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The Angel Next Door Spoils Me Rotten, Vol. 3

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By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

Tempting as it is to simply cut and paste my review of the 2nd volume here and call it a day, I will try to find new things to discuss. This series runs on sweet but slow burn, and there are very few surprises. On the downside, that makes it somewhat boring. On the good side, you know exactly what you’re getting and you get a lot of it. The main difference in the third volume is that Mahiru tries to come on to Amane a lot stronger to get past his impenetrable shell of self-hatred. She fails, but it’s the effort that counts. She is starting to get a bit sick of his attitude, though – as is the rest of the cast, including his new friend Yuuta, the “class prince”, who sees a kindred spirit in Amane and is rather startled that the feeling isn’t mutual. By the end of the book, everyone is dragging him constantly to feel better about himself. Will it help? Possibly?

Usually the 2nd paragraph of my reviews is where I summarize the plot, but the plot can essentially be summarized in three words: Mahiru Tries Harder. As such we get a lap pillow, and more spontaneous touching. We get Amane seeing another guy ask Mahiru out, and see just how difficult it can be for her to reject them, especially when they refuse to accept it. We see Mahiru managing to actually join Amane for lunch and get away with it. Most importantly we get Golden Week, where Mahiru asks Amane on a date. Of course, it’s not a romantic date to him – not at all, after all, how on earth would she ever have feelings for him? It’s just going out to a cat cafe, a mall (where much trying on of clothes is done) and an arcade (where there is winning of stuffed animals) but as Just Friends. That said, a return to school shows some folks spotted her on the date, so something may break next time.

The author knows Amane’s big flaw can be annoying to the reader, but instead of trying to disguise this it is shoved in our faces – and his. We do finally get his own tragic backstory here, which amounts to “I grew up rich and naive and then met typical middle-school two-faced jerks”, but it’s left him bitter, mistrusting and thinking he’s the absolute worst. This even plays into the title, as he regards everything Mahiru is trying to do in order to get her feelings across to him as “spoiling him”, so he automatically pushes back. Multiple times in this book she, Itsuki and Yuuta all tell Amane to man up, have confidence, and actually try to show Mahiru how he feels about her. The end of the book implies we may see this in the next volume, but for now, this is painful.

Still, the sweet and cute romance outweighs wanting to strangle the lead man, so I’m still invested in it. Imagine how sweet it will get once these two actually confess. Like eating Pixy Stix.

Arifureta Zero, Vol. 5

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

It’s been a good sixteen months since I last read Arifureta Zero… and come to think of it, eleven months since the last Arifureta in the main series. This is the danger of catching up with the Japanese release, and I knew this meant that a lot of my time was going to be spent trying to remember who everyone apart from the main characters were. Little did I realize that that was going to be ALL of my time. This is the 2nd to last book in the series, and as such it has to gather everyone in the cast together for the big battle in the finale. And I do mean everyone – every single ally we’ve seen in the books to date pops up again, along with new characters we haven’t seen before, and they’re all written as if we remember who they are and are nostalgic to see them again. It’s exhausting. Fortunately, there’s BIT more going on than just setup.

A month after the end of the previous book, Miledi is still in a coma, which has everyone stressed out, especially Oscar, whose fighting abilities are actually being affected by his worry. Fortunately, she wakes up soon after the book begins. Unfortunately, she’s… a bit different. Yes, it’s We Want Our Jerk Back, the light novel. The largest chunk of the book is spent getting Laus, their newest ally, to the rest of them, as he’s being hunted by the entire church… including two of his own sons. (This is framed as a big reveal, but it’s telegraphed so badly I feel no remorse revealing it here.) Once he’s arrived, and Miledi puts everyone through RIGOROUS TRAINING, it’s discovered that three of their allies are going to be put to death publicly by the Church. So Miledi decides now is the time. the Big Battle. (In Book 6.)

