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Manga Bookshelf

Discussion, Resources, Roundtables, & Reviews

Michelle Smith

Pick of the Week: Lesbians or Melting Faces?

January 31, 2017 by Sean Gaffney, Anna N, Ash Brown, Katherine Dacey and Michelle Smith Leave a Comment

MICHELLE: Hm, probably I shouldn’t pick Wave, Listen to Me! for two weeks in a row, so this time I’ll go for Kindred Spirits on the Roof, which has been on my to-get list for quite a while.

SEAN: There’s lots I’m interested in, including lots of light novels and some amusing/disgusting horror. But yes, my pick is definitely Kindred Spirits on the Roof. This makes three Seven Seas picks this month. Kudos to them.

ASH: While I’m certainly interested in Kindred Spirits on the Roof there can be no other pick for me this week than Dissolving Classroom. Josei horror by Junji Ito? Count me in!

KATE: My vote goes to Junji Ito’s The Dissolving Classroom. It looks gross — in the best possible way — and funny — as all of Ito’s manga are. I don’t know if it’s studded with references to Umezu’s Drifting Classroom, but it seems as if there’s drinking game potential here!

ANNA: I’m with the folks who are choosing The Dissolving Classroom, it isn’t every week a quality horror release comes out!

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 1/30/17

January 30, 2017 by Anna N, Katherine Dacey, Michelle Smith and Sean Gaffney Leave a Comment

Alice in Matchaland | By Mosoko Miyatsuki | Manga University – This slim volume is both picture and cook book, offering readers a playful riff on Lewis Carroll’s most famous work as well as recipes for matcha-infused snacks. For tween manga lovers, the button-cute character designs, Technicolor palette, and gentle pokes at manga cliche may be enough to justify purchasing Alice in Matchaland. Anyone intent on making Matcha Energy Bites, however, will need a conversion table handy, as the recipes freely mix teaspoons with grams and milliliters. The book doesn’t offer any tips for procuring matcha powder, either—a curious omission, since many Americans won’t find it on the shelves of their local grocery stores. A little more attention to the recipes would have made this book less of a stocking stuffer and more of a must-buy for tea-drinking manga enthusiasts. (The publisher provided a review copy.) -Kate Dacey

Behind the Scenes!!, Vol. 3 | By Bisco Hatori | VIZ Media – It’s not that Behind the Scenes!! is awful, but that every chapter is essentially filler. In this volume, there’s the one about the bratty child actor whom the team helps emote, the one about protecting a group filming in a park, the one about fundraising through shrinky dinks (yes, really), and the one about creating a haunted house. At times, attempts are made to flesh out the other members of the art squad, but it’s never building on character traits previously established and then paying off in a satisfying way. It’s always Ranmaru noticing on one page that Ruka gives in too easily and then on the next page encouraging her not to give in because shrinky dinks (yes, really). Probably it’s time to accept that this series is just not for me and move on. – Michelle Smith

Behind the Scenes!!, Vol. 3 | By Bisco Hatori | Viz Media – There isn’t a ton of plot or character development in Behind the Scenes!!, but it does reliably deliver a pleasant escape in the adventures of a college art club that supports various film projects. The first story line in this volume deals with the redemption of a child actor who at first seems spoiled, then there is detour into the value of crafts as the gentle rich girl Ruka stands up for herself. The gang also has to fine tune a haunted house, when they make it dangerously realistic. Even if this series isn’t the most memorable thing Hatori has created, it still is diverting in the moment. I enjoy the interactions between all the characters, and this volume also featured several bonus one page manga at end. – Anna N

Horimiya, Vol. 6 | By Hero and Daisuke Hagiwara | Yen Press – I said last time that Hori and Miyamura hadn’t quite taken the next step in their relationship yet. They do that here, but blink sand you’ll miss it—unlike most manga of this type, their first time—while sweet—is not earth-shattering and does not really change either of them. Indeed, Miyamura is far more concerned about the required swimming event, mostly as it could get him expelled. We also see Hori being jealous again, but she’s at least cognizant of how annoying it is, and it’s funnier when she uses her anger against other people, like Miyamura’s old teasing classmates from junior high. This is not particularly going anywhere, even with the sex, but it’s still a well-written leisurely ride. – Sean Gaffney

Interviews with Monster Girls, Vol. 2 | By Petos | Kodansha Comics – This is sort of a harem series—there’s certainly enough students and one teacher in love with Takahashi-sensei. But it feels so laid-back and leisurely, and he’s so non-sexual in general, that I can’t really define it as a classic harem comedy. At heart, it’s about the girls and their monster issues—though the best chapter in the volume has the teacher pointing out that you can’t just think of them as monsters OR girls, but you have to balance both sides. Much of the volume deals with a yuki-onna who worries she may live up to her stereotype, and she’s just as sweet and cute (and somewhat boring) as the other girls. This is a nice series, and monster girl fans will like it. It is, however, not a book that will get your pulse racing. Leisurely. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 3 | By Natsuki Takaya | Yen Press – At last, a volume of Liselotte I can honestly say was excellent throughout. The bargain that she has to strike to save Engetsu’s life essentially resets things to square one, but that’s really for the best, as I think the baggage was crushing them both a bit. We also get more flashes to what Lise was like before the rebellion, and it’s rather sad and also a bit eerie. There’s also still some comedy, mostly coming from Alto and Anna, though the return of a witch from the previous volume also helps. I suspect things may not stay comedic for long, though, as it appears that Lise is not going to be allowed to be merely exiled for much longer. The less fluffy this gets the more I like it, though the fluff is still fun. – Sean Gaffney

Liselotte & Witch’s Forest, Vol. 3 | By Natsuki Takaya | VIZ Media – Man, I can already tell that it’s going to be pretty painful when Liselotte goes on hiatus after two more volumes. Although some of what happens in this installment feels like things I’ve seen before—the heroine who unhesitatingly hacks off her own long hair, the love interest who loses his memories of the heroine, the determined optimism and welcoming spirit—there are some unique things about this story, chief among them the reveal in the final pages that someone has been watching Liselotte and reporting back to her brother, who is being pressured to do something about her. It’d be an interesting development if her world were to get a bit darker; the Akito vibes I got from the tree spirit in this volume were pretty fantastic. – Michelle Smith

Scum’s Wish, Vol. 2 | By Mengo Yokoyari | Yen Press – I have to say, so far this is currently at the top of my “most surprising new series” list, as the second volume is just as strong as the first was. Even as it appears that Mugi and Hanabi may have deeper feelings for each other than they expected, it is shown over and over again how bad this relationship really is, and how much they’re hurting from it. Of course, not having the relationship would not ease the source of the hurt. Meanwhile, we also meet Ebato, Hanabi’s friend who turns out to be in love with her, something that gets revealed a lot more than she’d like at a sleepover, and ends just as ambiguously as you’d expect. This is a fantastic car crash of a romance manga, where even the omake extra is tragic and sad. Well-written and brutal. – Sean Gaffney

Scum’s Wish, Vol. 2 | By Mengo Yokoyari | Yen Press – After making a brief appearance in volume one, a lot of this volume focuses on Hanabi’s only female friend, Ecchan, who has been in love with her ever since the day they took the entrance exam. When she’s invited to a sleepover, she’s unable to contain her feelings anymore and confesses, but more importantly gets Hanabi to confirm that she doesn’t love Mugi. Ecchan offers to be the surrogate herself, but by volume’s end, Hanabi’s in bed with Mugi, seemingly ready to have sex with him. One thing I particularly liked about this volume is though her relationship with Mugi might seem twisted and strange, in a way she’s more pure than other classmates, because she’s acting out of love and not merely juggling two guys, trying to decide who has more to offer her. Looking forward to volume three! – Michelle Smith

Filed Under: Bookshelf Briefs

Manga the Week of 2/1/17

January 26, 2017 by Sean Gaffney, MJ, Michelle Smith, Ash Brown and Anna N 3 Comments

SEAN: For a ‘5th week’, this is a pretty huge one. Longtime readers know that when the 1st falls on a Wednesday, it’s not really the first week, but there’s still tons of stuff.

