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Hayate the Combat Butler, Vol. 30

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

This is the first volume of Hayate the Combat Butler to be released in North America after the manga has already ended in Japan, and it will be interesting to see how it does going forward. (ominous thunder rumbles in distance) We are, of course, nowhere near finished here in North America, where Hayate is not quite Kaze Hikaru, but pretty close. Last time we were discussing how long Hata would drag things out before Hayate’s true gender was finally revealed to Ruka, and we get an answer here. It’s actually a good question when you’re dealing with Hata, who is a master – for good and ill – at dragging things out long past when you’d expect the punchline or point to be. Sometimes this works well for comedic effect, sometimes it feels like his editors are forcing him to extend things forever, and sometimes you sense he’s a bit of a troll.

The missing suitcase of money is dealt with fairly quickly at the start (and does a good job of inserting Fumi and Sharna, everyone’s favorite characters (it’s a shame sarcasm is hard to show in text), into the narrative. The majority of the volume, though, continues the interlocking narrative of Nagi and Ruka’s doujinshi competition. Ruka gets the benefit of a stern critic in Hina, who not only gives her honest opinion about what’s wrong, but goes on to do research into popular kinds of manga so that she can give better advice. Hina is a good, honest girl who I sometimes feel deserves better than this comedy harem manga. Speaking of girls who deserve better than this, Nagi has Ayumu giving advice, and while it’s not nearly as good, it does seem to inspire her. Whether this will actually lead to good manga remains to be seen.

And yes, Ruka does eventually find out that Hayate is a guy. The reaction is more low-key than I was expecting, but then Ruka in general tends to be more low-key than I’d expect. As a late arrival harem girl, you can’t avoid the sense that she’s being added to the narrative because the series is too popular to wrap up this quickly – Hayate may be a twice-a-year series here, but it did really well in Japan, and there are references in the volume to the movie Heaven Is a Place on Earth, which was due out in 2011 when this volume came out. (Yes, we are now six years behind.) I like Ruka, but there’s not really much she adds as a romantic lead that Hayate could not also get from Hina, or Ayumu, or Maria, or Athena. Or Nagi, I will reluctantly add, but we’ll get to that 20 volumes down the road.

And so Hayate the Combat Butler’s strengths remain its humor, and its romance can be a strength or a weakness depending on Hata’s writing. We get a bit of both in this volume, making it a fairly average volume in the series. See you in the winter for Vol. 31.

Also, the back cover says that Ruka is ‘plumb worn out’, and I feel sad that they didn’t go whole hog and say ‘plumb tuckered out’.

Bookshelf Briefs 9/18/17

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Akashic Records of Bastard Magica Instructor, Vol. 1 | By Hitsuji Tarou, Tsunemi Aosa and Kurone Mishima | Seven Seas – Combining a magical academy story with the ‘eccentric guy who ends up being a good teacher’ story that manga likes so much isn’t a bad idea, and Akashic Records does a decent job of it, though it gets off to a sluggish start. Frankly, Glenn is far too irritating to bear, and this one of the rare times where you are 100% behind the angry tsundere from the start. Of course, what he really needed was something to snap him out of his funk, and once he decides to actually turn on his brain and start teaching, things get exponentially better. It’s still a standard light novel adaptation, but I’m interested in seeing where it goes next. – Sean Gaffney

Anonymous Noise, Vol. 4 | By Ryoko Fukuyama | Viz Media – A good deal of this volume is devoted to a flashback showing us how the band In No Hurry came to be, and while a lot of the narrative points I was expecting were absent (why were they all hospitalized long-term?), the emotional beats were there. Certainly it was more entertaining than the love triangle we’re getting here. Not that it’s not well-written—in fact, the reverse may be the case. I’d rather go back to the standard shoujo cliche of having one person have it all together while the others flail. Seeing all three characters do stupid things and then immediately castigate themselves can be exhausting. On the bright side, we get more of Nino screaming, which remains the book’s high point. – Sean Gaffney

Anonymous Noise, Vol. 4 | By Ryoko Fukuyama | VIZ Media – I think I may only enjoy this series when Nino is performing, because the best moment in this volume is the brief one in which she accompanies herself on Momo’s guitar. The rest of it involves romantic angst from the two boys who have appropriated Nino’s voice as their personal property, unsuccessful attempts at comedy, and some (vague and improbable) backstory about how the band came to be. I did appreciate that Nino comes to see herself as a caretaker of her bandmates’ dream, and the parallel that while Nino has been hoping that her singing would bring Momo back to her, Yuzu has been hoping that his music would do the same with her. While this volume was a little on the meh side, I do look forward to the rock festival performance coming up in volume five. – Michelle Smith

