Genshiken: Season Season, Vol. 10 | By Shimoku Kio | Kodansha Comics – When Genshiken rebooted itself as a female-driven series, and adding Hato’s gender-driven issues, it acquired a big audience that it hadn’t had before. I suspect most of that audience gradually moved away once Madarame returned and the entire plot became “who will he end up with?” And clearly it wasn’t going to be Hato, but credit to Kio here for treating Hato’s attraction to Madarame, and Madarame’s growing awareness of feelings within himself, with seriousness and sympathy, despite both parties being drunk. The rest of the volume comes off as an afterthought in comparison, though it is a bit stunning to see Keiko’s temper tantrum when she realizes Madarame is just not that into her. A bit of a train wreck, but good. – Sean Gaffney
In/Spectre, Vol. 4 | By Kyo Shirodaira and Chashiba Katase | Kodansha Comics – The murder of Saki’s police colleague amps things up tremendously for our heroes, as it’s becoming increasingly hard to shut down the legend of Steel Lady Nanase. And it becomes clear that someone else is pulling strings on the other side—someone well known to both Kotoko and Kuro. While I’m not sure the title needed the addition of an evil mastermind, she works well as a dark mirror to Kuro, and also as a threat to Saki—even now. As with previous volumes, the main reason to read it continues to be Kotoko, who is clever and earnest when working towards their goal, but remarkably petty and insecure otherwise. This is not quite as good as it used to be, but still enjoying it. – Sean Gaffney
Kamisama Kiss, Vol. 24 | By Julietta Suzuki | VIZ Media – Suzuki-sensei does a fabulous job again, first resolving the Akura-Oh plot in a way that makes me feel sorry for Yatori and then really delving into what it means for Tomoe to become human. Nanami starts working herself to exhaustion to save for their eventual life together—unwilling to leave things to chance, which makes sense after a childhood with her gambling father—but the real heartbreak of this volume is Mizuki’s reaction to her eventual departure. He tries to hold in his feelings and be happy for her, but he can’t do it, particularly after she explains that she’s human and has no choice but to grow old. I fully get what it’s like to want something impossible with all your heart, so the panel of him sobbing “Don’t get old. Don’t grow up.” really got to me. I now chiefly wish for a happy ending for Mizuki! Sniff. – Michelle Smith
Kase-san and Bento | By Hiromi Takashima | Published by Seven Seas- Last week, Sean called this series “cuteness personified” and I really cannot quibble with that description. In this installment, Yamada and Kase begin their final year of high school in the same class. A trip to Okinawa provides opportunities to be accosted by creepy drunks in the airport, angst about communal bathing, fret about relationship doubts at the aquarium, and work everything out on the beach. Maybe all the insecurity is a bit much—I wished for someone to call out Yamada’s friend, Mikawa, who was constantly stirring the pot—and it’s true Yamada looks and acts like a seventh grader sometimes, but her innocence also leads to some nice moments. All in all, this is much more my style of yuri than some I’ve seen. Is it because it runs in a “pure yuri” anthology? Perhaps. I look forward to Kase-san and Shortcake! – Michelle Smith
Kiss & White Lily for My Dearest Girl, Vol. 2 | By Canno | Yen Press – A second volume gives us focus on more girls, though as with the first, things remain somewhat ambiguous throughout. This title presents a nice balance between the fluffy sweetness of Kase-san and the turmoil of Bloom Into You. It also shows us that not all of these couples are going to be simply put-the-jigsaw-together types, as Chiharu’s crush here is unrequited, though halfway through the book we get a new contender anyway. I don’t really have much to say about the volume, but that’s because these stories feel realistic and true, at least to the extent this genre can. The weak point may be the final side-story, which ties back to the angry lead from volume one meeting the sister of her “girlfriend,” with much sister crushing ensuing. Fun. – Sean Gaffney
