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Pick of the Week: Week And Year

December 25, 2017 by Ash Brown, Michelle Smith, Sean Gaffney, Katherine Dacey and Anna N Leave a Comment

ASH: It doesn’t seem like there are any truly quiet weeks when it comes to manga releases anymore, but the last week of year does tend to be smaller than others. Still, it’s not hard for me to find something to read. My pick for the week is the most recent volume of Land of the Lustrous, a series I appreciate for its philosophical musings and striking artwork even if its plot can be a little haphazard.

Looking back over everything published in 2017 there have been some tremendous releases; it’s been a great year for manga. The debut series that left the greatest impression on me was Nagabe’s beautiful and haunting The Girl from the Other Side: Siúil, a Rún. The manga is both charming and unsettling, with Nagabe’s exceptional storytelling and atmospheric artwork making it one of the most stand out releases of the year.

MICHELLE: I absolutely agree with Ash for my pick of the year, though honorable mention goes to Chihayafuru.

For this week, I’m most looking forward to the fourth volume of The Night Beyond the Tricornered Window. This complicated, suspenseful story is BL at its best.

SEAN: The week itself does not impress me that much, so I will pick the new volume of The Full-Time Wife Escapist.

And though it seems a bit premature to make a Pick of the Year for something that only debuted in December, I’m still so blown away by The Promised Neverland that I’m going with that one. It may get too bleak for me in future, but for now I can’t look away.

KATE: I liked the first volume of That Time I Got Reincarnated as a Slime. Aside from some totally gratuitous fan service, it was snappy, funny, and heart warming in an unexpected way. The release of volume three seems like a fine excuse to get caught up with Rimuru’s adventures.

As for my pick of the year, it’s Furari, one of the late, great Jiro Taniguchi’s final works. The manga reads like a mash-up of The Times of Botchan and The Walking Man, focusing on Tadataka Ino, a real cartographer who lived in Edo. As with Walking Man, not much happens story-wise, but the book offers a vibrant portrait of eighteenth-century urban life — think Richard Scarry’s Busy Town, Busy People for grown-ups.

ANNA: Although I’m shamefully behind on the series, the most interesting thing coming out this week to me is The Full-Time Wife Escapist. I’m glad others have selected The Girl from the Other Side: Siúil, a Rún, it is absolutely a standout title.

When I was thinking about my pick of the year, the first thing that came to my mind was The Water Dragon’s Bride. Well executed fantasy shoujo should be celebrated! I also agree that Chihayafuru deserves a shout-out as well.

The Saga of Tanya the Evil: Deus lo Vult

December 25, 2017 by Sean Gaffney

By Carlo Zen and Shinobu Shinotsuki. Released in Japan by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri and Kevin Steinbach.

The first thing I noticed when I saw the first volume of Tanya the Evil on my phone is that it is long. Really very long indeed. You could fit four volumes of Kagerou Daze into one volume of Tanya the Evil. I noticed that this volume has two translators, and I wonder if the main reason for it is that each volume is so long. (I double checked – the second volume is actually longer.) The second thing that I noticed about Tanya the Evil is that it is, at heart, a military novel with a dash of magic and “reincarnated into another world” as its gimmick. If you’re reading it for the reincarnation or the magic, you may be disappointed – if you’re reading it for the military maneuvers, you’re in luck, this is absolutely the book for you. This is the story of not-Germany, its new war hero who has the appearance of a small girl but the mind of a cynical, calculating HR director, and the evil God who sets things in motion.

OK, “evil God” may be stretching the point, as it’s more petulant hissy fit God, but once again we have a book I’d ask the hardcore religious to stay away from. Our hero is a ruthless HR director who is pushed in front of a train after laying off someone with a grudge. He meets God, who is upset at the lack of faith in him these days, which our hero can’t help but snark back at him for. In response, God reincarnates him in a world that is on the brink of war, as a young orphan girl. He keeps all his memories, though, and apparently in addition to being an HR director he was a bit of a military nut. As now we have Tanya von Degurechaff, a 9-year-old child prodigy sent to the front line to battle as a mage because, well, the Empire is mostly OK with this. The problem is that Tanya is just a bit too brilliant, and also somewhat disturbing…

One of the more interesting aspects of this book is also one of its most aggravating: the narration, which is mostly first person from Tanya’s perspective with a few exceptions, alternates between “I” and “Tanya” constantly, as the HR director still tends to think of himself as being slightly separate from the little girl’s body he now inhabits. This really shows off the disconnect that should normally be there for most people who go through the standard reincarnation schtick, but it’s also very disorienting, and by the end of the volume I was wishing the author had chosen a different way to achieve this. The gimmick that works much better in the book is Tanya constantly doing things as a way to ither a) stay alive or b) get herself assigned away from combat, and having her actions misinterpreted as insane gung-ho soldiering by the generals and powers that be. It doesn’t help that her main weapon that makes her even more powerful literally runs on the power of prayer, much to her bitter chagrin.

