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Anime NYC 2021, Day One

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So first of all, in regards to what everyone’s talking about, I can’t speak for the line problem. I arrived at 10am via the press entrance with no issues, but I talked with other press folks who arrived later who were in line forever. So I’ll let them go into details. My own start of the con was relatively sedate. At 10am the place was almost deserted. I found out why later. Plus my first panel wasn’t till 3:15. So I leisurely sat, read manga, read books, ate lunch, and visited a show floor that was absent a lot of the usual suspects. Viz is entirely absent this year. Kodansha has a panel and an Attack on Titan art exhibit, but no booth. The manga contingent consisted of Yen press, J-Novel Club, and Denpa Books.

Speaking of Denpa, they had my fist panel. First of all, the biggest news: Ed Chavez was audible through the entire panel. Anyone who has seen Ed’s prior panels knows what a big deal this is. As for the panel itself, a lot of it was titles that Denpa has already discussed, either in previous con announcements or in tweets. The combination of COVID-19 delays and printing issues owing to the sudden explosion of manga popularity means that getting books to the printers takes forever. A few of the slides Ed had gave Summer 2021 release dates, which isn’t true. That said, he has had a lot of new titles go to the printers recently, so 2022 looks far more promising on the Denpa front.

A big surprise to me, and showing that my own tastes do not necessarily match that of the average manga buyer, was hearing what Denpa’s big sellers were. For all that folks mocked Gambling Apocalypse Kaiji’s delays of Vols. 1-3, now that they’re out they’re selling very well. Also selling well is Pleasure and Corruption, the high school bondage and discipline manga. The Girl with the Sanpaku Eyes also has its 3rd volume out soon, and is also selling well. There were also two special editions of Shūzō Oshimi titles at Denpa’s exhibitor table – they have a very good working relationship with the author.

“Old” new announcements included Baby Bear’s Bakery, an adorable-looking series about, well, a baby bear running a bakery. March 2022 for that. The Man Who Created Gundam, a nonfiction-ish manga with real people in it, is trapped in clearance hell at Sunrise. Hopefully soon. Guyabano Holiday should now be Fall 2022, and we also saw updates on yuri vampire series Vampeerz and comedic action series Under Ninja. We then got “new” announcements, though we knew most of these from tweets the last few months. They Were 11, which will have an oversize trim, posters, and color pages, and will also feature the “extra” chapters never published in English before. They’re looking at Winter 2022. Mobile Suit Gundam: Char’s Counterattack: Beltorchika’s Children has Char abandoning Gundams for the life of a Broadway stage actor. Possibly.

March Comes in Like a Lion got a big reaction from the audience, though Ed is worried about the title. The author has had failures here before, and the shogi essays make it hard to find a translator. Renjoh Desperado is a comedy action manga about a woman searching for love and her fanservice to the manga reader that will hopefully help that search go well. And we heard about two new artbooks. Black Tights WIDE has 48 different illustrators give their interpretation of thighs and stockings. And The Art of Jun – TabeGirl is about girls eating. And looking good while doing it.

Ed then talked about Denpa’s books on the KUMA boy’s love label. They have not released much on that label yet, but that will change next year, they plan to do a lot more. You Are My Happiness is out soon (it was at Denpa’s table) and is by the author of Melting Lover, also from KUMA. Boys of the Dead is (groan) “Zom-BL”. The Song of Yoru & Asa is a band BL series that’s edgy but also has great character development. Sick is a series about a college student who likes to bully… erm, tease the boy he likes. And Canis – Dear Hatter is a sequel to the Canis title KUMA did earlier.

Lastly, they had a license from the FAKKU imprint that definitely surprised me, as I recall when it was coming out ages ago. Nana & Kaoru ran in Hakusensha’s Young Animal, and typified the magazine in many ways. A series about a virgin with an S&M fetish and the twisted relationship he has with the girl who discovers this, it’s a great example of a title that is almost explicitly porn without actually being porn. It’s 18 volumes long, and will be released in 3-volume omnibuses. Eds Q&A included a more extensive discussion of the supply chain issues going on right now, what made them decide to license a title like Kaiji, how how they look at licenses in general – per Ed, do not expect an isekai from them ever.