The author apologizes for this book being so long, and he should. It’s too long, and a lot of this wasn’t needed. The “checking in with everyone who the Liberators ever met in prior books” section is a lifeless slog. Better were the scenes with Miledi waking from her coma, but she’s missing her annoying. Without it, she’s a cute adorable teenage girl in love with Oscar and not ashamed to say it. This is mined for much comedy, and for once it actually works quite well, especially her reaction once she returns to normal. Speaking of love, Miledi and Oscar don’t confess here, but that’s because they want to wait till after the battle – their feelings are known to each other. Oh yes, and there’s an incredibly annoying bunny girl in this as well, who seems to combine all the worst parts of Shea and none of the good points. The author loves to write “incredibly annoying but secretly goodhearted and awesome” people – indeed, the lesson of this book is that all of the Liberators are eccentrics – but sometimes I feel they overdue it.

So next up is the finale, and it’s not a spoiler to say that Everybody Dies – this is a prequel, after all. But it’s not the journey, it’s the destination, and so we’ll see how it all happens and how many times our heart can be broken. If you like Arifureta, you should read this, but be aware – it’s long and has boring bits.

Pick of the Week: Foodies, Weddings, and Robots

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KATE: I’m gonna need a bigger boat for this week’s haul! I’m excited for several of Wednesday’s big debuts, including Akira Toriyama’s Manga Theater, Kaiju No. 8, and Robo Sapiens: Tales of Tomorrow. If I had to pick just one title, however, it would be Emma Dreams of Stars, which Vertical Comics promises will give readers a “rare glimpse into the inner workings of The Michelin Guide, and the grueling yet rewarding life of an undercover professional foodie!” Three stars for Emma!

MICHELLE: There are some nifty oneshots coming out this week, and a new volume of Yona of the Dawn is always something to celebrate, but I simply must pick the final volume of Takane & Hana. I have enjoyed the series immensely and will miss it when it’s over, but still look forward to these two having their happily ever after.

SEAN: Must agree. Whether you get the regular (him holding her) or special edition (her holding him), Takane & Hana Vol. 18 is a must-read for shoujo comedy fans.

ASH: There really is a bunch of interesting releases this week! While I’m particularly fond of food manga, robot stories are another weakness of mine, so my pick this week is the award-winning Robo Sapiens: Tales of Tomorrow. I’m really looking forward to giving the omnibus collection a try.

ANNA: There’s a lot of great manga coming out this week! I’m always lured by new series though, so I’m going to make reverse harem vampire manga my pick and go with Rosen Blood.

Rascal Does Not Dream of a Dreaming Girl

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By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Yumemiru Shoujo no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

In my review of the last volume in this series, I mentioned I wasn’t aware of what happened in the next two books beyond it being sad. I’ll admit: I was lying. Generally these days, if you are following a series in any capacity on the internet, and the anime has already come out, there is no real way to avoid being spoiled. I didn’t have the main story beats of this book spoiled to me, but I knew what the last five pages would be, and so they are. That said, let’s not talk about those, let’s instead discuss the previous 250 or so pages, in which we find that Sakuta’s own adolescence syndrome has a very different cause from what he (and the reader) thought, learn exactly what’s going on with Shouko, and discover that it’s still hard to say you’re different from Bakemonogatari or Oregairu when you decide the best way for the hero to fix things is to sacrifice himself to save the girl.

Sakuta’s apartment is getting a bit crowded. Kaede is back, though with her “original” personality, and is struggling to catch up with the two years she’s lost. College-age Shouko is there, being very mysterious and Kasumi Tendo-ish. And Mai stays over once as well, because frankly the situation screams “my boyfriend is cheating on me with an older woman who’s also a middle-school student”, and who among us hasn’t felt agitated when that happened to them? The drama starts then Sakuta discovers that Shouko is back in the hospital – and getting worse. She has an old elementary school assignment about dreams for the future she never completed, as “die” would upset the teachers. Now it’s mysteriously being filled out… and the details seem to match up with college-age Shouko very well. Sakuta is concerned about the “get married’ part, though…

