidity of his prose, you might find Gou Tanabe’s manga adaptations of The Hound and Other Stories an agreeable alternative to the originals. Tanabe sticks close to the source material while pruning away the florid language characteristic of Lovecraft’s writing, offering more polished — and, frankly, unnerving — versions of three early works: “The Temple,” first published in 1925, “The Hound,” from 1922, and “The Nameless City,” from 1921.

Tanabe is no stranger to literary adaptations; he’s also tackled works by Maxim Gorky (“Twenty-Six Men and a Girl”), Franz Kafka (“A Hunger Artist”), and folklorist Lafcadio Hearn (“The Story of O-Tei”). Lovecraft’s writing, however, occupies a unique place in Tanabe’s oeuvre, as he’s published adaptations of other Lovecraft stories — “The Color Out of Space” (1927) and “The Haunter of the Dark” (1935)” — and expanded Lovecraft’s novella “At the Mountains of Madness” into an ongoing, multi-volume series. Reflecting on his fascination with Lovecraft, Tanabe reverentially describes him as a “priest of his own Mythos,” capable of summoning “unknowable darkness” on the page. “By illustrating his stories,” Tanabe declares, “I intend to become an apostle of the gods he made” (172).

And while Tanabe’s sentiments are a little purple, his affinities with Lovecraft are evident in his artful translation of words into images. Consider “The Temple,” a tense drama set aboard a German U-boat in the waning days of World War II. While Lovecraft’s narrator baldly ascribes the crew’s irrational behavior to “peasant ignorance” and “soft, womanish” dispositions, Tanabe focuses instead on the extraordinary claustrophobia of their environment, cramming every panel with ducts, pipes, valves, levers, and gauges; the walls of the ship seem to press in on the characters as their disabled submarine plunges to its doom. That sense of entombment is heightened by Tanabe’s stark use of tone in the story’s final act, when the light emanating from the ship barely pierces the jet-black depths of the ocean. A fleeting glimpse of a dolphin — normally a symbol of innocent playfulness — becomes a sinister omen when lit from below, its smiling visage transformed into a sneer.

Tanabe also demonstrates a flair for drawing lost cities, evoking the grandeur and mystery of ancient civilizations through sheer scale: his temples and monuments are so large that they spill off the page, while their interiors are cramped and dark, more cave than castle. In “The Nameless City,” for example, we follow the narrator through a labyrinth of dark tunnels, his torch briefly illuminating objects and surfaces that hint at the true nature of the city’s inhabitants. These panels culminate in an extraordinary two-page spread revealing a Romanesque fresco that, on closer inspection, is populated not with demons, angels, and men, but reptilian monsters arranged in concentric circles around a Christ-like figure.

The revelation of who lived there — and how they treated their human subjects — provides a moment of thematic continuity with the other two stories in the anthology. As writer Robert M. Price explains in his forward to The New Lovecraft Circle, Lovecraft’s heroes seek forbidden knowledge, “gradual[ly] piecing together… clues whose eventual destination one does not know.” Price elaborates:

The knowledge, once gained, is too great for the mind of man. It is Promethean, Faustian knowledge. Knowledge that destroys in the moment of enlightenment, a Gnosis of damnation, not of salvation. One would never have contracted with Mephistopheles to gain it. One rather wishes it were not too late to forget it. (xviii–xix)

At the same time, however, the narrator’s terrible discovery exemplifies another important strand in Lovecraft’s writing: a sense of cosmic indifferentism, the idea that the universe is, in Lovecraft’s words, “only a furtive arrangement of elementary particles” that “presage of transition to chaos.” As Lovecraft observed,

The human race will disappear. Other races will appear and disappear in turn. The sky will become icy and void, pierced by the feeble light of half-dead stars. Which will also disappear. Everything will disappear. And what human beings do is just as free of sense as the free motion of elementary particles. (Riemer)

Viewed in this light, the rendering of the fresco seems less like a simple artistic choice by Tanabe than an expression of Lovecraft’s own cosmic indifferentism. By parodying the Christian iconography enshrined on Medieval cathedral walls, ceilings, and portals, Tanabe points both the futility of belief — it didn’t save the monsters, after all — and the inevitability that mankind will repeat the cycle of birth, life, and death that the monstrous fresco depicts.