After this I bummed around and got more tea till it was time for my next panel, Inside the Manga Industry. This featured five experts in the field: Mark De Vera, sales & marketing with Yen Press (and formerly Viz Media); Jani Olove, translator and editor with Kodansha; Julian Robinson, designer with Viz Media; Nikolas Draper-Ivey, artist on DC Comics’ Static and heavily manga-influenced; and independent artist Koyuki Panda, also heavily anime and manga influenced. They introduced themselves and then noted most of the panel would be a Q&A; audience asks questions, they give advice. Things got off to a bang up start with the first question, which was “what advice would you give your younger self”?

More than one person said “don’t go to art school”, which ended up occupying a lot of the panel as it turns out that several folks in the room are art school students. It was generally agreed that if you need to learn the fundamentals of the craft, it’s a good place to be, but in general a lot of the art schools tend to frown on heading in a manga/anime direction and they also don’t focus nearly as much on the business end of things as they should. This led to the other running theme of the panel, which was learning about business and knowing how contracts worked. Everyone recommended supplementing art school with business classes. Everyone also agreed another good piece of advice is “don’t give up”.

Marketing your work was discussed, and it was mentioned that even established companies can have difficulty using marketing as a tool. Trust in your own likes, and (admittedly) it helps to like things that are not just Shonen Jump – even if Koyuki Panda admitted that she was a huge fan of “the big three” back in the day. It’s mentioned that things are very different now than they were 10 years ago – there’s a lot more breadth to what’s coming out in manga publishing. In fact, when a trans woman asked if there were specific titles available, the panel was able to easily recommend Boys Run the Riot, an excellent choice. Hopefully the boom market will also mean more opportunity for manga-influenced artists in the future – publishers like Oni, Image and Viz were mentioned as being open to this sort of thing, and a non-Japanese title, Radiant, was namechecked.

The panel ended with the wonderful news that they would meet up at Koyuki Panda’s booth in Artist’s Alley and answer the questions from the people they didn’t have time to get to, which was great to hear, and the panel was interesting and inspiring all round. This ended my Friday, as I grabbed dinner and returned to the hotel. Tomorrow will be much busier, and hopefully will have less line.

The Ideal Sponger Life, Vol. 5

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

As promised at the end of my last review, this volume does NOT have Aura on the cover, choosing instead to focus on the newest arrival to the cast. A boat shows up containing a Northern princess-cum-captain and her crew/bodyguards. They need help getting their ship repaired… a ship whose technological advances are far beyond Capua’s own. As a result, Aura is very happy to have their shipwrights help to repair the ship, and also learn valuable things along the way. Unfortunately, she can’t go to the coast to greet them, so Zenjirou is sent – supposedly as a figurehead, but once again the book is taking its title and crumpling it into a little ball. That said, he’s got this in hand, and is getting along with the foreign princess. Everything would be great were it not for the pesky raptors from the previous volume, who have gotten away from the soldiers sent to kill them and are now laying waste to the coastal town. Can Zenjirou find a politically adept solution?

I’ve said before that this series is for those who love political wrangling, but it leaves a bit to be desired for folks of the other potential things that it promised. The romance between Zenjirou and Aura is still fine, but we don’t see any of their bedroom antics here, mostly as Aura is back at the capital most of the book. Likewise, the fights with the raptors are pretty good, but it’s clear the author doesn’t really excel in battle – some of the best parts of the battle are showing off Zenjirou’s plan to disguise their scent in order to throw the raptors off their trail. The best parts of the fight scenes come from Princess Freya’s bodyguard Skaji, who can kick a spear hard enough to pierce the head of a sea dragon, and therefore is completely badass. As for Freya, she’s more of the tactician of the group, seeing faster than the others that Zenjirou is both smarter than he looks and also more in charge than it would appear.

The highlight of the book is seeing him try to get out of the political disaster that Aura accidentally set upon him. After sending a message to her that seemingly described the situation without requesting help, she sent help anyway, meaning that he has to thread a needle as to who gets to be in charge of the battle and who gets the glory without pissing off too many factions. His solution is adept, but also unfortunately makes it so that he himself also gets a lot of the attention, something they’re also trying to avoid. Aura is quick to praise his solution… if it weren’t for the fact that it put him in danger, so she makes him promise never to do it again. (Spoiler: he’ll probably do it again.)