One of the more interesting things about this series is that it has all the wacky misunderstandings that harem anime usually has, but without any of the actual misunderstandings themselves. Mai and Sakuta are simply too sympatico with each other to really believe that there’s cheating or lying going on. Indeed, the fact that they’re so in tune with each other is what leads up to the tragedy in the final pages. Other than that, the most affecting part of the book for me may not have been the ending but everything leading up to it, as Sakuta drifts through school looking like a man who’s about to die. When even Kamisato is deeply concerned with him, in her own “drop dead” way, you know things are bad. And Rio and Mai’s scenes are even worse. Everyone seems to know what’s going to happen, but they also know that talking Sakuta out of this is next to impossible. As indeed it proves to be.

So what’s next? Well, if this were the movie, we’d only be halfway done. But it’s a book, so we’ve got to wait a few months. Rest assured I doubt it will kill off a main character, but I’m not as optimistic about its dreaming girl. Till then, enjoy an emotional gut-wrencher.

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 3

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

Generally with any slow life series you have to find the right about of balance between “nothing is happening because this is meant to be a slow life series” and “there are things happening because this is a narrative people will want to actually read”. It can be tricky, as many authors find. A lot of slow life books tend to lean towards the second of those two, where life is not really all that slow at all. This one doesn’t do that, but it needs to find the right time to dole out its plot. As an example, one of the main mysteries of the book is “when will Laetitia realize that her king and her wolf are in fact the same?”. Wait too little and there’s no tension, wait too long and you risk making Laetitia look dim. This book waits just the right amount, though what happens next is left open.

We get a couple of new additions to the cast here. Lelena is the daughter of former maid Krona, who is a bit busy being in jail to attend to her sibling, so goes to live with Laetitia, bringing along a cat and a guilt complex a mile wide. Also introduced is Liddeus, who is an incredibly stereotyped science nerd, only this is an otome game-style romance, so he’s a very handsome stereotypical MAGIC nerd. You get the sense he might actually be a love rival if he could for one moment get his mind off of spells, which he cannot. And there is, of course, all the politics – Laetitia arranges a tea party between the two queen candidates she’s already won over, and the other two who clearly scream “I am fodder for a later book’s plot”. This is pissing off the anti-beast person faction in the country, of course, and so they decide to take stronger measures to express their displeasure. Can Laetitia negotiate all this and still make delicious treats?

Well, I mean, of course. Have you seen the title? Laetitia has two main weapons, her food and her animals, and she uses them both here. Indeed, she gains another furry friend, named Tweety, though if you’re expecting the Looney Tunes bird you may be disappointed – possibly the Hyde and Go Tweet version. Admittedly yes, she is also monstrously overpowered in her magic, which literally breaks the device they use to measure it. This is clearly more due to her reincarnation than to her innate powers (though we do get more “amusing” stories of her and her butler being abused as children by her siblings in the name of magic training. They look back on those days and laugh, so I suppose we must as well). And yes, by the end of the book Laetitia finally realizes – after the king gives it away – that King Glenreed and Lord Aroo are one and the same. She seems devastated this means no more fluffy petting. I am 100% positive she is mistaken.

I do wonder if we’re heading towards a war, and if so how this book would handle it. Bit hard to cook for your fluffy friends in a trench. Still, so far the book does quite a good job of walking the tightrope. I look forward to the next volume.

Manga the Week of 12/8/21

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SEAN: Busy busy busy! Almost forgot to type this up this week! What do we see?

ASH: Oh, do I know the feeling!

SEAN: Yen On has the 3rd volume of The Angel Next Door Spoils Me Rotten as well as Reign of the Seven Spellblades 4.

Yen Press debuts an artbook: AidaIro Illustrations: Toilet-bound Hanako-kun. This does exactly what it says on the tin.