And if all of this sounds like the ruminations of a freshman philosophy major, fear not; The Hound and Other Stories can still be enjoyed on its own merits. All three stories are well paced and vividly rendered, each embodying the Romantic definition of the sublime — “all that stuns the soul, all that imprints a feeling of terror”— while offering the kind of satisfying twists that pulp fiction readers craved in the 1920s. And for those more invested in the Lovecraft mythos, The Hound provides an opportunity to revisit these stories afresh, seeing them through the eyes of an artist who has dedicated his career to finding the poetry, the mystery, and the weirdness in Lovecraft’s words. Recommended. 

References

Price, Robert M. “Introduction.” The New Lovecraft Circle. Del Rey, 2004, xiii-xxvi.

Riemer, Andrew. “A Nihilist’s Hope Against Hope.” Sydney Morning Herald, 28 June 2003, http://www.smh.com.au/articles/2003/06/27/1056683892274.html. Accessed on 11 Oct. 2017.

Tanabe, Gou. H.P. Lovecraft’s The Hound and Other Stories. Translated by Zack Davisson, Dark Horse, 2017.

Spirit Circle, Vol. 1

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By Satoshi Mizukami. Released in Japan by Shonen Gahosha, serialized in the magazine Young King Ours. Released in North America by Seven Seas. Translated by Jocelyne Allen, Adapted by Ysabet Reinhardt MacFarlane.

I greatly enjoyed Mizukami’s last series to be published over here, Lucifer and the Biscuit Hammer, and so was definitely looking forward to this. The first volume is very much a manga of two halves. In the first half we set up the situation and meet out heroes and find out what grudges they may have against each other. That said, this is also a tale of reincarnation. And so the second half of the manga is seeing Fuuta’s past lives, which are various types of tragic so far, and seeing him grow as he slowly starts to remember things. Being a first volume, I’m unsure whether the bulk of the series will be the war between Fuuta and Kouko or the flashback lives – hopefully it will continue to be somewhat balanced – but it’s off to a pretty good start, and is only six volumes, so is unlikely to wear out its welcome.

Our hero, as seen on the cover, is Fuuta, a nebbish dude who can see spirits. Our heroine is the girl on the BACK cover, Kouko, a new mysterious transfer student ™ who initially seems rather cool and standoffish but once Fuuta gets to know her proves to be much worse. Because after she throws him headfirst down a flight of stairs (as you do), he suddenly finds himself flashing back to his previous lives, reincarnation style. No, they aren’t long-lost soulmates – in fact, long-lost enemies is a better term for it, and in the two lives that we see in this initial volume, Fuuta’s past selves make life miserable for Kouko’s past selves – or in some cases simply kill her outright. Helping the two of them are two ghostly familiars – hers is older and serene, his is the bubble pinkette on the cover.

The familiars are a weak part of the book so far – Juno, the pink girl, seems to fulfill no function Except to be bubbly and cute in a series with two rather dour leads. The strong part of the book are the previous lives – the second one in particular could almost be a different, separate manga, and shows Fuuta’s rather bitter and cynical past self, cursed by the witch he killed (Kouko, of course, who was literally making a medicine to save a village, but hey, witch) and living a rather desolate and depressing life, till he is redeemed to an extent by an abandoned child. I’m not actually sure if Kouko and Fuuta will get set up romantically, by the way – certainly she’s not fond of him right now, and the past lives both seem to hint of a connection to some other girl (who, if she’s in the present, we haven’t seen yet). Indeed, a romance may not be the point of this at all.

This first volume does its job quite well – it’s good, and I want to read the next one. That’s really all you can ask for in a new series.

Yona of the Dawn, Vol. 8

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Yona of the Dawn Volume 8 by Mizuho Kusanagi

If I had to come up with a brief phrase to describe this volume of Yona of the Dawn, it would be “clever subverted expectations”. Kusanagi explores this theme in a couple ways, first with a brief introductory story focusing on the Yellow Dragon, and then followed by a closer look at King Su-Won.