The raptors seem to finally be taken care of, leading to the start of a new arc in the next book. We do seem to have an excess of foreign nobility in Capua, though, so it’s not clear who will get the focus… oh wait, the cover to Vol. 6 has Freya on it, showing off her booty to the reader. No doubt we will continue to focus on her. In any event, this is still a good read if you like political wrangling.

Manga the Week of 11/24/21

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SEAN: No time to lose! What manga is out next week?

ASH: Only a few titles, I’m sure.

SEAN: Yen On has one title, a debut. Orc Eroica is a new light novel series about an orc who, after doing nothing but fight and win battles for years, finally realizes he’s still a virgin! He needs to find a wife and lose his V-card! I’ve been told this is much better than it sounds, which frankly would not be hard to achieve given the bar is lying on the ground.

MICHELLE: Hee (at the bar, not the concept).

MJ: I guess, on the upside, virgin orc shenanigans are a unique, new niche?

SEAN: Yen Press debuts two new manga titles. The Eminence in Shadow (Kage no Jitsuryokusha ni Naritakute) is an adaptation of the light novel and runs in Comp Ace. It’s not as good as I think fans think it is, but it’s still fun.

And it’s back. Puella Magi Madoka Magica: Wraith Arc (Mahou Shoujo Madoka Magica – Majuu Hen) is a spinoff, this time in the original continuity, which takes place between the TV series and the movie.

Yen Press also has the third and final volume of After School Bitchcraft, Bungo Stray Dogs: Beast 2, the third and final volume of ID:Invaded #Brake-Broken, Love of Kill 5, Mieruko-chan 4, Please Put Them On, Takamine-san 2, and Trinity Seven 24.

ASH: I’ve been meaning to give Mieruko-chan a try—better get on that before I get too far behind!

SEAN: Square Enix gives us I Think Our Son Is Gay 2 and The Strongest Sage with the Weakest Crest 6.

MICHELLE: Hooray for the former. Not that I ever managed to read volume one.

ASH: The first volume of I Think Our Son Is Gay was truly wonderful.

ANNA: This makes me want to check it out!

MJ: Ah! Looking forward to another volume of I Think Our Son Is Gay!

SEAN: Two debuts from Seven Seas. My Lovey-Dovey Wife is a Stone Cold Killer (Haikei… Koroshiya-san to Kekkon Shimashita) is a Comic Cune title about a killer assassin who also happens to be a loving wife. The emphasis is on the comedy here.

ASH: Are assassins the new trend? I think assassins may be the new trend.

ANNA: I enjoy assassins!

SEAN: The other debut, complete in one volume, is Restart After Coming Back Home (Restart wa Tadaima no Ato de), a BL title about a man forced to move back home after losing his job, and how he meets another young man who was adopted by the community while he was away.

MICHELLE: I’m very much looking forward to this one!

ASH: Oh! I do like the sound of this one.

ANNA: Me too.

MJ: Here for it!

SEAN: Seven Seas also has Chillin’ in Another World with Level 2 Super Cheat Powers 2, Dungeon Toilet 2, the 16th and final volume of Magical Girl Site (did it kill them all off at last?), The Masterful Cat Is Depressed Again Today 2, My Androgynous Boyfriend 3, My Next Life as a Villainess: All Routes Lead to Doom! 6, My Room Is a Dungeon Rest Stop 5, the 4th and final volume of Nicola Traveling Around the Demons’ World, School Zone Girls 3, and Skip and Loafer 2.

ASH: Lots of interesting things in that mix, but Nicola Traveling Around the Demons’ World is the one that has most of my attention.

ANNA: I have the first two volumes on my to read pile.

SEAN: Kodansha has a treat for anyone who didn’t get Vertical’s original release: nichijou 15th anniversary box set! (Capitalization deliberate.)

Kodansha, in print, gives us Beauty and the Beast of Paradise Lost 2, Cardcaptor Sakura Collector’s Edition 9, Interviews with Monster Girls 9, Living-Room Matsunaga-san 8, That Time I Got Reincarnated as a Slime: Trinity in Tempest 4, and What Did You Eat Yesterday? 17.

MICHELLE: Insert obligatory What Did You Eat Yesterday? squee.

ASH: Indeed!

MJ: Same.

