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Dahlia in Bloom: Crafting a Fresh Start with Magical Tools, Vol. 6

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By Hisaya Amagishi and Kei. Released in Japan as “Madougushi Dahlia wa Utsumukanai” by MF Books. Released in North America by J-Novel Heart. Translated by Osman Wong.

There’s a lot going on in this volume of Dahlia in Bloom, but the most important part involves a conversation that really should have happened ages ago. This series began with Dahlia’s fiance, Tobias, being SUCH trash that he gained an almost memetic reputation as a trash man, and several volumes in we’re still piling on the humiliation for him, his family, and his company. But there’s also a backstory here. One of Tobias and Dahlia growing up together and knowing exactly how the other works. One of their marriage being one of convenience rather than romance, something that even Dahlia’s father is aware of. And it also helps show exactly why Tobias did what he did, and so rapidly: he’s never remotely felt romantic love before, and certainly not with Dahlia. It was a bolt from the blue. As such, when a crisis unfolds that requires Dahlia and Tobias to work together again, they’re finally able to sit down and have a conversation about what happened, and begin to move past it.

The crisis takes up the first half of the book. What was thought to be an illness turns out to be that her friend Irma is pregnant. Unfortunately, this is one of those worlds where magic is biased against the lower classes, and Irma’s husband turns out to be a noble’s illegitimate child, so he has far more magic than she does. As such, the pregnancy might kill her. To solve this, there’s a complex enchantment of a bracelet that needs to be done, and when Oswald and Dahlia find their magic is not compatible enough, they’re forced to turn to Tobias. Who, to be fair, helps immediately, and is quite chastened the entire time. We also see Dahlia’s influence and creativity inspiring others, either to expand on her inventions or expanding into their own companies. And, rest assured, food is eaten and alcohol is consumed.

I will admit, one thing in this book really surprised me, and that was the presence of Emilia in it. Emilia was not really a character so much as a macguffin, there to jump start the plot, and I have to admit that I was expecting, after Tobias was disgraced and everyone in town started to shun him, that she’d have simply vanished. But it actually works better for the book that she and Tobias really ARE in love, and that she’s still with him even after all that’s happened. And even though the two are very bad at talking with each other – she’s mostly convinced herself that if Dahlia tried to win Tobias back from her, it wouldn’t take much. I still don’t like either character, but I respect their poor choices. I also want to note that I hate the “nobles have stronger magic” system. We also see it in Bookworm, and I hate it there too. It’s an excuse to keep the common folk where they are. Dahlia’s inventions help a bit, but she has a ways to go before she’s Princess Anisphia.

Dahlia in Bloom continues to be one of the best J-Novel Heart titles, even if those waiting for the romance to happen must be groaning at another volume where neither party get any closer to admitting their feelings.

My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 7

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By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

It’s been a long time coming, getting to this part of the plot. This is the seventh book of 10, but they’re pretty chunky books. And we’ve had a few flashbacks before to Belgrieve’s time as an adventurer in the past, but now at last we actually get to see the scene where he’s lost his leg, and really see how it affected everyone else. Including him, of course. He’s finally away from the comparative safety of his hometown or the big city where his daughter is based, and it shows almost immediately, in that he’s out of his depth. This is not to say that he falls behind or ends up being a liability – the opposite, in fact. But this is a series that has, as its main plot point, a daughter talking about how awesome her daddy is, so it’s nice to end up in what is essentially a Hellmouth so that we can see what he left behind.

Having finally left the village, the first three-quarters of the book is the journey, as Belgrieve and company set off to find Percival, who is rumored to be at the Earth Navel. Fortunately, the rumor turns out to be true, as Percival is there, but he’s a far cry from the happy-go-lucky lunkhead we’ve heard Belgrieve talk about before. As the group get clover and closer to the Earth Navel, the area gets hotter and more dangerous. In addition, Belgrieve is not the only one who has to confront his past, as Kasim runs into the guild master of a city they pass through, who not only has a clear crush on him still but is very bitter about this “:Bel” Kasim was always obsessed with. As they get closer to the Earth Navel, will things really resolve so easily?