Log Horizon: The West Wind Brigade, Vol. 5 | By Koyuki and Mamare Touno | Yen Press – Unfortunately, this continues to be a very frustratingly inconsistent series. At its best, it’s riffing on the events of the main series and showing us how they affect and are observed by the West Wind Brigade—we wrap up the Hamelin story here, and Soujirou’s admiration for Shiroe shines through. And the side story with Kawara is excellent, especially her tears when she thinks of her dad, and her backstory. The other half of the volume, though, is pure fanservice, with discussions of peeping on Soujirou in the bath, potions turning Soujirou female, and even uniform measuring—almost all of it involving Nazuna, who is in full-on ‘drunken big-breasted cliche’ mode here. For Log Horizon fans only. – Sean Gaffney
Missions of Love, Vol. 14 | By Ema Toyama | Kodansha Comics – One thing I really enjoy about Missions of Love, despite its soap-opera dramatics and basically horrible cast, is that it shows us over and over again that manipulating others in order to achieve your love is always wrong and will always fail. Hisame’s arrival may have merely been to extend this series out for a few more volumes, but we’re really getting to know what makes him tick here, and seeing how his own series (which sells better than Yukina’s at the moment) may be just as ignorant of love. The dangers of cell-phone writing for teens. Meanwhile, there’s still a Mami and Akira plot that’s happening, as Mami is trapped in a romantic triangle she’s not even really cognizant of. Still excellent trash. – Sean Gaffney
Monthly Girls’ Nozaki-kun, Vol. 7 | By Izumi Tsubaki | Yen Press – I’m hard-pressed to identify what, if anything, was different about this volume of Monthly Girls’ Nozaki-kun. Maybe it simply hit the spot for me or something, because I loved it even more than usual. This time around the chapters are focused on things like keeping up with changing technology over the course of a long-running series, how to lose weight, playing Kokkuri-san (a game like a Ouija board), and the basketball team trying to figure out what to do about Seo. Actually, there was a fair amount of Seo/Wakamatsu and Hori/Kashima in this volume, with each pair making some incremental progress, so perhaps it was that which really made it feel special. Regardless, this series is always a breath of fresh air. Only one more volume ’til we’re caught up with Japan! – Michelle Smith
Welcome to the Ballroom, Vol. 5 | By Tomo Takeuchi | Kodansha Comics – Fujita is back to classes—and it’s nice to see a brief scene showing him not rejecting his studies—but lacks a partner again, and so a lot of this volume is devoted to introducing a new girl, seemingly harsh on the very idea of ballroom dancing but in reality a huge fan of Sengoku and his partner—I suspect we’ll see her partnering with Fujita before too long. As for Fujita, his mind is moving faster than his body, and he really has to understand that the basics are important and can’t be skipped. Of course, fundamentals are frustrating, and we feel that in everything he tries to do. Not perfect (more sudden weight loss magically making women pretty, a trope I hate), but still a good shonen series. – Sean Gaffney
Makoto Kowata is a novice witch who, in the tradition of witches, has left home at the age of fifteen to become independent. Her parents are concerned about her safety, though, so she’s staying with relatives in Aomori, located in the Tohoko region where it’s easier to perform magic thanks to abundant wilderness and natural resources. Accompanying her is her familiar, a black cat named Chito who is indisputably my favorite character.
Fifteen-year-old Tsukushi Tsukamoto doesn’t have any friends. He’s always rushed home after school to be there for his disabled mother, who is raising him on her own after his father passed away. After an eccentric fellow named Jin Kazama saves Tsukushi from bullies, Tsukushi is more than willing to grant Kazama the favor of playing a game of futsal with him. In fact, he runs six miles through the rain in order to fulfill his promise, and though he’s spectacularly awful at the game, he’s also a gutsy idiot and something about his enthusiasm rubs off on his teammates.
Little by little, Tsukushi manages to not completely suck, albeit only for brief moments at a time. Because of his ability to rekindle the joy of soccer in others, he is surprisingly chosen for the Interhigh team. Though he makes an error that costs them a penalty kick, he also makes a valiant save that rallies everyone’s spirits. I’m a sucker for those moments when the underdog first hears the crowd cheering for them so, predictably, this moment made me verklempt.