SEAN: Digitally we have three debuts. His Extra-Large, Ever-So-Lovely… (Itoshi no XL Size) is a BL title from Ichijinsha’s Gateau about two men who meet at a college club. One confesses to the other that he’s still a virgin because his dick is simply too big. Well, we’ll soon see about that! (No, I’m not making this up. Is AO3 outsourcing to manga creators now?)

MICHELLE: …

MJ: Is he an ORC, though?

SEAN: Also on the BL tip (and also in Gateau) is Sugar Dog Life, about a short baby-faced guy and the tall manly police officer he meets.

MICHELLE: Okay, this is more my speed.

SEAN: The final debut is With You and the Rain (Ame to Kimi to), about a girl who adopts a…dog? Sure, we’ll go with dog. Not a tanuki at all. This runs in Young Magazine.

MJ: There are a lot of tanuki in the game I’m playing, which makes me interested in this for no good reason.

SEAN: We also get Back When You Called Us Devils 7, Chihiro-kun Only Has Eyes for Me 4, Harem Marriage 11, and Saint Cecilia and Pastor Lawrence 6.

It’s a small week for J-Novel Club, as we see My Daughter Left the Nest and Returned an S-Rank Adventurer 2, Record of Wortenia War 13, and Slayers 11.

Lastly, Airship has several print titles. We see Drugstore in Another World 3, Reborn as a Space Mercenary 2, Reincarnated As a Dragon Hatchling 2, and The Saint’s Magic Power Is Omnipotent 4.

And in early digital we get Mushoku Tensei 14 and The Saint’s Magic Power Is Omnipotent 5.

What are you going to get? Speak now or forever hold your peace.

Invaders of the Rokujouma!?, Vol. 38

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

It can be hard to thread the needle when you’re writing a story that actually *is* being published in light novel form first, as opposed to the usual these days, where a publisher picks up a series published originally on the web. The author admits that, after getting past the ‘we’ll end this in three books’ and ‘we’ll end this in 7-8 books’ hump and getting to the proper ending with Books 28 & 29… they STILL did not have the room to tell everything they wanted to tell. Which is why, even though it’s a 2-volume arc, those books felt a bit rushed. With this book, and its reveal about who their new Big Bad is, we get to go back and tackle the plot-related bits of the ending that were sacrificed for the greater theme. And we get to do that in a way that Rokujouma has become very accustomed to lately… though massive battles. This time in space, as after dealing with villains with fatal flaws up the wazoo for a while, Koutarou and company finally have to take on smart bad guys.

This book starts off with plot and does not really let go of it – any fluffy moments are now pretty much reserved for the short story volumes. Our three magical girls, out on patrol, come back with a surprise… Sanae! But it’s not Sanae-chan, our lovable ghost, or even Sanae-san, the shy but spiritually powerful human. It’s a Sanae from an alternate world… one where things went very badly. The Grey Knight, their mysterious new enemy, has progressively spirited away or killed off a good deal of the cast, and so they sent Sanae to a different dimension to try to warn our heroes about him (and get help if she can). This leads to the back half of the book, which is a battle between our heroes on one side and Ralgwin, the Grey Knight, and the mage Grevanas, back from the dead and experimenting with modern technology. What is the shocking secret identity of the Grey Knight?

…OK, it’s not that shocking. Given Koutarou has spent 30-odd books gallivanting around as the BLUE Knight, and that we have a Sanae from an alternate universe now, the identity of the Grey Knight is actually pretty easy to guess. I did enjoy seeing alternate Sanae, who is exactly what you’d expect her to be: a mature Sanae who is at peace with the fact that she had to fuse her two “selves” together but is still “Sanae” at heart. There is also some amusing romantic progression… amusing because, as you’d expect, it’s unconscious, with Koutarou saying that he hasn’t married Theia “yet”, a definite step up from the previous “we’re not getting married” denials. The dam is starting to crack.

The book ends by implying we’ll be returning to Forthothe soon, and catching up with our team of former evil magical girls, who now work for the Crown. But yeah, I suspect this alternate universe will play out over the next few volumes, though I’m sure we’ll get short story ones as well. Rokujouma may meander a bit these days, but it’s still worth reading.

Re: ZERO ~Starting Life in Another World~, Vol. 17

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by MF Bunko J. Released in North America by Yen On. Translated by Jeremiah Borque.