Bloom Into You, Vol. 3 | By Nakatani Nio | Seven Seas – The first half of this volume is far more light-hearted than the rest of the series to date, which is fun but may be to its detriment. When it’s relaxing and showing the characters being happy, Bloom into You is like any other yuri series. But when Touko is being so aggressively forward that you want to slug her, or when Yuu is once again reminding us that she may very well be asexual (though that does not stop her from being lonely, as someone else pointedly notes), the series takes it to the next level, albeit a very uncomfortable one. There’s also another pairing casually introduced here that startled me, but I suspect the reason for it was more to have more adult ‘mentors’ the kids can ask for advice. Good stuff. – Sean Gaffney

Complex Age, Vol. 6 | By Yui Sakuma | Kodansha Comics – Complex Age has been pretty upsetting at times, so I confess that I totally looked at the last page to make sure Nagisa looked happy before I committed to reading this final volume. Its pace is somewhat accelerated, covering about a year after Nagisa’s meeting with her mother’s loli-loving friend as she tries to figure out what it is she loves best about cosplay and what kind of new shape it might become in her life. True, her conclusion is somewhat bittersweet, but it’s hopeful too, and I think that’s just the right combination for this series. If you were put off by the rough going in the middle volumes, take heart that this final installment remains realistic, but isn’t gloomy. I’ve really enjoyed this series. – Michelle Smith

Demon King Daimaou, Vol. 2 | By Shoutaro Mizuki and Souichi Itou | J-Novel Club – It’s finally happened: I’ve come across a light novel with so little to say about it that it’s only getting a brief. The light novel world is not exactly littered with deep, meaningful stories, but even among the fluff Demon King Daimaou is still pretty throwaway. That said, it’s not actively bad, and reads quickly—I don’t feel a need to drop it, I just feel no need to worry about what happens next. It’s at its best when at its least serious, such as Akuto’s constant desire to not seem like a villain, and the fact that he always does. (He’s desecrating hundreds of hero’s graves… but for good reasons!) As for the girls, we get a new one here, whose first scene amused me, but they’re as forgettable as anything. Only if you really liked the anime. – Sean Gaffney

Everyone’s Getting Married, Vol. 6 | By Izumi Miyazono | VIZ Media – This series is in somewhat of a holding pattern, despite a few changes. Asuka keeps coming into contact with Kamiya, who keeps trying to wear her down on marrying him despite the fact that she’s told him in no uncertain terms to back off and that she isn’t interested, and Ryu continues to be troubled by this. There are a few new elements in this volume with the introduction of Asuka’s protective 18-year-old brother Kanade and the fact that she and Ryu officially move in together, but since a) Kanade puts forth Kamiya as an alternate candidate and b) oopsies, they moved into Kamiya’s building, it’s really just more of the same. Everyone’s Getting Married is still fairly entertaining, but it’s not at all surprising or exciting, even with the possibility that Ryu will be transferred overseas. – Michelle Smith

Golden Time, Vol. 8 | By Yuyuko Takemiya and Umechazuke | Seven Seas – Linda returns in this volume… though it’s more about Banri returning, as he goes with her to a class reunion. The reunion itself goes off fairly well, and doesn’t really bring back too much. Unfortunately, he does have a bit of a breakdown later on in the middle of a festival dance, which leads to disaster. (And holy crap, that festival guy yelling at the cast was appalling. I really really hated him.) As for Banri and Kouko, it seems they’re doing very well, though I suspect both are trying just a little too hard—I have a nasty suspicion the next volume will be even more dramatic, especially after the medication discovery. Golden Time is heavy-duty romantic drama, but worth the slog. – Sean Gaffney

Haikyu!!, Vol. 15 | By Haruichi Furudate | Viz Media – Answering the cliffhanger from last volume, we get a few chapters showing us who Karasuno will be facing in the semifinals. The actual winner is not a surprise, but the author does a good job at keeping things tense anyway. As for the main event, it’s what you’d expect from a sports manga. Our heroes have shown off that they’re not the team they were before, but their opponent also has a few tricks up their sleeves, and so things could go either way. I like the constant emphasis on how important momentum is to a game. And of course things end with Yamaguchi, on the sidelines, desperate to make up for his earlier play. Classic Jump sports manga, and you should be reading it. – Sean Gaffney