ASH: I quite like the art in Toilet-bound Hanako-kun, so I’m looking forward to this collection.

Also out from Yen’s manga imprint: Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 2, The Eminence in Shadow 2, Final Fantasy: Lost Stranger 6, For the Kid I Saw in My Dreams 7, and The Saga of Tanya the Evil 15.

MICHELLE: As with much else, I do mean to get around to reading For the Kid I Saw in My Dreams someday.

ASH: I read the first few volumes and have the next few on hand, though I haven’t actually gotten around to reading them yet.

SEAN: Three debuts from Viz. Akira Toriyama’s Manga Theater is a massive, 625-page hardcover featuring a ton of short stories from the legendary Dr. Slump and Dragon Ball creator.

ANNA: That sounds like a great holiday present!

MICHELLE: I didn’t love Dr. Slump but really adored Toriyama’s COWA! oneshot, so might check this out.

ASH: Wow, that’s a lot of manga packed into one volume! Should hopefully be pretty good.

MJ: This is pretty cool!

SEAN: Kaiju No. 8 is a Shonen Jump + release that already is getting simulpubbed, and has HUGE buzz. A man who works on cleaning up after Japanese Godzilla monsters suddenly finds himself with new powers. Can he now achieve his dream of fighting them?

ANNA: Also intriguing.

ASH: Indeed! I’ve heard good things.

MJ: Okay, I’m ready.

SEAN: Rosen Blood is from Akita Shoten’s Princess, and if I said reverse harem vampire story would that get your attention?

ANNA: This fully has my attention, surprising no one.

We also get the final volume of Takane & Hana, the 18th, which is out in both a regular edition and a special edition which has a variant cover and an extra chapter. I’ll miss these goofballs.

ANNA: I’m behind on this series, but I am fond of it!

MICHELLE: I will miss them too!

SEAN: There’s also Chainsaw Man 8, Fullmetal Alchemist: Fullmetal Edition 15, Jujutsu Kaisen 13, Kaguya-sama: Love Is War 21, One Piece 98, Queen’s Quality 13, We Never Learn 19, Yakuza Lover 3, and Yona of the Dawn 33.

ANNA: Stoked for the excellence of Yona of the Dawn and the insanity of Yakuza Lover.

ASH: Always glad to see Yona on the list. I’ve been enjoying Queen’s Quality, too.

SEAN: Tokyopop has a 5th volume of Laughing Under the Clouds.

Square Enix has the 8th Hi Score Girl.

Seven Seas debuts Robo Sapiens: Tales of Tomorrow (Robo Sapiens Zenshi), a done-in-one omnibus from Kodansha’s Morning Two. This is a multi-award winning manga about robots and humans, and how far apart and close to each other they are.

MICHELLE: Sounds intriguing.

ASH: I’m here for it!

MJ: Same!

SEAN: Also from Seven Seas: CALL TO ADVENTURE! Defeating Dungeons with a Skill Board 3, DUNGEON DIVE: Aim for the Deepest Level 2, Hitomi-chan is Shy With Strangers 2, and Young Ladies Don’t Play Fighting Games 2.

Kodansha’s first print debut screams “this is actually Vertical”: Emma Dreams of Stars (Emma wa Hoshi no Yume wo Miru). A one-shot from Kodansha’s Morning, but it was originally published in France, and is about the first woman Michelin Guide Inspector.

ANNA: Ooh!

MICHELLE: I second that “Ooh!”

ASH: And thirded!

MJ: And I’ll just repeat, “Ooh!”

SEAN: Also debuting is Hitorijime Boyfriend, a one-shot from Ichijinsha’s Gateau and prequel to Hitorijime My Hero.

Kodansha also has a lot of print titles whose ebooks came out a week or two (or more) ago. We see Bakemonogatari 11, Blood on the Tracks 7, Don’t Toy With Me, Miss Nagatoro 9, Orient 6, Shaman King Omnibus 6, Shikimori’s Not Just a Cutie 7, UQ Holder 24, and When Will Ayumu Make His Move? 2.

