Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Blog

Manga the Week of 2/22/23

by , , and Leave a Comment

SEAN: February. I can’t believe I’m still in February.

ASH: It really seems like it should be over by now, doesn’t it?

SEAN: Airship starts us off. We see print volumes of Failure Frame: I Became the Strongest and Annihilated Everything With Low-Level Spells 6 and Grimgar of Fantasy and Ash 18.

And for early digital there is Accomplishments of the Duke’s Daughter 8 (the final volume) and Mushoku Tensei: Jobless Reincarnation 21.

Dark Horse Comics has Psycho Pass: Inspector Shinya Kogami 6 (the final volume).

ASH: I really ought to get around to giving this series a try at some point.

SEAN: DMP has the 8th Vampire Hunter D manga (it got bumped).

ASH: That doesn’t seem to be unusual for DMP these days…

SEAN: Drawn and Quarterly has a new reprint of the Kitaro anthology. This was fantastic, a wonderful representation of the series, and if you didn’t get it then, get it now. It doesn’t duplicate much content, if any, from the more recent collections.

ASH: I am so glad to see this one staying in print! I loved the first edition and am looking forward to reading the new essay included in this one.

SEAN: J-Novel Club has a giant pile. The debut is The Disowned Queen’s Consulting Detective Agency (Kandō Sareta no de Tantei-ya Hajimemasu! Jitsu wa Bōkoku no Joōda Nante Naisho Desu), from the creator of I’m the Villainess, So I’m Taming the Final Boss. Octavia is found to be illegitimate, and swiftly disowned. Unfortunately, she has a bunch of heirlooms her old family really want. But she doesn’t care: she’s going to become a detective!

MICHELLE: I’m always tempted by anything that might have a mystery element.

ASH: They can be fun!

SEAN: Also out next week: Gushing over Magical Girls 5, Haibara’s Teenage New Game+ 2, I Shall Survive Using Potions! 8, Infinite Dendrogram 19, the third Isekai Tensei: Recruited to Another World light novel, the third Isekai Tensei: Recruited to Another World manga, My Daughter Left the Nest and Returned an S-Rank Adventurer 7, My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! 13, the 7th manga volume of My Instant Death Ability Is So Overpowered, No One in This Other World Stands a Chance Against Me! —AΩ—, Outbreak Company Gaiden (the final volume), Peddler in Another World: I Can Go Back to My World Whenever I Want! 2, Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel! 9, and The World’s Least Interesting Master Swordsman 9.

ASH: That is quite the pile!

SEAN: Kodansha debuts, in print, The Great Cleric, a series it had been releasing digital-only. It’s Reincarnated In Another World As a Cleric, and is on the more serious end of the isekai spectrum.

Also debuting is the one-shot Sweet Poolside, another Shuzo Oshimi title that ran in Young Magazine back in 2004. Two swimmers have similar but opposite problems. A boy is ashamed he has no body hair. A girl is ashamed she has too much. She then asks him to shave her. This is apparently less dark than other Oshimi titles.

ASH: It certainly still sounds a lot like an Oshimi title, though!

SEAN: Also in print: Blue Lock 5, Fire Force 31, Flying Witch 11, Go! Go! Loser Ranger! 3, Grand Blue Dreaming 18 (it got bumped), Last Gender 2, Miss Miyazen Would Love to Get Closer to You 3, Run Away With Me, Girl 2, and Shangri-La Frontier 4.

ANNA: My kids are Blue Lock fans, so I’ve pre-ordered this!

ASH: That’s a solid recommendation, then!

SEAN: Digitally we see Anyway, I’m Falling in Love with You 5, Beast #6 3 (the final volume), The Café Terrace and its Goddesses 5, Changes of Heart 9 (the final volume), The Full-Time Wife Escapist 11 (also a final volume, unless they license the guidebook, which I doubt), Gamaran 6, Golden Gold 9, HIRAETH -The End of the Journey- 3 (also a final volume), Medalist 6, This Vampire Won’t Give Up! 4, Ya Boy Kongming! 10, and You’re My Cutie 5.

MICHELLE: I’ll definitely be reading The Full-Time Wife Escapist and am working on catching up with Medalist, too.

ANNA: I need to read both!

SEAN: One Peace Books has the 2nd manga volume of The Wrong Way to Use Healing Magic.