Kimi ni Todoke: From Me to You, Vol. 27 | By Karuho Shiina | Viz Media – Credit to Pin, he is doing his best to make sure the ship with Ayano does not get further—something Ayano is tearfully aware of as well, though at least she’s started to openly admit her feelings. That said, Pin is up against the author here, and so I’m not sure how things will go. I’m not… TOTALLY against the ship, but I want it to wait till he’s not her teacher in any case. The other big news is that Kazehaya finally confronts his father, and the two learn a lot more about their similarities. They both communicate poorly, though Kazehaya has gotten better now that he’s dating Sawako. As for Sawako, after a long sweet date she admits she’s applying to the educational university, and he can how happily cheer her on. Sweet stuff. – Sean Gaffney

No Game No Life, Please!, Vol. 2 | By Kazuya Yuizaki and Yuu Kamiya | Yen Press – This is pretty much exactly what hardcore NGNL fans would want out of a spinoff manga, which means about half of it is not my cup of tea, because heavy fanservice and fetishes just don’t do much for me. I’m also not fond of the suggestion that Fi and Chlammy is a yuri pairing, and this book really loves to suggest it in unsubtle ways. It’s at its best when developing the characters, be it Steph thinking on her feet (or with her bladder) to escape a dungeon that Jibril has created, or Izuna continuing to learn from the masters—our sibling heroes—on how to both improve her gaming skills and also have more fun. Lacking a proper manga version, this is a decent alternative for those who want pictures. – Sean Gaffney

One-Punch Man, Vol. 12 | By ONE and Yusuke Marata | Viz Media – The tournament is perhaps the least interesting part of this volume. In that, it’s not dissimilar to many other tournament battle manga, though those lack the deadpan blaseness of our hero. Fortunately, there’s also a slew of monsters and villains attacking outside the arena, which allows Genos to remind us he’s still really tough despite being Saitama’s self-appointed lackey. The best scenes, though, involved Blizzard and her sister Tornado, whose family issues certainly seem to be deeply seated—Blizzard’s almost jaded “don’t worry, she’ll be coming to save me anyway” is well done, and you really sympathize with her here, especially with Tornado at her most arrogant. Essential, despite the tournament. – Sean Gaffney

Elegant Yokai Apartment Life, Vol. 1

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Elegant Yokai Apartment Life suffers from multiple personality disorder, lurching awkwardly from one situation to the next without comfortably settling into one storytelling mode long enough for the reader to decide if it’s a sitcom, a soap opera, or a horror show.

In fairness to creators Hinowa Kouzuki and Waka Miyama, few stories purely embody a single genre; the labels that the publishing and entertainment industries have coined — rom-com, dramedy — give ample proof that hybridization is a common strategy for enlivening familar plots. For such hybrid forms to work, however, the tonal shifts must be intrinsic to the story, arising naturally from the interactions between the characters and their environment. Elegant Yokai‘s narrative swerves, however, feel more like a desperate attempt to appeal to as many different constituencies as possible: there’s fanservice for guys (a female ghost who wears only panties and a well-placed towel) and girls (a hot onmyoji with a ponytail and a silver fox with an eye patch), yokai drawn from folklore and urban myth, a potential love interest for the hero, a raft of comic-relief characters who get brief turns in the spotlight, a subplot borrowed from a 1983 Afterschool Special, and tragic backstories for several characters just in case the idea of a “ghostly boarding house” doesn’t tickle your funny bone.

The most frustrating part of this narrative abundance is that so much of it feels… extra. Any one of these elements could be excised from the story without fundamentally changing the premise, making room for more character development. That point is crucial: Elegant Yokai‘s lead is less a person than a reader surrogate, walking from one situation to another in a state of mild befuddlement about his supernatural neighbors. Author Hinowa Kouzuki has saddled Inaba with motivations that explain how he ended up rooming with yokai, but hasn’t actually given him any discernible personality traits. Kouzuki and Miyama’s few attempts to flesh out Inaba’s character are clumsy and, frankly, illogical: what well-adjusted person marks his middle school graduation by fighting his BFF in an abandoned lot because he’s “always wanted to do that”? (Shouldn’t Inaba quote one of the rules of Fight Club or something?)