I was fully expecting another detailed quest storyline as Yona and her companions sit around debating how to search for the Yellow Dragon, but then a mysterious man shows up at their campsite, announcing himself due to his intense stomach gurgling. It is Zeno, the Yellow Dragon, and he is hungry! What follows is one of the comedic interludes that livens up the series as everyone attempts to adjust to the new stranger in their midst and try to figure out what to do next once all the guardian dragons are gathered together. While Zeno initially acts goofy and mysterious, as Yona is trying to figure out what to do next he switches over to serious mode and is incredibly insightful. As one naturally expects from this series Yona’s next direction is not to take back the throne in a grab for power, she wants to help her people who are currently repressed.

The first part of the manga played with the reader’s expectations by subverting the quest narrative that they have come to expect. The second half focuses on king Su-Won and his relationship with his greatest general, Yi Guen-Tae. The general isn’t sure what sort of king Su-Won is, and he’s initially not impressed, as Su-Won appears to be cheerful and ineffectual, without the emphasis on force as a means to an end that Yi Guen-Tae would expect. Reports keep arriving of little problems within the kingdom, and Su-Won appears to be unconcerned. Su-Won ends up proposing an elaborate war game to give the general the action he craves, and Yi Guen-Tae gradually realizes that he’s severely underestimated his king. In this story particularly Kusanagi’s ability to shift between different moods from panel to panel and her facility with facial expressions showcases the real Su-Won as opposed to the mask that usually hides his emotions.

I always put down each volume of Yona of the Dawn feeling a little in awe of Kusanagi’s storytelling abilities. She’s always able to pack so much character development into a single volume, while still giving the reader the feeling that the plot is unfolding in an unhurried, natural way. This is quite tricky to pull off successfully, and one of the reasons why Yona of the Dawn always ends up at the top of my to-read pile as soon as it comes out.

Bookshelf Briefs 10/9/17

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Food Wars: Shokugeki no Soma, Vol. 20 | By Yuto Tsukuda and Shun Saeki | VIZ Media – There really was zero chance that Soma’s contest with Eishi Tsukasa would end with Soma becoming the new first seat, but still, I didn’t expect that to fizzle out as much as it did. Thankfully, the rest of the volume makes up for it. I really enjoyed the scene between Erina and Soma in which she a) eats the totally delicious-looking tempura egg rice bowl that he makes and b) comes to completely reject her father’s plans for the homogenization of Totsuki cuisine. It’s great to see her fired up and training other students how to pass Central’s exams. (Also, by the end of volume 20, the cast is only at the end of the second term of their first year. We’ve hopefully got a long run ahead of us!) – Michelle Smith

Flying Witch, Vol. 3 | By Chihiro Ishizuka | Vertical Comics – I was right, the idea that this series has a plot was laughable. Nothing much continues to happen in this third volume, though we do expand the cast a little more with the addition of a secret cafe for supernatural beings, run by a mother/daughter combo and their shy ghost waitress, who is probably the cutest thing in the volume. There’s no real romance to be seen—Kei barely exists in the manga, and when Akane briefly thinks he has a girlfriend, it’s shot down immediately. What people are reading the series for is the cute girls doing magic (sometimes) very peacefully and seeing impressive sights, such as flying whales that resemble ancient civilizations. Flying Witch is a calm oasis, though risks putting you to sleep. – Sean Gaffney

Golden Kamuy, Vol. 2 | By Satoru Noda | Viz Media – The joke I’d heard about this volume was that the manga decided to turn into a foodie series, and there is an awful lot of attention devoted to the preparations of the wild animals that our heroes kill and eat while in the jungle. It also shows off their chemistry, and when we visit Asirpa’s village we find that they are very much in favor of hooking the two of them up. That’s unlikely to happen right away (if at all), though, as Sugimoto decides that it’s unfair to take her away from her loving family and friends and immediately goes out and gets captured and tortured. He’s a self-proclaimed immortal, but that doesn’t mean we can’t graphically show what he goes through, so it’s a foodie manga with a gore warning. Very good, though. – Sean Gaffney

In/Spectre, Vol. 6 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – I thought this was going to be the final volume, and it does wrap up the novel it’s adapting, but apparently more stories are coming, though I wouldn’t believe Kotoko as to the content. Things wrap up nicely here, with the artist finding new and entertaining ways to show off what is basically a giant internet forum argument and make it a compelling mystery, as well as showing the sordid creepiness that comes from strangers raking over the past of a broken family. Also, the romantic triangle is resolved with no surprises whatsoever—the most interesting girl wins easily. I had a lot of fun reading this series, and am delighted that there will be original stories coming after. – Sean Gaffney