There are times when I can feel the hand of the author on the plot a bit too much, such as when, just before arriving at the Earth Navel, Belgrieve is struck by a bad illness, so that he can look at death’s door when he finally meets Percival and cause even more angsty trauma. That said, I did laugh at the way that their past is resolved – Bel hits Percival till he feels better. I also really liked seeing Yakumo and Lucille again, especially Lucille, who still tends to slip old song lyrics into her speech (Bob Dylan’s “Don’t Thing Twice, It’s Alright” is the most obvious here). I also enjoyed Percival and Angeline bonding over killing monsters, even as Angeline is starting to slowly realize something she has been ignoring – spending years traveling around adventuring with her dad is probably not in the cards.

We’ve only got one more “past” character to reunite with, which I suspect will happen in the next book. Till then, of all the “Daddy and Daughter who really loves her daddy” series from Japan, this is probably my favorite.

The Bride of Demise, Vol. 3

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By Keishi Ayasato and murakaruki. Released in Japan as “Shūen no Hanayome” by MF Bunko J. Released in North America by Yen On. Translated by Jordan Taylor.

When I reviewed the second volume of this series, I noted that the first was a fantastic stand-alone, but the second volume was not nearly as good as the first. It would appear that most of the reading public agreed with me, as apparently the series’ sales were so bad the author was allowed to comment in the afterword that this third volume is the final one because of low sales. Unfortunately, I am here to say that this third volume is not nearly as good as the second. It has big Shonen Jump “please look forward to the author’s next work” vibes. The first half, at least, looks like it’s setting things up for future volumes down the line. But about 60% of the way through, you can almost see the point where the author was informed by the editor that this is the last book, and the rest is just a race to a finish line. Not the best finish line, but one that will have to do.

Things are back to normal with Kou… relatively. After the last go round of getting murdered over and over again, and rewinding time over and over again to fix it, Kou’s powers are no longer an immediate ‘get out of jail free’ card, and he can’t always use them when he wants to. That said, he’s also got to deal with more teenage boy problems. Let’s remember the warning that Asagiri was the only one who murdered him last time WITHOUT being mind controlled. And now she has been told – by someone unknown – that he has White and Black Princess, and so decides to go all out in confessing to him. And is rejected. Adding to this teen drama, their fried Isumi is in love with Asagiri, knows she’s in love with Kou, and is busy trying to keep himself from having a complete breakdown. That’s right about when Asagiri completely disappears.

This book didn’t help itself by having a couple of things I really don’t enjoy in my fiction. I’ve never liked the “yandere” trope in general, especially since it tends to be overused by fans to describe any girl who gets angry at all, but it’s definitely in place here, and I still don’t like it. There is a new character introduced here whose role is very obvious almost immediately, and especially when the author starts trying to wrap everything up all at once. On the bright side, the overall message of “you can’t always protect everyone equally, you have to prioritize those you care about” is a good one well handled, even if this also involves abandoning an entire school of students to their inevitable deaths.

The author said that if the series had continued, more of the regulars would have had to tragically die, so this is a decent place to end it. If I’m honest, two volumes ago was a decent place to end it. But if you’ve read the first two, this is here, I suppose.

The Manga Review: Turnover at Tokyopop

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In a recent interview with ICv2, Tokyopop’s Kae Winters confirmed that Stu Levy is transitioning out of his long-time leadership role at the company. “Stu’s been a major part of Tokyopop for so long, but with his own family now – and his move to Germany – we knew he’d step back eventually,” she said. She praised new COO & Publisher Marc Visnick as “a natural fit with our team” as Tokyopop continues to solidify its place in the current US market. “When we returned to publishing back in 2016 we released seven new titles; in 2022 we published almost ten times as many,” Winters noted. “We consider ourselves a boutique publisher now, with plans to expand modestly in an effort to maintain quality over quantity, and continue to bring titles to fans that we personally believe in.” Visnick echoed Winters’ sentiments, stating that he is “cautiously optimistic” about manga sales since Tokyopop has “witnessed steady growth across all trade channels” including independent booksellers and libraries.

NEWS….