J-Novel Club has made its name mostly with typical “light novel” fare for standard anime fans. That said, the release of The Faraway Paladin is really being touted by them as a good novel in general. It’s a dark fantasy, and they’re REALLY pushing it as not your typical light novel fare.

They are also releasing Mixed Bathing in Another Dimension, which is absolutely your typical light novel fare.

If you enjoyed the first volumes of Deathtopia and Wave, Listen to Me! when they came out digitally Tuesday, well, Kodansha is releasing the 2nd volumes next week.

MICHELLE: Hooray!

ASH: I’m hoping we’ll eventually see a print edition, but I might not be able to wait for it.

ANNA: Nice! Preparing for a good digital only edition of manga binge.

SEAN: Many may remember the Alice in the Country of Hearts series coming out primarily from Seven Seas. It’s not anymore, for reasons that remain murky, but Seven Seas has tried to retain the spirit by doing Captive Hearts of Oz, which is an original manga series based on the Oz books with art by Mamenosuke Fujimaru, the most popular Alice in the Country of artist.

ASH: I’m actually really curious about this collaboration!

ANNA: I’m a little curious, but also wary because I’m burnt out on both Oz and Country of Hearts stuff. The art should at least be very pretty!

SEAN: I really enjoyed the visual novel Kindred Spirits on the Roof when it came out here last year, being a “yuri” title that actually cared about character depth and not just bodies squishing. There was a short manga spinoff as well, and Seven Seas is putting it out as one omnibus. The good news is it’s NOT an adaptation of the game – these are new stories, and stars some new cast members (it takes place after the game proper, I believe). If you like “non-skeezy” yuri, you must pick this up.

MICHELLE: This one was definitely on my list.

MJ: I’ll put it on mine as well.

ASH: Oh, interesting! I had assumed that it was an adaptation. I guess I’ll need to move it up on my list.

SEAN: And there is also a 2nd and final volume of the Love in Hell spinoff Death Life.

Udon’s Persona schedule has been slipping a bit, but here’s the 2nd volume of Persona 3.

ASH: Since I’ve actually played some of Persona 3, I’ve been meaning to check this series out. Apparently I’ve already fallen behind, though.

Vertical has a 1-volume Junji Ito title, Dissolving Classroom, which comes from a series of stories that ran in Motto!, Akita Shoten’s josei horror title. It’s Junji Ito, so it should be great (and also gross) (and also terrifying).

MJ: I like the sound of that!

ASH: I’m very excited for this release! I like josei, I like horror, I like Ito, so I expect that I’ll like Dissolving Classroom, too.

ANNA: Also curious to check this out.

SEAN: Yen has some new digital only releases. Aphorism 8, Corpse Princess 8, and Sekirei 8.

They also have their light novel titles for the month, beginning with the debut. Death March in the Parallel World Rhapsody had its manga adaptation come out this week, meaning I already discussed it in last week’s Manga the Week of. But hey, prose!

There is a 6th volume of cult favorite Kagerou Daze, which if nothing else promises to be short, and also hopefully clear up a few more mysteries.

The 3rd Overlord novel is unlikely to be short, and will continue to feature our evil protagonists having evil adventures.

Spice & Wolf has its 2nd and 3rd books released digitally for those (like me) who never read it in print years ago.

And Strike the Blood’s 5th volume hopes to resolve the cliffhanger from the last volume and also astound me with its originality. I suspect it will achieve one of those. But the fights will be cool.

Yen also held over two titles to next week. Alice in Murderland gives you more Kaori Yuki goodness (is the entire cast dead yet?).

And they debut Big Order in omnibus format. I had hoped this was a baseball manga, but alas. It’s from the creator of Future Diary.

MICHELLE: I wish it had been a baseball manga, too!

SEAN: Do you have a favorite title you’re picking up?

Filed Under: FEATURES, manga the week of

Bookshelf Briefs 1/23/17

January 23, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

Golden Time, Vol. 6 | By Yuyuko Takemiya and Umechazuke | Seven Seas – Getting past the fanservice of the volume—and not necessarily for guys, that’s Banri in the maid outfit on the cover—Golden Time always works best when it focuses on developing its leads, and it does a very good job. Banri is terrified the “old him” will take over again, Kouko is trying to change her old obsessive ways but it’s really hard, especially when she sees Bari and Linda pocky-kissing, and as for Linda, she’s trying to let go of her love for Banri without actually telling him about it, and just like Kouko, this is proving to be really hard. As you’d expect from this author, the manga does a really good job of providing depth to its romantic triangle. Recommended for romantic dramedy fans. – Sean Gaffney

Honey So Sweet, Vol. 5 | By Amu Meguro | Viz Media – I talked last time about how much I enjoyed the fluffy angst, and I do, but I feel that it doesn’t work as well when it’s obviously manufactured by the writer to create conflict that shouldn’t be there. Taiga’s mother pretending to be “a mean person” so that Nao could show her resolve was entirely unnecessary, especially since it only lasted about three pages. The rest of the volume fares better, especially with Nao’s fight with her brother, which spins its conflict very well indeed. And as with so many shoujo manga, we get to see the seasons pass, so get ready for Christmas dates and Valentine’s chocolate. Always good, but sometimes tries a bit too hard. – Sean Gaffney

Horimiya, Vol. 6 | By Hero and Daisuke Hagiwara | Yen Press – We’ve reached the stage where the lead couple is reasonably happy, so it’s time to focus on their friends’ romantic prospects. I was unexpectedly entertained by spending more time with Sengoku, who is every bit as scrawny and weak as Miyamura is, which doesn’t bother the girl who likes him one bit. Speaking of Miyamura, I think he and Hori manage to sleep together in this volume, but the fade-to-black is so demure that I’m not 100% sure. While I do celebrate how naturally the moment occurred, it does still trouble me that by the end of the volume he’s wearing a bandage because Hori went berserk when she thought a girl had called him. At least their friends are both telling Hori she’s to blame and Miyamura not to just let it go, but I wish her violent tendencies would be treated a little more seriously. – Michelle Smith

In/Spectre, Vol. 2 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – There is a mystery here, and it’s a decent one, delving into the sordid business world of gravure idols and showing us how hard things can be for a practical girl who wants to get ahead in the business starting with “spunk” (and large breasts). But as with the first volume, the reader is likely more inclined to follow the hilarious back and forth between Kuro’s ex-girlfriend and his current girlfriend. As with the last volume, Kotoko is so comical in her arrogance and jealousy it’s actually hilarious, and Saki’s not much better. Kuro, being (mostly) a stoic, is the weak link. There’s also some cool fighting and amusing monsters. It’s a greatly enjoyable yokai series. – Sean Gaffney

