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Pick of the Week: Baking with Bears

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KATE: I gotta admit that I’m pretty indifferent to what’s on offer this Wednesday; as Anna so aptly put it, it’s a “word salad” titles kind of week. If pressed, though, I’d pick Baby Bear’s Bakery, which sounds cute and inoffensive.

MICHELLE: I’m not super enthused by any of the debuts, either. I think I’ll award my pick to the fact that I will get to have a Yowamushi Pedal catch-up marathon, which sounds pretty fun to me!

SEAN: I’ve been told that Summertime Rendering is supposed to have a Higurashi feel, so I will probably check it out, though three hardcovers in the same week is a bit much.

ASH: I’m certainly interested in everything that’s been mentioned so far, but I’ll be joining Kate in selecting Baby Bear’s Bakery as my official pick this week. I’ve seen a few preview pages and it seems like it should be delightful.

ANNA: I’ll join with Kate in picking the hopefully cute Baby Bear’s Bakery!

MJ: Like Kate, I’m having kind of a “meh” week here, but Baby Bear’s Bakery does indeed sound cute, so I’ll go for that as well!

I’ve Been Killing Slimes for 300 Years and Maxed Out My Level, Vol. 12

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By Kisetsu Morita and Benio. Released in Japan as “Slime Taoshite 300 Nen, Shiranai Uchi ni Level MAX ni Nattemashita” by GA Novels. Released in North America by Yen On. Translated by Jasmine Bernhardt.

There has been some discussion over the last few years about “yuri tease” or “yuribait” series, i.e. series which promise yuri content but fail to deliver. (This is entirely separate from LGBT content, by the way.) Frankly, any series that was popular with yuri fans in 2004-2005 would likely be piled on by modern fans for this very reason. Gains in media have made people spoiled, especially when you hear things like “it’s a yuribait series because men exist in it” (heard that one recently about Birdie Wing). But sometimes I do have to admit that I feel like I’m being led on. I’m not even sure I *want* Killing Slimes to be yuri. I think it works much better as found family. But if I could pay the author to drop Azusa reminding us that she’s straight every single volume, I would. Especially when the side story is MariMite with dragons. In any case, this volume is pretty much the same as the previous ones.

(Cover art, you are REALLY not helping the author’s case.)

In this volume: Azusa finally decides to get some rice and make some Japanese dishes, but reckons without Laika and Flatorte’s appetites; a Tiger Festival in a nearby down proves to be an excuse for baseball jokes; the treasure dredged from the lake a book or two ago is appraised by “experts”; Azusa and the ghost characters investigate a haunted hotel; Kuku and Pondeli have invented the compact disc, but that also comes with the marketing for same; Falfa and Shalsha see what might (or might not) be a UFO and have a debate about it; and finally, Azusa, Beelzebub and a few others try to help the smart slime, one of the great sages of the world, meet up with another sage who lives on an inaccessible island. In the Laika side stories, Laika continues to mature and become a better fighter almost despite herself.

Again, there’s almost no depth to any of this. The closest we come is when Azusa, on board a ship with only Smarsly for company, actually tells them that she’s a reincarnation from Japan, and opens up about her regrets. Unfortunately, we only get her summarizing this, and it’s mostly done to make Azusa realize that she’s come to terms with and is happy with her new life, but it’s better than nothing. We’re introduced to a bunch of sages from an isolated island, who turn out to be dryads… who talk like Valley Girls. Fortunately, as we discover towards the end of the main story, they really are brilliant, and are happily discussing philosophy with Smarsly, so that’s good. It honestly astonishes me that these books tend to run 250-300 pages, as they feel light as air. Still, at the same time, aside from the walking back on the yuri tease, there’s nothing really wrong with them.

Another popcorn book down. It should please fans, provided they don’t ship Azusa with anyone.