On the tenth anniversary of Saturday AM‘s founding, Brigid Alverson sat down for a conversation with publisher Frederick Jones to discuss the magazine’s history, as well as its recent pivot into book publishing. “We refer to our works as diverse manga to normalize content that is both by creators of various ethnic origins and features various heroes of similarly broad racial backgrounds,” Jones explains. “While most young people will never make it to Japan and even fewer won’t learn Japanese, Saturday AM’s diverse manga stands as a key brand for their works to be discovered, featured, and celebrated.” [ICv2]

Kristin offers practical tips for assembling the full run of Berserk. [Anime Collective]

Bill Curtis compiles a master list of all this month’s new manga and light novels. [Yatta-Tachi]

R.I.P. Leiji Matsumoto. [The Beat]

Yamada Murasaki’s Talk to My Back has been nominated for a Los Angeles Times Book Award. [The Beat]

Last year was the highest grossing year for manga sales in Japanese history. [Otaku USA]

Chainsaw Man was 2022’s best selling manga according to two separate charts: NPD Bookscan and ComicsHub. Both lists are heavily dominated by VIZ Media properties, with only a handful of titles from Dark Horse and Kodansha making the cut. [ICv2]

If you love cats, Brigid Alverson has good news for you: Seven Seas has five new cat manga in the pipeline, including Cat on a Hero’s Lap, My New Life As a Cat, and A Cat from Our World and the Forgotten Witch. [ICv2]

The Lakes International Comic Art Festival just announced its inaugural Sophie Castille Award, which recognizes outstanding work in the field of translation. The award was created in honor of the late Mediatoon executive who was “a key figure in the growth of translation of comics and graphic novels around the world.” This year’s prize will go to the translator of “a comic translated from any language into English,” but LICAF organizers hope “to widen the scope of these awards and have partners all over the world so that there will be Sophie Castille Awards for many languages” in the future. [LICAF]

…AND VIEWS

Please join me in congratulating Tony Yao on thirteen years of manga blogging! Tony has been posting thoughtful articles about manga and mental health for years, first at Manga Therapy, and more recently at Drop-In to Manga. [Drop-In to Manga]

Have you ever wondered what it would be like to teach–or take–a college survey course on manga? If so, you’ll want to check out the syllabus for Martin de la Iglesia’s Manga – Introduction to History and Theory, which he taught last year at Heidelberg University. [The 650-Cent Plague]

David Brothers leads the Mangasplainers in a lively discussion of Under Ninja, a series about a ninja who “sets his sights set hilariously low.” [Mangasplaining]

Looking for a great new series? Laura Grace adds a new chapter to her ABCs of Shojo Manga with a survey of titles beginning with the letter G. [Beneath the Tangles]

If you love a great accessory or a well-tailored frock, you’ll want to read Jocelyne Allen’s review of Fashion, a manga about the garment industry. Author Lemon Haruna “does a great job of portraying clothes in motion, and making them feel both unique and a part of everyday life,” Allen observes. “Haruna also has an extremely clean, but totally expressive style that reminds me somehow of a cross between Kondoh Akino and Chris Ware.” [Brain vs. Book]

REVIEWS

This week’s must-read review comes to us from Adam Symchuk, who praises Mermaid Scales and the Town of Sand for its thoughtful depiction of a young girl on the cusp of adolescence. “Exploring themes of ‘family’ is where Mermaid Scales and the Town of Sand excels,” he observes. “Tokiko’s relationship with her father paints a portrait of a young girl with a unique intuition and empathetic nature.” Over at The OASG, Helen and Krystallina compare notes on volume seven of The Apothecary Diaries, while the staff at Beneath the Tangles post short reviews of Ayashimon, Guardian of Fukushima, and Tezcatlipoca, and my Manga Bookshelf colleague Sean Gaffney reminds us that he doesn’t just review light novels; he also writes pithy, hilarious manga reviews.

New and Noteworthy

Complete and Ongoing Series

Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 9

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

For today’s reading we have Exhibit A in “the suspension bridge effect is bullshit”. Slowe and Alicia are put into a situation where they’re supposed to band together to survive and slowly realize their feelings for each other. There are, however, a few minor problems with this scenario. 1) Slowe is in love with Charlotte. 2) Alicia is MUCH more stubborn than even those who knew her imagined. And, most importantly, 3) They’re just not that into each other. This book starts with the cliffhanger of the last volume, which has the rumor about Slowe and Alicia being engaged again, and both are determined to break it off – Slowe for obvious reasons, and Alicia because, even if she does think Slowe is not as bad as he used to be now, an arranged marriage is anathema to her. I really like Slowe and Alicia’s dynamic, but as “put upon heirs”, not as a couple.