Mikuri Moriyama is a 25-year-old licensed clinical psychologist who hasn’t been able to find a job after grad school. She’s been living with her parents and working for a temp agency, and when she’s laid off her father arranges for her to assume housekeeping duties for a guy he used to work with. Hiramasa Tsuzaki is 36 and single. He seems humorless and particular at first, but Mikuri finds that working for a hard-to-please guy makes it easier to know when she’s been successful. She performs her duties well, even managing to nurse Tsuzaki through an illness in such a business-like way that it’s not awkward for him. Things go well for a few months, then Mikuri’s father prepares to retire and move to the countryside. Rather than lose their mutually beneficial arrangement, Mikuri and Tsuzaki decide that she’ll move in with him and, for the sake of propriety, become his common-law wife. They proceed to perpetuate the ruse that they’re actually a real couple.
As Tsuzaki’s coworkers learn that he’s gotten married, his social calendar suddenly fills up in a way it never did before, while Mikuri notices that her aunt Yuri, with whom she’s very close, has been hesitant to invite her out as much as she used to before Mikuri got married. Spending time with Numata and Kazami is enjoyable for the couple, but it’s also risky, because nosy Numata snoops and learns there’s only a twin bed in the bedroom, and by volume two, Kazami is convinced that they’re faking it. Kazami is perhaps as equally developed as Tsuzaki himself, as we hear a great deal about his reservations about marriage, which all leads up to the big cliffhanger ending of volume two (which I shan’t spoil). Tsuzaki, meanwhile, is attempting in vain to keep from developing feelings for Mikuri. She persists in being business-like, and he 100% believes there’s no chance she’d ever reciprocate, so he often looks emotionless in front of her, only revealing his feelings when he’s alone. I love that neither one of them is spazzy; they’re in a somewhat trope-y arrangement, but they’re handling it like adults.
Even without knowing much about Dreamin’ Sun, I was sold by the fact that it’s an earlier series from Ichigo Takano, creator of orange, which I loved dearly. Dreamin’ Sun is more of a straightforward and comedic shoujo story in which characters do not contend with letters from their future selves or how to save a suicidal friend, but it still has a few poignant moments.
Yaichi is a single dad who works from home managing the rental property his parents left to him and his brother, Ryoji, after being killed in a car accident when the boys were teenagers. He considers his real job to be providing the best home he can to his daughter, Kana. On the day the story begins, Yaichi is expecting a guest—Mike Flanagan, the burly Canadian whom Ryoji married after leaving Japan ten years ago. Ryoji passed away the previous month and Mike has come to Japan to try to connect with Ryoji’s past and see for himself the many things he’d heard stories about from his husband.
It’s the story of Minare Koda, a waitress with a gift of fluency that catches the attention of a local radio producer, Mato. After secretly recording her drunken rant about her thieving ex and playing it over the air, he eventually takes the chance of giving her her own weekly show in a late-night time spot where she has the freedom to do some really kooky things. The first episode, for example, is a surreal audio drama about murdering said ex, Mitsuo. The next week, it’s time to bury the body on Mt. Fuji!
Yaichi is a single dad, earnestly raising his young daughter, Kana, whose life is upended by the arrival of Canadian visitor, Mike, husband to Yaichi’s estranged twin brother, Ryoji, who has just passed away. Yaichi greets Mike with awkwardness and not just a little homophobia, but is forced to invite him to stay after Kana, blissfully unaware of her father’s discomfort, insists that he must be welcomed into their home. Mike, stricken with grief, but anxious to connect with Ryoji’s family and childhood, gratefully accepts Yaichi’s grudging hospitality and settles into Ryoji’s old room. 
Asahi is spending a pleasant afternoon with her parents and she’s just about to go in and have some cookies when the backyard pond reaches out and ensares her, transporting her to another world. There, she meets a friendly boy named Subaru who unfortunately has some very ruthless parents, who immediately decide to offer Asahi to the water dragon god to obtain prosperity.