Well, we knew this was going to happen. Given that the previous book had, with the exception of the final scenes, been a delightful and mostly lighthearted volume showing off the entire main cast, it is no surprise to see that in this next volume, Everything is Terrible. This is not to say that Subaru is doing dumb things out of stubbornness – we’re long past that stage. Heck, he can even participate in battles now, wielding a whip he received training in (I suspect this training was in another unlicensed short story, ah well). But yeah, by the end of this book we have a ton of corpses, an even bigger ton of transformed monstrosities, and even those who are not dead or turned into something else tend to have wounds that constantly bleed and the like. If your idea of a fun Re: Zero book is seeing terrible people doing bad things to good people, well, good news! That said, there’s also a bit of non-violence here that’s fun to read.

When we left off, Subaru was having to deal with the shortest “return by death” he’s ever had to experience – he has fifteen minutes to figure out and fix things. Needless to say, this leads to quite a few Subaru deaths in the first quarter of the book, and he’s not alone. He tries solving the problem himself – he fails. He tries getting Reinhard to solve the problem – this fails. He tries asking Beatrice for help – this actually succeeds, but it doesn’t mean things so well, as we have not one, not two, but THREE Witch Cultists to deal with. Now Emilia is missing, Beatrice is in a coma, Subaru is heavily wounded, and a number of the cast are absent. Oh yes, and Capella, the Witch Cultist who has control of City Hall, says to get her “the Witch’s Bones” or the city is doomed. There is, as always, too much on Subaru’s plate.

I was at first vaguely annoyed when, halfway through the book, the focus shifted away from Subaru and focused on Garfiel. Don’t get me wrong, Garf is a fine supporting character, but given everything else that was going on I did not feel in the mood for “I’m not the strongest in the land woe is me”. And indeed we get that to start, but things quickly become FAR more interesting after Garfiel rescues some children from a potential boating accident. When returning him to their family, he runs into someone whose existence is impossible and yet is also the thing he wants more than anything in the world… but he just can’t actually reach out and take it, because, well, circumstances. Honestly, it’s really refreshing to see something that devastates a character that is a POSITIVE thing, and I really hope that this goes somewhere in future volumes.

As the book ends, everything is even more terrible than it was in the last book, as we deal with the worst of all possible enemies: an arrogant incel who only cares if girls are virgins. Hope he dies! Till then, enjoy the suffering that is this series’ bread and butter.

Pick of the Week: Reluctant Picks

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SEAN: Hrm, I could choose any number of interesting new and continuing new manga titles, or I could pick another Villainess light novel to add on to my teetering pile. What to do… Yup, my pick this week is Endo and Kobayashi Live! The Latest on Tsundere Villainess Lieselotte.

MICHELLE: Although technically it came out last week, I would be remiss if I didn’t choose the final volume of The Girl from the Other Side for my pick of the week. I recently realized I haven’t read this series since volume seven (two years ago) because I am legitimately that worried about the fate of these characters. I reckon it’s time to take the plunge and hope for the best.

ASH: I’ll be joining Michelle in selecting The Girl from the Other Side as my pick this week. Though I am likewise a few volumes behind in my reading, it is such a wondrous series. Hard-hitting, too, but truly special.

MJ: Okay, so I’m recovering from getting my COVID booster, and running a fever for a few days means I’m not really up for much that takes any concentration, so the idea of buying anything to READ is not the most compelling thought in the world. I’d love to hear what our readers are picking up this week, though! Let us know in comments!

ANNA: It is The Girl from the Other Side for me too, one of these days I’ll get back to it.

KATE: I freely admit that I gave up on The Girl from the Other Side. The artwork is gorgeous–truly, Nagabe is a major talent–but the story was just too grim for me, and I bailed at volume seven. That said, I hope that folks who are enjoying this fairy tale know it’s available this week, since this is the final volume.