Spy Classroom: To Forget Is Annette

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

Given that the last book focused on four of our spies, this one is here to focus on the others. Mostly it’s about Thea, who is the designated leader this time around, and the most normal of the group… for good and ill. Her “power” also ties in with her personality, and makes it so that she has the moral dilemma in the book. Monika continues to be the “I don’t work well with others” one, but here we see that she too is not as stoic and uncaring as she appears, and she also gets to do the most badass stuff. Erna… well, look, Erna is probably the weak link of the book, but we got a large chunk of her deal in Book 1, so that’s to be expected. And then there is Annette. The cliche of “lovable but airheaded gadgeteer genius” is not new to Spy Classroom – leaving aside Mei from My Hero Academia, it’s been around for years. I’m not sure they had quite the same impact as Annette, who feels empty to Thea.

As was revealed in the last book, Lily’s quartet is actually a decoy mission – our heroines introduced above will be helping Klaus take out the assassin. We don’t actually see too much of that, and only in flashback. Instead, we get the aftermath, where the girls are relaxing after the mission at a luxury hotel. They then run into a woman who says she’s Annette’s mother… and certainly there’s a resemblance. It’s a bit difficult to ask Annette, as she has amnesia of the time before she became a spy. But Thea, who is perhaps projecting just a little after seeing that Annette’s heart’s desire was “I want to get taller”, wants the two of them to reunite. Which may be harder than it seems, as it becomes apparent that Annette’s mother is an enemy spy.

I feel less guilty giving things away than I did the previous two volumes, probably as there’s no big “a ha!” moment where the narrative is totally flipped like their was in the first two books. The story of Matilda and Annette is not that hard to at least figure out, and I’d argue the real mystery was trying to see when it would be revealed and how. It’s very good for Thea and Monika, who are at odds over what to do here. Both are soft in different ways, and I have a feeling that may come back to bite them in later books, but here it doesn’t, mostly as Annette is anything but soft. Its worth remembering that the other cliche about Japanese gadgeteer geniuses is that they have a tendency to forget about ethics and morals unless it’s brought up to them. Annette fits this to a T… and that’s probably very good given she’s a spy.

But just because the mystery is not as mysterious does not mean this isn’t excellent. Spy Classroom runs on its characters, and this book’s heart is not the titular Annette (who is on the cover – again) but Thea, and I’m interested to see what she does next.

Altina the Sword Princess, Vol. 14

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By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

Nothing annoys English-speaking fans quite so much as a series they’re enjoying being unfinished in Japan, and their usual logic is to blame the publisher for not being told that it wasn’t going to continue. This is, of course, nonsense. In regards to this particular series, it was very popular in Japan, its 14th volume had come out only 10 months earlier, and the author was also riding another hit with the How NOT to Summon a Demon Lord series. It looked like a great license, and it is. I’ve enjoyed this series a great deal. It’s fun, has great military strategy and battle scenes, likeable leads with a tinge of romance to them (but not too much), and each volume is pretty short, which, trust me, is a plus for me these days. Unfortunately, Both the American and Japanese publishers are still at the mercy of one thing: the author actually writing more of the book. And it’s been almost four years since the last volume. Hope it doesn’t have a nasty cliffhanger… oops.

We pick up where we left off last time, with Altina and Regis going to war against Spain (or rather Hispania). For the most part, things have been going fairly well, even though both Regis and Altina have had to deal with the fact that they can’t do battles with no fatalities anymore. Indeed, they even have the spare time to debate the nature of Altina’s pacifism, and how, while Regis supports her ideals, he realizes that they are, in fact, idealistic, and no not take into account human nature. That said, he has a bigger problem, as it turns out Hispania has its own eccentric strategist, and she’s just as good if not better than Regis – and seems to lack his moral scruples. With our heroes on the verge of victory, will the price they pay be the life of their chief strategist?