Kamisama Kiss, Vol. 25 | By Julietta Suzuki | VIZ Media – Another shoujo manga comes to a close, this one with a more satisfying ending than some, though it be full of fast-forwards. Nanami has been allowed to remain at Mikage Shrine until she finishes high school, and before that time is up she and Tomoe decide to get married while they’re still ayakashi and kami. I’m grateful that one of her friends brought up that getting married as a teenager is not generally a good idea, but I find that I don’t mind it in this case, since they’ve been through so much together. The ending is satisfying and bittersweet, a combination I really appreciate. Too, if you get the limited edition of this volume, it comes with a snazzy hardcover extra including an illustration gallery and a bonus manga! I’ll miss this series, and look forward to reading Suzuki’s next work. – Michelle Smith

Plum Crazy!: Tales of a Tiger-Striped Cat, Vol. 2 | By Natsumi Hoshino | Vertical Comics – Much like Flying Witch, it’s hard to even fill up a Bookshelf Brief with what happens in this volume—cats are cute!—but I’m going to try anyway as it really is a fun series, and Plum is a very sympathetic heroine even as she’s getting bitten and scratched and otherwise pummeled by the tsundere kitten Snowball. You can tell the author is very good at observing cat behavior, both on their own and with groups of humans—the reaction of the kids at the ballet school to “NEW KITTY!” was hilarious. There are a few sweet moments as well, but for the most part this series is going to be a mild tickle to the funnybone, as you smile and nod your head at the wacky cat antics. – Sean Gaffney

Princess Jellyfish, Vol. 6 | By Akiko Higashimura | Kodansha Comics – Most manga is more or less predictable—readers pretty much know what to expect with a sports manga or shoujo romance. Princess Jellyfish is an exception. At the end of the last volume, at which point Kuranosuke was hit hard by the reality of the fashion business, I never would’ve guessed at the place where the characters find themselves at the end of this volume. It’s too good to spoil, really, but I’ll mention the standout moments are Shu delivering Kuranosuke’s dress to his mother in Italy, where we see how much she really does love her son, and a certain character saying to herself, “So this time, I’ll be the one. I have to save everyone.” Reader, I sniffled! I have no idea where this story is going, and that is truly delightful. – Michelle Smith

Welcome to the Ballroom, Vol. 7 | By Tomo Takeuchi | Kodansha Comics – Last time I said that Ballroom‘s fault was that it tended to hammer on the angsty drama a bit too much, and this volumes takes that drama and doubles it. Honestly, it was pretty hard for me to plow through, particularly the first half. I really enjoy watching the dancing and the art is terrific, but there needs to come a time when we see our leads genuinely enjoying themselves, and they’re both just wallowing in misery here. It’s even piled on with their major rivals going to Germany instead of coming to the competition they were going to meet up at. Sports titles always get like this, and I know we’re going to have to have a breakthrough next time, which will be amazing. But only read this to get to that. – Sean Gaffney

Arifureta: From Commonplace to World’s Strongest, Vol. 3

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap. Released in North America digitally by J-Novel Club. Translated by Ningen.

This was a relatively good volume of Arifureta provided you understand what genre you are reading – it’s a teenage power fantasy of the strongest kind – so let me get the weak point out of the way straight away. It’s not hard, she’s sitting on the cover. Judging by Arifureta fans’ reaction, I’d expected to dislike Shea, introduced last time, but instead I really found myself taken with her. Tio, introduced in this volume, is not nearly as fortunate, mostly as she’s a walking sex joke (it’s a sad state of affairs when the buxom bunny girl is NOT the walking sex joke). She’s a dragon person who is mind controlled to kill the party that Hajime and company are tasked to rescue, and is unsurprisingly very hard to kill. Hajime, who as we know prefers overkill anyway, ends things by shoving a giant spike up the dragon’s bottom… which apparently not only dispels the mind control, but triggers her masochistic side. She spends the rest of the book making the standard “your abuse turns me on” jokes. Also, if you’re going to develop a heroine, don’t do it at the end in an extra story. It just looks like you forgot to.