The artwork suffers from a similarly overdetermined quality. The human characters are less drawn than assembled from bits and pieces of other artists’ work — a dash of CLAMP here, a bit of Yuu Watase there — while the yokai have been shamelessly copied from Rumiko Takahashi and Hayao Miyazaki’s oeuvre. Making deliberate allusions to other artists’ work is, of course, a time-honored tradition, but here, these nods feel less like tribute and more like theft; readers tempted to compare Miyama’s art with Miyazaki’s are bound to find hers a poor substitute.

It’s only in the final chapter of volume one that we get a glimpse of what Elegant Yokai might have been. The story trains the spotlight on Inaba’s fellow apartment dwellers Kuga and Shiro, a boy and his dog who were murdered by Kuga’s mother. Once a month, Kuga’s mother — also a ghost — shows up at the apartment building to reclaim her son. Over time, however, her human form has deteriorated and memories have faded, reducing her to a pitiful demonic state, more scribble monster than angry wraith. The frankness with which Kouzuki and Miyama depict her crime prevents these scenes from descending into bathos; these moments are the only ones that elicit an authentic emotional response from the reader, not least because Kuga and Shiro’s predicament has a demonstrable effect on the other characters. Too bad the rest of volume one is such a frantic, disjointed mess.

ELEGANT YOKAI APARTMENT LIFE, VOL. 1 • STORY BY HINOWA KOUZUKI, ART BY WAKA MIYAMA • TRANSLATED BY ADAM HIRSCH • 206 pp. • RATED T (13+)

Water Dragon’s Bride, Vol. 3

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The Water Dragon’s Bride, Volume 3 by Rei Toma

The story in The Water Dragon’s Bride has been unfolding at a measured pace, in the third volume Asahi and Subaru are almost all grown up. As they become more adults, this results in some increased tension with Asahi’s eventual destiny as the bride of the Water Dragon as well as her role as priestess for Subaru’s village.

The volume opens with a little bit of backstory showing Asahi filing her role of priestess as she moves through adolescence. Every year, there’s a ritual designed to gain the favor of the water god, and Asahi disappears under the waves for three days. Her encounters with the water god are first limited to staring, glaring, and finally smiling. The elemental gods still are fundamentally alien when compared with humans. The Water Dragon at least has figured out that he needs to feed his young human bride, so he calls over the Tree God to give her some supplies. I enjoyed seeing these visits from the perspective of both the Water Dragon and Asahi.

I think a lot about clarity of art when I read a Rei Toma series, but I’m always struck by how much she is able to do with simple character designs and sparse backgrounds. It is expected that expressive eyes count for a great deal in shoujo manga, but she’s able to convey so much in just a couple pages. Subaru, aware that both his mother and his sister are prejudiced against Asahi, turns away from his family thinking “…don’t disappoint me more any than this.” His face is half in shadow, and blank in a way that shows he’s hiding the tension and disgust he feels inside. As he walks away he smiles and waves. All of this is accomplished with just one line of dialogue and some great sequencing and paneling from Toma in a two page spread.

For a series with such lovely illustrations and a seemingly fantastic premise, one of the reasons why I enjoy The Water Dragon’s Bride is that it explores some dark territory, particularly focusing on the way humans are capable of great cruelty. While the first volume also lingered on Asahi’s inhumane treatment by the Water Dragon who was absolutely ignorant and uncaring of the ways humans can suffer, humans seem like the real source of evil in the world. In addition to the leering gazes and jealously in Subaru’s village that Asahi has to isolate herself from, her capabilities as a priestess attract the attention of a neighboring village and a war is launched. Watching these events with Asahi, the Water Dragon thinks all the humans are fools.

While for most of this volume Asahi seems to be placed in a Persephone role, going back and forth between water and the human world, there’s a narrative turn as Water Dragon decides to dwell with humans for a time. Toma is able to pack an incredible amount of story in a single volume of manga, making this a shoujo fantasy series that is extremely rewarding to the reader.

My Week in Manga: September 11-September 17, 2017

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My News and Reviews

Last week at Experiments in Manga I posted August’s Bookshelf Overload which lists the manga, comics, and other media that found their way into my home last month. Otherwise, it was fairly quiet here at the blog, but I did come across some great interviews elsewhere online: Paul Semel interviewed author Kazuki Sakuraba whose novel A Small Charred Face will be released in translation this week. (I actually recently reviewed the book; it’s well-worth picking up.) Susannah Greenblatt interviewed Motoyuki Shibata, one of the cofounders of the Monkey Business literary magazine, discussing translation and Japanese literature among other things. (I’ve previously reviewed some of the early issues of Monkey Business.) And for something a little more manga-centric, Brigid Alverson interviewed manga editor Yumi Sukimune who works with Akiko Higashimura on Princess Jellyfish (which I greatly enjoy) in addition to other series.