From Seven Seas, we get CALL TO ADVENTURE! Defeating Dungeons with a Skill Board 5, Classroom of the Elite 5, Crossplay Love: Otaku x Punk 3, Futari Escape 2, I Think I Turned My Childhood Friend Into a Girl 2, Kemono Jihen 4, Reincarnated as a Sword: Another Wish 3, and Time Stop Hero 6.

Titan Books has a 3rd volume of ATOM: The Beginning.

New titles from Tokyopop. The Flower That Seems to Truly Dance (Makotoshiyaka ni Mau Hana wa) is a BL title from Canna, about a young man trying to find someone at the outbreak of World War II. It’s a one-shot.

MICHELLE: Gotta say, that setting really does appeal to me.

ANNA: I remain steadfast in my resolve to not read things from this publisher.

SEAN: SCRAMBLUES (Bokura no Scramblues) is a BL title from Canna, about the relationship between a popular musician and a graphics designer. It’s a one-shot.

The Snake Who Loved a Sparrow (Suzu Hebi Kyuuairon) is a BL title from Canna, and it’s, well, about the love between a snake and a sparrow. It’s also explicit. And a one-shot.

There is also a 6th volume of A Gentle Noble’s Vacation Recommendation, which is from Comic Corona, not Canna, and is also not BL, per the author, though I’d argue it’s for BL fans.

Viz has a big debut with Choujin X, the new title from the creator of Tokyo Ghoul. A young man, trying to fight against injustice, injects himself with a drug that turns him into a powerful creature. Can he keep this a secret?

Mermaid Scales and the Town of Sand (Aoi Uroko to Suna no Machi) is a josei title from You, about a girl and her father moving to a rural town to start over, a town which reminds her of her childhood… when she was saved by a merman? This is complete in one omnibus.

ANNA: I was getting worried that there might not be much for me this week, but I’m intrigued by this.

SEAN: I have heard that Mermaid Scales and the Town of Sand is REALLY good. Also, how often do we get anything from You? Maybe if this sells we can get Gokusen.

ASH: I am likewise intrigued and have heard good things!

SEAN: Also from Viz: Golden Kamuy 28, Hayate the Combat Butler 41, Mission: Yozakura Family 3, Rooster Fighter 3, Twin Star Exorcists 27, The Way of the Househusband 9, and Zom 100: Bucket List of the Dead 9.

ASH: I need to get caught up with Househusband; I’ve enjoyed what I’ve read so far immensely.

Yen On debuts Hirano and Kagiura, a light novel side story to Sasaki and Miyano. By the way, if you read the Hirano and Kagiura manga, this is a separate story taking place six months before that.

It also has Alya Sometimes Hides Her Feelings in Russian 2, The Angel Next Door Spoils Me Rotten 5, Apparently, Disillusioned Adventurers Will Save the World 2, Bofuri: I Don’t Want to Get Hurt, so I’ll Max Out My Defense 8, The Bride of Demise 3 (the final volume), Chitose Is in the Ramune Bottle 3, Date a Live 8, Death March to the Parallel World Rhapsody 18, Magical Girl Raising Project 15, A Sister’s All You Need 14 (the final volume), and You Call That Service? 7 (the final volume).

Yen Press debuts Assorted Entanglements (Fusoroi no Renri), a yuri series from Comic Newtype. It’s an anthology! Sometimes. It’s a series of interconnected stories! Sometimes.

ASH: Hmmm.

SEAN: The Princess of Convenient Plot Devices (Watashi wa Gotsugou Shugi na Kaiketsu Tantou no Oujo de aru) is a manga adaptation from Flos Comic of the light novel Yen also releases. It’s a good reincarnated villainess story, if only as, while our heroine tries to change her fate, she may accidentally be making things worse.

ASH: I haven’t read the original light novel, but I still like that title.

And they have, in digital-only form, Rose Guns Days Sorrowful Cross Knife (Rose Guns Days – Aishuu no Cross Knife), a side story to the main Rose Guns Days series focusing on Wayne.

There is also SOTUS. From Kadokawa’s Ciel and based on a Thai webnovel. Have you ever wanted to have ritualized hazing and bullying be super sexy? This book’s for you.

MICHELLE: …

ANNA: No thank you!