Leaving Tio aside, the rest of the book is much better. The teacher of this sent to another world bunch, Aiko, gets the bulk of the development, and honestly probably should have gotten the cover, especially as I suspect she’s eventually going to be part of the inevitable harem, though I’m not happy about that. She still has a tendency to be a bit too much of a ripoff of Komoe-sensei from Index, but her desperate idealism and desire to help everyone she meets – as well as all her students, even when they’ve turned totally insane or (in Hajime’s case) become cynical and bitter. In fact, she’s far stronger than you’d expect, and when she goes up against Hajime to convince him to do the right thing and save the town, it’s him who blinks first. Yue also helps here, saying that the Hajime she fell in love with is not someone who will kill for no reason. Having taken the hero as dark as we can, it’s time to start bringing him back to the light.

That will take some time, and may never completely happen, though I particularly liked his reasoning for killing the villain at the end, even though he was dying anyway. Hajime, Yue and Shea continue to be the most broken trio ever, and Shea has now fully integrated herself into their little group (though he still won’t sleep with her.) If you read a series in order to see the hero overcome hardships and struggles, this is so not the book for you. If, on the other hand, you enjoy seeing a ridiculously overpowered twink waltz his way through a fantasy world and occasionally be reminded that he once had an actual soul, and don’t mind him abusing nearly the entire cast, you should enjoy this quite a bit. I would not go as far as Yue and say that Hajime is a tsundere, though. Maybe he’s a tundra.

My Week in Manga: October 2-October 8, 2017

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My News and Reviews

Last week at Experiments in Manga I announced the winner of the Assassin’s Creed manga giveaway. The post also includes a list of manga published in English that feature pirates of various types, including historical pirates, fantasy pirates, space pirates, and others. Then New York Comic Con (which is still going on) and Yaoi Con were held last week as well. I didn’t attend either event, but there were some announcements made by Kodansha Comics, Viz Media, and SuBLime Manga (which is technically Viz Media, too). Kodansha revealed plans to release Kenji Inoue and Kimitake Yoshioka’s Grand Blue Dreaming, Mitsurou Kubo’s Again!!, and Akiko Higashimura’s Tokyo Tarareba Girls in print. Among other things, Viz will be adding Hidenori Kusaka and Satoshi Yamamoto’s Pokémon Sun & Moon and Tenya Yabuno’s Pokémon Horizon: Sun & Moon and will be re-releasing Naoki Urasawa’s 20th Century Boys and 21st Century Boys in a hardcover edition in addition to speeding up the release of Kōhei Horikoshi’s My Hero Academia. SuBLime announced a few new digital titles, but Ranmaru Zariya’s Coyote and Ogeretsu Tanaka’s Escape Journey will receive print runs, too.

Quick Takes

Aho-Girl, Volume 1Aho-Girl, Volume 1 by Hiroyuki. I only realized it after I finished the first volume of Ah0-Girl, but I’ve actually read another of Hiroyuki’s four-panel manga, Dojin Work, which was never released in its entirety in English. It’s been a long while since I’ve read Dojin Work, but I get the sense that in general I prefer that earlier series over this more recent one. Aho-Girl, while it did legitimately make me laugh on multiple occasions, tends to rub me the wrong way and I personally could have done without all of the sexual harassment being used as the basis for comedy. The dirty jokes I don’t particularly mind, though. As defined by first volume’s cover, “aho-girl” is Japanese for a clueless girl. Yoshiko Hanabatake, the series’ titular character, is indeed an astonishingly dense airhead. Oh, and she really, really likes bananas. Other major characters in the first volume of the manga include Akuru Akutsu, her long-suffering next door neighbor and supposed childhood friend (who doesn’t seem to have many friends in part due to his own unfortunate personality), her mother Yoshie, who would like nothing more than to see the two of the together, and Sayaka Sumino, a genuinely kind girl, classmate, and friend. As may safely be assumed, most of the humor of Aho-Girl revolves around Yoshiko’s sheer stupidity, for better and for worse.