So yes, the campus is abuzz with the rumor about Slowe and Alicia, to the point that neither of them can even have a moment’s peace without the gossip reaching their ears. And a lot of the gossip is nasty, on both sides. Plus Slowe is now having nightmares where he’s married to Alicia and Charlotte is crying. Theoretically, they should team up, but Alicia is not that sort of person. Instead, Slowe and Charlotte have to sneak off after her when she flees the campus. She’s going to one of the most dangerous dungeons in the world to get back a priceless royal heirloom that was taken by a slime monster. If she can return it to the royal family, she’ll have enough clout to get the engagement called off. To help she’ll have Slowe, Charlotte, Charlotte’s “pet cat”, and the world’s most suspicious guide.

The weak point in this book is Blau. She’s a good character, but a lot of her felt underdeveloped. Given what she’s got planned for Alicia in the dungeon, I expected her to be a lot more morally grey than she ended up being, but she was more of a dumbass than anything else. Also, her character really needed a cathartic last meeting with the one she’s been searching for, and just did not get it. Honestly, both of those problems seem like poor editing – I wonder if she was meant to be a villain but that was rejected? Charlotte is also much stronger here than in previous books, which is good, because given the cliffhanger to THIS book she’ll need that strength. And I also appreciated the repetition of Slowe never quite realizing what his reputation is with the kingdom now that he’s saved the day multiple times. He’s still trapped in that damn anime.

The next book promises a confrontation we’ve wanted to see since the start – Slowe vs. his family. Till then, this was a strong volume of Piggy Duke, and had a bunch of cool fights as well. Plus, skeleton warriors. Always terrific.

Manga the Week of 3/8/22

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SEAN: It’s March, and to celebrate New England is finally getting a bit of snow. But what manga are we getting?

Airship has no print releases, but they do have an early digital one: Reincarnated as a Sword 12.

Dark Horse gives us a 13th volume of Berserk Deluxe Edition.

ASH: I’ll be picking this one up, surprising no one at this point.

SEAN: Denpa Books has a second omnibus volume of Nana & Kaoru.

There’s a debut from Ghost Ship. Rise of the Outlaw Tamer and His Wild S-Rank Cat Girl (Dappou Tamer no Nariagari Boukentan ~S Rank Bishoujo Boukensha ga Ore no Juuma ni Natteimasu~) is a Comic Ride series. A low-ranked tamer is asked by a high-ranking catgirl to “tame” her in hopes she’ll evolve. In reality, it’ll probably just lead to horniness.

ASH: Sounds about right.

SEAN: Also from Ghost Ship: World’s End Harem: Fantasia Academy 2.

J-Novel Club has a debut, but it’s one of the Sol Press rescues: Let This Grieving Soul Retire (Nageki no Bourei wa Intai Shitai – Saijaku Hunter ni Yoru Saikyou Party Ikuseijutsu). Our hero’s friends have cool powers. He does not. But for some reason they keep expecting things from him.

Also from J-Novel Club: Culinary Chronicles of the Court Flower 9, D-Genesis: Three Years after the Dungeons Appeared 3, An Introvert’s Hookup Hiccups: This Gyaru Is Head Over Heels for Me! 2, Invaders of the Rokujouma!? 41, Reborn to Master the Blade: From Hero-King to Extraordinary Squire 8, the 4th manga volume of Tearmoon Empire, and the 7th manga volume of Welcome to Japan, Ms. Elf!.

Kodansha, in print, gives us Am I Actually the Strongest?, which has been out in digital since 2020, but I think is either getting or just got an anime.

Also in print: As a Reincarnated Aristocrat, I’ll Use My Appraisal Skill to Rise in the World 4, I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability 4, Magus of the Library 6 (!!!), and SHAMAN KING Omnibus 12 (the final volume).

ASH: Ooh! Magus of the Library!