SEAN: And Yen Press also has Bungo Stray Dogs: Dead Apple 2, Chained Soldier 3, Cross-Dressing Villainess Cecilia Sylvie 3, Daughter of the Emperor 3, Death March to the Parallel World Rhapsody 13, The Detective Is Already Dead 4, Final Fantasy Lost Stranger 8, Hinowa Ga CRUSH! 7, The Holy Grail of Eris 3, Mint Chocolate 7, Re:ZERO -Starting Life in Another World-, Chapter 4: The Sanctuary and the Witch of Greed 5, Reign of the Seven Spellblades 5, Sasaki and Miyano 7, School-Live! Letters (a one-shot sequel to the original manga), Toilet-Bound Hanako-kun 17, Uncle from Another World 6, Unnamed Memory 2, The Wolf Never Sleeps 3, The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat 4, and The World’s Strongest Rearguard: Labyrinth Country’s Novice Seeker 5.

ASH: That’s quite the pile, too!

SEAN: I miss when Yen delayed everything so they had ten titles per week rather than 40 in the same week. What are you getting?

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 6

by

By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Esther Sun.

As I got near the end of this volume, with the appearance of one of the characters I least expected to see, I began to realize that everything about this series makes complete sense if you just remember one fact: everyone in the book hates themselves. Now, sometimes this is obvious. Rosemary has humility as deep as the oceans, as high as the sky, to the point where it’s her biggest flaw. But everyone else, when you dig down into their psyche, also seems to suffer from crippling self-loathing and self-doubt. Even Kanon, the otome game heroine who finally gets summoned in this volume, arrives with a heaping helping of “why me?” that does not go away, though events help to reinforce her worries. Hell, even the CAT probably hates himself. The only, bright, sunny confident person in this volume dies only a little ways into it. That said… this is not a giant depressing. bleak read. Though it’s a downer to an extent.

We pick up right where we left off last time, and unfortunately events do not play out with a last-minute reprieve or God being kind. Now back home again, Rosemary has to deal with trying to live up to her father’s theoretical expectations (which are very different in her head from his ACTUAL expectations), the puzzling fact that everyone seems to lose their composure when she’s around them (especially the men), and of course the small problem of the game’s story starting up early, which means that they’re using ancient untested magic to summon a girl from Japan, who can hopefully be the one to contain the demon lord. All this plus mooning over Sir Leonhart. That said, things actually end up going pretty well… until an assassination attempt manages to screw everything up.

First off, I seem to have lost track of how much time all of this is taking, and somewhere along these six books Rosemary has aged 5 years. Since she’s now 15, and will be “an adult” in this book’s world in 6 months, I will try to complain a bit less about every single man in the cast except her father being in love with her. I do think that it’s laid on a bit thick, frankly, but that is kind of the genre of these sorts of romance books, and so I mostly have to sigh and let the flowery prose wash over me. The most interesting part of the book was near the end, where Rosemary’s near-death experience manages to get her mother, who has spent the entire series avoiding her, to her side. Fans of Endo and Kobayashi Live! might find some similarities here, as it turns out that her mother is merely very awkward and bad at love and emotions – a habit she shares with her husband, who admittedly is nicer to his daughter in this book than in the previous five books combined.

There’s two more volumes in this series to go, so I suspect next time we’ll get the darkness before the dawn. Till then, I am enjoying this book about all these sad little royals who have absolutely no idea how to un-sad themselves.

Matcha Made in Heaven, Vols 1-4

by

Matcha Made in Heaven, Volumes 1-4 by Umebachi Yamanaka

I need to get over my tendencies of forgetting to keep up with digital only releases, I am bad enough about unread manga when I have piles of it to remind me of my backlog, but I’m even worse when it comes to digital releases. However, sometimes a series is so charming that it sizes my attention, I overcome my usual inertia, and I end up absolutely delighted. This was the case with Matcha Made in Heaven!

Chako is a fairly typical big-city dweller, making her way through life, engaged to be married until she starts having reactions to being surrounded by sexism. When she sees her future Mother-in-Law wiping off her fiance’s feet her immediate feelings of revulsion (and the fact that her fiance is seriously creepy) has her fleeing to the countryside to her family’s traditional tea farm. Chako has been out of touch with her family for some time, so she’s a bit startled when she runs across a little girl named Futaba and a giant stern man named Isshin who demands to know what she’s doing in the house. It turns out that Isshin has taken over the family tea business while Chako’s brother works as a writer on the side to earn extra income. Being a writer apparently means abandoning all household duties, as Isshin is basically acting as Futuba’s guardian as well as working in the fields. He makes a comment about how Chako’s not going to be suited to working on her family’s farm and her instinct to rage against sexism and prove him wrong is awakened