The author says at the end of the book that those who like happy endings should stay away from this series, and indeed I’m not sure I can read this on a regular basis. For this one volume, though, it was fascinating, even with all the military jargon. Yes, we have yet another Japanese author fascinated with World War I/II Europe, and our heroes are yet again essentially Germany with the fascism toned down (you’ll likely think of Legend of Galactic Heroes as you read it). But I just liked the back and forth between Tanya and the rest of the cast, and also liked the occasional glimpses we saw of her judging humans as something other than meat shields. Well, OK, one human. Pretty much just Visha. But you have to start somewhere. The Saga of Tanya the Evil is a rich and rewarding read, provided you spend the time to plough through it, and don’t mind Tanya’s constant first/third person perspective switches.

Angels of Death, Vol. 1

December 25, 2017 by Sean Gaffney

By Makoto Sanada and Kudan Naduka. Released in Japan as “Satsuriku no Tenshi” by Media Factory, serialization ongoing in the magazine Comic Gene. Released in North America by Yen Press. Translated by Ko Ransom.

I’ve mentioned before that I will sometimes dip back into a genre that I’m not fond of to see if a new series might catch my eye. With horror, this has been something of a mixed back. When it works, it works seriously well – see Higurashi or Kurosagi Corpse Delivery Service. But for each one of those there are five or six “let’s gather a cast of people together and winnow them down one by one” that leaves me cold. Angels of Death is my latest look in to the horror/survival game genre. It’s based on a game which I believe you can actually get on Steam, and has an amnesiac heroine waking up in an abandoned building, where she’s informed she has to go from floor to floor and avoid being killed. What makes Angels of Death more interesting than most others of this sort is that the cast is kept to a bare minimum, which allows us to skip piles of introduction and get right to business. And also Rachel looks a bit more interesting than most faceless game protagonists.

The moment we see an adorable wounded bird get brutally slaughtered in a giant two-page spread, we know the emphasis here is not going to be on friendship, training or victory. She first runs into Zack, who is an absolute cliche of a serial killer and the sort of character you’d expect to get killed off pretty quickly in this sort of series, but somehow she manages to escape him. She then ends up on a different floor with Dr. Irie… sorry, Dr. Danny, who is very much like what Dr. Irie from Higurashi would be if he was deeply sociopathic and awful. To the manga’s credit, it doesn’t bother to try to convince us that he’s really another good guy – we already know there’s a killer on each floor, and he’s already so shady that it barely raises an eyebrow when he starts going on about eyes. Eventually Zack ends up chasing Rachel once more, but Zack is now put off by her personality so allies with her to try to get out.

As I said, the odd moments when Rachel shows off how broken she is are the best in the book. They manage to combine hidden tragedy and loss with a truly scary feeling, particularly when dealing with the bird. The artist, in fact, is very good at showing off the strengths of this genre – scary scenes, over the top faces, and a lot of bloody action. On the downside, unlike, say, Higurashi or Kurosagi Corpse Delivery Service, I doubt the final goal here is to show how a team can become true friends and band together to defeat the bad guy. The goal here is to frighten and shock. This first volume does a decent job of that, and therefore if you like survival horror, I’d definitely recommend it, though I likely won’t be reading further.

Kigurumi Guardians, Vol. 1

December 23, 2017 by Katherine Dacey

The first ten or so pages of Kigurumi Guardians are a gas. Hakka, a cheerful fifteen-year-old, comes home from school to find a kigurumi (animal mascot) in her kitchen. Though Ginger looks like the product of a Holstein/penguin tryst, no one in Hakka’s family is fazed by Ginger’s appearance, treating him like one of Hakka’s classmates. And if the Sasakuras’ warm embrace of Ginger wasn’t strange enough, Ginger’s method of communication puts things over the top: he’s reduced to scrawling short messages on cue cards since he can’t speak. Not until Hakka attends a school council meeting does she learn that Ginger is one of three animal-shaped guardians defending Earth from a race of puppet masters, and she’s his new handler.