SEAN: The digital debut will be familiar to old school Tokyopop fans. Life is a shoujo manga from Betsufure, and TP published 9 volumes of it before cancelling it. Now Kodansha is doing a digital version, which hopefully will go the distance. This is an award-winning manga, but be warned, it’s a tough one: our heroine starts cutting herself in the first book.

MICHELLE: Amazon shows I purchased the first volume back in 2006, but I don’t think I ever actually read it, so now’s my chance!

ANNA: Maybe this is an indication (Silver Diamond) of other (Demon Sacred) Tokyopop (Immortal Rain) series getting picked up.

ASH: I live in perpetual hope!

MELINDA: My well of hope runs dry, but… maybe?

SEAN: Digitally we see Abe-kun’s Got Me Now! 10, Doing His Best to Confess 4, I Guess I Became the Mother of the Great Demon King’s 10 Children in Another World 7, MF Ghost 11, Raised by the Demon Kings! 6, Shangri-La Frontier 10, The Shape-Shifting Witch’s Kiss 4 (the final volume), and Tying the Knot with an Amagami Sister 7.

MICHELLE: Doing His Best to Confess looks cute. I’ve been meaning to try it out.

SEAN: From Seven Seas, we see Grandmaster of Demonic Cultivation: Mo Dao Zu Shi The Comic, the webtoon adaptation of the popular danmei series, in full color.

ASH: Looking forward to giving this one a try!

SEAN: We also see orange -to you, dear one-, the final epilogue to the orange series, which tells the story of the rest of the main cast in this new future.

MICHELLE: So excite.

ANNA: I still have the first volume of orange lurking around my house, unread!

MICHELLE: It’s so good!

ASH: It really is. Very glad to see the epilogues being released.

MELINDA: !!

SEAN: Seven Seas also has The Ancient Magus’ Bride 17, The Girl in the Arcade 3, Level 1 Demon Lord and One Room Hero 5, Mushoku Tensei: Jobless Reincarnation 16, and Yokai Cats 3.

MICHELLE: It’s been 84 years since I read any of The Ancient Magus’ Bride. I’ve really been missing it.

ASH: I’m somehow behind in my reading, but I enjoy this series so much.

SEAN: Square Enix debuts My Clueless First Friend (Jijou o Shiranai Tenkousei ga Guigui Kuru), a Gangan Joker series which is getting an anime. A bullied elementary school girl is startled when a new transfer student arrives and finds that all the things people bully her for are, to him, cool!

From Steamship, we get Ladies on Top 2.

ASH: Which reminds me I still need to read the first volume.

Udon debuts Persona 4 Arena, a Dengeki Maoh series for all you folks who wished Persona 4 were a fighting game. This is, in fact, an adaptation of a video game.

Viz Media debuts Ayashimon, a Shonen Jump series from the creator of Hell’s Paradise: Jigokuraku. A guy who wanted to grow up to be strong like a manga hero does his job a bit TOO well.

ASH: I am intrigued.

SEAN: Also from Viz: Black Clover 32, Blue Box 3, The Elusive Samurai 5, Ghost Reaper Girl 4, Ima Koi: Now I’m in Love 5, Kakuriyo: Bed & Breakfast for Spirits 8, Kubo Won’t Let Me Be Invisible 6, and Yona of the Dawn 38.

MICHELLE: Must have a Yona binge soon!

ANNA: Need to get caught up on Ima Koi and always excited for new Yona!

SEAN: That’s it! What will you read if you’re snowed in?

Accomplishments of the Duke’s Daughter, Vol. 8

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Airship. Translated by Andria Cheng.

This has been an oddly paced series, mostly due to the prequel being almost as long as the main series itself. We do get an epilogue showing Iris and Dean’s kids at the end, but for the most part Iris’ story ended in the 5th volume, and the last three have just been her listening to her mother finally explain her past. The reason for the secrecy ends up being the fact that most of how she and Iris’ father got together revolves around treaties, state secrets, and nearly averted war, so it’s not something that makes for great anecdotes to tell the kids. It’s also darker than Iris’ story, with more deaths – Iris very much had the fairytale “villainess” story, where almost all obstacles were overcome and they all live happily ever after. Merellis’ story shows that peace was temporarily won, but they didn’t ALL live happily ever after, and there are future tragedies shaping up that she can also do nothing about.