The mental battle between Regis and Mariam, Hispania’s secret strategist, is the best reason to read this book. It’s not the first time we’ve seen Regis pressured and doubting himself, but it has more impact now that he and Altina have come so far. He almost calls off his plan, except that his soldiers have already enacted it – and, fortunately for him, it works really well. Unfortunately, as I said, Mariam is every bit his equal. And I mean that in both strategy and being a weirdo. Not her muteness, of course, though I admire her writing speed. No, I mean that she doesn’t really care if her nightgown is riding up, or whether people think of her as a noble lady, or even whether she commits treason on paper. She’s the distaff Regis in every way except for the final few pages, where she does something that Regis wouldn’t have. I’d say it played on the religious fervor of the Hispanians… but that didn’t really seem to be a factor for the strategists.

And yeah, that’s a nasty cliffhanger, as this book came out in September 2018, and there haven’t been any more since. You could blame the even more popular How NOT to Summon a Demon Lord… but that last had a volume a year ago. When you read a writer’s story, you have to depend on the writer to write it. Let’s hope he gets back to it soon.

The Manga Review, 5/27/22

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Everybody’s talking about Tokyopop this week, as the publisher that brought us Mixx, Sailor Moon, and Rising Stars of Manga celebrates its twenty-fifth anniversary. To mark the occasion, Brigid Alverson interviewed Tokyopop founder Stu Levy about the company’s history. “Not a single person believed it would work—and frankly many called us crazy,” Levy recalled. “Even internally, most of my team was against it—or at least wanted to test it. My view was we either had conviction and went all-in or we didn’t. Testing wouldn’t work because retailers would always favor the left-to-right reading books if they had a choice—so there would never be a true test of its potential. So, I bet the company on it.” Over at Drop-In to Manga, Tony reflects on how Tokyopop titles such as Chobits and GTO: Great Teacher Onizuka helped introduce him to the joy of reading manga. “I know there’s a lot of criticism towards its founder, Stu Levy, and a lot of it is warranted,” he observes. “But I still respect Tokyopop for showing Japanese manga publishers that America can be a hotspot for manga during a time when that wasn’t the case.”

NEWS

Moto Hagio has just published a new installment in her on-again, off-again vampire saga The Poe Clan. The newest storyline, Poe no Ichizoku: Ao no Pandora, takes place in present-day Munich. [Anime News Network]

Mari Yamazaki’s Olympia Kyklos will resume serialization in Grand Jump next month. The story follows the adventures of an ancient Greek potter who’s accidentally transported to the 1964 Tokyo games. C’mon, this needs to be licensed STAT! [Anime News Network]

Are new chapters of Hunter x Hunter on the horizon? [Variety]

Brace yourself for more H.P. Lovecraft: Dark Horse will be publishing Gou Tanabe’s adaptation of The Shadow Over Innsmouth in a single omnibus edition. No word yet on a release date. [Anime News Network]

Earlier this week, the employees of Seven Seas Entertainment announced that they’d formed their own union, United Workers of Seven Seas. In a statement on their website, union organizers explain the rationale for their decision: “The company has grown exponentially since the start of the COVID-19 pandemic. But with rapid growth comes growing pains, and we, the workers of Seven Seas, have been shouldering much of that pain. We find ourselves overworked, underpaid, and we do not currently receive the benefits otherwise typical of the publishing industry.” [ICv2]

FEATURES AND INTERVIEWS

Are you interested in learning more about the roots of contemporary Japanese culture? Kathryn Hemmann offers a great list of “popular-audience books that are smart and specific yet still accessible to a casual reader,” from Matt Alt’s Pure Invention: How Japan’s Pop Culture Conquered the World to Tara Devlin’s Toshiden: Exploring Japanese Urban Legends. [Contemporary Japanese Literature]

Jocelyne Allen swoons over the gorgeous artwork and soapy plot lines of Ashita Niji ga Denakutemo. [Brain vs. Book]

Over at Women Write About Comics, Carrie McClain highlights some of Seven Seas’ best new releases. [Women Write About Comics]

The folks at Anime Feminist want to know which unfinished or cancelled Tokyopop series you’d like to see rescued. [Anime Feminist]

Bill Curtis wins the award for best headline of the week with How to Ease Your Big Burly, Hairy, Glistening, Beer Swillin’, Iron Pumpin’ DUDE Self Into the Wonderful World of Shojo & Josei Manga. Amen! [Yatta-Tachi]