So far, so good: the oddball premise, brisk pacing, and tart exchanges between Hakka and Ginger are executed with comic zest. As Hoshino begins laying the groundwork for the magical combat, however, it becomes clear that she’s making it up as she goes along. That tendency is most pronounced in the fight scenes, which are devoid of any tension, surprise, or humor, since it’s a forgone conclusion that Hoshino will think of a new rule or magical power that helps her heroes win the day.

More problematic is the dynamic between Hakka and Ginger. Bickering leads are a staple ingredient of romantic comedies, but the main point of contention between girl and mascot gets hammered into the ground by the end of chapter three. That joke — if one can call it a joke — is that Hakka must kiss Ginger to activate his magical powers; when she does, he immediately transforms into a dashing young warrior. Hakka hates kissing Ginger, but is repeatedly forced to go against her own wishes because, y’know, Earth’s future hangs in the balance. In our current #MeToo moment, this gag is an unpleasant reminder of how many books, movies, television shows, and manga reinforce the idea that women who refuse unwanted hugs and kisses are difficult, confused, or selfish.

It’s a shame that this gag is so central to the story, as Hoshino clearly intends Guardians to be naughty fun for teen girls — why else would all three mascots transform into tousle-haired bishonen?— but gets too caught up in drawing costumes and mascots to pay careful attention to the plot or consider the full implications of Hakka and Ginger’s relationship. By the end of volume one, the story has traded wacky hijinks for messy fight scenes and sappy conversations, losing its screwball zing in the process.

The verdict: File under D, for disappointment, and S, for squandered potential.

KIGURUMI GUARDIANS, VOL. 1 • STORY AND ART BY LILY HOSHINO • KODANSHA COMICS • RATED: TEEN (13+) • 160 pp.

Accel World: The Red Crest

December 23, 2017 by Sean Gaffney

By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

Why do we play fighting games? That’s the question being asked many times over the course of Accel World, and the idea of winning and losing seems to linger in some people more than others. Certainly in the case of Wolfram Cerberus, it’s a matter of life and death, especially as, for some odd reason, his Accelerated form seems to have multiple personalities, a la the legendary dog it’s named after. For others, it’s a way to bond with friends, such as the new character we meet here, Chocolat Puppeteer. Sadly, her friends have been infected with ISS kits, which leads to a chilling new revelation: you can now be infected against your will. Fortunately, Haruyuki and Chiyuri (and it’s nice to see the two of them team up without an overdose of sexual tension) manage to help her and temporarily save the day. Unfortunately, that just means that the enemy changes their focus, and the reader realizes that yes, this is another 4-5 book arc.

As for Kuroyukihime, we finally get the answers we’ve been waiting for since the first book – why did she kill Red Rider, and what drove her to leave her family? The answer turns out to be the same thing, unsurprisingly. Kuroyukihime may be strong and a guiding light to Haruyuki, but she’s also horrible at anything regarding subterfuge, much less outright lying, so it’s no surprise that she’s played like a sucker by White Cosmos. It’s nice to see Haruyuki has matured enough to take this calmly and offer support, even when she’s sobbing on his shoulder – a few volumes ago he would have been a total wreck. (It’s possible the author saved all the total wreck parts for the short story at the end of the book, which features 200% more Fuko teasing than normal, but also goes into the circumstances of her birth and dealing with being born without legs in the real world.)

It’s looking as if things might come to a head at the school’s culture festival, which may turn out to be a disaster as they’re all supposed to be keeping their real-life identities secret. As is usually the case with Accel World, the battles are well-written and concise, and I rarely find myself getting lost in technobabble. (It’s very clear that he wrote a lot of this after he had more experience, whereas Sword Art Online sometimes shows off his immaturity.) I’m not entirely sure if this will wrap up in the 13th book or not – at least, this particular arc, I’ve no doubt that White Cosmos is the Big Bad and will be part of whatever final End Kawahara has in mind – if he has one, the series is well over 20 volumes in Japan. That said, I’m perfectly content to let him slowly spin his tale – the fanservice may occasionally grate on me, but for the most part Accel World has developed into one of the most solid, dependable light novel series being put out by Yen.