Digitally our debut is My Master Has No Tail (Uchi no Shishou wa Shippo ga nai), a good! Afternoon series that has the unlikely teamup of a tanuki and a rakugo master.

ASH: Sounds like my kind of team!

SEAN: And there’s Chihayafuru 29, Kounodori: Dr. Stork 18, Love After World Domination 3, My Dearest Self With Malice Aforethought 11 (the final volume), Saint Young Men 14, Smile Down the Runway 21, With the Sheikh in His Harem 8 (also a final volume), and Ya Boy Kongming! 6.

MICHELLE: Insert obligatory Chihayafuru rejoicing.

SEAN: J-Novel Club has a few series in print which, well, are mostly already out, but Amazon lists them as next week, so… anyway, it’s Ascendance of a Bookworm 10, I Shall Survive Using Potions! (manga) 5, Infinite Dendrogram 14, A Lily Blooms in Another World, My Friend’s Little Sister Has It in for Me! 1, Tearmoon Empire 2, and The Unwanted Undead Adventurer (manga) 2.

ASH: I am so far behind on my light novel reading, but there are some good ones here.

SEAN: Digitally we have two light novels debuting. Goodbye Otherworld, See You Tomorrow (Sayonara Isekai, Mata Kite Ashita), a post-apocalyptic journey series that looks a bit more serious than most recent isekai titles.

There’s also Private Tutor to the Duke’s Daughter (Koujo Denka no Kateikyoushi), the story of a commoner who was trying to become a court magician… but failed. Now his only recourse to avoid debt is a suspicious tutoring job.

We also see Lazy Dungeon Master 15 and the 7th Unwanted Undead Adventurer (manga version).

Ghost Ship has Call Girl in Another World 3 and Yuuna and the Haunted Hot Springs 16.

Denpa Books gives us The Girl with the Sanpaku Eyes 3.

And Dark Horse has the 3rd volume of Keep Your Hands Off Eizouken!.

Cross Infinite World gives us Reset! The Imprisoned Princess Dreams of Another Chance! 2 digitally.

Lastly, Airship has two digital-early titles: The Most Notorious “Talker” Runs the World’s Greatest Clan 2 and Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! 3.

Too much, too marvelous, too marvelous for words. What titles make you dance?

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 1

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By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

I have not read the two other series that this author has out in English. Hazure Skill and Drugstore in Another World are both in genres that I’m gradually trying to read less of. But ‘syrupy sweet high school romance’ is still a relatively new genre in English-translated light novels. Honestly, the marketplace changes a lot these days, and yesterday’s down and outs are today’s up and comers. Remember 15 years ago when we all said sports manga was impossible to license? Even just five years ago I was saying that you couldn’t get a LN title licensed unless it had some sort of fantasy or supernatural plotline in it. But now here we are. That said, to be honest I picked this up because of the artist. Fly is best known here for Bottom-Tier Character Tomozaki, and this is in the same basic genre. That said, the two books are doing different things. Tomozaki is a deconstruction. This book is what it deconstructs.

Ryou is a typical light novel romance protagonist: nondescript, doesn’t have many friends, school skipper, thinks of himself in terrible ways. One day on the train he sees a girl being groped by a salaryman, and decides to make a scene and get the guy caught. Later, in school, it turns out that he’s sitting next to said girl in class… and that it’s Hina, his childhood friend. They had been inseparable in grade school, but in middle school she got super gorgeous and popular, and he got more self-conscious and so they drifted apart. But while he may have mostly forgotten about her, she certainly hasn’t forgotten about him. As the book goes on, Ryou starts to notice that Hina is asking to walk home with him, and making him food, and asking him out on dates. Does this mean… she has feelings for him? Nah, let’s not overthink this.