matcha made in heaven

Chako’s mysterious yet terrible ex-fiancee shows up at the farm, and in attempt to dodge him, she leaps onto Isshin as he drives a tractor in the fields with Futaba, claiming that he’s her husband. Futuba is absolutely delighted by this development and obviously not over the death of her mother and her absentee father, so Isshin and Chako agree to go through the motions of having a fake marriage. This also has the benefit of all of the neighbors backing off a little bit from trying to set Isshin up. A fake marriage of convenience isn’t a terribly surprising story to structure a multi-volume manga around, but Yamanaka’s execution is top notch. Futuba is an amusing combination of needy 4 year-old and an old soul who is filled with delight about Chako and Isshin’s slowly developing relationship. Isshin is passionate and expressive only about tea, but Chako finds herself more and more charmed by him as she gets to know him.

matcha made in heaven

A fake marriage is nothing without additional obstacles to overcome, and they appear in Chako’s old friend Jin and Isshin’s ex-girlfriend who happens to be the heir to a tea conglomerate. The art is expressive and delicate, with Isshin’s normally stoic expressions only shifting when he’s enraptured by tea or utterly perplexed at how to react to Chako’s presence in his life. I enjoyed the slice-of-life aspect to Match Made in Heaven combined with all the details of tea farming, blending tea, going to markets and trying to salvage a struggling family business. I recommended this series for those who like uncomplicated josei romance.

Yashiro-kun’s Guide to Going Solo: After Story

by

By Dojyomaru and Kou Kusaka. Released in Japan as “Yashiro-kun no Ohitori-sama Kouza” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Andria McKnight.

Allow me to quote the end of my review of Yashiro-kun’s Guide to Going Solo: “This is a single volume – it wouldn’t work as a continuing series.” And now there’s a second volume, and it’s FINE, I guess, but after reading it I still stand by that sentence. This book did not need to be written. It sort of reminds me of what Nisioisin said about Nisemonogatari, where he claims to have written it for fun and never intended it to be published. Now, I’m fairly sire that’s bullshit in regards to the Monogatari Series, but this book has the same feel. There’s tons of in-jokes and references (yes, Souma from Realist Hero shows up again), there’s lots of meandering cute conversations, and we get to see more of the girl who was the “mystery” of the first book. But there’s no real plot here, because the series has nowhere further to go. Not even a flashforward showing married with children can really help there. It is a good, but superfluous, book.

After said flashforward, we get the bulk of the book, which involves a field trip to Kamakura. During this trip, everyone has to form a group, so we get Yashiro and Nue, Kanon and Chikaze, and Yukito and that new girl, Yuzuki. That said, the group has to prove they’re together at the start and end of the day, but in between can do whatever they want. So everyone breaks off to do things separately… but ends up in groups of two regardless. Kanon and Nue end up traveling to a hot spring together, Yashiro and Chikaze go on a mountain hike, and Yukito and Yuzuki go on what is totally not a date. In the end, fun is had and they all return home, with the main thing happening being that Kanon has gotten Nue to open up a little more to her.

There is some good characterization here, though as with the previous book it sometimes suffers because of its odd premise (loner nerds are now admired while popular kids are pitied, in case you’d forgotten). After discovering that Yashiro actually has had a girlfriend all along, the two girls who were falling for him have to get over him. Kanon does this pretty much immediately, and her scenes with Nue were probably the book’s highlight. Chikaze takes longer, and has to have it ground into her head a bit how soppy Yashiro is for his girlfriend before she lets it go. Also, some of the in-jokes really land well – I loved Yashiro and Nue imagining what would have happened if Nue had met Kanon before she met Yashiro, and the answer is “this would be a Manga Time Kirara series instead”.

The author wants to write more, but admits that this does not sell nearly as well as Realist Hero, so it’s unlikely. If you like plotless meandering with cute teenagers, this is a good read. But was this trip really necessary?

Pick of the Week: Classic and Modern

by , , , and Leave a Comment

MICHELLE: Part of me really wants to pick Marmalade Boy here, as it’s one of the first manga I ever read and I have tremendous nostalgic feelings about it. However, I do realize that some aspects of it were decidedly not great. So, instead, I will go with the second volume of Usotoki Rhetoric since the first was absolutely delightful!

SEAN: I agree with Michelle regarding Marmalade Boy, though I will of course be reading it, because who doesn’t want to relive their old problematic media? That said, my pick this week is The Girl That Can’t Get a Girlfriend, about one woman’s search for the butch of her dreams.

ANNA: I’m going to choose chaos this week and pick Marmalade Boy!