Speaking of josei, the Mangasplainers dedicate their latest episode to an in-depth exploration of Fumi Yoshinaga’s All My Darling Daughters. [Mangasplaining]

Congratulations to the Manga Mavericks crew: they just celebrated their 200th episode with a roundtable discussion about Tatsuki Fujimoto’s one-shot Goodbye, Eri. [Manga Mavericks]

Lucas DeRuyter revisits Death Note, a series he “took super seriously” as a teen viewer. “When I watched Death Note as a teenager I definitely hadn’t lived enough to recognize it as camp; nor did I have as firm of an understanding of my own sexuality as I do today,” he observes. “I thought I’d be returning to a problematic fave, but was delighted to realize that Death Note is camp. Accidental, ostentatious camp that, in its attempts to create a dark and edgy power fantasy, stumbles so spectacularly that it tears down some of the worst kinds of people and beliefs around today.” [Anime Feminist]

REVIEWS

Reviewing volume five of Kageki Shojo!!, Yuri Stargirl raises a good question about the state of shojo and josei licensing in North America. “Has the industry just become dominated by trite, superficial storytelling and bland art that can’t decide if it’s moe or realistic?” she asks. “Or is what gets translated to the US market so limited, that they pick lowest common denominator titles to publish even though there are a lot of higher quality ones in Japan going untranslated?” Meanwhile, Megan D. takes a look at one of the weirder titles DMP ever licensed, Bambi and Her Pink Gun, while Rebecca Silverman reviews Erica Friedman’s new book By Your Side: The First 100 Years of Yuri Anime and Manga. “If you are a fan of yuri or simply want to understand what the deal is with any of the genre’s elements or major texts, I’d highly recommend reading this book,” Silverman argues. “It’s both an analysis of and a love letter to the genre, both academic and accessibly readable, and worth your time.”

Manga the Week of 6/1/22

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SEAN: The beginning of June! (Or, OK, the end of May if you go by most of these release dates.) What do we get?

Airship has new volumes. Berserk of Gluttony 6 and The Most Heretical Last Boss Queen: From Villainess to Savior 2.

And digitally we see early releases for Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 4 and A Tale of the Secret Saint 3.

Cross Infinite World has another one-shot, Rapunzel of the Magic Item Shop (Mahou Douguten no Rapunzel), a one-shot shoujo light novel. A young sorcerer finds herself locked up for ten years simply for knowing magic. She’s rescued and brought to a household where she ends up treated with respect… but there’s also lots of secrets.

ASH: One-shot shoujo light novel, you say?

SEAN: Dark Horse has Blade of the Immortal Deluxe Edition 6.

ASH: Steadily upgrading my collection of this series to this new edition. The tomes are massive, but they look great.

SEAN: It is often difficult to put Denpa titles on here, as their website frequently updates release dates after the fact, and Amazon… well, Amazon is usually wrong. That said, it certainly looks like we get Baby Bear’s Bakery (Koguma no Keiki-ya-san) next week. This Monthly Shōnen Sunday title is about a baby bear who’s a terrific baker but not good at other things, like running a business.

ANNA: Ok, I’m curious about this.

ASH: It looks genuinely delightful.

SEAN: From Ghost Ship, we have the debut of I’m Not a Succubus! (Succubus ja nai mon!), which runs in Young Unreal Jingai, a magazine I have absolutely never heard of. A girl is attending a monster girl academy, but she’s not one… that is, until she pretends to be a succubus! Unfortunately, she forgot this is not only a Ghost Ship title but also a yuri title!

ASH: Oh, myyyyyy!

SEAN: They also have JK Haru is a Sex Worker in Another World 3 and Sundome!! Milky Way 4.

J-Novel Club has a new debut, VTuber Legend: How I Went Viral After Forgetting to Turn Off My Stream (VTuber Nandaga Haishin Kiri Wasuretara Densetsu ni Natteta). As with a lot of LNs these days, the title is the plot.