There’s trouble brewing in a neighboring principality, and the first quarter of this book shows us Louis’ father visiting all the lords of said principality and seeing how their power structure works. Some are pawns, some are noble, some are secretly led by their spouse, etc. In order to try to avoid being tricked into war, there’s a huge party held in Tasmeria, inviting all the neighboring lords, and Merellis attends as well… which is good, as it turns out there are also planted guards there to kill off most of the attendees. Fortunately, Merellis is able to stop this with a little help. Unfortunately, it turns out that when all the secret plots are unraveled, one of the main forces behind it is a lot closer to Merellis and her family than anyone would like, and may lead to her being unable to marry Louis.

I did worry that this book would completely slide into political battles and that we would not see Merellis fighting anymore, but no need on that score, as not only do we get her saving the day at the ball through judicious use of murdering the bad guys, but we also see her leading a private army to kill more bad guys, though that does not go nearly as smoothly, and does lead to deaths of some named characters. For the most part, though, the lesson of this book is that you CAN marry the true love of your life, but the politics has to line up as well. With Louis and Merellis it does. For Edgar and Sharia, they get what they want, but are tricked/forced into a compromise that will lead to massive tragedy down the road. And also to the events that kickstarted Iris’ story itself. Being a duchess is hard.

And so this series has come to an end. It took a while, and we got the manga first, so it seems longer, but this was a good example of the “sensible” end of the villainess scale, and had lots of fun worldbuilding. Just be prepared for the extended prologue.

Bookshelf Briefs 3/1/23

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Blue Box, Vol. 2 | By Kouji Miura | Viz Media – The combination of sports manga and romcom is the series’ main strength, as we saw from the first volume, but it can also be a weakness, as right now I’m frankly more invested in the sports than I am in the romance. It doesn’t help that in this second volume Chinatsu is literally fought over as a prize in a badminton match, a subplot that I always hope will be left dead and buried but never is. Clearly she is going to get her own focus in the series at some point in the future, but this is a Jump title, so there’s always the chance that she won’t, and this is going to be the Taiki show. And Taiki is fine, he’s a perfectly good protagonist, but this is being sold as a two-person book but isn’t yet. – Sean Gaffney

Frieren: Beyond Journey’s End, Vol. 7 | By Kanehito Yamada and Tsukasa Abe| Viz Media – Folks who were a bit put off by what amounted to a tournament arc for two+ volumes will be relieved to hear that it ends with this volume, and we get back to the main cast wandering the world, and Frieren slowly learning all the things that she never quite got when she was traveling with the hero. Fern is not quite as bad as her master, but she does seem to suffer from an inability to come to terms with her feelings, which mostly amounts to what she wants from Stark. Most of this comes out as tsundere romcom schtick, but in the context of the series as a whole, I find I enjoy it better. Still one of the better fantasy manga out there. – Sean Gaffney

My Hero Academia, Vol. 33 | By Kohei Horikoshi | Viz Media – It’s no secret to anyone who follows my various fandom things that Uraraka is my favorite character in this series, so this entire volume was like catnip to me. Of course, that does not mean that I’m ignoring The Apology That Broke MHA Fandom, which I think was about as good as we were going to get given that, unlike many fan writers, Horikoshi is not really interested in having Bakugo suffer for his childhood crimes. In any case, now that Izuku is back at his home base and the general public are reluctantly willing to give him a chance, what could possibly happen next? Well, I’m afraid we have to call in the marines. But that’s next volume’s problem, and oh, I will have things to say. This volume, though, was excellent. – Sean Gaffney

The 100 Girlfriends Who Really, Really, Really, Really, REALLY Love You, Vol. 5 | By Rikito Nakamura and Yukiko Nozawa | Ghost Ship I mostly love this series, so let’s get the annoying bad thing out of the way first off: Japan has far more interest in girls peeing themselves than I ever will. That said, it’s as part of a gag, as is this entire series, so I’ll handwave it. We get two more girlfriends in this book. One is a high school baseball player trying to save her club who turns out to be a masochist, and the other is a rich ojou with a destined rivalry with Nano, as well as a love of beauty. There’s fourth wall breaking, there’s unabashed horniness, but as always, there really is a heartwarming polycule at the center of this, which is why I love it. – Sean Gaffney