Bookshelf Briefs 11/14/21

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Dead Dead Demon’s Dededede Destruction, Vol. 10 | By Inio Asano | Viz Media – The end of this volume states in big, bold letters that there’s twelve hours till the end of humanity, and nothing we see in this volume contradicts that at all. Even seeming antagonists like TV reporters in it for the ratings come to tragic, heartfelt ends here. The plot is expanding so much, in fact, that it’s hard to keep it focused entirely on our main cast, though Oran continues to essentially take over the heroine title from Kadode. It makes sense that the teens all have a final day on the beach with fireworks at the end… this is it, there’s no magic wand. That said, the series goes on hiatus at the drop of a hat, so the final end may be a bit. Still worth reading. – Sean Gaffney

If You Could See Love, Vol. 1 | By Teren Mikami and Yuuki Nanaji | Yen Press (digital only) – A good gimmick is always good when you’re starting a manga. This series stars Mei, who can see little pink arrows (they’re colored throughout the entire volume, which is probably why this is digital only) showing who people love. After a disastrous middle school life where she tried to use this power to help others and just ended up hated, she is now at an all-girls’ school… but now two girls are in love with HER. This works well because Mei has a lot to her backstory that makes her more than a standard romance protagonist. She was ill a lot as a child and also has bad experiences with love, meaning she can see love but can’t read it very well. Looking forward to more of this. – Sean Gaffney

Kageki Shojo!!, Vol. 2 | By Kumiko Saiki | Seven Seas – After the cliffhanger from the last volume, this one takes place mostly over break, where Sarasa invites Ai to come home with her and meet her family and friends… and also find out, obliquely, why she is who she is. The answer, unsurprisingly, is in kabuki, which Sarasa is fantastic at but which is an all-male profession, despite her being drafted in as a young child to fill in in the chorus. It also shows why she’s struggling with her acting in the troupe—kabuki depends on precise imitation of someone else, whereas the acting required where she is now requires a new interpretation for each actress. Given Sarasa’s drive and innate talent, I think she’ll pick it up fast. This is excellent, even if you’ve already seen the anime. – Sean Gaffney

My Hero Academia: Ultra Analysis | By Kohei Horikoshi | Viz Media – The first guidebook for the series to come out in North America, this is actually the second one to be released in Japan. That said, no worries, this one covers all the chapters up through about volume 23. It’s got introductions to the cast framed as tradable cards, so you know some cast members are more important than others—they’re SR, others are N. It also goes over most of the highlights of each arc, and gives little tidbits of information that might otherwise never come out. It’s particularly useful for Class 1-B (and also Yui Kodai gets the best gag in the volume with her “quotable lines” section). If you’re a fan of the series, there’s no reason not to pick this up. – Sean Gaffney

My Love Mix-Up!, Vol. 1 | By Aruko and Wataru Hinekure | VIZ Media – Aoki discovers that his crush, Hashimoto, likes another boy, Ida. After pledging to protect her secret (and intending to root for her happiness), he ends up confessing to Ida in her stead. He expects a swift rejection, but Ida says he wants to get to know Aoki better before giving him an answer. I was worried for a minute there that Ida was going to fall in love with Aoki and end up feeling like an idiot when the truth was revealed. Happily, the story doesn’t go that route, as Ida is continually such a wonderful person that by the end of the volume, Aoki begins to think he actually may like him after all! It’s definitely silly and has already trotted out some tropes like the cultural festival performance of Cinderella, but these really are good kids that I already care about. Looking forward to volume two! – Michelle Smith

When Pink Rain Falls | By Yoiyu | Star Fruit Books – As the first print release from Star Fruit Books, a new small publisher generally focusing on indie manga, When Pink Rain Falls immediately caught my attention. Also notable is the fact that the story was originally created for J.GARDEN, a BL doujinshi festival—it is very uncommon for self-published manga to be licensed in English, so I was thrilled to see this translation. When Pink Rain Falls is a short, quickly paced manga just under forty pages. However, it still manages to convey a heartfelt story with satisfying emotional arcs. Yoiyu describes the manga as a “bromance,” but the BL tensions are real. The opening sequence alone shows Hanao, a budding florist, fleeing with the bouquet he was asked to make for the wedding of a male friend for whom he obviously has feelings. Throughout the manga humor balances the bittersweet, silliness the seriousness; When Pink Rain Falls is delightfully charming. – Ash Brown

Witch Hat Atelier, Vol. 8 | By Kamome Shirahama | Kodansha Comics – The nature of witches, and how much they can and cannot do to help others, comes up quite a bit in this book. Things may be very tough for our heroes, but they are still witches, meaning they have options other people don’t. At the same time, the danger of creation is also shown—if you make a spell that creates a fake flame and give it to a child, will they end up not realizing you should not touch flames? We’re also introduced to a new witch, who exudes ‘ominous’ from every pore, but might also be able to help Coco with her most pressing issue. Oh, and did I mention the artwork is amazing? We’ve caught up with Japan, so these don’t come out as often, but that makes them all the sweeter. – Sean Gaffney