They also debut a new manga, Doll-Kara. This series from Manga Life Win has an MMA fighter, imprisoned for years, finally getting out… and getting hit by a truck. He wakes in the body of a comatose schoolgirl. What happens next? If you guessed “MMA”, you’re probably right.

ASH: The mention of MMA definitely caught my attention.

SEAN: We also get the manga debuts of two light novel series from J-NC. Fushi no Kami: Rebuilding Civilization Starts With a Village (Fushi no Kami ~Henkyou kara Hajimeru Bunmei Saiseiki~) runs in Overlap’s Comic Gardo, and Housekeeping Mage from Another World: Making Your Adventures Feel Like Home! (Kasei Madoushi no Isekai Seikatsu: Boukenchuu no Kasei Fugyou Uketamawarimasu!) is in Comic Zero-Sum.

ASH: Housekeeping Mage from Another World seems like it could be fun!

SEAN: Also from J-Novel Club: Der Werwolf: The Annals of Veight -Origins- 7, The Great Cleric 8, The Greatest Magicmaster’s Retirement Plan 13, I Shall Survive Using Potions!’s 9th manga volume, Magic Knight of the Old Ways 2, Monster Tamer 9, My Instant Death Ability is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ— 4 (manga), Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel! 6, and Seirei Gensouki: Spirit Chronicles 19.

MICHELLE: I sometimes feel bad that none of this stuff interests me, but that’s the way of things.

ANNA: I’m amazed by the word salad sometimes.

SEAN: No print for Kodansha. Their digital debut is The Rokudo Rounds (Rokudou Tousou-ki), a post-apocalyptic tragedy that runs in good! Afternoon.

Also digital: Anyway, I’m Falling in Love with You 3, Falling Drowning 2, My Pink Is Overflowing 6 (the final volume, I assume she finally called the plumber), Quality Assurance in Another World 5, and Those Snow White Notes 9.

MICHELLE: Both Anyway, I’m Falling in Love with You and Falling Drowning were pretty good, so I am looking forward to continuing with them. Also, snerk re: plumber.

ASH: Indeed!

SEAN: Seven Seas debuts The Duke of Death and His Maid (Shinigami Bocchan to Kuro Maid), which runs in the awkwardly titled Sunday Web Every. A boy is cursed to kill anyone he touches, so lives alone in his mansion with only his attractive childhood friend (who is also his maid) as companion. This sounds like Pushing Daisies, honestly. It also got an anime.

ASH: I mean, I did like Pushing Daisies…

SEAN: Also from Seven Seas: Hitomi-chan Is Shy with Strangers 4, Machimaho: I Messed Up and Made the Wrong Person Into a Magical Girl! 10, MARS RED 3 (the final volume), Monster Guild: The Dark Lord’s (No-Good) Comeback! 3, The NPCs in this Village Sim Game Must Be Real! 3, Servamp 16, Slow Life In Another World (I Wish!) 3, Succubus and Hitman 2, Syrup: A Yuri Anthology 4, and Uzaki-chan Wants to Hang Out! 7.

Udon Entertainment has a big release: the first three volumes of Summertime Rendering (Summer Time Render). This Shonen Jump + series has an anime currently running, and starts with a young man at the funeral of his foster father hearing that it may have been a murder. This has big time fans.

MICHELLE: Potentially interesting.

ANNA: Hmmmmm.

ASH: Count me curious.

SEAN: Yen On has The Irregular at Magic High School 19.

Two debuts for Yen Press. The Holy Grail of Eris (Eris no Seihai) is the manga version of the light novel Yen released a few weeks ago. It runs in Manga Up!.

Also from Manga Up! is Re:ZERO -Starting Life in Another World-, The Frozen Bond (Re:Zero Kara Hajimeru Isekai Seikatsu: Hyouketsu no Kizuna). This adapts the anime-original OAV story about Emilia.