KATE: Break of Dawn sounds like it’s just my speed, so that’s my pick.

ASH: Break of Dawn seems like an obvious pick for me, too, but this week I’m going to choose the print debut of Raven of the Inner Palace. I’ve heard great things about the series as a whole and the cover artwork for the first volume is stunning.

Harlequin Manga: Valentines, Revenge, and Secrets

by

Sometimes when reading one wants the equivalent of a decadent Sacher-Torte and other times one might want is a Ho Ho Snack Cake. Is Harlequin manga good? Could the question essentially be meaningless? Sometimes the combination of hackneyed plot tropes and rushed manga adaptations comes together to produce something extraordinary, although most of the time I tend to find it adequate and that’s ok! Sometimes you just want to eat a Ho Ho or read a Harlequin manga. There’s fortunately plenty of selection available on Kindle Unlimited and here are three that I’ve read recently in honor of Valentine’s Day:

Valentine Vendetta by Sharon Kendrick and Miho Tomoi

Valentine Vendetta is the story of a successful party planner named Fran Fisher. Her alcoholic friend Rosie claimed to have been callously used for sex by Sam Lockhart. Rosie wants to be smuggled into a party that Fran is planning so she can confront this terrible womanizer. When Fran shows up at Sam’s house she’s a bit surprised that he’s living in a mansion in the country as a literary agent. Even more mysterious is the fact that Sam is sporting some unconvincing stubble in the first few panels that introduce him, but then he leaves Fran to take a call and comes back clean-shaven. Was he really taking a phone call? What happened with his beard? I honestly spent most of this manga speculating about stubble and wondering when it was coming back only for that mystery to remain unresolved. Sam drives Fran to the train station, and she’s immediately attracted to the messy state of the backseat of his car, it doesn’t match up with the playboy image she has in her head.
Fran just learns how wrong her assumptions were when Rosie and a pack of other women show up and cause a scene at Sam’s Valentine’s Party, and it turns out that they are all upset because they were essentially stalking him! Fran’s put her party planning business on the line for some extremely questionable reasons! Sam however keeps popping up in Fran’s life, she learns more about him and his family and eventually falling in love with him! Miho Tomoi’s adaptation is clear and easy to follow, but I would have appreciated a bit more visual interest, just because the plotline of this title was fairly bland. I wanted more vendettas!

Valentine Vendetta

Alexei’s Passionate Revenge by Helen Bianchin and Yu Mahara

After being a bit let down by Valentine Vendetta, I was hoping for more dramatic plot twists in Alexi’s Passionate Revenge. Revenge doesn’t work when it is too dispassionate, does it? This volume kicks off with Natalya Montgomery being blackmailed into working for the CEO who bought out her father’s company who happens to be her ex-boyfriend Alexi. Now Natalia is stuck being Alexi’s personal assistant unless she wants the secret of her father’s affairs to be released to the media. The plot of this story proceeds in a lovely smorgasbord of tropes including parental alienation, a pregnancy scare, a private villa in New Zealand, a gay best friend, and even more complications that ensured just because Alexi and Natalia had actually managed to have a conversation about their feelings before engaging in blackmail-based business practices. The character designs and illustrations for Alexi’s Passionate Revenge were a bit blocky, and not as delicate as I would have liked, although it was all adept enough. One thing I’m not a fan of is that the revenge in this story was pretty one-sided. Where’s Natalya’s revenge? I hope that she’s planning on something in the future but I won’t count on it.

Alexi's Passionate Revenge


Her Secret Valentine by Helen Brooks and Akemi Maki

This manga has more of the old school quality to the art that I enjoy in Harlequin manga adaptations, although even that isn’t enough to save it from a rather lackluster story with little dramatic tension. Everyone’s eyelashes are three inches long and the heroine has starry eyes all the time. In my mind, this makes up for a certain lack of detail in the backgrounds. Ward Ryan is a widower with a young daughter. Jeanie is his colleague at a law firm who has been crushing on him for years. Ward discovers her crying with frustration about her crush at the office one day and invites him home for dinner. He’s assumes that she’s crying over a man, and says that Jeanie’s imaginary boyfriend is no good for her! Jeanie helps out at Ward’s daughter’s birthday party and they grow closer, while Ward becomes more and more upset that Jeanie’s man doesn’t appreciate her. It is fairly amusing to constantly hear Ward bashing himself to Jeanie. Eventually Jeanie decides that she can’t keep nurturing her crush and quits the law firm, and Ward decides to start pursuing her. Really, there wasn’t very much dramatic tension in this story, and the curly eyelashes didn’t make up for it.