As always with this genre, whether you can tolerate it or not depends how much you like ‘oblivious’ teenage boys. I’d say it was unrealistic except I was also a teenage boy, and no, it really is this bad. That said, at least the series gets a confession out of the way by the end of the first book, even if it leads to “I’m not sure how I feel about you”. Hina is cute, and the reader is meant to understand her frustration with Ryou and sympathize, and it works pretty well. I also loved Ryou’s younger sister Mana, who does not have a shred of the standard “younger sister of the protagonist” character to her and is quite happy wingmanning for her brother, though buying condoms for him turns out to be a mistake. (There’s no sex in this book, sorry to disappoint. Everyone’s very pure.) And the love rival role is handled pretty well, as she’s good at analyzing Ryou and Hina and knows that’s why she doesn’t really have a chance.

There’s nothing outstanding about this book, and it doesn’t have a good gimmick like Tomozaki. But it’s decently written, and there are no terrible people in it yet. If you like the genre of “pretty girl tries to get guy to admit that someone might actually like him and it’s her”, this is a good one to try.

Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons, Vol. 3

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By 616th Special Information Battalion and Wuhuo. Released in Japan as “Doushitemo Hametsushitakunai Akuyaku Reijou ga Gendai Heiki wo Te ni Shita Kekka ga Kore desu” by K Lanove Books. Released in North America by J-Novel Club. Translated by Shaun Cook.

This is, as of my writing of this review, the latest volume in the series, and it’s been about a year and a half since it came out in Japan. I know that fans here in the English-speaking world tend to dislike those sorts of books, wondering why publishers would license it when it grinds to an unfinished halt. (The answer is almost always “because it was still ongoing when they licensed it”, in case you were wondering.) But yes, nothing is really resolved in this volume either – we’ve gotten up to the point where the “game” part of this would start, where the heroine is about to arrive at Astrid’s school. That said, I’m not exactly crying if this is all we’re going to get. The author loves writing morally bankrupt heroines, and even in a villainess light novel, a genre I’m particularly soft on, I think I’m starting to reach my limit with Astrid’s evil antics.

Astrid is still trying to figure out ways to avoid her fate (but not realizing that everyone loves her – it’s that sort of genre). She’s socking money away in a separate non-family bank account in case she has to go on the run. She’s getting familiars who are far more powerful than mere fairies. She’s conducting experiments on other students to see if they will murder small animals just because she tells them to. There’s a beach episode! You know, the usual stuff. Even as she tries her hardest to learn better magic/get more firepower, the world edges closer to the actual war that will likely trigger these events. And even her grades aren’t assured anymore, as she’s reaching the limits of what her previous life can achieve and realizing that science in another world is hard.

There are some cool set pieces in this. Astrid’s battle with the fenrir is pretty cool, and he seems to be a cool wolf familiar, albeit one that doesn’t really care if she’s got no soul. It is occasionally amusing seeing Iris having to deal with her friend’s crushes, and trying to help them along by drugging the crush to get a result… but not TOO much. Astrid’s mother, again, seems to know exactly what her daughter is doing despite Astrid’s best efforts to conceal it, and I wish we’d see her more than once a book. But yeah, I think I have reached my limit on watching “what if the villainess reincarnated decides to be more villainous” as a plotline. It doesn’t help that there are other areas of the book also starting to annoy me – Iris’ former bullies are now stealing her used underwear, because nothing says teenage lesbian crush like making it creepy.

This author pretty much does this type of character, regardless of the genre, and if you enjoy Her Majesty’s Swarm you’ll probably like this as well. If you like Villainess books, though, feel free to stop, as I’m going to.