Yen also has The Abandoned Empress 2, Black Butler 31, The Hero Is Overpowered But Overly Cautious 4, I’m the Catlords’ Manservant 3, Magia Record: Puella Magi Madoka Magica Side Story 4, Reign of the Seven Spellblades 3, So I’m a Spider, So What? The Daily Lives of the Kumoko Sisters 3, and Yowamushi Pedal 20.

MICHELLE: Black Butler is another series that I forget is still going. I need to catch up on YowaPeda!

ANNA: Got to order YowaPeda, my kids like it.

ASH: I’ve really been enjoying Yowamushi Pedal. And somehow also didn’t realize Black Butler was still ongoing.

SEAN: Manga! Light novels! So much! You? Buy?

Adachi and Shimamura, Vol. 9

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By Hitoma Iruma and Non. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

The self-improvement of Shimamura continues in this volume, following up from the last one. We see Shimamura reflecting on her past self and her tendency to deliberately forget about everyone around her, o the point where it’s an active choice. But now she has Adachi in her life and as her girlfriend. The trouble is, as Adachi points out to her here, she’s very hard to read. Shimamura tends to have one mode, which is “whatever”, and when you are a stressed and insecure young lesbian like Adachi, that just makes you think that the relationship is entirely one-sided. And credit to Shimamura, she really tries hard here, even using the word love to show Adachi how serious she is. Admittedly their relationship has not really progressed beyond holding hands, but given the two participants and their emotional ages that’s not only unsurprising but likely a good thing. I hope future books will show us Adachi’s self-improvement as well. As for Yashiro… she is perpetually the same.

After Shimamura tells a curious Yashiro about her junior high years of rebellion (which consisted of skipping class and not much else), we get the meat of the first half of the book, which is telling us a bit about Hino and Nagafuji’s childhood. This comes up because Hino’s father, who is not the best at communicating, tells her she isn’t important to the family legacy. Hino, who is thirteen in this flashback, does not really take this well (though, as is fairly typical with this author’s works, a lot of the emotional turmoil is left for the reader to fill in themselves) and decides to run away from home. After getting permission. And also taking her maid. And Nagafuji. The second half of the book is Christmas, and shows us an adorable date between our lead couple, Adachi breaking out the Chinese-style dress again, and Christmas dinner at the Shimamuras with a surprise guest, which may carry over into the next book.

This is the final volume with illustrations by Non, who I believe had been ill, and the illustrations are mostly ones used from other promotional materials – there are no interior ones. Which is a shame, but also allows us to see the pasts of most of the main cast without having to see them attempted as “3 years younger”. The Hino and Nagafuji stuff was good, though Hino’s narration works far better (and is far longer) than Nagafuji’s. It’s also implied that her parents have a marriage of convenience and that her mother and head maid are childhood friends with benefits. It’s heavily implied this is what Hino could have with Nagafuji too, though the idea of Nagafuji as a maid is horrifying. The other interesting part of the book is the relationship between the two moms. Mrs. Adachi reads very much like her daughter only cynical and bitter, and Shimamura likewise has her daughter’s “well, whatever” mood only extroverted to the nth degree. It’s kind of fun.

This wasn’t terrific, but is at least solid, even if it read a bit like a short story collection at times. The best parts were Shimamura’s forwardness. We’ll see if she can keep that up.

Bookshelf Briefs 5/25/22

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In which Sean solos yet again.

HIRAETH -The End of the Journey-, Vol. 1 | By Yuhki Kamatani | Kodansha Manga (digital only) – This does not end up being quite as depressing as the warning at the start might indicate, but the warning is appreciated, as this book starts with a young woman trying to kill herself, and her suicidal thoughts are present throughout the volume. She meets a god who is dying, and is taking a tour of Japan (and being a bit of a brat about it), as well as a man who CAN’T die, and on their journey we get a lot of different perspectives. That said, as always with this author, if you’re only here to look at the lush, gorgeous art, you will not be disappointed either—even the panel composition is amazing. It’s absolutely not for everyone, but if you liked Our Dreams at Dusk this is a must-read. – Sean Gaffney