Wotakoi: Love Is Hard for Otaku, Vol. 5 | By Fujita | Kodansha Comics – I never reviewed the fourth omnibus of this series—I think Kodansha had an issue getting it on the platform I read their titles on—but it’s not because I dropped it or anything. This volume is not a great one if you love the two “main” leads, as they get less to do, but it’s wonderful if you like the other main characters. (I will say I am grumpy that we did not get the cover art with the wedding couple as the ‘main’ cover for the omnibus.) Hanako and Taro are getting married, and we learn about the difference between compromising and spoiling—and why it’s not that bad to do either. Meanwhile, Ko and Naoya are still shy and fumbling and running away from each other… well, OK, it’s one-sided running. Great stuff. – Sean Gaffney

Sword Art Online Alternative: Gun Gale Online: Five Ordeals

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By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Gotta admit, this book was an absolute treat for me. After so many volumes of everyone having to fight each other, It really is fantastic seeing all the main characters team up, NOT fight each other, and work towards a united goal. There’s still lots of enemies to defeat, of course, and trust me when I say Shirley is still looking for any opportunity she can to snipe Pitohui, but for the most part this is the most relaxed and fun a SAO Alternative volume has ever been. There’s even a cute dog! That said, while I was very happy, it’s worth noting that this book is about a cast of young women who really, really, REALLY like to shoot at each other. They’re not SAO survivors, there’s no worry of real death, they just like the adrenaline rush, it excites them. As such, the ending of this book should have really been obvious. And yes, it also revolves around the cute dog.

After wrapping up Karen’s karaoke party of sad, with Elza telling everyone her life story (all lies, M gives us her true life story, though she tells him that may ALSO be lies), We hear about a new team event involving “five ordeals”. This will finally allow Llenn’s group to team up with SHINC (it’s made clear that Llenn really does regard the 4th squad jam as achieving her fight with them, despite the interruptions) as well as perpetual hangers-ons Clarence and Shirley. The ordeals themselves are introduces to us by a cute talking NPC dog (a Schipperke), who tells them it’s basically five tasks, all with different rules, different areas, and ascending levels of difficulty. Can they battle zombies, fight robots, ascend snow-buried buildings, and take on CYBER-DRAGONS?

So I feel it’s OK to mention this, as the website Does the Dog Die? is literally namechecked in the book: the dog doesn’t die. This is despite the entire final chapter revolving around the dog dying – it’s a very self-aware book, and allows us to actually get some depth to Miyu, who is allowed to be more than just the wacky comic relief here (though she’s that too, no worries). As for the rest, it’s what you expect from this series: the fights are awesome, the banter is fun, there’s a few betrayals, and the author cannot stop dragging his self-insert around like a corpse. It’s also fun seeing Llenn finally come to terms with the fact that just because she is a cute pink tyke doesn’t mean that she’s not just as scary or even scarier than Pitohui is. Seeing her wonder “wait, is this why everyone is wary of me?” may be the best joke in the book. And again, the entire relationship between Fukaziroh and the NPC dog was fantastic and even heartwarming, which is not really a beat this series is good at.

I suspect we get a Squad Jam next, but for a change of pace this was excellent. Enjoy our heroes working together in peace… even if they don’t want to really.

Accel World: Deity of Demise

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By Reki Kawahara and Hima. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jocelyne Allen.

Well, technically Kawahara was correct, and the arc that lasted nine books ends here. That said,k I can’t see anyone really being satisfied with the way this arc ended. Last time I said that I didn’t really think Kawahara would do a “the bad guys win” arc, but he comes pretty damn close here, and while I get why Haruyuki did what he did, I expect that literally everyone is going to be angry with him when the next book comes out. As for the rest of the book, aside from one major problem, which I’ll get to later, this is pretty good. The beginning has things resolved by Haruyuki essentially pulling shonen bullshit out of his ass, which, well, given this is a shonen manga in light novel form, works fine for me. There’s also a lot of exposition about what to do next, who is the best person to do it, and, possibly most importantly, who will be feeding the owl when they all go on holiday.