Her Secret Valentine

I would say that out of the three of these volumes, Alexi’s Passionate Revenge was probably the best example of the genre, there were enough inexplicable and yet entirely predictable plot twists to satisfy most Harlequin manga connoisseurs. Now that I’ve revived my Harlequin manga habit, I will continue my quest to find the perfect example of insane plot points and rose-petal filled art.

The Ideal Sponger Life, Vol. 10

by

By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

Gonna be honest, I have not warmed to Lucretia yet. Frankly, I’d be happier with Bona as a 2nd concubine, as the two of them could nerd out together. That said, after getting Lucretia’s backstory here, we certainly see why she’s so desperate to seduce Zenjiro and get into his good graces. Unfortunately, we know our hero better than she does, so she keeps striking out over and over here. It takes Freya spelling it out for Lucretia to get her to change her approach: any attempts to make Zenjiro fall in love with anyone but Aura are doomed to fail. Accept this is a purely political negotiation. She’s in a much stronger position there, especially when her family offers Freya something that, as she herself narrates, she would kill for. But in terms of audience appeal… I think I’m not alone in not really warming to her, and so she’s going to have to work harder in the next few books. But at least now she’ll BE in the next few books, even if she’s still on the outside looking in.

After their error in the last volume, the King and heir to the throne of the Twin Kingdoms are trying to get back into Zenjirou’s good graces, which is unfortunate because he’s still really pissed off. That said, he knows when he can afford to be emotionally furious and when he cannot. Getting a healer is easier, as he negotiates with the Pope there, and it goes very well. A bit too well, in fact. He’s then asked by Freya, who is slowly drying up in the Southern climate, if she can go with him to the Kingdoms to negotiate on behalf of her own nation. This proves to be OK with the Twin Kingdoms as well, who are absolutely delighted to be negotiating with Uppasala. Unnervingly so. What is really going on here?

What’s going on is that the series is now popular enough that things can be planned out for a long-runner, which means we’re setting up plots here for a payoff several books down the road. Honestly, I’m amazed Freya was able to keep her cool as much as she did given the tool they gave her is basically exactly what a nation sailing on a long dangerous voyage would most desperately desire. And then there’s Francesco, still essentially this world’s equivalent of a mad scientist, and trying to invent something that would lead to complete upheaval of the world as everyone knows it. This makes everyone unhappy, but as Zenjirou notes it also may be something that can’t be avoided, so it might be best to control the metaphorical explosion when it happens than to be caught up in it. It might lead to war. The Twin Kingdoms certainly think so.

But yes, Lucretia may be on the cover, and Aura may still be the one Zenjirou loves, but frankly Freya is still the most interesting heroine in these books. I loves her joy when Aura offered her a dress as a gift (which implies she accepts her as Zenjirou’s concubine), which very rightly also got interior art. Given that the next arc will involve Freya’s return home, the author may agree with me.

Fushi no Kami: Rebuilding Civilization Starts with a Village, Vol. 7

by

By Mizuumi Amakawa and Mai Okuma. Released in Japan as “Fushi no Kami: Henkyou kara Hajimeru Bunmei Saiseiki” by Overlap. Released in North America by J-Novel Club. Translated by Jade Willis.

I would like to take this point to mock those reviewers who suggested that this was not going to end up with Ash having more than one wife. If I could quote one of those foolish reviews, one… let me check my notes here… Sean Gaffney, he said in the review of the sixth volume “I’m pretty sure this is not a polycule sort of book.” And yet here we are, and the outcome of the 7th book is so little in doubt that I’m even spoiling it in this opening paragraph. There are no more battles with demons or werewolves here, and the only new ridiculous tech is the finished airplane at last. No, this entire book is about politics, about the fact that Ash and the frontier territories have gotten far too powerful for the royal family’s comfort, and how they can get Alicia away from the royal family and back to her rightful place next to Ash and Maika. The cover art tells you how this turns out.

After the events of the previous book, refugees are flowing into Sacula, and everyone has their hands full trying to find ways to not have them dying in the streets or turning into bandits to stay alive. Towards that end, they have asked for help from the central territories and the royal family. Unfortunately, the king is ambivalent and also weak, and the crown prince is completely hostile. Fortunately they have Alicia, who gets the help of the Church to send much needed supplies. Unfortunately, she’s proving far too popular, so much so that even though she doesn’t want the throne, some nobles want her to take it anyway. As a result, she’s locked away in the palace. Ash is going to have to find a way to rescue her.