Random Musings: Notable in 2017

December 23, 2017 by Ash Brown

Towards the end of the year for the past few years here at Experiments in Manga, I have made a point to compile a list of some of the manga, comics, and other books that have been released during the previous twelve months that to me were particularly notable for one reason or another. It’s not a “best of” list, nor is it necessarily a list of my favorite releases from the past year (although admittedly some of them are). Instead, it’s a list of books which stood out to me for one reason or another that I both read and were released in 2017. I certainly haven’t read everything that was published in the last year, so the following titles have been taken from an already limited selection. For the sake of this list, I also decided to focus on debuts and one-shots rather than ongoing series. And while the list doesn’t include all of the noteworthy releases or even all of my favorites from the last year, I have tried to highlight one of the trends from 2017 that made me particularly happy–the continued growth and inclusion of queer representation and themes within the works being published.

That being said, one of the manga that left the deepest and most lasting impressions on me in 2017 was The Girl from the Other Side: Siúil, a Rún by Nagabe. Both the series’ haunting story and beautiful artwork are marvelously atmospheric. Nagabe delicately balances sweetness and charm with darkness and tragedy. It isn’t unusual for horror manga to explore the monstrosity of humans and the humanity of monsters, but The Girl from the Other Side does so with incredible nuance.

Manga tends to be a niche within the larger niche of comics, but every so often there is a work that gains recognition and acclaim outside of the usual audiences. Kabi Nagata ‘s autobiographical My Lesbian Experience with Loneliness is one example of a manga from 2017 that found a wide readership; Nagata’s authentic, frank, and honest depiction of her struggles with depression, anxiety, sexuality, and feelings of isolation resonated deeply with others’ personal experiences.

Gengoroh Tagame is an important creator who is known worldwide, so it’s probably no surprise that his series My Brother’s Husband would garner a fair amount of attention as well. Quite different in tone from Tagame’s sadomasochistic and homoerotic manga, My Brother’s Husband is a wholesome work which tackles and refutes socially and culturally ingrained prejudices–such as homophobia–through the lens of family. The manga’s message is not subtle, but it is a good one.

I Hear the Sunspot by Yuki Fumino is a quieter and more understated work dealing with the impact of disabilities on relationships, romantic and otherwise. It’s a lovely and thoughtful manga which treats its naturally complex characters with respect, acceptance, and understanding. I Hear the Sunspot is actually the beginning of a series, something that I didn’t realize when I first read it. The volume stands very well on its own, but I certainly look forward to reading more.

My introduction to the work of Takako Shimura was through Wandering Son, a manga which is tremendously meaningful to me. I was very happy then when her other major series, Sweet Blue Flowers, finally received a proper release in English in 2017. (It only took three different publishers.) On the surface, Sweet Blue Flowers can tend towards the melodramatic, but Shimura’s layered portrayals of young women who love other young women are still emotionally convincing and compelling.

Most of the yuri that has so far been translated into English generally falls into the category of schoolgirl manga, so it is wonderfully refreshing to see series featuring adult women, like Yuhta Nishio’s After Hours, being published as well. It’s also immensely satisfying to see a relationship develop between two women that, while not without its complications, is largely free of angst. After Hours, along with Sweet Blue Flowers, is also notable for being Viz Media’s first real foray into the yuri genre.

Yoshimurakana’s Murciélago is likewise a manga that features adult women in adult situations. But in this case, the series makes no attempt at realism. Murciélago is ridiculously over-the-top top and extreme. The manga is lewd and crass, but it can also be massively entertaining in its outrageousness. However, due to the explicit sex, violence, and gore, Murciélago is definitely not a series that can be recommended to just anyone. Predatory lesbian assassins understandably have limited appeal.

There were a great number of wonderful queer-friendly comics released in 2017, but James Tynion IV and Rian Sygh’s The Backstagers is particularly delightful. The comic is a tremendous amount of fun, featuring energetic artwork, an entertaining story, and a marvelously diverse cast. Especially noteworthy is the series’ challenging of gender stereotypes through the positive representations of a wide range of masculinities. The Backstagers even includes a transguy as a prominent character!