Appleseed AlphaAppleseed Alpha by Iou Kuroda. An adaptation of sorts of the Appleseed Alpha anime, which itself is a spinoff of sorts of Masamune Shirow’s Appleseed manga, Kuroda’s Appleseed Alpha manga forms a prequel to the original story. Although to be completely honest, I’m not entirely sure exactly how the Appleseed Alpha fits into the larger Appleseed franchise since I’m not familiar with any of the other manga or anime. What drew me to the Appleseed Alpha manga was Kuroda’s involvement. It’s been a few years since I’ve read it, but I remember enjoying Kuroda’s alternative manga Sexy Voice and Robo, so I was glad to see more of the creator’s work with its distinctive illustration style released. Kuroda’s Appleseed Alpha was longer than I originally thought it was–Kodansha Comics’ hardcover edition is in fact an omnibus collecting the entire two-volume series, but somehow manages to look much shorter than it actually is. Appleseed Alpha is not a quick read although the plot and action moves at a fairly steady pace. The story follows Deunan, a very competent ex-SWAT officer, and her combat cyborg boyfriend Briareos as the couple makes their way through a dystopic cyberpunk Western version of the United States. Previous knowledge of Appleseed is not needed to enjoy Kuroda’s somewhat quirky contribution.

QQ Sweeper, Volume 1QQ Sweeper, Volumes 1-3 by Kyousuke Motomi. I greatly enjoyed Motomi’s earlier manga series Dengeki Daisy, so I was looking forward to giving another of the creator’s series a try, which is what ultimately led me to QQ Sweeper. (A few of the characters from Dengeki Daisy actually happen to make quick cameo appearances in the series, too.) Fumi’s dream in life is to find a prince charming to sweep her off her feet. Instead, she finds Kyutaro who has a fixation on literally sweeping. He has a pretty good reason for it, though. Kyutaro and his family are responsible for ridding the local area of dangerous infestations of malicious thoughts and psychological torment which manifest as bugs and physical cleanliness can go far to help with spiritual cleanliness. Of course, sometimes the bugs really are just bugs. For as seemingly silly and charmingly goofy as QQ Sweeper can often be–it can essentially be summed up as a supernatural cleaning manga–the series quickly becomes surprisingly dark. QQ Sweeper ends somewhat suddenly with the third volume and doesn’t really provide much of a satisfying conclusion, but fortunately the sequel series Queen’s Quality has been licensed as well. The series’ humor and seriousness occasionally seems a little off-balance, but I really liked QQ Sweeper and certainly plan on continuing with the story.

Pick of the Week: Zodiac Killers

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SEAN: I must admit there’s not a whole lot that’s inspiring me in this week’s list. I’m interested in Spirit Circle for sure. That said, I think my pick this week will be for Juni Taisen: Zodiac War. It’s rare that I choose what is essentially a ‘kill the cast one by one’ genre, but the creators are luring me in, so I am intrigued.

MICHELLE: Ch-ch-ch-Chihaya! I love Chihayafuru so much, and I’m dying to see what happens with Arata, now that he’s begun to think he can best honor his grandfather by continuing to show the world his style of play. I literally have geekbumps thinking about it.

ASH: I’m with Sean this week, and largely for the same reasons. I’m certainly interested in Spirit Circle having found Satoshi Mizukami’s Lucifer and the Biscuit Hammer to be enjoyably quirky and even powerful at times despite its uneveness. But the release that I’m most curious about is Juni Taisen: Zodiac War simply because of the creators involved.

KATE: Add me to the “meh” column again. Instead, I’ll point budget-conscious manga readers to VIZ’s big JoJo sale. The first three story arcs — Phantom Blood, Battle Tendencies, and Stardust Crusaders — are on sale at the VIZ website. If you’re looking for a wallet-friendly way to catch up on the first eleven volumes of the JoJo saga, this is a great way to do it. Word to the wise: this is a digital-only initiative.

ANNA: And I’m going to join Michelle in picking Chihayafuru! This is one of those series I thought would never be translated so I’m delighted to celebrate each volume being released here.

MJ: The pickings are slim for me this week, but I am fairly interested in Juni Taisen: Zodiac War, based mainly on its artist, so that’s what I’ll go with.