Nichijou: My Ordinary Life, Vol. 6 | By Keiichi Arawi | Vertical Comics – In between volumes of Nichijou, I forget how passionately I hate the professor. And then I read chapters where she whines and throws a trantrum over getting an undeserved treat and Nano tries to stand firm, but eventually gives in and rewards her awful behavior. Or a chapter in which Sakamoto objects to, say, being put in the washing machine, but she won’t listen and eventually falls asleep and he just gives up on talking to her. I mean, she’s just a little kid. Why do I want to see a violent fate befall her?! It feels so wrong. There are a few other surreal and/or vaguely amusing stories this volume, but I honestly don’t think I even smiled. Perhaps it’s time to give up on Nichijou. – Michelle Smith

Yamada-kun and the Seven Witches, Vol. 12 | By Miki Yoshikawa | Kodansha Comics – Now that it’s clear that the series is trundling along with a whole set of new witches, new powers, but the same old Yamada-kun, I will try to get over my annoyance and find things to enjoy. I liked the first new Witch we meet, a basketball jock who finds that power corrupts. We don’t see much of Shiraishi, but what little we do see shows how much she’s struggling with Yamada-kun having to go around kissing all these girls, and unfortunately her stoicism is not helping. And the two new Student Council members are amusingly dumb. But again, this really seems like it’s spinning through the same old tricks, and it’s not as good as the first time around. – Sean Gaffney

Filed Under: Bookshelf Briefs

Pick of the Week: Catch the Wave

January 23, 2017 by Sean Gaffney, Anna N, Ash Brown, Katherine Dacey, MJ and Michelle Smith Leave a Comment

SEAN: As always, there’s a ton of stuff I’d like to pick this week. The new digital volumes from Kodansha, the Nisioisin novel, new Horimiya and Furuba… that said, I will have my pick be the final volume of Umineko When They Cry: Dawn of the Golden Witch, if only as I’m not sure when the next arc will be coming out and I’d like to recommend it one last time. Even if it can be aggravating.

MICHELLE: I’ll definitely be picking up a few things from Yen Press this week, but I am officially picking Wave, Listen to Me! this week. Not only am I interested in radio stations, I also admire Samura-sensei’s artwork, so it’s the obvious choice for me.

ASH: I’m not usually one for digital manga but like Michelle the release I’m most interested in this week is Wave, Listen to Me! Samura’s Blade of the Immortal was actually one of the first manga that I ever read, so I’m always happy for the chance to read more of his work. I definitely hope there will be a print edition in the future, though!

MJ: I, too, will be jumping on the Wave, Listen to Me! bandwagon this week! Though I was never a big fan of Blade of the Immortal, I’m very interested in the premise of Wave. It’s the kind of story that, on the face of it, you’d expect to be written by someone like Moyoco Anno. I gotta check it out.

KATE: At the risk of sounding like a skipping record, I’m also going to surf the Wave. (Sorry–not sorry.) I liked Samura’s Ohikkoshi and Emerald — more than Blade of the Immortal, if I’m being honest — so I’m pretty sure Wave will be in my wheelhouse.

ANNA: No surprise, I’m also most interested in Wave, Listen to Me!. I have very fond memories of Samura’s non-Blade of the Immortal Work so I’m also very intrigued by this new title from him.

Filed Under: PICK OF THE WEEK

One-Punch Man, Vols. 1-11

January 22, 2017 by Michelle Smith

By ONE and Yusuke Murata | Published by VIZ Media

opm1My name is Saitama. I am a hero. My hobby is heroic exploits. I got too strong. And that makes me sad. I can defeat any enemy with one blow. I lost my hair. And I lost all feeling. I want to feel the rush of battle. I would like to meet an incredibly strong enemy. And I would like to defeat it with one blow. That’s because I am One-Punch Man.

One-Punch Man is much loved on Manga Bookshelf, and now I can finally be included in the group singing its praises!

Three years ago, depressed after botching a job interview, Saitama encountered a crab monster. Defeating it was much more enjoyable than looking for a job, so he decided to become a hero for fun. Since then, he’s been vanquishing the monsters that plague his city but not getting any credit for it. (Who is receiving the credit is a later plot point.) Overwhelming strength has become boring, but when he meets Genos, a cyborg driven by revenge, he gains a disciple and also learns about the Hero Association, which employs heroes of various classes and dispatches them as needed to counter various monstrous threats, which have been on the rise.

opm6The balancing act ONE and Murata achieve here is impressive. On the one hand, One-Punch Man is gloriously silly. Heroes and foes alike are apt to be ludicrous, and some of the former have terrific names like Tank Top Vegetarian or Spring Mustachio (although I actually think he’s pretty cool). On the other hand, there is a lot of excellent shounen manga storytelling going on. The way Saitama lives his life without criticism for others makes me think he’d get along well with One Piece‘s Luffy, and the devotion his pupil Genos shows for him means they can always rely on each other. Too, after Saitama joins the Hero Association, we get regular updates on how his rank is improving, and this puts him in contact with even more heroes, some of whom are inept, some of whom are capable, and one of whom might actually be an enemy. He doesn’t seek glory, so many are unaware of his true strength, but I assume that eventually he will attain the rank he deserves (currently, due to poor performance on the written test, he’s far below Genos).

Although I don’t ordinarily comment much on art, Murata employs quite a few innovative tricks that make reading One-Punch Man different than the average manga. For one thing, Saitama is almost always drawn with a simple, bland expression, making the few times he looks determined or actually heroic a nice treat. Plus, I love how we get back-to-back two-page spreads from time to time. Some of these depict combatants exchanging blows, first with one landing a punch and then the other, but he also uses them to zoom in from, say, an attack that is heading Saitama’s way down to his fist that is about to get serious. It’s a fun way of depicting the action while continuing to incorporate humor. (Oh, incidentally, Saitama’s special attack, almost never required, is awesomely called “Consecutive Normal Punches.” We’ve only seen the finishing move—Serious Punch!!!—once so far.)

As of volume eleven, there are several plotlines in play. Monsters are appearing everywhere, and appear to be organizing. Is this tied in with the prediction of an extinction-level event within the next six months? What about that hint of a possible traitor that was dropped a few volumes back? While a rogue martial artist named Garo is hunting heroes, Saitama is off at a martial arts tournament to learn more how to defeat Garo (not knowing that he totally already did) and seems destined to face off against another strong fighter who is desperate for a challenge. I admire how this story has widened in scope in a natural way, without compromising the balance of narrative and humor. It could conceivably go on for a very long time, and I deeply hope it does.

One-Punch Man is ongoing in Japan, where it is up to twelve volumes. Currently, VIZ has released ten volumes in print and eleven digitally.

Review copies provided by the publisher.

Filed Under: Manga, REVIEWS

Manga the Week of 1/25/17

January 19, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, MJ and Michelle Smith Leave a Comment

SEAN: For a Yen week, this is actually pretty reasonable. Mostly as Yen moved a bunch of titles to the week after next, but hey.

Kodansha first, though. They’ve recently announced several new titles as digital releases. Deathtopia debuts next week, from the creator of Cage of Eden. This is a seinen title from Evening Magazine, and we’ll see if it’s as fanservice-laden as its shonen predecessor. It’s a thriller.

Wave, Listen to Me! gets the award for best title of the week. It’s an Afternoon manga from the creator of Blade of the Immortal. Fans of that series will be happy to hear this new one takes place… at a radio station?