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Vol. 2 | By Rikito Nakamura and Yukiko Nozawa | Ghost Ship We add two more girls in this volume, and really the impressive thing about it is not how he keeps managing to convince each girl to go along with this, but the fact that they really do almost all get along. Hell, some of them may get along a little too well—if for some reason he can’t actually marry 100 girls, and they don’t all die, Hakari and Karane may be able to make things work. As for the new girlfriends, we have the stoic and intellectual one, and the mad scientist who mostly looks like a child one, which is hilarious even if it toes the line of offensiveness. That said, that’s one nasty cliffhanger. – Sean Gaffney

My Next Life As a Villainess Side Story: Girls Patch | By Various Artists | Seven Seas – This anthology asks the question: don’t you wish Bakarina was a yuri series? (There was an equivalent for the guys, but don’t expect Seven Seas to license that anytime soon.) A lot of the Western audience for the series was more into Mary, Sophia and Maria than any of the actual love interests—and indeed have abandoned the series for the most part after realizing it’s veering too het. That said, while this doesn’t have any weddings or alternate universes where Katarina suddenly gets it, it has lots of sweet scenes between the quartet, as well as a brief one with Anne, which is not really shown as romantic so it’s fine. It’s an anthology, so variable, but is mostly perfectly pleasant. – Sean Gaffney

Run on Your New Legs, Vol. 1 | By Wataru Midori| Yen Press – For the most part this is a very good story about a former star athlete who lost a leg finding that he can still compete with the help of prosthetics, even if it’s not soccer (his former sport). That said, I could not help but spend much of the first half of this book feeling a bit creeped out by the way he was sort of stalked and manipulated by the guy who is designing said prosthetics, who turns out to basically be a start-up trying to drum up work. Consent is given, but it doesn’t feel earned, if you know what I mean. Other than that, this is a strong sports manga with lots of past trauma to overcome, a guy who is being forced to reopen his world to other people, and some nifty art. – Sean Gaffney

Teasing Master Takagi-san, Vol. 14 | By Soichiro Yamamoto | Yen Press – The question on my mind as I read this volume of Takagi-san is essentially: what is the difference between this and a normal couple who go on dates? Honestly, the answer may actually be “normal couples aren’t together quite as much as these two.” Here we see Nishikata challenging Takagi to guess the number of steps to a shrine, not realizing the shrine is a famous couples’ shrine, so everyone but him knows already. They eat lunch together, and she offers to feed him. They coincidentally do a New Year’s shrine visit together. And, in the best chapter, we see Takagi, briefly jealous after Nishikata helps another girl, actually picking on him. She does apologize. He can’t see the difference. – Sean Gaffney

Two by Caroline B. Cooney

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cooney1The Face on the Milk Carton
The Face on the Milk Carton was first published in 1990, but though I actually was a young adult at the time, I was unaware of its existence. The basic plot is that lactose-intolerant Janie Johnson rebels one day at lunch and has some milk, only to see her own face on the carton alongside the name “Jennie Spring” and a 1-800 number for missing children. She begins to remember things about her past, but is racked by indecision because her parents are so lovely. Could they possibly be capable of such a thing? And what does it say about her that she was lured away willingly with the promise of an ice cream sundae?

It’s interesting to compare the way this book is written to how it would be today; a modern version would probably be in the first person, for example, and would not contain fifteen-year-olds who believe that “dumbbell” is an age-appropriate insult. Possibly it would involve genuine peril. In comparison, Face comes across as a bit chaste, though there are allusions to how far Janie and her boyfriend have gone in their making out. Perhaps “mild” would be a better word for it.

There are some things I liked and didn’t like about the book. As if there were no other way to solve Janie’s dilemma, we get an extremely contrived solution in which she a) puts an account of her abduction down on paper and b) slips it into an envelope onto which she has previously typed her actual return address and c) decides to address it to her birth family though she intends to take it home and put it in the attic and d) promptly loses it and must assume that a good Samaritan will affix a stamp and send it for her. Eyeroll. I did like that Janie’s boyfriend showed his true (and shitty) colors by getting all huffy that her inconvenient kidnapping trauma was cutting into the attention/action he was getting. Alas, though her “drop dead!” reaction was satisfying, she was soon feeling bad about it. Eyeroll again.