Another engaging work from 2017 that deals with gender, identity, and self-expression in interesting ways is So Pretty / Very Rotten: Comics and Essays on Lolita Fashion and Cute Culture by Jane Mai and An Nguyen. The individual pieces in the collaboration vary significantly in tone and style, ranging from accessibly academic to intensely personal, but the volume is an informative and fascinating examination of Lolita culture and its influence both inside and outside of Japan.

I don’t tend to seek out vampire fiction, so was it not for the fact that A Small Charred Face was written by Kazuki Sakuraba, translated by Jocelyne Allen, and published by Haikasoru, I might not have gotten around to reading the novel. Hearing A Small Charred Face described as being BL-adjacent certainly caught my attention, too. The novel is an unexpectedly beautiful and heartbreaking work about outsiders, found family, and the intimate connections that tie people together.

Miaojin Qiu was an influential lesbian author whose work has made a lasting impact on Taiwanese culture; her acclaimed novel Notes of a Crocodile is considered to be a cult classic of queer literature. The work is both metaphorical and literal in its exploration of gender, sexuality, and identity, combining fantasy and reality in a way that is tremendously compelling and at times even devastating. While not always an easy read, Notes of a Crocodile is a rich and powerful work.

Sweet Blue Flowers, Omnibus 2

December 22, 2017 by Sean Gaffney

By Takako Shimura. Released in Japan as “Aoi Hana” by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by Viz. Translated by John Werry.

Shameful confession to make: while I always enjoy Shimura’s series when I read them, I will note that it’s sometimes hard for it to stay in my memory, particularly when so much other yuri is already coming out. Not helping the matter is the fact that, while I do love her art, I sometimes have trouble telling her characters apart, particularly secondary characters. And thirdly, this particular omnibus seems to have backloaded the more interesting material. (There is a very helpful “Let’s meet the cast” list at the start of the second half/4th volume, which I realize is meant to be something of a parody but which I could honestly have used at the beginning.) Add all these things together and I’m left with a volume that I did not enjoy as much as the first. I suspect Sweet Blue Flowers may be a series that rewards marathoning the entire series in one gulp.

The first half, Volume 3, has the cast invited to Kyoko’s summer home for a vacation, which has horseback riding, and scary stories, and one of the secondary girls falling for Akira’s brother, which I’m honestly happy about because he gets so much abuse from his sister that he could use some nice things happening to him. Akira, meanwhile, is stricken with a cold, as is Fumi. This means that Akira is there to overhear some of Kyoko’s family drama and also with Fumi finally admitting that Akira was her first love, with all the awkwardness that comes with it. And we write Yasuko out of the story, at least for now, as she comes to terms with the fact that her crush is marrying the girl he loves (which isn’t her), and tries to apologize to Fumi for what happened between them (which doesn’t go well), then flies off to England. And so the fourth volume introduces new first-years, new potential relationships, and more and more of Fumi being a bit of a wreck.

This is not an easy yuri series, one that goes down smoothly and leaves a smile on your face. And it’s also not a series that seems to magically have no men in it whatsoever. Men are here, and they get into relationships with some of the cast. Girls have crushes on other girls, and then get over them. But we also have their teacher Yamashina-sensei, who gets a chapter devoted to her which seems to be about the bitter, unrequited love of youth – followed by the bitter, unrequited love of a student with a crush on her – but ends in a sweet way that shows us that it’s not ALL going to be angst and drama. I think Shimura may have realized that she was laying it on a bit thick – in the second half we get Haruka and Ryoko, two students who seem so far to be a bit less burdened with baggage than others. But we still have Fumi, and her attempts to try to be a bit more outgoing – which doesn’t work well – are very true-to-life but also painful.

Sweet Blue Flowers is a good series. That said, it’s exhausting as well, and I suspect that it’s best enjoyed either in one gulp – waiting till the other two omnibuses are out – or in smaller quantities, such as reading only half and then coming back. There is such a thing as too much Fumi. (And too be fair, too much Akira, though that’s slightly less pressure-heated.)

Manga the Week of 12/27/17

December 22, 2017 by Sean Gaffney, Michelle Smith, Ash Brown and Anna N 1 Comment

SEAN: Well, it would be a quiet final week of 2017… were it not for Kodansha, who are determined to break us.

First off, yes, they did it again. Out already is Living Room Matsunaga-san, a title that was announced after Manga the Week of went to press. It looks like a typical shoujo title from Dessert.

MICHELLE: So far, I feel kindly disposed enough toward Dessert titles to give this one a look.