ASH: I just found out about this series and I am incredibly curious about it.

MICHELLE: Oooooh! I especially like that the Kodansha site mentions “the beginning of an aggressive ramp-up in new digital manga series!”

KATE: Count me in for Wave, Listen to Me!, too. I’m a little biased — I teach a class on radio and television history — but I’m delighted to see a few grown-up options in the mix.

MJ: Oh, interesting.

ANNA: I am officially intrigued.

SEAN: And this isn’t out in volume form yet, but a new series from the creator of A Silent Voice debuts next week with 10 individual chapters, which catches us up with Weekly Shonen Magazine. Called To Your Eternity (Fumetsu no Anata e), it’s more supernaturally tinged than A Silent Voice but apparently just as depressing.

Kodansha also has an 8th print volume of Forget Me Not.

Seven Seas surprisingly only has one title out this week, given how much they’ve been piling on the books lately. It’s the 5th volume of Nurse Hitomi’s Monster Infirmary.

Vertical Inc. has the first volume of Nisioisin’s popular Zaregoto series, Decapitation: Kubikiri Cycle, though they emphasize they’ve only licensed this one volume, to tie in with the current Japanese OAV adaptation. It was actually released by Del Rey years ago; this is a re-edited version, and hopefully now that Bakemonogatari is popular it should see more readers.

Vertical Comics also gives us a third Immortal Hounds.

And the rest is Yen Press. First off, a 9th volume of capital letter and punctuation loving Akame Ga KILL!.

The 8th manga volume of A Certain Magical Index wraps up the adaptation of the 6th novel.

Death March to the Parallel World Rhapsody is the runner-up for best title of the week. As for the content, it’s a story where a guy finds himself transported to another world, gaining impressive powers, and surrounded by beautiful… wait, why are you running away? “Transported to another world” is this year’s vampires! This is the manga, the novel is out one week later.

First Love Monster has a 6th volume.

Fruits’ Basket Collector’s Edition reached Vol. 9, and get ready, because this is the one with THAT spoiler which shattered Furuba fandom forever.

MICHELLE: I continue to boggle that we’re up to this point already. But I also love that we’re still maintaining the secrecy of that spoiler.

SEAN: Horimiya has a 6th volume, and we’ll see if things advance on the romance front.

ASH: I’ve been enjoying Horimiya a great deal.

MICHELLE: Woot!

SEAN: I’ve enjoyed the light novel The Isolator, dark as it’s been, and so am pleased to see the manga adaptation is now coming out over here.

And there’s a 3rd volume of fantasy Liselotte & Witch’s Forest.

MICHELLE: I’ll be picking up this one, too.

SEAN: Murciélago also debuts this month from Yen Press. It’s a Young Gangan title that is apparently SUPER violent, and has humor so black it causes you to redefine “funny”. And it also has a lesbian lead, though this isn’t your cute high school girls sort of lesbian. I’ve heard good things about it (it has the Erica Friedman seal of approval), but with lots of “it’s pretty sick” warnings.

ASH: I’ve heard good things, too, but it definitely won’t be a series for everybody.

MJ: I would describe myself as interested, but skeptical.

SEAN: Rokka: Brave of the Six Flowers also has its manga adaptation debut (the novel arrives in April). It’s a fantasy series with strong word of mouth – real fantasy, rather than light novel fantasy. This adaptation ran in Shueisha’s now defunct Super Dash & Go!.

ANNA: Huh, I am always up for more fantasy manga.

SEAN: I was pleasantly surprised at how good I found the first volume of Scum’s Wish, though ‘pleasant’ is perhaps the wrong word for what’s going on with these kids. I look forward to the second volume.

MICHELLE: Same. Dark and complex, but not ecchi like the cover of volume one might suggest.

SEAN: Taboo Tattoo has a 5th volume, and is very Monthly Comic Alive.

Today’s Cerberus sees a 2nd print volume, and is still cute and silly.

You can’t have a long list of manga without at least one survival game title, and there is is: the 2nd volume of Tohyo Game.

Lastly, we wrap up the 6th Umineko arc with the 3rd and final omnibus of Dawn of the Golden Witch. I’m not sure when the 7th arc will begin – Yen hasn’t scheduled it – but this volume at least resolves Erika Furudo’s role in the series… at least for the time being.

A lot of new stuff this week. What appeals to you most?

Filed Under: FEATURES, manga the week of

BL Bookrack: Ten Count, Vols. 1-2

January 19, 2017 by MJ and Michelle Smith 5 Comments

MJ: Wow, it’s been… a long time hasn’t it, my friend?

MICHELLE: I am scared to even verify how long it has been. A couple of years, at least!

MJ: So what’s brought us here today is the boys’ love series Ten Count (volumes one and two ) by Rihito Takarai, published here by SuBLime. From what I understand, the series has reached five volumes (ongoing) in Japan. The third volume is due out from SuBLime next month.

MICHELLE: Would you like to start?

MJ: Sure!

Shirotani is a lifelong germaphobe, resigned to his condition, though it keeps him isolated from others. Fortunately, with the help of his understanding employer, he is able to tolerate his job as secretary to a corporate CEO. It is in the corporate line of duty, then, that he first meets Kurose, a therapist at a local mental health clinic. Kurose notices Shirotani’s condition immediately, and suggests he seek help, but though Shirotani is able to make his way to the clinic, he can’t bring himself to go inside. Acknowledging this difficulty, Kurose offers to help him in a non-clinical capacity, as a friend, an arrangement to which Shirotani eventually agrees. As Kurose slowly helps him accomplish progressively difficult tasks (touching a doorknob with his bare hand, buying a book from a bookstore), the two become close in ways that complicates their relationship and threatens the fragile boundaries between them.

Fans of BL manga don’t need me to explain what that means, or probably why my greatest fear with this series would be that the therapist/patient dynamic (even in the context of them being “friends”) would create a problematic imbalance of power. And it does, though not right away. Had I read only the first volume, this paragraph would be a very different one, gratefully dismissing my fears and filled with satisfied discussion of their slowly-evolving relationship and lots of talk about how that kind of careful development is so rare and wonderful in this genre. Had I read only the first volume, I would have declared a lot of love for this series. Unfortunately, Kurose’s careful handling of Shirotani is abandoned less than two chapters into the second volume, when after declaring his love for Shirotani, he mercilessly forces him into accepting sexual contact (against Shirotani’s clear protestations), which only escalates as the volume continues. In fact, Shirotani’s germaphobia makes the situation even more brutal, as Kurose is not only performing non-consensual sexual acts with Shirotani, but also blatantly ignoring Shirotani’s boundaries regarding skin-to-skin contact without any of the thoughtful consideration he promised as part of their initial arrangement. It’s obvious that the author intended the germaphobia as a metaphorical stand-in for the typical uke resistance so popular in BL, but instead it just feels like piling on.

MICHELLE: What I found most interesting to contemplate is that Kurose does, in fact, give Shirotani opportunity to object. He warns him that he’s going to attempt these kinds of things if they continue to see each other, and asks questions like, “Did you really not like what we did a moment ago?” Sometimes, Shirotani is able to give voice to his objections, but he also holds back his disgust, and I have to think that’s because he doesn’t want to drive Kurose, the only person to whom he has any kind of close relationship, away. How much, then, does Shirotani actually reciprocate and how much is he just desperate to keep Kurose in his life?