Bookshelf Briefs 11/30/21

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Gabriel Dropout, Vol. 10 | By Ukami | Yen Press – Possibly the best chapters in this volume of Gabriel Dropout are the ones dealing with hypnosis, as (to no one’s surprise) Satanya is very vulnerable to it. That said, what happens is more like the Looney Tune where Elmer is hypnotized by Bugs Bunny—all of a sudden it’s Raphael who has to be the boke in order to get her back to normal, and the results are hilarious mostly as it’s so rare to see her as the victim in all of this. In fact, Raphael has a bad volume in general, as we also meet her butler back in heaven, who is, well, a bit of a perverted stalker. hat said, Satanya does not escape being the buttmonkey all volume… though, as we see in the back half, her parents are not really that much better. Still funny. – Sean Gaffney

Interviews with Monster Girls, Vol. 9 | By Petos | Kodansha Comics – Sorry, everyone, still no major focus on the teachers and why they are not banging each other like drums, though at least we get the date. Instead the focus is on Hikari and her sister Himari, as we finally get their backstory here and it’s a lot more serious than you’d expect. Indeed, Hikari is out of character the whole book, being in a depressive funk as she tries to (somewhat) fight against her vampire heritage, not really accepting that drinking blood is gonna have to be like other people taking a daily pill—something she can’t get away from. As always, the writing is sensitive and caring, with the monster girl as metaphor coming across strongly. I just hope we don’t wait another sixteen months for the next book. – Sean Gaffney

Komi Can’t Communicate, Vol. 15 | By Tomohito Oda | Viz Media – The majority of this volume is devoted to Isagi, a girl running for student council president despite the fact that (like most of the cast in this series) she has terrible communication skills, and comes off as brusque and rude. Fortunately, Komi needs friends, dammit, and she’s not going to let rejection get in her way. She also has Ase, her closest friend, who gives the best anti-campaign speech ever, and (as with a lot in this manga) it turns really heartwarming. And of course we continue to crawl towards drama as Manbagi gets closer to admitting she likes Tadano. If you saw the anime and thought twice about buying the manga, Yamai’s barely in the series anymore. Give it another shot. – Sean Gaffney

Never Open It: The Taboo Trilogy | By Ken Niimura | Yen Press – Having greatly enjoyed Niimura’s previous work, including but not limited to Henshin, I was thrilled to find out about Never Open It. The volume collects three distinct stories of varying lengths, Niimura retelling and reimagining three traditional Japanese folk tales: “Urashima Taro,” “Ikkyu-san,” and “The Crane Wife.” While the tales are independent from one another, they do all share a central plot element in which the characters are instructed to never open something—a chest, a pot, a door. Niimura’s artwork and narratives meld European, American, and Japanese influences in beautifully expressive ways. The illustrations are primarily black and white, but Niimura uses red as a spot color to spectacular effect. Red is the color of blood and fate in these comics, heightening the drama and impact of Niimura’s visual storytelling. Never Open It is a marvelous collection; Niimura’s talent for creating engaging and striking comics is clear. – Ash Brown

No Matter What You Say, Furi-san Is Scary!, Vol. 1 | By Seiichi Kinoue | Seven Seas – If you like Komi Can’t Communicate, this has a very similar premise, though the personalities are not the same. Furi-san has a harsh, “yanki girl” face but is really a sweet girl who has to take care of her siblings a lot. She has a crush on her seatmate… but all he sees is her looking terrifying! “Misunderstandings happen” is literally the entire plot, but it’s cute enough, and it opens up a bit more when Furi actually makes a friend who realizes that she isn’t really as scary as all that. There’s a plethora of this sort of manga around lately, so only read it if you like the genre, but it’s good if you do. Plus, who can resist those blushing faces? – Sean Gaffney

Sex Ed 120%, Vol. 2 | By Kikiki Tataki and Hotomura | Yen Press – This continues to be much better than expected, and gives some excellent advice throughout. This is not only advice that reminds you that real life is not like porn fanfics, but also how to deal with pick-up artists (and define them) and long discussion of how to negotiate consent and how it’s not as easy as yes or no. The main cast continues to be small but varied, with a teen lesbian couple (who get a chapter to themselves explaining how they got together), an adult lesbian tease couple (the two teachers, who also get a chapter to themselves, though it’s just one-sided for now), an asexual student, and… well, and the BL fan, who seems to be the default goofy one. Give it a try, much better than you’d expect. – Sean Gaffney