And then there’s the licensing news from last week. Udon Entertainment, for example has plans to release Yuztan’s Dragon’s Crown manga adaptation. Most of last week’s manga and light novel licensing announcements came from another Seven Seas’ sprees, though: Accomplishments of the Duke’s Daughter manga by Reia and Suki Umemiya; two companion volumes to Kore Yamazaki’s The Ancient Magus’ Bride (which I’ll definitely be picking up); Arifureta: From Commonplace to World’s Strongest manga by Ryou Hakumai and RoGa; the original Cutie Honey manga by Go Nagai; The Dungeon of Black Company manga by Youhei Yasumura; Didn’t I Say to Make My Abilities Average in the Next Life?! light novels and manga by FUNA, Itsuki Akata, and Neko Mint; Go For It, Nakamura! manga by Syundei (probably the one I’m personally most excited about); Himouto! Umaru-chan manga by Sankaku Head; How Not to Summon a Demon Lord manga by Yukiya Murasaki and Naoto Fukuda; How to Treat Magical Beasts manga by Kajiya; Hungry For You: Endo Yasuko Stalks the Night manga by Flowerchild; If It’s for My Daughter, I’d Even Defeat a Demon Lord manga by CHIROLU and Hota; Little Devils manga by Uuumi; Mushroom Girls in Love, a one-volume manga by Kei Murayama; Precarious Woman Executive Miss Black General by Jin; Satan’s Secretary manga by Kamotsu Kamonabe; The Voynich Hotel manga by Seiman Doumanv. It’s an interesting mix!

Quick Takes

Delicious in Dungeon, Volume 2Delicious in Dungeon, Volume 2 by Ryoko Kui. I absolutely loved the first volume of Delicious in Dungeon and after reading the second volume my opinion of the series hasn’t changed–I still find it tremendously entertaining. The conceit of Delicious in Dungeon is fairly simple and straightforward. Basically, Kui has taken a dungeon-crawling adventure and turned it into a food manga. It’s a brilliant combination of subgenres with endless possibilities when it comes to the sheer variety monsters that could end up as a meal for the manga’s protagonists. While this alone could carry the series a fair distance (especially considering the immense creativity Kui exhibits in how fantasy creatures might be used to either directly or indirectly support an adventurer’s diet), Delicious in Dungeon also benefits from having a main cast that largely consists of a bunch of endearing goofballs. Kui has also started to expand on the actual worldbuilding of the series, too. While the manga still relies fairly heavily on the well-established tropes of fantasy role-playing games, small details are being introduced that make the setting of Delicious in Dungeon a little less generic. Of course, part of the series’ humor and charm is firmly based on Kui taking familiar fantasy elements and twisting them just a bit. It’s all great fun.

Sweetness & Lightning, Volume 6Sweetness & Lightning, Volumes 6-7 by Gido Amagakure. Although I love food manga, I never generally read a particular title thinking that I’ll actually make any of the recipes that might be contained within it. If I ever did, though, Sweetness & Lightning is probably the series that I would turn to. Since the main characters are in the process of learning to cook (and one of them is a preschooler about to start kindergarten), the dishes that they tackle typically tend to be within the reach of a beginner and aren’t usually overly-complicated. The fact that Sweetness & Lightning is a food manga is what initially brought the series to my attention, but at this point it’s really the characters which keep me coming back for more. I’m particularly impressed by the portrayal of the father-daughter relationship between Inuzuka and Tsumugi. Amagakure is also incredibly successful in depicting little kids in a convincing way. Sweetness & Lightning is in turns adorable and bittersweet, and these two volumes have some especially poignant and heartbreaking moments. Since Tsumugi is so young she still doesn’t entirely understand the death of her mother and Inuzuka still grieves the loss of his wife. But the sixth and seventh volumes also introduce more members of their extended family which was lovely.