If I had faith that Takarai was wanting us to consider this question in a thoughtful way, I’d be fairly happy. But there are a few comments, mostly in bonus stories or author asides, that make me think she is setting up a dominant/submissive paradigm in which Kurose simply enjoys seeing Shirotani squirm, and that is very troubling indeed.

MJ: Yeah, you’re right—he often does ask Shirotani for permission to do something, or for confirmation that he’s enjoying himself, but those check-ins feel pretty empty, considering the fact that he generally moves on with what he’s doing without anything resembling actual enthusiastic consent. And if she’s trying to set up a dominant/submissive relationship, she’s doing it 50 Shades style, which only furthers my discomfort. Kurose’s behavior becomes increasingly controlling over the course of the second volume, by the end of which he has not only violated most of Shirotani’s personal and sexual boundaries, but also has begun infantilizing him to a truly creepy degree. Between declaring a preference for a “childlike” hairstyle and outright asking Shirotani to agree to be “dependent” on him, Kurose has basically given up any pretense of respect or even basic acknowledgement of Shirotani’s agency as an (older!!) adult man. It is a testament to the strength of the series’ first volume that I’m even still reading this thing. But I would be lying if I said that it hadn’t broken my heart.

I understand that rape fantasy is a thing, and that it’s in poor taste to judge other people (especially femme-identified people, who are this genre’s target audience) for such fantasies. And on some level, I even understand a bit why someone’s fantasy might include giving up control, though I’d probably understand that better if we lived in a world where acknowledgement of a woman’s control over her own body was not considered a radical political act. I also understand that it’s, at the very least, pointless to wish for a story to be a different one than what its author wants to tell. I know that I should simply accept that something is not for me and move on. But after a full volume of something that *seems* to be for me, that truth can be difficult to swallow.

MICHELLE: Another thing that strikes me about the questions Kurose poses is how detached and clinical they can seem, even after a sexual act. One example is, “Were you more concerned with the possibility that I found you unpleasant than whether or not you found the situation itself unpleasant?” Leaving aside the tacit admission that he knows Shirotani could’ve been finding the situation unpleasant, attempting to reassert the therapist/patient dynamic at such a moment is, well, kind of creepy.

I’m not ready to give up on the series yet. Like I said, I want to believe Takarai is trying to make a more subtle point here, but I just don’t know. If volume three is more of the same, it might be too much for me, too.

MJ: Upsides of this series that extend beyond its fairly awesome first volume include Shirotani’s sweet, understanding boss, whose constant mindfulness regarding Shirotani’s discomfort and physical boundaries paint a picture of a pretty awesome guy. Similarly, Shirotani’s acquaintance from his company’s sales department, Mikami, proves himself over and over to be a good friend and a stand-up guy. It’s a shame that these characters, who operate without personal motive and truly seem to have Shirotani’s best interests at heart aren’t the people he trusts most. I can’t help but think that if either of them knew what was going on, they’d be the first to jump to Shirotani’s defense and help him get the hell out of the abusive relationship he’s been lured into by Kurose.

MICHELLE: I liked them, too! I really wanted to believe that Shirotani was indeed able to make progress in his therapy with Mikami, as he initially claimed to do, though we later learn he was lying in hopes that he could resume seeing Kurose. Perhaps it was some kind of self-fulfilling prophecy, in a way. Like, he tried with Mikami, and had no success, and now he believes that Kurose is the key to moving forward, thus increasing his dependence. He is able to achieve some things for these people in his life, though, like when his desire to find a book to entertain his hospitalized boss results in a successful purchase at a bookstore.

Regarding Kurose and his motivations, do you think there’s still some reveal to come? When he has Shirotani write out the list of ten activities he feels aversion for, with ten being something he thinks he could never do, Shirotani leaves that one blank. Kurose refuses to divulge his reasons for helping Shirotani on his own time until Shirotani fills in that tenth item. Do we already know that it’s because he was falling in love? Or is it something like, “I’m secretly a major sadist”?

MJ: That’s a really good question! I feel like I have no idea. I mean, on one hand, things have gone so far at this point I’m sort of just expecting the usual “tortured uke” trope to continue from this point, with more and more uncomfortable sex scenes and less and less real storytelling. So I’m not as optimistic as I’d like. On one hand, the series obviously continues beyond this, but I wonder if it will continue to really explore and examine this relationship or whether it will just turn to side characters like so many deceivingly-long BL series do.

Your whole first paragraph, though, just reminds me how much I loved the first volume! Gah! I want to be optimistic!

MICHELLE: So do I, and part of me thinks there’s still room for something great to evolve from this. I’m thinking of Tomoko Yamashita’s marvelous The Night Beyond the Tricornered Window, actually, in which no sexual contact has occurred, but in which one lead (Hiyakawa) casually appropriates the body of the other (Mikado) in a way that alarms others but which the affected party chooses not to think too deeply about because with Hiyakawa around, he no longer feels alone or potentially crazy for his ability to see spirits. There are some definite parallels to Ten Count there, but Yamashita is more clearly going into a psychological direction with her story, whereas Takarai seems to be taking a more traditional, explicit route.

I will still read volume three, though. How about you?

MJ: I will probably give this series one more volume, yes, even though I don’t feel as optimistic as I wish I did. Also, I’ll second your shout-out to The Night Beyond the Tricornered Window, which manages to talk about consent more thoughtfully, despite its supernatural premise. In that series, there is at least another character screaming out, “THIS IS NOT OKAY” all the time, so that we’re aware that the author knows there is a problem. It makes all the difference in the world.

MICHELLE: Indeed it does.

MJ: Bottom line, though this series starts off as a thoughtful look at the slow development of a tricky but potentially important relationship between a lonely professional who becomes friendly with a younger mental health specialist, its second volume takes a dark turn, devolving into a tale of emotional abuse, sexual assault, and deeply broken trust. We’ll probably keep reading it, but buyer beware.

Filed Under: BL BOOKRACK, FEATURES & REVIEWS, MANGA REVIEWS, REVIEWS Tagged With: BL, boys' love, Rihito Takarai, SuBLime, Ten Count, Yaoi

Pick of the Week: Outside the Box

January 16, 2017 by Sean Gaffney, Ash Brown, Anna N, Katherine Dacey, MJ and Michelle Smith Leave a Comment

ASH: It’s a relatively small week for new manga releases but, unsurprisingly, there are still a few things that I’m interested in. Apparently I’m in the mood for quirky horror since both Franken Fran and Dorohedoro are high on that list. My official pick goes to Dorohedoro though as I can’t seem to resist it’s bizarrely charming characters and humor.

KATE: I didn’t find much in this week’s new manga arrivals, so I’m going off-list for my recommendation: Snow Blind, a TPB that collects all four issues of a limited-run series by Ollie Masters and Tyler Jenkins. The artwork is moody and gorgeous — who knew Alaska was such a good setting for noir? — and the plotting is skillful. Heck, even Warren Ellis seems to like it, so there’s that, too.

SEAN: Like Ash, it’s pretty much a choice between Franken Fran and Dorohedoro this week, and, like Ash, I will be picking the latter. Still one of the more surprising Viz licenses, especially without an anime, I am so pleased that this has gotten to Volume 20. Even if I will no doubt find it confusing again.