Queen’s Quality, Vol. 16 | By Kyousuke Motomi | Viz Media – This is, at the very least, slightly less depressing than the previous book, which is good. That said, I think I have to face up to the fact that this does not come out often enough that I can keep up with anything anymore, and it’s hard for me to remember anyone in the cast who isn’t Fumi and Kyutaro. But to be honest, that’s not as big a problem as you’d expect. This series has come to run on vibe and coolness, and if you don’t remember who anyone is or what’s happening, there’s plenty of good dialogue, supernatural battles, and shoujo romantic tease. But counting QQ Sweeper, we’re nearly twenty volumes in, and oof, I’m starting to get exhausted. – Sean Gaffney

Snow White with the Red Hair, Vol. 23 | By Sorata Akiduki | Viz Media – I am afraid that our heroes are getting Known. This was always the case with Zen, who sits this book out for the most part, but Shirayuki and Obi are pretty famous now, which means that they might be asked to solve mysteries, in the best detective story fashion. Given that Obi is basically a ninja and Shirayuki specializes in medicine, it’s not a bad combination, so we get the start of an arc asking who the noble is that’s going around to various fancy dress balls, and why no one can quite remember what happened at the ball afterwards. Good stuff, though we’ll have to wait till next time to see who’s actually behind it. Plus we get to see Angry Shirayuki, always a treat. – Sean Gaffney

Marmalade Boy: Collector’s Edition, Vol. 1

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One of shojo manga’s most time-honored plot lines goes something like this: a young girl’s life is turned upside down when her mother or father remarries someone with a teenager of their own, usually a cute boy who’s smart, athletic, and insufferable. Over the course of six or ten volumes, however, the heroine gradually moves from indignation to infatuation, finally admitting to herself what everyone else could plainly see: she likes her stepbrother. There are a usually a few complications on the way to a blissful relationship—say, a crazy ex-girlfriend who won’t go away—but the step-siblings eventually realize that they’re meant to be together.

Wataru Yoshizumi’s Marmalade Boy adds a new wrinkle to the formula, however, by engineering a crazy scenario for bringing her romantic antagonists under the same roof. In the opening pages of volume one, fifteen-year-old Miki Koishikawa’s parents come back from a trip with shocking news: they’re getting divorced. Making matters worse is that the Koishikawas have decided to swap partners with the Matsuras, a couple they met while traveling, and combine their families into a single household that includes both Miki and the Matsuras’ son Yuu. Yuu, of course, is a quintessential shojo prince: he’s gifted at tennis, an ace at math, and popular at school and—naturally—Miki hates him. She finds him smug in his refusal to criticize their parents’ impulsive behavior, and is furious that no one seems to understand her reservations about their new living situation. 

Their blended family life is established with great efficiency, setting the stage for plenty of misunderstandings and fights between Miki and Yuu. Yoshizumi also wastes no time in introducing other romantic prospects for both leads; a good part of volume one, in fact, follows the complicated friendship between Miki and Ginta, a cute tennis player who Miki used to like. Yuu, meanwhile, has his own romantic travails when his ex-girlfriend Arimi tracks him down at his new school, determined to rekindle their relationship by any means necessary. And if all those potential entanglements weren’t enough to fill thirty or forty chapters, Miki’s best friend Meiko starts hooking up with her hot homeroom teacher in the school library.

If I’m reading the story in Responsible Adult Mode™, it’s hard to ignore all the WTF? shenanigans. In one of the weirdest scenes in volume one, for example, the Matsuras and Koishikawas stage a fight to see whether Miki truly disapproves of their living arrangement, confessing their deceit only after a tearful Miki begs them to follow their hearts. The sight of all four parents gaslighting their daughter is comically awful; I’d be the first to admit that I’m on Team Miki, as she seems to be the only person who grasps the impulsiveness of the adults’ spouse-swapping arrangement. Then there are the usual shojo red flags: student-teacher relationships, stolen kisses, and characters whose behavior sails over the line between friendly interest and stalking.