Anonymous Noise Vol. 4

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Anonymous Noise, Volume 4 by Ryoko Fukuyama

I feel a bit conflicted about this series. I found the first volume a bit uneven, but was gradually won over by all the performance scenes in the manga, even though some of the drama in the manga seems a bit far-fetched at times. This volume featured fewer performances, which maybe accounts for me feeling somewhat impatient in some of the plot resets that happened. In the first few pages of the book an event occurred that made me think, “Hell no!” and then I put the manga down and proceeded to read a few other things before picking it up again. Yuzu kisses Nino when she’s in the throes of emotional turmoil (her usual condition), and her reaction is to say “Don’t talk to me for awhile.”

Just a few pages later Yuzu clarifies that she was upset because she didn’t realize that being with her was causing Nino so much pain, and yet she continues to be fundamentally clueless about the idea that someone might have a crush on her. Yuzu promptly walks back on the idea that he has any romantic feelings for Nino, telling her that it is her voice that’s important to him. This type of emotional reset button with the storyline is what I find frustrating sometimes about this series. It just doesn’t seem like there’s a great deal of character change or growth five volumes in. In Everyone’s Getting Married, for example, no one is getting married, but the relationships between the main characters has grown and evolved so much over just a few volumes, I’m confident that the series is going somewhere, and all the drama will pay off for the reader in the end. I don’t have that same feeling for Anonymous Noise, but at the same time, it is still compelling to read.

Once I got past the romantic drama, I was able to settle down more with the secret backstory of the formation of Yuzu’s band. The next volume promises to have more of a focus on music, as everyone is gearing up for a battle of the bands. I think I enjoy this series most when it is emphasizing music more than romance, so I’m hoping for some dramatic scenes of Nino doing her rock star scream soon.

Kamisama Kiss, Vol. 25

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By Julietta Suzuki. Released in Japan by Hakusensha, serialized in the magazine Hana to Yume. Released in North America by Viz. Translated by Tomo Kimura

I haven’t done a full review of Kamisama Kiss in over 7 years, but it’s always been near the top of my want to read shoujo titles, and I’m impressed with it for lasting 25 volumes, which is more than four sets of Karakuri Odette. (Does anyone recall that series? It’s been about one fandom generation since it came out.) I was wondering what the author was going to do with this final volume, given that almost everything was resolved in the previous book. And it’s true, this is a victory lap of a sort, a light and cheerful final volume devoting itself to wrapping up the romances and getting Nanami and Tomoe married and living in the human world. It’s well worth the read, though, as it’s a well-told victory lap, and will put a smile on your face.

You’ll note the cover art is a bit different from the ‘wedding pose’ cover that the regular edition had. I picked up the Limited Edition, which comes with this alternate cover and a separate, hardcover minibook that features all the color pages from the series, as well as an epilogue chapter taking place several years later. I think it’s worth shelling out for the extra edition – the art is gorgeous, even if pretty small (this is still the size of a regular manga volume) and we also get one of those ‘extra chapters’ that always tend to happen in Hana to Yume series but so rarely get collected into North American (or indeed Japanese) volumes. Without spoiling anything, fans of Akura-Oh and Ami will absolutely want to pick up the Limited Edition.

As for the main event, I like how it shows that even after all this time, Nanami still has a tendency to sublimate her own desires if she thinks Tomoe will be uncomfortable or dislike anything, and I like the fact that the entire cast serves to clamp down on that and give her the epic wedding that she (and the series) deserves. As for the other human x supernatural pairings, Ami and Kurama is left up in the air, mostly as Kurama has not gained as much experience with human emotion as Tomoe has, but it’s pretty clear that she’s not going to be moving on. As for Himemiko and Kotaro, they’ve got a few more things conspiring to keep them apart, including some of what Nanami has dealt with before (the “they must be unhappy, it would be best if I left them” feelings), but they also have a very good reason to stay together, and the result is dealt with subtly but will put a smile on your face.

As will the entire volume, really. Kamisama Kiss has had its fair share of drama, and so after all the near deaths and trips to the afterlife it’s a relief to see such a sweet ending. Admittedly Mizuki may not agree with me, as Nanami and Tomoe becoming human means a parting from the spirit wold, but even that may be only a temporary thing, we discover. As with most really good manga, finishing this series makes a reader want to go back and start over from the beginning.