MICHELLE: I’m sure I would enjoy Dorohedoro if I actually got around to reading it, but since I haven’t, I’d feel weird recommending it. So, instead, I will recommend two series that I actually have finally gotten around to reading, after seeing both recommended multiple times on Manga Bookshelf: One-Punch Man and A Silent Voice. I am enjoying both quite a lot and can now add my voice to the chorus of praise.

ANNA: There isn’t really anything that appeals to me this week, but I’ve recently been trying to get caught up on The Demon Prince of Momochi House, which incorporates lovely art into a story exploring the relationship between human guardians living in a nexus between the human and spiritual world. That’s my pick!

MJ: I’m not particularly excited about anything on this week’s list, but I have a considerable backlog to get through, so that’s not necessarily a bad thing. First on my docket, I think, is the SuBLime series, Ten Count by Rihito Takarai. I have the first two volumes sitting here, with volume three on its way next month. I’m a little nervous about what looks to be a problematic relationship (therapist and patient), but considering how common that is in BL, I can at least take heart that the characters are adults, and that there isn’t a terrified uke on the cover. So I’m feeling optimistic.

Filed Under: PICK OF THE WEEK

Bookshelf Briefs 1/16/17

January 16, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

Arpeggio of Blue Steel, Vol. 9 | By Ark Performance | Seven Seas – As this series has gone on, we’ve been introduced to more and more mental models, to the point where it can be hard to keep track of everyone. I have some bad news for you, but we get even more showing up here. My favorite was Ashigara, who is very much of the “I love combat and BEING LOUD!” sort of Japanese manga stereotype, and her battle goes about as well as you’d expect, which is to say not at all. Meanwhile, we find that not only can Iona do a good verbal impersonation of Gunzou, but she does a fair job of impersonating his captain skills as well. As we gain more cast and more subplots, it’s going to be important to be able to remember who they all are, and thankfully Arpeggio does its best. Solid. – Sean Gaffney

The Black Museum: The Ghost and the Lady, Vol. 2 | By Kazuhiro Fujita | Kodansha Comics – This story wraps up with this volume, though there is more Black Museum out in Japan (and not yet licensed). It’s actually rather interesting to see how well Florence Nightingale’s life works as an action manga and/or medical drama. There’s no shortage of villains, and I’m not even talking about D’Eon. We even get endnotes reminding us that these are based on real people. Still, the fun in this series is to see Florence’s never-say-die pluck, watch Gray be cool, and see the occasional swordfight or spirit battle. Oh yes, and the museum curator, who remains hilarious. Also watch for the cameo by characters from a manga by the creator of Rurouni Kenshin. Well worth the hardcover price. – Sean Gaffney

The Demon Prince of Momochi House, Vol. 7 | By Aya Shouoto | VIZ Media – I never thought I’d say this about an Aya Shouoto title, but this was a great volume of manga. It was always fairly obvious that Himari’s school project researching a local ghost story with a group of classmates would tie in to what happened to Aoi when he was a kid, but the reveal of exactly why and how he ended up at Momochi House was handled with a creepy atmosphere and suspenseful, engrossing pacing that made for a highly enjoyable read. Plus, although some major, game-changing things happen, the essential threat to Aoi’s humanity remains. If you’re curious about Shouoto and wondering which of her series to try, let there be no doubt: it’s this one. – Michelle Smith

Haikyu!!, Vol. 7 | By Haruichi Furudate | Viz Media – As with the last volume, this is entirely about all volleyball, all the time. Unlike the last volume, there’s lots to talk about, as the series goes from good to great. The way that Sugawara works to bring out the best in his team, the way that Kageyama is showing he can learn and evolve, and the communication that develops between everyone—even cranky Tsukishima—are a joy to see, and really drive the series. We must also be getting near the end of the game, as we get tragic backstory for one of the opposing players. And of course there IS lots of volleyball lecturing and discussion, as well as cool action poses. This is one of the most Jump manga ever, and if you don’t read it you’re missing a treat. – Sean Gaffney

Haikyu!!, Vol. 7 | By Haruichi Furudate | VIZ Media – I always love when characters who had previously been in the background get their turn to shine, and there is quite a lot of that in this volume of Haikyu!!. After Kageyama loses his cool and gets benched, Sugawara finally gets to play for the first time in the tournament. Although his skills are average, the way he communicates with his teammates brings them together and calms their nerves, showing Kageyama some ways in which he’s clearly lacking. When he returns to the game, he takes Sugawara’s advice, and finally starts interacting with prickly Tsukishima and figuring out how best to utilize him as a hitter. It means a lot to see that he’s actually willing to listen for the benefit of his team, and his later, awkward attempts at congratulatory high-fiving are fairly amusing. As ever, I eagerly await the next volume! – Michelle Smith

My Monster Secret, Vol. 5 | By Eiji Masuda | Seven Seas – Still hilarious, still has touches of harem romance, but this volume also shows that My Monster Secret can be quite touching when it wants to be. Mikan is on the cover, and much of the latter half of the volume focuses on her, as she gradually realizes that she’s in a school of monsters. Luckily, not only does she have her own monster issue with her possessed glasses, but an accidental trip to the future allows her to confess to Asahi. Now, he loves Youko, so that’s not going anywhere, but it’s good to get off her chest, and maybe it helped him to finally confess to Youko? That’s the cliffhanger. There’s also plenty of hilarious gags—this is a funny manga. But it’s also got great characters. Best ‘monster girl’ manga right now. – Sean Gaffney

Nichijou: My Ordinary Life, Vol. 6 | By Keiichi Arawi | Vertical Comics – This is a more hit-and-miss volume of Nichijou than before, but the hits are hilarious. Nakamura-sensei trying to find out what makes Nano tick, and ending up at her house and meeting The Professor is just one great visual gag after another. Speaking of The Professor, she’s horrified to find Mai coming over “to play,” as she knows her as the girl with the vicious biting dogs. Luckily, Mai’s art skills are more valuable than Mai’s sense of what’s interesting or amusing, so she manages to mollify her. As for Mio, she gets a lot of dream sequences here, be they her own or Yukko’s, and they’re all hysterical, as is her “running away from reality” rampage across town, which the anime animated flawlessly. Good stuff. – Sean Gaffney

That Wolf-boy Is Mine!, Vol. 3 | By Yoko Nogiri | Kodansha Comics – I’m usually dubious when a series gets compared to Fruits Basket, but here it’s more justified than most. Not only are there hot boys who transform into animals and a girl who knows their secret, but now we’ve got a figure filling the Akito role. Yata-sensei was the one who taught the boys to transform in the first place, and makes sure they are able to pass as humans, and when Komugi’s presence (and the tension it causes between Yu and Rin, who both have feelings for her) creates an unnecessary disturbance, he tries to get rid of her. First, he warns her off, suggesting she return to Tokyo to live with her mother, but by the end of the volume, he’s opted for more drastic measures. Exactly what those are, we’ll have to wait for the fourth and final volume to find out. I’m really enjoying this series! – Michelle Smith

Filed Under: Bookshelf Briefs

Manga the Week of 1/18

January 12, 2017 by Sean Gaffney, Ash Brown, Michelle Smith, Katherine Dacey, MJ and Anna N 2 Comments

SEAN: Mid-month, and it’s a mostly quiet time in manga land. Some series end, but others carry on regardless. What’ve we got this time around?

ASH: Wow! It’s been a while since we’ve had a week this quiet.

SEAN: Kodansha has a 2nd volume of Interviews with Monster Girls, whose first volume I found pretty good. It’s more on the ‘cute’ than ‘sexy’ end of the spectrum.