If I allow myself to reconnect with my inner twelve-year-old, however, I have to admit that Marmalade Boy is funny, silly, and engrossing, offering a teenage gloss on Dynasty or Melrose Place. It’s the kind of manga in which two romantic rivals settle their differences with a high-stakes tennis match—in front of the whole school, of course—and characters state their intentions in a bald fashion: “I won’t lose you to him,” Arimi cheerfully warns Miki over a sundae. (A sundae!) Yoshizumi’s ability to balance the absurd with the everyday lends an air of plausibility to these scenarios; there’s always a kernel of emotional truth to the interactions between the characters, even when they’re dreaming up soap-worthy schemes.

Though the plotting is intricate, the artwork is clean and unfussy; backgrounds, hairdos, and clothing are rendered in a style that keeps the focus on the characters’ faces and body language. Miki has big, dramatic reactions to everything, but Yoshizumi avoids too much deformation or mugging to convey Miki’s distress. More surprising is how gracefully the artwork has aged, aside from an errant headband here and there; it wouldn’t look out of place at Barnes & Noble in 2023. (Well, that’s not entirely true; Yuu has a major case of 90s Shojo Prince Hair™, notable for its height and for the artful way it flops to one side of his face.)

All of this is to say that I enjoyed Marmalade Boy waaaaaaaaaay more than I expected, given my advanced age and my strong preference for stories about, y’know, adults. I cheerfully recommend it to anyone looking to recapture the feeling of reading their first shojo manga, or the palpable excitement of being a manga fan in the early 2000s, when Tokyopop published these kind of stories by the truckfull. Recommended.

MARMALADE BOY: COLLECTOR’S EDITION, VOL. 1 • BY WATARU YOSHIZUMI • TRANSLATED BY AMBER TAMOSAITIS • ADAPTED BY KRISTA GRANDY • LETTERING BY JENNIFER SKARUPA • SEVEN SEAS • RATED TEEN+ 

The Angel Next Door Spoils Me Rotten, Vol. 5

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By Saekisan and Hanekoto. Released in Japan as “Otonari no Tenshi-sama ni Itsu no Ma ni ka Dame Ningen ni Sareteita Ken” by GA Bunko. Released in North America by Yen On. Translated by Nicole Wilder.

There is a trope sometimes known as Moonlighting Syndrome, named after the 80s TV show, which refers to a series failing because the romantic couple got together and all the tension was removed from the show. Leaving aside that this is not at all why Moonlighting failed, I think it’s a trope that is honored more in the breach than in the observance. It also depends on the genre. If this were a standard harem comedy, with Amane attracting the love of five or six different girls, then the one where he picks one would definitely be the final volume. Fortunately, this is not that, it’s a syrupy sweet relationship book. In fact, the thing that separates this from the pack is how long it’s actually taken Amane and Mahiru to get together. But at last Mahiru has managed to convey her feelings and the two of them are dating, and so now we can finally answer the age old question the above trope asks: now what?

Well, first of all, they’ve got to let the school know that they’re dating. OK, they don’t HAVE to do this, but given how much they accidentally flirt with each other constantly now, it will become rapidly apparent anyway. Surprisingly, it goes very smoothly – Amane is serious and withdrawn rather than a “loser protagonist”, so doesn’t get as much backlash as expected for dating the Angel of the school. Plus she’ll kill anyone who tries to get on his case about it with an angelic (fake) smile. After this there’s two more important relationship goals to conquer. Going to the local pool, which will involve swimsuits and attractive bodies. And going back home to visit Amane’s parents, which will involve a lot of Amane getting teased, but also an encounter that will hopefully let him close the book on his past trauma.

Generally speaking, whenever you have these “my personality is broken because of kids in my past”, you are inevitably going to meet those kids again. So the question is will it be the “it turns out we were really sad about what we did and want to apologize” version or the “no, we really are massive assholes” version. Angel Next Door takes the latter tack, and it’s probably for the best. Amane’s psychological damage has been what’s held the romance back in the first place, so having it be due to a misunderstanding wouldn’t have worked. That said, instead of a past trauma, we have a new enemy for readers: Amane and Mahiru’s own innate pureness. It takes the entire volume for them to get around to a kiss on the lips, and you get the sense that any sexual activity will be long after this series has finished. This is syrupy sweet romance, but that means you have to put up with them being two massive cinnamon rolls.

So still decent, if you can put up with the two leads being gaga over each other but rarely getting past the “holding hands” part.