What Did You Eat Yesterday?, Volume 12What Did You Eat Yesterday?, Volume 12 by Fumi Yoshinaga. The English-language edition of What Did You Eat Yesterday? has essentially caught up with the original Japanese release so the individual aren’t published as frequently as they once were, but I’m always very happy to get my hands on the latest installment in the series. The food in What Did You Eat Yesterday? is beautifully illustrated from start to finish. The individual ingredients, the techniques used, and the resulting dishes are wonderfully and realistically rendered. Visually, the people in What Did You Eat Yesterday? aren’t nearly as detailed as the food they are eating, but the believably complex and nuanced characterizations in the series is exceptional. The characters certainly have their personal flaws and Yoshinaga isn’t afraid to reveal them; rather than portraying some sort of romanticized ideal, Yoshinaga captures the messiness of real-life relationships in the series. It’s an approach that I particularly appreciate. What Did You Eat Yesterday? follows the day-to-day lives of two adult men who are in a committed, long-term relationship with each other which of course is something that I also greatly value. At times the food aspects of What Did You Eat Yesterday? seem tangential to everything else going on, but it’s still a great series.

Pick of the Week: Flower Girls

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KATE: This week’s manga haul has something for everyone: new installments of digital-only releases like Tokyo Tarareba Girls, new volumes of perennial favorites like Nichijou and Master Keaton, and a handful of debuts like Kiss Me at the Stroke of Midnight and Sweet Blue Flowers. And while I’m intrigued by Sweet Blue Flowers, my vote goes to volume nine of A Bride’s Story, Kaoru Mori’s gorgeously illustrated chronicle of life on the Silk Road. What say the rest of the MB gang?

MICHELLE: Despite the handful of Seven Seas titles that I’m genuinely looking forward to, I really can only choose Sweet Blue Flowers. I’ve been looking forced to reading this series in English for years! (I even bought the Japanese volumes for a while!) Thanks, VIZ!

SEAN: It’s light novel week, so you know I want to say Baccano!. And there’s a bunch of other titles I want in this monster week. But as with Michelle, my choice goes to Sweet Blue Flowers finally getting the treatment it deserves. Can’t wait.

ASH: Like Kate, I’m certainly looking forward to the next installment of A Bride’s Story, and there are plenty of other manga being released this week that I’ll definitely be picking up (such as Descending Stories), but I’ll be joining Michelle and Sean in choosing Sweet Blue Flowers as my official pick. Shimura’s Wandering Son was an incredibly important series for me personally, so I am thrilled that more of her work is be released in print.

ANNA: There are quite a few great series coming out this this week! I’m going to have to go with the last volume of Master Keaton. Urasawa is always at the top of his game, and I’m going to miss all the insurance investigation shenanigans.

MJ: I find myself echoing what others have said so far regarding Takako Shimura’s Sweet Blue Flowers. A real release of this series has been a long time coming, and I’m thrilled to see it finally hitting the shelves. I can’t wait to read it.

Invaders of the Rokujouma!?, Vol. 6

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

First off, going back to my worries from the last review, I am delighted to see that Yurika’s character development from the previous book is not only kept but noticed by others. Yes, she is still sometimes the butt of the joke – this is a comedy, after all – but she’s far more content with her lot in life now, talking easily with Koutarou and realizing that using her abilities secretly so that no one knows about it may actually be the best thing she can do right now. The other cast members are also keeping their growth – Koutarou is noticeably less formal with Harumi here, and the cast is all starting to realize they’re in love with Koutarou without having it become their defining trait, always a worry in harem titles. Rokujouma may be light as air at times, but there’s more depth here than I was expecting.

Of course, sticking with the ‘heroine is the cover girl of the previous book’ rule, the main focus here is on Kiriha, the last of the ‘main girls’ in the room to be fleshed out, provided you’re not counting Harumi, who’s sort of the plus one in this situation. (I’m not sure if Shizuka is going to do anything but be the landlord who knows lots of martial arts – she certainly gets more do do in this book than usual, but her feelings for Koutarou are not brought up.) Kiriha has been the teasing older woman sort in the series, but naturally we discover that this is mostly a front to disguise her true motives, which are actually pretty pure and noble given she was supposed to be a vanguard for a race trying to invade the Earth’s surface. In reality, what she has in mind is more like immigration than anything else, and Koutarou is relieved to discover this.

She also has a childhood dream she wants to fulfill, as when she was a kid she ran away to the surface and met a young man who she immediately fell in love with. Now, I have been saying how much I enjoy Rokujouma here, but it does have a few downsides, and the biggest one is that it’s about as subtle as a brick to the head. Time travel has not really come up yet in the series, though given the amount of weird tech we’ve seen so far it would be no surprise. Also no surprise is the fact that the boy Kiriha fell for all those years ago is clearly ‘our’ Koutarou, who no doubt will find a way to slip back in time in some future book. Then again, I’m not sure that subtlety and mysteries are what the author is going for here. I think we’re meant to be winking along with the narrative.