ASH: Hopefully the recent anime adaptation will encourage people to try the manga, too.

SEAN: And there’s an 18th volume of The Seven Deadly Sins.

One Peace gives us an 8th volume of yuri trap manga Maria Holic.

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Seven Seas has one of my favorite horrible guilty pleasure series come to an end with the 4th and final omnibus of Franken Fran. I understand it wasn’t a big seller, which is a shame, but its over-the-top horrible horror and humor always tickled my funny bone. Or made my jaw drop.

ASH: I’ve been thoroughly enjoying Franken Fran. It’s sad to hear it hasn’t done especially well, but I’m glad to have it on my shelves.

SEAN: How to Build a Dungeon also made my jaw drop, but not in a good way. Vol. 2 is out. Buyer beware.

My Girlfriend Is a T-Rex also has a 2nd volume, and I found the first, like Interviews with Monster Girls, cute and ‘pretty good’. This is a mild recommendation.

And Non Non Biyori’s 6th volume, a series that takes slice of life to such extremes you may fall asleep just reading the synopsis.

Vertical gives us a 7th volume of Ninja Slayer, which has ninjas, who possibly slay.

Viz has the 20th volume of Dorohedoro, and I could not be more delighted. I look forward to this series every time a new volume comes out.

ASH: Yes! I love Dorohedoro.

SEAN: And there is a 16th Terra Formars as well.

Lastly, Tokyo Ghoul has a 2nd novel based on the popular series, this one called Void.

MANGA? It’s what’s happening. What are you getting?

MICHELLE: Uhhh… nothing, apparently.

KATE: That makes two of us, Michelle! There’s a whole lotta “Whoa!” and “No!” in this week’s shipments as far as I’m concerned.

MJ: Same! Is it sad that I’m somewhat relieved to finally have disembarked the Seven Seas train? Sorry, Seven Seas.

ANNA: There is nothing that appeals to me this week, which is good because I can hopefully get caught up reading other things!

Filed Under: FEATURES, manga the week of

Bookshelf Briefs 1/9/17

January 9, 2017 by Michelle Smith and Sean Gaffney Leave a Comment

Cells at Work!, Vol. 2 | By Akane Shimizu | Kodansha Comics – Given that this is about anthropomorphic blood cells, it can sometimes be a surprise when the series packs an emotional and weighty punch. But that is, after all, the purpose of the anthropomorphism—Red Blood Cell and White Blood Cell are memorable because of their eccentricities and human foibles. Here we learn they’re apparently also forgotten childhood friends… sort of. There’s also discussion of Eosinophil, which is more specialized and therefore less powerful against things a normal White Blood Cell can do, and a surprisingly poignant treatment of a cancer cell, which is after all only trying to survive. A good second volume, and I like these cells. Are there ship wars yet? – Sean Gaffney

He’s My Only Vampire, Vol. 9 | By Aya Shouoto | Yen Press – The pieces begin to fall into place in this, the penultimate volume of He’s My Only Vampire. Unfortunately, Kana is thrust almost entirely into the background, despite a couple of revelations about her past (well, one is not entirely confirmed, but the hinting is so heavy-handed, it might as well be), as the looming confrontation between Aki and Eriya means the hunt for stigma is ramping up. Aki currently has three with a fourth at his disposal, once Jin deems the time is right, but Eriya soon claims his second. The cliffhanger ending involves the manifestation of the final stigma as well as a diary of significance. So far, this is hanging together better than Kiss of the Rose Princess, even if it isn’t 100% coherent. I’ll definitely be reading the conclusion! – Michelle Smith

Honey So Sweet, Vol. 5 | By Amu Meguro | VIZ Media – There are no fewer than five great big beaming smiles in this volume. Nao and Taiga plan to have a solo date on Christmas, but their friends quickly co-opt the evening for a party. This, in turn, leads to Nao meeting Taiga’s mom, who doesn’t seem to like her much, and then sleeping over and forgetting to notify Sou, who is very upset. Even though there is much going on here that is sweet and sunny—my favorite moment is actually Yashiro giving Valentine’s Day chocolates to Misaki—I actually really liked seeing Nao get angry for once and vow to be rebellious, and then seeing Tai lose his patience with the whole situation and intervene to get Nao and Sou reconciled. Like they themselves conclude in the story, it makes you closer with someone when you can be honest how you feel. And I honestly adore this series. – Michelle Smith

The Honor Student at Magic High School, Vol. 5 | By Tsutomu Sato and Yu Mori | Yen Press – My relief at the novels having caught up to the spinoff didn’t last long, as this volume of Miyuki’s adventures breezed through the third book in only 70 pages or so, leaving the rest of the plot as part of book four, not out here until April. So I’m spoiled by the spinoff again. There’s some good stuff here, in amongst the setup for the next volume or two. Shizuku in particular benefits in this book, becoming more than Honoka’s fiend and deadpan support and gaining character and awesome moments in her own right. As for Miyuki herself, I suspect she’s damaged by the aforementioned setup, as she doesn’t do quite as much here. Still good stuff. – Sean Gaffney

Of the Red, the Light, and the Ayakashi, Vol. 5 | By HaccaWorks* and nanao | Yen Press – Well, the story is certainly moving swiftly along! So swiftly, in fact, that the final four volumes of this series are certain to be action-packed. In this particular installment, we learn a little more about the meal, as well as the fact that Yue’s small and cute fox companion, Kurogitsune, is due a meal of his own and potentially thinks that Yue seems pretty tasty. Yue, for his part, is feeling disinclined to partake of a meal if it means one of his friends will disappear and is seeking a way out of the obligation, but the head honcho of the shrine aims to take the decision out of his hands and kidnaps Tsubaki when he has the opportunity. All sorts of forces are at play now, and I can definitely see the potential for a straight-through reread once the ninth and final volume finally arrives. – Michelle Smith

One-Punch Man, Vol. 10 | By ONE and Yusuke Marata | Viz Media – Tornado of Terror is on the cover, and she gets a significant chunk of the book as well. And you can see why—more than any of the other female characters we’ve seen in the series, she’s a match for Saitama, possibly as she’s also a lot like Saitama—she gets a lot of simplified faces, emotionless stares, and superdeformed art just as he does. Her sister also gets a nice chapter showing how difficult it can be to not worry about others when you’re constantly striving to get stronger than your betters. Among all that, the further adventures of Garo don’t pack quite as much of a punch—indeed, Saitama takes him out handily as always. This continues to be top-tier shonen and top-tier shonen parody. – Sean Gaffney

Yowamushi Pedal, Vol. 4 | By Wataru Watanabe | Yen Press – I was right that the second years were unable to beat out the first years, who are of course the protagonists so have the writer on their side. That said, I wasn’t expecting so nasty a finish, as they end up giving themselves significant injuries that will take them out of the action for some time. As for Onoda, he’s near his limits, and close to failing, but he gets another reward to give him even more speed—cleats—and that proves to be all the difference. So now we’re ready for the tournament itself, which promises to be grueling, and which features a flashback to the last one, which ended badly for all parties concerned. Is revenge in the offing? Excellent sports manga. – Sean Gaffney

Filed Under: Bookshelf Briefs

Pick of the Week: Manga from the Other Side

January 9, 2017 by Sean Gaffney, Michelle Smith, Katherine Dacey, Anna N, Ash Brown and MJ 2 Comments

SEAN: There’s a significant amount of stuff I’m getting this week, but I’m going to go with Seven Seas again, as my pick is for The Girl From the Other Side: Siúil, A Rún, because it’s winter and I therefore want more moody fantasy.