ANNA: Me too!

SEAN: Dark Horse has a 5th Drifters, whose volumes come out so infrequently I tend to forget what’s going on beyond “crazy faces”. Which, honestly, is probably for the best.

ASH: The fifth volume already?! After years between the releases of the third and fourth volume, a few months between the releases of the fourth and the fifth seems like no time at all.

SEAN: And there’s a 2nd Legend of the Piko Piko Middle School Students, a wacky Evangelion parody/comedy thing.

J-Novel ends two of their ongoing light novel series next week. Bluesteel Blasphemer wraps up with its 4th volume. And, while it’s not an official “ending”, My Big Sister Lives in a Fantasy World has no current plans for new volumes after Vol. 7.

Kodansha. Wow. They have print! We get new volumes of Attack on Titan: Before the Fall (12), Land of the Lustrous (whose anime has really exploded in Western fandom) (4), Love & Lies (3), and That Time I Got Reincarnated As a Slime (whose novel came out last week from Yen) (3).

ASH: Despite not always completely understanding what’s going on in Land of the Lustrous, I am enjoying the series and its striking artwork.

SEAN: We have digital debuts! Yes, and I actually know about them in advance. My Boyfriend in Orange is, yes, another Dessert title (Dessert is the new Betsufure). This time the boyfriend seems to be a firefighter. Pitch-Black Ten runs in Shonen Magazine R, and seems to be a supernatural series.

MICHELLE: I could cut and paste my line from above here, too. It’s not that I really crave a romance series with a fireman in it, but eh. Okay. Why not?

ANNA: Sure, why not?

SEAN: We have ongoing digital series! Piles of them. I think I got them all. DAYS 7, Domestic Girlfriend 13, Drowning Love 7, The Full-Time Wife Escapist 8, Giant Killing 9, House of the Sun 13, I Want to Hold Aono-kun So Badly I Could Die 2, Kounodori: Dr. Stork 7, Love’s Reach 6, and Peach Heaven 12. As always, I’m all about Wife Escapist, but I believe Michelle will be looking at the soccer.

MICHELLE: I will be looking at the soccer *and* the spouses! (But probably, yes, I do love Giant Killing the best.)

ANNA: So far behind on Wife Escapist. I will not give up though!

SEAN: There are publishers other than Kodansha with titles next week, oddly enough. Seven Seas’s debut is Unmagical Girl, a comedy series about a fictional magical girl who’s somehow brought into reality, and now has to cope with everyday life. I’m just happy to have a magical girl series that it’s “let’s kill the magical girls”. It apparently ran in a Pony Canyon magazine, but I think the license may have gone through Ichijinsha.

Seven Seas also has a 2nd Absolute Duo, a 4th Magical Girl Site (which is absolutely about killing magical girls), and a 4th Species Domain (which is actually pretty cute).

SuBLime has a 4th volume of The Night Beyond the Tricolored Window, which looks dramatic as hell.

MICHELLE: I love this series so much and have been eagerly anticipating volume four for a year!

ASH: I want this series in print so much!

MICHELLE: So do I! Even though I don’t mind reading digitally, I crave that extra security you feel when you own a tangible copy of something.

SEAN: Vertical has hit double digits with Witchcraft Works.

Lastly, Yen Digital has a 4th IM: The Great Priest Imhotep, who is still invisible, I believe. (I will never stop making that joke, sorry.)

Are you getting anything from this? Or still catching up with this week’s avalanche?

Baccano!: 1933 The Slash -Cloudy to Rainy-

December 21, 2017 by Sean Gaffney

By Ryohgo Narita and Katsumi Enami. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Taylor Engel.

After a brief foray into the 21st century, Baccano! returns to its main plot, which takes place in the 1930s. Many of the main characters are featured in some way or another here, and in a way it feels like the author is writing enjoyable set pieces, as if he’s finally gotten a grip on writing everyone. Isaac and Miria are fun, loud, and seemingly completely random; Luck is seemingly cool but in reality rather frustrated with everything happening around him; Jacuzzi cries a lot but buckles down when he needs to, etc. That said, the book also features two minor characters from earlier books who get the spotlight here, and I suspect enjoyment of it depends on how much you enjoy those characters. It’s also, as you may have guessed by the title, the first of a two-parter, and unlike Grand Punk Railroad, this is definitely incomplete.