Of all the ‘light, fluffy romance series with no real point’ I’ve been reading in light novel form, Rokujouma is probably my favorite. It’s always a relaxed, easy read, and some of its jokes made me laugh out loud this time (particularly Koutarou’s reaction to the five-team sentai squad when they first show up). If you don’t mind harems, it’s an excellent light novel starting point.

Queen’s Quality, Vol. 1

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By Kyousuke Motomi. Released in Japan by Shogakukan, serialization ongoing in the magazine Bessatsu Comic (“Betsucomi”). Released in North America by Viz. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This is, of course, not so much Vol. 1 of a new series as a reboot of an old one, which is why I’ll continue to use the QQ Sweeper tag for it. Just looking at the covers might show a difference, though – the first QQ Sweeper volume had Kyutaro front and center, with Fumi getting less attention. But now the Q in the title has changed to refer to Fumi herself, and she is front and center. It’s also a more dramatic, serious cover, which is appropriate, as while there are still many lighthearted moments in the book, the overall mood is darker, particularly towards the end. The series examines the popular idea of negative emotions manifesting themselves and how to fight that. And, also a popular idea, the answer is to get in touch with the darkness in your soul without letting it overwhelm you.

While the essential plot is much the same – under the guise of cleaning around the school and residence, Fumi and Kyutaro seek out bug infestations, and work out where they may have come from. But Fumi’s true nature is revealed now, making her more self-conscious, but not nearly as badly as it affects Kyutaro, who has no idea how to act around her anymore, especially given their past together – a past he’s not allowed to talk to her about. Sometimes it’s best not to rip the band-aid off all at once. They even bring in an expert to test Fumi’s ability, though I wasn’t too fond of him – but that’s mostly because I just don’t like his type. That said, they do grow closer, especially in the shopping sequence, the most fun adn heartwarming part of the volume, where we discover Fumi’s dreadful fashion sense.

Things get dark fast, though, and the last chapter is showing us just how terrifying the Black Queen can be when she’s active. And active she has to be, as Fumi can’t learn how to control her dark side without knowing what it is and how it can take over. The scene of her gleefully torturing her teacher – who is, to be fair, a nasty piece of work – and ordering her to never close her eyes again for the rest of her life is chilling, reminding me a bit of Delirium at her worst in the Sandman comics. Fortunately, Kyutaro reminds us that he’s not just there to be a potential romantic lead, he’s also got the experience and determination to bring Fumi back from this, even if afterwards she’s terrified.

And so we get what will likely be the plot going forward: teaching Fumi to use her powers for niceness instead of evil, with the villains (who pop up here and are somewhat generic, though there’s a hint they’re not truly black-and-white evil) trying to corrupt her over to their side. Balancing this sort of serious drama with cute romance is what Motomi does best, of course, as readers of Dengeki Daisy will no doubt remember. I’m not quite sure why the series rebooted itself, but I am happy to see it back, and look forward to more volumes.

My Love Story!! Vol. 13

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My Love Story!! Volume 13 by Kazune Kawahara and Aruko

I had postponed reading the final volume of this series because I didn’t want it to end, but my curiosity about the conclusion helped me deal with my final volume procrastination syndrome. The final story arc was set up previously, with impending separation between Takeo and Yamato. I’ve probably been watching too many k-dramas where a couple gets separated and then they meet again 3 years later, but one of the refreshing things about this manga is that it actually deals with the problems of long-distance relationships instead of just conveniently fading to black and glossing over the separation period.

One of the hallmarks of this series is that in addition to the interest created by having a hulking giant of a boy as the main character in a shoujo series, My Love Story!! is able to step through some conventions shoujo plot elements and make them seem fresh due to the way the manga is infused with so much enthusiasm and heart. When Yamato goes to Spain Takeo is determined to bring his grades up so they can eventually go to the same college. He throws himself into studying with Suna constantly at his side. The unique circumstances surrounding Takeo and Yamato’s provide an opportunity to visit again with characters from throughout the series, as it seems everywhere Takeo goes someone feels the need to encourage him in his epic romance.

There are some hilarious scenes as Takeo goes to Spain in order to visit Yamato, and while a manga series set in high school ending at the point when the characters are about to head off to college is extremely typical, My Love Story!!, as always, ends on a note of such infectious optimism that I put the book down with a smile. This is going to be one of those series I keep around and read whenever I need to cheer myself up.