We’re New at This, Vol. 9 | By Ren Kawahara | Kodansha Comics (digital only) – There’s a clever resolution to the cliffhanger from last time, as it turns out that everyone is right and everyone is wrong—Ikuma’s coworker is ready for a more serious relationship, but he’s NOT ready for cohabitation. It’s handled quite well. Other than that, we get more of what we read this series for—these two being absolutely syrupy sweet. There’s a costume party where Ikuma is easily able to identify his wife despite their best attempts to disguise it, and memories of holidays past, with Sumika being somewhat envious of Ikuma’s loud and boisterous yet loving family. We’ve caught up to this series so it’s not out as often, but it’s still a great read. – Sean Gaffney

Young Ladies Don’t Play Fighting Games, Vol. 1 | By Eri Ejima | Seven Seas – The school and uniforms reminded me a lot of Maria-sama Ga Miteru, and that’s not by accident—this is definitely a yuri manga. The gorgeous queen of the school turns out to be a game addict, and the commoner girl trying to start over and be an “upright young lady” discovers this… but she’s a former game addict herself. The trouble is, games are very, very banned at this boarding school. As the two of them try to find a way to play each other while also hiding from THE LAW (aka house mothers), will they also realize that they’re also really attracted to each other? Another one of those “better than it sounds” yuri titles, this one relies on excellent pacing and two great leads. – Sean Gaffney

The Saint’s Magic Power Is Omnipotent, Vol. 5

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

The Saint’s Magic Power Is Omnipotent may be an atypical light novel in some ways, but it is still an isekai when you get right down to it, and that means that the isekai cliches are still there to be walked into. Our heroine has ended up in the fantasy equivalent of medieval Europe, as is typical for these sorts of books. She really misses the taste of home, with good old fashioned rice and miso, as is also typical. Generally these sorts of books fall into two types: either our isekai’d Japanese person tries to make rice and miso and the like themselves in the kingdom or they hear about a country far across the ocean that just happens to have the exact foods they’ve been looking for (and sometimes samurai, but hopefully the Saint series isn’t going there). We get the latter here, as Sei happens upon a slow boat from China – or its fantasy version – that gives her the meals she’s been craving for so long.

After discovering not only that her cooking can deliver magical power ups to those who consume it, but also that Turkish Coffee is being imported nearby, Sei is on a cooking tip. She also has to do something about her cosmetics company, which has become so popular that the nobles are taking *too* much interest in it. As a result, she has a new umbrella company founded for future Saint developments. Disguising herself as the daughter of said company’s head (which is, in reality, her) she travels with Johan to a nearby port town to track down the rice she’s wanted to find for so long. Getting a hold of this proves to be an adventure in itself, and features Sei almost giving away who she really is multiple times. Then, back at the capital, she has an even more dangerous event lying in wait… her debutante ball.

After waiting nine months between books 3 and 4, the wait between books 4 and 5 hasn’t even been one month. Which means I have a bit less to say than I normally do, as I just talked about all this. I will note that Sei’s aversion to romance is starting to not only get on people’s nerves, but to be a genuine problem. Albert is trying to be aware of her feelings and courting her at the speed of a glacier, but she’s the Saint, and is also very much of marriageable age. She can’t simply stay in the back of the research lab and make potions for the next ten years. She manages to get through the ball designed to introduce her to society, but is terrified of dancing with any men she doesn’t know. Fortunately, the palace agrees with her – they certainly don’t want other nobles getting a chance to woo her. Given the author does not really seem to care much about the romance in this series, I’m not sure where this plot will go, but it’s what is interesting me most at the moment.

All this plus Sei teaches Aira how to make a magical Coleman Stove. Thankfully, Vol. 6 of The Saint’s Magic Power Is Omnipotent is not coming out in December. That said, I’m still interested.