Still, despite my complaints, I did think it was a pretty enjoyable (and quick!) read, and I’m interested to see what happens next.

cooney2Whatever Happened to Janie?
While the first book in this series had some suspense to it, Whatever Happened to Janie? is 100% family drama. Because the family that raised her, the Johnsons, has no legal claim to her, Janie is returned to the Spring family after an absence of almost twelve years. The book is primarily about her struggles to adjust to different parents, four siblings, and a life less affluent and cultured than the one she left behind.

Janie feels intensely loyal to the Johnsons, and thus doesn’t try as hard as she might to get along with the Springs. Indeed, she is frequently hurtful to them on purpose. We do get the points of view of her two older siblings, which I appreciated, as they show that the Springs are truly a very nice family that simply had unrealistic expectations about what would happen when Janie came home. Surprise! She’s still as much of a brat as she was when she was three.

There were some subtle moments I enjoyed when she did start to think of the Springs are her real family, but just as she makes real progress, she decides she’s going back to the Johnsons. The Springs consent to this, and everyone plans to continue visiting and corresponding, but it still strikes me as a weird arrangement. Is she going to live the rest of her life as Janie Johnson, then? Will she get her name changed legally? What kind of documentation did the Johnsons provide to enroll her in school in the first place, come to think of it?

Anyway, I’m thinking about it too much.

After this, I did plan to continue on to the next installment in the series, The Voice on the Radio. I checked it out from the library more than once, but just could not summon any enthusiasm for a book about Janie’s shitty attention-seeking boyfriend, Reeve, getting a job at his college radio station and blabbing all of the painful details about Janie’s experience to his listeners.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 9

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By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Last time I mentioned that the series had an actual plot in among all the comedy, and we still see some of that here as well. But its never going to get in the way of the comedy itself, and honestly is likely never going to be the main part of the book unless the series finally comes to an end. As for the actual plot of this book… why, it’s a school festival with a maid cafe, of course. Honestly, I feel that a lot of these books can be summed up by the author flicking through TV channels, landing on some random anime, going “A ha, that’s it!” and moving back to the computer. The fact that the book even tries to justify it only makes it funnier. Add to this a master thief who has reckoned without our dumbass heroes and a king who can’t convince anyone he’s been kidnapped, and there’s no worries on the laugh front.

So yes, a maid cafe. Well, theoretically a maid/butler cafe, but the butler uniforms are stolen for no real reason other than to stick Lloyd and Allan in maid outfits. The idea is mostly Riho’s, thinking she can get some cash for once (which is true, but don’t expect it to stick). The king, meanwhile, wants to put out a huge statue that supposedly grants good fortune to couples who stand next to it. There’s just one problem: the statue’s creator really really does not want it to be shown off, and will happily steal the whole thing to prevent that happening. Oh yes, and there’s a master thief around, though whether he is connected to the missing statue is neither here nor there. What this all amounts to is a lot of school festival schtick and a lot of Lloyd going on not-dates with his two most aggressive girls.

In the two volumes before this, we saw Lloyd get actual character development that stuck, as he has started to realize, if not that he is stronger than everyone else in the world, art least that he IS strong. What’s more, he’s finally showing off that strength in front of people who are NOT the main cast, which means that credit for saving the day, for once, does not go to Allan. Who, frankly, has enough to deal with, given his wife ends up returning and working for the military. Lloyd, meanwhile, is starting to think about his future, not realizing that everyone else already has it planned out for him: military PR, military intelligence, military security, or hell, just marry into royalty. (Marie’s not in the book much at all, but still tends to be top girl by default whenever she’s around, and at least the King now knows who she’s crushing on.)

This is deeply sill, but in a good way, and I look forward to the plot of the next book, which will no doubt be inspired by a refrigerator magnet the author saw the other day.