Bookshelf Overload: August 2017

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Over the last few months my manga buying habits have been slowly changing. In general I’m preordering less (which is rather unfortunate as that’s one of the best ways to support the manga industry), opting to wait to catch up on series until there’s a good sale of some sort. And so, in August I ended up finally picking up more of Akane Shimizu’s delightfully entertaining and educational Cells at Work! and Haruichi Furudate’s upbeat sports manga Haikyu!! among other things. As for older series that are new to me, I discovered that Izumi Tsubaki’s Oresama Teacher has a mix of humor and heart that I find irresistible. However, there were a few August releases that I was particularly looking forward to, like Delicious in Dungeon, Volume 2 by Ryoko Kui, Otherworld Barbara, Omnibus 2 by Moto Hagio, and the comic Fantasy Sports, Volume 3 by Sam Bosma. I also decided to give the anime Rampo Kitan: Game of Laplace directed by Seiji Kishi a try, mostly because I came across a set for a great price and because I have an affinity for all things even tangentially related to Edogawa Rampo.

Manga!
Assassin’s Creed: Awakening, Volume 1 written by Takashi Yano, illustrated by Kenji Oiwa
Blame!, Omnibus 4 by Tsutomu Nihei
Cells at Work!, Volumes 2-3 by Akane Shimizu
The Crater by Osamu Tezuka
Delicious in Dungeon, Volume 2 by Ryoko Kui
Drifters, Volume 4 by Kohta Hirano
Fruits Basket, Omnibus 3 by Natsuki Takaya
Girls’ Last Tour, Volume 2 Tsukumizu
Goodnight Punpun, Volume 7 by Inio Asano
Haikyu!!, Volumes 13-15 by Haruichi Furudate
Iceland by Yuichi Yokoyama
I Am a Hero, Omnibus 4 by Kengo Hanazawa
JoJo’s Bizarre Adventure, Part 3: Stardust Crusaders, Volume 4 by Hirohiko Araki
The Legend of Zelda: Ocarina of Time by Akira Himekawa
Love and Lies, Volume 1 by Musawo
Nirvana, Volume 1 by Jin and Sayuki
Melody of Iron and Other Short Stories by Osamu Tezuka
Murciélago, Volume 3 by Yoshimurakana
My Love Story!!, Volume 13 written by Kazune Kawahara, illustrated by Aruko
Of the Red, the Light, and the Ayakashi, Volumes 6 by Nanao
Oresama Teacher, Volumes 2-13 by Izumi Tsubaki
Otherworld Barbara, Omnibus 2 by Moto Hagio
Queen Emeraldas, Volume 2 by Leiji Matsumoto
Record of the Glass Castle by Osamu Tezuka
She and Her Cat written by Makoto Shinkai, illustrated by Tsubasa Yamaguchi
Sweetness and Lightning, Volumes 6-7 by Gido Amagakure
Survival in the Office, Volume 1 by Risu Akizuki
Under the Air by Osamu Tezuka
What Did You Eat Yesterday?, Volume 12 by Fumi Yoshinaga
Wolfsmund, Volume 8 by Mitsuhisa Kuji
Yona of the Dawn, Volume 7 by Mizuho Kusanagi
Yowamushi Pedal, Omnibus 6 by Wataru Watanabe

Comics!
Always Raining Here, Volume 2 by Hazel and Bell
By Chance or Providence by Becky Cloonan, colors by Lee Loughridge
Dates, Volume 2 edited by Zora Gilbert and Cat Parra
Fantasy Sports, Volume 3: The Green King by Sam Bosma
Fallen, Volumes 1-2 by Burukku Ogawa
How to Be Alive by Tara Booth
Mirror Mirror, Volume 2 edited by Julia Gfrörer and Sean T. Collins
Monster Pop!, Volumes 1-2 by Maya Kern
Moonshot, Volumes 1-2 edited by Hope Nicholson
Short Gay Stories by Hanna-Pirita Lehkonen
Sound of Snow Falling by Maggie Umber
Starfighter, Chapter 4 by HamletMachine
Titty-Time, Volume 2 by Amanda Lafrenais

Novels!
The Book of the Dead by Shinobu Origuchi

Anime!
JoJo’s Bizarre Adventure: Phantom Blood & Battle Tendency directed by Naokatsu Tsuda and Ken’ichi Suzuki
Rampo Kitan: Game of Laplace directed by Seiji Kishi