Tick Jefferson is in the top third of the cover art. We saw him before as the Gandor family’s torture expert, and he seemed like another of Narita’s ‘smiling insane guys’. Which he may be, to a lesser degree – he still really loves cutting people apart. But we get a bit of his family background, as well as a surprising amount of his philosophy, and see that when he’s not torturing people he’s surprisingly level-headed. His partner in the book (middle third of the cover) is Maria Barcelito, one of the assassins that we saw Claire completely destroy in the 4th novel, who joined the Gandors because she was so impressed by Keith stopping Claire. On the bright side, the Gandors gained a powerful assassins, probably their most powerful fighter. On the down side, Maria is annoying as hell, immature, can’t stop trying to cut anyone and anything with her swords, and is desperately in need of some humbling. Fortunately, she gets it in spades at the end of the book.

The bottom third of the cover art is Chane Laforet, the “girl in the black dress” from the Railroad books. The cliffhanger to those books had her being picked up by Jacuzzi’s gang, and she’s now living with them in Eve Genoard’s mansion in upper Manhattan (the explanation for why a gang is living in the Genoard mansion made me roll my eyes a bit, but I can see Eve just agreeing and then forgetting about it, especially given her obsession with finding Dallas). Chane doesn’t interact with Jacuzzi’s gang as much as I’d have liked, but she clearly values them highly as friends. She’s also clearly hooked up with Claire, something also implied at the end of the railroad arc, and I suspect Claire will have more to do in the next volume.

As for the villains, well, technically I suppose it’s Huey, though his daughter is unaware of what he’s doing. He has a group of people trying to offer Jacuzzi’s gang the power of immortality (please God no, I love the fact that Jacuzzi and Nice’s gang are just normal scrappy kids), though this goes south when their demo – Dallas Genoard, freshly retrieved from a sunken river and just as much of a giant dumbass – ends up getting too obnoxious and gets slashed. A lot. Immortality sounds great till you see that you can still feel horrible pain. We really only meet two of the villainous gang here. Tim is the leader and also shares a secret past with Tick Jefferson, and seems to be there to watch what was supposed to be a smooth situation spiral out of control. Adele is seemingly shy and meek… but in reality seems to really love fighting more than anyone. And we haven’t even met the mysterious Christopher yet…

This is a decent book, and I recommend it for those reading the series, obviously. That said, it really needs its second half, and feels slight as a result. It does have some rewards for the careful reader (watch Isaac and Miria’s reaction to the Genoard mansion), and Tick and Maria can be a lot of fun provided you don’t pay too much attention to how aggravating Maria is most of the time. You may want to wait till April and read this with its conclusion.

Children of the Whales, Vol. 1

December 20, 2017 by Anna N

Children of the Whales Volume 1 by Abi Umeda

Dystopia manga can sometimes be a bit tricky. Some have great world building, some have intriguing characters, some have compelling story lines, but you don’t often get a manga that has the perfect ratio of those three elements. I very much liked the setting of Children of the Whales, but the character and story development fell a little flat to me in the first volume.

The Mud Whale is an floating island adrift on a sea of sand, and Chakuro serves as the archivist, chronicling the lives of the people. One class of people with magical powers called thymia tend to die young. The less gifted are long-lived elders who end up governing the Mud Whale. One thing I liked very much about this title was the art. The desolate sea of sand contrasts with the rounded towers of the Mud Whale, and the bleak horizon in the background serves to underscore the isolation of the characters. Aspects of the art reminded me a little bit of Nausicaa, particularly the lack of hard edges and the look of the eroded buildings. The setting is one of the most compelling things about Children of the Whales, however I think the story could have benefited from being a bit more slowly paced. There was a bit of a tendency to dump way too much background information in Chakuro’s internal narration, instead of letting the reader discover this world in a more organic fashion. Since so much of the manga is spent in Chakuro’s head, the other characters just don’t seem as developed, with their motivations not as thoroughly explored.

As can be expected in a story that centers on an isolated society, when outside influences come in, the world of the Mud Whale is tested in unusual and violent ways. This first volume was intriguing, but it didn’t totally make me invested in wanting to find out what would happen to the characters, which is a little disappointing because it ends on a shocking cliffhanger. There were enough aspects of Children of the Whales that I did like that I would give the second volume a try, just to see if things come together a little bit better once all the exposition is out of the way.