MICHELLE: This week, that Wolf-boy will be mine!

KATE: I second Sean’s pick: The Girl From the Other Side looks like the kind of Seven Seas title that a grown woman could read in public without raising too many eyebrows. That cover is swoon-worthy! The Midtown Comics website indicates that we can expect 4″ – 8″ of new VIZ product on Wednesday, so there’s temptation in that pile, too. I liked the first two volumes of Bisco Hatori’s Behind the Scenes!! enough to pick up the third. I’m also still enjoying One-Punch Man–miraculously, it hasn’t gotten stale–so I’ll probably pick up volume ten.

ANNA: There are some great manga coming out this week, but The Girl From the Other Side seems most interesting to me. I don’t normally pick up many Seven Seas titles, but I am very intrigued.

ASH: The Girl From the Other Side is easily my pick this week as well. The series has been on my radar ever since it was reviewed at Brain Vs. Book, so I’m thrilled to finally be able to read its English-language debut.

MJ: Am I really picking a Seven Seas title for the second week in a row? Wow, I really am. The Girl From the Other Side is by far the most interesting of this week’s prospects to me. Well played, Seven Seas, well played.

MICHELLE: Ash, that link of yours has convinced me to defect! To the Other Side!

Filed Under: PICK OF THE WEEK

Scum’s Wish, Vol. 1

January 7, 2017 by Michelle Smith

By Mengo Yokoyari | Published by Yen Press

I admit that I initially judged this book by its cover, assuming that it was on the smutty side and aimed at a decidedly male audience. While it is true that Scum’s Wish is seinen, the mangaka (Mengo Yokoyari) is female, and the end result (for me, at least) feels more like dark shoujo.

Hanabi Yasuraoka has been in love with Narumi Kanai, a family friend, since she was little. He was around when her mother couldn’t be (Hanabi’s dad is out of the picture), and promised to always be there for her when she’s lonely. Now, Hanabi is in her second year of high school and Kanai has just started his first teaching job… as her homeroom teacher. Pretty quickly, he becomes smitten with another young teacher, pretty Akane Minagawa, and Yokoyari-sensei masterfully conveys through facial expressions just what Hanabi thinks about that. Soon, she meets Mugi Awaya, a boy who is in love with Minagawa (she used to be his tutor) and they strike up an odd sort of friendship as they hang out together, pining for their unrequited loves.

Eventually, through boredom, loneliness, and hormones, Hanabi and Mugi end up making out, each envisioning that the other is actually the one that they love. While there are a couple of bosom closeups during this part of the story, there are such complex emotions being felt in the scene that it doesn’t feel at all salacious. Ultimately, they decide to publicly become a couple so that they can fulfill each other’s physical desires as needed, though one of the rules they establish is that they won’t be having sex, so I’m assuming this arrangement leads to a great deal of frustration.

The concept of a young couple in a purely physical relationship reminded me of A Girl on the Shore, but happily there’s no disturbing power imbalance between Hanabi and Mugi. No one is merely accepting what they can get from someone who belittles them. They have a lot in common and there’s an inkling, too, that something more might develop (even though they made a rule forbidding that, too), with Hanabi thinking that Mugi has never let her down, unlike Kanai, and feeling possessive of him.

As the scope of the story widens, we meet other characters who are in love with the leads. In addition to a boy who hasn’t received a name yet, Hanabi’s admirers include a girl named Sanae Ebato, who appears for the duration of one chapter and has yet to be mentioned again. Mugi’s overly enthusiastic admirer is Noriko Kamomebata, who has worked very hard to become a princess worthy of him, and gives the impression of a newly hatched chick who imprinted on him.

The introduction of Noriko—who prefers the name Moka, for “most kawaii”—does lead to my one complaint about this volume. Although I’ve presented the story of Hanabi and Mugi in a linear fashion, it’s actually largely told through flashbacks. I followed all of these fine until Noriko is introduced, at which point she refers to herself and Mugi as both being first years. In the first chapter, though, Mugi and Hanabi are both confirmed to be seventeen years old, they discuss their scores on a test, and Hanabi clearly mentions being in the second year of high school. So, is Mugi a second year like her or is he a first year? The timing of when Noriko arrives and objects to their relationship, therefore, is fuzzy and confusing.

All in all, though, Scum’s Wish was far better than I had originally assumed. I have no idea where the story will go from here, so I am very curious to see how it develops.

Scum’s Wish is ongoing in Japan and seven volumes are available so far. Yen Press will release volume two in English later this month.

Review copy provided by the publisher.

Filed Under: REVIEWS

Manga the Week of 1/11

January 5, 2017 by Sean Gaffney, Anna N, Ash Brown, MJ and Michelle Smith Leave a Comment

SEAN: The holidays are over and it’s back to the grind, but we have some manga here to help you along.

Dark Horse is not only putting out Shinji Ikari Raising Project omnibuses, but also the actual series. Vol. 17 is the 2nd to last. Love those Evangelion AUs.

Kodansha has a few books. I was very pleased with the first volume of In/Spectre, whose female lead basically ticks many marks I look for in female leads. I am very excited for Vol. 2.

ASH: I’m very curious to see how this series unfolds!

SEAN: And we also get a 3rd volume of That Wolf-Boy Is Mine!, though the wolf boy himself may say otherwise.

MICHELLE: I really enjoyed the first two volumes and am looking forward to the third!

SEAN: Meanwhile, the 12th Yamada-kun and the Seven Witches starts to show us how it intends to move on after for all intents and purposes ending last volume.

ASH: The series seems to have done this a few times now.

SEAN: The big publisher this week is Seven Seas, with five titles. First we have a 9th volume of techno thriller Arpeggio of Blue Steel.

And a 3rd volume of Zero Sum-tastic action series Battle Rabbits.

The debut this week is The Girl From the Other Side: Siúil, A Rún, which is a mouthful but I have high hopes. Also known as Totsukuni no Shoujo, it’s a Mag Garden title from Comic Blade. We haven’t seen much of them since the old Tokyopop days. It seems to be along the lines of Ancient Magus’ Bride and similar titles.

ASH: I am looking forward to this one immensely; possibly one of my most anticipated debuts of the year.

ANNA: This sounds interesting to me.

MJ: Oh, this. I’m definitely interested in this!

SEAN: Golden Time’s 6th volume continues to show us that law school students can have just as many angsty romantic triangles as high school students.

And the always gloriously silly My Monster Secret has a 5th volume.

Speaking of silly, or at least just plain weird, there’s a 6th volume of Nichijou from Vertical Comics.

Viz closes things out. First we have a 61st volume of Case Closed, which continues to feature lots of mysteries and lots of pointing.

The Legend of Zelda: Legendary Edition’s first volume was a huge bestseller, and I suspect the second, which will have Oracle of Seasons and Oracle of Ages, should do equally well.

Lastly, Ranma 1/2 has its second to last omnibus, which means that at least one of its many hanging subplots will get wrapped up. No, really, it will. But not any of the romantic ones, fear not.

ASH: Still glad Ranma is getting a re-release!

SEAN: There’s some really good titles here. What interests you?

MICHELLE: Apparently only wolf boys!

Filed Under: FEATURES, manga the week of

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