I find it amusing, given how Ash has gone out of his way to avoid taking credit for the many things that he’s spearheaded over the years, that the solution to his problems here is to cash in on all those things, admit they WERE all his doing, and get royal recognition (which essentially comes with an “I get whatever I ask for” coupon). As for the two wives thing, it’s pretty clear from the start that Maika is absolutely fine with this, and as a matter of fact might be more annoyed if Ash didn’t make that the solution. She and Alicia have been close ever since Alicia’s days as “Arthur”, and I can definitely see the two of them teaming up on him in the future. We don’t get a wedding, because in the end it’s the civilization that’s more important than the romance – the real climax of the book is the working plane, not Alicia declaring she loves Ash.

This is the final volume in the series, and a quick epilogue puts a definitive capper on things. It’s just about the right length, and I enjoyed this far more than I was expecting. Please enjoy this ridiculous boy becoming a ridiculous man.

Bookshelf Briefs 2/10/23

by , and Leave a Comment

Blue Box, Vol. 2 | By Kouji Miura | VIZ Media – Blue Box continues to strike a great balance between being a sports manga and being a romance. In this volume, Taiki is paired with Haryu-sempai for doubles and they end up doing well enough together and separately at the prefectural qualifiers to advance in their journey to nationals. Haryu has a manipulative side, but he also makes a point of complimenting Taiki’s work ethic and overall potential in Chinatsu’s presence. Taiki’s other friends do their part to help his romantic prospects, as well. His friend Hina, in particular, is emerging to be my favorite character, as she’s doing her best to root for him, but the more it seems like he and Chinatsu could really have something special, the lonelier she feels. She’s on her own journey to nationals, and I hope we see more of that going forward! – Michelle Smith

The Fox and the Little Tanuki, Vol. 1 | By Mi Tagawa | Tokyopop – It’s not hard to see why Tokyopop licensed this charming, kid-friendly title; though it isn’t a Disney property, it has a lot in common with Bambi and The Fox and the Hound, right down to its button-cute cast of talking animals. The story focuses on the improbable relationship between Senzou, an ancient fox demon, and Manpachi, a baby tanuki, who—natch—are temperamental opposites. Though it’s not hard for an adult to see how their dynamic will evolve over time, the story offers enough twists and tear-jerking moments to keep readers invested in this oddball relationship, especially as Manpachi struggles with the realization that his birth family has rejected him for being different. The illustrations are another plus, as artist Mi Tagawa has a flair for drawing expressive animal faces; I dare you not to sniffle when Manpachi pines for his mother. – Katherine Dacey

Hello, Melancholic!, Vol. 3 | By Yayoi Ohsawa | Seven Seas – In this final volume, Minato and Hibiki officially become a couple, but not before Hibiki pushes Minato into checking out a civic brass band that has attempted to recruit her, resulting in a bit of a squabble. Minato’s gotten better at being open about her feelings, but now it’s Hibiki’s turn to stop trying to steer Minato in the direction she’d like their relationship to go and just be honest herself. After this breakthrough, it’s a whirlwind, as Hibiki graduates, Minato’s third year happens off camera, and then they reunite at college. This series has been cute and pleasant throughout but I’m a little dazed and confused that it’s over so soon, particularly with the Sakiko and Chika relationship, which featured so prominently in volume two, still in its uncertain state. Oh well. Still recommended. – Michelle Smith

Kubo Won’t Let Me Be Invisible, Vol. 5 | By Nene Yukimori | Viz Media – Shiraishi is coming along. Slowly. That said, his face is still just a blank most of the time, because that’s what his character is, so there’s no denying that it’s more fun watching Kubo’s expressions. Whether she’s panicking imagining that another girl might possibly hang out with Shiraishi, or deeply traumatized when Shiraishi, in the mall with his brother, sees her buying a sexy bra. She also meets his mom, who clearly seems to love her, and we all know that it’s only the series’ popularity that is preventing them from hooking up. Heck, the series even has an anime currently running… except it’s been pushed back to April due to COVID-19. Luckily, we still have the manga. – Sean Gaffney