Honestly, that’s one of the more tasteful Accel World covers. As for what happens, well, Haruyuki helps to free everyone from the latest certain death that White Cosmos has set up, but unfortunately, they’re going to have to try to free the massive monster, Tezcatlicopa, from White Cosmos’ control, which means hitting all six crowns at once with six swords. This is going to be even more difficult because White Cosmos manages to kidnap Haruyuki, meaning *he* is now the one essentially trapped and unable to do anything, the same as his comrades used to be. This means that everyone is going to have to achieve a lot of stuff without him. Worst of all, once Tezcatlicopa is freed, everyone realizes what a bad idea that really was.

My main issue with this volume, and it’s one I’ve had with Sword Art Online before (which has finally managed to move past it), is that the whole book is from Haruyuki’s POV. This means that the entire 2nd half of the volume is made up of cool fights that the reader only gets to hear about second hand, as he can’t be in them. This is frustrating for him, but it’s murder for a reader, especially after sitting through endless exposition preparing for said fights. It made this volume feel a lot less exciting than it actually is. As for the cliffhanger, well, Harukuyi’s group of players all know each other in the real world and have forged eternal bonds of fellowship, so naturally the “thanks for playing you will forget everything now” ending is going to rankle. It’s also still very unclear what exactly White Cosmos is really up to, especially in regards to her relationship with her sister. Basically, this arc may have been 9 volumes long but I’m not sure we’re that much further along.

Still, the next book promises to be a corker… oh, we’re caught up? It’s not even out in Japan yet? Ergh. Yeah, wonderful, that makes this EVEN MORE FRUSTRATING. In any case, enjoy Haruyuki watching cool things happen far away from him.

Sword Art Online, Vol. 23: Unital Ring II

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Definitely enjoying seeing this series now that Kawahara, a good 20 years older than his SAO Vol. 1 self, knowing his strengths and weaknesses and using them to good effect. There are heroines in peril here, but there is very little of the fanservicey “hero saves the girl from the predator” that we used to see constantly in this series. The humor is mostly character-based, and rarely feels forced. Kirito is powerful and tends to still get the “last boss kill”, but the nature of Unital Ring means he’s struggling a lot more, and he also has the grace to pass on some of his rewards to more deserving people. And we get, for the first time in the main series, Argo becoming a supporting player. Created for the Progressive novels and then put in the anime, manga and games, she’s always been a ghost presence in the main series itself. Now she gets a name – Tomo – and an agenda, which is more than just “tease Kirito constantly”. Though, well, she does that too, of course.

The plot is mostly a ‘rescue arc’ of sorts – everyone else in Kirito’s group was playing ALO when the Unital Ring changeover happened, but Sinon was in GGO, so she ends up being a long ways away from any of her allies. She’s confused, mistakenly branded as a PKer, caught dying of thirst in a desert, and forced to fight a massive dinosaur with the help of some bird people who don’t even speak Japanese. It is awesome, easily the best part of the book, and benefits greatly from the lack of Kirito’s POV. Elsewhere, Kirito’s party ad their log cabin are being reinforced, but a lot of players keep trying to attack him. Why? And Argo’s back (yes, she’s Tomo, but Kirito does not really make the switch so I won’t either), and is (unsurprisingly) now a crack reporter, here to rip open one of the more closemouthed folks in the cast – Kikuoka.

I’ve made no secret about my love of Argo, and though she doesn’t get much to do here, there’s a promise of more. I enjoyed the fact that her response to Kirito’s “where have you been all this time” was a polite “none of your business”, and also intrigued that (sorry, game continuity) she hasn’t been in ALO or GGO or even back in a game at all since the SAO disaster ended, though she hints that may change. In the meantime, it’s nice to see the cast work as a core cast, as opposed to being Kirito and his harem. Everyone apart from Alice and Asuna (who are minding the fort) gets something to do, with Yui being the most impressive. Now that she’s a physical part of Unital Ring (and could theoretically die if she’s killed, sorry, Shirou) she’s busy learning sowrds, learning magic, and basically becoming Little Miss Badass. Kirito is, needless to say, both proud and fretful.

So yes, this was a good solid volume, and I’m glad SAO has finally seemed to have matured, after several false alarms. Can’t wait for more.