Toradora! Vol. 10 | By Yuyuko Takemiya and Zekkyo | Published by Seven Seas – Well, it’s been two and a half years, clearly it’s time for the next volume of the slowest-releasing adaptation ever. We are deeply in the ‘dramatic’ part of the series, with humor kept to a minimum, though there is at least some, as everyone tries to hide in the closet to avoid Ami and Minori’s confrontation. I feel bad for Ami here, who does not really have any problem-solving settings beyond “be a bitch till the problem is solved,” and that’s just not going to work here. As for Taiga and Ryuuji, he at least now knows she loves him, but has no emotional capacity to deal with it, and should be worried more about college, and how to afford it. Come on, just read the LNs. Don’t wait three more years. – Sean Gaffney

The Two of Them Are Pretty Much Like This, Vol. 2 | By Takashi Ikeda| Seven Seas – There’s not a lot of what you’d call forward movement here—this is a vibe manga. We do see Wako getting a decent-sized voice acting role, and the scenes where she tries to do publicity and not freak out or screw up are fun. She also meets her co-stars, who are in a fake relationship, which interests Wako greatly, given that she’s in a real relationship with Ellie. Ellie, meanwhile, has some lunch/dinner talks with another friend of hers who is clearly massively crushing on her but unwilling to do something about it given that Ellie is happy. Ellie even finds her neighbor is a huge fan of her work… her BL doujinshi work, that is. This is so relaxed and fun to read. I love it. – Sean Gaffney

Blood on the Tracks, Vols. 1-5

by

One part Mommie Dearest, one part Kids, Blood on the Tracks is an unsettling depiction of the toxic parent-child relationship between Seiko, an overbearing mother, and Seiichi, her thirteen-year-old son.

The first volume is an artful tease, frankly portraying Seiko’s controlling behavior while encouraging the reader to see it through her obedient son’s eyes: as an expression of parental love. Oshimi hints that Seiko’s attachment to Seiichi goes beyond a simple desire to protect him, but it isn’t until a fateful hiking trip that Seiko’s true ability to manipulate and terrorize Seichii is revealed. In the aftermath of the trip, Seiichi begins to question his earliest childhood memories, and forms a connection with his classmate Yuko, another teen caught in a toxic parent-child relationship. The teens’ effort to break free of abuse, however, is thwarted by their age and by Seiichi’s deep-seated guilt about running away from home; the final page of volume five shows Seiichi abandoning Yuko under a highway overpass to search for his mother, rain and tears streaming down his face.

I’d be the first to admit that Blood on the Tracks is a potent reminder of just how good an artist Oshimi is. No matter what genre he’s working in, he does a superb job of creating fully embodied characters whose facial expressions, gaits, and vocal tics reflect their lived experiences; we can see how socially and emotionally stunted Seiichi is from the way he slouches and stands on the fringes of his friend group at school, and from his difficulty making eye contact with other people. Even more striking is how fluidly Oshimi segues from crisp naturalism to abstraction, using the latter as a way of representing how feelings manifest not as fully formed thoughts but as vivid, unsettling images that intrude on everyday life. Oshimi’s expressive linework and creative use of perspective give these sequences a visceral authenticity that would be almost impossible to achieve with language. 

In this scene, for example, Oshimi shows us the turning point in Seiko’s relationship with his mother. The first image in the sequence offers a fleeting glimpse of Seiko as Seiichi used to see her: as a beautiful young woman who devoted her life to protecting her son from harm. The second and third images in the sequence, however, reveal how Seiichi now sees her: as a terrifying stranger, a point reinforced by his wide-eyed stare and the faint smirk on Seiko’s lips. Oshimi sharply contrasts the beauty of the setting with the horror of what just transpired, creating a visual analog for Seiichi’s shock at learning who his mother really is.

The stumbling block—for me, at least—is that Oshimi’s stories always veer into the uncomfortable terrain of transgressive behavior and power dynamics. His characters exhibit such destructive, sadistic tendencies that his work often leaves me feeling queasy, not least because so many of his protagonists are teenagers. Maybe that’s the point: we can’t understand what it’s like to live with a pathologically selfish person unless Oshimi uses jump scares and creepy close-ups to make us feel the same sense of apprehension that Seiichi does. Yet there’s something distressing about making entertainment out of this material, however convincing his portrayal of Seiko’s pathology may be; I couldn’t shake the feeling that watching Seiko squeeze the life out of her son was a kind of emotional torture porn. I threw in the towel with volume five, but your mileage may vary.

BLOOD ON THE TRACKS, VOLS. 1-5 • BY SHUZO OSHIMI • TRANSLATED BY DANIEL KOMEN • VERTICAL